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All Body, Mind & Spirit Coverage

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With home cooking on the rise, has there ever been a better time to switch up the energy with a new cookbook?

★ In Bibi’s Kitchen

Perhaps the freshest cookbook of the season is In Bibi’s Kitchen, even though “this is an old-fashioned cookbook that has nothing to do with trends or newness,” as editors Hawa Hassan and Julia Turshen write in their introduction. The book features recipes and stories from grandmothers (bibis) from eight African countries, all introduced through Q&A interviews. Each chapter shares basic information about one of the featured countries, all of which touch the Indian Ocean (two are islands), and “offers a range of perspectives that clearly illustrate how food changes when it travels and how it can also help to keep a connection to home.” Don’t feel the least bit wary of recipes featuring hard-to-find ingredients. Almost all the spices called for are readily available in American supermarkets, and many of the condiments included here (like Somali cilantro and green chile pepper sauce) can be used on nearly anything. A beautiful example of how food is culture, history and one of the most powerful forms of connection we have, In Bibi’s Kitchen feels at once deeply famil- iar and powerfully eye-opening.

Tequila & Tacos

Do I love Tequila & Tacos because it’s compact and bold in color, or do I love it because it’s all about tacos? Yes. Katherine Cobbs’ latest in the Spirited Pairings series is an irresistible tour de U.S. taco joints in points north, south, east and west. Each location reveals the recipe for one signature taco and cocktail, from cauliflower tacos with fennel and ramps (Salazar in Los Angeles) to a Monte Cristo taco (Velvet Taco in Atlanta) to a lamb carnitas taco (Quiote in Chicago), and on and on the delicious armchair exploring goes. You might feel a twinge of grief right now, thinking about all these beautiful restaurants and their brilliant creations—but then you get to make the tacos and agave-spirit libations at home, and you’re sure to feel happier after that.

Jacques Pépin Quick & Simple

Even if you’re not a foodie, you’ve probably heard the name Jacques Pépin. The renowned French chef and TV personality has a wonderful smile, and as such, I take great joy in the many photographs of him sprinkled throughout Jacques Pépin Quick & Simple, which has a pleasingly retro feel thanks to its cheerful illustrations, vintage typeface and decidedly unfussy recipes. These really are quick and simple dishes with common ingredients and instructions that rarely extend past a paragraph or two. In fact, “mix all the ingredients together” is a common refrain. There are even lots of shortcuts, such as brown-and- serve French bread (!) or pre-made pizza dough and puff pastry. If a famous French chef tells you to do it, it’s totally OK, right? Packed with more than 200 recipes, this book would make a great resource for busy young people who are just beginning their kitchen adventures.

The Good Book of Southern Baking

Kelly Fields brings 20 years of pastry chef know-how to the pages of The Good Book of Southern Baking. She developed these recipes in restaurants, including her own New Orleans joint Willa Jean, and her thorough overview of baking ingredients—11 pages’ worth!—signals that honed expertise. But it’s her South Carolina upbringing that provides the bedrock for this sumptuous collection of sweet treats. Fields’ baking is deeply rooted in childhood experience, and she invokes her mama regularly in her treatment of classics like banana bread, haystack cookies and warm chocolate pudding. You’ll be hard-pressed to find a traditional Southern dessert not covered here, and you’ll want to devour every single one. (I’m especially drawn to the bourbon-butterscotch pudding, a twist on one of my own mama’s favorites, and Grandma Mac’s apple cake.) This is the perfect gift for the dessert person in your life. 

The Kosmic Kitchen Cookbook

The Kosmic Kitchen Cookbook cozies up at the three-way intersection of herbalism, ayurveda and seasonality, making it a fascinating, not to mention beautifully designed, guide for thinking about how to support your health holistically. Herbalists and pals Sarah Kate Benjamin and Summer Singletary ground the book in elemental theory, the idea that the five elements—ether, air, water, fire, earth—must be balanced in our bodies. They connect this theory to the four seasons, helping the reader to identify how the elements are at play, inside and out. A section on herbal preps, such as herb-infused ghee, honey and turmeric tahini dressing, begins the culinary exploration, followed by seasonal recipes like lemon balm gazpacho and spiced mulled wine with hawthorn berries. If you’re new to herbalism, it may seem like a lot to take in, but Benjamin and Singletary are wonderful guides, and the book also provides a link to their free online minicourse on the subject.

With home cooking on the rise, has there ever been a better time to switch up the energy with a new cookbook? Here are five that breathe fresh life into kitchen duty.
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In the introductory essay of Yoke: My Yoga of Self-Acceptance, Jessamyn Stanley relates the time a reader, who happened to be a freelance editor, found a mistake in the early pages of Stanley’s first book, Every Body Yoga. Stanley was attempting to define the Sanskrit word for yoga, which means “to yoke” or “to join together the light and dark of life, the good and the bad . . . to marry breath, thought, and movement, to connect the body, mind, and spirit.” Instead of writing the word yoke, however, Stanley had inadvertently written yolk. Oops.

Anger and shame ensued—a welter of feelings that propelled Stanley to her yoga mat for some calming breaths. Thus, Yoke was born, a collection of 13 autobiographical essays that are brash (with salty language aplenty), outspoken, funny, insightful, honest and occasionally spiced with dashes of self-deprecating melodrama.


ALSO IN BOOKPAGE: Jessamyn Stanley shares how her guide to the ancient practice of yoga turned out to be deeper and more demanding than she ever imagined.


The essays in Yoke explore Stanley’s belief that “everything is yoga, every day,” and that fully entering yoga/yoke means integrating the light and dark of life with the hardscrabble work of everyday living. “My yoga has many intersections and edges,” she writes, “because like the universe, I’m always unfolding. My yoga is finding out what it means to be a Black queer woman in a world that doesn’t want me to be.” Her reflections on topics such as meditation, imposter syndrome, wealth inequality, racism, cannabis use, sexual abuse and the sacredness of music are heartfelt and often searing. She is strongly declarative, and this makes for a narrative that allows readers to really know this author, which is, after all, what many readers want: connection.

While the writing occasionally meanders or goes a bit off point, any discomfort readers might feel in response to Stanley’s blunt-edged anger can give rise to self-reflection and stir compassion for our collective human frailty and suffering. But this honest chronicle of a journey toward self-acceptance and purpose wraps on a bright note. As Stanley writes, “I’m enough. Exactly as I am right now. I don’t need to know more or do more or be different at all.”

The 13 autobiographical essays in Yoke are brash, outspoken, funny, insightful, honest and occasionally spiced with dashes of self-deprecating melodrama.

Acclaimed writer Michael Pollan, author of several notable books including In Defense of Food, The Omnivore’s Dilemma and most recently How to Change Your Mind, returns with This Is Your Mind on Plants, which delves into the deep relationships humans have with three mind-altering plants: opium, coffee and mescaline.

Pollan begins this book with an updated version of his Harper’s essay from 1997, in which he writes about attempting to grow poppies to make opium tea for his personal enjoyment—and about the intense anxiety over planting the poppies in his own garden. Confused over whether or not it was legal to grow poppies, Pollan conducted research that led him into a morass of penal contradictions, not to mention the philosophical puzzle of why certain drugs and not others are illegal to begin with.

Next Pollan describes his monthlong detox from caffeine, his preferred drug of choice. During this experiment he experiences mental dullness, lethargy and an intense inability to focus—a writer’s nightmare. Caffeine is a legal drug, of course, but Pollan can’t help but notice how it has a much stronger effect on him than his opium tea did. The relationship between humans and coffee is centuries deep, and Pollan helpfully connects the history of coffee-drinking to our modern-day reliance on caffeine.

The final section is devoted to the study of mescaline: its uses but also who gets to use it. Pollan explores some interesting history involving Aldous Huxley, author of Brave New World, and after taking mescaline himself during a Native American peyote ceremony, Pollan makes fair observations about the recent cultural appropriation of mescaline.

Readers of How to Change Your Mind will recognize Pollan’s thoughtful and scientific approach to the subject of psychedelic drugs and altered states of consciousness. This Is Your Mind on Plants is an entertaining blend of memoir, history and social commentary that illustrates Pollan’s ability to be both scientific and personal. By relying on contextual history and focusing on three popular, if misunderstood, drugs, Pollan challenges common views on what mind-altering drugs are and what they can accomplish.

Acclaimed writer Michael Pollan delves into our deep relationships with three mind-altering plants: opium, coffee and mescaline.
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In The Lonely City (2016), Olivia Laing traced a connection from her own experience of loneliness to the work of artists such as Edward Hopper, Andy Warhol, Henry Darger and David Wojnarowicz. The result was a tapestry like no other, a tender exploration of art-making and human experience cast through an empathic prism. 

Everybody: A Book About Freedom finds Laing taking a similar approach as she masterfully shares stories of fascinating artists and historical figures. This time, the psychoanalyst Wilhelm Reich is at the cosmic center of an even more wide-ranging inquiry that looks, with hope, at the idea of freedom from oppression related to skin color, sexual identity or gender.

Reich, a protégé of Sigmund Freud, believed that “the past is interred in our bodies, every trauma meticulously preserved, walled up alive.” Later in life he became known for his orgone boxes, pseudoscientific devices that attracted the attention of the FDA and led to his imprisonment. Which is to say that his legacy is a complicated, even tainted one, but Laing treats him with the same gentle perspicacity she extends to her other subjects, which include Susan Sontag, Kathy Acker, sexual liberationists in Weimar Berlin, the artist Agnes Martin, Bayard Rustin and Nina Simone.

Her net, in short, is breathtakingly, ambitiously wide. Her stakes could not be higher—freedom for all bodies, “unharried by any hierarchy of form.” Along with Reich, Laing’s consistent interest here is the human body and its quest for pure freedom. How did each of these cultural and intellectual figures fight to liberate their body? How did the prevailing forces of the time work against them? These questions link Laing’s journey, which is as concerned with bodily freedom as with the way trauma can operate, years past its inception, as a barrier to said freedom. Along the way she peers inward to her past as an herbalist, environmental protestor and child of gay parents in the 1980s.

“I still don’t believe in orgone boxes,” Laing concludes, “but I do think Reich found his way to durable truths. I think the weight of history abides in our private bodies. Each of us carries a legacy of personal and inherited trauma, operating within an unequal grid of rules and laws that depends upon the kind of body we were born into. At the same time, we are porous and capable of mysterious effects on each other’s lives.” Everybody is a nonpareil study that delights the intellect.

Olivia Laing casts a breathtakingly, ambitiously wide net, and the stakes of her subject—freedom for all bodies—could not be higher.
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Following successful surgery that, unexpectedly, sends his body into shock, Andrew Schulman lies in a coma in Mount Sinai Beth Israel Hospital’s Surgical Intensive Care Unit (SICU). Nothing is helping; death is near. Desperate, his wife Wendy reaches into her bag for her cell phone and instead finds the one thing she hopes might save him: his iPod. Gently placing one earbud in his ear and the other in her own, she plays his favorite, Bach’s St. Matthew Passion. Terrified it won’t help, or even make things worse, she waits. Waking the Spirit: A Musician's Journey Healing Body, Mind, and Soul is the patient’s own astounding account of what happens next.

Andrew Schulman is a classical guitarist who has played New York’s many venues for years, from restaurants and cabarets to concert halls. In each, he learned to know his audience, and—often from memory—play the music that reaches and touches them. Now, working to recover playing skills and memory damaged by his near-death ordeal, he wants to give something back to those responsible for saving his life. Remembering what the nurses call his own “St. Matthew Miracle,” Schulman returns to the SICU with his guitar and, three times a week for 90 minutes, plays for patients and staff. Amid the constant cacophony of life-support machines, he counters with the likes of Bach, the Beatles, Gershwin and Queen.

While his experiences, and the reactions they inspire, constitute much of the book, there is a lot to learn along the way as well. Music—how it affects the brain, its historical use as therapy and its future promising role in more humane and palliative care—is the true subject here, told by a “medical musician” (a term first used by Pythagoras) who learns firsthand that music can indeed help to heal both player and listener.

 

Priscilla Kipp is a writer in Townsend, Massachusetts.

Following successful surgery that, unexpectedly, sends his body into shock, Andrew Schulman lies in a coma in Mount Sinai Beth Israel Hospital’s Surgical Intensive Care Unit (SICU). Nothing is helping; death is near. Desperate, his wife Wendy reaches into her bag for her cell phone and instead finds the one thing she hopes might save him: his iPod. Gently placing one earbud in his ear and the other in her own, she plays his favorite, Bach’s St. Matthew Passion. Terrified it won’t help, or even make things worse, she waits. Waking the Spirit: A Musician's Journey Healing Body, Mind, and Soul is the patient’s own astounding account of what happens next.

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