In his debut picture book, Nigel and the Moon, author Antwan Eady introduces a young boy named Nigel Strong. Every night, Nigel travels to the moon to share his hopes and aspirations. Nigel wants to go to space as an astronaut or leap like a ballet dancer, but most of all, he’d love to become a superhero.
During career week at school, Nigel is beset by doubts. As he pages through books about occupations at the library, he doesn’t find any dancers with brown skin who look like him. While his classmates eagerly announce what they want to be when they grow up, Nigel holds back. It’s one thing to share his secret dream of being a superhero with the moon, but quite another to say it out loud in his classroom. And when his classmates discuss their parents’ occupations, Nigel asks to be excused, worried that everyone will laugh because his parents don’t have “fancy jobs.”
But when Nigel’s mom, a postal carrier, and his dad, a truck driver, visit his class on the final day of career week, their enthusiasm for their work lights up the room. Nigel, too, beams with pride after his dad declares, “Raising Nigel’s been the best job we’ve ever had.” His parents’ support gives Nigel the courage he needs to share his dreams with his peers.
Illustrator Gracey Zhang’s ink, gouache and watercolor illustrations vividly capture the lush green trees and brightly colored houses over which Nigel soars each night on his way to the moon. Zhang’s images expertly convey Nigel’s emotions. The deep blue of the night sky and the large, luminous moon complement his nightly musings. In one spread, while his classmates share what their parents do for a living, Nigel sits at his desk on the opposite page, isolated and alone, surrounded by white space.
Eady’s spare text tells a simple but powerful story about believing in yourself and being proud of your family. A final, wordless image shows Nigel peering out his bedroom window at the moon once more, inviting readers to wonder what he might be dreaming of—and to consider their own hopes and dreams, too.
Nigel and the Moon tells a simple but imaginative story about believing in your dreams and finding the courage to share them with others.
Fairy tales seem to be part of the collective literary consciousness no matter when or where one came of age. But the terror of the Big Bad Wolf and the tenacity of the Three Little Pigs are only a glimmer of the wealth afforded by this most classic of literary forms. With firm roots in oral tradition and tendrils that reach deep into the human psyche, the fairy tale is the consummate example of a good story well told. DK Publishing adds a comprehensive and noteworthy volume to this genre with The Illustrated Book of Fairy Tales, retold by Neil Philip, illustrated by Nilesh Mistry. Categorized according to culturally universal themes “Under a Spell,” “Riches and Rags,” “Heroes and Heroines,” and “True Love Conquers All,” this 52-story collection is clearly worthy of its subtitle, “Spellbinding Stories from around the World.” Incorporating lore from such richly diverse regions as Costa Rica, Trinidad, Finland, and Zaire alongside the more well-known tales of England, Japan, Greece, and the Native American, Philip has culled a collection as easily used by parents for reading to children at home as by teachers and librarians for group story time. Mistry’s muted yet evocative illustrations are an essential element in the title’s success, highlighting and complementing the most crucial and telling moments of the tales. They are paired with reproductions of drawings, photographs, and illustrations from earlier tellings that bring together both a creative and a historical perspective for enjoying the stories. In DK signature fashion each page brims with ancillary factual information, a device which never fails either to entice a reluctant reader or to enrich a willing one. Reviewed by Denise Yagel Oliveri.
Fairy tales seem to be part of the collective literary consciousness no matter when or where one came of age. But the terror of the Big Bad Wolf and the tenacity of the Three Little Pigs are only a glimmer of the wealth afforded by…
Life takes an unexpected turn for the worse for seventh grader Aafiyah Qamar, the Pakistani American protagonist of Reem Faruqi’s novel in verse, Golden Girl.
Until recently, Aafiyah’s life was golden. She’s close with her best friend, Zaina. She’s earned a spot on the school tennis team, and her family has plenty of money. She adores compiling facts from Weird But True! books published by National Geographic such as, “Most people hide their valuables in their sock drawers”—information that Aafiyah would be better off not knowing.
Aafiyah begins taking things that don’t belong to her by accident, but then she is lured by the thrill: “I borrow things, / sort of like a library book. / I usually bring them back, / except sometimes / I don’t.” The stakes with her “itchy fingers” get higher. First, she swipes Zaina’s pineapple-scented pink lip gloss, and later, her teacher Ms. Sullivan’s cherished rainbow catcher.
While Aafiyah struggles to manage her compulsion and her feelings of shame, a disgruntled employee falsely accuses her father of embezzlement, and he is detained in Dubai on the way home from a family trip. Meanwhile, Aafiyah’s grandfather has traveled from Pakistan to Atlanta to receive chemotherapy. Suddenly, both Aafiyah’s father’s and grandfather’s welfare are on the line, and her family’s finances are strained. Everything seems on the brink of spiraling out of control when Aafiyah hatches a harebrained scheme to help, but it leads to devastating consequences.
This skillfully imagined novel is immediately absorbing. Faruqi’s lilting lines have plenty to savor, but her pages turn quickly, drawing readers easily into Aafiyah’s story. In spare but carefully chosen words, Faruqi builds a complex drama. All of the relationships, from Aafiyah’s friendship with Zaina to her relationships with her parents, her grandfather and her fellow tennis players, ring with authenticity and emotion.
Faruqi portrays Aafiyah’s struggle with kleptomania exceptionally well, including her mother’s firm but supportive response, but Golden Girl also treats other subjects with nuance and care. When Aafiyah accompanies her grandfather to his chemotherapy infusions, Faruqi offers a realistic but sensitive and hopeful depiction of a serious illness, and her incorporation of the Qamars’ Muslim faith and Pakistani heritage is just as skilled. A helpful glossary and a recipe for Aafiyah’s aloo gosht, a goat curry, add sparkle to a book that’s already solid gold.
Faruqi is the author of several picture books, including Amira’s Picture Day and I Can Help, as well as a middle grade novel in verse, Unsettled. Golden Girl cements her place as one of the brightest rising stars in children’s literature.
In Golden Girl, an absorbing novel in verse anchored in authentic, emotional relationships, Aafiyah can’t stop taking things that don’t belong to her.
When 12-year-old Demetra “Mimi” Laskaris moves from Massachusetts to Wilford Island, a small island off Florida’s Gulf Coast, she hopes to continue her two favorite hobbies: Mimi competes as a competitive concert pianist and also loves gardening. Although her family’s new single-family home means that she can practice piano any hour of the day or night, the soil in Mimi’s new yard is different from the dirt in the community garden plot she and her dad planted in Massachusetts—and her dad has been so busy getting their family’s new restaurant up and running that he hasn’t had time to help set up their new planting beds.
With more free time than usual, Mimi begins exploring the beaches near her house. Along with seashells, she discovers trash—plastic bags and bottles, scraps of Styrofoam and more. When Mimi’s science class learns about environmental activists their own age, the lesson immediately resonates. Soon, Mimi is noticing single-use plastics everywhere and launches a campaign to ask residents of Wilford Island to commit to using only paper or reusable bags. Carmen, the most popular girl in school, becomes an early ally but a complicated new friend. Mimi also finds support from the owners of local bookstore the Dusty Jacket, who tell her about a monthly beach cleanup group and offer her advice and encouragement.
Author Elaine Dimopoulos’ respect for young people shines on every page of Turn the Tide. Mimi’s concerns about the climate crisis and the impact it will have on her future are grounded and relatable, as are her feelings of frustration at the slow pace of progress and her despair that she’ll ever make a real difference in a global problem. But Mimi finds hope by learning more about real-life young role models, including Melati and Isabel Wijsen, who successfully campaigned to ban plastic bags from their home of Bali, Indonesia; Isra Hirsi, who co-founded the U.S. Youth Climate Strike; and Autumn Peltier, an Anishinaabe water activist in Canada.
Although Mimi’s story is fictional, Turn the Tide includes a notable amount of resources for readers inspired to take action, beginning with Melati Wijsen’s rousing foreword. Dimopoulos contributes more than 20 pages of back matter, including a fascinating timeline of plastic bag activism, a directory of youth-oriented environmental organizations, an explanation of how to conduct a weeklong personal waste audit and more.
Written in lyrical and accessible free verse, Turn the Tide is an encouraging and stirring reminder that change is possible when we work together.
Mimi mounts a campaign against single-use plastic bags on her new island home in Florida in Elaine Dimopoulos’ Turn the Tide, a stirring novel in verse.
For readers in search of a soft spot to land, look no further than Kate Banks and Galia Bernstein’s Lost and Found.
When a mouse and a rabbit find a rag doll left behind in the forest, more furry creatures soon arrive one by one to investigate. Inquisitive but unafraid, the friends follow their curiosity to find where the doll came from so they can return it home. They journey together through the woods, tracking their only clue: footsteps left in the dirt, leading to a new and unfamiliar place . . .
Lost and Found feels both freshly original and like a cherished, well-worn tale. Many scenes juxtapose the familiar and the unfamiliar, as when the animals come to a “wide stretch of gray.” “The animals knew the forest trails thickly carpeted with leaves,” Banks writes. “But they’d never seen a road.” Readers will hear echoes of Margery Williams’ The Velveteen Rabbit and Don Freeman’s Corduroy in Banks’ text, and the band of talking animals on a mission feels warmly reminiscent of A.A. Milne’s beloved characters. Although sincere forest creatures are a children’s literature standard, it’s this same familiarity that makes Lost and Found an easy book to adore.
Bernstein’s critters’ soft fur and big eyes convey a sweet naivete and gentleness that’s instantly lovable. A forest of serene green grass and trees makes the reader feel welcome and at ease in this warm, thriving world. Bernstein leaves enough white space in her double-page spreads to ensure that her artwork is not overly cluttered. Although every page is beautifully drawn, one particular image, in which the animals are backlit by a sunset, stands out. You’ll know it when you get there, and it’s worth pausing to admire.
Earnest and peaceful, Lost and Found is as safe and lovely as they come. It’s perfect for the quiet hush of bedtime or any situation in need of a cozy touch and a soft snuggle. Banks and Bernstein have created a wonderful tribute to the power of love and the home we carry within ourselves. Their sweet, not-so-dangerous adventure story ends like all the best adventures do: as we find our way home.
Earnest and peaceful, Kate Banks and Galia Bernstein’s Lost and Found is perfect for the quiet hush of bedtime or any situation in need of a cozy touch and a soft snuggle.
A boy named Sydney plays outside, his hands and ankles wrapped around a tree branch. When his friend Sami calls for him, he responds, “Here,” then adds, “But I’m not Sydney. I am a sloth.” It is a day of imaginative play for Sydney, and it proves to be contagious.
As she scampers up a tree, Sami declares she’d rather be a spider monkey. Next, Edward appears and decides to transform into an elephant. “I’M THE KING OF THE SAVANNA!” he trumpets. Anamaria wants to join in the fun, becoming an anteater. And when everyone looks up after hearing a squeaked “Be quiet!” they realize Brigitte is a bat with “velvety, dusty wings wrapped around her tiny furry body” and is trying to take a nap while hanging upside down from a tree limb above them.
The soft-toned, full-bleed spreads in I’m Not Sydney! sparkle with color; some pages nearly glow with sunny, translucent yellows. Employing delicate, nimble linework, author-illustrator Marie-Louise Gay depicts each child as the creature they imagine themselves to be. They hang from trees, leap from branch to branch, run in the grass, roar with laughter and splash in the water. (When Edward transforms from an elephant to boy again, readers see him spraying his friends with a hose.)
The book’s dialogue flows seamlessly. Subtle descriptive moments flesh out the story (“Startled hummingbirds flew every which way.”) while the lively text engages readers’ senses (“The yellow grass smelled of burnt toast and red earth.”). Gay infuses I’m Not Sydney! with ebullient, fanciful humor. For instance, when Anamaria decides she’s an anteater, she gets down on all fours and sticks out her tongue. On the next spread, we see her (in anteater form) slurping up ants. “Yuck!” exclaims Sami the spider monkey. When their parents call the children in for supper, they return home “like a herd of small wet animals,” and their creative reveries carry them through to bedtime.
I’m Not Sydney! is a playful tribute to the deeply inventive inner world of children that will encourage young readers to amp up their own imaginations. Animal noises are sure to follow. Rrrrooooaaaarrrr!
Marie-Louise Gay’s I’m Not Sydney! is a creative tribute to the inventive inner world of children in which a group of friends use their imaginations to transform into various animals and play together.
There’s an adage that says a rising tide lifts all boats. These three picture books introduce women who improved not only the lives of those around them but also the lives of generations to come.
One Wish
Fatima al-Fihri was born around 800 A.D. in what is now Tunisia, but her spirit leaps across the centuries and jumps off the page from the very first sentence of M.O. Yuksel’s lyrical recounting of her life. “Fatima craved knowledge like desert flowers crave rain,” she writes.
As readers will learn in One Wish: Fatima al-Fihri and the World’s Oldest University, al-Fihri was tutored at home, since only boys attended school. That didn’t stop al-Fihri from dreaming of creating a school where everyone was welcome. “She stood tall, determined, and strong, carrying her wish inside her.” This sentiment captures al-Fihri’s drive and becomes the book’s refrain. Drawing on a scant historical record, Yuksel crafts a fully realized portrait of the woman credited with founding the University of al-Qarawiyyin, one of the oldest continuously operating institutions of higher education in the world.
Mariam Quraishi’s stellar illustrations evoke al-Fihri’s vibrant world, from the lively, loud souq filled with vendors, shoppers and workers to the sweltering sun that shines down on the builders as they turn al-Fihri’s dream into a reality. Greens, purples, reds and yellows pop against a sandy-colored desert background. A dark blue night sky is particularly striking on a spread in which war forces young al-Fihri and her family to flee Tunisia for the safety of Morocco. Years later, as a now-grown al-Fihri hunches over architectural plans and carefully chooses mosaic tiles, Quraishi frames the scene from overhead, an unusual but effective choice.
Yuksel skillfully portrays the role that al-Fihri’s Muslim faith, with its value of charity, played in shaping her dream. “Fatima knew the best way to help her community was to build a school where students, especially the poor and the refugees, could live and study for free.” The book’s back matter includes a detailed timeline of notable events in the history of al-Qarawiyyin University as well as a discussion of the school’s ongoing mission, all of which offer fodder for lively conversations about education through the centuries.
One Wish is an eye-opening account about a little-known woman’s amazing wish for education for all.
Fall Down Seven Times, Stand Up Eight
In 2002, a joint resolution of the U.S. Congress renamed Title IX of the Educational Amendments of 1972, a law that prohibits federally funded educational organization from discriminating on the basis of sex. Title IX is now officially known as the Patsy T. Mink Equal Opportunity in Education Act.
Jen Bryant and Toshiki Nakamura exuberantly bring the story of Mink and her many accomplishments to life in Fall Down Seven Times, Stand Up Eight: Patsy Takemoto Mink and the Fight for Title IX. After becoming the first woman of color elected to Congress, Mink co-sponsored a bill that would require schools to treat men and women equally.
Bryant excels at giving a sense of the broad sweep of history that Mink witnessed throughout her life. She grew up in Hawaii amid the Great Depression, the attack on Pearl Harbor, the campaign for Hawaii to achieve statehood and more. She also faced numerous obstacles, including frequent discrimination because of her gender and her Japanese heritage.
Bryant roots Mink’s determination in two lessons Mink learned as a child: one based on the Japanese proverb that serves as the book’s title and one derived from the tradition of the Daruma doll. Nakamura’s energetic illustrations show young Mink learning to paint one of the Daruma doll’s eyes to signify setting a new goal, then painting the other eye after achieving her goal. Nakamura, who has worked for Netflix Animation and DreamWorks TV, has a lively and approachable style, whether he’s portraying Mink frolicking through fields of sugarcane, joining her family as they listen to President Franklin Delano Roosevelt’s fireside radio chats or rallying support for civil rights as she forcefully addresses the 1960 Democratic National Convention.
Fall Down Seven Times, Stand Up Eight transforms Mink’s life of political achievement into a rousing quest for justice and equality. Her story of nonstop perseverance will resonate with young readers and inspire them to continue working to reach their own goals.
★ Sanctuary
“Who decides who gets the condo and who gets the cardboard box?” is a question Kip Tiernan asked the world. Sanctuary: Kip Tiernan and Rosie’s Place, the Nation’s First Shelter for Women is the informative story of Tiernan’s life as an advocate for people experiencing homelessness.
Author Christine McDonnell, who has taught English to immigrants at Rosie’s Place, adeptly conveys the narrative arc of Tiernan’s life. She explains how Tiernan was raised during the Great Depression by her grandmother, who always shared food with anyone who knocked on her door and even donated her son’s shoes to a man who needed them. “In her grandmother’s kitchen, Kip learned to be generous and to care about others,” McDonnell writes.
As an adult in the late 1960s, Tiernan sold her advertising business and began working at Warwick House, a charitable organization. In 1974, she opened Rosie’s Place in Boston after seeing women disguise themselves as men to try to obtain food and temporary housing, since shelters didn’t accept women.
Victoria Tentler-Krylov’s atmospheric illustrations draw readers into Tiernan’s surroundings with immediacy and emotion. Shades of gray dominate early scenes of hungry people huddling in the snow, thankfully breathing in the steam from bowls of Tiernan’s grandmother’s soup. Tiernan’s pale pink dress and attentive gaze provides a contrast to the dreariness and adds a splash of color and hope.
Readers who linger over Tentler-Krylov’s attention to detail will be richly rewarded. Granny’s old-fashioned kitchen brims with all sorts of gadgets, and the Depression-era fashions parading down the sidewalks outside her house are a visual feast. As Tiernan’s dedication to uplifting the lives of others grows, so does the amount of color within the book’s spreads, whether it’s through orange carrots and green vegetables on a nourishing plate or the bright stripes and floral prints worn by the women at Rosie’s Place.
Extensive back matter rounds out the book. McDonnell offers a brief but focused exploration of past and present causes of homelessness and a number of inspiring quotations from Tiernan herself, some of which are included on a memorial to Tiernan unveiled in Boston’s Copley Square in 2018. Sanctuary would sit comfortably on a shelf alongside titles such as Diane O’Neill and Brizida Magro’s Saturday at the Food Pantry and Jillian Tamaki’s Our Little Kitchen.
This thoughtful book conveys a powerful, important message: “When you listen to others, you show respect; you learn who they are and what they need.”
In these three picture books, meet women who sought to lift others up and transformed their dreams into lasting change.
Under a moonlit sky, 12-year-old Homer and his little sister, Ada, run away from Southerland Plantation, frantically scrambling to stay ahead of the dogs unleashed by their enslaver to track them. Tragically, Mama is left behind, but they follow her final instructions: “Get to the river.”
Together, Homer and Ada make their way through the unfamiliar swampy landscape. Homer tries to memorize their route so that he can eventually make his way back to Southerland to rescue Mama. Deep in the swamp, the siblings are discovered by Suleman, who brings them to Freewater, a hidden, thriving community composed of formerly enslaved people and children born free. When the safety and shelter Freewater offers are threatened, Homer must do everything he can to survive while holding out hope of reuniting his family.
Journalist and historian Amina Luqman-Dawson’s debut middle grade novel, Freewater, is historical fiction at its finest. In a detailed author’s note, Luqman-Dawson describes how the book’s titular community was inspired by real “spaces of Black resistance,” particularly those within the Great Dismal Swamp in eastern Virginia and North Carolina. Luqman-Dawson’s thorough research into such communities rings clear on every page of the novel.
Freewater is also a gripping, emotional story. Its short chapters and expert pacing seize the reader’s attention, and its young freedom-seeking protagonists are instantly engaging. Luqman-Dawson’s novel is, in her own words, a moving reminder that “wherever African enslavement existed in the Americas, a culture . . . of extraordinary resistance was always present.”
A tale of siblings who join a hidden community of formerly enslaved people, Freewater is historical fiction at its finest.
can’t help but imagine that Jubal is a nickname for Jubilant, because that’s exactly what the darling character of Jubal’s Wish is one joyful little guy. The book revolves around his compassionate nature, which leads him to the door of one of life’s biggest mysteries and challenges.
After a four-year gap in publishing, Don and Audrey Wood are back with a work of love, about love. The opening scene is bedecked with vibrant, undulating rows of flowers complementing not only each other, but also Jubal’s happiness. Once again Don Wood soars with the wonder of a child, as he pulls down yet another superlative visual interpretation for wife Audrey’s charming story.
After the cheerful opening with Jubal planning a picnic and so happy his “feet barely touch the ground,” we find a roaring river threatening to lift the little guy’s feet up and away entirely. Jubal is in quite a different frame of mind at this point: He’s scared. A wizard offers him the opportunity to make a wish, telling him that, “Sometimes they work, and sometimes they don’t. You never know how they’ll turn out in the end.” Until you read the end of the book, that is.
The essence of the story can be summed up with this thought: some of us discover things about our friends along the way, which we can either complain about or take to heart; therein lies the risk of friendship. Jubal’s an optimist whose chief aim in life is to do what most of us find hard: Jump out of our own skin long enough to think of others first, even at the cost of rejection. As a result, Jubal’s little journey turns into a big one that I wouldn’t mind taking myself.
June Odette lives in Oregon with people like Jubal.
can't help but imagine that Jubal is a nickname for Jubilant, because that's exactly what the darling character of Jubal's Wish is one joyful little guy. The book revolves around his compassionate nature, which leads him to the door of one of life's biggest mysteries…
Young readers who love to paint, sing or write—or just enjoy reading about the fascinating lives of creative people—will find plenty of inspiration in these three biographical books about Black women who made their marks in the fields of visual arts, music and literature.
Ablaze With Color
Author Jeanne Walker Harvey was inspired to write the picture book biography Ablaze With Color: A Story of Painter Alma Thomas after learning that the Obamas were going to display Thomas’ painting “Resurrection” in the White House. The first work of art by a Black woman to receive this honor, the painting was given a prominent place in the mansion’s Old Family Dining Room.
Harvey traces Thomas’ early life as a creative, inquisitive child in 1890s Georgia, where her parents hosted salons for intellectuals to make up for the lack of vibrant educational possibilities in the segregated South. Later, Thomas’ family moved north to find greater opportunities for their daughter, and Thomas began a long career as an art educator in Washington, D.C.
Remarkably, Thomas didn’t pick up a paintbrush and begin focusing on her own art until she was around 70 years old. Her dynamic paintings, many inspired by space exploration and the solar system, were quickly celebrated and selected for exhibitions at the Whitney Museum in New York City and the Corcoran Gallery in Washington, D.C.
As the book’s title suggests, Harvey’s text celebrates Thomas’ lifelong love of color, and the book’s illustrations by Loveis Wise reinforce that theme. Every page is full of rich shades of gold, green, red and other saturated hues. Some of the illustrations envision scenes from Thomas’ life, while others pay homage to Thomas’ own artistic style and inspirations.
Ablaze With Color will encourage readers to learn more about Thomas’ amazing works of art. The book’s back matter includes a timeline that juxtaposes significant events in Thomas’ life against notable developments in American history. A list of museums with online and in-person exhibits of Thomas’ work will make it easy for readers to see more of her paintings for themselves.
Sing, Aretha, Sing!
Author Hanif Abdurraqib is best known as an award-winning poet and cultural critic thanks to his writing for adults, but in Sing, Aretha, Sing! Aretha Franklin, “Respect,” and the Civil Rights Movement, he turns his attention to a picture book biography of one of the most celebrated voices of the 20th century: Aretha Franklin.
Abdurraqib begins by discussing Franklin’s roots and the time she spent singing gospel in her father’s church. He devotes most of the book, however, to tracing Franklin’s connections to politics. She joined Martin Luther King Jr. on a civil rights campaign tour, and her song “Respect” was widely adopted as an anthem by the civil rights and women’s movements. Readers who are only familiar with the song from the radio or at karaoke nights might be surprised to learn about how the song galvanized civil rights marchers even as the struggle for Black rights grew increasingly dangerous: “Sometimes the right words and the right sound could open a window and let a small bit of freedom through.”
Ashley Evans’ digital artwork depicts key moments from both Franklin’s life and the history of the civil rights movement with bright colors and simple lines. She also illustrates more contemporary scenes, such as a Black Lives Matter march and a young Black musician at a keyboard, to demonstrate how Franklin’s influence continues to inspire present-day artists and activists.
While young readers might only be familiar with Franklin through her most famous songs, Sing, Aretha, Sing! positions her as a pivotal figure in American popular music, one whose political and cultural influence goes far beyond her familiar hits.
Star Child
An inventive biography of the influential science fiction writer Octavia E. Butler, Star Child: A Biographical Constellation of Octavia Estelle Butler is intended for older readers but touches many of the same themes as Harvey’s and Abdurraquib’s books.
Author Ibi Zoboi focuses primarily on Butler’s early life. She describes Butler’s childhood during the 1950s and her initial creative pursuits, and traces intersections between Butler’s experiences and broader historical events and political and cultural issues of the time, from the Cold War and the space race to the beginnings of the civil rights movement. Zoboi also explores the obstacles Butler faced as she grew up and started writing. Butler contended with structural racism and grappled with a literary and educational establishment that didn’t take Black women’s writing seriously, particularly the kind of science fiction and fantasy literature that Butler was creating.
Zoboi, who is best known for her award-winning young adult novel American Street, alternates straightforward biographical narration with sections written in verse that utilize a variety of poetic devices to delve deeper into the factors that shaped Butler’s life and work. The book also includes numerous archival photographs and documents as well as quotations from Butler’s writing and interviews.
Zoboi movingly highlights the importance of empathy in Butler’s work and her role as a mentor and source of inspiration for countless other Black creatives—including Zoboi herself. The book’s final chapter describes Zoboi’s interactions with Butler over the years, from a book signing in Brooklyn, New York, to time spent as her student at the Clarion West Science Fiction and Fantasy Writers’ Workshop in Seattle, Washington. This personal connection makes Star Child even more compelling. Although readers of this biography might be a little too young to read Butler’s work for themselves just yet, Zoboi ensures that they won’t forget her name.
Three books about Black women who left their mark on the arts offer plenty of inspiration for young creative visionaries.
If there’s anybody in the English speaking world that hasn’t read or, better, listened to J.K. Rowling’s latest Harry Potter book, they should do so immediately. Hard as it is to believe, Rowling has not only kept the phenomenon going, she’s improved on it. Harry Potter and the Goblet of Fire is bigger and even better than the previous volumes it’s as though the author, borrowing a bit from her wisest wizards, has pointed her wand and said, "engorgio!" And voila, another installment in the battle between good and evil, with all the fabulous trappings we’ve come to expect ingenious characters, original plot, spectacular magic, playful wit, and a breathtaking climax. Jim Dale’s performance of all 124 voices is, in a word, magical, and not to be missed.
If there's anybody in the English speaking world that hasn't read or, better, listened to J.K. Rowling's latest Harry Potter book, they should do so immediately. Hard as it is to believe, Rowling has not only kept the phenomenon going, she's improved on it. Harry…
Mina the mouse is no stranger to her quirky father’s passion for bringing home discarded rubbish, odd artwork and even unusual new pets. A bit of an inventor, he’s well-meaning but inattentive, frequently declaring “Everything will be fine.” But when he ignores Mina’s concerns about his most recent pet project, which involves squirrels that look awfully feline, things quickly go from fine to not so fine. It’s up to book-smart Mina and an unexpected ally to save the day.
Matthew Forsythe’s Mina is a crafty, charming and wryly hilarious tale. Mina projects an attitude of competence and calm, while her father’s bold, geometric-patterned decor adds an eclectic energy to each page, creating a study in contrasts. Illustrations created with colored pencils, soft lines and gentle edges make this world feel lived in and tactile. Forsythe’s lively use of perspective creates a mouse’s-eye view that shrinks the reader down to Mina’s size and draws them into the story’s intimate and cozy setting, while supersized flowers and plants lend a rich vivacity to many scenes. Even the not quite menacing but slightly unsettling eyes of the so-called squirrels are tempered by earth tones and muted pastels. There’s much to see in Mina, and it’s all amusing.
Forsythe’s energetic artwork works perfectly with his unadorned narration, understated storytelling and plainspoken dialogue. As Mina’s droll observations clash with her father’s carefree assertions, Forsythe builds a tone of sophisticated, implicit humor guaranteed to have kids yelling, “THAT’S NOT A SQUIRREL!”
Readers may be tempted to look for a moral in Mina, since picture books featuring anthropomorphic animals often contain them. Indeed, the book makes a compelling case for paying heed to warnings, and readers may wonder if Mina’s father will ever learn to listen to his daughter. But Mina is so much more than a mere cautionary tale: It’s thoroughly entertaining.
Mina’s father may not be the cleverest mouse in the nest, but Mina is one of the shrewdest books on the shelf.
There’s much to see in this picture book about a well-intentioned father and his book-smart daughter, and it’s all charming and wryly hilarious.
Matt Katz, president of Kat Hats Incorporated in the city of Pretzelburg, runs a successful business as a world-renowned cat trainer. Kat Hats are felines who have been trained to arrange themselves on the heads of humans “as a living headpiece.” (Be sure to remove the book’s dust jacket to see some charming examples.) The Kat Hat shop doubles as the home Matt shares with his wife, Glamorella, and their children, Pocketmouse and Lambkin. Also visiting the family is “the pride and joy of Kat Hats, and the warmest cat ever known,” Thermal Herman 6⅞ths. If you can’t already tell from the character names, Kat Hats is beloved author Daniel Pinkwater delivering what his fans love: a story that sparkles with eccentric characters, skillful comic pacing and originality.
At its heart, this is an adventure tale. It seems that the local witch, Chickarina, has gone on a hike up the Witch’s Spitz with an “extra-large jumbo frozen fruitsicle, blueberry and avocado flavor.” Her son, Old Thirdbeard, knows that she often gets an ice cream headache when consuming such treats and worries she is stuck atop the snowy mountain with a “frozen brain.” Since Chickarina was not wearing her witch’s hat when she was last seen, the Katzes know the solution: Send Thermal Herman 6⅞ths out into the cold night to find her.
Illustrator Aaron Renier’s thickly textured gouache illustrations bring the Katz family and their unusual work to life in vivid and entertaining detail. We read, for instance, that Glamorella is famous for her pretzels flavored with peach and apricot; Renier paints her baking them while wearing a space helmet (which is, in point of fact, a cat). The book’s full-bleed spreads—no borders can contain this family’s spunk—are packed with many such peculiar surprises, ready and waiting for readers to discover.
Utterly weird and wonderful, Kat Hats is a picture book you won’t soon forget.
Utterly weird and wonderful, Kat Hats sparkles with eccentric characters, skillful comic pacing and complete originality.
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