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Artist and poet Douglas Florian has created numerous award-winning picture books over the years, including Dinothesaurus and Insectlopedia. A book by Florian is often destined to become part of family lore, lovingly passed down from child to child to grandchild. And that’s certainly true of his newest title, Windsongs: Poems about Weather

Each poem in this appealing collection appears in white lettering on a bright page, opposite illustrations rendered with gouache paint, colored pencils and rubber stamps on primed paper bags, giving the volume a cheerful, homespun feel. Weather, of course, fascinates everyone, and after reading this book, kids and parents alike might find themselves creating their own poems, inspired by Florian’s poetry about the dew, drought, thunder and frost, among other topics. 

Some of the poems here are silly, others playful or evocative. A poem entitled “Fog” begins: “The fog is just a cloud that’s lost. / A cloud that’s gone astray. / It woke up in a hazy daze / and slowly lost its way.” The collection concludes with a poem about climate change, including a reminder that “Mars is too cold, and Venus too hot. / Our blue planet Earth is all that we’ve got.” Back matter includes a glossary and weather websites for kids. Windsongs is a gift for the whole family!

After reading Windsongs, kids and parents alike might find themselves creating their own poems, inspired by Douglas Florian’s poetry about the dew, drought, thunder and frost.

In London, Nate Macabuag designs and builds prosthetics for people with limb differences. “To be able to give someone something that they didn’t have access to before—it’s a good feeling,” he says. At Chicago’s Field Museum, Lauren Nassef helps care for specimens used in scientific research. And in the Bronx, shopkeepers Dan Treiber and Reina Mia Brill spend their days surrounded by toys. “We sell things that bring people joy,” Dan says. “We sell happiness!” 

Those are just a few of the 28 professions depicted in Shaina Feinberg and Julia Rothman’s fascinating and inspiring Work: Interviews with People Doing Jobs They Love

The duo, who write and illustrate the New York Times’ popular Scratch column (about “money—and the people who deal with it”), previously teamed up for How We Got By, a collection of 111 personal accounts about getting through hardships. This time, they wanted to create a book for kids in the vein of their newspaper column. 

For Work, Feinberg and Rothman interviewed people around the world about their skills, motivations, daily tasks and favorite aspects of their careers. The answers are varied and intriguing, presented in brief biographies that also include discussion prompts such as “If you could invent anything, what would it be?” Rothman’s art is detailed and vibrant, ranging from portraits of people at their jobs, to illustrations of a wildland firefighter’s helicopter and a cobbler’s custom shoes.

Those looking for answers to “What do you want to be when you grow up?” will delight in learning how youthful propensities might translate into grown-up jobs: For example, an artist who climbed trees as a child now paints murals on very tall buildings. They’ll also gain insight into Rothman’s and Feinberg’s own work via the final entries in this engaging, illuminating collection, as well as the “How We Made This Book” section that follows. 

Another nice touch: The duo note that many illustrations were based on photos, and include credits for each one, ensuring that, from start to finish, their book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.

 

From start to finish, Shaina Feinberg and Julia Rothman’s book explores, celebrates and values work and the people who undertake it. Work is a helpful resource and entertaining read that’s sure to broaden horizons and inspire exploration.
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With nearly 50 books under his belt, beloved author and illustrator Barney Saltzberg turns his attention to canines in his latest zany offering, The Smell of Wet Dog: And Other Dog Poems and Drawings. He proclaims his love in the first poem, “I Love Dogs,” followed by the title verse, which describes their odor as “Imagine moose and skunk perfume. / An odiferous stench, a paint-peeling plume.”

Young readers will relish these often rip-roaringly funny short poems, with lines like “A long stretchy / drizzle of slobbery ooze / dribbles and splats / on my favorite shoes.” Kids will readily identify with lines like “It’s hard to sit. / It’s hard to stay. / Who makes these rules up, anyway?”

This is a celebration of all things dog—the good, the bad and the smelly—that adult dog lovers will enjoy as well. Saltzberg’s endearing spot illustrations complete the package, with big-eyed dogs of all shapes and sizes cavorting, rolling around in messes, leaping into the air and staring pleadingly at each other and the reader. How can you not fall in love? There are poignant moments as well, with poems about a lost dog, an aging pet and the undying adoration that dogs have for their owners—and vice versa. (Cat lovers: a sequel is likely in store, as the last page features a cat saying, “You forgot . . . / the cat!”)

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.
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The City Sings Green & Other Poems About Welcoming Wildlife is an inspirational treasure trove that introduces young readers to the concept of rewilding, showing how cities and communities around the world are repairing some of the environmental damage caused by human habitation. Focusing on 11 intriguing examples, Erica Silverman has created a unique blend of poetry, science, civics and activism. 

Each story is compelling: a honeybee highway in Oslo, Norway; a Los Angeles school that tore up their asphalt playground to create a natural oasis; and cities in Australia that built rope bridges over highways so that western ringtail possums might safely cross. Silverman introduces each short lesson with a poem celebrating an ecological achievement, accompanied by a prose explanation of the specific details. It’s a winning combination that succinctly informs and delights, while helpful back matter provides additional resources. Both the poetry and prose of The City Sings Green are widely accessible.

Ginnie Hsu’s cheery illustrations are an ecological feast, filled with bright colors that readily convey the benefits of each endeavor. Her art is particularly immersive, leaving readers feeling as though they’ve practically taken a walk through many of the places described, often seen from an animal’s point of view.  

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature. 

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.

Valeria “Magic” Salomon is the star of the Overlords, the best boys soccer team in Utah. As Yamile Saied Méndez’s The Beautiful Game opens, expectations are high: The Overlords are defending state champions, and Coach and his assistant José are determined to conquer Nationals this year. 

Valeria is confident in her abilities and ready to revel in a glorious victory lap, but she’s also sad her absentee father won’t be at the State Cup to cheer her on. “If he loved me,” she thinks, “why wasn’t he by my side for all the important events in my life?” And it’s not as if she can relax at home. Coach is her abuelo and rules her life with a grouchy iron fist. He also doesn’t defend her from snidely sexist José, which certainly taints her futbol experience. 

On game day, Valeria gives it her all, but alas: The team flubs an important play; Abuelo learns his estranged daughter in Argentina has passed away; and Valeria gets her first period and publicly bleeds through her white shorts. José blames her for the loss and ousts her from the team, while Abuelo and the Overlords betray her with their silent assent. 

Just like that, Valeria finds herself adrift and desperate to find a way to keep playing soccer. Thankfully, she secures a spot on a girls team, the Amazons, but is nervous about fitting in. Will she win over Coach Blume? Can she adjust to positive reinforcement and true teamwork? Who is she if she’s not the star? 

The Beautiful Game is a compelling, heartfelt story about second chances, complex family dynamics, and the joy and pain of growing up. Fans of Méndez’s Furia, recipient of the 2021 Pura Belpré Young Adult Author Award, will be thrilled the author has once again created a memorable young futbol-focused protagonist with loads of talent and grit. After all, “the game is brutal. But it’s also beautiful. It breaks your heart, but then it gives you a chance to put it back together.”

The Beautiful Game is a compelling, heartfelt story about second chances, complex family dynamics, and the joy and pain of growing up.
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Tamales for Christmas transports readers right into Grandma’s kitchen, filled with warmth, comfort and creativity. . “Her kitchen is the heartbeat of our familia, loud and cramped and perfumed with delicious smells,” states the book’s narration. Grandma is based on author Stephen Briseño’s grandmother and her cooking skills, legendary among her numerous children, grandchildren and great-grandchildren.  

With the holidays approaching, Grandma sells her tamales to make money for Christmas gifts, and the bright, saturated colors of Sonia Sánchez’s art immediately infuse a festive spirit into this big-hearted tale. Gray-haired Grandma always has a smile on her face, delighted as she enlists her entire family’s help with her project. Each spread oozes joyous commotion: pots steam on the stove, children run from room to room, Grandma’s busy hands layer the corn husks. Her work begins in the fall and lasts until Christmas, sometimes before dawn as well as at night. There’s an ongoing tally of the tamales she makes, starting with 15 dozen and ending at 1,000 dozen—12,000 tamales! Young readers will enjoy keeping track of the count, as well as the repeated refrain, “With masa in one hand, corn husks in the other,” used to describe the matriarch’s efforts. 

While heroic and quick to help out neighbors, Grandma is also human. As the months pass, she keeps making her specialty, even on Halloween night. She whips up a big feast for Thanksgiving—no tamales, however—and finally takes a well-earned break in early December, propping her feet up on the couch, “long enough to play a game, weave stories that get everyone laughing so hard our eyes tear up and our sides hurt.”

Briseño never loses sight of the holiday spirit. As the narrator says, “We finally enjoy the best present Grandma could have given us. Each other.” Both story and art shine in Tamales for Christmas, making readers feel as though they’re part of this big, loving family. 

Both story and art shine in the festive Tamales for Christmas, making readers feel as though they’re part of the book’s big, loving family.
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Thank You, Everything is a unique picture book meant to be enjoyed over and over: It may easily become a favorite of preschoolers as well as young elementary students. One morning, a child wakes up, eats breakfast and receives a box containing a mysterious treasure map that launches a grand journey. Told with minimal prose, this intriguing tale opens up the world to readers in a multitude of fascinating ways, leading them on a grand adventure that lasts for months and involves travel by bicycle, train, bus, plane, raft and hot-air balloon.

Icinori—the design and illustration duo of Mayumi Otero and Raphael Urwiller—use a bold yet limited color palette that favors shades of turquoise and rust to create wildly stylized, dynamic illustrations. Their graphic designs are eye-catching throughout, whether portraying a glass of water, jungles of wild animals or winding pathways reminiscent of an M.C. Escher painting. The pacing is perfect, prompting readers to appreciate and take close-up looks at small details (a bath towel, a canteen, a caterpillar) while also admiring big, beautiful landscapes (a bustling city, a dark forest lit by a full moon, a mountainside strewn with boulders, a mysterious palace).

The narrative, translated from French by Emilie Robert Wong, is equally distinctive. Just as Goodnight Moon uses a repeated refrain, the explorer in this picture book, as the title suggests, thanks each and every thing encountered, starting simple (“Thank you, alarm clock) and getting progressively more intriguing (“Thank you, volcano”). This delicious blend of art and prose is both soothing and exciting, and will encourage young imaginations to soar. The mystery of the final destination—where a surprise awaits—will keep readers engaged from start to satisfying conclusion.

Thank You, Everything is a delightful book filled with wonder and gratitude, feelings that will linger with readers long after they close its cover.

Thank You, Everything is a delightful book filled with wonder and gratitude, feelings that will linger with readers long after they close its cover.
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Robert Frost’s poem “Stopping by Woods on a Snowy Evening” is so well known and so often quoted that its beauty has almost become staid from overuse: It could use a refresh. In this picture book, author Richard T. Morris and illustrator Julie Rowan-Zoch have taken Frost’s words off the shelf, given them a dusting, added a kid and a hippopotamus, and created a delightful, charming and clever tale. Stopping by Jungle on a Snowy Evening is an irreverent homage that will leave all readers smiling. 

Stopping by Jungle on a Snowy Evening begins with a little boy riding a blue hippopotamus through the wintry woods as he recites Frost’s famous opening, but with a hippopotamus instead of the poem’s “little horse.” However, he is interrupted by the poet himself, who climbs out of his window to correct him. Their conversation becomes increasingly ridiculous as the child imagines even more bizarre answers to the poet’s logical objections. Things get delightfully out of hand, ending in complete chaos and an unlikely inspiration for yet another famous poem. Richard T. Morris narrates with an easy, conversational and factual tone. While Frost and his young rewriter come from very different places, their chatty exchanges feel more collaborative than conflicting. 

Julie Rowan-Zoch’s cartoon-like depiction of the protagonist is immediately familiar and loveable: curious, imaginative and a little cheeky, wearing a backwards hat and slide sandals. In contrast, Frost is drawn in a more traditional style. Rowan-Zoch’s bold, clever art mashes both their worlds together; a classically painted snowy forest scene right out of Frost’s original poem is delightfully invaded by snakes, jungle birds and a karate hippo. As Frost’s world unravels—snow falls in the jungle, cookies fall from the sky—the exasperated poet’s appearance also becomes more and more ragged. Reality and imagination smash together, and the result is perfect hilarity.

Stopping by Jungle on a Snowy Evening is a rare find. It’s a combo of old and new, clever and classic, innovative and familiar—perfect for any fathomable storytime scenario. Even more rare, there isn’t a single thing this reviewer would change about it. Two thumbs up.

Stopping by Jungle on a Snowy Evening is a rare find. It’s a combo of old and new, clever and classic, innovative and familiar—perfect for any fathomable storytime scenario.

Theater kids of all ages will adore Take It From the Top, Claire Swinarski’s effervescently heartfelt and cathartic tribute to the joys and dramas that come with life in the limelight. 

Each year, Eowyn and best friend Jules tread the boards at Lamplighter Lake Summer Camp for the Arts in the Wisconsin Northwoods. They instantly bonded in their first year, but now as they enter their sixth—at 13 years old—a once rock-solid friendship bolstered by elaborate plans for a shared future (they’ll be famous together!) has become a tenuous truce at best.

Eowyn’s not sure why Jules is icing her out, so she buries her feelings in intense audition prep for the big end-of-summer production, in which she’s determined to get a lead role. Jules is prepping too . . . but what if they both score big parts? Can a friendship that’s painfully broken be healed in time for a harmonious opening night?

As in her middle grade debut, epistolary mystery What Happened to Rachel Riley?—a BookPage Best Middle Grade Book of 2023 and 2024 Edgar Award nominee—Swinarski has created a story rife with realism, empathy and well-drawn characters navigating their figuring-themselves-out years. She also plays with structure to excellent effect, alternating Eowyn’s perspective in the present with Jules’ in the years leading up to this pivotal sixth summer. 

It’s a genuine treat to follow along as the talented, hardworking tweens in Take It From the Top strive to understand others’ perspectives and translate their onstage performances into how they address real life. As Eowyn muses, “Up there on the stage . . . You could be someone you weren’t. Or maybe you could be someone you really were.” Bravo!

It’s a genuine treat to follow along as the talented, hardworking tweens in Take It From the Top strive to understand others’ perspectives and translate their onstage performances into how they address real life.
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One sunny day as she’s flying high above a patchwork of rolling farmland, a sudden blast changes Katerina the stork’s life forever. Felled by a hunter’s bullet, she lays helpless in a field, with her beloved mate Luka squawking in distress, until a farmer and his granddaughter scoop her up and carry her home.

At first, the duo tend to Katerina’s injured wing in their living room; later, they help her to a nest they’ve created inside their barn. All the while, Luka hovers outside, peeking through every window to reassure himself Katerina is safe—and ensure that Katerina knows he is, as ever, close by. But as winter looms, the storks know they soon must part. “He would not bear the coming cold,” Katerina explains. “I could not bear the flight. And so we said goodbye.”

In some romantic-yet-tragic tales, a couple’s story might end with that inevitable, wrenching separation. But in author Carol Joy Munro’s moving and hopeful debut Springtime Storks: A Migration Love Story, the storks’ separation transforms into a new beginning. Like the real-life birds that inspired Munro to write this story—a pair of Croatian storks named Malena and Klepetan, as detailed in the Author’s Note—Katerina and Luka adapt to their new reality and continue their love story in an unexpected but no less wonderful way. 

Chelsea O’Byrne’s beautiful, often fanciful, chalk pastel and colored pencil illustrations cleverly convey Katerina’s longing for Luka during their first year apart: At night, a stork-shaped silhouette swoops through the stars, and by day, as Katerina stretches her wings, Luka-shaped clouds encourage her from above. O’Byrne’s emotive art colorfully captures the storks’ joyful reunion and parental pride in their three chicks, as well as the beauty of nature present all year round. 

Budding naturalists will flock to Springtime Storks and its memorable celebration of loyalty and devotion, call to protect and conserve wildlife, and heartfelt reminder that love can prevail despite unanticipated challenges. 

Budding naturalists will flock to Springtime Storks and its memorable celebration of loyalty and devotion, call to protect and conserve wildlife, and heartfelt reminder that love can prevail despite unanticipated challenges.
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On the remote island of Merlank, shoes belonging to the recently dead are brought to the Ferryman so that he can shepherd their spirits across the sea to their final resting place. If they choose to linger instead of climbing the Broken Tower and leaving the earthly realm, they push at the edges of the veil that separates the living and the dead, causing destruction. Thirteen-year-old Milo is the Ferryman’s younger son. His older brother Leif will take up the mantle when their father passes: The Ferryman has always said that Milo is not suited to the role because he is too susceptible to emotions—his own, and the dead’s. 

But when the Lord of Merlank’s daughter suddenly dies, the Lord is unwilling to let her go, and what begins as a peaceful negotiation for his daughter’s shoes turns deadly. The Lord’s guards murder the Ferryman and capture Leif, and Milo flees with the shoes, knowing that the burden of the dead has now fallen on him. With the Lord and his terrifying magicians in close pursuit, Milo sets sail for the Broken Tower, knowing that he must follow in his father’s imposing footsteps—but that he must also become his own version of the Ferryman.

Island of Whispers, author Francis Hardinge’s middle grade novella with drawings from children’s illustrator Emily Gravett, is a subtle, dreamlike fable about grief, letting go and carving your own path along heavily trodden ground. At only 120 pages, the story itself is brief, but far from lacking in depth. Hardinge writes with the deft, light touch of classic writers of fairy tales, her prose and imagery enchanting yet spare. She balances the novella’s weighty themes of denial and grief with a linguistic accessibility that makes the book feel welcoming for younger readers, while still appealing to a wide audience.

The story is illuminated by Gravett’s gorgeous black and white illustrations, which are reminiscent of Scandinavian woodblock prints or even Wanda Gág’s lithographs. The images bolster the out-of-time feeling that the rest of the story is imbued with, and add to the subtle magic that is woven throughout. Island of Whispers is a quiet book, but it’s also a resonant one; it would be wholly unsurprising to find it, decades from now, nestled on a shelf of worn and loved classics.

Island of Whispers is a quiet book, but it’s also a resonant one. It would be wholly unsurprising to find it, decades from now, nestled on a shelf of worn and loved classics.

Former Young People’s Poet Laureate Naomi Shihab Nye is one of the most distinguished and celebrated poets writing today. Grace Notes, her magnificent, evocative new poetry collection, is dedicated to the memory of her mother, Miriam Naomi Allwardt Shihab, who passed away in 2021 at the age of 94. 

In her introduction, Nye shares how she first came to creating poetry about families, and the ways in which she encourages young writers. She tells readers, “I honor my beautiful, brave mother and know she might take issue with a few of my perspectives, but that’s okay. . . . I hope that anyone who reads these poems has occasion to think about their own family members even more than mine. It’s our lifetime project. It helps us keep living.”

While the masterful poems in Grace Notes evoke the specific history of her mother’s life and, later, the author’s grief at her passing, Nye never leaves readers out of the frame. Throughout, the poet encourages readers to ask questions and think deeply. In the very first poem, “How Parents Get Together Anyway,” she describes her parents’ meeting and marriage, then asks, “What about you? How did your parents / end up in the same spot?” 

A powerful, deeply felt book that will make a thoughtful gift for both teens and adults.

While the masterful poems in Grace Notes evoke the specific history of her mother’s life, Nye never leaves readers out of the frame, encouraging them to ask questions and think deeply.
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Literary powerhouses Renée Watson and Ekua Holmes combine forces to create Black Girl You Are Atlas, a phenomenal poetry collection celebrating sisterhood, womanhood, Black culture and the power of family and friendship. This book revels in the promise of adolescence while acknowledging its accompanying landmines of fear, self-doubt and uncertainty. 

Renowned poet, novelist and Newbery Honoree (Piecing Me Together) Watson offers high-impact, widely accessible poems that address topics like her childhood, the teenage journey from innocence to awareness, and current events (through poems for Michelle Obama and Breonna Taylor). Verses in poems such as “How to Survive Your Teen Years” and “Sixteen Reasons to Smile” are filled with comfort and joy. No matter the subject, Watson’s words resonate on a personal level, as in these lines from “Turning Seven”: “I will always remember this birthday as the one where I met / my dad and lost my uncle and learned that men are good at / disappointing and disappearing.” Black Girl You Are Atlas explores the world in depth: In contrast to “Turning Seven,” an ode to her older brother (“King”) concludes, “And when there’s all this talk about what Black men are not, / I think about all he is.”

Caldecott Honor recipient Holmes’ torn paper collage and mixed-media art is the perfect accompaniment, featuring joyous and brightly colored figures among bits of newsprint and other ephemera. Shimmering with radiance at first glance, they reveal even more layers of meaning upon closer examination.

Black Girl You Are Atlas compels young readers to honor their past while creating their own paths forward. As “Lessons on Being a Sky Walker” urges: “When they tell you / the sky is the limit, vow to go past that.”

In Black Girl You Are Atlas, renowned poet, novelist and Newbery Honoree Renee Watson offers high-impact, widely accessible poems that address universal topics, accompanied by joyous artwork from Caldecott winner Ekua Holmes

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