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Combee

Review by Alden Mudge

Edda L. Fields-Black’s extraordinary Combee: Harriet Tubman, the Combahee River Raid, and Black Freedom During the Civil War will not be for every reader. It is long and very detailed. Reading it is sometimes like watching the slow, painstaking process of an archaeological dig—but readers who stick with the book will come away satisfied by Fields-Black’s patient unearthing.

The event at the center of her excavation is the June 20, 1863, Combahee River Raid. During that pre-dawn attack, 300 Black Union soldiers torched seven South Carolina rice plantations along a 15-mile stretch of the river, causing millions of dollars of damage to crops and property and striking “fear into the heart of the rebellion.” Their guide was Harriet Tubman—today known around the world for her work in the Underground Railroad, but less so for her courageous military history. With Tubman acting as intermediary, 746 men, women and children fled to the river’s edge and boarded the Union boats to escape slavery. The raid served notice that Black men—both formerly enslaved and free—could become effective, disciplined Union soldiers.

These events have been narrated elsewhere, but never with such a passion for factual depth and precision. Combee is often revelatory. The author of Deep Roots: Rice Farmers in West Africa and the African Diaspora, Fields-Black conveys that the South Carolina rice economy was essential to the Confederacy and involved remarkable feats of technology and engineering, much of them performed by enslaved people taken from rice growing regions of Africa. Fields-Black’s approach to the Combahee River Raid also provides insight into the remarkable abilities of Tubman to communicate across linguistic and cultural barriers and to move stealthily through the South unnoticed.

Prior to this account, many of these freedom seekers had been lost to history. Most, like Tubman, were illiterate and did not record their experiences; plantation records were destroyed in the raid. Through herculean research and cross-referencing of land, bank, U.S. Army pension and slavery transaction records, Fields-Black is able to name names (including her great-great-great grandfather Hector Fields) and offer readers a sense of who these people were and what their lives were like. Combee holds many additional revelatory threads and insights within its depths, but this act of resurrection alone makes the book profoundly important.

Edda L. Fields-Black’s revelatory Combee narrates the 1863 Combahee River Raid, in which Harriet Tubman led Black soldiers to liberate more than 700 enslaved people.
NonfictionHistoryBlack HistoryAmerican History

Of Greed and Glory

Review by Deborah Mason

Dr. Deborah Plant is an independent scholar of African American Literature and Africana Studies and a former Africana and English professor at the University of South Florida. She is an expert on the life and works of Zora Neale Hurston and edited Barracoon, Hurston’s posthumously published account of the last survivor of the transatlantic slave trade. She is not, however, a historian.

Yet Plant’s latest book, Of Greed and Glory: In Pursuit of Freedom of All is in large part a work of historical nonfiction. In it, she explores how the wording of the 13th Amendment set the stage for the incarceration of millions of African Americans, who in turn provided unpaid labor that enriched their captors. Intended to prohibit slavery, the 13th Amendment exempts “the duly convicted” from its protections, that is, those who have been convicted of a crime. Plant establishes a direct line from this loophole through the Black Codes and Jim Crow laws to today’s mass incarceration, which disproportionately imprisons Black people. In other words, far from prohibiting slavery, the 13th Amendment enabled it to continue under the color of law.

While Of Greed and Glory is grounded in historical fact, it is not a history. Instead, it is a deeply subjective book, drenched with the sorrow and rage Plant feels about her brother’s unjust lifetime sentence for rape he did not commit. Most historians avoid subjectivity, but here, subjectivity is the point. The inhumanity and degradation resulting from the exploitation of the “duly convicted” clause results in the objectification of wide swaths of the population. By sharing her brother’s experience, Plant asserts that he and others like him have the right to be the autonomous sovereigns of their own lives, and not the anonymous targets of an unjust system.

This is an emotional and passionate book, raw in its grief and anger, but also imbued with hope for redemption. Based on objective historical fact and subjective experience, Of Greed and Glory has the power of a sermon and the urgency of a manifesto.

Deborah G. Plant’s indictment of America’s criminal justice system, Of Greed and Glory, has the power of a sermon and the urgency of a manifesto.
Science Fiction & FantasyNonfictionMystery & SuspenseFictionChildren's & YAYA FictionYAThrillerMiddle GradeMemoirLiterary FictionLifestylesHorrorHistoryHistorical FictionFantasyChildren'sBlack HistoryAmerican History

Our Top 10 books of January 2024

List by the editors of BookPage
STARRED REVIEW

Our Top 10 books of January 2024

Jami Attenberg’s guide to writing, Derek B. Miller’s World War II art heist and Abbott Kahler’s thriller debut are among January’s top reads.
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Gene Luen Yang’s writing and LeUyen Pham’s illustrations blend seamlessly to introduce readers to Vietnamese American Val and her evolving relationship with love.

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Jami Attenberg’s guide to writing, Derek B. Miller’s World War II art heist and Abbott Kahler’s thriller debut are among January’s top reads.
NonfictionWomen's HistoryHistoryBlack History

The Life and Times of Hannah Crafts

Review by Priscilla Kipp

The written narratives of enslaved people offer a window into circumstances that are, to most of us, unimaginable. These vital documents immortalize the names of their authors: Frederick Douglass, Solomon Northup and Harriet Jacobs, among them. But one woman wrote anonymously, perhaps trusting history to keep her secret until it was safe for her identity to be revealed. In The Life and Times of Hannah Crafts: The True Story of The Bondwoman’s Narrative, Harvard University professor Gregg Hecimovich sets out to find the woman who wrote The Bondwoman’s Narrative, an unpublished manuscript bought at auction by renowned scholar Henry Louis Gates Jr. in 2001. Hecimovich relies on the scholarship of Gates and others to celebrate the life and work of the first Black female novelist, Hannah Bond—more than a century after her death.

Scholars have suggested other candidates to fit the bondwoman’s identity—women who walked similar paths from slavery to freedom in the antebellum South of North Carolina, Virginia and Washington. Yet Hecimovich successfully braids together the fictitious details of the novel’s protagonist with Bond’s autobiography, leaving little doubt about the truth. Thanks to his deep research—and despite remaining gaps in the historical record—the titular bondwoman comes vividly to life.

As a “domestic servant,” Bond was at the mercy of her enslavers, who sexually abused her and cruelly severed her family ties—a practice especially rampant after the 1807 Act Prohibiting Importation of Slaves, when slave owners increasingly forced their captives to reproduce and then sold their children. Bond lost her mother and her child, but she held onto her hunger to learn and become literate. She especially leaned on Charles Dickens and Bleak House for help in creating her writing.

The Life and Times of Hannah Crafts is a vivid introduction to America’s first Black female novelist.
NonfictionHistoryBlack HistoryAmerican History

A Few Days Full of Trouble

Review by Priscilla Kipp

Sixty-seven years after the savage murder of Emmett Till in Mississippi, his cousin still seeks some kind of justice. Haunted by the 1955 hate crime that ignited the civil rights movement, Reverend Wheeler Parker Jr. brings everything and everyone back to life in A Few Days Full of Trouble: Revelations on the Journey to Justice for My Cousin and Best Friend, Emmett Till. The title comes from the Bible—“Mortals, born of woman, are of few days and full of trouble” (Job 14:1, NIV)—and is aptly applied to the short life and violent death of 14-year-old Till, while also ironically relating to the decades of delayed and denied justice that followed.

Till’s murder became international news when his mother, Mamie Till-Mobley, insisted on an open casket at the boy’s funeral, inviting the world to see her mutilated son. People fainted, the press raged—and yet the two white men accused of his murder were soon acquitted by an all-white jury. Not that the men worried about their fate; during their trial, they were allowed to leave their jail cells for supper with their families, carrying guns. Four months later, Look magazine published “The Shocking Story of Approved Killing in Mississippi” by William Bradford Huie, which featured an exclusive interview with Till’s acquitted killers, Roy Bryant and his half brother, J.W. Milam. Milam admitted that they shot Till, tied a gin fan around his neck and rolled him into the river. Their confession earned them $4,000 and had no significant consequences.

Several investigations by the FBI and Department of Justice ensued, hindered by possibly racist politics and questionable sources. In 2017, Timothy Tyson published a bestselling book that contained a quotation from Carolyn Bryant Donham, the white woman who claimed that Till had accosted her at the grocery store, motivating her husband and brother-in-law to pursue and eventually murder Till. In the quote, Donham recanted part of her original story. Or did she? As the Mississippi district attorney worked to confirm the quote in Tyson’s book, evidence of the author’s conversation with Donham vanished—if it ever existed.

Parker, with the help of his co-author, Christopher Benson, takes a hard look at everything that has transpired since 1955, including Parker’s own feelings of guilt. He was there the night Bryant and Milam came for Till, but he survived and went on to become a barber, minister and major force behind the family’s effort to achieve justice and right the record. His is a vivid chronicle of racism in America, an intense read that may make some readers uncomfortable. Perhaps that is the point. 

Anti-lynching bills struggled through Congress for years after Till’s murder. Finally, in March of 2022, President Joe Biden signed into law the Emmett Till Antilynching Act, making lynching a federal hate crime. As Benson writes in an afterword, “the work to achieve justice has just begun.”

The story of Emmett Till’s violent death in 1955 is retold by his cousin Wheeler Parker Jr., the force behind decades of attempts to achieve justice and right the record.
NonfictionHistoryBlack HistoryAmerican History

I Saw Death Coming

Review by Deborah Mason

You may have learned in high school that the post-Civil War Reconstruction was an inevitable failure. In her latest book, I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction, historian Kidada E. Williams demonstrates that, far from dying a natural death, Reconstruction was destroyed in a not-so-secret war waged against Black citizens.

Williams argues that the end of Reconstruction was the explicit goal of Confederates who refused to accept their military defeat. Abetted by war-weary white Northerners who wanted to put the Civil War behind them, a president who had no interest in securing civil rights for Black people and authorities who didn’t care to enforce the law, armed militias and Klansmen engaged in a concerted battle to destroy Black citizens who voted, ran for office or merely owned and farmed their own land. These white aggressors invaded homes and subjected Black Americans to a host of crimes, from arson and torture to rape and murder. The destruction of property alone amounted to millions of dollars in today’s currency, while the damage to victims, their families and their communities remains incalculable.

Williams, an associate professor of history at Wayne State University, lays out her case with forensic precision. She writes with authority about the political and social circumstances that enabled these attacks, as well as the impact that these acts of terror had on Black people’s health and financial security, for both the injured parties and the generations following them. But her most compelling evidence comes from the victims themselves: witness testimonies from the Congressional hearings on the Ku Klux Klan in 1871 and transcripts of Works Progress Administration interviews with the last survivors of slavery in the 1930s. 

These testimonies make for harrowing reading, but that is no reason not to read them. Previously enslaved people recounted the horrors of these “visits”—the deaths of loved ones, the rapes, the lingering physical and psychic wounds, the loss of hard-earned wealth—with dignity and courage, knowing full well the risks they ran by testifying. Williams honors their suffering by placing them at the center of this important, overdue correction to the historical record.

Kidada E. Williams demonstrates that the progress of the post-Civil War Reconstruction was hampered by a not-so-secret war against Black citizens.
NonfictionHistoryBlack HistoryBiography

Master Slave Husband Wife

Review by Deborah Mason

Everyone should know the story of Ellen and William Craft, the subjects of Ilyon Woo’s Master Slave Husband Wife: An Epic Journey From Slavery to Freedom. In 1848, Ellen, a light-skinned Black woman, disguised herself as a wealthy, young white man in a wheelchair. William, her husband, accompanied Ellen as an enslaved man, tending to his “master’s” needs. Together they traveled in disguise from the mansion in Georgia where they were enslaved to freedom in the North. Every step of their journey depended on them keeping their wits about them, especially for Ellen. Ship captains, train conductors and even a friend of her enslaver were fooled by Ellen’s ability to perform a role that transformed her demeanor in every conceivable way—from woman to man, Black to white, slave to master. Their self-emancipation was a triumph of courage, love and intelligence.

Yet the Crafts’ story is more than a romantic adventure, and Woo does an excellent job of providing historical context for the dangers they faced without losing the thread of a terrific story. The Crafts’ lives were not magically transformed merely by crossing the Mason-Dixon Line, Woo explains. The North, while free, was still hostile territory for self-emancipated Black people, with rampant bigotry and racism even among abolitionists. However, the greatest danger to Ellen and William was the passage of the Fugitive Slave Act in 1850, which required everyone to return formerly enslaved people to their enslavers and forced the Crafts into exile in England until after the Civil War.

The real strength of Master Slave Husband Wife comes from Woo’s exploration of how Ellen was perceived and treated after her spectacular escape catapulted her into celebrity. Woo, whose earlier book, The Great Divorce, explored another convention-defying 19th-century woman, makes the excellent point that Ellen’s method of escape was not only brilliant but transgressive, defying conventions of gender and race. Even the fair skin tone that allowed her to pass as white was the product of generations of rape, giving the lie to myths of the “happy slave.” With empathy and admiration, Woo details Ellen’s quiet refusal to conform to the racist, classist and sexist expectations of her enemies, benefactors, supporters and even her husband. Thanks to Woo, Ellen is finally at the center of her own story as someone who heroically challenged America’s myths of equality and freedom.

Ilyon Woo tells the remarkable true story of Ellen and William Craft, who came up with an ingenious and daring plan to emancipate themselves from slavery.
NonfictionHistoryBlack HistoryAmerican History

Saying It Loud

Review by Henry L. Carrigan Jr.

Journalist Mark Whitaker’s (Smoketown) riveting Saying It Loud: 1966—The Year Black Power Challenged the Civil Rights Movement chronicles a key moment in the movement for racial justice in the United States: the shift in 1966 from the nonviolent organizational tactics associated with Martin Luther King Jr. to an emergent focus on Black Power as a “state of mind and a badge of identity” whose adherents used whatever means necessary to achieve justice.

On January 3, 1966, Black civil rights worker Sammy Younge was murdered by a white gas station owner in Tuskegee, Alabama, for asking to use the restroom. As Whitaker points out, Younge’s death “reverberated through a generation of young people who were reaching a breaking point of frustration with the gospel of nonviolence and racial integration preached by Dr. King.” Whitaker tracks many such seismic events and the ways they shifted the leadership within core civil rights organizations such as the Student Nonviolent Coordinating Committee (SNCC), leading to the development of the Black Power movement and the Black Panther Party. Through meticulous research, he draws revealing portraits of figures such as Stokely Carmichael, who replaced John Lewis as SNCC’s chairman; Bobby Seale and Huey Newton, who formed the Black Panther Party in Oakland, California; and Ruby Doris Smith Robinson, who became the executive secretary of SNCC and thus the highest-ranking woman in the civil rights movement. In stunning detail, Whitaker records all the ways that 1966 became such a pivotal year in the quest for civil rights that, before it was over, “a cast of young men and women, almost all under the age of thirty . . . [had changed] the course of Black—and American—history.” He concludes by demonstrating that the defiant rhetoric of the Black Power movement in 1966 planted the seeds for the Black Lives Matter movement and other responses to police violence against Black Americans over the last 50 years.

Saying It Loud provides an essential history of events that deserve more attention and consideration. Whitaker’s striking insights offer a memorable glimpse of a key period in American history and the struggle for racial justice in the U.S.

Saying It Loud chronicles the shift in the civil rights movement from the nonviolent tactics associated with Martin Luther King Jr. to Black Power.
NonfictionFeaturedHistoryBlack HistoryAmerican History

Black history, well told

List by Christy, Associate Editor
Book jackets for four nonfiction books about Black history
STARRED REVIEW

February 4, 2023

Black history, well told

Four sweeping, novelistic nonfiction books illuminate important moments in American history.

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Four sweeping, novelistic nonfiction books illuminate important moments in American history.
NonfictionHistoryBlack History

Africatown

Review by Anne Bartlett

When word of emancipation reached them, the last men and women kidnapped in West Africa and sold to American enslavers just wanted to go home. They’d only been in the Mobile, Alabama, area about five years; they belonged in Yorubaland. So they saved their tiny wages and offered $1,000 to the captain of the Clotilda, the ship that had illegally brought them to the U.S. in 1860, to take them back. He refused.

Stuck in Alabama, they made the best of it. They paired off, bought land, built a church and founded the communities on Mobile’s north side known as “Africatown.” It’s still there, and its residents are still fighting for justice.

Nick Tabor’s absorbing Africatown: America’s Last Slave Ship and the Community It Created tells the story of these “shipmates” and their neighborhood up to the present day. The timing of its publication is auspicious, just a few years after the wreckage of the Clotilda was identified off the coast of Alabama in 2018. Zora Neale Hurston’s book Barracoon, based on interviews in the 1920s with shipmate Cudjo Lewis, was finally published that same year.

Africatown was added to the National Register of Historic Places in 2012, an action that was long overdue. If you are looking for a single community that epitomizes the Black experience in the American South, Africatown is a contender. It thrived as industry brought decent jobs, locally owned businesses prospered, and churches and an excellent school provided centers for civic life. But the factories polluted the air and water, then shut down. The residents were targets of white supremacist violence and voter suppression. Highway projects destroyed homes and commerce.

Tabor tells this history seamlessly through key individuals such as Lewis; Henry Williams, a welder who became an early activist; and Joe Womack and Anderson Flen, contemporary native sons who work to protect Africatown from continued environmental racism and to redevelop it as a heritage tourism center. Progress has been halting. The Mobile city government is happy to install laudatory plaques but reluctant to spend the money for real preservation. But the spiritual and biological descendants of that first Africatown generation, dragged from their homes and enslaved by racist white criminals, push on.

Nick Tabor’s absorbing Africatown tells of the Alabama community founded by the last Africans to be kidnapped and enslaved in America, and their descendants’ continued fight for justice.
NonfictionHistoryBlack HistoryBiography

The Odyssey of Phillis Wheatley

Review by Priscilla Kipp

In 1767, Phillis Wheatley arrived in Boston via a slave ship at the age of 7. In the years leading up to the start of the American Revolution in 1775, she became famous across New England and in London for her poetry. For all her talent and influence on the issues of her day, such as abolition, emancipation and revolution, the details of Wheatley’s life are still unknown to many. Award-winning historian David Waldstreicher sets out to change that with his in-depth, engrossing biography, The Odyssey of Phillis Wheatley: A Poet’s Journeys Through American Slavery and Independence.

At a time when enslaved—and free—Black people were regarded by many colonists as barely literate “barbarians” and possible threats to Massachusetts’ rebellion against England, Wheatley earned her fame with words. Recognizing her unique ability, Wheatley’s wealthy, white enslavers gave her the time and privacy to write. Her poems, such as “On Being Brought From Africa to America,” were metered, not free verse, and spoke to the intellectual and impassioned Christian beliefs of her times. Wheatley’s elegies for the dead were distributed as broadsides at funerals, and her poems—which managed to praise British soldiers as well as American patriots and abolitionists—were published in newspapers on both sides of the churning political divide. Waldstreicher includes the text of many of Wheatley’s poems, explaining them well for those less familiar with the classical forms she used.

When an enslaved man fled his captors while they were visiting England, the ensuing public and legal controversy revealed the hypocrisy of a group of colonies seeking freedom while allowing slavery to persist. Within this context, Wheatley’s own position was precarious. She often had to prove that a young enslaved Black girl could indeed be a brilliant poet. In 1773, she achieved her emancipation with the help of her many patrons in Boston and England after the publication of her first book—at a time when very few women could get published.

Waldstreicher documents the long, tortuous journeys toward independence for both the poet and the American colonies in The Odyssey of Phillis Wheatley. Along the way, the likes of Samuel Adams, Benjamin Franklin and Abigail Adams cross Wheatley’s path, and events like the Boston Tea Party and the Boston Massacre feature prominently. This account of Wheatley’s life adds much to the tumultuous Revolutionary chapter of America’s political and racial history.

David Waldstreicher’s engrossing biography of the enslaved poet Phillis Wheatley adds much to the tumultuous Revolutionary chapter of America’s political and racial history.
NonfictionWomen's HistoryHistoryBlack HistoryAmerican History

4 books about women you’ll wish you’d read in history class

Feature by Julie Hale

Tomiko Brown-Nagin pays tribute to a history maker in Civil Rights Queen: Constance Baker Motley and the Struggle for Equality. Born in Connecticut in 1921, Constance Baker Motley studied law at Columbia University and went on to serve as a federal judge, becoming the first Black woman to do so. She was instrumental in ending Jim Crow and in arguing Brown vs. Board of Education. Brown-Nagin’s richly detailed narrative chronicles Motley’s working-class background and her rise in law and politics. Book clubs will enjoy digging into complex topics such as gender, social justice and the nature of power.

The Woman They Could Not Silence: The Shocking Story of a Woman Who Dared to Fight Back by Kate Moore is a fascinating look at the life of Elizabeth Packard, who was wrongfully sent to an Illinois insane asylum by her husband in 1860. During her confinement in the asylum, where living conditions were appalling, Packard found other women who had been unfairly institutionalized. Determined to stand up for herself and her sister inmates, Packard advocated for their rights against all odds. Packard is an extraordinary figure, and Moore brings her to vivid life in this haunting book.

Dorothy Wickenden’s The Agitators: Three Friends Who Fought for Abolition and Women’s Rights focuses on a trio of formidable women from the 19th century—Harriet Tubman, Frances A. Seward and Martha Coffin Wright—each of whom worked to further the causes of freedom and equality at a critical time in America. Wickenden documents the lives of these groundbreaking women, showing how their controversial work impacted their personal relationships and social standing. Themes of loyalty, family and feminism will inspire rewarding dialogue among readers.

In The Correspondents: Six Women Writers on the Front Lines of World War II, Judith Mackrell spotlights a roster of unforgettable journalists who forged their own paths as war reporters despite red tape, gender-based prejudice and the hardships of international conflict. Mackrell tells the personal stories of Martha Gellhorn, Clare Hollingworth, Lee Miller, Sigrid Schultz, Helen Kirkpatrick and Virginia Cowles while exploring their remarkable contributions to history. Thoroughly researched and briskly written, Mackrell’s salute to a group of intrepid writers captures the spirit of an era.

Celebrate Women’s History Month with your reading group by picking up a book that honors overlooked female trailblazers.
NonfictionNatureMemoirHistoryBlack History

Soil

Review by Henry L. Carrigan Jr.

Like the garden at its center, poet Camille T. Dungy’s Soil: The Story of a Black Mother’s Garden blossoms in vivid hues, radiating love and illuminating the tangled roots of nature and ecology.

Six years after she arrived in Fort Collins, Colorado, Dungy set out to reclaim a portion of her yard and convert it into a “drought-tolerant, pollinator-supporting flower field.” However, once several dump trucks unloaded mounds of dirt on her driveway, only for it to be scattered by wind, she had second thoughts. Eventually, though, she turned what was once a cookie-cutter lawn into a richly diverse space filled with plants that prevent soil erosion and allow bees and birds thrive.

At the same time that she was planting her garden, Dungy also dug into the history of the wilderness movement. She discovered that ecology had its own homogeneity problem, especially its exclusion of Black women gardeners and Black women environmental writers from anthologies of environmental literature. “Maintaining the fantasy of the American Wilderness requires a great deal of work,” she writes. “It requires the enforced silence of women, of Black people, Chinese people, Japanese people, other East and South Asian communities, poorer white people, Indigenous people, Latinx people . . . the list goes on and on.” To help fill that gap, she introduces readers to gardeners such as Anne Spencer, a Black poet who created a spacious sanctuary of a garden in the late 19th century in Lynchburg, Virginia.

In Soil, Dungy plants poems next to memoir next to critical analysis next to environmental history next to African American history, cultivating the radical ecological thought she wants to see more of in the world. This vibrant memoir challenges readers to look beyond the racial and scientific uniformness of most environmental literature and discover the rich wildness and hope that lies all around them.

In her radical and vibrant memoir, Camille Dungy plants poems next to critical analysis next to environmental history next to African American history.

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