Olivia Abtahi does a stellar job of introducing the concept of boundaries, while cautioning readers that being super-accommodating might result in being overburdened, even by those who care about us.
Olivia Abtahi does a stellar job of introducing the concept of boundaries, while cautioning readers that being super-accommodating might result in being overburdened, even by those who care about us.
The Queen’s Spade introduces readers to the incredible story of Sarah Forbes Bonetta and broadens it into a powerful tale that readers seeking historical fiction and high-stakes mystery are sure to enjoy.
The Queen’s Spade introduces readers to the incredible story of Sarah Forbes Bonetta and broadens it into a powerful tale that readers seeking historical fiction and high-stakes mystery are sure to enjoy.
Previous
Next

All YA & Children's Coverage

Filter by genre
Review by

Sarah, nicknamed Sally, is everything British society expects her to be: a polite, respectable, beautiful lady. An Egbado princess whom Queen Victoria claimed as a goddaughter, at 19 years old, Sally has learned to play the game of propriety and appearances. But it’s all in an effort to achieve her real goal: revenge against everyone who was involved with her violent removal from her homeland.

The Queen’s Spade blends fact and fiction to expand upon the heart-pounding history of Sarah Forbes Bonetta, a real historical figure. In 1862 England, amidst fraught discussions between the aristocracy about colonialism and abolition, Sally carefully makes her moves against a society that both adores and others her—one that traps everyone in webs of lies and betrayal, even those at the very top.

Intelligent and intuitive, Sally knows how to use status to her advantage. Other characters admire or envy her privileges, which include favor from the Queen, familiarity with the royal family, and financial and social support. But readers are granted a glimpse into Sally’s mind, where she feels the trauma and terror of having been ripped from her home and forced to adopt an entirely different culture, while her history as a member of the Yoruba tribe is belittled and erased.

As Sally navigates a cultural, social and economic landscape full of contradictions and double standards, The Queen’s Spade becomes an intense battle of wits. How can Sally use her environment to her advantage? What role will others play in her plan? From Rui, the mysterious leader of an underground network, to Harriet, a high-born courtier who anxiously lives in the shadow of her heritage, to Bertie, the cheeky and foolish prince, Sally is surrounded by people around whom she must maneuver to achieve her revenge. What are everyone’s motives, and who can she really trust? And, perhaps, most importantly: What is she willing to pay to achieve her revenge?

The Queen’s Spade introduces readers to an incredible true story and broadens it into a powerful tale that readers seeking historical fiction and high-stakes mystery are sure to enjoy.

The Queen’s Spade introduces readers to the incredible story of Sarah Forbes Bonetta and broadens it into a powerful tale that readers seeking historical fiction and high-stakes mystery are sure to enjoy.

Although she’s just a kid, Cecilia has two full-time jobs: elementary school student, and interpreter for her Spanish-speaking parents. 

In her picture book debut, The Interpreter, Olivia Abtahi (Twin Flames) has crafted an empathetic, gently humorous look at what it’s like to be a go-to translator in immigrant and/or multilingual families. Fittingly, The Interpreter is itself a multilingual book: cleverly conceived watercolor and pencil-crayon artwork by Monica Arnaldo (The Museum of Very Bad Smells) separates out languages by color. Orange word bubbles are for Spanish, blue for English and pink for Farsi when Cecilia’s family encounters another kid-interpreter.

Cecilia’s life has become overwhelmingly blue and orange, to her and her friends’ consternation. She’s a plucky, considerate child who beams when her mom says, “What would I do without you?” But while it’s rewarding to explain her sibling’s medical treatments, ensure the hairdresser doesn’t cut mom’s hair too short, and assist dad with his driver’s license photo (“No smiling. / Sin sonrisa.”), it’s also exhausting. 

Not surprisingly, when a perceptive teacher inquires how she—just her, not her family—is doing, Cecilia loses her cool and releases her bottled-up frustration in a gloriously explosive double-page-spread: “I don’t want to run errands every day and wait at the DMV! I want to be outside, I want to play soccer . . . I want, I want, I want.” Her parents are shocked at her outburst, and then shocked at how Cecilia’s calendar has been overtaken by interpreting without their realizing. “I want to help,” Cecilia says,. “just not all the time.”

Abtahi does a stellar job of introducing the concepts of boundaries, self-advocacy and work-life balance while cautioning readers that being super-accommodating might result in being taken advantage of or overburdened, even by those who care about us. But asking for and accepting help can make things better for all involved: By the book’s happy end, Cecilia’s aunt and brother are pitching in with interpreting, she’s back to playing with friends and everybody is smiling—especially Cecilia.

 

Olivia Abtahi does a stellar job of introducing the concept of boundaries, while cautioning readers that being super-accommodating might result in being overburdened, even by those who care about us.

Throughout Ajay Anthonipillai’s life thus far, he’s dutifully adhered to his Sri Lankan parents’ rules. Their 16-item list, displayed at the end of Maria Marianayagam’s winning and inventive No Purchase Necessary, includes things like “Straight As only,” “No friendships with the opposite sex” and “No working while you’re in school.”

Alas, ever since Ajay started eighth grade at Bridge Creek Middle School, he’s been struggling. At his previous school, kids called him “Obnoxious Ajay” because of his relentless academic competitiveness. Now that he’s grown up a bit, he’s more interested in making friends than viewing classmates as rivals, but he’s unsure how to go about it. So, when popular bully Jacob Underson hints they’ll become buddies if Ajay steals a Mercury bar from Al’s convenience store, Ajay shocks himself by actually doing it . . . only for Jacob to laughingly reject his offering, leaving him defeated and guilty. “How was this my life? What made me so unlikable? This year was supposed to be a fresh start.”

Adding to Ajay’s misery, he gets a 79% in language arts class and lies to his parents about it, drawing his sister Aarthi’s disapproval. A classmate, Mandy, seems friendly, but he’s nervous around her, and she gets better language arts grades (old habits die hard). And that chocolate bar, sold during a 25th anniversary promotion? It’s the winner of Mercury’s million-dollar grand prize. But how can he—legally, morally—claim a prize from stolen candy?

Ajay secretly gets a job at Al’s so he can destroy evidence of his crime. But as he gets to know Al while contending with a cascade of ethical dilemmas, his guilt intensifies, not least because his family could really use that money. Is there any way to cash in without betraying everything they’ve worked for?

No Purchase Necessary is an entertaining, thought-provoking read rife with suspenseful twists and turns and well-drawn characters, and enlivened by the witty, appealing voice of its protagonist. Marianayagam perfectly captures the emotional, social and moral minefields of middle school, and will have readers rooting for Ajay to find happiness as he figures out which rules serve him—and which are meant to be broken.

No Purchase Necessary is an entertaining, thought-provoking read rife with suspenseful twists and turns and well-drawn characters, and enlivened by the witty, appealing voice of its protagonist.

In debut author Trisha Tobias’ Honeysuckle and Bone, 18-year-old New Yorker Carina Marshall is determined to make a fresh start, having recently experienced an upsetting series of events that culminated in the death of her best friend, Joy; her other friends’ subsequent abandonment of her; and an onslaught of online hate. Awash in guilt and shame, Carina decides a summer au pair job in a gorgeous place is just the thing to help her move on.

Sure, the gig is in Jamaica, her mother’s homeland, which she has forbidden Carina to visit. And yes, the job was actually Joy’s, but since she didn’t meet her soon-to-be employer in person, it’ll be easy for Carina to replace her. What could go wrong?

Well, as any fan of eerie, suspenseful tales knows, plenty—and Honeysuckle and Bone is all the better for it. Carina’s new job at opulent Blackbead House entails caring for Jada and Luis, the younger children of brusqueIan Hall, currently running for prime minister, and his regal wife, Ruth. Carina’s coworkers, who call themselves the Young Birds, are friendly, but a couple of them seem to be hiding secrets of their own as they tend to Blackbead, work fancy campaign events and have fun in between.

Despite her busy days and posh surroundings, Carina begins to feel more and more uneasy. A “strong and sweet” floral scent that “sends heat through [her]” plagues her, and someone—or something—has been leaving her messages that simply, ominously, say “Run.” Despite her handsome, attentive coworker Aaron’s efforts to help her figure out what’s happening, Carina can’t escape the dread she feels as she struggles to discern what is real or imagined, felt or seen. Readers who enjoy twisted thrillers in bright tropical settings will revel in Honeysuckle and Bone’s exploration of the contrast between glittery surfaces and the secrets buried beneath them, between people who live life openly and those haunted by what they have to hide.

Readers who enjoy twisted thrillers in bright tropical settings will revel in Honeysuckle and Bone’s exploration of the contrast between glittery surfaces and the secrets buried beneath them.
Review by

Go Tell It: How James Baldwin Became a Writer is exceptional, a master class of a picture book biography overflowing with energy-infused words and pictures. Quartez Harris is a compelling storyteller, summarizing Baldwin’s early life in evocative scenes, especially his struggles with his fury-filled preacher stepfather. Harris describes, for instance, how Baldwin wrote Go Tell It on the Mountain: “As he typed, his fingers dug into his Harlem childhood and the old church songs he sang in the pews of his past. Then he pounded his typewriter like an organ thundering from a storefront church.”

The atmospheric illustrations by Caldecott honoree Gordon C. James draw young readers right into James Baldwin’s world, showing, for example, how Baldwin traversed the streets of Harlem, seeing words everywhere. On one spread, Baldwin walks amid jump-roping children and chatting bystanders, the scene covered with words swirling through the young man’s head. Later, similarly styled words surround Baldwin’s typewriter as he begins to write his first novel.

A thoughtful afterword further explains Baldwin’s accomplishments, which is especially helpful for young readers not yet ready for his writing. Go Tell It is an inspiring look at one of America’s most important writers.

Go Tell It is an inspiring look at one of America’s most important writers.
Review by

Amber can’t contain her feelings for Nico any longer. They’ve been best friends for years, and though part of her wishes they could go back to easy conversations, nights playing video games and chill hangouts with friends, she can’t hold back how she really feels. So during their eighth grade beach trip, she confesses—and he says he reciprocates! But as the new couple jumps headfirst into romance, they find that relationships can be complicated, especially when it comes to first loves, changing friendships and, of course, high school.

Dreamover is a charming and surreal exploration of young love set during the early days of the internet, when teenagers still spent their summers at the beach and talked all night over instant messaging. Filled with charming illustrations that emphasize the youthfulness of its characters, this graphic novel brings readers back to the thrill, confusion and emotion of growing up.

In many ways, Dreamover is light and silly. Its characters get into good-hearted mischief, playing games, having sleepovers and teasing each other about their crushes. But the story isn’t afraid to step into the angst and confusion of teenhood, speaking to serious issues like jealousy, bullying and growing apart from old friends. The story centers on characters who are easy to feel for, like Nico, who’s teased for his relationship with Amber, and Drew, who starts feeling left out of their trio as Nico and Amber draw closer together. Readers are bound to see themselves—or their younger selves—in these characters as they ride the waves of love and friendship.

As Nico and Amber see how their relationship impacts other people in their lives, they must learn to decide what they value—and how they can maintain what matters even as the world and the people around them are changing. Perfect for those who are grown up and those who are still growing up, Dreamover is a nostalgic and thought-provoking experience.

Perfect for those who are grown up and those who are still growing up, Dreamover is a nostalgic and thought-provoking experience.
Review by

Dream a Dress, Dream a Poem: Dressmaker and Poet, Myra Viola Wilds introduces young readers to Myra Viola Wilds, a Kentucky woman who lived during the Jim Crow era and left her home in the hills for “the city” to become a dressmaker. Eventually, she lost her vision—which the book attributes to eyestrain—and then became a poet. Although biographical details are sparse, Wilds is an admirable, intriguing creator.

Nancy Johnson James tells Wilds’ story in verse, highlighting historical notes in an afterword. She focuses on Wilds’ unending creativity, urging readers to follow her example: “Dream a dream when you struggle, between a painful past and a hopeful tomorrow. Remember when light began to fade, Myra’s art could still be made.”

Diana Ejaita’s fanciful artwork steals the show here. Bold patterns and colors fill each page, reminiscent of Matisse’s splashy shapes. She also uses linework to evoke the weave and intricate stitchwork of the dresses Wilds made. She skillfully introduces the color black into the illustrations to portray Wilds’ descent into blindness.

Dream a Dress, Dream a Poem offers a world of inspiration for young creators of many kinds.

Dream a Dress, Dream a Poem offers a world of inspiration for young creators of many kinds.

In prolific author-illustrator and Walt Disney animator Benson Shum’s colorful, upbeat new book We Are Lion Dancers, Lunar New Year is fast approaching, and siblings Lily and Noah are lucky enough to learn about and celebrate this festive Chinese tradition.

The adorable duo’s curiosity is piqued when, after kung fu class, they encounter two lion dancers practicing for the Lunar New Year parade. The lion dance “scares away evil spirits,” they explain, “and brings good luck and happiness to everyone for the New Year.”  

The kids are fascinated by the lion costume’s vivid colors and furry details. Even better, “It takes two people to make the lion come alive,” and the dancers let Lily and Noah try it! Alas, although the kids quickly get the hang of various lion-y movements, the costume is too big for their little bodies. Rather than be disappointed, they find another way to participate: Lily plays the gong and Noah plays the cymbals while the adults practice their dance.   

The siblings’ creativity and adaptability comes into play at home, too, where they use a cardboard box, sheet and more to create a kid-sized lion costume. “Together, they LIFT AND SHAKE, LIFT AND SHAKE. They even give a little ROAR.” On parade day, they add the gong and cymbals from earlier to the joyful noise of the Lunar New Year paraders and the appreciative crowd. And afterward, they’re thrilled to receive a special surprise gift as a thank you for their help—and encouragement to carry on the lion dance tradition. 

We Are Lion Dancers is a winning tale that warmly depicts the excitement of discovery, the fun of being part of a team and the value of learning about and participating in important traditions. Throughout the book, Shum provides lots of fascinating historical and cultural details, such as events where the dance is performed (Lunar New Year celebrations, weddings, business openings) and the particulars of two traditional dance styles (Southern and Northern). “The Story of Nian” at the book’s end describes the dance’s mythical origin story, offering both context and inspiration for the next generation of aspiring lion dancers. Roar!

We Are Lion Dancers is a winning tale that warmly depicts the excitement of discovery, the fun of being part of a team and the value of learning about and participating in important traditions.
Review by

Although Janie and her mother go birding often, she never manages to spot an owl, which she longs to see in the wild. Fortunately, Janie’s teacher, Mr. Koji, is also a lifelong birder, and owls are his favorite too. After Mr. Koji offers her a tip, she heads to the snowy woods once more and sees not one, but two owls. 

Children often dive wholeheartedly into their interests—many, like the wonderful Mr. Koji, carrying those interests into adulthood—focusing with boundless energy. When something sparks their curiosity, they explore it with pure enthusiasm, driven by a sense of wonder and joy. This is precisely what Matthew Cordell captures so skillfully in To See an Owl, using plain language and short, impactful phrasing: “I look and look in the woods. Deep in the trees. At sunrise. At dusk.” 

As the story unfolds, readers learn about owls: their vocalizations (entertainingly, one is “WHO COOKS FOR YOU ALL?”), their droppings (owl poop is called whitewash) and their habitats. Cordell’s repetition works to great effect. The refrain, “Perfectly stout. Large, round eyes. Silent, knowing faces. Birds of the night,” appears more than once and is beautifully paired with the stunning penultimate spread of two adult owls in a tree, snow falling gently around them. There are moments of subtle humor, like when Janie describes her patient mother, who faithfully joins Janie on her owl-watching adventures: “Mama is not excited about birding in a cemetery.” 

Cordell’s palette features a harmonious blend of earth tones and pastels, with the blue of the sky anchoring these elegant tableaux. In the spread where Janie hears her first owl call, only the blue sky, falling snow and Cordell’s handwritten “Hoo-hoo-hoo Hooooo-hoooo” are present. The closing spread conveys Janie’s awe at finally seeing an owl: “Magic,” she exclaims, her bright eyes reflecting wonder as the word escapes in a cloud of vapor suspended in the cold air. Having experienced the buildup of tension through Janie’s repeated attempts to spot the creature she adores, readers end To See an Owl by sharing in her joy.

 

Caldecott Medal winner Matthew Cordell skillfully captures children’s enthusiasm for their interests through elegant illustrations and plain language in To See an Owl.
Review by

This is the year Julieta Villarreal will figure out how to escape from the climate disasters threatening her home, the broken friendships she’d rather leave behind, and the grief of losing her twin sister. So when the Cometa Initiative, a private space program, invites New American students to join a space mission, Juli sees a perfect way to restart her life. 

Gloria Muñoz’s This Is the Year is a story about transitions. Perhaps the biggest change for Juli is the loss of her twin, Ofe, in a hit-and-run accident, a loss that lingers over the story. Driven by Juli’s first-person narration—some of which is directly addressed to Ofe—and excerpts of her prose poetry, This Is the Year takes a creative approach to storytelling that allows readers to observe the shift in Juli’s emotions, thoughts and opinions as a teenager growing up. Finishing her senior year of high school means facing the very people, disasters and feelings she’s so afraid of, but when she does, Juli finds that maybe there are things at home worth holding on to.

The rest of the world in this book is also in transition—and it’s less than idyllic. Juli and the other characters must come to terms with the consequences of climate change and heightened socioeconomic inequality, especially as humanity looks to space as the new frontier. There is speculative local and global chaos in this book, yet the world also feels hauntingly familiar—perhaps a warning of what may be to come. However, while This Is the Year is unflinching in its portrayals of natural, social and economic disasters, it is also careful to demonstrate that healing is possible, whether it be in community, through individual effort or even within one’s own self.

Ultimately, This Is the Year is a story of hope, not destruction. Juli’s story asks readers to take an honest look at the world around them and ask: Where is my true place? What does it mean to keep dreaming here? And, as Juli must decide: How do we keep moving even when things don’t go according to plan?

 

While This Is the Year is unflinching in its portrayals of natural, social and economic disasters, it is also careful to demonstrate how healing is possible.
Review by

A wondrous nighttime adventure unfolds for a nature-loving family in Safe Crossing. As the narrator, a young girl, explains, “The wood frogs, spring peepers, salamanders—spotted, blue-spotted, and Jefferson—and other amphibians are crossing the road tonight.” She, her parents and sister head out as part of the local Amphibian Migration Team to facilitate safe road crossings as the amphibians make their annual journey from the woods to vernal pools to lay eggs. As she did so well in How to Say Hello to a Worm, author-illustrator Kari Percival awakens children’s curiosity while spurring them to action.

Percival’s illustrations, bathed in dark purple and brown that contrast with the bright yellow raincoats and safety vests these citizen scientists wear, evoke the excitement of the rainy night. Readers will practically feel the spring rain on their shoulders as the team shines flashlights in search of amphibians that need help. A host of different species emerge, each labeled as they hop and crawl across the road to the vernal pools. End papers complement these field guide-like identifications with further information and prompt readers to go back and try to spot different types of eggs with the help of detailed clues.

The narrator recognizes that the amphibians struggle to cross a busy road, and “need their own safe crossing. Their own bridge or their own tunnel.” With admirable efficiency and a gift for presenting information in easily understandable ways, Percival shows how this family and others in the community turn this idea into a reality. Data is collected, plans are drawn, a grant is applied for and the narrator nervously states her case at a town hearing. “My belly feels like it’s full of jumping frogs,” she says. Before long, a variety of town groups help raise needed funds, shedding more light on the effectiveness of community involvement. Finally, the completed tunnels under the roadway allow the amphibians to safely lay their eggs. Several pages of backmatter round out the text, including fun facts, a glossary, safety tips and suggestions for citizen scientist involvement.

Safe Crossing is an exciting, informative call to action for budding scientists and environmental activists.

Author-illustrator Kari Percival’s Safe Crossing is an exciting, informative call to action for budding scientists and environmental activists.
Review by

A plump mother duck sleeps soundly in her nest, with seven little eggs snuggled under her breast. But as she sleeps, there’s a crack, crack, peep! And seven little ducklings rustle out of sleep.

But what’s this? Later, the mother collects her seven ducklings and counts eight! The imposter (a turtle) is welcomed into the family—and so are the other little ducks who join the duckling line. Two more past eight, then two more past 10 add up to a delightful dozen.

Thus begins Seven Little Ducklings, the latest little treat from Annette LeBlanc Cate, and it has all the hallmarks of a satisfying storytime read-aloud. Children can count the ducks (plus turtle) on each page to keep track of how many have joined the family, and will need to pay close attention to the illustrations to catch when newbies join the pack. On the final spread, the mother has a surprise 13 ducklings resting in her nest, in a manner reminiscent of Sandra Boynton’s Hippos Go Berserk, where the number of hippos keeps growing past the expected 10.

The rhyme of this picture book flows well, and the prose includes chances for children to complete rhyming sentences, mimic noises or practice simple counting and addition. The sweet and lovely illustrations lend themselves to the adventurous nature of the story by encouraging children to look for the ducks, look for the imposters and compare and contrast which of the ducks are not like the others.

Seven Little Ducklings is sure to go down as a quacking classic.

The flowing prose of Seven Little Ducklings includes chances for children to complete rhyming sentences, mimic noises or practice simple counting and addition.

Natalia Shaloshvili’s Pavlo Gets the Grumps is the sweetly funny story of an eventful day in the life of a grumpy kitten and the loved ones who attempt to jolly him out of his bad mood. Will their efforts be successful?

First, while she and cranky little Pavlo eat their breakfast, Mama suggests a trip to the park. But a downcast Pavlo says no: “The swings are too swingy, the sandbox is too sandy, and . . . the slide is too SLIDEY!”

Well, that’s hard to argue with, so Mama moves on: How about swimming? “You love making big splashes!” But even as Pablo envisions himself and Mama floating alongside a friendly frog, he demurs, noting, “The water is too wet and . . . the fishies will nibble my toes!” 

When even a trip to the movies doesn’t appeal (that’ll involve sitting, and Pavlo’s “bottom is very wriggly today!”), Mama decides they’re off to the playground. “The best thing to do with the grumps,” she explains with fake-it-’til-you-make-it gusto, “is to go out anyway.”

And thank goodness they do, because not only does Pavlo’s friend Mila greet him with a sympathetic hug, she convinces him to join her and Mama on the slide, which this time is cause for giggling, not grouchiness. Even better, they have ice cream without anyone saying the ice cream is too ice creamy! Happiness is achieved, grumpiness dissipated, and day salvaged in a charming, amusing story that any reader who’s ever been cranky will relate to—especially if they’ve ever dramatically laid tummy-down on the couch while feeling irritable in a way they can’t quite explain.

Shaloshvili’s outstanding art, done in acrylics and watercolor pencil, is rife with appealing texture, spot-on body language and humorous details galore (especially endearing: a book-reading, bicycle-riding mouse). Her visual humor is finely tuned and dovetails nicely with her comforting, uplifting message to readers who get the grumps: It’s okay to feel grouchy sometimes, but don’t forget about the restorative power of play, hugs, friends and joy—not to mention ice cream.

Natalia Shaloshvili’s finely tuned visual humor in Pavlo Gets the Grumps dovetails nicely with her comforting, uplifting message to any reader who’s ever been a bit cranky (aka all of us).

Trending YA & Children's

Author Interviews

Recent Features