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Anyone who feels a bit sorry for Prince Charles because he has been opening flower shows for decades while his mother reigns as queen should consider the case of his ancestor: Britain was very lucky indeed that Albert Edward, eldest son of Queen Victoria, inherited the throne when he was nearly 60 instead of, say, when he was 30.

As a young man, King Edward VII, known to family and friends as “Bertie,” was a gambler, glutton and womanizer. He was hardly a saint when he became king in 1901, but he had matured into a better man by then, and was a surprisingly good monarch.

Historian Jane Ridley was given unrestricted access to Bertie’s papers and has used them to produce a marvelously comprehensive and witty biography, The Heir Apparent.

Ridley acknowledges that she found it “hard to warm” to the young Bertie. His bad behavior was explicable enough: His royal parents were brutally hard on him, always carping and disappointed. His subsequent rebellion was almost a given. But the details of his scandals still make for shocking reading.

At his best, Bertie was affable, cosmopolitan and had an unerring instinct for saying the right thing. He was a generous and loyal friend to his former girlfriends—as long as they kept their mouths shut. But when they threatened public scandal, he sent in the heavies to intimidate and smear them. Ridley recounts episode after ugly episode.

Then, against all odds, he became a responsible king, usually more sensible than his prime ministers. Those prime ministers subsequently badmouthed him, downplaying his contributions. Ridley cuts through the politicians’ betrayals to show that the king was a moving force behind the Entente Cordiale with France and Russia, and did his best to deter his volatile nephew Kaiser Wilhelm from belligerence.

Even more importantly, Ridley argues, King Edward came to terms with the modern constitutional monarchy in a way Queen Victoria never did. He influenced but did not take sides. He put on a unifying public pageant without ever pretending that the Royal Family epitomized middle-class values. Some of his descendants might take note.

Anyone who feels a bit sorry for Prince Charles because he has been opening flower shows for decades while his mother reigns as queen should consider the case of his ancestor: Britain was very lucky indeed that Albert Edward, eldest son of Queen Victoria, inherited…

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History has not been kind to China’s Empress Dowager Cixi. Credit for her numerous achievements is generally given to the men who served her. She’s been called a ruthless tyrant and murderer, and those in power after her claimed to be cleaning up yet another of her unforgivable messes. Were any of this true, the criticism might be forgivable. However, author Jung Chang (Wild Swans) has uncovered new research and debunked the myth-makers to bring us Empress Dowager Cixi in all her complexity.

To call this a rags-to-riches story would be a gross understatement. At age 16, Cixi was chosen as one of the Emperor’s concubines, albeit a low-ranking one. By remaining friends with the Empress, avoiding competition with the other women in the harem and, most significantly, producing the first male heir to the throne, she secured a foothold from which she climbed steadily into power. When the Emperor died in 1861, Cixi’s 5-year-old son succeeded him, and Cixi orchestrated a palace coup (at age 25!) that made her the true leader of the country. She led from behind the throne—behind a screen, in fact, to separate her from male officials.

Cixi steered the country toward modernity and greater prosperity. The railroad, electricity, telegraph and telephone lines, Western medicine, foreign trade and a modern military were all brought about under her reign. She slowly ended the brutal practice of female foot-binding and vastly expanded opportunities for women. And while her legacy is not without significant missteps and errors, she notably made public apologies upon seeing the error of her ways, and ruled in a relatively bloodless manner.

This biography is engaging especially for the contrasts Chang finds between old and new ways: Cixi pushed for China to accept a degree of Westernization as necessary to its prosperity, but took her tea with human breast milk on the advice of a doctor. She built the railroads, but ensured work was begun on an astrologically “auspicious” day and sent envoys out to assure the locals that the remains of their buried ancestors would not be disturbed by the noise.

Empress Dowager Cixi corrects a longstanding misconception about a woman whose impact on China can’t be overstated. It’s a fascinating look at power, politics and the gender divide.

History has not been kind to China’s Empress Dowager Cixi. Credit for her numerous achievements is generally given to the men who served her. She’s been called a ruthless tyrant and murderer, and those in power after her claimed to be cleaning up yet another…

When he died in 2005—his body weakened by years of freebasing cocaine, as well as heart disease, multiple sclerosis and a freak accident with a cigarette lighter that had set him ablaze in 1990—Richard Pryor had already won one Emmy and five Grammys. Yet his position at number one on Comedy Central’s list of the all-time greatest comedians defines his enduring legacy more than any other award.

In this set of fans’ notes to Pryor, David Henry and Joe Henry—who talked with Pryor several times before his death—draw on conversations with his inner circle as well as their own and others’ memories of Pryor’s stand-up routines, his film roles and his television parts. The result is Furious Cool: Richard Pryor and the World That Made Him, an intimate and riveting tribute.

One Friday night in 1973, the Henry brothers learned that Pryor would be hosting ABC’s “The Midnight Special,” so they taped his performance on a reel-to-reel player. Looking back, they wonder why two white teenagers raised in the South were so intent on listening to a black comedian who would have been making fun of them and their race. That night they discovered that Pryor was a “beacon that said, Take heart. Stay human. You are not alone.”

Following Pryor’s death, the Henrys set out to make sense of his contributions to comedy and our culture. With energetic storytelling, they chronicle Pryor’s life from his early childhood, when he was abandoned at 10 by his mother and raised by his grandmother, to his discovery of his talent after he dropped out of high school, to his difficult stint in the Army, the development of his gift on the Chitlin’ Circuit and his meteoric rise and tragic fall.

Because of his upbringing, Pryor remained emotionally distant and insecure all his life, often pushing away those who loved him most, even his children. While the Henrys celebrate Pryor’s comic genius in their page-turning tribute, they also reveal a sad and lonely clown always looking for his next routine and never happy with his success or his place in the world.

When he died in 2005—his body weakened by years of freebasing cocaine, as well as heart disease, multiple sclerosis and a freak accident with a cigarette lighter that had set him ablaze in 1990—Richard Pryor had already won one Emmy and five Grammys. Yet his…

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While Sitting Bull, Crazy Horse and Geronimo are embedded far more solidly in American folklore, Bob Drury and Tom Clavin contend that Red Cloud, the relatively obscure Oglala Sioux chief, was the most cunning and effective Indian general to confront the U.S. Army during the stampede of Western expansion that followed the Civil War. Prolonged war, with specific territorial aims, had not been an Indian concept until Red Cloud united the tribes with the goal of driving out the white invaders and reclaiming native hunting grounds and sacred sites, particularly the Black Hills in what is now South Dakota.

Born in 1821, Red Cloud was the son of an alcoholic who died young, which perhaps led him to become something of an overachiever, both in the hunt for game and later on the battlefield. He learned early that America’s treaties with the Indians were empty promises, and armed resistance seemed to him the only sane recourse. The resistance was widespread, fierce and bloody. Although both sides engaged in torture and mutilation, the Indians elevated these practices to an excruciating art—in part to ensure that their luckless victims never made it into the afterlife with their bodies intact.

The authors contend that Red Cloud was the most cunning and effective Indian general to confront the U.S. Army.

In The Heart of Everything That Is, the authors focus on the series of Sioux victories between 1866 and 1868 that culminated in a treaty that closed the heavily traveled Bozeman Trail, allowed for the destruction of Army forts and ceded vast swaths of territory—including the cherished Black Hills—to Red Cloud and his people. These triumphs were pitifully short-lived, of course, but they were resounding enough to earn Red Cloud the respect of his adversaries. President Grant received him at the White House; he spoke at the Cooper Institute in Manhattan after parading down Fifth Avenue; and the New York Times lauded his intelligence and eloquence.

These virtues notwithstanding, Red Cloud’s forays into the “civilized” East effectively sapped his warring spirit. Completion of the Transcontinental Railroad in 1869 and the discovery of gold in the Black Hills a few years later ended any Indian hopes of sovereignty. Red Cloud died in his sleep at the age of 88—on a reservation.

While Sitting Bull, Crazy Horse and Geronimo are embedded far more solidly in American folklore, Bob Drury and Tom Clavin contend that Red Cloud, the relatively obscure Oglala Sioux chief, was the most cunning and effective Indian general to confront the U.S. Army during the…

For 30 years, Johnny Carson carried his comic monologues and acidly funny interview questions into America’s living rooms and bedrooms on “The Tonight Show.” Although at least two unauthorized biographies—Ronald L. Smith’s Johnny Carson (1987) and Paul Corkery’s Carson (1987)—appeared during his lifetime, the definitive or authorized biography has yet to be written.

In his rambling, haplessly written and arrogant memoir masquerading as a biography, Johnny Carson, Henry Bushkin offers a glimpse of only a small slice of Carson’s life, the 18 years that Bushkin served as Carson’s attorney. “I was his attorney, but more properly, I was his lawyer, counselor, partner, employee, business advisor, earpiece . . . enforcer, running buddy, drinking and dining companion, and foil.”

Using his unique vantage point, Bushkin reveals the Carson he knew while also defending himself and his decisions during his years with Carson. Carson emerges from Bushkin’s portrait as “witty and enormously fun to be around but he could also be the nastiest SOB on earth.” Bushkin chronicles Carson’s womanizing—”No matter to whom he was married, no matter how happily, when an alluring woman came within range, the instinct for new adventure was an instinct he saw little need to restrain”—his difficulties with his wives, his public battles with NBC over the show and his failure as a father. Bushkin recalls as well the many times that Carson mistreated him; after the Reagan inauguration, a livid Carson calls Bushkin, angry about his wife Joanna’s seats at the event; according to Bushkin, “Carson wanted a dog to kick, and every time he looked at me, he saw a Milk-Bone in my mouth.”

Yet this sensationalist book reveals more about Bushkin than Carson: “There are no feelings from that time I can compare with the sadness I feel over the pain I caused some of my friends and loved ones during the Carson years.” Although Bushkin claims that he’s written “a portrait of a man I loved,” he spends more time in his book dusting off his reputation and throwing dirt on Carson’s that this book would have been better titled, “My Years with Johnny Carson.”

For 30 years, Johnny Carson carried his comic monologues and acidly funny interview questions into America’s living rooms and bedrooms on “The Tonight Show.” Although at least two unauthorized biographies—Ronald L. Smith’s Johnny Carson (1987) and Paul Corkery’s Carson (1987)—appeared during his lifetime, the definitive…

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Western culture has for many decades harbored a unfair, ugly but persistent stereotype of the Evil Asian Woman, supposedly exemplified by a series of women in powerful positions: China’s Dowager Empress. Madame Chiang Kai-shek. Imelda Marcos. The target of the 1960s was Madame Nhu, the sister-in-law of Ngo Dinh Diem, the authoritarian ruler of Vietnam who was killed in an American-backed military coup in 1963.

Now largely forgotten, Madame Nhu seemed ubiquitous in the early ‘60s. Prone to unrestrained, colorful criticism of her enemies, she gained particular infamy for her description of protesting Buddhist monks’ self-immolations as “barbecues,” a cruel comment that cemented the Diem regime’s bad reputation with the U.S. government.

Diem and his brother, Ngo Dinh Nhu, the regime’s hatchet man (and Madame Nhu’s husband), were slaughtered in the ’63 coup, but Madame Nhu had the good luck to be out of the country at the time, and she survived in European exile until 2011. In 2005, Vietnam expert Monique Brinson Demery made her first effort to interview Madame Nhu. That ultimately led to a remarkable series of transatlantic telephone interviews that form the framework of Demery’s Finding the Dragon Lady, a fair-minded, often gripping biography.

Demery alternates between her encounters with Madame Nhu (always at a distance) and the story of her eventful life. Madame Nhu wanted Demery to facilitate the publication of her “memoirs”; they were too wacky to publish, but they provided Demery with much interesting detail. Demery also had access to a fascinating diary kept by Madame Nhu that was looted from the presidential palace after the coup.

Demery’s Madame Nhu is, indeed, vain, arrogant and imperceptive. She is also smart, courageous and determined, a Scarlett O’Hara of Saigon. She survived a miserable childhood in a mean, opportunistic family and captivity by the Viet Minh before becoming de facto first lady for the bachelor Diem. More than once, her genuine political skills saved the day for the Diem regime. It’s clear that much of her vilification by the Kennedy administration and American press corps had its origin in sexism and racism.

Madame Nhu was clueless about many things, but very right about others: The U.S. government was conspiring against Diem. Some American war correspondents were duped by the communists (one of their favorite “fixers” turned out to be a Viet Cong spy). Direct American military intervention in Vietnam was, as she predicted, a catastrophic failure. It’s time to give the Dragon Lady her due.

Anne Bartlett is a journalist in Washington, D.C.

Western culture has for many decades harbored a unfair, ugly but persistent stereotype of the Evil Asian Woman, supposedly exemplified by a series of women in powerful positions: China’s Dowager Empress. Madame Chiang Kai-shek. Imelda Marcos. The target of the 1960s was Madame Nhu, the…

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As Superman, Christopher Reeve fought for “truth, justice and the American way.” As a wheelchair-bound activist he was a symbol of hope for the disabled. Wife Dana, meanwhile, came to represent the faithful caregiver. They’d been married only three years when he was thrown from his horse during a 1995 equestrian competition. Paralyzed from the shoulders down, unable to breathe without a respirator, he told her, “Maybe we should let me go.” She replied, “I’ll be with you for the long haul. . . . You’re still you.” Christopher Andersen, dubbed a “celebritologist” by Entertainment Weekly, has written books of varying quality on subjects including Barbra Streisand, Madonna, JFK Jr., Bill and Hillary Clinton and Princess Diana. He sometimes goes for the jugular, but his latest, Somewhere in Heaven, goes for the heart, paying tribute to a couple who stuck it out for better and mostly for worse.

Based in part on original interviews, Andersen’s book chronicles the Reeves’ courtship, marriage and the challenges (sexual, medical, financial and more) they faced after Christopher’s accident. Dana, who never got to fully realize her potential as a singer-actress, emerges as an especially memorable leading lady. Tragically, less than a year after Christopher’s unexpected death, non-smoker Dana was diagnosed with inoperable lung cancer. Somewhere in Heaven is about love so deep it defies all obstacles. Have Kleenex handy.

As Superman, Christopher Reeve fought for "truth, justice and the American way." As a wheelchair-bound activist he was a symbol of hope for the disabled. Wife Dana, meanwhile, came to represent the faithful caregiver. They'd been married only three years when he was thrown from…
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It’s hard to see Jim Henson’s name in print without immediately thinking of the Muppets, those deceptively simple-looking puppets who seemed to bring forth a full range of human emotions. Two things we learn quickly in Jim Henson: The ­Biography are that the effort involved in bringing the Muppets to life was astronomical, and that Henson chafed at being forever associated with them. Who knew?

Author Brian Jay Jones spoke to Henson’s surviving family, along with most of his coworkers and business partners, and the result is a book that offers a multifaceted view of Henson’s home and work lives. His childhood in rural Mississippi revolved around trips to the local movie theater and driving any car he could get his hands on, both interests he would indulge for life. The soft-spoken youth made himself heard when television was invented, insisting the family buy one and realizing immediately it was what he wanted to do with his life. From his very first job at a TV station all the way through fame, fortune and an untimely death at 53, he never stopped studying the medium and expanding its possibilities.

There are so many enjoyable aspects to this book that it’s hard to know where to start. Henson himself is a study in contrasts: a devoted family man who was serially unfaithful to his wife; so soft-spoken he often went unheard, but steadfast in pursuit of his vision (he was described as having a “whim of steel”); unfocused on money when it came to work, yet an extravagant shopper with top-dollar taste. Then there are the Muppets themselves. Henson’s creations were innovative due to their soft, flexible design, which allowed subtle hand movements to offer emotive facial expressions. But finding the character inside the puppet was a challenge for the performers. Miss Piggy started off as essentially a chorus girl, used in background scenes and bit parts, until one day puppeteer Frank Oz deviated from the script: Instead of slapping Kermit the Frog, he had her karate-chop him with an emphatic “Haii-YA!” . . . and a star was born.

Henson’s career was about to take off in new directions via a planned sale of his company to Disney when he died of an aggressive staph infection. After reading about his life and creative passion, we can only imagine what that collaboration might have led to, and hope that some readers are inspired to dream just as big. Jim Henson: The Biography is a fantastic story of a brilliant life cut short, but it can also be read as a blueprint for following your bliss.

It’s hard to see Jim Henson’s name in print without immediately thinking of the Muppets, those deceptively simple-looking puppets who seemed to bring forth a full range of human emotions. Two things we learn quickly in Jim Henson: The ­Biography are that the effort involved…

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Born in Virginia in 1856 to a Presbyterian minister of modest means, Thomas Woodrow Wilson first flowered as an academic. He joined the faculty of Princeton University in 1890, became one of the school’s most beloved professors and was elevated to its presidency 12 years later. Throughout this period of intensive teaching and public lecturing, he published a torrent of magazine articles and books on government and history. It did not take long for New Jersey’s power brokers to recognize in Wilson the radiant raw material of a first-rate politician.

Wilson’s aspirations ranged elsewhere, too. He was a romantic. First he fell in love with a cousin who gently rejected him, despite a barrage of pleas, flowers and love letters. Then came his equally passionate courtship of and marriage to Ellen Axson, to whom he remained devoted until her death in 1914. Devastated by her loss, he nonetheless found love again with the widow Edith Bolling Galt, who became his wife, closest confidant and heart’s joy until his death in 1924.

Elected governor of New Jersey in 1910, Wilson had only two years to work his wonders on the Garden State before being snatched away to run for president. Despite his newness to politics, he triumphed over the incumbent William Howard Taft, former president Theodore Roosevelt and the high-profile Socialist Party candidate Eugene Debs. Generally progressive in his outlook and a vocal supporter of women’s suffrage, Wilson nonetheless turned his back on black Americans, permitting the Postal Service and Treasury Department to segregate the races.

A. Scott Berg understandably devotes most of his new biography to Wilson’s evolution from the man who “kept us out of war” in his first term of office to his full-fledged engagement in WWI during his second term. Always viewing himself as a peacemaker—and with good reason—he was nonetheless ruthlessly efficient when it came to raising troops, building war industries, turning the country in favor of war and punishing war opponents, including Debs, whose prison term he steadfastly refused to commute after the war. After spending six months in Europe trying to establish the League of Nations and minimize the rancor and disruption caused by the war, Wilson was outraged to discover he couldn’t sell the League or terms of peace to his own Senate.

Wilson is an epic, meticulously documented and immensely readable account of a truly thoughtful and forward-looking president who deserves more from history than he has yet received. This is a marvelous corrective.

Born in Virginia in 1856 to a Presbyterian minister of modest means, Thomas Woodrow Wilson first flowered as an academic. He joined the faculty of Princeton University in 1890, became one of the school’s most beloved professors and was elevated to its presidency 12 years…

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It has been 44 years since Charles Manson manipulated members of his so-called Family into murdering pregnant actress Sharon Tate and eight other people in a delusional attempt to spark “Helter Skelter,” the end-of-the-world race war that Manson had convinced his followers would lead to their rise as saviors of the world.

Crazy stuff like this has a long shelf life. In the almost half-century since, rivers of ink have flowed in the attempt to understand how this diminutive ex-con could have lured normal-seeming middle-class youngsters (mostly girls) into savagery. In fact, so much has been written about Manson and his followers that it’s easy to wonder if there’s anything new to say.

It turns out there is. Jeff Guinn managed to track down and interview Manson’s older cousin, with whom a young Charlie Manson had lived when his mother was in prison, and his younger sister, adopted, to Manson’s great dismay, while he was imprisoned at McNeil Island, Washington. Neither of these women can shed light on the ultimate source of Manson’s dysfunction—he apparently was a sociopath from a very young age—but they do clear up much of the misinformation about his childhood and help Guinn offer a richer understanding of Manson’s early life. Guinn also interviewed former cellmates, Manson Family members, prosecutor Vincent Bugliosi (who wrote the definitive book on the murder trial), and a host of others. The result is that Guinn’s well-researched biography, Manson, offers many new details about Manson’s life and enhances our understanding of him in several ways.

It turns out that Manson, who hated formal schooling, was a serious student of manipulation. Though functionally illiterate, he worked his way through Dale Carnegie’s books about the arts of persuasion, investigated Scientology not for its dogma but for its methods of captivating followers and sat at the feet of pimps to learn techniques for manipulating women, and through them, men. Guinn also shows Manson to have been a guru worried about losing his followers. His need to bind them to him, Guinn suggests plausibly, was part of his path to murder.

Finally, Guinn does an excellent job of placing Manson in the context of the tumultuous 1960s. In some circles, Manson and his followers are thought to be the logical end-product of those wild times. But Guinn offers a more nuanced view: “Charlie Manson is a product of the 1960s—and also of the 1930s, 1940s, and 1950s,” he writes. In what is probably the fullest biography of Manson to date, Guinn shows that Manson the murderer is not just a creation of the ’60s but the unfortunate sum of all his parts.

It has been 44 years since Charles Manson manipulated members of his so-called Family into murdering pregnant actress Sharon Tate and eight other people in a delusional attempt to spark “Helter Skelter,” the end-of-the-world race war that Manson had convinced his followers would lead to…

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<b>Nureyev combined danseur’s artistry with rock star swagger</b>

One does not have to be a balletomane to applaud Julie Kavanagh’s exquisite biography of Rudolf Nureyev. <b>Nureyev: The Life</b> encompasses Iron Curtain intrigue, artistic derring-do, exotic locales, brazen sex, a valiant fight against a then-mysterious disease and fame in all its celebrity-laden glory. All this <i>and</i> sumptuous exploration of Giselle, Romeo and Juliet, Swan Lake, The Tempest, etc.

A dance critic trained in ballet, who previously detailed the life of choreographer Frederick Ashton (a founding father of classical English ballet), Kavanagh spent nearly a decade working on the book. Nureyev foundations in Europe and America underwrote some research and provided access to rare documents including Nureyev’s KGB file and letters chronicling his love affair with famed Danish dancer Erik Bruhn. The endorsements don’t color the bravura of this work. Alongside lofty dissections of dance and technique there is plenty of dish, revealing the foibles and demons of a brilliant artist.

Running 800 (yes, 800!) pages, and covering five decades, the biography takes wing in the ’50s with Nureyev’s rise as ballet student and star of the Kirov Ballet. With his defection from the Soviet Union, the spotlight grows brighter. Amid the colorful passion of the ’60s, the exotic, charismatic Nureyev catapults to the kind of superstardom reserved for rock stars.

His teaming with the great English ballerina Margot Fonteyn is the stuff of legend. Lines outside the theater stretch around the block; curtain calls are nearly as long as the productions. To see Fonteyn-Nureyev is to bask in nirvana. She was much older and married; he preferred men. But the two may have been lovers. They were definitely soul mates, reaching out to one another in difficult times (in her later years, as she grew ill, he paid many of her medical bills), sharing momentous adventures. Especially vivid: their headline-making 1967 dope bust in San Francisco, which began when a fan invited Nureyev to a freak-out in Haight-Ashbury.

Given his supernova status, Nureyev’s story includes supporting roles and cameos by the likes of Mick Jagger, Bette Davis, Natalie Wood, No‘l Coward, Claus von BŸlow, J. Paul Getty, Princess Lee Radziwill and her sister Jackie Kennedy, Leslie Caron, Michelle Phillips, Bianca Jagger, Martha Graham, Truman Capote, Franco Zeffirelli, Gore Vidal, George Balanchine, Andy Warhol, Mikhail Baryshnikov and Jerome Robbins. There were numerous others, such as Peter O’Toole whose alcoholic excesses Nureyev couldn’t match. And Marlene Dietrich, who ogled him and insisted he drive her home. Imagining himself chained to her bed, he told a friend, If I’m not back in twenty minutes, you come get me! He asked several women to bear his child. But it was men he wanted. He trolled public lavatories and the fetish clubs of downtown Manhattan, propositioned busboys and stole away the handsome young dates of female friends. Careless love brought an ugly price: In 1984 Nureyev came down with pneumonia, a harbinger of what was being called gay cancer the specter of the AIDS plague.

To this day, much about Nureyev’s illness remains secret. He ducked questions about his health, sought care under assumed names and seldom discussed specifics with friends. Moreover, after being diagnosed, he went on to dance, direct, choreograph and conduct. The disease finally got him; he died in 1993. As an iconic artist, however, he continues to take bows. <i>Pat H. Broeske is a biographer whose subjects include another iconic artist, Elvis Presley.</i>

<b>Nureyev combined danseur's artistry with rock star swagger</b>

One does not have to be a balletomane to applaud Julie Kavanagh's exquisite biography of Rudolf Nureyev. <b>Nureyev: The Life</b> encompasses Iron Curtain intrigue, artistic derring-do, exotic locales, brazen sex, a valiant fight against a then-mysterious…

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<b>Robbins’ fiction was as large as his life</b> Harold Robbins lived life so large he might have stepped out of one of his own racy paperbacks. He loved gambling, gorgeous women and cocaine; had homes in Beverly Hills, Acapulco and the south of France, plus a legendary yacht and a fleet of Rolls-Royces, Jensens and Maseratis. And then there were his lavish parties some of them X-rated. But Robbins’ wasn’t born to wealth. His background was working class, which meant he knew how to please the public. Instead of putting on literary airs he delivered page-turning storylines and sex, sex, sex. Andrew Wilson, who previously chronicled the life of Patricia Highsmith, has interviewed family, friends and acquaintances, and explored archives and court documents for <b>Harold Robbins: The Man Who Invented Sex</b>, a frank look at the not-always-likable man behind the blockbusters. As Wilson details, elements from Robbins’ own life permeated his works, including a search for the mother he never knew. His sexual proclivities likewise drove his fiction to the delight of mass market readers. In 1968, when the <i>New York Times</i> examined the 10 all-time bestsellers, Robbins had penned seven of them. His most famous opus, <i>The Carpetbaggers</i> loosely based on the life of Howard Hughes is the fourth most-read book in history. A former shipping clerk (real name: Harold Rubin), Robbins was a budget analyst for Universal when he got a hankering to become a producer. But producers needed properties, so Robbins set out to write his own. It didn’t hurt that his first book, 1948’s <i>Never Love a Stranger</i>, was deemed obscene and immoral following a Philadelphia vice squad raid. (Robbins and his publisher fought the charges and won.) He went on to write 23 novels, including <i>The Adventurers</i> (1966), <i>Dreams Die First</i> (1977) and <i>Tycoon</i> (1997), as well as several screenplays. (Wilson’s book would have benefited from a chronological listing of Robbins’ works. And it would have been fun to see a compendium of the Robbins’ novels adapted for film/TV. Anyone remember an early Tommy Lee Jones in <i>The Betsy</i>? Or that one of his best books, <i>A Stone for Danny Fisher</i> (1952), improbably became the Elvis Presley vehicle, <i>King Creole</i>?) In the end, Robbins fell victim to his excesses as well as health woes; he died a decade ago at the age of 81.

Robbins’ later works were all but unreadable. But by becoming a brand name, he forever altered the book business. He also paved the way for sex-drenched bestsellers by the likes of Jacqueline Susann and Jackie Collins. Often asked about the appeal of his books, Robbins once said, They’re American stories about the power game. Asked how he succeeded, he had this advice: If you want to be a writer, put your butt in a chair and write! <i>Howard Hughes biographer Pat H. Broeske got to swap Hughes stories with the crusty Robbins during a memorable book signing event.</i>

<b>Robbins' fiction was as large as his life</b> Harold Robbins lived life so large he might have stepped out of one of his own racy paperbacks. He loved gambling, gorgeous women and cocaine; had homes in Beverly Hills, Acapulco and the south of France, plus…

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Just when you think not another word could be written about the family with which Americans have a seemingly insatiable fascination, biographer Barbara A. Perry makes use of newly released papers to paint a fuller picture of Rose Kennedy than ever before in Rose Kennedy: The Life and Times of a Political Matriarch.

Through letters and diaries, Perry depicts Rose Kennedy as a complicated, influential and—it must be said—not particularly likable woman. The mother of nine, including a future president, took her role seriously. She kept meticulous records of her children’s physical health on index cards, with a particularly obsessive focus on their teeth and weight. She instilled in them her strong Catholic faith and helped ensure they were well versed in everything from current events to geography. “My great ambition was to have my children morally, physically and mentally as perfect as possible,” Kennedy said.

Yet she also carefully cultivated and protected her family’s media image to help ensure political success and a TV-friendly appearance. She kept daughter Rosemary out of the limelight for decades to hide her mental retardation from the world. Kennedy also turned a blind eye to her husband’s many affairs and advised her daughters to do the same in their own marriages.

She thrived in the company of the world’s rich and powerful, especially when her husband Joe served as the United States ambassador to Great Britain in the years leading up to World War II. And while it’s hard to fault her for wanting some respite from such a large brood, it’s surprising to learn that she spent months traveling abroad, leaving her young children in the care of governesses, maids and nurses while she explored the globe and bought the latest Parisian fashions. In 1923, she took a six-week trip to California; she often escaped to Palm Beach during the cold Boston winters. “When I left my children and their problems at home, I wanted to tuck them aside mentally for a while and talk and hear about something new and different in order to refresh my mind,” she said.

A senior fellow in presidential oral history at the University of Virginia, Perry writes with compassion and brings keen insight into what Rose Kennedy’s own words tell us about this complex woman.

Just when you think not another word could be written about the family with which Americans have a seemingly insatiable fascination, biographer Barbara A. Perry makes use of newly released papers to paint a fuller picture of Rose Kennedy than ever before in Rose Kennedy:…

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