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Jennifer Ziegler, best known for her Brewster Triplets series, introduces readers to a singularly memorable protagonist in Worser.

William Wyatt Orser, better known by his not-so-nice nickname, Worser, has had a rough go of it. His mother, a professor of rhetoric whom Worser considers one of his only intellectual equals, had a stroke three months ago that left her unable to speak. Since she’s not able to care for Worser on her own, Aunt Iris has moved in with them, disrupting Worser’s notions of peace and order.

Bullied at school and no longer able to find refuge at home, Worser dives even deeper into the world he loves best: the world of words. He spends his time working on his “Masterwork,” an epic collection of observations and musings on language that is his pride and joy. One entry explores what he dubs “Word Contradictions”: “If terrific can mean the opposite of terrible, why isn’t horrific the opposite of horrible?”

But letters and words can only go so far in satisfying the need for connection and companionship. Worser stumbles into just that when budget cuts force his school’s library to reduce its hours, setting off a chain of events that leads him to a group of kindred spirits who meet once a week in a nearby bookstore. For the first time, Worser begins to form meaningful and lasting connections with people who understand and appreciate him.

Worser is witty, sarcastic and often seems wise beyond his years. Although he sometimes behaves judgmentally toward those around him, he also possesses a charming awkwardness that will endear him to readers, and his character arc is satisfying. Outcasts and oddballs of all sorts will find Worser’s story relatable, and fellow word nerds will be especially thrilled by his thoughtful observations on the many eccentricities of the English language.

A true word nerd finds a group of kindred spirits in Jennifer Ziegler’s Worser, a middle grade novel anchored by a singularly memorable protagonist.
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“Not everyone loves a train,” begins Kate Hoefler and Jessixa Bagley’s Courage Hats. Mae, carrying a small yellow suitcase, and Bear, with an old-fashioned knapsack across his shoulder, are both feeling anxious as they board a high-speed train. They don’t know each other yet, but they will.

Because she will be traveling “deep into bear places,” Mae has made a paper-bag headpiece to help her look more like a bear, with round ears and a brown nose. And because Bear will be venturing “deep into people places,” he has crafted a similar human-esque paper-bag hat. Each headpiece has a large hole that reveals Mae’s and Bear’s true faces, but to themselves and each other, they are utterly transformed.

Wearing their hats, Mae and Bear find seats next to each other on the train. Mae’s suitcase turns out to contain a tea set, while Bear’s polka-dotted knapsack holds sandwiches, crackers and cookies. Together, they enjoy a cozy spread as the train carries them on to a destination revealed on the book’s final page.

Bagley (Before I Leave) creatively extends Hoefler’s narrative, using eye-catching perspectives and presenting a world in which anthropomorphized woodland creatures and humans share spaces. The journey, not the destination, is the point of this rewarding story about finding courage via the gifts of friendship and abundant imagination.

Readers will especially appreciate Hoefler’s poetic and nuanced observations once Mae and Bear’s journey gets underway. There’s “a lot to notice” out the window of a train, Hoefler writes, such as “how a train carries the sky on its back.” Bagley illustrates this by depicting the new friends from behind as they take in the marvelous view of a golden meadow flanked by distant mountains. 

There’s gentle humor in Courage Hats as well, rooted in the contradictions between Hoefler’s text and Bagley’s images. When Mae first meets Bear, Hoefler (Real Cowboys) tells us that Mae has “found a big grown-up to sit with,” while Bagley depicts Bear (in his person hat) sitting next to the window of the train’s bench seat, arms crossed in his lap. Similarly, Bear is relieved to have “found a small cub to sit with.” Later, as Mae and Bear find comfort in each other’s presence, they both reflect that, if not for their newfound friendship, they “might have missed what was right next” to them.

Courage Hats is a satisfying story about facing your fears. After all, if you can’t find your courage, “you can wear it on your head at first.”

In Kate Hoefler and Jessixa Bagley’s imaginative Courage Hats, Mae and Bear discover unexpected bravery and friendship on a long train journey.
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What signs would portend the apocalypse for a tween boy? Twelve-year-old Eddie Holloway and his friends Xavier, Sonia, Trey and Sage think something might be amiss when the electricity in their neighborhood goes out and then their families don’t return from the annual Beach Bash party on Lake Erie.

Eddie’s day begins in mundane fashion. His mom grounds him after discovering that he hasn’t done his laundry in weeks, forcing him to stay home from their small Ohio town’s biggest party of the year. Even Eddie’s older brother, the Bronster (“Bronster is what happens when you mix equal parts brother + monster”), and their stepdad of six months, Calvin aka WBD (“Wanna-Be Dad”), can’t convince Eddie’s mom to free him from the drudgery and allow him to attend the celebration he’s looked forward to all year.

Clad in his sole piece of clean clothing—pink swim trunks printed with glow-in-the-dark pineapples—Eddie watches his family pile into the car and leave for the beach, then heads down to the basement to start making his way through 40 days’ worth of dirty laundry. But as the washing machine is filling up for his second load, the power goes out. Eddie discovers that he’s one of only five people in the entire neighborhood who aren’t at the Beach Bash, and as the hours pass and none of their families come back from the beach, it becomes clear that something is very, very wrong.

Young adult author Justin A. Reynolds’ first book for middle grade readers is propelled by Eddie’s hilarious stream-of-consciousness narration. Eddie frequently breaks the fourth wall to address the reader directly, and his storytelling is full of exclamations and asides, such as a three-page treatise titled “Eddie’s Unassailable Insights Into Why Laundry Is a Scam/Hoax/Con.” 

It’s the End of the World and I’m in My Bathing Suit isn’t all silliness, however. Eddie’s often-circuitous ramblings stem from his ADHD, which Reynolds depicts with thoughtful care. Just as empathetically crafted are Eddie’s reflections on the changes his family has experienced—his father’s death, his brother’s anger and his new stepdad’s efforts to find his own place within Eddie’s family structure.

Although the novel unfolds in just 24 hours, It’s the End of the World and I’m in My Bathing Suit ends on a cliffhanger that will leave readers begging for a sequel. Reynolds offers plenty of laughs as Eddie and his friends team up to save the world—or at least the neighborhood.

Propelled by hilarious stream-of-consciousness narration, Justin A. Reynolds’ It’s the End of the World and I’m in My Bathing Suit offers a fun tale of friends who team up to save the world—or at least the neighborhood.
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Expect the giggles to begin from the opening endpapers of Chester van Chime Who Forgot How to Rhyme. They feature small drawings, and each illustration is accompanied by a pair of rhyming words. For example, a depiction of a green slug smiling on a fluffy green rug says “Slug Rug.”

The book itself is about poor Chester van Chime, who awakens one morning to discover that he has lost the ability to rhyme. Scattered across his bedroom are objects that evoke rhymes: The same slug from the endpapers smiles happily from a green rug next to Chester’s bed, and we see two toy ducks inside a blue toy truck. Despite all these visual clues, Chester simply can’t “match up two sounds.”

Author Avery Monsen presents a text filled with rhyming couplets that fall flat on their poetic faces. “He tried not to panic. He played it real cool / and picked up his backpack and walked to his . . . / . . . learning place with teachers and stuff.” Adults, welcome to your next Best Storytime Book.

Abby Hanlon, illustrator of the side-splittingly funny Dory Fantasmagory chapter book series, brings her playful sensibilities to these vivid tableaux. Her spreads teem with rhyming pairs. Owls decorate Chester’s bathroom towel; a pup smiles from the cup on his sink; a fox steals a sock while Chester’s getting dressed; and can you guess what winged mammal appears on his doormat? As Chester’s frustrations over his failures escalate, so do the visuals. Chester’s classroom devolves into chaos as his classmates try to resuscitate his rhyming acumen.

Chester walks home from school in despair, but he soon realizes that everyone has off days and no one can be perfect all the time. Besides, by day’s end, Chester can rhyme again—for the most part. And remember those winning opening endpapers? The book’s closing endpapers feature an entirely new but equally delightful set of drawings.

It’s a must-read, a hit, a guaranteed good time. If only more books were like Chester van . . . what was his name again?

Poor Chester van Chime may have lost the ability to rhyme, but young readers will lose themselves to giggles at this book’s delightfully unsuccessful couplets.
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k History Month: Children’s inspiration and celebration Black History Month has been celebrated since 1976, but its origins date back to 1926, when a high school teacher named Carter G. Woodson first proposed setting aside a week to study the history of African Americans. February has now become a nationwide celebration and time for reflection. It’s also a chance to explore new books for children. Transporting readers from the Outer Banks to a contemporary village in Uganda, this year’s new titles offer something for kids of all ages.

On the night of October 11, 1896, the E.

S. Newman got caught in a hurricane and began to sink off Cape Hatteras. In an astonishing rescue feat, the African-American crew of the Pea Island Life-Saving Station tied two men to a line and sent them into the raging sea to rescue each sailor, one at a time. Not a life was lost. One hundred years later, the members of the Pea Island crew were awarded Gold Life-Saving medals posthumously by the U.S. Coast Guard for their courageous actions.

This little-known true story serves as the inspiration for Storm Warriors, Elisa Carbone’s absorbing and meticulously researched historical novel for young readers about a boy who wants to be a storm warrior himself. With likeable characters and exciting storm sequences, Storm Warriors is sure to capture the attention of readers and shed light on a fascinating way of life and the unsung heroes who lived it.

John Henry swims better than anybody I know.

He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me.

He’s not allowed. So relates Joe, the young narrator of Freedom Summer an outstanding first picture book by Deborah Wiles, illustrated by Jerome Lagarrigue. Set in the South in 1964, this poignant story explores the friendship between two boys, one white and one black. Joe and John Henry spend their summers together, playing marbles and swimming in the creek. They can hardly contain their excitement when they learn the town pool is about to open to everyone, regardless of skin color. But though their innocence is shattered by what happens next, their hope is not. Based on true occurrences, this is a wonderful book to share and discuss with young readers and a sober reminder that racism affects all children.

Fly High! The Story of Bessie Coleman by Louise Borden and Mary Kay Kroeger, illustrated by Teresa Flavin, is a picture book biography of the first African American to earn a pilot’s license. Born into a large family in rural Texas in 1892, Bessie Coleman spent her childhood in extreme poverty. During World War I, Coleman learned of women pilots in France and determined to learn to fly. Unable to find anyone to teach her in this country, she saved enough money to attend flying school in France. Although Coleman flew for only a few years before her death in a plane crash in 1926 at the age of 34, her legacy survives.

Hurry Freedom: African Americans in Gold Rush California, by Jerry Stanley, is fascinating and informative nonfiction at its best. Filled with period photographs and accompanied by an index and bibliographic note, Hurry Freedom tells the story of black Americans in California before the Civil War.

Stanley’s book is especially effective in threading the story of one man against the backdrop of California history and the experiences of other African Americans. Mifflin Gibbs arrived in San Francisco in 1850 with 10 cents in his pocket. Despite an uncertain and sometimes dangerous racial climate, Gibbs prospered as a businessman. But he was less successful in his battles to win civil rights for blacks. In 1858, with a bill pending that would have prohibited African Americans from entering California, Gibbs and more than 200 other black citizens chose to emigrate to Victoria, British Columbia. He eventually returned to the U.S., earned a law degree and became ambassador to Madagascar. In Hurry Freedom, Jerry Stanley makes the complex historical events of pre-Civil War California come alive. Another nonfiction title, Catherine Clinton’s The Black Soldier: 1492 to the Present provides an overview of the involvement and accomplishments of black soldiers in America. Perhaps because it covers such a wide time period, the book does not leave much room for the detailed telling of many individual stories. Nevertheless, with its short chapters and accessible prose, this title should prove to be a valuable resource for students interested in this subject. Attractively illustrated with photographs and drawings, the book includes a bibliography and index.

For older readers, Milton Meltzer’s There Comes a Time: The Struggle for Civil Rights examines the key issues and events of the Civil Rights movement and includes a calendar of events, a bibliography and index. Of course, Black History Month isn’t only about the past; it’s also a time to celebrate families today. Young children will delight in Myles C. Pinkney’s striking photographs of African-American children that grace the pages of Shades of Black: A Celebration of Our Children with text by Sandra L. Pinkney. As the subtitle suggests, this is an affirmation book that uses rich, poetic language to celebrate each child’s uniqueness. “My hair is the soft puffs in a cotton ball and the stiff ringlets in lambs wool.” Preschoolers will love this one, and it would be a great gift book for new parents, too.

Another title that celebrates families of all hues is called, simply, Family. Written by Isabell Monk with illustrations by Janice Lee Porter, Family tells the story of a young girl named Hope who brings a surprise dessert to the family gathering at Aunt Poogee’s farm. This simple tale celebrates family traditions. Recipes are included in case you get a hankering to try the dessert Hope brings along pickles with peppermint sticks inside! Children are sure to be fascinated by the vibrant cut-paper collage art in Grandma’s Purple Flowers. Written by Adjoa J. Burrowes, it’s a story about love and loss. The story celebrates the rhythm of the seasons and the relationship between a young girl and her grandmother. The collage art, much of it in bright, primary colors, has a three-dimensional feel but also manages to be warm and inviting.

Family life in Uganda is the subject of a book called Beatrice’s Goat by Page McBrier, illustrated by Lori Lohstoeter with an afterword by Hillary Rodham Clinton. A true story, Beatrice’s Goatexplores the impact of the Heifer Project International on a girl whose family receives a goat. Through selling the goat’s milk, the family is able to earn enough to send Beatrice for school for the first time. The author and artist traveled to Africa to research this book, and the details of Beatrice’s daily life add authenticity to the story. Information about Heifer Project International is also included.

Last but not least are the sports books. Everyone knows kids eat up books about their sports heroes. And for parents whose kids just can’t get enough about basketball, two new picture books offer variations on traditional biographies. Take It to the Hoop, Magic Johnson, by Quincy Troupe and illustrated by Shane W. Evans, is a lively poetic tribute to the basketball great, with a playful, free-moving design. In Salt in His Shoes: Michael Jordan in Pursuit of a Dream, by Deloris Jordan and Roslyn M. Jordan and illustrated by Kadir Nelson, Jordan’s mother and sister team up to reveal that even Michael Jordan was once a child with doubts. Kadir Nelson’s warm, endearing oils portray a family devoted to helping a child pursue his dreams.

While these titles are primarily designed for children from preschoolers to teens, the best children’s books appeal to readers of all ages. So whether you have a child in your life or not, head into the children’s section of your bookstore or library during Black History Month to see what’s on display. I can almost guarantee you’ll find something there that will enrich your own appreciation of our rich and complex history.

Deborah Hopkinson’s new books for children, Bluebird Summer and Fannie in the Kitchen, will be published this spring. She lives in Walla Walla, Washington.

k History Month: Children's inspiration and celebration Black History Month has been celebrated since 1976, but its origins date back to 1926, when a high school teacher named Carter G. Woodson first proposed setting aside a week to study the history of African Americans. February…
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Eleven-year-old June Yang feels like bad luck follows her family everywhere. First her dad, a bicycle delivery driver, was killed in a tragic street accident. Then her mom, consumed by grief and depression, withdrew from the world, lost her job and June became the de facto caregiver for her 6-year-old sister, Maybelle. And now June’s family has been evicted from their Chinatown apartment and relocated to Huey House, a shelter in the South Bronx for families experiencing homelessness.

At first, everything at Huey House seems strange and disorienting, including the hourslong bus ride to school and the practical jokes played by longtime shelter residents Tyrell and Jeremiah. The final straw is the news that June can’t play her beloved viola at the shelter. But June quickly starts to see how the shelter’s residents help one another and how kindness can manifest in surprising ways. And she discovers that Tyrell, whose brash exterior belies a sensitive heart, a fear of abandonment and a love for classical music, might share some of the same dreams that she does.

Author Karina Yan Glaser is beloved for her critically acclaimed middle grade series about the Vanderbeekers, a large and loving family in Harlem. As she does in those books, Glaser infuses this standalone novel with sweetness and optimism (softhearted Maybelle and her overwhelming love for dogs and other animals is especially appealing) while acknowledging the complexities of her characters’ lives.

In an author’s note that opens the book, Glaser describes how the seeds of A Duet for Home were planted when she worked at a family housing shelter similar to Huey House 20 years ago. She incorporates a real-life policy initiative—a drive to quickly rehouse families experiencing homelessness in inadequate, unsafe facilities without sufficient support systems—into the novel as well. Within the story, Glaser brilliantly illustrates the drawbacks of this policy from a child’s point of view and shows the power of political action through her characters’ responses.

June and Tyrell are memorable and inspiring protagonists, and Glaser surrounds them with a cast of well-developed secondary characters. In addition to Maybelle and Jeremiah, there are also supportive grown-ups such as Ms. Gonzalez (aka Ms. G), the bighearted social worker who knows every resident’s favorite food so she can surprise them with their favorite dishes, and Domenika, the lovably prickly viola teacher next door.

As its title suggests, A Duet for Home is also suffused with music. Glaser even helpfully provides a list of all the compositions referenced throughout at the end of the novel. A Duet for Home portrays how an appreciation for music and a desire to make the world more beautiful can give all young people—and perhaps especially the most vulnerable—a way to believe in themselves.

Karina Yan Glaser infuses A Duet for Home with sweetness and optimism while acknowledging the complexities of her characters’ lives.
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Abdul likes straight lines and a good story. But at school, Abdul struggles to keep his “scribbly, scratchy, scrawly letters” within the lines of his paper. And spelling? It’s downright impossible. “Some stories are for books,” Abdul thinks, “but not his.” When a writer named Mr. Muhammad visits Abdul’s class, he encourages Abdul to embrace his “mess,” and Abdul realizes that a good story might come from his messy writing after all.

Abdul’s Story is an honest, encouraging depiction of a boy with a learning disability and the power of finding your story. Author Jamilah Thompkins-Bigelow candidly portrays Abdul’s emotions and challenges. She captures the way his inability to write “neat sentences” leads to both feelings of failure and a sense of determination. Her narration is well balanced and invites the reader inside Abdul’s experience. Her text describes Abdul’s difficulties without specifically labeling them, so readers with a wide range of learning disabilities will be able to identify with him.

The book’s illustrations by Tiffany Rose are lively and optimistic, filled with friendly lines and details that round out the story without overwhelming the eye. Bright background colors and scenes of Abdul’s bustling neighborhood and cheerful classroom contribute to an overall sense of approachability and welcome. At one point, Abdul writes and erases so many times that he tears a hole in his paper. Ashamed, he hides under his desk and imagines “an eraser big enough to erase himself.” Rose poignantly brings this sequence to life. As Abdul crouches under the table, his eyes downcast and arms wrapped around his knees, the eraser of a giant yellow pencil has already smudged out his hands and feet.

In a picture book that centers on a character with a learning disability, different typographical choices—particularly on pages where text appears on a colored background opposite an illustration—would have increased readability for dyslexic readers. One widely cited study by Luz Rello and Ricardo Baeza-Yates, for example, suggests that dyslexic readers may find sans serif typefaces easier to read, while Abdul’s Story’s text is set in Absara, a humanist slab serif font.

In a world that can often be inaccessible, Abdul’s Story is an example of the power of casting a child with a learning disability in a starring role. As we witness Abdul working hard to improve his story, we’re reminded that very few things are ever perfect on the first try, but it’s in the trying that we eventually find success.

Jamilah Thompkins-Bigelow and Tiffany Rose's Abdul’s Story is an honest, encouraging depiction of a boy with a learning disability and the power of finding your story.
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For many kids, it would be the ultimate dream come true: to unexpectedly gain superpowers and be able to save the world! Unless, of course, your dad won’t let you.

In Sort of Super, the debut graphic novel by Eric Gapstur, 11-year-old Wyatt Flynn was covered in glowing space dust, doused with nuclear waste and electrocuted—all during a rapid sequence of accidents on “Bring Your Kids to Work Day.” Now he has a ton of amazing abilities, including flight, superspeed, superstrength, super tough skin and invisibility. He also has an overprotective father who will under no circumstances allow Wyatt to be a superhero until he’s at least 36 years old.

After Wyatt, his little sister, Adeline, and their father move in with Wyatt’s grandmother, Wyatt must navigate the ordinary challenges of a new school year while concealing the fact that he’s now, well, a pretty extraordinary kid. It all goes (mostly) smoothly at first, but when animals in town begin mysteriously disappearing, Wyatt enlists the help of un-superpowered but extremely smart Adeline to discover who has been stealing them and why.

Filled with over-the-top action and slapstick humor, Sort of Super is a fantastic graphic novel for younger middle grade readers. Perfect for kids who have moved on from Captain Underpants and Dog Man but are not yet ready for Marvel, DC and other adult superhero comics, Sort of Super introduces many tropes of the genre (hidden identities, secret villains, sidekicks who are better prepared than the superhero, expansive universes) without being trite or condescending toward the reader.

Wyatt and Adeline succeed because of their strength of character and their trust and belief in each other, and Gapstur surrounds them with wonderfully supportive adults. His art is bold and colorful, and it perfectly complements his storytelling and on-point dialogue. Sort of Super is a funny, engaging book that will leave readers eager for more adventures with Wyatt, Adeline and their extraordinary family.

Filled with over-the-top action and slapstick humor, Eric Gapstur’s Sort of Super is a fantastic graphic novel for younger middle grade readers.
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What makes a family? Is it a name? Or perhaps similar characteristics among its members? Maybe similar abilities? Or similar traits? Well, Mommy Rabbit had a special family. Each member was different in many different ways, but each one knew he or she was loved dearly. Bunny was Mommy Rabbit’s first little honey, and he was as sweet as could be. Before long, Little Duckling came along to join the family. Even though he didn’t look like a bunny, Mommy Rabbit was still his mommy. Little Duckling became Mommy Rabbit’s second little honey. Of course, Miss Mouse, Mommy Rabbit’s third little honey, didn’t look like a bunny, but Mommy Rabbit became her mommy, too. Each little honey was as different as could be, but all needed love and affection.

Bunny, Little Duckling, and Miss Mouse play together, sing together, and know they are loved by Mommy Rabbit. When Mommy Rabbit says, All together now, the three little honeys know it is time to sing their favorite song. Each one has a favorite line in the song that includes a special meaning just for them. Each has a special game at which they are best: Bunny is best at run-rabbit-run, Little Duckling at splashy-sploshy games, and Miss Mouse at itchy-twitchy, squirly-whirly games. Still, there remains one game that each plays well: the thump-your-great-big-feet game. Even though they are all different in so many ways, Bunny, Little Duckling, and Miss Mouse all have great big feet! In this sequel to Bunny, My Honey, Anita Jeram artfully presents a simple, loving story that will touch the hearts of her readers. Jeram’s animal characters exhibit human qualities and emotions which reinforce the moral of the story. Jeram, who illustrated the classic Guess How Much I Love You, presents beautiful watercolor and ink illustrations that carry the story line gracefully from page to page. The delightful pictures will charm youngsters whether they are being read to or reading the book themselves. All Together Now (ages 3 and up) is a sweet, warm, fuzzy story with a special message that young children (whether in age or heart) can grasp and understand. After all, the message of love is universal.

Dr. Cynthia Drennan is a retired university administrator.

What makes a family? Is it a name? Or perhaps similar characteristics among its members? Maybe similar abilities? Or similar traits? Well, Mommy Rabbit had a special family. Each member was different in many different ways, but each one knew he or she was loved…
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If you’ve ever been to a professional baseball game, you know a baseball player has got to know how to spit! That’s just one of the things that Paul B. Janeczko describes in his poems in That Sweet Diamond: Baseball Poems, illustrated by Carol Katchen. You’ll find yourself laughing and thinking, Yeah, I’ve seen that! And the next time you go to a game, you’ll know what to do during a rain delay! Janeczko captures the experience of being there in a book children of different ages will like for different reasons. Although the metaphors may escape younger readers, they will enjoy the illustrations that look as if they were drawn with chalk. Older children will appreciate the humor, symbolism, and wide range of subjects found in Janeczko’s poetry. Reviewed by Jeff Stephens.

If you've ever been to a professional baseball game, you know a baseball player has got to know how to spit! That's just one of the things that Paul B. Janeczko describes in his poems in That Sweet Diamond: Baseball Poems, illustrated by Carol Katchen.…

Stories have the power to change the world, especially in these captivating fantasy tales. The heroes of these books will enthrall and inspire as they battle dark forces and find their paths. 

The Legend of Brightblade by Ethan M. Aldridge book cover

The Legend of Brightblade

Prince Alto lives in a castle perched on a cliff above the seaside village of Dawn’s Bay. His mother is Lady Brightblade, ruler of the land of Skald, a setting splendidly depicted on a map at the beginning of The Legend of Brightblade, a standalone graphic novel by Ethan M. Aldridge.

Skald is enjoying an era of harmony thanks to victories immortalized in song by Master Eluvian, a gifted magical bard, but Lady Brightblade knows that conflict simmers beneath the surface. She’s determined to reach an agreement with Chief Dagda, leader of the trolls, to ensure that their peoples can safely work together toward continued peace and greater prosperity.

Alto, however, finds all of this boring. He just wants to play his mandolin and refine his magical musicianship abilities so he can be a hero someday, too. He’s fortunate to have Master Eluvian as his teacher, but he’s grown impatient with all the practicing. Alto feels ready to make his mark on the world now! After a frustrating conversation with his mother about his princely duties, Alto sneaks out of the castle, a wide grin on his face as he runs headlong into the life he’s been dreaming of.

At a bustling marketplace, Alto is delighted to meet Ebbe, a troll who also creates magic with her music. He’s less delighted when he crosses paths with an angry bard named Fell, who seems to have malevolent intentions. Soon, Alto feels torn between fulfilling his dream of forming a troupe with Ebbe and another bard, Clarabel, and following his instincts about Fell’s sinister plans alone. 

As Ebbe, Clarabel and Alto embark on a cross-country journey, questions mount: Just how angry will Lady Brightblade be at Alto for shirking his royal responsibilities? Will he, Ebbe and Clarabel work well as a trio? And can they stop Fell together before he destroys Skald’s fragile peace? 

Aldridge’s detailed watercolor and ink illustrations bring his tale’s magical jam sessions to life in scenes that burst with color. Each musician’s magic has its own shape and hue. When Alto and Ebbe perform together for the first time, their joy is tangible as the swirling green flames of Alto’s magic swoop and dive around the diamond-shaped notes that flow from Ebbe’s cello. It’s just as affecting when Alto witnesses the purple coils of Fell’s magic surround the objects of his wrath.

Fans of fantasy graphic novels, including Aldridge’s Estranged duology, will revel in The Legend of Brightblade’s gentle humor and spirit of adventure. It’s thrilling to watch these young bards compose their own magical destinies.

The Ogress and the Orphans by Kelly Barnhill book cover

The Ogress and the Orphans

Newbery Medalist Kelly Barnhill’s The Ogress and the Orphans is at once a lovely fairy tale and a striking allegory, a fantastical story imbued with wonder and warmth that pointedly holds a mirror up to societal dysfunction.

The tale unfolds in the little town of Stone-in-the-Glen, which was a wonderful place to live until its library mysteriously burned down. That devastation proved to be a turning point in the town’s history: After the library, other buildings burned, too. Trees died, floods came, and eventually, the omniscient narrator says, “The whole town seemed to scowl.”

When a dashing newcomer arrived and slayed multiple dragons in short order, the beleaguered townspeople of Stone-in-the-Glen were so relieved that they elected him Mayor. Yet he did not rebuild the town nor foster connections among neighbors, and so the residents of Stone-in-the-Glen became entrenched in their isolation and ennui. 

At the Orphan House, however, things are very different. Thanks to Matron, Myron and the 15 children they care for, love still flows through all of its rooms. At the Ogress’ farm on the edge of town, things are different, too. After roaming the world for many human lifetimes, the Ogress has settled down in the hopes of someday feeling that she has found a place to belong. Her best pals, a murder of hilariously self-impressed crows, accompany her on her nighttime trips to anonymously deliver gifts to residents’ doorsteps, a gesture in keeping with her guiding principle, “the more you give, the more you have.” 

The orphans’ and the Ogress’ lives collide when young Cass runs away from the Orphan House and is returned safely by the Ogress. To the orphans’ shock, the Ogress is accused of kidnapping, and the townspeople, led by their devious Mayor, are determined to drive her away. They seem immune to facts and evidence, not to mention completely unwilling to listen to children. Barnhill’s solution to this pernicious problem is an exercise in creativity, strategy, kindness and the power of storytelling that is magnificent to behold.

The Ogress and the Orphans is a delight from start to finish. Barnhill writes at a steady, measured pace, and her magic-infused narrative thoughtfully invites readers to ponder the nature of truth, generosity and community.

Two fantastical books for young readers, Kelly Barnhill's The Ogress and the Orphans and Ethan M. Aldridge's The Legend of Brightblade are captivating enchantments.
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The Caldecott Medal-winning author-illustrator of The Adventures of Beekle: The Unimaginary Friend brings his whimsical and fun-filled storytelling style to a longer format in The Aquanaut, a graphic novel for middle grade readers.

Sophia Revoy’s family has always been involved in marine biology. Her father and uncle regularly go out to sea on long research expeditions, and they also opened a marine reserve and theme park called Aqualand in their hometown of San Diego. But five years ago, Sophia’s father was lost at sea during an expedition, and neither Sophia nor Aqualand has been the same since.

One afternoon, Sophia heads to the park to convince her uncle to help with her science fair project, her final hope of salvaging her failing grade in science class. On her way through the park to Aqualand’s labs, she bumps into someone in an aquanaut suit. She quickly discovers that the suit isn’t being worn by a person. Instead, it’s an animatronic device being piloted by a quartet of sea creatures: Captain Sodapop, a hermit crab; Carlos, a dumbo octopus; Jobim, a sea turtle; and Antonio, a tiny blanket octopus. Sophia is swept up in a series of mishaps and escapades with these unlikely friends. Along the way, she uncovers long-buried secrets about her father’s disappearance—and about Aqualand itself.

Dan Santat’s signature visual style lends itself beautifully to the lighthearted, adventurous tone of the story and its many moments of slapstick comedy. His panels are colorful and bright, and his characters are cartoonish in the best way. Santat excels in drawing human and sea creature facial expressions that drive home the emotions each character feels. The Aquanaut is a humorous and heartwarming tale about the lengths to which we’ll go to protect and care for our families.

A quartet of sea creatures may hold the key to Sophia’s father’s disappearance in The Aquanaut, a humorous, heartwarming graphic novel.
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The opening of Mac Barnett and Kate Berube’s John’s Turn ushers readers into an elementary school. Every Friday at this particular school, students gather in the cafeteria for what’s called assembly. Best of all, if everyone behaves, one student “gets to do something for the whole school.” The school dubs this tradition “Sharing Gifts.” (In one of many instances in the book that proves Barnett is no stranger to how children think, we read: “A lot of us think that’s a kind of dumb name, but we also think Sharing Gifts is the best.”)

John is reticent and uneasy on the day of his turn for Sharing Gifts. While Mr. Ross makes announcements, John prepares behind the curtain. In a series of vignettes, we see him change into a leotard, pants and slippers. John has decided to perform ballet.

Berube’s warmly colored illustrations capture how John’s apprehension turns to confidence and even elation as he dances; his facial expressions and body language are spot-on. Much of this perfectly paced book is devoted to John’s performance, including five elegantly and economically composed, almost wordless spreads. In one, John gracefully lifts himself in an arc across the page. In the next, he moves across and down the spread in a series of steps, Berube’s sure lines showcasing his strength and skill. Near the end, a blur of movement ends in John’s beaming face as he is suspended mid-air in a leap.

Barnett wisely avoids heavy-handed commentary about ballet and gender stereotypes. There is no need for it. In John’s accomplished, nuanced and athletic performance, readers can see for themselves that boys, too, do ballet.

And anyway, at its heart, John’s Turn is about much more: It’s about the abundant and everyday courage of children, and it is also about “sharing gifts.” John faces down his fear to share his gift with determination, beauty and a style that is all his own. A true gift, indeed.

It’s John’s turn to perform at assembly, and he’s feeling nervous. Will he find the courage to share his gifts with his classmates?

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