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Author Ying Chang Compestine mixes a smart, clever heroine into her own take on the Rapunzel story, inspired by Chinese culture and food as well as Compestine’s own childhood. In a world of myriad fairy-tale retellings, Ra Pu Zel and the Stinky Tofu stands out as delightful, energetic and unique: a fairy tale you will happily devour.

The “Rapunzel” of Ra Pu Zel and the Stinky Tofu does, indeed, have a tower and a long braid. But for Pu Zel, daughter of the Emperor and Empress Ra, the tower is a sanctuary where she can cook and eat without hearing constant reminders to be a “perfect princess.” Pu Zel’s mother sends up baskets of food via Pu Zel’s braid, and Pu Zel proceeds to cook for herself and her dog, while happily ignoring the pleas of the many suitors her father sends to woo her down. It will take something much more interesting—and smelly—than songs and kites to get her attention. Compestine, who began telling stories as a child in 1960s China, where Western books were scarce, combines Pu Zel’s straightforward, practical manner with just enough whimsy to make this a great read-aloud.

In her picture book debut, illustrator Crystal Kung creates an enchantingly soft watercolor-and-ink world of mountains and homes that looks as though it could be included in a museum collection of Chinese art. Against this traditional backdrop, Pu Zel and her tower pop in an explosion of vibrant, modern-princess energy. Her family, tutors and suitors are expressive and intricate, clad in exquisite finery. Kung seamlessly blends everything together and fills every page with intriguing details and movement. Her use of light and shadow is especially spectacular; this story feels completely ready for the big screen. Ra Pu Zel and the Stinky Tofu is a brilliant first act that will have readers hoping for many more books from this illustrator.

Ra Pu Zel’s story wraps up with an insightful afterward and a recipe for “Non-Stinky Pan-Fried Tofu” that will satisfy curious, hungry readers. Whether this is your first Rapunzel retelling or your 50th, Ra Pu Zel and the Stinky Tofu has all the ingredients to entertain, delight and surprise readers (and fairy tale collectors) of all ages. And for those looking for a happily ever after, it’s stinky tofu for the win.

In a world of myriad fairy-tale retellings, Ra Pu Zel and the Stinky Tofu stands out as delightful, energetic and unique: a fairy tale you will happily devour.

Superstar athlete Arnie “Yash” Yashenko can’t believe it when Principal Carmichael tells him he won’t graduate eighth grade unless he goes to summer school—for gym.

When it comes to sports, Yash is no slouch: He already plays on the high school’s JV teams. But thanks to a change in state requirements, he’s going to be a slug, which is what everyone calls kids in the Physical Education Equivalency summer program (whose super-embarrassing acronym is indeed “PEE”). So, instead of training for high school football with his best friends Hammon and Amir, Yash grouses through gym class with the likes of sweet but super-uncoordinated Kaden; insightful former athlete Cleo; self-righteous wannabe journalist Arabella; twins and sworn enemies Sarah and Stuart; and oft-destructive class clown Jesse.

Slugfest, by beloved and prolific bestselling author Gordon Korman (who published his 100th book, The Fort, in 2022), is a rousing tale filled with hilarity and heart. Readers who love to root for underdogs and unlikely friends—a la The Bad News Bears, School of Rock and The Breakfast Club—will delight in the PEE kids’ gradual transformation from wary individuals tossed together by fate into true teammates who can achieve more together than apart.

Employing multiple perspectives with realistic, appealing voices, Korman explores how biases can take hold and posits that having an open mind can lead to a more fulfilling, fun life. We’ve all got something to offer; we just need to find the right context. This is true of the kids as well as septuagenarian PEE coach Mrs. Finnerty, a former second grade and home economics teacher who plies her charges with an astonishing array of delicious baked goods. Though the slugs scoff at her “kiddie games,” they learn playfulness and badassery are not mutually exclusive.

Whether he’s embodying the exquisite tension of a first date or the no-holds-barred thrills of a citywide flag football tournament, Korman’s gift for breathless play-by-play will have readers cheering for Yash and company to win at summer school and in life—whatever sporty or non-sporty form that victory might take.

Whether he’s embodying the exquisite tension of a first date or the no-holds-barred thrills of a citywide flag football tournament, Gordon Korman’s gift for breathless play-by-play will have readers cheering.
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The Unnatural History Museum may be falling apart, but it’s Kess Pedrock’s home and contains almost everything she loves: mysterious and magical skeletons from Eelgrass Bog, her petulant and perpetually busy brother, and her best friend Jim, a demon trapped as a jarred shrunken head. Only her parents are missing, but maybe, when they come back from their trip in Antarctica, they can save the museum. Until then, it’s up to Kess.

One day, the museum finally receives a visitor in the form of a girl named Lilou Starling, who later reveals that her grandfather died and left her a mysterious map with a cryptic puzzle scrawled on its back. This puzzle can only be solved by venturing into the bog itself. Despite Jim’s warnings, Kess sets off with Lilou, determined to both save the Unnatural History Museum and impress her new friend. But between the burning watch fires and eccentric witches, Kess discovers that more of her life is tied up in the bog than she could ever have anticipated. And digging too deep might destroy the one thing she’s trying to save.

Mary Averling bewitches with her debut middle grade novel, The Curse of Eelgrass Bog, which straddles the line between slimy and sweet, concocting a fantasy world that balances snarky demons, magical bogs, concerned witches and awe-inspiring serpents.

The mystery left behind by Lilou’s grandfather will keep even the sharpest readers on their toes, leaving them gasping as the perfectly paced story comes to a head. Averling handles Kess’ emotional struggles—particularly her fluttery feelings toward her newfound friend, as well as her simultaneous sense of obligation toward and longing for her missing parents—with a nuanced yet optimistic lens that will endear Kess to readers.

Whimsically creepy, The Curse of Eelgrass Bog will delight middle grade fans, especially those who loved Claribel Ortega’s The Witchlings or Jacqueline Davies’ The International House of Dereliction. Readers who love fantastical stories—or digging for magical bones in the dirt—should add this to their shelves.

Mary Averling bewitches with her debut middle grade novel, The Curse of Eelgrass Bog, which straddles the line between slimy and sweet, concocting a fantasy world that balances snarky demons, magical bogs, concerned witches and awe-inspiring serpents.
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If the best fiction taps into universal longings, it’s no wonder that middle grade novels often focus on protagonists who feel left out. Lisa Yee evokes this feeling with The Misfits #1: A Royal Conundrum, the first installment in a series focusing on Olive Cobin Zang and the other members of the Misfits, a secret group of young special agents.

Newbery Honor winner Yee teams up with Caldecott Medalist Dan Santat, and the result is a fun caper accentuated by Santat’s vivid illustrations. Olive, a Chinese American 12-year-old, knows that something is up when one day her InstaFriends account vanishes, along with all evidence of her presence at school. So when she’s called to the office and learns her mother (who travels constantly and doesn’t remember Olive’s birthday) is enrolling her at the Reforming Arts School of San Francisco (RASCH), Olive is not exactly surprised. Although she’s terrified that this might be a punishment—after all, RASCH used to be a prison—Olive won’t miss her old school. And because she feels invisible, she’s sure it won’t miss her either. The only person who would have missed her was her grandmother Mimi, but she’s been gone for months, though no one will tell Olive what happened: Her mother will only say, “She’s no longer with us.”

Once at RASCH, Olive feels instantly at home, a feeling that increases after she’s sorted into a pod of fellow outsiders. This team of kids brings unusual tech savvy and unique mental and physical talents (Olive’s Mimi was a circus performer who trained Olive on the trapeze) to their division of NOCK (“No One Can Know”), an elite force whose “mission includes ensuring the safety of the community, guarding the possessions of the citizens, and preventing civil disorder.” With their combined skills and immediate bond, the Misfits work together to uncover the mystery behind a string of jewel thefts and prevent their beloved RASCH from being closed by its patron, Dame Gloria. From mind-bending technology to sometimes hilarious hijinks, A Royal Conundrum has everything a young reader—especially one who feels invisible—could want.

From mind-bending technology to sometimes hilarious hijinks, A Royal Conundrum has everything a young reader—especially one who feels invisible—could want.
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Author Sahtinay Abaza immediately draws in young readers of The Ramadan Drummer with a visceral description of how fasting for Ramadan feels to the book’s central character: “Hunger gripped Adam like a wild beast twisting and turning for food. It grumbled. It stomped and roared.” Meanwhile, Dinara Mirtalipova’s full-spread illustration characterizes this hunger as a ghostlike shadow that haunts Adam as he gazes longingly out his bedroom window at the setting sun.

At sundown, Adam’s family breaks their fast, feasting at a table overflowing with bowls of steamed rice, lamb chops, lentil soup, salad and pizza—Adam’s favorite. Here, Mirtalipova’s illustrations pop against a white background, guiding readers’ attention to the action, as well as to the bold patterns of the family’s rugs and the bright, flowing fabrics worn by Adam’s mother and Aunt Norah. As the women talk, they fondly remember the Ramadan Drummer of their youth, who would walk through the streets before sunrise, drumming to wake up residents so they could eat their pre-fast meal. Adam’s mom explains, “It’s an old tradition . . . Now we just set the alarm clock instead.”

Later that night, Adam dreams of meeting this mysterious figure, and the book’s formerly bright white pages become suddenly bathed in dark, dreamy blues, depicting a night sky bursting with orange and yellow stars. This transformation is a glorious, exciting sight that easily distinguishes the dream sequence. The Drummer lets Adam beat the drum as they walk through the neighborhood, and together, they hear whispers carried on the wind that reveal which neighbors are hurting or in need of help. “During Ramadan, every act of kindness is rewarded tenfold,” the Drummer reminds Adam.

The next morning, Adam sets out into the real world—which Mirtalipova once again sharply brings into focus against a white background—to help the people he heard about last night. By the end of the day, “His stomach was empty, but his heart was full.” Both Abaza and Mirtalipova include notes in the back matter that provide more context about Ramadan and their own childhood experiences. With its memorable story and illustrations, this intriguing picture book about Ramadan customs will appeal to both the senses and emotions of young readers.

With visceral descriptions accompanied by bold illustrations—particularly its glorious depictions of nighttime—The Ramadan Drummer will appeal to both the senses and emotions of young readers.
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These five titles explore family and kinship in Native American communities

Across genres, grief and uncertainty are tempered by embracing community.

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Métis author Michelle Porter weaves a beguiling and intricate story out of sparse, interlocking poetic fragments in her fiction debut. Her expertise as a poet and writer of nonfiction is on full display in this genre-blending book, which is deeply rooted in Métis storytelling, matrilineal knowledge and spirituality. It feels more like a collection of stories told by elders gathered around a fire or in a kitchen than a traditional novel. This unique structure creates a surprising momentum, effortlessly drawing readers into many meandering plots.

The story follows several generations of Métis women as they face turning points in their lives. Geneviéve (Gee), in her 80s, has checked herself into rehab for drinking. Gee’s 20-something great-granddaughter Carter, adopted by a white family, meets her grandmother Lucie for the first time when she requests Carter’s assistance in her decision to die by suicide. Carter’s estranged birth mother Allie attempts reconciliation, often through texts. Meanwhile, Gee’s sister Velma has recently died and is trying to make peace with her life from the spirit realm.

However, these women and their complex relationships are not the novel’s sole focus. It also charts the life of a young bison, Dee, whose herd’s ancestral territory is now crisscrossed with fences that force bison to adjust to human constraints. Dee’s chapters are some of the most poignant in the book—she longs for freedom and adventure even as she learns that her survival is bound up with that of her herd.

Chapters from the perspectives of bison grandmothers, Gee’s dogs and the grassland itself add to a rich mix of human and nonhuman voices. In contrast to Carter’s wry and resigned narration, Dee’s voice bursts with unconstrained joy and heartache. Gee is constantly cracking jokes, her sister in the spirit world speaks with a melancholy longing, and the texts from Carter’s mother are clipped and full of simmering regret and pain.

A Grandmother Begins the Story is a beautiful meditation on the interconnectedness of spirit, land and family. It’s about what gets passed down from mothers to daughters and what doesn’t. It’s about the stories that persist through generations—sometimes hidden, but always present—and what happens when those stories break open into new shapes.

Chapters from the perspectives of bison grandmothers, dogs and the grassland itself add to the rich mix of human and nonhuman voices in A Grandmother Begins the Story.

Emily Dickinson famously pronounced that “‘Hope’ is the thing with feathers,” providing the enduring metaphor of a spritely little bird that dwells within each of our souls. With Swim Home to the Vanished, poet and first-time novelist Brendan Shay Basham suggests that, in contrast, grief is a thing that may be best embodied by fins and gills.

Basham’s peripatetic novel recounts the extraordinary odyssey of a Diné man named Damien after his younger brother drowns in the Pacific Northwest. Still reeling six months after Kai’s body washes ashore, Damien finds himself irresistibly called to the water, the source of his loss but also the source of all life. When gills begin to sprout behind his ears, he quits his job as a chef and makes his way south—first by truck, then by foot—to a small seaside fishing village. There he encounters village matriarch Ana Maria and her two daughters, Marta and Paola, with whom he shares a certain kinship, as they too have recently lost a family member. However, the early hospitality offered by these women may not be as it seems. Rumors of their supernatural origins swirl, and Damien soon finds himself caught up in poisonous family dynamics and power struggles that threaten to consume not only him but also the entire village.

Basham binds together myth and history in Swim Home to the Vanished, drawing inspiration from the Diné creation tale as well as what is known as the Long Walk—the U.S. government’s forced removal of the Navajo people from their ancestral lands. Basham’s own brother died in 2006, and while Damien’s grief causes him to lose the ability to speak, Basham’s words course across the page, sucking readers in with their vivid imagery and raw emotions.

Basham has a particular gift for transmuting inner intangible turmoils into corporeal form; the various characters’ physical transformations from human to creature are a creative epigenetic exploration of the ways in which trauma and grief shape who we are. For readers desiring straightforward writing and an unambiguous narrative, Swim Home to the Vanished may frustrate with its dreamlike nature, but for fans of poetic storytelling, Basham’s narrative will prove a challenging yet cathartic read.

Brendan Basham binds together myth and history in Swim Home to the Vanished, drawing inspiration from the Diné creation tale as well as what is known as the Long Walk—the U.S. government’s forced removal of the Navajo people from their ancestral lands.
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Mia is of two tribes: Her mom is Jewish, and her dad is Muscogee. Mia’s dad and his new family live in Oklahoma, far away from California, where Mia lives with her mom and stepdad, Roger. Since marrying Roger, Mia’s mom has begun to take participation in Judaism much more seriously.

Exhausted by her experiences at Jewish day school and frustrated with her mother’s refusal to speak about her dad, Mia works out a secret plan to visit her dad in Oklahoma and learn more about her Muscogee heritage. While Mia initially feels like an outsider there, it doesn’t take her long to bond with an older cousin and feel at home with new traditions. But Mia’s mom quickly realizes that Mia’s not on the school trip she claimed to be and comes to get her. Will this incident be the final fracture in Mia’s family, or will it create a bridge between tribes?

Inspired by author and cartoonist Emily Bowen Cohen’s real-life experiences growing up Jewish and Muscogee, graphic novel Two Tribes (Heartdrum, $15.99, 9780062983589) examines the complex tensions and beautiful facets of a childhood between cultures and in a blended family. Cohen supports the story with a vibrant but realistic illustration style peppered with the occasional abstract image.

Where Two Tribes shines is in its portrayal of Mia as a self-possessed 12-year-old who is attuned to the importance of embracing differences rather than pretending they don’t exist. Cohen provides a nuanced picture of how Mia has in some ways come to resent her Jewish heritage because of the way it’s been placed in opposition to her dad’s Indigenous culture.

The story is somewhat unbalanced by Mia’s Jewish family and rabbi, who are portrayed more antagonistically than the other characters. For example, when Mia’s school rabbi makes a racist joke about Native Americans at dinner with Roger and Mia’s mom, it’s brushed off by all the adults as a simple mistake rather than a genuinely problematic remark. However, Mia’s family and her rabbi eventually begin to understand how they have failed Mia in certain aspects.

With its incredibly complex subject of personal identity, Two Tribes might have benefited from the additional space given by a traditional novel form to explore its themes more deeply rather than coming to a picture-perfect resolution. That said, perhaps the increased accessibility of the graphic novel format serves this book well. For children just coming into adolescence, a biracial background—especially involving two marginalized groups—can make for a tangled web of difficulties. By seeing their stories represented, things might start to make sense.

The graphic novel Two Tribes examines the complex tensions and beautiful facets of a childhood between cultures and in a blended family.

Sixteen-year-old Winifred Blight lives in a small house near the gates of one of the oldest cemeteries in Toronto with her father, who runs the crematory. For as long as Winifred can remember, her father has been in mourning for her mother, who died giving birth to her. Winifred, too, has been shaped by this absence, as she knows her mother only through the now-vintage clothes and records left behind. 

Desperate to assuage her father’s grief and form her own deeper connection with her mother, Winifred goes to her favorite part of the cemetery one day and calls out to her mother’s spirit—but she summons the ghost of a teenage girl named Phil instead. Soon, Winifred no longer aches with loneliness, nor does she care that her best (and only) friend doesn’t reciprocate her romantic feelings. But Winifred and Phil’s intimate connection is threatened when a ghost tour company wants to exploit the cemetery and Winifred’s con-artist cousin risks exposing Phil’s existence. To protect Phil, Winifred will have to sacrifice the only home she’s ever known.

Acclaimed author Cherie Dimaline’s Funeral Songs for Dying Girls is a lyrical coming-of-age ghost story that’s more interested in capturing emotion than explaining the nuts and bolts of its supernatural elements. Phil is a specter who appears when Winifred thinks of her, but her body is, at times, corporeal; in one scene, Winifred braids Phil’s long hair. The novel instead focuses on how the bond between the girls lessens the grief that roots them both in place as Phil slowly reveals to Winifred what happened in the months leading up to her death.

Dimaline is a registered member of the Métis Nation of Ontario, and Winifred and Phil’s Indigenous identities play crucial roles in the novel. Winifred’s mother and great aunt Roberta were Métis, and Winifred infers that Phil is Ojibwe. The stories Phil tells about her life as a queer Indigenous girl growing up in the 1980s are often harrowing, as she recounts moving from the reservation to the city to escape a miserable situation at school only to find herself in even worse circumstances that ultimately lead to tragedy.

Wrenching and poignant, Funeral Songs for Dying Girls is a haunting tale about what it means to search for home—not the place, but the feeling you carry with you.

This lyrical ghost story portrays how a bond between two girls—one living, one not—transforms the grief that roots them both in place.
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A line from Jessica Johns’ haunting, atmospheric and beautiful debut novel, Bad Cree, has been tumbling around in my head since I set the book down. “That’s the thing about the [prairie]. . . . It’ll tell you exactly what it’s doing and when, you just have to listen.” Johns’ protagonist, a young Cree woman named Mackenzie, tries to hear things she’s been ignoring: grief, her family, the lands she grew up on. But there’s something else lurking just outside her perception, something more dire. Strap in for a dread-filled novel that examines the impact of grief on a small community. 

Mackenzie hasn’t been sleeping well. To be more specific, she hasn’t been dreaming well. Every night, her subconscious shows her terrifying things, painful memories and, always, a murder of crows. Soon she notices crows outside her apartment window, following her to work and watching from power lines. Something is wrong, and she fears it has to do with the years-ago death of her sister. Mackenzie’s auntie pleads with her to come home, to be among her people, the Indigenous Cree of western Canada. There, with her mother, cousins and aunties, Mackenzie searches for what haunts her mind. Hopefully she can find it before it finds her. 

Jessica Johns on the lingering nature of loss—and what makes a great dive bar.

Bad Cree began as a short story, and it’s still tightly written, brisk and efficient as a novel. Johns does, however, slow down when it comes to themes she clearly cares about, such as female relationships. A bar scene midway through the narrative does a particularly lovely job at enriching the portrayal of the community of women who surround Mackenzie. Their camaraderie shows just how important these relationships can be to people feeling lost or alone.

This web of powerful, positive connections stands out all the more in the face of Bad Cree’s truly frightening moments. The dream sequences are both spectacle and puzzle, a mix of memory and fiction, but it’s clear that something beyond just bad dreams is happening to Mackenzie. The unanswered question of what exactly that is provokes a consistent feeling of dread, and the climax is tense, horrific and exciting.

Bad Cree examines how grief can warp someone, how it can terrorize a person by slowly turning reality into nightmare. But there is also a beautiful hope at the center of Johns’ vision: Grief can be tempered by embracing your community. Alone, Mackenzie is just one person, but by returning home, she becomes a thread in a human fabric, woven together to make something stronger.

Jessica Johns’ Bad Cree examines the impact of grief on a small community, mixing truly frightening moments with warm camaraderie.

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With only one sleep left before Christmas Eve, Dasher can’t contain her excitement for her favorite holiday. With the sound of Christmas carols on the breeze and twinkling lights radiating from a nearby city, she sneaks off to visit the festivities. But as night deepens and snow starts to fall, Dasher realizes she can no longer spot the North Star in the sky to lead her home. Will the kindness of a child, an unexpected gift, and a dose of Christmas spirit get her back in time to help guide Santa’s sleigh? The New York Times best-selling creator of Dasher has crafted another delightful journey featuring everyone’s favorite reindeer doe, in a story full of giving, joy, and holiday magic.

Matt Tavares’s sequel to the New York Times best-selling Dasher is a joyful ode to helping others—and another holiday classic in the making.
Matt Tavares’s sequel to the New York Times best-selling Dasher is a joyful ode to helping others—and another holiday classic in the making.
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A Toni Morrison Treasury caters to preschoolers and young readers with a collection of eight children’s books that the late Nobel Prize-winning writer wrote with her son, Slade Morrison. Each one is illustrated by an artist chosen by Toni herself; they include Joe Cepeda, Pascal Lemaitre, Giselle Potter, Sean Qualls and Shadra Strickland. As Oprah Winfrey writes in a brief foreword, “Reading these stories is a way for children and adults to connect with one of the world’s most extraordinary authors in a new and inspiring way.” 

Adults will enjoy sharing these stories with young readers, as many Morrison fans may never have encountered her writing for children. “The Big Box” is a lengthy rhyming story about three children confined to a big brown box because, according to adults, they “just can’t handle their freedom.” The tale is a delight from start to finish. At first, the big box seems to offer unfettered joys—swings and slides and treats and toys galore—but readers will soon realize it’s a prison. As the children note: “But if freedom is handled your way / Then it’s not my freedom or free.” Giselle Potter’s droll illustrations perfectly capture the strange dichotomy of their situation and their feelings of entrapment.

Pascal Lemaitre’s comic-style illustrations enliven the “Who’s Got Game?” series of fables, which pit ant against grasshopper, lion against mouse and grandfather against snake. “Poppy or the Snake” is particularly clever, and Lemaitre’s use of dark tones heightens the tension between the two protagonists. Bright green Snake’s bold, wily ways make this a fun read-aloud, especially when Poppy ends up having the last laugh. 

In “Peeny Butter Fudge,” a lively homage to raucously wild days with a grandmother, Joe Cepada’s bright illustrations ramp up the rollicking fun had by two sisters, a brother and their high-spirited Nana. Readers can continue on their own by making the recipe for the titular treat, which is included at the end. “Please, Louise” rounds out the collection, showing how a young girl’s day is brightened by a trip to the library: “So smile as the stories unfurl / where beauty and wonder cannot hide. / Because reading books is a pleasing guide.” Shadra Strickland reinforces this message with engaging art beginning with dark, dreary colors on a stormy day that gradually morph into a rainbow.

Adults will enjoy sharing the stories of A Toni Morrison Treasury with young readers, as many Morrison fans may never have encountered her writing for children.
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November 13, 2023

Revisiting beloved literary voices

An anthology is a gift that keeps on giving, and these three exceptional collections will keep a variety of readers engaged.
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September 29, 2021

A garden of unearthly delights

These fantastic volumes will send the art lovers in your life on a journey through mystical worlds.

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These fantastic volumes will send the art lovers in your life on a journey through mystical worlds.
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“The best and worst thing in the world is other dogs,” muses the dachshund protagonist of A Pack of Your Own, written and illustrated by Maria Nilsson Thore and translated from Swedish by A.A. Prime. Wrapped in a fine robe, the dachshund stares out of an apartment window at other dogs, who seem to have so much fun in their packs. But those dogs turn the dachshund off with all their bottom-sniffing, running around on all fours, barking and peeing. This misfit—who walks on two feet, uses toilet paper, and wears a shower cap while bathing in a tub—assumes there must be something wrong with them: “I wish I could find someone like me. Someone who loves fancy hats, clever crosswords . . . or the aroma of coffee.”

Thore’s fine-lined illustrations utilize a subdued monochromatic palette, save for the caramel-colored dog and his rust-colored collar. She captures elegant details in the apartment the dachshund calls home, including the bathroom where they sit on the toilet, just like a human. When they bravely visit the dog park in an attempt to fit in, the other boisterous dogs are each visually distinctive and bursting with personality, their chaos captured in energetic yet careful compositions.

When a poodle who spots the dachshund wandering home alone decides to knock on the door and is invited in, readers know that life will change for the dachshund. The poodle is a bit wild and has a peculiar way of doing things, such as drinking coffee straight from the carafe while lying down across the back of the living room’s wingback chair. But they enjoy many of the same things as the dachshund, who comes to understand that friends don’t have to be “exactly like me!” Two spreads depict their budding camaraderie, and a smile grows across the dachshund’s face at having finally bonded with another dog. Every dog has its day, and this is the dachshund’s: the first day of an abiding friendship.

Maria Nilsson Thore captures the first day of an abiding friendship between two dogs through elegant details and energetic yet careful compositions that bustle with personality.

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