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All Black History Coverage

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From the Scottsboro Nine to Black Lives Matter, Black youth have positioned themselves at the center of the battle for civil rights for the past 100 years. In Resist: How a Century of Young Black Activists Shaped America, award-winning Nigerian American journalist Rita Omokha makes an unwavering push to put these young Americans’ stories at the forefront of the public record. 

Omokha’s research was spurred partially by the tragic murder of George Floyd and the unprecedented wave of protests around the country. A master of storytelling with a knack for thoughtful investigative journalism, Omokha has created a shining reexamination of history through a Black lens. For example, most of us learn about the Scottsboro Nine—the nine Black teenagers falsely accused of raping two white women in 1931—by reading the outlines of their case and legal proceedings, but how many of us see the ordeal from the Nine’s perspectives, or realize how thousands of students organized for charges to be dropped? It’s here where Omokha excels, providing a ground-level look at how young people were often thrust into organizing for civil rights. “Crucially, the most illuminating insights from history were not solely defined by actions but by the fervent optimism of the young. . . . Young ones who have intentionally learned from history, cautious of its perils, ready with their folded chairs at the table.” 

Omokha draws a clear line from these young people to the Black youth activists of today, exploring how technology has helped resurrect Black liberation movements in the past 20 years. When George Zimmerman was acquitted of second-degree murder for killing Trayvon Martin, three Black women—Patrisse Cullors, Alicia Garza and Ayo Tometi—“declared what seemed spiritual, a sacred psalm in three simple words preceded by a hashtag: #BlackLivesMatter.” Resist includes the stories of Darnella Frazier, the woman who videotaped George Floyd’s murder, and Johnetta Elzie, a co-creator of the Mapping Police Violence project, who launched into action after the shooting of Michael Brown. With the help of Omokha’s meticulous reporting, their stories go beyond the headlines and hashtags.

Ultimately, Resist is a must-read for anyone looking to dive into the collected history of Black youth activism and its immense impact on America—and perhaps learn how to take action themselves.

Rita Omokha’s Resist is a must-read for anyone looking to dive into the history of Black youth activism and its immense impact on America.
STARRED REVIEW

June 12, 2024

5 books that dads will love

Dads are notoriously difficult to shop for. For Father’s Day, we recommend five dad-worthy history books, including the latest from Erik Larson, a biography of John Lewis, the story of the space shuttle Challenger and more.

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Adam Higginbotham’s international bestseller, Midnight in Chernobyl, chronicled the disastrous 1986 nuclear reactor explosion in Ukraine that was caused by a Soviet program plagued with a toxic combination of unrealistic timelines and dangerous cost cutting. His new book, Challenger: A True Story of Heroism and Disaster on the Edge of Space, describes a surprisingly similar catastrophe that very same year, this time at the hands of NASA: the explosion of the space shuttle Challenger that killed all seven people aboard. Hefty, compelling and propulsive, Challenger overflows with revelatory details.

Reading this book is like watching a train wreck unfold in slow motion. One can’t help but hear a drumbeat of dread while getting to know the astronauts—Christa McAuliffe, Gregory Jarvis, Ron McNair, Ellison Onizuka, Judith Resnik, Dick Scobee and Michael Smith—and their families. Details will stay with readers long after they close the book: McAuliffe’s appearance on The Tonight Show, her husband’s increasing anxiety at launch time, the horror and disbelief of the families as they watch their loved ones die, the grim details of the recovery efforts and the attempts of professionals both to warn against the mission and to bring to light why it failed.

Among the latter is engineer Roger Boisjoly, who, over a year before the explosion, wrote a memo voicing fears to senior management, stating, “It is my honest and very real fear that if we do not take immediate action . . . we stand in jeopardy of losing a flight along with all the launch facilities.” Unbelievably, in the hours just before the mission commenced, Boisjoly and a team of 13 other engineers unanimously advised against the launch, yet their concerns were not even voiced up the command chain. After the explosion, physicist Richard Feynman sought to bring clarity to the commission tasked with investigating the tragedy. The scientist noted that “the management of NASA exaggerates the reliability of its product to the point of fantasy.”

Higginbotham excels at delineating not only the science, technology and history of NASA’s Space Shuttle program, but also the bureaucratic snafus and mismanagement that led to the catastrophe, including economic pressures and a nonstop race to get people into space. As with Midnight in Chernobyl, Challenger proves Higginbotham is a master chronicler of disasters, demonstrating an unflinching ability to pierce through politics, power and bureaucracies with laser-sharp focus.

Challenger proves Adam Higginbotham is a master chronicler of disasters, piercing through politics, power and bureaucracies with laser-sharp focus.
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There’s no such thing as a spoiler alert when a story’s subject is taught in most every American history class across the country. Injecting hold-your-breath suspense into a narrative history, particularly one in which we already know the story’s ending, is a task that Erik Larson has mastered. In the Garden of the Beasts took on Nazi Germany on the cusp of war; The Splendid and the Vile explored Winston Churchill’s stewardship of under-siege England. In his new book, The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War, Larson turns his attention to the immediate aftermath of the election of Abraham Lincoln and the unlanced boil where the war began: Fort Sumter.

Larson covers just a few months of American history—but perhaps the most consequential few months. Lincoln, Jefferson Davis and other well-known figures from the period play key roles, but so too do a British journalist on assignment, a young private stuck in the besieged fort and a Southern society woman watching the events unfold. They aren’t key characters in the grand arc of the Civil War or the country’s history, but they did write a lot down. Their accounts help Larson propel the narrative without relying entirely on the stories of people who have already been the subject of hundreds or thousands of other books.

There are obvious parallels to the current moment: a refusal to accept the results of a presidential election, threats to march on the Capitol, a tendency toward civility and appeasement in the face of existential threat and other more subtle links to the present. Some of the connections are unavoidable and necessary; others, Larson perhaps injects as a result of recency bias.

Even after a century and a half of books about the subject, it remains remarkably unclear what course of action key figures should or could have taken to avoid America’s bloodiest war. Maybe we’ll never figure that out, but The Demon of Unrest is a damn good read.

In The Demon of Unrest, Erik Larson crafts a tale of hold-your-breath suspense about the crucial three months leading up to the Civil War.
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June 1939: British naval sub HMS Thetis sinks in sea trials. Ninety-nine people die. August 1942: Allied forces raid the coastal town of Dieppe in German-occupied France. Thousands are killed, captured or wounded, in part because coastal scouting was minimal. September 1942: British-manned torpedoes attack German battleship Tirpitz. All crewmen are captured or killed. Catastrophes have a way of concentrating the mind: Do it right next time. Luckily for the Allies in World War II, a group of scientists in London risked their lives in secret pressure chamber “dives” to give future underwater and amphibious missions better odds.

Author Rachel Lance is a biomedical engineer and blast injury specialist who has worked on underwater equipment for the U.S. Navy, making her unusually suited to unveil the forgotten story of these scientists in Chamber Divers: The Untold Story of the D-Day Scientists Who Changed Special Operations Forever.

Their project at University College London was led by J.B.S. Haldane, a brilliant, annoying eccentric who hired scientists shunned by others, among them Jewish refugees, women and Communist sympathizers. As the bombs in the Blitz exploded around them, these scientists subjected themselves again and again to dangerous pressure in chambers that simulated deep underwater dives in order to design more effective breathing equipment for submarine crews, frogmen and torpedo riders.

Relying on their experiment notes, Lance takes us inside the metal tubes where scientists suffered life-threatening injuries. She explores their backgrounds and relationships, which included a love affair between Haldane and research colleague Helen Spurway. And she ranges throughout combat zones to show us the dangers of underwater action, from the perspective of individual combatants on both sides. But Lance’s singular strength is her lucid explanations of the complex science behind the experiments, making it accessible to untrained readers. Lance also uncovers the combination of official secrecy, prejudice against outsiders and bureaucratic skullduggery that obscured this story until now.

Lance begins her book with the Dieppe disaster and ends with D-Day—an Allied triumph that might have gone badly wrong without the chamber divers’ dedication and resilience. Chamber Divers is a necessary reminder that not all war heroes were on the front lines.

In Chamber Divers, Rachel Lance uncovers the Navy scientists who risked their lives to improve the odds of underwater and amphibious missions in World War II.
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With its near 500-page count and robust endnotes, The Achilles Trap: Saddam Hussein, the C.I.A., and the Origins of America’s Invasion of Iraq might at first glance scare off readers who haven’t sniffed a textbook in years. But thanks to Steve Coll’s crisp and dynamic prose, what’s between the covers feels little like an academic tome.

Despite appearances, The Achilles Trap is not really an Iraq War book (just as Lawrence Wright’s The Looming Tower is not really a 9/11 book). Yes, you get there eventually, but Coll, like Wright, has more to say about the years leading up to that cataclysm. The narrative details Saddam’s upbringing, rise to power and entrenchment as a key strongman in the Middle East, sometimes allied with the United States and sometimes its biggest pain in the ass—and sometimes both at the same time.

In the two decades since the American invasion of Iraq began, Saddam Hussein has become a sort of caricature. Here, Coll reintroduces the dictator to an audience that has either forgotten his nuances or never knew them. There is unimaginable cruelty, family drama and even comedy—like when Saddam sets out on a career as a historical romance novelist just a few years before his death.

Coll, the Pulitzer Prize-winning author of Ghost Wars and a longtime journalist for The New Yorker and The Washington Post, has a special combination of mostly unrelated skill sets that eludes so many narrative nonfiction writers: He’s a groundbreaking reporter and researcher who is able to uncover new information in a tightly wound arena, but also a deft stylist with a natural gift for both narrative structure and fluent yet surprising writing. Like a baseball player who can both pitch and hit with the best, the rare union places Coll at or near the apex of the craft.

Detailing Saddam’s own cruelty does not mean Coll lets the U.S. off the hook, though. Sprinkled among what is at times a tense political thriller are scenes of astounding myopia, hubris, miscommunication, dark hypocrisy, betrayal, stupidity, cruelty and violence of our own. Though the events of The Achilles Trap concluded 20 years ago, there are few better roadmaps to where American foreign policy in the Middle East has ended up today.

With agile prose, groundbreaking reporting and narrative splendor, The Achilles Trap is a gripping history of the Iraq War.

Like his mentor Martin Luther King Jr., John Lewis had a dream. Amid the turmoil and violence of a segregated South and a nation embroiled in the struggle for racial reconciliation, Lewis envisioned and championed what he called a “Beloved Community” in America, “a society based on simple justice that values the dignity and the worth of every human being.” In his captivating John Lewis: In Search of Beloved Community, Raymond Arsenault narrates the mesmerizing story of Lewis’ evolution from a Civil Rights activist to an eminent congressman who never lost sight of his vision for a just and equitable society.

Drawing on archival materials and interviews with Lewis and his friends, family and associates, Arsenault traces Lewis from his childhood in Troy, Alabama, where he daily witnessed the indignities and violence of racial segregation. Steeled and inspired by the Montgomery Bus Boycott, he entered American Baptist Theological Seminary in Nashville, Tennessee, and began his storied activism in earnest. Lewis and his contemporaries incorporated the principles of rightness and righteousness—what their teacher James Lawson called “soul force”—with methods of nonviolent resistance. Arsenault documents Lewis’ participation in the Freedom Rides, the Student Nonviolent Coordinating Committee, the Selma to Montgomery marches and his advocacy for the Voting Rights Act. After King’s 1968 assassination, Lewis’ optimism turned to despair; he had a feeling, Arsenault writes, that “maybe, just maybe, we would not overcome.”

But that didn’t last. Elected to Congress in 1986, Lewis went to Washington with a legacy to uphold and a commitment to carry on the spirit, goals and principles of nonviolence and social action. He was always disillusioned by self-serving politicians and their infighting, and he devoted his career to building coalitions among opponents. In a 2020 speech, Lewis uttered the remarks that cemented his legacy: “We cannot give up now. We cannot give in. . . . Go out there, speak up, speak out, get in the way. Get in good trouble, necessary trouble.”

With John Lewis Arsenault offers the first comprehensive biography of the icon and serves as a fitting bookend to Lewis’ own autobiography, Walking With the Wind. The work provides an inspiring portrait of a man whose vision and moral courage propelled him to share his belief in the Beloved Community and inspire generations.

Raymond Arsenault’s mesmerizing biography of John Lewis chronicles the life of the Civil Rights icon and congressman whose vision of a just and equitable society has inspired generations.

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Dads are notoriously hard to shop for. For Father’s Day, we recommend five dad-worthy history books, including the latest from Erik Larson, a biography of John Lewis, the story of the space shuttle Challenger and more.
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National Book Award-winning author Tiya Miles has tackled a variety of tough, intriguing subjects in books like Wild Girls and All That She Carried. She felt stymied, however, as she approached the life of the legendary Harriett Tubman. As one friend told her, “No one could catch her then. It’s going to be hard to catch her now.” 

And yet that is exactly what Miles so beautifully achieves in Night Flyer: Harriet Tubman and the Faith Dreams of a Free People. One of the biggest hurdles Miles faced was Tubman’s illiteracy, which meant her life experiences were all documented by others—“typically white, middle-class, antislavery women who recorded her speech and told her story.” Despite the roadblock of such “swamped sources,” often “submerged in the perspectives and biases of others,” Miles applauds a number of existing traditional biographies. As she explains, her goal was not to replicate these, but rather to explore Tubman’s eco-spiritual worldview. 

In her trademark deeply researched, thoughtful and exquisite prose, Miles successfully avoids popular depictions of Tubman as a superwoman “prepackaged in a box of stock stories and folksy sayings” among other “abolitionist avengers.” Instead, she places her firmly within the realm of Black female faith culture, noting that she was “one of a kind—singularly special and part of a cultural collective.” To illuminate Tubman’s spiritual purview, Miles delves into several memoirs written or dictated by Black women evangelists of Tubman’s time, writing that their relationships with the divine mandated “challenging entrenched social systems of racial and gender subjugation at the risk of [their] own safety, health, and social acceptance”

Calling her “arguably the most famous Black woman ecologist in U.S. history,” Miles also brings to life the haunting sights, sounds and dark, bewildering moments that Tubman experienced as she led herself and others to safety through the night wilderness. Tubman studied the plants, animals and stars as a matter of necessity for survival, believing that these god-given guides were proof of the need for spiritual and political liberation. 

Often, when Tubman told her story to biographers, she touched the writer, as if “by laying her hand on this person, her feelings may be transmitted.” With Night Flyer, Tiya Miles seems to transmit the weight of her subject’s hand and heart.

With the exquisite Night Flyer, Tiya Miles looks at Harriet Tubman from an entirely new perspective: her spirituality.

Beyoncé’s new album, Cowboy Carter, has sparked a sometimes contentious debate about the nature and identity of country music. It’s an invigorating topic that has long been explored by writers and scholars. A number of excellent books, such as Charles L. Hughes’ Country Soul, Francesca Royster’s Black Country Music and Daphne Brooks’ Liner Notes for the Revolution, have contributed deeply to the conversation about race and country music. Now, acclaimed songwriter, producer and novelist Alice Randall (Black Bottom Saints, The Wind Done Gone) provides a detailed and far-reaching account in her mesmerizing My Black Country: A Journey Through Country Music’s Black Past, Present, and Future

Part autobiography and part music history, Randall’s sprawling yet tightly controlled text uncovers the roots of Black country and reveals its future in the work of contemporary country artists such as Miko Marks, Rissi Palmer, Rhiannon Giddens, Mickey Guyton and Allison Russell. Randall reveals that Black country was born on December 10, 1927, when banjoist DeFord Bailey played “Pan American Blues” on “Barn Dance,” a radio show out of Nashville, Tennessee; Bailey became the first superstar of the Grand Ole Opry. In addition, as Randall points out, other Black performers stood at the forefront of country music. The eight-fingered Lesley Riddle, who created a new three-fingered picking technique for playing the guitar, taught songs to the folk group the Carter Family, and pianist Lil Hardin, who would marry Louis Armstrong, was the first Black woman to play on a hillbilly record—Jimmie Rodgers’ Blue Yodel No. 9, also known as Standin’ on the Corner

In Randall’s brilliant genealogy of country music, “DeFord Bailey is the papa, Lil Hardin Armstrong is the mama, Ray Charles is their genius child, Charley Pride is DeFord’s side child, and Herb Jeffries is Lil’s stepson.” As Randall reiterates, “Black Country is a big tent with many entry points.” For example, Aretha Franklin and Tina Turner can be considered Black country because their songs meet some criteria on the generally accepted country checklist: influences of Evangelical Christianity, African music and English, Irish or Scottish ballad forms; “concerns with female legacy”; offering advice, using “banjo, fiddle, steel guitar, fife [and] yodeling voice,” to name just a few. Randall adds that these qualities aren’t a litmus test, but “a likeness test. It’s a way to educate your ears and your eyes. Is there Blackness you have refused to see and hear?”

Randall’s songs have been recorded by artists Glen Campbell, Radney Foster and Justin McBride. Trisha Yearwood scored a number one hit with Randall’s song, co-written with Matraca Berg, “XXX’s and OOO’s.” Yet, as she writes, “I had been so whitewashed out of [my songs], the racial identity of my living-in-song heroes and sheroes so often erased.” Randall devotes a portion of My Black Country to documenting the recording of an album released at the same time as the book, featuring Randall’s songs as reimagined by her “posse of Black Country genius,” which includes, among others, Marks, Giddens, Russell and Randall’s daughter, Caroline Randall Williams.

My Black Country is a landmark book and an essential starting point for conversations about the nature of country music. It is true that mainstream dialogue comes late in country’s history, but coupled with Cowboy Carter, My Black Country feels right on time.

Alice Randall’s brilliant genealogy of Black country music, My Black Country, is both long overdue and, thanks to Beyoncé’s Cowboy Carter, right on time.

A little black box appears on health care and employment forms, census surveys and other official documents, requiring respondents to confine their racial identity to a single space that allows no fine distinctions. As Henry Louis Gates Jr. points out in his eloquent and powerful The Black Box: Writing the Race, such boxes are metaphors for the insidious and perfidious ways in which Black Americans have seen their identities prescribed by a nation that has suppressed their freedom since its very foundation.

The Black Box commits to the page a series of lectures Gates delivers in his Harvard University introductory course in African American Studies. Here, the prolific scholar demonstrates that various Black writers from Frederick Douglass and W.E.B. Du Bois to Zora Neale Hurston and Langston Hughes, among many others, challenged what Du Bois called the “suffocating confinement” of the metaphorical black box, and wrote their own stories about how to escape from it and forge identities that recognize their humanity.

The notion that for Black people, liberation and literacy have been inextricable is a foundation of the lectures. One hundred and two formerly enslaved people wrote book-length narratives, “the largest body of literature ever created in the history of the world by persons who had been enslaved,” notes Gates. These writers “fought back against the discourse of race and reason by creating their own genre of literature.” Slave narratives combined autobiographies with attacks on the dehumanizing and murderous effects of slavery, often becoming seminal texts for abolitionists.

In the late 19th and early 20th centuries, Du Bois developed the philosophy of the New Negro, a metaphor, Gates writes, that was “a powerful construct, like an empty vessel or signifier that different—and even contradictory—ideologies” could fill. By the time of the Harlem Renaissance, writers such as Hurston and Hughes, as well as jazz musicians and other artists, captured the multiplicity of voices within African American communities, illustrating the rich diversity of the Black experience.

The Black Box requires that readers rethink the ways we talk about race in America today. Gates’ passionate and compelling prose, and the book’s lucid details and insights, lay the historical and artistic groundwork for such conversations.

Henry Louis Gates Jr.’s passionate and compelling The Black Box documents the ways in which American writers have illustrated the rich diversity of the Black experience.
STARRED REVIEW
February 9, 2024

Lift every voice

Black history month offers fresh looks at freedom fighters John Lewis, Harriet Tubman and Medgar and Myrlie Evers.
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Book jacket image for Combee by Edda L. Fields-Black

Combee

Edda L. Fields-Black’s revelatory Combee narrates the 1863 Combahee River Raid, in which Harriet Tubman led Black soldiers to liberate more than 700 enslaved people.
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medgar&myrlie

Medgar and Myrlie

Page by page, Joy-Ann Reid’s Medgar and Myrlie paints unforgettable portraits of Medgar and Myrlie Evers, two American heroes who faced American racism with unimaginable ...
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johnlewis

John Lewis

Raymond Arsenault’s mesmerizing biography of John Lewis chronicles the life of the Civil Rights icon and congressman whose vision of a just and equitable society ...
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Black history month offers fresh looks at freedom fighters John Lewis, Harriet Tubman and Medgar and Myrlie Evers.
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As a 19-year-old undergraduate, Antonia Hylton read an academic paper that mentioned Crownsville State Hospital, known at its founding as the Hospital for the Negro Insane. That reference triggered an obsession with the hospital’s bleak history that has carried her through the 10 years it took to produce Madness: Race and Insanity in a Jim Crow Asylum. Hylton brings both her journalistic talent and a deep, personal engagement to something she unabashedly describes as a “passion project.” In it, she recounts the 93-year life of Crownsville, tying that painful history to the story of the treatment of mental illness in the United States, especially in communities of color, and to her own family’s experiences with mental health.

Speaking via video from a conference room at NBC headquarters in New York City, Hylton brims with energy and enthusiasm. “If I could understand everything there was to know about Crownsville,” she says, “I would understand my family and my country better.” In her mind, “doing this would be cathartic; it would help me have conversations or fill in blanks that I was struggling to fill in otherwise.”

Hylton calls her book a “tribute to oral history,” and the more than 40 interviews she conducted with former staff and patients—some of them in their 80s or older—and her own family members deeply enrich the story. “This book came to life because of the stories people shared with me,” she says.

One of the greatest challenges in collecting those stories was gaining access to the patients, many of them deeply traumatized by their experiences at Crownsville. “To find patients who were ready to go on the record comfortably was an incredible challenge,” Hylton says, “and it took a lot of trust-building and community outreach. I really had to accept that it was going to be a one-person-at-a-time kind of thing.”

“In addition to putting years of reporting on the page, I put my heart out there.”

Thankfully, there are few people better prepared for this specific kind of work than Hylton. In less than a decade following her graduation from Harvard University, Hylton has already accumulated an impressive set of professional credentials and honors, including Emmy and Peabody awards. After several years as a correspondent and producer for VICE Media, she joined NBC News and MSNBC, where she works as a correspondent on stories at the intersection of politics, education and civil rights.

Book jacket image for Madness by Antonia HyltonBeginning in 2014, she spent long hours in the Maryland State Archives combing through Crownsville’s files, woefully incomplete thanks to shoddy record keeping and the destruction of decades of documents by the state. The paucity of documents would have been far worse had it not been for the efforts of Paul Lurz, a longtime Crownsville staff member who served as an unofficial preservationist. Hylton acknowledges feeling “really angry” that “no one had thought to dignify or track this information in the first place.”

Hylton follows the history of the hospital from its inception in 1911, when 12 Black men were transported to rural Maryland to begin constructing the facility that eventually would house them as its patients, to its closure in 2004. It’s a story of an institution where treatment was often crude and callous, though there were, at times, some who tried to treat their patients with humanity. Most notable among the latter was Jacob Morgenstern, a Holocaust survivor who became Crownsville’s superintendent in 1947, and who recruited a group of fellow survivors to serve as staff.

It’s hard not to read Madness without a mingled sense of anger and sadness, as Hylton patiently chronicles the decades when Black patients received substandard care in an overcrowded, understaffed hospital that deemed them less worthy of quality treatment than Maryland’s white mentally ill, even using some patients as subjects in scientific studies without their consent. The hospital was not desegregated until 1963, but in the ’60s and ’70s, as the approach to treating mental illness focused on shifting patients from large institutions like Crownsville to community mental health centers, its former patients were released into the population without access to the resources they needed to make that transition successfully.

Hylton says that what kept driving her to tell Crownsville’s anguished history was the door it opened into her own family’s painful past. She twines an institutional story with a deeply personal one, unearthing the stories of her cousin Maynard and great-grandfather Clarence, whose lives were tragically impacted by mental illness and then largely written out of her family’s history. “I’m going to resurrect Maynard and Clarence,” she says. “I’m going to give their lives some dignity. I’m going to give their struggles some context that wasn’t there decades ago.” Indeed, Hylton reveals, excavating these stories encouraged some family members to seek therapy to heal their own psychological wounds.

Read our starred review of Madness by Antonia Hylton.

The Maryland legislature has appropriated an initial $30 million for Anne Arundel County to turn the hospital grounds into a memorial, park and museum. Local historian and community organizer Janice Hayes-Williams has created an annual service she calls “Say My Name” at the site, to recall the some 1,700 patients buried there.

Hylton brings Madness to a moving climax with a scene she says “just poured out of me,” describing the 2022 commemoration at the onsite cemetery. On an April morning, she followed in the steps of community elders, clutching multicolored rose petals and a piece of paper bearing the name of Frances Clayton, a woman from Baltimore who died at Crownsville in 1924 at age 41. Kneeling down to place the petals on the ground, Hylton pressed her palm to the ground “to feel the pulse of the earth.” She writes that at that moment, she thought, “They’ve been waiting for us.”

“If I can inspire even just one family to have some of the conversations my family has been able to have as a result of this reporting, that’s what I want,” she says. The responses of some of her early readers “have already made me feel very whole, even with a story that is heartbreaking. In addition to putting years of reporting on the page, I put my heart out there.”

Photo of Antonia Hylton by Mark Clennon.

The Emmy Award-winning journalist chronicles the decades-long history of Crownsville State Hospital, where patients lived in prisonlike conditions.
STARRED REVIEW

Top 10 books for February 2024

Beloved and buzzy authors such as Tia Williams, Francis Spufford and Katherine Arden took new and exciting directions in February!
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The author of the marvelous Winterlight trilogy returns to historical fantasy with this haunting tale set during World War I. Former nurse Laura Iven’s parents

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Book jacket image for A Love Song for Ricki Wilde by Tia Williams

Once you’ve finished A Love Song for Ricki Wilde, you’ll undoubtedly be jealous of those who get to experience it for the first time.

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Moving and gently passionate, The Last Stand by Antwan Eady with illustrations from Jarrett and Jerome Pumphrey explores determination, tradition, community and love.

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It’s a special gift when a favorite poet writes a novel. Martyr! is Kaveh Akbar’s fiction debut, after poetry collections Calling a Wolf a Wolf

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Antonia Hylton’s Madness offers an unsparing reckoning with history as it excavates an infamous mental hospital for Black patients.

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Award-winning author Amber McBride teams up with acclaimed poets Taylor Byas and Erica Martin to curate an electric, extraordinary lineup of contemporary and classic Black

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Temim Fruchter’s remarkable debut novel is a book full of belly laughs, intergenerational wonder, queer beauty, Jewish history and storytelling that reshapes worlds.

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Visit an alternate America where European colonization never took place in this intricately plotted police procedural from Francis Spufford.

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Larisa Brown’s The Gardener of Lashkar Gah tells the harrowing story of the Afghan aid workers that NATO left to their fates when the Taliban

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Jim Morris’ urgent, heartbreaking The Cancer Factory traces how a known toxic chemical destroyed the health, happiness and lives of Goodyear factory workers.

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Beloved and buzzy authors such as Tia Williams, Francis Spufford and Katherine Arden took new and exciting directions in February!
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Almost from the moment it docked in Mobile Bay, Alabama, much has been written about the Clotilda, the schooner that brought 110 captive Africans to the U.S. in 1860, more than five decades after the slave trade had been outlawed. The illegal voyage was conducted with stealth, but the arrival of the ship was an open secret that drew international headlines, though no punishment for the wealthy enslavers responsible. Interest in “the last slave ship” gradually waned until the late 2010s, when the search for (and eventual discovery of) the ship’s wreckage spurred a new cycle of research and media interest, including the first publication of Zora Neale Hurston’s 1920s interviews with survivor Kossula Lewis.

Historian Hannah Durkin’s considerable scholarship draws on these sources and others in The Survivors of the Clotilda: The Lost Stories of the Last Captives of the American Slave Trade. She cuts through the myths around this notorious story while keeping a tight focus on the 103 surviving young adults and children, whose lives were forever changed by displacement, family separation and enslavement.  

Durkin has a Ph.D. in American Studies from the University of Nottingham and has long focused on the history of transatlantic slavery. In 2020, her research revealed that the last living survivor was not Lewis, as previously thought, but Matilda McCrear, who was just 2 years old when she, her mother and five siblings were kidnapped from their West African village. Matilda, her mother and sisters ended up on the Clotilda; she never saw her two brothers again. 

That is just one of many painful moments for the survivors, who endured five years of enslavement. After the Civil War, they requested repatriation to Benin, to no avail. Though they mourned their homeland, they found ways to carry on their language and traditions. Some founded Africatown, a community on the outskirts of Mobile that became a thriving all-Black enclave. Others ended up elsewhere in the Black Belt, including Gee’s Bend, a famous wellspring of quilting art that draws heavily from West African influences. 

Because it tells the stories of so many people in so much detail, The Survivors of the Clotilda is dense and can lack a clear narrative thread. Yet this multitude of stories allows readers to see a variety of reactions to and experiences of enslavement, turning the Clotilda survivors into a microcosm of the nearly 13 million Africans who were kidnapped during the transatlantic slave trade. This authoritative work will be appreciated by anyone looking for a comprehensive account of one of history’s most infamous moments.

Hannah Durkin’s authoritative The Survivors of the Clotilda cuts through the myths around the notorious last slave ship to dock in the United States.

In telling the story of Maryland’s Crownsville Hospital, Emmy Award-winning NBC News correspondent Antonia Hylton illuminates a troubling chapter in America’s treatment of its Black citizens. Readers of Madness: Race and Insanity in a Jim Crow Asylum will come away from Hylton’s disquieting book with a keen knowledge of our country’s profound historical failings in mental health care, as well as the persistence of these failings when they are compounded with racism today.

In March 1911, 12 Black men were delivered to a forest in rural Maryland just northwest of the city of Annapolis. For the next three years, their task was to construct the asylum that would house them, then called the State Hospital for the Negro Insane. At the hospital’s height in the mid-20th century, some 2,700 patients, including children, lived in “prisonlike conditions,” overcrowded and understaffed, at times with “one doctor per 225 patients.” Hylton traces the history of Crownsville over 93 years until its closure in 2004, revealing that even as some of its leaders strove to implement more humane policies, the hospital’s fundamental flaws persisted.

Hylton began work on the project that became this book a decade ago while a student at Harvard University. In 2014, she first accessed records stored in the Maryland State Archives, but these only partially revealed Crownsville’s dismal history—any records dating before 1960 were allegedly destroyed. To supplement her extensive archival research, she relied on reporting from Black-owned publications and conducted more than 40 interviews. Among her most fruitful conversations were ones with Paul Lurz, a former chief of social services who became an unofficial records preservationist, especially as the institution approached its final days; and Sonia King, a onetime patient who finished her education after her recovery and returned to Crownsville as a therapeutic recreation specialist.

In Hylton’s author’s note, she is candid about her inspiration for this research: Her own family history of mental illness motivated her to uncover where racial injustice and mental illness intersect. She interviewed family members in the process, writing, “I wanted to model the kind of self-exploration and judgment-free discussion that I hope my book inspires in others.”

Hylton’s account of the mistreatment of generations of Black patients at Crownsville and the callous approach of many caregivers and public officials makes for painful, but essential, reading. Madness is an unsparing reckoning with a fraught past and a clear-eyed call for a more responsible, compassionate future.

Read our interview with Antonia Hylton.

Antonia Hylton’s Madness offers an unsparing reckoning with history as it excavates an infamous mental hospital for Black patients.
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Ilyon Woo’s Master Slave Husband Wife: An Epic Journey from Slavery to Freedom tells the story of Ellen and William Craft, an enslaved husband and wife who—thanks to a courageous plan—fled Georgia in 1848. Ellen disguised herself as a white enslaver, while William pretended to be her captive, and together, they traveled to the Northern free states while successfully evading the authorities. News of their escape made them famous even as they faced new obstacles. Thoroughly researched and beautifully executed, Woo’s narrative explores themes of loyalty, courage and identity, making it a rewarding pick for book clubs.

Gateway to Freedom: The Hidden History of the Underground Railroad by Pulitzer Prize winner Eric Foner traces the development of the antislavery movement in the early 1800s, especially in New York City, which gave rise to the underground railroad—the secret system that allowed scores of enslaved people to escape the South prior to the Civil War. Foner writes with authority and an eye for detail. Drawing upon new source materials, he documents the efforts of underground railroad agents, courageous abolitionists and determined freedom seekers to provide a revelatory look at a seminal chapter in American history.  

In Be Free or Die: The Amazing Story of Robert Smalls’ Escape from Slavery to Union Hero, journalist Cate Lineberry chronicles the extraordinary achievements of Robert Smalls. In 1862, Smalls, an enslaved man in South Carolina, took over a Confederate ship in Charleston Harbor, secretly brought his family members aboard and delivered the boat to Union forces, thereby securing their release from slavery. Smalls later participated in naval actions and went on to serve in the House of Representatives. Lineberry pays tribute to a remarkable leader in this meticulous account of Smalls’ life.

Andrew Delbanco’s The War Before the War: Fugitive Slaves and the Struggle for America’s Soul from the Revolution to the Civil War assesses the rise of slavery and the rift it caused across the nation, demonstrating that freedom seekers were instrumental in bringing attention to the horrors of the institution. Delbanco looks at watershed moments, like the passage of the Fugitive Slave Act in 1850, offering fresh perspectives on how they affected the country. Reading groups can dig into rich discussion topics like the notion of justice and slavery’s lasting impact on society.

Commemorate Black History Month with these odes to freedom.
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When civil rights activist Medgar Evers met the love of his life, Myrlie Louise Beasley, the 25-year-old had graduated from college and fought in World War II. Myrlie, 17, was a gifted singer and pianist. They married a year later, on Christmas Eve 1951, forming a bond that is the heart of Joy-Ann Reid’s moving biography, Medgar and Myrlie: Medgar Evers and the Love Story That Awakened America.

Readers familiar with Reid’s MSNBC show, “The ReidOut,” will recognize the passionate voice that fervently guides the narrative. This love story, she writes, is also about Medgar’s “deep and unfaltering love for Mississippi,” as well as “the higher love it took for Black Americans to love America and to fight for it, even in a state that butchered more Black bodies via lynching than any other.” The Everses could have easily joined the northern exodus of many Black families to more hospitable places, but the couple wanted to raise their children in their home state, fighting to obtain the basic human rights that they were denied.

Reid argues that Medgar’s accomplishments have been overshadowed by the many events and assassinations that took place after he was gunned down in his carport in 1963, leaving the quiet, formidable Myrlie to raise their three children and carry on her husband’s legacy. But after reading this book, readers will long remember Medgar’s courage, as well as Myrlie’s devotion and bravery—especially since the couple knew he was likely to be the victim of an assassination attempt. The details are searing: Their house had no front door because that might have left them too vulnerable, and the children regularly practiced shooting drills in their own home, diving to the floor and crawling soldier-style to the safety of the bathtub, preparing for the horrors that soon arrived on their doorstep.

Reid draws on a variety of sources, including her own recent interviews with Myrlie. She portrays a sweeping history of Civil Rights activism, describing clashing strategies and factions, including the fact that the national office of the NAACP refused to provide Medgar with the security protection that might have saved his life. Myrlie never stopped fighting to have her husband’s killer prosecuted. It took 30 years for Klansman Byron De La Beckwith to be convicted of homicide and sentenced to life in prison; without Myrlie, justice would never have prevailed.

Page by page, Medgar and Myrlie paints unforgettable portraits of two American heroes who faced American racism with unimaginable courage.

Page by page, Joy-Ann Reid’s Medgar and Myrlie paints unforgettable portraits of Medgar and Myrlie Evers, two American heroes who faced American racism with unimaginable courage.
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Edda L. Fields-Black’s extraordinary Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War will not be for every reader. It is long and very detailed. Reading it is sometimes like watching the slow, painstaking process of an archaeological dig—but readers who stick with the book will come away satisfied by Fields-Black’s patient unearthing.

The event at the center of her excavation is the June 20, 1863, Combahee River Raid. During that pre-dawn attack, 300 Black Union soldiers torched seven South Carolina rice plantations along a 15-mile stretch of the river, causing millions of dollars of damage to crops and property and striking “fear into the heart of the rebellion.” Their guide was Harriet Tubman—today known around the world for her work in the Underground Railroad, but less so for her courageous military history. With Tubman acting as intermediary, 746 men, women and children fled to the river’s edge and boarded the Union boats to escape slavery. The raid served notice that Black men—both formerly enslaved and free—could become effective, disciplined Union soldiers.

These events have been narrated elsewhere, but never with such a passion for factual depth and precision. Combee is often revelatory. The author of Deep Roots: Rice Farmers in West Africa and the African Diaspora, Fields-Black conveys that the South Carolina rice economy was essential to the Confederacy and involved remarkable feats of technology and engineering, much of them performed by enslaved people taken from rice growing regions of Africa. Fields-Black’s approach to the Combahee River Raid also provides insight into the remarkable abilities of Tubman to communicate across linguistic and cultural barriers and to move stealthily through the South unnoticed.

Prior to this account, many of these freedom seekers had been lost to history. Most, like Tubman, were illiterate and did not record their experiences; plantation records were destroyed in the raid. Through herculean research and cross-referencing of land, bank, U.S. Army pension and slavery transaction records, Fields-Black is able to name names (including her great-great-great grandfather Hector Fields) and offer readers a sense of who these people were and what their lives were like. Combee holds many additional revelatory threads and insights within its depths, but this act of resurrection alone makes the book profoundly important.

Edda L. Fields-Black’s revelatory Combee narrates the 1863 Combahee River Raid, in which Harriet Tubman led Black soldiers to liberate more than 700 enslaved people.

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