It’s a genuine treat to follow along as the talented, hardworking tweens in Take It From the Top strive to understand others’ perspectives and translate their onstage performances into how they address real life.
It’s a genuine treat to follow along as the talented, hardworking tweens in Take It From the Top strive to understand others’ perspectives and translate their onstage performances into how they address real life.
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Gennifer Choldenko’s The Tenth Mistake of Hank Hooperman is a moving story about an 11-year-old abandoned by his single mom and left to care for his 3-year-old sister, Boo, inspired by Choldenko’s own childhood experiences of having undependable parents and a caring older brother who acted as a surrogate parent. Fans of the Newbery Honor author’s Tales from Alcatraz series won’t be disappointed. Hank is an engaging narrator, and his desperate plight, as well as the caring community of characters he encounters, are reminiscent of Kate DiCamilo’s Beverly, Right Here.

After about a week alone in their apartment, facing eviction with no money, food, or electricity, Hank, who has no idea who his father is, realizes that his mother isn’t coming back anytime soon. Hank loves his mom, but he knows  that sometimes she “will drive to Mexico in the middle of the night or invite strange people to our apartment or not come home at all.”

A dreamer, but also smart and responsible, Hank wonders how he and Boo will survive, musing that at least the kids in From The Mixed-Up Files of Mrs. Basil E. Frankweiler had money for tickets to the museum they found themselves living in. Instead, he lands on the doorstep of Lou Ann Adler, a friend of his late, beloved grandmother. This hard-nosed, 60-ish daycare provider welcomes Boo with open arms, but peers sharply at preteen Hank, announcing, “I’m not wild about teenagers.”

Hank does an excellent job coping with the endless uncertainties in his life, which are expertly channeled via Choldenko’s succinctly effective prose. Despite Hank’s grim situation, this is an upbeat, hopeful book that shows how supportive communities can rise up out of seemingly nowhere. Hank befriends Lou Ann’s kindhearted neighbor Ray Delgado, as well as Ray’s large, extended family. He attends a new school, where he finds an inspiring basketball coach as well as a lively, diverse group of friends. His relationship with Boo, who equally adores him, forms the heart of this novel: “Without Boo I feel like a shoe in a sock drawer,” Hank explains. Their journey features diligent social workers and a dangerous and dramatic appearance by Hank and Boo’s mother that forces Hank to make a gut-wrenching choice.

Readers will immediately be drawn into the world of The Tenth Mistake of Hank Hooperman, whose endearing and memorable characters will inspire repeated readings. This book tackles a tricky subject with grace, showing readers that even seemingly hopeless situations can offer happy endings.

Hank Hooperman does an excellent job coping with the endless uncertainties in his life, which are expertly channeled via Gennifer Choldenko’s succinctly effective prose.
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Armed with well-honed combat skills and a magical connection to nature, Princess Eve wants nothing more than to defeat the Knight, a mysterious figure who’s been preying on the people of her kingdom. But just as Eve is about to turn 17, her mother, the Queen, secludes herself in her room, mumbling to a mysterious mirror. Eve decides that the time has come to fulfill her destiny and sets out to defeat the Knight once and for all, a journey that leads to treachery, battles, and answers about who the Knight really is—and who Eve really is, too.

Kalynn Bayron once again puts an inventive twist on a classic fairytale in Sleep Like Death. This time, she turns Snow White into a story of morally complicated characters and twisted legends. There’s a meta layer, too, as Eve collects tales of the Knight and observes how they change over time, allowing Bayron to explore how truth distorts into rumor and how that could lead to the birth of a fairy tale.

Sleep Like Death expands the world of Snow White into a universe of gray morality and ulterior motives. The Queen, for example, isn’t a jealous villain with clear motives; she’s a mother torn between her duty and her love for her daughter. The mirror isn’t just a soulless tool, it’s also a way for the characters to talk to the Knight’s charismatic and mysterious liaison, Nova. And Eve isn’t a dreamer, she’s a warrior—one whose passion grows into a balance of wisdom and experience.

Like the tale it’s based on, Sleep Like Death is a moving, memorable story about love, revenge and triumph. But it gives its characters room to breathe, letting them grow. Eve’s story strikes that delicate balance between classic and inventive: Bayron honors the heroine she takes inspiration from while maintaining the originality of her own character. It’s fun to recognize callbacks to Snow White while seeing how Bayron repositions familiar tropes and characters in new, innovative ways, turning the fairy tale on its head without betraying its heart and soul. 

Full of heroism, romance and wisdom, Sleep Like Death is a wonderful coming-of-age fantasy that will delight readers searching for a robust fairy tale retelling.

Full of heroism, romance and wisdom, Sleep Like Death is a wonderful coming-of-age fantasy story that will delight readers searching for a robust fairy tale retelling.

A lone green apple on a tree full of vibrant reds is the only one left behind after picking season begins in Linda Liu’s stylish Sour Apple

The dejected little apple sits alone in the orchard and wonders what failings could have caused the rejection. It utters laments in clever rhyming couplets that are at once plaintive and amusing, rife as they are with allusions to popular apple-centric figures and sayings that will appeal to kids and adults alike. “Am I too ordinary to make or break your day? / Or not extraordinary enough to keep the doctor away?” the distraught fruit muses as it imagines plopping on Sir Isaac Newton’s head, being offered by the Evil Queen to the Seven Dwarfs, and uncomfortably wending its way through the human digestive system. Vivid watercolor-and-digital paintings add to the fun thanks to striking geometric shapes, finely rendered patterns and texture, and Liu’s knack for clever composition and expressive humor.

Sadly, the apple’s distress sinks it so low that it frustratedly offers itself to ravenous insects, who carry it off into underground darkness. But what if that’s not the end for the apple? What if there’s something waiting just around the corner that’s even more amazing than getting picked? Is it possible there’s joy to be found in not being like everyapple else?

As in her sparkling debut, Hidden Gem, Liu has created a charming and emotional protagonist to whom readers of all ages will relate: After all, recognizing and appreciating our own unique potential is an ongoing process. It’s a delight to follow along as this apple’s outlook changes from sour to sweet, eventually undergoing an astonishing transformation that celebrates the wonder of a new perspective and a hopeful future.

As in her sparkling debut, Hidden Gem, Linda Liu has created a charming and emotional protagonist to whom readers of all ages will relate. After all, recognizing and appreciating our own unique potential is an ongoing process.
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Cassie, Marcy, Aaron and Nico have been best friends since birth, and now that senior year’s done, they have one last summer together before moving on to the next step. Marcy’s moving across the country to pursue art, Aaron’s preparing for law school, Nico’s moving to London, and Cassie? Cassie isn’t sure what she’s doing next. So in an attempt to have one final, epic summer together, she ropes her friends into a game of Risky Slips: a contest of dares they used to play as kids.

Andi Porretta’s debut graphic novel, Ready or Not, dances on the edge between youth and adulthood. Its characters are vibrant and fun, but they’re also facing a lot of change—which lets the story explore the joy, pain and chaos of growing up. Porretta’s expressive, colorful art style lends itself well to the emotional ups and downs of this charming story.

Porretta gives her characters real, resonant challenges, like struggling with grief, anxiety or high expectations from parents. As recent high school graduates and new adults, they’re just learning what it means to have responsibility over their rapidly changing lives. There are also interpersonal conflicts between them, born out of the natural transition from a shared childhood into college and long-distance friendship. How do you stay friends when you’re in different states—and different countries? What does friendship mean for adults? What does it mean to grow apart?

These serious conflicts contrast with the tenderness of their friendship and the whimsy of their dares. The characters race through train stations and perform flashy songs and dances in a public park. They good-naturedly egg each other on, encouraging their friends through every dare. As their summer dwindles down, they reminisce about their childhoods and wonder about their futures. Readers will have a blast following their schemes—and will also be satisfied as they tackle more serious topics together.

Ready or Not is a refreshing graphic novel that doesn’t ignore the real challenges of growing up. It gives Cassie and friends moments of play and moments of reflection, asking them to take control of their changing lives while also remembering what they truly value. It’s a great life lesson for all ages: Just because you’re growing up doesn’t mean you can’t have fun.

Andi Porretta’s debut graphic novel, Ready or Not, dances on the edge between youth and adulthood. Its characters are vibrant and fun, but they’re also facing a lot of change—which lets the story explore the joy, pain and chaos of growing up.
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Prunella tells the story of a young girl who develops a passion for unusual and often unloved plants, but struggles to find her place with other kids. Bestselling author Beth Ferry partners with artist Claire Keane to create a picture book with a color palette and style as unique as Prunella herself. From the cover through every page, the illustrations root Prunella in a lush but heavily shaded green space, populated by such “persnickety plants” as the obscure bladderwort, the better-known Venus flytrap or even the familiar yet hated poison ivy, with brief scientific descriptions accompanying drawings of each plant on the book’s endpapers. Readers are introduced to Prunella as an infant, child of two master gardeners and born with a purple—rather than the customary green—thumb. As she grows, her fascination with strange plants grows along with her, and though her parents “didn’t always understand Prunella’s choices . . . they completely understood her passion. And they fueled it!” 

Though Prunella has the unconditional support of her family, making friends does not come easily for her, and she takes solace in her garden. Despite its comforts, she feels left out until the day her neighbor Oliver (and soon his sister Clem) arrives, which plants “a tiny, hopeful friend-shaped seed.” Ferry makes use of nature-related words to tell this sweet story of finding your place, noting the “bouquet of botanists” and the group of young scientists who “wormed their way into Prunella’s heart.” To bring this world fully to life, Keane draws on a varied set of visual tools, sometimes breaking the page into vertical or horizontal segments like soft-edged comics panels and other times spreading out across two pages with rich and exuberant drawings. Besides the plant life, Keane is especially skilled at rendering facial expressions, giving visual voice to each character even if they never speak. Couple Ferry’s clever wordplay with Keane’s detailed illustrations, and you’ve got a book that is sure to resonate with young readers, especially those who have ever felt they didn’t fit in.

Couple Beth Ferry’s clever wordplay with Claire Keane’s detailed illustrations, and you’ve got a book that is sure to resonate with young readers, especially those who have ever felt they didn’t fit in.
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“The big ‘P’ is the worst,” according to Rex Ogle’s Pizza Face, a spot-on graphic novel featuring the talented, prolific author as a scrawny 12-year-old suffering through the onset of puberty in seventh grade puberty. It’s a welcome sequel to Four Eyes, which chronicled Rex’s sixth grade year.

Middle grade readers will readily identify with Rex, whose acne erupts like a “volcano on my forehead” on the first day of seventh grade. “I’m a mutant, but without any cool superpowers,” he laments, his angst readily transmitted through Dave Valeza’s emotion-filled illustrations, which showcase Rex’s ongoing mortification via facial expressions, body language and onomatopoeia—especially the dreaded early morning beep of Rex’s alarm clock, and Rex’s frequent foot stomping.

Ogle and Valeza effectively spotlight brief scenes from Rex’s unfolding school year, including the horrors of first-period gym, where Rex, the smallest and least sporty, is often picked last. “You’re like our wittle baby,” one girl tells him. Things get worse day after day, week after week, as friendships unravel and misunderstandings multiply, especially with his best friends Scott and Kennedy (who is also sort of his girlfriend). Rex faces several bullies, and starts hanging out with a troublemaker when his friends desert him, ratcheting up the action. Each heartfelt scene draws readers into Rex’s misery as he longs for a growth spurt and a deep voice like the other boys.

Rex’s supportive but exhausted, constantly working parents can’t afford acne cream or deodorant, adding to Rex’s frustrations. His Abuela comes to the rescue, sending Zit-Zapper cream, offering helpful advice and taking Rex to a dermatologist.

This book has broad appeal, showing a variety of characters with different challenges. A boy named Brody, for instance, has the opposite problem of Rex, confessing, “Look at me. I’m a hairy, oversized monster. I’m thirteen and look like I’m almost twenty.” Meanwhile, female characters are teased and feel self-conscious, while both a wealthy and a popular boy grapple with their own issues. As Rex concludes, “It took all year to realize most kids are going through the same things as me.” Pizza Face is a fresh take on an age-old crisis and will help adolescents feel more empathetic and less alone while navigating their own physical and emotional changes. Here’s hoping Rex’s misadventures continue in future installments.

Pizza Face is a fresh take on the age-old crisis of puberty that will help adolescents feel more empathetic and less alone while navigating their own physical and emotional changes.
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In Garden Glen, every building is the same except for the “tumbledown house” that now belongs to Millie Fleur La Fae and her mother. The barren yard needs some love, so Millie decides to fill it with her favorite poisonous plants: sore toothwort, fanged fairymoss, tentacled tansy and a dozen other curious flowers and herbs.

Unused to something so new and weird, the people of Garden Glen protest outside Millie’s fence, but Millie and her mother know that the garden is just misunderstood. Millie invites her new neighbors to tour the garden, where they find themselves “astonished,” “grossed out” and “at times, a little nervous.” Can Millie’s neighbors learn how charming her creepy plants can be?

Time to throw away summer plans: Kids will want to spend all their time digging in the dirt after reading Millie Fleur’s Poison Garden. This charming picture book from author-illustrator Christy Mandin (The Storytellers Rule) pays homage to classic and beloved creeps like those featured in Frankenstein and The Addams Family while simultaneously creating its own—in the form of original plants. From curdled milkweed to witches wort, the abundant puns are sure to please kids who love a joke, as well as those who enjoy fantastical imagery.

The heart of Millie Fleur’s Poison Garden is, of course, Millie Fleur. Young readers will leave inspired by Millie’s refusal to hide what she loves, no matter how weird it may be. Backmatter includes information on different easy-to-care-for plants and the real history of poison gardens. This plant-filled tome will be a great pick for parents and teachers looking for an educational moment on embracing identity and rebuking bullying, or a quirky gardening lesson.

Millie Fleur’s Poison Garden is made for the oddballs, who will love it. Pair with Flavia Z. Drago’s Gustavo the Shy Ghost and Jess Hannigan’s Spider in the Well.

Time to throw away summer plans: Kids will want to spend all their time digging in the dirt after reading Millie Fleur’s Poison Garden.
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Meet King Lion, who rules all the happy animals and smiling people below his balcony. He should be the happiest of all in this happy city, but instead has a very big problem: Hidden away in his tall castle, he is an awfully fearsome creature without a friend in the world. 

Not one to let his own kingdom get the better of him, King Lion sets out into his city to find himself a friend. But when he shouts “Hello!” all anyone hears is a “deafening roar.” When he waves his paws to greet a pal or opens his mouth for a large smile, all anyone sees are his “dangerous claws” and “dripping jaws.” 

But one little girl isn’t so sure. Like the king, she is also lonely. Could they . . . be friends? 

King Lion, written and illustrated by Emma Yarlett, promises to be an immediate hit with librarians, teachers and young readers everywhere. The prose lends itself well to a group read-aloud, giving plenty of opportunities to roar and expose those fearsome claws and jaws. This picture book would also provide a more intimate bedtime reading experience, giving children a chance to talk about why the King might be lonely, why people are afraid of him and how it might sometimes feel to come on a bit too strong when we are excited to meet new friends. The illustrations are lively, colorful and provide many Easter eggs throughout the story that compel the reader to stop and pore over the background, smelling the proverbial flowers and questioning the looks on the townspeoples’ faces: Are they happy? Alarmed? Scared? Sad? Loving? 

King Lion is a heartwarming story for the awfully fearsome and misunderstood creatures everywhere.

King Lion is a heartwarming story for all the awfully fearsome and misunderstood creatures everywhere.

A group of cheerful walruses, friendly birds and an inquisitive cat are living their best lives on an island where everyone says “YES!” It’s a happy existence: The walruses play sand volleyball (aka “Walrus Ball”), wear stylish hats and enjoy delicious treats from Café Donutto. Sure, only saying yes “was not so great when someone asked you to wear an itchy shirt or get a haircut,” but overall, the island’s culture of mutual agreement is working well for everyone.

Then, the Kid shows up. He breezily refuses to consider others’ requests, responding with a shocking “NO.” He even cuts the donut shop line and leaves with a bunch of pastries he didn’t pay for. The proprietor said yes, so what’s the problem?

Well, it’s a big problem for the walruses. They can’t play Walrus Ball because the Kid’s boat is sitting in their net. There are no more donuts to eat (he won’t share, of course). And it hurts when he bounces on the narrator walrus’s back and yanks their whiskers. Alas, things get even worse when more Kids arrive and gleefully wreak havoc on the once peaceful island.

Things can’t go on this way, so the walruses decide to teach each other how to say no. It’s a struggle at first: “I tried to say the new word,” the narrating walrus shares. “But my tries came out see-through like glass, light as dandelion puffs. They blew away in the wind.” But it’s the only way to protect their home. Will their new approach work?

The Island Before No is a super fun read, a visual treat and an excellent conversation starter all in one. Hudson Christie’s art perfectly complements Christina Uss’ engaging and uplifting tale, thanks to its appealing claymation-esque style, skillfully employed pastel colors and energy that bursts from every page. The walruses’ efforts to establish and enforce boundaries will resonate with readers of all ages, from their initial hesitance to their realization that practice makes close to perfect—especially if there are donuts involved. The Island Before No is a quirky gem of a tale that’s sure to elicit giggles even as it inspires confidence.

The Island Before No is a quirky gem of a tale that’s sure to elicit giggles even as it inspires confidence.
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Growing up in Venezuela, Paola Santos hated having to clear the rotten fruit from beneath her family’s four mango trees, a chore that resulted in an early resistance to this delicious fruit. Her picture book debut, How to Eat a Mango, reclaims this experience with joy through the eyes (and ears, nose and mouth) of young Carmencita as she works with and learns from her Abuelita. Like the author, Carmencita doesn’t like the work of picking mangoes and thinks she also dislikes the fruit—until Abuelita explains, “There’s more to a mango, mi amor,” and teaches her the five steps of enjoying one. Abuelita takes Carmencita on a journey through all her senses and encourages a sense of gratitude towards the abundant goodness of the world around her.

That journey is told in lyrical language, beginning with, “Uno, we listen,” as the mango trees “whistle stories of sunrays and rain and those under its shade.” Juliana Perdamo’s accompanying illustrations are full of life and warmth and color, and combine with the writing to create a lush story that encourages young readers to tune in—with all their senses—to the many gifts nature has to offer. Simultaneously lively and meditative, How to Eat a Mango would make an excellent choice to teach kids about mindfulness. It is no quiet book, however; sensory experiences explode on each page, and young readers will appreciate the way Carmencita connects the mango to her own life: “Mangoes grow up! When I teach Carlitos to get dressed, I feel like a big kid.” Through it all, Santos weaves in the youthful wonder that she resisted as a child, explaining in an author’s note that, now that she lives in Canada, mangoes “embody my desire to go back in time and tell my younger self to pay attention.” With its simultaneous publication in Spanish, this gentle book will remind all its readers, young and old, of the joys of thoughtful attention.

Simultaneously lively and meditative, How to Eat a Mango would make an excellent addition to any series on mindfulness. It is no quiet book, however: Sensory experiences explode on each page.
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Rosena Fung’s much-lauded debut, Living with Viola, explored the mental health and cultural challenges faced by a middle school girl. Her second graphic novel, Age 16, is an excellent examination of a familiar theme—a teenage girl trying to find herself—which Fung explores more fully through depicting the inheritance of trauma and misunderstandings over generations.

In Toronto in 2000, Rosalind (Roz) begins her morning by stepping on the scale before heading off to high school. It’s a dizzying time, with friends applying to college and talking about prom, the latter of which causes Roz to fantasize about a slimmer version of herself attending. But at home, her mother, Lydia, chastises her for her eating habits and claims Roz “inherited my slow metabolism and bad genes.” Then Roz’s grandmother, Mei Laan, appears unannounced from Hong Kong after an absence of 10 years. This thin but clearly unhappy woman offers nothing but criticism to her daughter and granddaughter.

Two additional timelines, following Roz’s mother and grandmother in their own youths, are naturally woven into this present narrative. Readers travel to Hong Kong in 1972, where 16-year-old Lydia loves to dance but faces nonstop barbs about her weight: “Get your head out of the clouds,” Mei Laan advises. “A girl like you can’t be a star.” Thankfully, a family friend, Auntie Ping, provides encouragement and guidance. In scenes from Guangdong, China, 1954, miserable Mei Laan works in the fields and is always hungry. When she complains, her anguished mother cries, “We didn’t survive the Japanese only to have our family ruined by a big mouth!”

“I wanted to make sure each place was a character in its own right.” Read our Q&A with Rosena Fung here. 

The graphic novel format is the perfect medium to succinctly convey Age 16’s heavy themes of inherited trauma, and how Roz, her mother and grandmother share dreams, doubts and difficulties as they make their own way regardless of absent fathers and husbands. Fung’s lively art makes each generation’s needs feel urgent and relevant. She expertly glides between time periods, making Roz the focus, while examining how all three women’s behaviors are tied together by their shared history. Roz is a likable, realistic character who dreams of going to art school, perhaps becoming a photographer. Alongside her, a cast of high school girls, including Roz’s best friend Victoria, worry about their futures—especially their prom dreams.

With its unique multigenerational approach, Age 16 expertly tackles perceptions of weight, self-worth and parental conflict. In the face of seemingly impossible relationship repair and resolution, Fung offers an engaging, naturally evolving conclusion. As Roz’s mother explains, “When things get tough and you feel like you don’t belong, you can make the world fit you.”

With its unique multigenerational approach, Age 16 expertly tackles perceptions of weight, self-worth and parental conflict.
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STARRED REVIEW

September 29, 2021

2 young adult graphics to celebrate Pride

In these books, Molly Knox Ostertag and Theo Parish combine expressive art and writing to offer poignant explorations of LGBTQ+ identity, relationships and self-acceptance.

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Magdalena Herrera has a lot of responsibilities. On top of trying to finish high school, she works a part-time job and is the sole caregiver for her grandmother. Mags has a lot of secrets as well. She’s hooking up with a girl who has a boyfriend. And every night she disappears down a trapdoor in her house, and emerges drained in more than one way.

Then her childhood best friend, Nessa, shows up for the first time in a decade, and starts asking questions the Herreras don’t want anyone to ask. What’s more, Nessa is stirring up feelings that Mags long ago accepted people in her family can never have. But Nessa has secrets, too, and the girls are about to learn the hard way that secrets thrive best in the dark.

The Deep Dark is a moving and eerie graphic novel exploring identity, generational trauma and queer love. Molly Knox Ostertag takes the successful elements of her previous books, The Girl From the Sea and The Witch Boy trilogy, and elevates them. Her characters are complex and nuanced, and their dialogue is natural and impassioned. Ostertag expertly interweaves magical realism and mystery into what is also an adorable love story.

The art is stunning, with expressive characters and the beautiful setting of the Southern California desert. Ostertag twists typical comic conventions, coloring the present almost exclusively in black and white, while the flashbacks are in full color, making it apparent that Mags’ life has been in shades of gray since Nessa left. Page gutters are black during night scenes, intensifying the creepiness. Throughout, Ostertag’s dynamic illustrations elicit emotional responses; for example, panels get progressively smaller during a moment of panic, literally creating tunnel vision.

The Deep Dark leaves some questions unanswered, but that’s the point: A conflict as intricate as the one in this story cannot be wrapped up neatly. But as Ostertag discusses in her author’s note, this graphic novel follows the “first careful steps of unraveling,” and you’ll root for Mags and Nessa to keep taking those steps.

The Deep Dark is a moving and eerie graphic novel exploring identity, generational trauma and queer love.
Review by

Theo remembers feeling uncomfortable with how the world saw them from a very young age. Frustrations built up, from boys assuming that they couldn’t play chess to being forced to cut their own hair because hairdressers always insisted on more feminine looks. But experiences in art school, at comic-cons and playing tabletop roleplaying games, plus countless searches on the internet, led Theo to realize they feel most at home identifying as nonbinary.

Homebody, by debut author Theo Parish, is a delightful, beautiful graphic memoir celebrating the journey they took to discover their gender identity. Reading it feels like receiving a warm hug. Parish dedicates Homebody “for you, whenever and however you need it,” offering frequently interspersed epiphanies anyone can hold on to, such as “living authentically in a world that takes every opportunity . . . to squeeze you uncomfortably into a box of someone else’s design . . . is the most radical act of self love.”

Parish generates gorgeous imagery through a color palette of pinks and blues, sometimes blending the colors together. Shades of joyful pink illustrate Theo’s moments of gender euphoria. The most striking time Parish uses purple is in a full-page introspection about moments when they felt . Throughout the memoir, Theo is drawn with a literal house for their body, as an extended metaphor that is both powerful and charming.

This title truly matches the sweet nature and adorable, expressive illustrations of Alice Oseman’s Heartstopper, while being exceptional in its own way as a nonfiction offering. On the first page, Parish lists facts about their life before even mentioning that they’re nonbinary: In this vein, while Parish includes musings concerning general transgender and nonbinary identity, Homebody is first and foremost a memoir centered around Parish’s specific coming of age in England. Still, through this deeply personal exploration of gender identity, many who traditionally have been left out of narrative storytelling may see their own experiences reflected, as Parish “[shines] a beacon of hope to those yet to flourish.”

 

Homebody is a delightful, beautiful graphic memoir celebrating the journey Theo Parish took to discover their gender identity.

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In these two graphic novels, Theo Parish and Molly Knox Ostertag combine expressive art and writing to offer poignant explorations of LGBTQ+ identity, relationships and self-acceptance.
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I should not know my Native American culture or language. But I am alive. I live my culture. I speak and dream in Ojibwe.

My grandmother, Luella Seelye, was taken from her parents on the Leech Lake Reservation in Minnesota and sent to boarding school as a child, where she was forbidden to speak Ojibwe. She came back to Leech Lake, married and raised a family. My mother, Margaret, grew up trapping, hunting, fishing and harvesting wild rice. Something profound had survived the war on our culture, but something beautiful was severed too.

I grew up at Leech Lake watching my mother become the first female Native attorney in Minnesota. By middle school, the cabin of my younger years (with no running water or electricity) was replaced with a beautiful modern home. Through it all, we harvested wild rice, made maple syrup and hunted. I grew up with books, as well as the woods, a burning sense of justice and ambition.

I went to high school with lots of Native students and many more white students. The racism was inescapable. I wanted to get out of town and never come back. I shocked everyone I knew, myself most of all, by getting into Princeton University. I shocked them again when I graduated from Princeton with a plan to come home and never leave.

I lived with one of our tribal elders, Archie Mosay. He was a teenager the first time he saw a white man, and in his 30s the first time he saw a car. I emerged from that experience fluent in our language and committed to our spiritual and ceremonial life. I have been serving Ojibwe communities in that capacity ever since.

I went to graduate school and became a professor of Ojibwe. I have nine children. My world has been filled with elders and children alike. I am so grateful for all the blessings and beauty in my life.

Where Wolves Don’t Die is the story of Ezra Cloud, a 15-year-old Ojibwe boy who is trying to find himself, while looking for clues to a murder. His family sends him to the Canadian wilderness to run a trapline with his grandfather, where he stumbles into a transformational self-discovery and learns more about his family, his culture and himself. The book is both a tense thriller and a tender coming-of-age story.

I wrote Where Wolves Don’t Die to turn Native fiction on its head. We have so many stories about trauma and tragedy, with characters who lament the culture that they were always denied. I wanted to show how vibrant and alive our culture still is. I wanted to create a story that was gripping but where none of the Native characters were drug addicts, abused or abusing others—one more like the Native life that I know. The oppressions Natives have endured are real, so I kept my work unflinching, but focused on healing. Where Wolves Don’t Die doesn’t just profess, but demonstrates the magnificence of our elders, the humor of our people and the power of forgiveness and reconciliation. I have written over 20 books, but this is my first novel. And it’s the best thing I’ve ever written.

Anton Treuer longed to leave the place where he grew up—but once he left, it was only a matter of time before he found his way back.

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