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In 1950, a poor Lebanese teenager, 19-year-old Sam Moore, emigrated alone to America. His English was as broken as his prospects for the American Dream. Eventually, Moore would purchase one of the oldest and most respected publishing companies in Britain, Thomas Nelson Publishers. Under his direction, Thomas Nelson would become one of the leading Bible publishers in the world and would contribute to the developing successes of such best-selling nonfiction authors as Robert Schuller and Zig Ziglar. Watching his company being listed in 1995 on the New York Stock Exchange was many smiles and tears from Idlewild Airport in New York City just across town where Moore first entered the country with only $600 to his name in 1950. Moore can testify loudly that the American Dream is neither myth nor fact. It is opportunity.

Written to coincide with the 200 year anniversary of Thomas Nelson Publishers, the first half of American by Choice is pure Moore autobiography. In places, the writing is cliche-ridden, but where the writing itself fails, the reader should concentrate on the unusual and inspirational story revisited in the second half of the book. When Moore begins to write about Thomas Nelson Publishers, his tone changes dramatically. In the last half, it is obvious that Moore is more comfortable outlining his company and where he wishes to lead it than he is in writing about himself. As you read, you can feel his driving nature.

"They did not know how hard I worked and the amount of hours and sweat I put out during the summer, the dogs that jumped on me, the doors that were slammed in my face. But that was nothing compared to the joy and rewards I found in what I had been able to achieve." His is more than a rags-to-riches story. It's a reminder.

In 1950, a poor Lebanese teenager, 19-year-old Sam Moore, emigrated alone to America. His English was as broken as his prospects for the American Dream. Eventually, Moore would purchase one of the oldest and most respected publishing companies in Britain, Thomas Nelson Publishers. Under his…

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He was a Native American warrior known as Tecumseh. Translated into English, the name means "Shooting Star." The fiery Shawnee leader's passions burned brightly during his life, as he struggled to protect his people's property rights and cultural heritage from being destroyed by white settlers. Like a comet's tail, Tecumseh's legacy continues to shine long after his passing. The life and legend of this warrior chief are the focus of John Sugden's biography Tecumseh. Tecumseh's powerful impact on Native Americans, both during his life and following his death, are thoroughly analyzed by Sugden, a noted authority on the Shawnee chief.

"Even today one can still feel that passionate belief that spurred Tecumseh on, that powerful spirit that again and again urged him to confront every obstacle and meet every danger." There have been volumes written about the warrior chief, who spent most of his life roaming the upper Midwest and Canada. Born sometime in the late 1760s, Tecumseh died in the War of 1812, while leading a failed effort to stave off aggressive American expansionism. During his life, he was often feared and vilified by whites. Upon his death, his stature as a heroic figure grew, almost to the point of exaggeration. This point leads Sugden to state that his mission is to provide readers with an accurate account of Tecumseh's life, which he does in exhaustive detail.

While some of the magic is lost as Sugden dispels the many myths, he offers insight into what influenced Tecumseh's life-long quest to unite Native Americans and preserve their civilization. A disdain for white settlers formed early in Tecumseh's childhood after settlers killed his father, seized the hunting grounds, and uprooted the Shawnees from Ohio. While these events could have turned him into a bitter, savage warrior, Sugden points out that Tecumseh grew into a strong, inspiring leader. This is further illustrated by several examples of how Tecumseh overruled fellow warriors to spare an enemy's life. Delving into Tecumseh's past allows us to further appreciate this renowned and gifted speaker and diplomat who skillfully negotiated with the U.S. government. Yet the biography also portrays Tecumseh as a human being with his own shortcomings. "Arrogance, impulsiveness, haughty pride, and a capacity for ruthlessness were all part of his makeup," writes Sugden, "but it was his virtues that were remembered, even by his enemies."

The author also explores how Tecumseh urged his people to strive for self-improvement by rejecting alcohol, witchcraft, and violence attempts that were influenced by his brother, Lalawethika, the Prophet, who told of messages he received from the Great Spirit. Unfortunately, Tecumseh's efforts to reform and unite Native Americans had to be set aside when forced to defend Shawnee land, resulting in the ill-fated alliance with the British against the United States in the War of 1812. While Tecumseh gave his life in the war, Sugden writes that the warrior chief also gave his people a lasting gift. "Tecumseh may have been unsuccessful, but he bequeathed to Indian peoples something of great importance: from his memory they have drawn pride and self-respect."

He was a Native American warrior known as Tecumseh. Translated into English, the name means "Shooting Star." The fiery Shawnee leader's passions burned brightly during his life, as he struggled to protect his people's property rights and cultural heritage from being destroyed by white settlers.…

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Starting with its subtitle, “The Man Who Bet on Everything,” Kevin Cook’s biography of legendary gambler Titanic Thompson pulls you in with stories of crafty bets, pretty women and narrow escapes. Cook isn’t content just to tell those tales; he reveals the person behind the conniver. It proves to be a wise decision.

Born Alvin Thomas, Titanic grew up bored and poor in rural Arkansas, pitching pennies and dealing cards to pass the time. He left home at 16, and spent the rest of his life looking for action. And regardless of where he was—Pittsburgh, New York, California, Texas—he found it. Titanic won millions playing cards, pool, golf, even horseshoes. He loved making outlandish bets and duping marks by finding the profitable loophole. Like a grifter Forrest Gump, he rubbed elbows with notorious icons such as Al Capone and Minnesota Fats. Titanic was no angel himself, killing five men and marrying five women.

Titanic never saved anything, and he couldn’t stop chasing the next big pot. With Las Vegas eliminating opportunities and his reputation known throughout the land, the action slowed to a trickle in the late 1960s and ‘70s. Elderly and in failing health, Titanic was reduced to picking “coins from a dish in the kitchen so he could take his wife out for ice cream.” His final days were spent in a nursing home, where nothing changed. He chipped golf balls outside, played poker (his hands were so stiff that he used his knuckle to deal the cards) and paid a nurse $80 to parade around his room nude. Later, he asked to touch her, but not for obvious reasons: “He had only married girls with soft skin,” Cook writes.

Cook deftly includes historical observations and biographies of Titanic’s associates (such as Guys & Dolls writer Damon Runyon, who based Sky Masterson on Titanic), and his colorful prose brings Titanic and his schemes to life: The man’s blood pressure, he observes, was “somewhere between the values for hibernation and coma.” But Cook avoids being seduced by Titanic’s glorious past, and thus provides readers with the gambler’s sobering reality: Eventually everyone learns your tricks. Filled with equal parts gusto and poignancy, the compulsively readable Titanic Thompson chronicles the lush life of a hard-living high roller—and his sad aftermath.

Starting with its subtitle, “The Man Who Bet on Everything,” Kevin Cook’s biography of legendary gambler Titanic Thompson pulls you in with stories of crafty bets, pretty women and narrow escapes. Cook isn’t content just to tell those tales; he reveals the person behind the…

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At the age of 47, Don Snyder kneels at the grave of his mother. A line of geese crosses the sky. He is embarrassed to speak out loud, but he does. I don't know where you are, Peggy. Of Time and Memory is a unique book, a biography of a mother written by a son who never knew her. Peggy Snyder died when Don and his twin brother were 16 days old, and the tragedy so affected their father Dick that he locked the memory of Peggy away. He remarried, worked until retirement, and now has developed a brain tumor. This pending loss makes his son Don begin to ask questions about his mother, questions that result in this book.

Dick Snyder returned from World War II and began work as a printing press operator. He saw a picture of Peggy on the desk of her father, who worked beside him. He fell in love with the picture, and then with the girl. Peggy was only 18, a recent high school graduate who dreamed of moving to New York. But Dick won her heart, and then her hand in marriage. Ten months later she gave birth to twin sons. Sixteen days afterwards, she died.

In Of Time and Memory, Don Snyder tells his own story, as well as the love story of his parents, a love story that outlives them. He calls it an unremembered love story, true in every aspect, preserved behind the heavy door that was closed against the terrible sadness of its end.

Peggy gave birth to twin sons and then died from a condition known as preeclampsia. Her parents, her sister, and his father blamed her doctor for her untimely death. By researching and writing this book, the author discovers the truth: that Peggy's doctor told her of her dangerous condition at the beginning of her pregnancy and warned her that the only treatment for the condition was to take the fetuses no later than the end of her second trimester, before she became too sick to recover.

Peggy made the decision to carry her sons to term, giving them life while sacrificing her own. Of Time and Memory becomes more than the love story of the author's parents. Though he never knew her, Don Snyder finds that he loves Peggy too.

David Sinclair is a former English Literature teacher.

At the age of 47, Don Snyder kneels at the grave of his mother. A line of geese crosses the sky. He is embarrassed to speak out loud, but he does. I don't know where you are, Peggy. Of Time and Memory is a unique…

At the time of Princess Diana's death, she was probably the world's most famous celebrity. Her work for various charities and her crusade against land mines had taken her to numerous countries. She gave comfort by ministering to the needy, the sick, and the dying. But as Diana in Search of Herself: Portrait of a Troubled Princess relates, the private Diana differed significantly from her public persona.

This authoritative biography by Sally Bedell Smith considers previous books and articles about Diana. It also includes Diana's own words as well as quotes from acquaintances and friends. When versions of an incident differ, the author appropriately presents as many sides as possible and withholds final judgment.

What emerges is a portrait of an extremely complex, basically insecure woman, whose marriage to Prince Charles thrusts her into a situation she is unable to handle. Her depression, bulimia, and occasional attempts at self-mutilation appear to be symptoms of a deep psychological conflict that she was never able to resolve, despite visits to different therapists and the use of alternative therapies. Neither the royals nor her own family understood the extent of her illness, and Diana was never able to find the safe, nurturing environment she sought.

The book recounts how Diana searched for approval to bolster her shaky self-image throughout her entire life. Wanting to control relationships and needing frequent reassurance to help her cope with mood swings, Diana went so far as to attempt to control her public image through her management of media contacts.

At the time of Princess Diana's death, she was probably the world's most famous celebrity. Her work for various charities and her crusade against land mines had taken her to numerous countries. She gave comfort by ministering to the needy, the sick, and the dying.…

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If you lack the stamina to slog through another 600-page fact-fest but retain a taste for biography and admire good writing, Penguin Books is publishing the ideal series for you. When Penguin first announced that they were launching the series, the volumes of which weigh in at 150-200 pages, a few curmudgeons were heard to mutter words like McBio. Au contraire. These little books read not as Reader's Digest summaries, but as thoughtful, extended essays by literary writers who understand their subjects. Both the subjects and their biographers are surprising.

Frequently they are an inspired match, as with the first two volumes, which came out in January Edmund White's Marcel Proust and Larry McMurtry's Crazy Horse. Any series of biographies is an acknowledgment of human diversity, and this one certainly celebrates it. Out this month are two more in the series, Peter Gay on Mozart and Garry Wills on St. Augustine. Later this year Penguin will publish Edna O'Brien's James Joyce and Jonathan Spence's Mao Zedong. Slated for the future, appearing at a rate of six per year, are such appealing combinations as Jane Smiley on Charles Dickens, Patricia Bosworth on Marlon Brando, Marshall Frady on Martin Luther King, Jr., and Karen Armstrong on the Buddha.

If you aren't familiar with the life of the author of Remembrance of Things Past, you'll be in for some surprises in Edmund White's Marcel Proust. Did you know that the asthmatic aesthete left his cork-lined fortress of solitude and challenged several men to duels when they dared to suggest in print what everyone already knew that he was a homosexual? White elegantly weaves an analysis of Proust's sex life into the many other strands that made him such a complicated figure, from illness and emotional dependency upon his mother to his natural historian's passion for dissecting every subspecies of class status. Meanwhile, at the opposite end of every kind of spectrum you can imagine, there is the life of Crazy Horse. Larry McMurtry, thoughtfully piecing together shards of a story, is quick to point out how little we really know about the man we call Crazy Horse. Still he recalls to life the ghostly, mythical figure that hangs over our memories of one of the great tragedies of American history, the relentless genocide that a solitary man was forced to battle and which ultimately killed him. Resisting the myths, yet first drawn to Crazy Horse because of them, McMurtry employs his vast knowledge of the era and his considerable narrative gifts in a curious performance, and an oddly moving one.

Peter Gay seems perfect to probe the mind of one of the great geniuses of Western music, and he does so with his usual expertise and style in Mozart. The life of Mozart, he begins, is the triumph of genius over precociousness. Who would not keep reading after that gauntlet of a first sentence? Along the way Gay reevaluates the influence of Wolfgang's famously tyrannical father. Historian Garry Wills looks a bit farther back into history than usual with his St. Augustine. Naturally the ever contentious Wills questions some of the standard myths of Augustine's life, such as his early sexual excesses. His combined analysis of the man, the leader, and the writer is fascinating. The Penguin Lives series is off to an impressive start.

Michael Sims is the author of Darwin's Orchestra (Henry Holt).

If you lack the stamina to slog through another 600-page fact-fest but retain a taste for biography and admire good writing, Penguin Books is publishing the ideal series for you. When Penguin first announced that they were launching the series, the volumes of which weigh…

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An invitation flutters out of the usual coupons, bills, and sweepstakes notices. Cousin Curtis's daughter, Sally the Scholar, is graduating this month; you can't remember if she's finishing grammar school, officer training, or clown college, but the invitation definitely reads commencement. What gift doesn't require bake sales, passing grades, or student loans? Why, books, of course!

A physics book? As a gift? If Sally or anyone else you know has a penchant for subatomic particles and chaos (theory, that is), then Physics in the 20th Century is the gift of choice. Author Curt Suplee, science writer for the Washington Post, explores the past, present, and future of physics, and readers will realize that matter . . . well, matters! Suplee's text includes practical, everyday applications, making physics accessible to all types of thinkers. Gorgeous photographs and digital illustrations, many presented as center spreads, make this a lovely display book as well. Definitely not your run-of-the-mill, ho-hum, college physics textbook.

Noel Coward was living proof that one needn't have only one profession. The sometimes-playwright, sometimes-painter, sometimes-composer was the definitive artiste of his time, and perhaps of this century. To celebrate what would have been Coward's 100th birthday, The Overlook Press has published Noel Coward: The Complete Lyrics. Editor Barry Day, who has authored several books on Coward, has compiled and annotated 500 songs, including many that remain unpublished and unknown. Plenty of photographs and illustrations, as well as background information from both Coward and Day, make this book an elegant gift for the well-rounded, sophisticated person in your life.

If your favorite graduate has chosen a less-than-traditional career path, The Virtuoso: Face to Face with 40 Extraordinary Talents will provide inspiration. Author Ken Carbone interviews folks like Henri Vaillancourt, canoe maker; Sylvia Earle, explorer; and Olympic gold medalist Nadia Comaneci, to name a few. Peppered with essays on the elements of virtuosity, The Virtuoso includes stunning photographs by Howard Schatz, who captures each virtuoso in perspectives that illustrate the marriage of occupation and soul. A gorgeous gift for those who dare to take the road less traveled.

Memorial Day and Armed Forces Day are both recognized this month, and Scholastic's Encyclopedia of the United States at War follows our country from the Revolution to the Gulf War. Tragedy and triumph are brought to life with photographs, illustrations, maps, eyewitness accounts, and other historical details of each war. Why did Anna Marie Lane receive a soldier's pension following the Revolution? And just how old was Johnny Shiloh when he fought in the Civil War? Famous battles are chronicled, and authors June English and Thomas Jones follow each war from start to finish. A wonderful gift for history buffs, military buffs, and students both young and old.

As the turn of another century draws nigh, William Morrow Books asked 25 women to recall their memories of the last turn of the century. The result is We Remember: Women Born at the Turn of the Century Tell the Stories of Their Lives. Brooke Astor, active as ever, recounts her heartaches and triumphs (between phone calls with her veterinarian); Martha Jane Faulkner, age 104 and the daughter of a slave, talks about moving north to the Promised Land of New York City, only to find it not-so-promising; Dr. Leila Denmark discusses her 70+ years of practicing medicine; and many other remarkable women reflect on what a difference a century makes. Includes a foreword by Hillary Rodham Clinton and timeline endpapers.

Is Sally someone who is destined to ask, What's behind Curtain #3? while wearing a tuxedo and/or evening gown midday? The Encyclopedia of TV Game Shows is the perfect solution. With a foreword by Merv Griffin, this reference book contains over 250 pages of entries, and dozens of appendices and photographs. It's fairly inclusive; you'll find information ranging from gameshow dynasties like The Price Is Right to gameshows that were merely blips on the screen (does anyone remember The Better Sex from the 1970s?). And did you know that Walter Cronkite, Hugh Downs, and Mike Wallace all served as gameshow hosts? A fun conversation piece, The Encyclopedia of TV Game Shows makes an ideal prize for departing graduates, departing contestants, and otherwise.

An invitation flutters out of the usual coupons, bills, and sweepstakes notices. Cousin Curtis's daughter, Sally the Scholar, is graduating this month; you can't remember if she's finishing grammar school, officer training, or clown college, but the invitation definitely reads commencement. What gift doesn't require…

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The more we learn about Elvis Presley, the more sad and pathetic his life seems to have been. Presley's apologists will maintain, of course, that his music and presence were so world-changing that they render all his other personal characteristics moot. But as the audience that was initially transformed by his music grows older, the bulk of the population is left with the image of a man whose excesses ate him alive. That is basically the story Peter Harry Brown and Pat H. Broeske relate in Down at the End of Lonely Street: The Life and Death of Elvis Presley.

Without ignoring or minimizing Presley's astounding talent and charisma, the authors provide us a parallel account of his descent into an exhausting and ultimately joyless hedonism. It reveals a man for whom solitude was horrifying and whose most creative thinking was devoted to the acquisition of drugs. Squeezed on the one side by his hard-driving, Machiavellian manager, Colonel Tom Parker, and on the other by his own insatiable appetites for food, women, drugs, and respect, Presley is as doomed as the hero in a Greek tragedy but without the moral stature. The singer shines brightest in this book during his days as a conscientious, high-achieving soldier in Germany. Although Brown and Broeske cover much the same ground as the legion of other Presley biographers, they do offer a more thorough and up-to-date account of his death and a more charitable assessment of Presley's personal physician, the much vilified George Dr. Nick Nichopoulos. Enriching the text, which is indexed, are 16 pages of pictures, a chronology of Presley's entire life, a list (with summaries) of all his movies, a selective discography, and a list of his television appearances.

Edward Morris is a Nashville-based journalist.

The more we learn about Elvis Presley, the more sad and pathetic his life seems to have been. Presley's apologists will maintain, of course, that his music and presence were so world-changing that they render all his other personal characteristics moot. But as the audience…

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Stephen Crane was only 28 when he died of tuberculosis in England in 1900. He packed into that time, however, enough highs and lows, achievements and disappointments, as well as adventure, for several lives. Almost a century after his death, his best novels, The Red Badge of Courage and Maggie: A Girl of the Streets, are American classics. His short stories, “The Open Boat” and “The Bride Comes to Yellow Sky,” among others, are widely read and enjoyed. It confirms what Crane’s friend, H.G. Wells, said at his death, “I do not think that American criticism has yet done justice to the unsurpassable beauty of Crane’s best writing. And when I write those words, magnificent, unsurpassable, I mean them fully. He was, beyond dispute, the best writer of our generation, and his untimely death was an irreparable loss to our literature.”

Crane was a complex man of great personal charm whose work was a combination of his imagination and experience. Red Badge was set during the Civil War, although Crane was not born until 1871. He drew on his work as a war correspondent in Cuba and Greece for later work including his last novel, Active Service. He was, as Linda H. Davis writes in her outstanding new biography, Badge of Courage, a writer who was always pretending to be someone else. Davis begins with the early influence of Crane’s parents. His father, a Methodist minister, wrote ten pages a day, primarily, it seems, to impress his children with the importance of writing. More importantly, his mother, who bore 14 children, was a social activist and the author of several published short works.

During his brief period as a college student, Stephen began to write seriously and left school to become a newspaper reporter. In 1895 he explained to Willa Cather that he led a double literary life; writing in the first place the matter that pleased himself and doing it very slowly; in the second place, any sort of stuff that would sell. It was a pattern he would follow all his writing life. Although he lived modestly, even in virtual poverty at times, he seems to never have been free of debt. This was due in part to the fact that although he was widely acclaimed as a writer, he earned little from it. Davis notes that “In four years [he] had published five novels, two volumes of poetry, three big story collections, two books of war stories, and countless works of short fiction and reporting.” And yet in three years he had earned just over $1,200 for his entire American output, at a time when the country’s per capita income was $1,200 annually.

Crane was sensitive to the plight of others. His sympathies, as novelist and war correspondent were with the wounded and the private soldier. His defense of a prostitute wrongly arrested by a corrupt New York City policeman cost him the friendship of Police Commissioner Theodore Roosevelt. At the same time, he did not write or talk about his feelings for Cora [the bordello madam he met in Jacksonville, Florida, and who lived with him as his wife] yet friends described him as devoted and protective of her. Cora was devoted to him as well. His happiness, well-being, and work were of paramount importance to her something that endeared her to his friends, whether they actually liked her or not. In discussing his life Crane wrote to a friend, “I cannot help vanishing and disappearing and dissolving. It is my foremost trait.” To an admirer he did not know, he wrote “I am clay very common, uninteresting clay. I am a good deal of a rascal, sometimes a bore, often dishonest.” Of particular interest are Crane’s relationships with other writers. In the United States, these included Hamlin Garland and William Dean Howells. Later, in England, they were H.G. Wells, Ford Maddox Hueffer (last name later changed to Ford), Henry James, and, most importantly, Joseph Conrad.

Because of his tuberculosis, Crane was convinced that he would die young. Davis speculates, Given Stephen’s personality, his feverish approach to his work, and his penchant for risk-taking, one wonders whether he lived and worked on the ragged edge because he knew he hadn’t much time. Drawing on the latest Crane scholarship, Davis captures all of these aspects of his life and work. Her book is beautifully done, and I finished reading it with the appropriate response to a good literary biography I wanted to read or reread Crane’s work.

Roger Bishop is a monthly contributor to BookPage.

Stephen Crane was only 28 when he died of tuberculosis in England in 1900. He packed into that time, however, enough highs and lows, achievements and disappointments, as well as adventure, for several lives. Almost a century after his death, his best novels, The Red…
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The truism that a man's worth is determined by his deeds is no more apt than in this biography of the late United States Supreme Court Justice Thurgood Marshall. Written by Juan Williams, a national correspondent for the Washington Post and the author of the acclaimed Eyes on the Prize, it posits that Marshall, above any other individual, is responsible for radically changing the landscape of race relations in the 20th century.

Williams sees Marshall as part of a triumvirate of African-American leaders who sought justice for the impoverished and oppressed and for black people, in particular, in this country. The other two men Martin Luther King, Jr., and Malcolm X have become near mythical figures and icons while Marshall is less known and mostly remembered for becoming the first African American on the nation's highest court. Yet, his actual achievements have profoundly affected the lives of every person in the United States.

Williams's book meticulously chronicles the life of Thurgood Marshall from his upbringing in a proud middle class Baltimore family to his rise to the head of the NAACP's legal defense team to his attainment of a seat on the Supreme Court the crown jewel of the legal profession. Although Williams highlights Marshall's role in the landmark Brown court decision which outlawed racial segregation in public schools (see Richard Kluger's Simple Justice for the definitive history of this case), the author convincingly shows the tremendous impact on American society of the many other cases handled by Marshall as the NAACP's top lawyer.

Marshall's legal victories although achieved on behalf of African Americans expanded the individual rights and liberties of all Americans. Equality under the law became a reality to many due in no small measure to Thurgood Marshall. From voting rights to criminal justice, Marshall was at the forefront of protecting the rights of the individual. Indeed, the facts of each case speak loudly of Marshall's accomplishments. Additionally, Williams, to his credit and without much embellishment, lets the words of Thurgood Marshall and others provide insight into the character of the man.

The author suggests that the reason Marshall has not been placed in the firmament of civil rights leaders along with King (an advocate of nonviolent civil disobedience) and Malcolm X (a supporter of violent response to oppression if necessary) is that he used the tools of the establishment to end legal segregation. In essence, he used the law. It is unfortunate that we as Americans and those of us who are also African American have failed to recognize and acknowledge the incredible debt of gratitude we owe to Thurgood Marshall.

Perhaps this important book will help us to rectify that error.

 

Harold Evans practices law in Little Rock, Arkansas.

The truism that a man's worth is determined by his deeds is no more apt than in this biography of the late United States Supreme Court Justice Thurgood Marshall. Written by Juan Williams, a national correspondent for the Washington Post and the author of the…

When it appeared in 1969, Slaughterhouse-Five turned Kurt Vonnegut—until then an admired, if pigeonholed writer—into a bestselling celebrity overnight. The novel, which drew on Vonnegut’s wartime experiences as an American soldier during the Battle of the Bulge and, most saliently, the Allied firebombing of Dresden, which occurred while he was held there as a POW, was anything but a straightforward war chronicle. With its darkly humorous tone, time-traveling structure and groundbreaking use of the author as a character/narrator, the novel hardly seemed mainstream. But its absurdity struck a chord with America in the midst of cultural upheaval, and Vonnegut’s unique vision spoke to two generations at once: those who had fought in World War II and those who were coming of age amid the turmoil of the Vietnam War.

A journalist outlines the story behind Vonnegut’s masterpiece, Slaughterhouse-Five, and the wartime trauma that inspired it.

In The Writer’s Crusade: Kurt Vonnegut and the Many Lives of Slaughterhouse-Five, journalist Tom Roston revisits the story behind the book, which Vonnegut struggled to write for many years until he finally found the right voice to use. The engrossing tale Roston reconstructs is twofold. It begins with an absorbing biographical study that explores what made Vonnegut Vonnegut, including not only the events of his war years but also traumas from his Indianapolis childhood and early adulthood that shaped his singular blend of pessimism and humor. Famously quirky in his demeanor as well as in his manner of writing, Vonnegut played by his own rules, even if that meant being incorrectly viewed as only a science fiction writer at the start of his career.

Roston ties Vonnegut’s sometimes peculiar behavior and outlook to his past, and in the latter part of The Writer’s Crusade (whose title is an homage to The Children’s Crusade, the alternate title of Slaughterhouse-Five), he contemplates whether Vonnegut suffered from what has come to be called PTSD. To this end, Roston speaks with other novelists whose work focuses on war, such as Tim O’Brien and Matt Gallagher, as well as with a number of veterans diagnosed with post-traumatic stress disorder. He also talks with Vonnegut’s three adult children and others who knew him well. The verdict is inconclusive, but Roston does make a strong case that the roots of the novel—and its ultimate message—stem from Vonnegut’s attempts to process all he had witnessed in the war. Interestingly, Roston suggests that one of Slaughterhouse-Five’s legacies may be the role it played in changing public perception of PTSD, helping Americans recognize its existence and causes.

There will always be mysteries surrounding what is truth and what is fiction in Slaughterhouse-Five. Vonnegut himself was cagey and inconsistent when talking about what happened to him or what transgressions he may or may not have committed in Dresden. “So it goes,” he enigmatically wrote after each death in the novel. Still, Roston hopes its writing brought the author some closure and that Vonnegut was able to make peace with his past.

Journalist Tom Roston outlines the story behind Kurt Vonnegut’s masterpiece, Slaughterhouse-Five, and the wartime trauma that inspired it.

When people think of Elizabeth Barrett Browning’s poetry, they might think of the greeting cards in which they’ve read her most oft-quoted lyric: “How do I love thee? / Let me count the ways.” Fiona Sampson’s dazzling and absorbing Two-Way Mirror: The Life of Elizabeth Barrett Browning is likely to change that.

Sampson challenges the usual portrait of Barrett Browning as a “swooning poetess” whose identity is closely bound up with her father and husband. Modeled on Aurora Leigh, Barrett Browning’s narrative poem divided into nine books, Two-Way Mirror chronicles Barrett Browning’s growth as a poet, her long-term illness, her marriage to Robert Browning and their subsequent lives in Italy.

Drawing on Barrett Browning’s copious correspondence, Sampson illustrates that the poet was a “pivotal figure” who was acknowledged during her lifetime “as Britain’s greatest ever woman poet” and who attracted international acclaim. Barrett Browning’s use of the female voice in lyric and narrative poetry represented a radical departure from other narrative poems, such as Geoffrey Chaucer’s “The Wife of Bath,” in which women characters were, as Sampson writes, “ventriloquized by men.” In the end, according to Sampson, “Elizabeth’s poetry too composes a kind of self-portrait, or rather mirror. As she became herself through writing, her writing reflected that developing self. And so her body of work creates a kind of looking glass in which, dimly, we make out the person who wrote it: her choices and opinions, what moved her, habits and characteristic turns of phrase.”

Two-Way Mirror will enthrall readers and encourage them to read Barrett Browning’s poetry, whether again or for the first time.

People often think of Elizabeth Barrett Browning as a “swooning poetess,” but Fiona Sampson’s dazzling and absorbing biography is likely to change that.
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Franklin Delano Roosevelt described Joseph Patrick Kennedy as “a very dangerous man.” Kennedy became wealthy on Wall Street and in the movie industry and had political ambitions to be secretary of the treasury and then the first Roman Catholic president (a title that eventually went to his son John F. Kennedy). He became a prominent financial backer of FDR’s first two presidential campaigns and successfully served in two key governmental positions during FDR’s administration. Then he campaigned to be ambassador to Great Britain. Despite serious reservations, FDR agreed to the appointment for his own political reasons. The result was a major diplomatic disaster.

Using many newly available sources, Susan Ronald brings this pivotal point in history vividly to life in her meticulously researched The Ambassador: Joseph P. Kennedy at the Court of St. James’s, 1938–1940. As ambassador, Kennedy was primarily concerned with avoiding war. He grew close to Prime Minister Neville Chamberlain and became a fervent supporter of Chamberlain’s appeasement approach to dealing with Hitler. In a conversation with King George VI, Kennedy expressed his opinion that, if it came to war, “Britain will be thrashed and there will be nothing left of civilization to save after the war.” Kennedy was strongly anti-communist but failed to appreciate that fascism was not a better alternative.

The ambassador often differed with FDR on policy, so they maneuvered around each other for the most part. Despite the fact that Kennedy’s views often differed with his government’s, Ronald explains that Kennedy liked to give the impression that he was a policymaker and not just carrying out instructions. By tracing the opinions Kennedy expressed, Ronald outlines the likelihood that he was antisemitic and a fascist sympathizer. “He was bedazzled by the Vatican, which sympathized with Franco and Mussolini for religious and venal reasons,” she writes, “and sought to placate Hitler before he turned on Catholics once the Jews had been exterminated.” She adds that Kennedy was antisemitic “through his own ignorance and prejudices” and “placed prosperity above human life and liberty, above democracies being crushed.”

Although Kennedy failed as an ambassador and never again served in any public office, his wife and their large, attractive family made a positive impression on the American public. Three of his sons, with quite different political views from their father, were elected to high political offices. As John F. Kennedy said years later, “He made it all possible.”

When Joseph P. Kennedy campaigned to be ambassador to Great Britain, FDR made the appointment despite serious reservations. The result was diplomatic disaster.

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