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BookPage Children’s Top Pick, February 2017

Paul Mosier’s debut middle grade venture is luminous and heartrending, populated by poetry, sharp wit and wonderfully original characters with voices that sing from the pages and pierce your very bones.

Twelve-year-old Rydr boards an Amtrak train in California, the start of a three-day journey that will take her to her new home in Chicago, where she will live with a distant relative she’s never met. Rydr hopes this journey will help her forget about her past and erase the pain that comes with those memories. Little does she know that this trip will have the exact opposite effect, forcing her to confront those scars head-on. But she doesn’t have to brave this experience alone. Accompanied by a cast of eccentric, lovable characters, Rydr will learn how to come to terms with the events that have brought her to this point, how to let her guard down and let people in and, perhaps the most important lesson of all, how to let herself feel, whether those feelings are good or bad.

Though this book may be marketed for middle school readers, Train I Ride is steeped in such genuine feeling and depth that it can be enjoyed and related to by anyone, of any age. Mosier strikes the perfect key, never straying into territory too verbose or too spare, but finding the right balance between the two. This is an extremely well-written and thoughtful story from a stellar voice in middle grade literature and beyond.

 

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

BookPage Children’s Top Pick, February 2017

Paul Mosier’s debut middle grade venture is luminous and heartrending, populated by poetry, sharp wit and wonderfully original characters with voices that sing from the pages and pierce your very bones.

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Tony, written by the late poet Ed Galing and illustrated by Caldecott Medalist Erin E. Stead, is a love letter to a horse, told from the point of view of someone who once saw the horse (of the book’s title) every morning—and greatly admired him. It’s a whisper of a book, affectionate and intimate, with its small trim size, spare text and soft-focus drawings.

Tony, the speaker recalls, used to head out every morning, before the sun rose, pulling a milk wagon for a man named Tom Jones. Readers never meet the “I” of the poem, who looked forward to Tony’s visit and greeted him, patting him with “gentle arms” and watching his head bow and eyes glow in the morning light. Tom refers to this person as “sir,” but that’s about all we know. This is as it should be, since Tony is the focus here, the beautiful horse depicted with Stead’s delicate but sure lines. The palette consists of merely the colors seen on the book’s cover—pencil grey, soft green and occasional moments of warm, glorious yellows. This yellow dominates the final spread, as morning arrives just as Tony and Tom Jones leave. (Aspiring illustrators, take note: This book could be a case study in how you strike a tone successfully and consistently in a picture book.)

A vellum, text-only title page opens the book, and through it we see the horse on the next page. It’s as if we are seeing him through the fog of early morning or the speaker’s own distant memory. This technique also allows both the title page and the story’s first page to serve as one; on the page with the horse, there is merely “Tony,” the poem’s first word. It’s a striking and effective way to open a poem that is essentially a memory, given that the entire poem is in past tense.

This is a book that pays loving tribute to the deep connection people can have with animals, which children surely understand. Just like the poem’s speaker, you won’t soon forget Tony.

 

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

Tony, written by the late poet Ed Galing and illustrated by Caldecott Medalist Erin E. Stead, is a love letter to a horse, told from the point of view of someone who once saw the horse (of the book’s title) every morning—and greatly admired him. It’s a whisper of a book, affectionate and intimate, with its small trim size, spare text and soft-focus drawings.

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The Someday Birds is a raw, funny road trip story that reminds us that even the most literal-minded people can occasionally be sucker-punched by a miracle.

Autistic 12-year-old Charlie struggles to connect with his older sister and younger twin brothers; facial cues never tell him enough to go on. His grandmother is caring for the children while their dad recovers from a traumatic brain injury sustained in Afghanistan. But when their grandmother must travel to Virginia with their father for treatment, the kids organize a cross-country road trip. On this trip, Charlie is inspired to seek out birds he and his dad hoped to see together.

Author Sally Pla puts readers directly inside Charlie’s mind: His inability to understand jokes that rely on wordplay, his tendency to jump and flap his arms when he’s nervous and his need for ritualized hand-washing lose their strangeness as readers recognize his good heart. If Charlie’s siblings roll their eyes at his need to stop and look for birds, they also love him and share in the victories when Charlie steps outside his comfort zone. He bonds easily with animals, for instance, and his low-key demeanor may help Ludmila, their road-trip chaperone, open up about her past and why she was visiting his dad in the hospital.

Moments that border on magic realism and the emotional toll of two different wars would seem to indicate heavy reading, but The Someday Birds leavens things with a three-legged dog who’s along for the ride, as well as Charlie’s Zagat-like reviews of the chicken nuggets at every stop across the United States. Hop in the RV with this ragtag group and enjoy the ride.

The Someday Birds is a raw, funny road trip story that reminds us that even the most literal-minded people can occasionally be sucker-punched by a miracle.

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It’s hard to create a bedtime picture book and have it stand out on bookshelves, but Nina Laden and Melissa Castrillon have done just that in If I Had a Little Dream, a soothing lullaby of a book.

A child with pony-tailed hair ponders the world and its wonders in rhyming verses. “If I had a little land,” she opens, “I would name it There. There would be my home, be it stormy be it fair.” She imagines a tiny house, which she would name Love. She’d name her garden Whole. She wonders about nature (ponds, dogs, cats), things (books, chairs, bicycles, boats) and family, including a brother and sister. All of her wishes involve camaraderie with others: If she had a table, she’d share her food. If she had a chair, she’d rest up for her next visit with friends. If she had a bicycle, she’d visit the forest and all its animals. Laden’s verses roll right off the tongue with their pleasing rhythms. The world the girl imagines is sweet and welcoming, but never cloying.

This is the picture book debut of British illustrator Castrillon. Her pencil illustrations are digitally colored in cool blues, reds and oranges. Some spreads include spot illustrations on one side, facing a larger illustration of the girl and her wish. Many round spot illustrations are surrounded by Castrillon’s elaborate borders, involving animals and leaves. Several full-bleed, double-page spreads wow with her spot-on composition and fluid lines. There’s a lot to pore over in the girl’s inviting, imaginative world.

Best of all is the final illustration, showing the girl on her bed being held by a woman—a mother, we can assume—in a loving embrace. “If I had a little dream,” Laden writes, “I would name it You. You would make life magical, where wishes do come true.” Is the girl without parents? Without a home? Maybe this is her real mother after all, and we’ve been privy to the girl’s dreams at night. Either way, it’s a beautiful moment of a parent-child bond.

This is a dreamy book, in more ways than one.

 

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

It’s hard to create a bedtime picture book and have it stand out on bookshelves, but Nina Laden and Melissa Castrillon have done just that in If I Had a Little Dream, a soothing lullaby of a book.

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It’s all fun and games until Viking-helmeted barbarians wreak havoc on your living room.

That’s precisely what happens in this story, told from the point of view of a young boy who refuses to clean his room. It’s dirty beyond just clothes strewn on the ground. There’s overturned pizza on the carpet and a cereal bowl that appears as if it’s been there for days. “Mom always makes a big deal out of little things,” he says. “What was the worst that could happen?”

The boy is almost delighted to see ants, flies and mice as a result of his filth. Even when a barbarian named Vlad appear—the titular line is quoted by the boy’s beleaguered mother, who seems to be in charge of the housework—and demands “an entire cupcake,” the boy think it’s cute. Then other barbarians show, taking over the entire home, even the garage. “There was no more denying it: we had an infestation of barbarians. And I didn’t think they were so cute anymore.”

Things start to get annoying for the boy—the barbarians go so far as to pick the marshmallows out of his cereal one day—and nothing (traps, scare-barians, exterminators) seems to slow down the unwelcome house guests. The boy figures his only solution—you guessed it—is to clean his room. Ultimately, this is a message book about Listening to Your Mother, after all, but that message is conveyed with humor and a dose of hyperbole that will make a lot of young readers giggle.

You can tell Mark Fearing had a lot of fun illustrating this one: The endpapers alone, featuring the creative mess on the boy’s bedroom floor (the final endpapers at least include a trash bag), are entertaining. He skips threatening and goes straight to goofy with his hairy, mostly bearded, oversize barbarians, one of them even smitten with mother’s makeup and caught applying lipstick in the bathroom. The final spread leaves readers wondering if a sequel will follow.

A fun read. No messin’ around.

 

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

It’s all fun and games until Viking-helmeted barbarians wreak havoc on your living room.

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All it took was one terrible moment, and 12-year-old Ethan’s life was irrevocably split into a Before and an After. In the Before, he lived in Boston, just a few doors away from his best friend, Kacey. In the After, Kacey is gone forever. To keep Ethan from bolting out at night to stare obsessively at Kacey’s bedroom window, his family moves to the tiny town of Palm Knot, Georgia. But life in the After is unbearable. Ethan, his parents and his older brother are crammed into a house with an unwelcoming grandfather, so tension at home is high. At school, Ethan makes a tentative friendship with a girl named Coralee, who shares his penchant for adventure. But the sorrow of his past will not be vanquished.

Debut author Ali Standish creates a convincing world of menace surrounding Ethan by introducing a mysterious stranger in an abandoned house, inexplicable phone calls from Kacey’s father, suspicions about Coralee’s truthfulness and secrets surrounding Ethan’s grandfather. Through the development of these plotlines, Ethan gradually becomes more involved in the present than the past. Observing some of the adults around him, Ethan begins to understand the ultimate futility of a life destroyed by grief.

This novel compares well with other middle grade novels that deal with guilt in the aftermath of tragedy, such as Lisa Graff’s Lost in the Sun or Elana K. Arnold’s The Question of Miracles.

 

Diane Colson is the Library Director at City College in Gainesville, Florida.

All it took was one terrible moment, and 12-year-old Ethan’s life was irrevocably split into a Before and an After. In the Before, he lived in Boston, just a few doors away from his best friend, Kacey. In the After, Kacey is gone forever. To keep Ethan from bolting out at night to stare obsessively at Kacey’s bedroom window, his family moves to the tiny town of Palm Knot, Georgia. But life in the After is unbearable. Ethan, his parents and his older brother are crammed into a house with an unwelcoming grandfather, so tension at home is high.

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Three-time National Book Award finalist Steve Sheinkin’s Undefeated charts the rise of Jim Thorpe, Olympic gold medalist in the decathlon and All-American fullback for the Carlisle Indians, one of the most innovative football teams ever to take the field. Despite its focus, readers need not be sports fans to enjoy this book.

As a Native American man born in 1888, racism was a constant in Thorpe’s life, but it’s because of this daily prejudice that Thorpe first set foot on a football field. At the Carlisle Indian Industrial School, a boarding school that was created to “kill the Indian, and save the man,” Thorpe encountered the game that he and his Carlisle teammates would come to redefine.

In those days, football was a hybrid of rugby and bare-knuckle boxing. Guided by Coach Pop Warner—inventor of the reverse, the single wing and a multitude of other plays and formations—Carlisle did more than any team to move football away from its brutal origins. Warner ran a “whirlwind offense” that pitted the Carlisle players’ speed and agility against the bone-crushing brawn of America’s sporting elites: Harvard, Penn, Princeton and Yale.

Along with redefining how the game was played, Carlisle’s emergence as a football powerhouse forced the nation to face what was then an uncomfortable and controversial truth: Given a level playing field, Native Americans could compete with anyone—America’s most privileged sons included.

 

ALSO IN BOOKPAGE: Read a Q&A with Steve Sheinkin about Undefeated.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Three-time National Book Award finalist Steve Sheinkin’s Undefeated charts the rise of Jim Thorpe, Olympic gold medalist in the decathlon and All-American fullback for the Carlisle Indians, one of the most innovative football teams ever to take the field. Despite its focus, readers need not be sports fans to enjoy this book.

Dystopian stories about how Earth’s environment will be unlivable in the future are plentiful. Chapter books for young people about what we can do now are few. Carl Hiaasen and Louis Sachar have successfully broached the topic, and now Amy Sarig King’s latest book, Me and Marvin Gardens, joins the list.

Told from 11-year-old Obe Devlin’s point of view, the story is immediately accessible as readers are drawn into his world. We understand Obe’s anguish as he watches the fields he played in become new housing developments. We sympathize with his efforts to keep the trash out of the little creek that still runs through his family’s property. When Obe discovers a strange new creature that eats plastic (he names him Marvin Gardens), we know that he and his best friend, Annie Bell, will find a way to share the secret, even if they are not sure of that themselves.

King (who writes award-winning young adult books as A.S. King) captures the heart of a young boy without making the prose too simplistic. Obe is a sophisticated storyteller but still a believable sixth-grader. Readers will find many interesting themes in this story—some subtle and some not so much—to discuss and wonder about for many years to come.

 

Jennifer Bruer Kitchel is the librarian for a Pre-K through 8th level Catholic school.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Dystopian stories about how Earth’s environment will be unlivable in the future are plentiful. Chapter books for young people about what we can do now are few. Carl Hiaasen and Louis Sachar have successfully broached the topic, and now Amy Sarig King’s latest book, Me and Marvin Gardens, joins the list.

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Richard Loving and Mildred Jeter just want to hold hands without drawing stares, be married and raise their children in their home state of Virginia. “What is so difficult about that?” Richard asks in Loving vs. Virginia, Patricia Hruby Powell’s novel about the real-life couple’s groundbreaking civil rights case. Told in free verse, it alternates between the voices of Mildred, who is black and Native American, and Richard, who is white.

Their story opens in 1952, when the two youths and their families shared meals in Central Point, a rural town that was more integrated than the rest of the state of Virginia, where miscegenation laws still ruled. While Mildred and Richard’s affection for one another came easily, their courtship met with racism. And when pregnancy prompted the pair to marry in 1958, they were forced to drive to Washington, D.C., where they could be legally wed.

After returning to Virginia, the newlyweds were arrested and sentenced to expulsion from Virginia for 25 years. The heartfelt novel describes the sadness, fear and prejudice that invaded their lives until their case went before the Supreme Court and was overturned unanimously in 1967.

Interspersed period photographs, quotes and historical facts add greater impact to the Lovings’ personal story and legal challenges, which paved the way for interracial marriage throughout the country. Above all, the Lovings live up to their name as Powell describes their romance and dedication as much as their role in history.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Richard Loving and Mildred Jeter just want to hold hands without drawing stares, be married and raise their children in their home state of Virginia. “What is so difficult about that?” Richard asks in Loving vs. Virginia, Patricia Hruby Powell’s novel about the real-life couple’s groundbreaking civil rights case. Told in free verse, it alternates between the voices of Mildred, who is black and Native American, and Richard, who is white.

Great friendships come along when we least expect them, and this is especially true in Mouse and Hippo, New Yorker cartoonist Mike Twohy’s hilarious tale of a chance encounter on a summer afternoon.

Meticulous Mouse is focused on getting the waves just right as he paints at the lake, easel atop a gray rock. But, oops! The rock is actually Hippo, who accidentally jolts Mouse into the water. Hippo rescues him, and in thanks, Mouse offers to paint his portrait. Hippo preens and poses while Mouse uses his biggest brush—and paints the whole canvas gray. “My paper was too small to fit all of you in,” Mouse explains. But Hippo is far from disappointed, and he rushes home to hang the monochrome masterpiece over his bathtub (or rather, a reedy nook of the lake). When Hippo returns the favor by painting a portrait of Mouse, he uses the tiniest brush, and the finished painting is a carefully crafted dot. “I love it!” Mouse says. “You made me look so cute!”

With their appreciation for each other’s point of view, Mouse and Hippo become fast, if unlikely, friends. They work together to fit Mouse’s portrait inside his mouse-sized house. Mouse invites Hippo to visit his painting any time, and though Hippo can only peer in with one large eyeball, the new friendship is sure to last well beyond the pages of this clever book.

Twohy’s zany humor is a rare treat. His beguiling characters burst with so much personality that readers will long for a sequel.

 

Billie B. Little is the Founding Director of Discovery Center at Murfree Spring, a hands-on museum in Murfreesboro, Tennessee.

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Great friendships come along when we least expect them, and this is especially true in Mouse and Hippo, New Yorker cartoonist Mike Twohy’s hilarious tale of a chance encounter on a summer afternoon.
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When winter comes, book-loving Bunny can no longer eavesdrop on the library’s outdoor story time. To feed his insatiable need for books, Bunny squeezes through the book-return drop at the library. When Bunny’s secreted stash of books starts a trend, several critter friends become regulars at the book drop—until they are discovered by the librarian. But if anybody understands the need to read, wouldn’t it be a librarian?

Author Annie Silvestro and illustrator Tatjana Mai-Wyss tell a cozy tale guaranteed to draw in readers and book lovers of all ages. Every page bursts with details, which will keep little eyes amused. Moths flutter in the beam of the flashlight, Bunny’s bunny slippers wait next to his bed, and carrot cupcakes are a burrow staple. Fabrics and books and woodland flora are elaborately sketched, creating a realistic, familiar world. Silvestro’s text is full of alliteration and description, and the forest creature dialogue rings with kid-friendly humor.

Bunny’s Book Club will prove worthy of story times large and small.

 

This article was originally published in the February 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

When winter comes, book-loving Bunny can no longer eavesdrop on the library’s outdoor story time. To feed his insatiable need for books, Bunny squeezes through the book-return drop at the library. When Bunny’s secreted stash of books starts a trend, several critter friends become regulars at the book drop—until they are discovered by the librarian. But if anybody understands the need to read, wouldn’t it be a librarian?

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In the Second World, Kinchen and her brother, Pip, live with their adopted grandfather, Old Ren, on the islands. Pip has the gift of talking to fish, but he cannot recognize faces and has trouble in social situations, so Kinchen is constantly shielding him. The Raft King, leader of the traveling nation of Raftworld, needs Pip’s talents to help with a mysterious plan. He tricks Kinchen and takes Pip to sea, leaving behind a Raftworld girl named Caesar. While Kinchen and Caesar make a plan to follow Raftworld and retrieve Pip, Pip finds he enjoys his new independence and the opportunity for adventure. Meanwhile, in the First World, a small group—including young Thanh and his sister, Sang—make the risky decision to escape war-torn South Vietnam in a small boat. And two centuries in the past, a pair of twins named Venus and Swimmer lead their people from danger to safety using their watery gifts.

H.M. Bouwman’s second novel is a magical journey through three tales of separation and reunion, family and friendship. Bouncing between the three main stories, A Crack in the Sea maintains momentum thanks to a consistent narrative voice and beautiful ink illustrations by Yuko Shimizu. With a whimsical but sage narrator, vulnerable but courageous characters and a remarkable conclusion, A Crack in the Sea is constantly engaging and enlightening. The extremely serious story at the heart of the novel, along with its sophisticated world-building, make this the rare middle grade book that could also appeal to higher age groups, including teens.

In the Second World, Kinchen and her brother, Pip, live with their adopted grandfather, Old Ren, on the islands. Pip has the gift of talking to fish, but he cannot recognize faces and has trouble in social situations, so Kinchen is constantly shielding him. The Raft King, leader of the traveling nation of Raftworld, needs Pip’s talents to help with a mysterious plan. He tricks Kinchen and takes Pip to sea, leaving behind a Raftworld girl named Caesar.

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Captain Alfred, farmer and small-ship captain, sets sail with a happy heart, his fiddle to brighten the journey and one special duck egg aboard. As you might predict, his trip is interrupted by an enormous and terrible storm, casting the captain and his ducks to sea. His beloved fiddle is lost to the waves, and all that remains is the egg—now hatching—in the fiddle case. Alfred Fiddleduckling is born into a solitary, foggy world. When the fiddle floats by, Alfred Fiddleduckling discovers the sound of friendship and hope as he clings to his new friend. He found music; will anybody find him?

Timothy Basil Ering (illustrator of The Tale of Despereaux) has a knack for expressively illustrated, slightly bizarre tales with endearing characters and deep messages. Like The Story of Frog Belly Rat Bone, Alfred Fiddleduckling’s tale is quirky and charming, and guaranteed to become a favorite.

With art that is both ethereal and tangible, Ering knows exactly what each scene needs and how to pull a reader’s focus.The stunningly fierce storm engulfs the reader with lightning, as Ering’s hurried brush strokes are visible and powerful in the whitecaps. Colorful, vague swirls depict music in the air, light and feathery against the fog. Captain Alfred’s wife’s anxiously clasped hands tell us of her long, fearful wait for her husband. While his illustrations stand alone, Ering’s narration adds a layer of emotion and personification that makes this book feel like a fable. Detailed and descriptive, one could imagine retelling this story—sans pictures—by the fireplace.

By the time Alfred Fiddleduckling’s story closes, readers will be enchanted by this tale of friendship and adventure, of compassion and courage. But what remains after the last page is the beautiful, swirling music, heartening and calming, beckoning us home again.

Captain Alfred, farmer and small-ship captain, sets sail with a happy heart, his fiddle to brighten the journey and one special duck egg aboard. As you might predict, his trip is interrupted by an enormous and terrible storm, casting the captain and his ducks to sea. His beloved fiddle is lost to the waves, and all that remains is the egg—now hatching—in the fiddle case. Alfred Fiddleduckling is born into a solitary, foggy world. When the fiddle floats by, Alfred Fiddleduckling discovers the sound of friendship and hope as he clings to his new friend. He found music; will anybody find him?

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