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Something is lurking out there. Scarecrows are stirring, black cats are making mischief, and innocent young girls are taking to their broomsticks. It must be, it must be . . . this season’s bumper crop of fabulous Halloween picture books. By the time everyone’s favorite dress-up day arrives, there will be candy to fill young bellies and literary treats to feed imaginations. You’ll recognize many of the authors and artists—including Jane Yolen, Ed Emberley and Lois Ehlert—and a few newer storytellers have been added to the brew. This particular blend of spooky stuff will draw so much deserved attention, Frankenstein’s monster will be positively green with envy.

Mummy dearest
When you first glance at the cover of The Runaway Mummy, you may be overcome with a spooky sort of déjà-vu. In case you missed the thread that began with last year’s best-selling Goodnight Goon, Michael Rex’s latest parody is a ghoulishly gleeful take on Margaret Wise Brown’s classic, The Runaway Bunny. And while the cast of characters may not be as warm and fuzzy as in the original story, the mummy love is ever abundant. While her son morphs into a series of crazy creatures, mom is hot on his trail. “If you try to get me,” said the little mummy, “I will turn into a serpent that lurks at the bottom of the sea.” But Mother Mummy has him covered, delivering a squeeze worthy of a giant squid. Little mummy finds that independence is elusive until a surprise ending turns the story on its tail, leaving readers wondering what sort of mischief Michael Rex might make with The Big Red Barn.

Garden of delights
Sure to be another monster hit for author and artist Lois Ehlert, Boo to You! lends her impressive trademark multimedia collage style to an autumn feast for the eyes, set to rhythmic verse. A harvest party is being planned by the garden mice but a pesky cat is determined to spoil the fun. It’s really a dilemma, because “A raccoon or a squirrel might bite a veggie, but a cat loves meat, and that makes us edgy.” The crafty mice devise a plan to scare the kitty, and it unfolds with a satisfying surprise. You know Ehlert from Eating the Alphabet, Fish Eyes: A Book You Can Count On, Chicka Chicka Boom Boom and many others. Her latest effort will bring jack-o-lantern grins to the faces of a whole new generation of admirers.

Monsters afoot
The Monsterologist: A Memoir in Rhyme is an exuberant collection of poems about monsters of every stripe—in the engaging form of letters, notes and secret files—that gives readers a rare and comical glimpse at their private lives and predilections. There’s a personal invitation from Count Dracula, a warning about werewolves, an exclusive interview with the Loch Ness Monster and a classified email about zombie research. Appropriately, this is Bobbi Katz’s 13th poetry collection. Her others include We the People: Poems and Once around the Sun. Adam McCauley’s mixed media design is great fun and likely to convince children that they are indeed holding a rare collection of monster memorabilia.

It’s time for a sing-along. “There was an old monster who swallowed a tick. I don’t know why he swallowed the tick ‘cause it made him feel sick.” The creepy critters being ingested by our gluttonous friend in There Was An Old Monster! range from ants and bats to lizards and a lone jackal. It culminates with a lion and, well, it’s not necessarily a happy ending. The Emberley family—Rebecca, Adrian and Ed, a Caldecott Medal winner for Drummer Hoff—has joined together to give us a twisted take on an already twisted tune that will be a memorable addition to Halloween pageants everywhere. Readers who can’t seem to get the catchy refrain out of their heads will be happy to find it available for download on Scholastic’s website.

Vampires next door
The new neighbors are a vexing bunch to young Bram Pire. In Dear Vampa Bram dashes off a letter to his Vampa in Transylvania to blow off a bit of steam. For starters, the Wolfson family stays up all day long and seems overly fond of sunshine (“Mom says it’s disgusting”). They lock their windows at night (“It’s so inconsiderate”), and call the cops when the Pires engage in a bit of rooftop revelry at midnight. When the Wolfsons take up slingshots to shoot the Pires out of the sky during their “evening flutter,” it’s the last straw for Mom and Dad. But are the Wolfsons keeping a dark secret of their own? Ross Collins, the author and illustrator of Medusa Jones and Germs, introduces irony into his story at a level that won’t fly over the heads of young readers and his mod-goth style will appeal to graphic novel devotees in the making. This is Halloween hilarity at its hippest.

As the (scare)crow flies
Scarecrows aren’t normally known for their fancy footwork, but in the hands of Jane Yolen and illustrator Bagram Ibatoulline, one comes alive with wild abandon in The Scarecrow’s Dance. When the wind began to blow “He shrugged his shoulders / And a grin / Just like a corn row, / And as thin, / Broke out along / His painted face. / He gave a leap— / And left the place.” The scarecrow dances past the barn and peers in the window of the farmhouse where he glimpses a young boy reciting his prayers. As he leans in to listen to the child’s appeal for a healthy corn crop, the scarecrow knows he must return to his post to do his part. Ibatoulline’s gouache and watercolor illustrations are breathtaking and readers of all ages will appreciate Yolen’s refined verse and the book’s final message about responsibility.

Ellen Trachtenberg is the author of A Parent’s Guide to the Best Children’s Literature.

Something is lurking out there. Scarecrows are stirring, black cats are making mischief, and innocent young girls are taking to their broomsticks. It must be, it must be . . . this season’s bumper crop of fabulous Halloween picture books. By the time everyone’s favorite…

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When is the best time for a youngster to strike out on his or her own? Every family faces this crucial moment, whether it’s a toddler taking her first wobbly steps across the living room, a kindergartner nervously meeting the teacher or an older child biking down the street for the first time. These moments of poignancy follow weeks and years of experimenting with independence. Three new picture books can help young families encourage and celebrate the exploration that make a child truly independent.

Hop to it
David Ezra Stein returns with the delightful Pouch!, which is something of a sequel to his marvelous 2007 book, Leaves. While Leaves celebrated a bear’s first encounter with autumn, Pouch! explores the exhilaration of discovering the world. Baby kangaroo Joey has spent a long time in his mother’s pouch when one day he exclaims, “Mama, I want to hop!” Two hops away from Mama, Joey finds a bee, who surprises the little kangaroo so much that he turns back toward Mama with a wide-eyed cry: “Pouch!” Mama is always there, welcoming Joey back to the pouch. But Joey cannot be kept in, and he hops three times to see a rabbit and four times to meet a bird. Each encounter ends the same way, with Joey safe in the pouch. Still, the call to independence is strong and, after hopping five times, Joey meets another kangaroo . . . and makes his first friend. Stein’s expressive watercolor and crayon illustrations are full of movement and humor, especially the repeated “Pouch!” scenes. Youngsters who are just learning their boundaries will enjoy watching Joey and his new friends explore the inviting world beyond their mothers’ protective care.

Leaving the nest
Australians Margaret Wild and Julie Vivas team up again in Puffling, the gentle tale of a baby Puffin and his attentive, loving parents, Big Stripy Beak and Long Black Feather. These parents bring back food for Puffling because “There are scary gulls out there, watching and waiting.” Puffling wonders when he will be allowed to leave the burrow. His parents tell him exciting tales of the time when he will be “strong enough and tall enough and brave enough” not only to leave the burrow, but to sleep in the sea and find friends. Little by little, Puffling grows up and is ready to go. His parents are ready to let him go, too, comforting him (and themselves, too?) by telling him, “You’ll be our dear Puffling—even when you’re grown up and have a chick of your own.” Illustrated in the rich browns of the burrow and dark blues of the ocean, Puffling beautifully tells the universal story of growth and maturity. Modern parents might learn a thing or two about raising children to be brave and strong so they will be ready for their own scary world. Puffling is a book to read over and over—shelve it next to Stellaluna.

Taking charge
Amy Hest’s latest offering, When You Meet a Bear On Broadway, is a whimsical look at a little girl who—internalizing the strong, reasonable voice of her mother—helps reunite a little lost bear with his mother. Sporting orange-and-red-striped tights, a sensible blue coat and a jaunty beret, the girl is wise beyond her years and ready for anything. Told in the second person, the story reads very much like children often speak. “When you meet a bear on Broadway, this is what to do. Suck in your breath. Stick out your hand.” Our heroine might be young, but her mother and father have taught her well and she knows just what to do—ask what the mother looks like, calm down, take his hand, look around and wait for the mama to find him. Lightly outlined watercolors, sometimes in many colors and occasionally in retro greens and yellows, highlight the girl and bear as they search for the missing mother. Young readers will enjoy the short sentences, the generic city scenes and the comfort of seeing a little person take charge—just like her mama taught her.

Robin Smith encourages her second-grade students in Nashville to take risks.

When is the best time for a youngster to strike out on his or her own? Every family faces this crucial moment, whether it’s a toddler taking her first wobbly steps across the living room, a kindergartner nervously meeting the teacher or an older child…

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A Santa’s sack of winning picture books awaits choosy buyers this holiday season. Some are overtly religious, some are secular and some are a bit of both. Magic is a common thread throughout the books: the magic of the original Christmas story, of Mother Nature, anticipation, gratitude and most especially the miracle of new life.

All are in the same basic age range, which is limitless if you admit that reading aloud (and being read to) is a magic we never really outgrow.

Christmas all year long
Who Would Like a Christmas Tree?, written by Ellen Bryan Obed and illustrated by Anne Hunter, is a refreshingly different holiday picture book: an exploration of the flora and fauna of the Christmas tree. “Who would like a Christmas tree in January?” it begins, and the surprising answer is a black-capped chickadee, which eats “moth eggs and little spiders hidden under the bark,” and also roosts in the dense branches. Month by month, animal by animal, from aphids to wild turkeys, the whole year of a Christmas tree’s prolific usefulness is revealed. The book remains story-like enough for the very young and meaty enough for the older reader (and for the adult reader, who will learn much).

A baby on the way
Kids too excited to sleep as Christmas approaches will enjoy the lovely lullaby book Nighty Night, Baby Jesus by Molly Schaar Idle. The combination of gentle, rhyming text; soft, curvy illustrations; and the always welcome opportunity to make animal noises should please readers and listeners. The author/artist is a former illustrator at DreamWorks, and the influence is evident in her stylized forms (think Prince of Egypt) and cinematic treatment of light, as it originates from or above the baby and filters down and around the stable scenes. Each animal greets the newborn babe in turn and in character, until they are hushed by the mother’s gentle cooing. “Sweet dreams,” she murmurs to her son, and sweet dreams may well be likely for all who read it.

What’s Coming for Christmas? is another charmer from author Kate Banks and illustrator Georg Hallensleben, a duo known for conjuring intimate little worlds of word and image. “Something was coming,” the story begins, and the unnamed something heralds itself in marvelous ways: the way the snow whirls or the way icicles drip, or in the “flutter of paper snowflakes” or the “hiss of scissors cutting ribbon.” Centered on one cozy house and farmyard, the story is a survey of sounds, smells, sights and flavors that quietly builds into a gentle but insistent urgency, alerting even the smallest mouse. Happily, neither text nor picture comes right out and tells us what every tree, critter and kid is anticipating, even after it arrives. By paying us the compliment of letting us use our intuition and senses, the book sustains its spell even beyond the last page.

The fun begins
When Sam McGuffin sneaks onto Santa’s sleigh, it’s the North Pole workshop he’s after. What he finds instead is The Secret of Santa’s Island, a tropical paradise where the elves, reindeer and Mr. and Mrs. Claus unwind after the Christmas rush. “Unwind” may be the wrong word: they party hearty at a custom amusement park wilder than the dreams of most folks, but well within the extraordinary range of author Steve Breen, two-time winner of the Pulitzer Prize for editorial cartooning (and creator of the picture book Violet the Pilot). The secret island boasts life-size chocolate Christmas trees, an elvish rollercoaster and dodgeball games on flying reindeer. The best secret is revealed on the last page, deftly ratcheting the take-home message from just fun to just fabulous. Sam turns out to be the “McGuffin” (the name of a plot-enabling device in filmmaking) that puts us right where the author intends. Never didactic, the book slyly promotes the rare virtue of gratitude.

Stick Man might seem a random title in this lot, but note the best-selling team behind it: Julia Donaldson and Axel Scheffler, whose works include The Gruffalo and one of my favorite read-aloud Halloween books, No Room on the Broom. Stick Man is, well, a stick, but quite an appealing one, and he’s on an odyssey to boot. Separated from his family tree (wherein dwell “his Stick Lady Love and their stick children three”), he faces peril after peril in romping rhyme: a game of fetch, a sand castle in need of a flagpole, a snowman in need of an arm, many inventive children and finally, worst of all: a fireplace. Can he make it past these sticky dangers to get home for Christmas? Will there be a tender or tinder ending? Stick around and see.

Cozy Christmas chores
The Christmas Magic by Lauren Thompson, illustrated by Jon J. Muth, is nothing less than magical. “Far, far north, where the reindeer are, there is a snug little house with a bright red door,” begins a tale so perfectly phrased anyone can sound like a proper storyteller reading it aloud. In only three or four cozy lines per gorgeous page, we watch Santa readying his reindeer, his sleigh, his boots, his list of children and his sack of toys, our senses vicariously alive to the textures and sounds. The sequence of the perfectly ordinary chores of this perfectly extraordinary character builds our anticipation: “Is the magic here?” the music of the reindeer bells seems to ask as Santa carefully polishes each jingle. Muth’s pastel and watercolor images of Santa’s spare, Shaker-like house and the endless horizons of snow seem to slow the story: Santa is in no hurry and neither should we be. This is a book to savor. When the magic finally arrives, making the night “thrum,” it feels just right: more shivery and intimate than ho-ho-ho, and far more satisfying.

Have you heard the news?
A welcome twist on the traditional nativity storybook, The Christmas Baby demands to be read aloud to a group of enthralled children—or just to a single, special one. Written by Marion Dane Bauer and illustrated by Richard Cowdrey, the story is set in a “tiny town” in a “faraway country” on the night of Jesus’ birth. “Have you heard?” is asked again and again—by the father-to-be looking for room in an inn and by the stable animals—“have you heard a baby is coming?” The question is used like a refrain in a carol, building anticipation with each repetition, and then changing key when the baby arrives. “Have you heard? He is here!” cry the beasts and the angels, at once answered by the shepherds and kings. The excitement feels genuine. What could easily be cloying simply isn’t, even the surprise ending correlating the birth of the Christmas baby and the miraculous birth of every baby: “Now . . . every time a baby is born, stars and angels sing . . . ‘Have you heard?’ ” Only a grumpy innkeeper could miss the joy in this sweet tale.

Joanna Brichetto is grateful that part of her job involves reading aloud to children.

A Santa’s sack of winning picture books awaits choosy buyers this holiday season. Some are overtly religious, some are secular and some are a bit of both. Magic is a common thread throughout the books: the magic of the original Christmas story, of Mother Nature,…

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Books are my favorite gifts to give and receive. It’s always been that way and will no doubt remain that way (despite my continued love affair with my Kindle, a holiday gift last year). Here are some great new books to give to the children in your life.

Old favorites
I’ll start with a holiday classic that’s good for all ages: Jan Brett’s delightful Snowy Treasury. Here in one handy edition is a collection of four of Brett’s wonderful picture books: Gingerbread Baby, The Mitten, The Hat and The Three Snow Bears. Brett’s meticulous illustrations have long been a favorite in our house, and the stories in this volume transport readers to the snowy kingdoms of a Swiss forest, a Ukrainian woodland, Denmark and the Arctic. Put Snowy Treasury out within easy reach and you’ll see everyone from adults to preschoolers snuggle in for a warm, cozy read—preferably next to a crackling fire.

Yet another treasure—literally—is a new, unabridged edition of Robert Louis Stevenson’s Treasure Island, featuring woodcuts by John Lawrence, acclaimed author and illustrator of books such as This Little Chick. This large-format edition with large print makes Stevenson’s swashbuckling story easily accessible for a new generation of readers. With a yo-ho-ho to Long John Silver, Lawrence’s many woodcuts and their soft pastel hues are a fine accompaniment to Stevenson’s exciting tale.

Special treats
Such excitement may well work up an appetite, so consider giving your favorite little chef a copy of Paula Deen’s Cookbook for the Lunch-Box Set with Martha Nesbit, illustrated by Susan Mitchell. My 10-year-old daughters and I will definitely be trying this out soon. The colorful, spiral-bound book is well written with clear, numbered directions for young cooks. It’s also attractively laid out, with labeled illustrations at the beginning of each recipe showing not only what ingredients are needed, but also what kitchen tools are required. The varied chapters include such themes as bake sales, sleepovers, family cooking night and a Christmas cooking party. My girls and I will soon be trying Stained Glass Cookies, Oreo Truffles and Cheese Bread. The recipes are kid-friendly, yet packed with Deen’s down-home style.

How about treating someone special to a few of Julie Andrews’ favorite things? She and her daughter, Emma Walton Hamilton, have collaborated on Julie Andrews’ Collection of Poems, Songs, and Lullabies. This collection would make a great present for everyone from newborns to elementary school children, the latter of which will enjoy the wide variety here, as well as the lovely watercolors throughout by award-winning artist James McCullen.

You’ll find classics from the likes of Kenneth Grahame and Robert Frost, along with lyrics by Stephen Sondheim and Ira Gershwin. As Andrews explains: “I feel that many lyrics are poems in themselves. For me, it’s so hard to separate the two that I chose to make this collection embrace both.”

A pair of pop-ups
Leave it to Mo Willems to do something different. This award-winning author/illustrator has created a “Pop-Out” book called Big Frog Can’t Fit In with paper engineering by Bruce Foster. Though there are few words, this story about an oversized frog who needs the help of her friends is funny, ingenious and guaranteed to be loved by the seven-and-under set—all typical of Willems’ work. (Be sure to note the book’s odd shape when you see it.) It’s hard to beat Mo Willems when it comes to creating laughs with simple illustrations and text.

Matthew Reinhart’s A Pop-Up Book of Nursery Rhymes is another small book that packs a lot of pop-up punch. Each spread has one big pop-up, such as the cow jumping over a grinning moon, along with two smaller pop-ups, much like little books that unfold on each page. This beautifully executed little gem is perfect for a short bedtime treat.

Interactive adventures
Where was My Little Red Fire Truck when my son was a preschooler? Oh, how he would have adored this book! Stephen T. Johnson, the creator of My Little Red Toolbox, has produced another delight in which children can fill up the fire truck’s gas tank, check the tire pressure, drive and more. The book has built-in, removable tools (made of sturdy cardboard) so that all of these tasks can be taken care of by your busy young firefighter. He or she will love being on the job!

Preschoolers will also revel in Dinosaur Park, with illustrations by Steve Weston. This Jurassic play set includes nine press-out dinosaurs, four different play scenes, plus a field guide perfect for young dino fans. Open it if you dare!
On a more graceful note, elementary-age dancers will enjoy Kate Castle’s The Ballerina’s Handbook. This compact volume contains letters, postcards, flaps and an insightful tour through the ballet world, from a beginning class through a professional company on tour. There are many clever sidebars, too, on such topics as healthy food and makeup tips for dancers, a glossary of terms and a short list of legendary dancers.

Finally, older elementary students can explore the world with Philip Steele’s A Mariner’s Tale. The highly interesting and illustrated text discusses the early days of exploration and includes 3-D artwork, pull-out flaps, a model caravel ship and a secret mariner’s chest with a compass and telescope to construct. Readers can sail along with the world’s most famous explorers, from the Phoenician sea traders to the Vikings and Columbus. This fun package is perfect for whetting the appetites of young Marco Polos!

A book that truly stands out (and up!)
Is someone on your holiday wish list begging for a pet? Try the next best thing. Eye-Popping 3-D Pets: Phantogram Animals You Can Practically Pet, by Barry Rothstein and Betsy Rothstein, is a gift guaranteed to have tremendous appeal. Who can resist popping on a pair of 3-D glasses? (And thoughtfully, the book comes with not one but two pairs.)

The book’s subtitle is absolutely correct—these glasses really do make viewers feel as though they are petting the animals. Rothstein uses a special process known as phantogram 3-D, which makes the images appear to stand up. What’s more, the book is large, so some of the animals are actually life-size. Eye-Popping 3-D Pets begins with a two-page guide to how the phenomenon works and ends with an interesting spread about another type of 3-D (stereo).

The 28 pets covered include cats, dogs, guinea pigs, rabbits, potbellied pigs, fish, frogs, rosy boas, corn snakes, tarantulas and more. Each spread also contains basic information on taking care of these pets, so the book is not only fun, but a helpful guide should your family ever get the real thing. Just be forewarned: the three hairy tarantulas contained in these pages will look like they’re crawling in your living room. No screams allowed!

Alice Cary explores the world of children’s books from her home in Groton, Massachusetts.

Books are my favorite gifts to give and receive. It’s always been that way and will no doubt remain that way (despite my continued love affair with my Kindle, a holiday gift last year). Here are some great new books to give to the children…

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What marks the start of the holiday season for you?
The first Christmas or Hanukkah card that comes in the mail—usually around December 1st. My favorites are from artists I admire and the photo portraits of families—animals and all.

Does your family have one very special holiday tradition?
We trim the tree sipping homemade eggnog made from my chickens' fresh eggs, listening to the recording, "Calypso Christmas," which has been in the family for 50 years, and holiday recordings of my husband Joe's uncles and grandfather singing.

What are you most looking forward to during the holiday season?
The smell of wood smoke and evergreens—more delightful than the most expensive fragrance.

Why do books make the best gifts?
They have the stamp of the giver. It's the one gift I always think very hard about matching with the receiver.

What books are you planning to give to friends and family?
For my outdoorsy nieces, nephews and son, Deep Survival by Laurence Gonzales. For my running coach and all my wildlife loving friends, Grayson by Lynne Cox. For my daughter, son-in-law and Marine friends, Horse Soldiers by Doug Stanton. For my chicken friends, The Fairest Fowl by Tamara Staples and Extraordinary Chickens by Stephen Green-Armytage. The Just So Stories by Rudyard Kipling for my grandsons. For my yet-to-be-born granddaughter, Tomie DePaola's Mother Goose, plus my 20th Anniversary Edition of The Mitten and my Snowy Treasury.

What was the best book you read this year?
The Wild Trees by Richard Preston

What’s your number one resolution for 2010?
Answer my email, return phone calls, and catch up on thank you notes. Also write and illustrate my best book ever—Home for Christmas, about a wayward troll.

What marks the start of the holiday season for you?
The first Christmas or Hanukkah card that comes in the mail—usually around December 1st. My favorites are from artists I admire and the photo portraits of families—animals and all.

Does your…

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Clever and delightful—those are the best words to describe Mirror Mirror, a new collection by noted poet Marilyn Singer. In her latest book, Singer has created her own new form of poetry, which she calls a “reverso,” a poem that reads the same backward and forward. “When you read a reverso down, it is one poem,” Singer explains. “When you read it up, with changes allowed only in punctuation, capitalization, and line breaks, it is a different poem.” She focuses on fairy tales, such as “In the Hood,” which first gives Little Red Riding Hood’s perspective, and then, when read the other way, tells the wolf’s side of the story. “Cinderella’s Double Life” tells her tale before and after the ball, while “Mirror Mirror” is a poem by both Snow White and her Wicked Stepmother.

Josée Masse’s accompanying art continues the double view in striking fashion, by dividing each scene in two. Older preschoolers will enjoy these poems, as well as elementary students, who are likely to want to write their own reversos.

For the fun of it
The theme of different points of view continues in Our Farm: By the Animals of Farm Sanctuary. Maya Gottfried wrote these poems in the voices of various animals, such as “It’s Good to Be a Kid,” by baby goats Ari and Alicia. These are humorous, short poems—good for preschoolers and young elementary students. The farm animals from the sanctuary in Watkins Glen, New York, come to life with the soft, up-close artwork of artist Robert Rahway Zakanitch. His pleasing style brings to mind the artwork of children’s illustrator Jane Dyer.

Allan Ahlberg and his late wife Janet are beloved for their Jolly Postman series, and Allan has a new title that will be immediately captivating to young poetry readers: Everybody Was a Baby Once. The humorous artwork of Bruce Ingman seals the deal, making this a book that will make children laugh out loud. Ingman’s art is simple, yet funny and full of action and expression. The poems include such hilarious selections as “Dirty Bill” (“I’m Dirty Bill from Vinegar Hill, / Never had a bath and never will”). These short verses are full of old-fashioned fun and reflect the British heritage of their author, but children from around the world will enjoy poems like “Soccer Sonnet,” which includes the line “Little Jack Horner / Scored straight from a corner.”

The fun continues in Name That Dog! Puppy Poems from A to Z. Peggy Archer has named each poem after a dog, such as a long-haired cocker spaniel named “Elvis,” who “wiggles and jiggles and dances around. He swings to the music with a rock ’n’ roll sound.” You’ll also meet “Houdini,” a mini-pinscher who escapes from his collars; “Melody,” a basset hound who sings; and a giant Saint Bernard named “Rex” (first initial: T). Stephanie Buscema’s artwork aptly defines the shining personality of each puppy. Buscema has worked for Marvel Comics, DC Comics and Disney, and her background is reflected in her lively, colorful illustrations, which are vibrant and sure to draw children in. Name That Dog! is a crowd-pleasing canine chorus.

Digging deep
Don’t be fooled by the cover of Can You Dig It?. With its big purple dinosaur, this volume looks like it might be yet another dinosaur book. Rest assured that it is not. Robert Weinstock has done a brilliant job of both writing and illustrating this clever book of verse. His wordsmithing is extraordinarily fun, with lines like these:

My great aunt was LuAnn Abrue,
The pal-e-on-tol-o-gist who,
Was famed for finding fossil poo,
Like giant T.rex number two.

With these poems about dinosaurs, archaeologists, Neanderthals and more, kids will be smiling, but adults may chuckle even more. Weinstock’s cartoon-style illustrations are eye-catchingly fun.

Over the years I’ve seen many poetry books by Douglas Florian, and I always find his gift of language and sense of nature to be particularly sensitive. That’s certainly the case with Poetrees, which is filled with odes to trees. Students will enjoy and learn from Florian’s short poems about trees like banyans, sequoias, Japanese cedars and dragon trees. There’s a glossary in the back, explaining, for instance, that monkey trees are originally from South America, and how they got their name. Florian’s evocative illustrations are made with gouache, colored pencils, watercolors, rubber stamps, oil pastels and collage on primed paper bags. This paper bag background gives the illustrations a unique textured look and added depth.

Nature’s wonders
Lee Bennett Hopkins has been creating anthologies of poetry for years, and I particularly like his latest collaboration with Caldecott Award-winning illustrator David Diaz, Sharing the Seasons: A Book of Poems. Diaz’s bold, bright colors and stylized, luminescent mixed media illustrations give this anthology a contemporary, edgy feel.

The poems are arranged by season, with an opening quote introducing each section, such as Longfellow’s “Spring in all the world! /And all things are made new!” Poets include Carl Sandburg, Marilyn Singer, Rebecca Kai Dotlich and more. The poetry is easily accessible, but not always predictable, such as Beverly McLoughland’s fun “Don’t You Dare,” which begins:

Stop! cried Robin,
Don’t you dare begin it!
Another tweety rhyme
With a redbreast in it!

One of my very favorites of this season’s poetry books is the beautifully illustrated and organized Ubiquitous: Celebrating Nature’s Survivors. It’s a unique book that includes poetry, biology and ecology lessons, along with spectacular artwork. Author Joyce Sidman notes that 99 percent of all species that have ever existed are now extinct, and in this book she pays tribute to a variety of species that continue to thrive, such as bacteria, mollusks, lichen, sharks, beetles, ants, diatoms and humans. Each spread contains a short but comprehensive biological discussion of the species, a gorgeous illustration and a poetic tribute.

Sidman’s poems are fun and innovative. For instance, the text of the shark poem is laid out in the shape of a shark. Some are traditional, while “Tail Tale” is a free verse monologue humorously told by a squirrel. Becky Prange’s illustrations are arresting, informative and gorgeously filled with color. The book’s end­papers are a timeline showing when various forms of life appeared on Earth. Ubiquitous is a brilliant book that mixes art, poetry and science in imaginative ways, and is an excellent choice for home, schools and libraries.

A colossal poem
Emma’s Poem: The Voice of the Statue of Liberty is not a book of poetry; instead, it’s a picture book about one of the most famous poems in America. Writer Linda Glaser has created a lovely biography of Emma Lazarus, who in 1883 wrote a poem called “The New Colossus” that is engraved on a plaque at the base of the Statue of Liberty. Her poem has become immortal, as though the Statue of Liberty itself were speaking, saying: “Give me your tired, your poor, your huddled masses yearning to breathe free.”

Glaser’s text is interesting and informative, making history come alive in storybook fashion. Claire A. Nivola’s watercolor and gouache illustrations are rich in color and historical detail, propelling the story forward while showing the lifestyles of the day.

Lazarus was born in 1849 to a wealthy Jewish family in New York City. This book explains how she began helping immigrants at Ward’s Island in New York Harbor, and how she began writing about immigrants for newspapers and in poems. Lazarus wrote “The New Colossus” when she was 34 years old. She died four years later of Hodgkin’s Disease, before the Statue of Liberty was erected—although she wrote her poem to help raise money for its pedestal. Emma’s Poem is a superb book for elementary-age children interested in our nation’s history and values.

Alice Cary writes from her home in Groton, Massachusetts.

Clever and delightful—those are the best words to describe Mirror Mirror, a new collection by noted poet Marilyn Singer. In her latest book, Singer has created her own new form of poetry, which she calls a “reverso,” a poem that reads the same backward and…

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April 22, 2010, is the 40th anniversary of Earth Day, and there is no time like the present to be an environmental advocate. To teach children about the consequences their actions have on plants and animals—and how small changes can help Mother Nature—picture books provide important lessons, simple instructions and fun illustrations.

Veteran author and illustrator Todd Parr (Reading Makes You Feel Good) gives children concrete reasons to care for the planet in The EARTH Book, a colorful first-person story. No task is too small; even the little things can “make a BIG difference.” For example, “I take the school bus and ride my bike because . . . I love the stars and I want the air to be clear so I can see them sparkle.” In passages such as these, Parr demonstrates the relationship between our choices and the environment: recycling equals a cleaner planet, using less bath water means helping the fish, bringing reusable bags to the market can conserve trees. The bright and blocky illustrations convey the diversity of life on earth, from carrots in the ground to big blue whales. Simple text delivers a powerful message, so early readers can discover—on their own—ways to commemorate Earth Day.

Save the animals, or they’ll be gone
Frances Barry celebrates the grandness of our endangered species—and how we can help them survive—in Let’s Save the Animals. The paper collage, lift-the-flap illustrations are a delight, and children will be entranced by the forest of the orangutan, the sea of the dolphin and the meadow of the butterfly. That joy will be sobered by the small-print facts on every page, such as one stating, “Amur tigers live in the forests of eastern Russia, which are being cut down.” The book’s final words pack a punch, stating that if we don’t save the animals, they will be “gone forever.” This message is echoed by a clever visual trick: One side of the flap shows silhouettes of endangered animals, but the opposite side of the flap is blank, showing a vast nothingness. The story ends on a positive note, however, explaining simple actions children can take to protect and save animals, from visiting a wildlife sanctuary to recycling paper.

“Cooking” for Mother Nature
Compost Stew is a rhyming how-to book on the importance of composting, the simple act of turning kitchen and yard waste into nutrient-rich soil. Mary McKenna Siddals’ energetic text shows how fun and easy it can be to turn “apple cores, bananas, bruised, coffee grounds with filters, used” into something “dark and crumbly, rich and sweet.” Ashley Wolff provides collage-style illustrations that portray a bustling and happy neighborhood where everyone is eager to help. Upon finishing this book, readers are bound to want to get in on the action, asking their parents about starting a compost heap. And Siddals ensures that their curiosity does not end with her book; she provides resources for aspiring composters, such as a web address with further instructions. The final page in the book is a “Chef’s Note”—or information on what (and what not) to put in a compost. (“Earth? Yes! Meaty? No! Synthetic? Stop! Natural? Go!”) This Earth Day, why not make a resolution to throw fruit peels, dryer lint and more in a compost instead of the trash can?

It’s the little things that count
We Are What We Do is a global movement to change the world one step at a time, based on the equation “small actions x lots of people = big change.” With 31 Ways to Change the World, the organization took suggestions from 4,386 children and compiled a list of earth-changing habits and activities, from “Don’t sing in the shower” (because shorter showers mean less wasted water) to “Stand up for something.” The book, which is intended for a middle-grade audience, is filled with cartoons, scribbles and photographs and has the feel of scrapbook. And it’s not all serious. Some tips, like “Talk trash to your parents,” are sure to leave kids in giggles (and energized to make a difference). The last tip in the book should be the most inspiring; readers are invited to fill in the blank with their own invented action to change the world, emphasizing the fact that saving the planet can start with you.

April 22, 2010, is the 40th anniversary of Earth Day, and there is no time like the present to be an environmental advocate. To teach children about the consequences their actions have on plants and animals—and how small changes can help Mother Nature—picture books provide…

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In my house, it seems, daddies can do no wrong—especially in the eyes of my 11-year-old twin daughters. (The same cannot always be said for dear old mom!) In honor of Father’s Day, here are four new picture books that salute proud papas everywhere.

Young children will enjoy the gentle rhymes of Sherry North’s Because I Am Your Daddy, illustrated by Marcellus Hall. This follow-up to Because You Are My Baby begins: “If I were a pilot, I would fly you to your school. / Your friends would all look up and say, ‘Your daddy is so cool!’ ”

The rhymes continue with the father voicing many “If I were” thoughts about being a baseball player, paleontologist, park ranger, movie director and all sorts of exciting professions. With each imagined activity, daddy, daughter and her dolly have an exciting adventure. This poem of mutual admiration ends with: “And if I were a wizard, I would make your dreams come true. / Because I am your daddy, I would do anything for you.”

Daddy/daughter bedtime reading doesn’t get any cozier. The text is accompanied by Hall’s fun and stylishly retro watercolors. His airline pilot and robot look like they could have come from the 1960s, while his use of color is lovely, especially in a northern sky night scene.

What's in a name
Acclaimed children’s author Jane Yolen wrote the delightful tribute My Father Knows the Names of Things in honor of her late husband, David Stemple. The encyclopedic dad in this book knows the names of many wonderful things, including mosses, insects, fish, cows, stars, cats and candies.

Stéphane Jorisch’s illustrations (watercolor, gouache, pen and ink) are whimsically delightful, making the father/child explorations great fun. The explorers wade through hugely tall sunflowers, head for the clouds in a biplane and explore the planets from an amusement park ride. Everything is fun and full of expression in Jorisch’s world—even a row of colorful birds in a cage.

Standing tall
Daddy Devotion is also alive and well in My Father is Taller Than a Tree, by another award-winning children’s author, Joseph Bruchac. This rhyming text features a variety of boys with their dads: old, young, white, black, Hispanic, Asian and even a blind dad. Wendy Anderson Halperin’s pastel illustrations show fathers and their sons enjoying splendid times together—playing the piano, walking on the beach, reading, playing chess, painting a doghouse. These tender scenes conclude with a panorama of sons and their dads, and this lovely line: “When I grow up and have a kid / we’ll do all the things that Dad and I did.”

Saluting stepfathers, too
Finally, blended families will adore Dad and Pop: An Ode to Fathers and Stepfathers. Writer Kelly Bennett celebrates how both a father and a stepfather can be equally fun and loving in very different ways. For instance, both father and stepfather bike (one on a bicycle, one on a motorcycle) and both love music (one goes for the symphony while the other rocks out). Paul Meisel’s colorful, energetic illustrations show dads with their daughters enjoying all sorts of entertaining outings together.

In my house, it seems, daddies can do no wrong—especially in the eyes of my 11-year-old twin daughters. (The same cannot always be said for dear old mom!) In honor of Father’s Day, here are four new picture books that salute proud papas everywhere.

Young children…

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As my own brood heads off to middle school and high school this year, kindergarten seems like a very long time ago. Starting school is such a milestone, and those first few days are filled with excitement, jitters and sweetness.

DEAR DIARY
Antoinette Portis’ Kindergarten Diary is a great way to get youngsters ready for their big day. Written in diary form by a young student named Annalina, it covers her first month of school with humor and insight. Annalina voices her fears (of school, of the teacher, of other children), but gradually discovers that she loves everything about her school, and by the end of the month, she is “Too busy to write any more!”

Even older kids who’ve already aced kindergarten will enjoy Annalina’s observations, such as what she plans to wear on her first day (bathing suit, ballet skirt, plaid shirt, cowboy boots, no socks), and what her mother makes her wear (nice blue sailor suit dress). Portis’ lively illustrations combine drawings and photographs in a style that resembles a kindergartner’s diary, right down to the wide-lined paper.

ANNIE TO THE RESCUE
Another lively kindergartner is “Adventure Annie,” who made her debut in Adventure Annie Goes to Work. Toni Buzzeo brings this delightful character back to life in Adventure Annie Goes to Kindergarten. Dressed in a red cape and red boots, Adventure Annie is always on the lookout for great excitement, so she stuffs her backpack with her zookeeper hat, high wire slippers and walkie-talkies, “just in case.” This exuberant girl is every kindergarten teacher’s nightmare as she paints the hamster cage (to make the habitat look “natural”) and sneaks out to the jungle gym by herself. However, Annie and her walkie-talkies come to the rescue when two of her more timid classmates get lost while fetching milk cartons for lunch. This fast-paced tale will have readers chuckling, and Amy Wummer’s pencil and watercolor illustrations reveal the unfolding action and make Annie’s red cape fly.

LARGER THAN LIFE
While Annie is obviously ready for kindergarten (and more!), young readers will enjoy pondering this question: Is Your Buffalo Ready for Kindergarten? As with the beloved Clifford the Big Red Dog, size is a bit of an issue for a buffalo kindergartner. However, Audrey Vernick’s witty text makes this shy student a super-sized hit as he adjusts to his new classroom. Daniel Jennewein’s simple illustrations give this buffalo big, winning eyes and lots of lovable expressions. Little ones about to spend their own first days in kindergarten will be reassured by this big guy’s successful efforts to fit in.

CLASSROOM KITTY
There’s another fluffy, floppy face in Kindergarten Cat. Found outside and rescued by Mr. Bigbuttons, this lucky feline gets a new name (“Tinker Toy”) and a new home in a cheery kindergarten room, making a bed in the paintbrush drawers. In J. Patrick’s Lewis’s rhyming text, Tinker Toy proves to be a whiz, giving all the right answers with carefully enunciated “meows.” Ailie Busby’s mixed media illustrations are clever kindergarten-style creations that bring the classroom in focus.

These picture books will get prospective students in the right frame of mind for their own monumental quests. As Adventure Annie’s mother advises, “Sometimes kindergarten is its own adventure.”

As my own brood heads off to middle school and high school this year, kindergarten seems like a very long time ago. Starting school is such a milestone, and those first few days are filled with excitement, jitters and sweetness.

DEAR DIARY

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If you know any stagestruck youngsters begging for ballet lessons, a trio of new dance books will get them off on the right foot. As these stories demonstrate, everyone has a special sort of grace, an inner vision that’s worth expressing through movement. Share these inspiring books with aspiring Sugar Plum Fairies, and they’ll be demanding an encore.

Authors Jan Greenberg and Sandra Jordan have collaborated on several award-winning art books for young readers, including Christo and Jeanne-Claude: Through the Gates and Beyond. They have a gift for distilling multilayered historical incidents into appealing, easy-to-understand narratives. Their new book, Ballet for Martha: Making Appalachian Spring, is a fascinating account of the history-making collaboration that occurred in the 1940s between composer Aaron Copland, sculptor Isamu Noguchi and modern-dance choreographer Martha Graham. Re-imagining the give-and-take that transpired between the trio as they completed the legendary dance piece Appalachian Spring, Greenberg and Jordan offer readers a unique glimpse of creative minds at work.

The story takes place in the studio and on the stage, as Martha develops movement for the dance, which features a cast of American archetypes: The Pioneer Woman, the Preacher, the Bride and her Husbandman. Noguchi, meanwhile, creates minimalist sets to suit Martha’s aesthetic, and Copland composes “rarin’ to go rhythms” that synthesize traditional American musical genres—a blend of reels, ballads and hymns that provide the perfect melodic backdrop for the piece. The dance’s triumphant premiere takes place on October 30, 1944, with Martha herself performing as the Bride. Brian Floca’s detailed watercolors deliver a sense of the choreographic style—athletic, angular and somewhat primitive, with none of ballet’s gentle refinement—that would make Martha famous. For young readers unfamiliar with modern dance, this is a magical introduction to an important artist. Source notes, biographies and a bibliography supplement this accessible story.

Brontorina, a winning picture book by James Howe, shows that the spirit of dance can strike any species. When Brontorina Apatosaurus, an orange dinosaur of planetary proportions, appears at Madame Lucille’s Dance Academy for Girls and Boys, she’s dying to unleash her inner ballerina. Madame is initially confounded by her would-be pupil, but the children persuade her to let Brontorina take the class, where she proves surprisingly graceful—although a flip of her tail nearly flattens the students, and with every jeté, her head scuffs the ceiling.

Brontorina feels more at ease in the studio after Clara, a fellow student, comes to class with a surprise: a pair of ballet slippers in Brontorina’s size (that’s extra-, extra-, extra-large). When all is said and done, Brontorina’s large-scale talent exceeds the limits of the Dance Academy, and a search for an adequate performance space ensues—with unexpected results. “I want to dance,” Brontorina insists from the start. By the end of this amusing book, her dream has come true. Brought charmingly to life by Randy Cecil’s ebullient illustrations, Brontorina’s story will please ballet lovers of all ages.

The author of more than 50 books for young readers, Lesléa Newman presents an inspiring story about the importance of perseverance with Miss Tutu’s Star. Selena is a girl who lives to dance. It’s how she moves through the world. It’s what she does instead of socializing. Inevitable, then, is the trip she and her mother make to Miss Tutu’s Dance Academy so she can enroll in ballet class. At the studio, the lithe, limber Miss Tutu teaches an assemblage of adorable students—bewildered-looking boys and prim girls, all clumsy and uncertain as they struggle with new steps.

In class Selena is discouraged by ballet’s challenges, but her teacher provides encouragement: “Even when Selena fell, / Miss Tutu said, ‘You’re doing well. / What matters most is from the start, / My dear, you’ve always danced with heart.’” With patience and practice, Selena becomes more accomplished, and she makes a surprising stage debut that brings the audience to its feet. Delivered in delightful rhymed verse, her story is sure to strike a chord with little ballerinas. Carey Armstrong-Ellis’ colorful paintings convey Selena’s love of movement—the sheer joy she experiences through dance. A fun, frolicsome tale, Miss Tutu’s Star proves that practice pays off.

If you know any stagestruck youngsters begging for ballet lessons, a trio of new dance books will get them off on the right foot. As these stories demonstrate, everyone has a special sort of grace, an inner vision that’s worth expressing through movement. Share these…

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On Halloween night, the streets of our small town burst with goblins and strolling parents. It’s a once-a-year party that can’t be beat. Here are four picture books guaranteed to get you in the “spirit.”

Jon J Muth continues his captivating, thought-provoking Zen series in Zen Ghosts, a unique Halloween tale. As in Zen Shorts and Zen Ties, the story features a giant panda, Stillwater, who pays an instructive visit to three siblings. After trick-or-treating, Stillwater “draws” the trio a mysterious story, based on a Zen koan, or parable. Muth explains in an author’s note that this great ghost story “leaves you with more questions than answers,” and he’s right. His trio of Zen books can truly be enjoyed—and contemplated—by all ages.

HAUNTED HOUSE
The Curious Little Witch, by the late Belgian author/illustrator Lieve Baeten, is a delightful book, perfect for youngsters who want some non-scary Halloween fun. Lizzy and her cat are taking a spin on Lizzy’s broomstick when they spot an unusual house, which turns out to be full of magical details and friendly witches. Upon landing, Lizzy breaks her broom, leaving her in a pickle. She explores the house room by room, from top to bottom, finding a different witch in each location. Young readers will enjoy lingering over Baeten’s intricate illustrations, including a final large cutaway floor plan. The Curious Little Witch is likely to be enjoyed all year round, not just at Halloween.

MOM’S ADVICE
Another good no-scares book is Always Listen to Your Mother written by the mother/daughter team of Florence Parry Heide and Roxanne Heide Pierce. Ernest is a good little boy, who always “picked up his toys, ate all his vegetables, sat up straight, and listened to his mother.” When a new family moves next door, Ernest befriends young Vlapid, who loves to swing from the chandelier, write on the walls and create all sorts of havoc. This might seem a friendship destined for disaster, but the joke is that Vlapid’s mother likes life that way, and Ernest can dutifully report that Vlapid always listens to his mother. Children will love this gentle tale, made all the more fun by the whimsical illustrations of Kyle M. Stone.

FEARFULLY POETIC
For frightfully fun Halloween poems, a treat is waiting with Hallowilloween: Nefarious Silliness from Calef Brown. Brown is well known for his magical wordsmithery, as seen in his best-selling book of nonsense poems, Flamingos on the Roof. His verbal acrobatics continue here in high form, in lines like these from “Not Frankenstein”: I’m not Frankenstein, / but people say / I’m “Frankensteinesque.” / I sit at a desk / in my mountain lodge / and do decoupage. / It’s an homage you see, to the human collage—that’s me! While easily accessible, these are verbally dazzling poems, perfect for elementary students and sophisticated preschoolers. Both audiences are likely to benefit from additional explanations of some finer points of vocabulary and idiom from an adult, but the poetry is far from pedantic.

NEW KID IN TOWN
You’ve heard of spaghetti westerns, of course, but what about a Halloween western? Rhode Montijo brings the genre entertainingly to life in The Halloween Kid, a rootin’, tootin’ romp. The Halloween Kid keeps order in town, wrassling “pumkin-suckin’ vampires” and tickling leaf-pile ghosts, whom he calls “heap-hauntin’ holligans” (parents, get ready—this book is best read with a Western-drawl). He’s got a new mission now, wrangling the Goodie Goblins, who are stealing sweets and terrorizing trick-or-treaters. Did I mention that the Kid is cute, with a Lone Ranger hat, mask, and lariat, and always astride his trusty stick horse?

Montijo’s illustrations are the perfect blend of modern and retro, featuring oranges, yellows, and an effective use of black, some done in silhouette—all adding to the tale’s energy. There’s plenty of old-fashioned excitement (but nothing gross or garish), including an ambush in a cave and a daring escape and rescue by the Kid’s sidekick horse. In the end, the Kid restores order and rides out of town under a moonlit sky, saying: “Y’all keep trick –or-treatin’ now, ya hear?” Yee-ha, this is one clever book!

SCAREDY CAT
A full Halloween moon and a brisk wind set the spooky stage for Nancy Raines Day’s On a Windy Night, in which a young boy in a skeleton costume walks through the woods alone. The gentle rhyming text builds tension as the boy imagines he hears a voice: “CRACKLETY-CLACK, BONES IN A SACK. / THEY COULD BE YOURS—IF YOU LOOK BACK.” The voice gets louder; clouds become ghosts; skeletons dance in the field, and the boy fears he felt a head in the field.

Just when things could hardly get worse, the boy realizes that he is being stalked by a cat, not a ghoul. George Bates’ pen-and-ink, digitally colored illustrations add to the charged atmosphere, with dark blue, orange and black tones filled with just the right amount of “comfortable” scariness, as readers spot the cat stalking the boy, and watch tree branches, for example, morph into an image of a giant bat. For preschoolers, this book will likely be the source of repeated read-alouds filled with spine-tingling squeals of fright and delight.

On Halloween night, the streets of our small town burst with goblins and strolling parents. It’s a once-a-year party that can’t be beat. Here are four picture books guaranteed to get you in the “spirit.”

Jon J Muth continues his captivating, thought-provoking Zen series in Zen…

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Jon Scieszka—author of hilarious children’s classics like The Stinky Cheese Man and Other Fairly Stupid Tales and The True Story of the Three Little Pigs—is the king of boy books.

Although he doesn’t want to be pegged as an author who only writes for boys (“I have some of the craziest girl fans!”), Scieszka tends to write action-driven stories with goofy male characters. “I can hardly help it, having had five brothers and no sisters,” he said in an interview with BookPage.

It’s no secret that boys are usually slower to read than girls, have lower test scores and are less likely to read for fun. To combat this gap, Scieszka founded GuysRead.com, an interactive website filled with guy-friendly book suggestions divided into funny categories like “At least one explosion” and “Monkeys and/or apes.”

“Rather than imposing something from the top down, Guys Read is really the ultimate grassroots kind of movement,” Scieszka says. “We hear from our readers what they enjoy.”

Scieszka, who once worked as an elementary school teacher, says the current emphasis on standardized testing has made it even more difficult to connect boys with appealing books. “The whole country has followed this mania for testing, and it’s pushed it down to younger and younger grades, which has really had a terrible adverse effect on boys who are not developmentally ready. The boys are even less equipped to be successful in that world.”

The key to getting boys to read, Scieszka says, is to “show them a reason to want to be a reader, and support them in their interests.”

COMPETING WITH “THE SCREEN”
Another obstacle in getting boys to read is the instantly accessible entertainment available online and on television. That entertainment is more reachable than ever as younger kids have cell phones or even iPads, which Scieszka calls “just like crack or candy—some combination of both.”

The rewards that come from reading are “so different from what you get watching a screen, or even interacting with a screen,” Scieszka says, although he has become involved with creating different kinds of digital entertainment—like Spaceheadz, book one in his new series from Simon & Schuster.

Spaceheadz is about a group of aliens—two in the form of wacky kids, one in the form of a hamster—who invade Michael K.’s fifth grade class. Their mission is to get 3.14 million (and one) kids to say they are Spaceheadz—or else the world will turn off.

The aliens have learned everything they know about Earth from advertising, so their hilarious dialogue sounds like a kooky commercial mash-up. Readers are introduced to the story traditionally—through short, fast-paced chapters in a book packed with Shane Prigmore’s expressive illustrations—but they can continue it off the page with a whole slew of online media. For example, the hamster has a Twitter page, and Michael K.’s teacher has a website readers can really visit. There’s also a “Be SPHDZ, Save the World” website where kids can press a button to support the Spaceheadz cause. Since the website launched a few months ago, more than 12,000 kids have signed up.

Scieszka’s latest project is Funny Business, volume one of the Guys Read Library, which he edited along with Jordan Brown of Harper’s Walden Pond Press. Funny Business has a humor theme and is filled with stories from superstars such as Jeff Kinney, Adam Rex, Mac Burnett and Kate DiCamillo. (Scieszka is quick to point out that “there are plenty of women writers who have written stuff that really appeals to guys, too.”) He is now working on the second volume in the Library, a mystery- and thriller-themed book for which Brett Helquist is illustrating stories by the likes of Walter Dean Myers and Margaret Peterson Haddix.

In the introduction to Funny Business, Scieszka writes that he found “some of the best and funniest writers around” to contribute to the collection—but he explained in our interview that it’s not “the easiest potty humor.” Funny Business is what a guy might read when he needs something beyond those simpler stories.

“I really love the Captain Underpants stuff, how it mixed up visuals and text, but I know that just drives some people crazy,” Scieszka says. “There are misspellings intentionally in there—the grammar’s not right. The same thing happened to me when I was reading the Sweet Farts books or Sir Fartsalot. . . . It’s sort of like the cheap movie laughs when someone just gets kicked in the crotch. It’s sort of funny, but that’s not hard to do. There are a lot funnier things. So we always try to challenge our readers to aspire to something funnier, more thrilling, more mysterious.”

AN ONGOING ADVOCATE
During 2008 and 2009, Scieszka served as National Ambassador for Young People’s Literature, a post Katherine Paterson took over in January. Scieszka remains involved with the Children’s Book Council, “trying to promote children’s books in the best and most broad way.” A message he is passionate about now is the value of the picture book, which he says has “been a victim of that test mania of people thinking that their kids have to be overachievers,” a trend that garnered national attention with the publication of a recent article in the New York Times. The article reported that many parents are steering their children away from picture books in the belief that only chapter books can increase test scores—a claim that has provoked a furious backlash from many teachers and librarians.

“I think that’s a thing we can do out of the Ambassador program—talk to people and say, ‘no, go ahead, let your kids read picture books.’ They don’t have to have a test on everything.”

In all his years promoting books for boys, Scieszka has seen a great change in how people view the issue. Although boys’ test scores are “just as miserable” as they’ve always been, Scieszka says people can at least talk about the problem now. Ten years ago that was not the case; there was just an “unspoken understanding” that boys don’t read.

What is most exciting to Scieszka is the burgeoning credibility of genres that typically appeal to boys—like graphic novels, fantasy and science fiction.

He said, “A lot of those kinds of reading that I talked about way back when have really become accepted in the teachers and library world.”

Jon Scieszka—author of hilarious children’s classics like The Stinky Cheese Man and Other Fairly Stupid Tales and The True Story of the Three Little Pigs—is the king of boy books.

Although he doesn’t want to be pegged as an author who only writes for boys (“I…

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Don’t forget to deck your halls with picture books for the little ones. Here are some jolly new selections to add to your holiday favorites.

DAVID'S AT IT AGAIN
When it comes to kids, “no” is a much-used word by adults during the crazy days and weeks leading up to Christmas. So a Christmas story is a natural for the hero of the award-winning “No, David!” books. Author David Shannon presents plenty of hilarious shenanigans in It’s Christmas, David!. His title character is the personification of a nonstop, super-curious, fearless kid, ready to get away with anything.

David’s latest quests go from bad to worse. First he peeks around corners and reaches for cookies, but then his exuberance takes him streaking down a snow-covered sidewalk wearing only a hat, boots and mittens. Later, he writes his name in the snow with a highly suspicious-looking yellow liquid. The brilliant accompanying text says simply, “Naughty list, naughty list, naughty list . . .”

You’re likely to read this delightfully fun book over and over again to your eager little elves—and you’ll all enjoy every minute of it!

CHRISTMAS IN THE FOREST
Fletcher and the Snowflake Christmas is a lovely holiday book, sparkling in both language and illustrations. This is the third book about Fletcher the fox and his forest friends, and it contains gentle drama that’s all about friendship, helping others and holiday anticipation.

Fletcher’s friends, the rabbits, have moved, leaving Fletcher to worry that Santa may not be able to find their new burrow. So he and his pals use sticks to show Santa the way. However, a nighttime snowfall covers their trail of twigs. How will Santa find them?

Writer Julia Rawlinson uses precise prose that enlivens every page, while artist Tiphanie Beeke’s pastels are full of layered, lavish color. Fletcher and Squirrel are so fuzzy you can practically touch them, while the forest is a rainbow of soft color. Fletcher and the Snowflake Christmas is a wonderfully cozy bedtime read.

NEW FACES AT THE NORTH POLE
For some snappy Christmas fun, try a ride on Santa’s sleigh with Jeannette Claus Saves Christmas. Jeannette is Santa’s daughter, and she’s got plenty of gumption, thanks to the writing of Douglas Rees. Santa’s in a pickle, because he’s too sick to man his sleigh. Jeannette quickly steps to the plate, listening to her dad’s advice about how to handle the tricky reindeer. (“Dasher’s the worst. If he had his way, no one would get any presents.”) This is an adventure with plenty of fun ’tude.

On Christmas Eve, an equipment malfunction allows Dasher and his gang to soar off into the starry night, leaving Jeannette—and Santa’s presents—stranded on a city roof. This crafty kid quickly rounds up a gaggle of cats and dogs to deliver the gifts. And imagine the reindeers’ surprise back at the North Pole when Jeannette introduces her new team: “Buster and Blackjack, Wheezer and Grover, Tiger and Squeaky, Caesar and Rover.”

Olivier Latyk’s illustrations are the perfect accompaniment to this funky, spunky tale, adding a crisp, retro-modern look.

A COLOSSAL PROBLEM
More trouble is brewing at the North Pole in The Christmas Giant, a tale of ingenuity and friendship between a giant named Humphrey and his elf friend, Leetree. The pair is in charge of designing Santa’s wrapping paper, but in the off season they are asked to grow Santa’s Christmas tree. Their beautiful tree floats away on an iceberg, however, and they must quickly find a solution.

The pair triumphs, and author/illustrator Steve Light’s soft, carefully drawn pen, ink and pastel illustrations give this story a soothing glow. This is a lively, yet quiet tale, far removed from the usual holiday hubbub.

AFRICAN LORDS-A-LEAPING
In need of a vigorous holiday diversion? Grab Rachel Isadora’s The 12 Days of Christmas. I’ve seen plenty of renderings of the “12 Days” over the years, but this one stands out, bursting with color and energy, recounting the well-known song with African images, patterns and palette. Isadora, inspired by her own visits to the continent, has created pages filled with color that remind me of Ashley Bryan’s wonderful books.

A map and note at the end explain some of the artist’s influences. The ladies dancing, for instance, come from Swaziland, while the drummers’ drums are from Ghana and Nigeria.

An added bonus for young readers is Isadora’s use of a rebus to stand for each of the 12 days. As the verse progresses, rebuses for all the previous days fill the pages, giving children a colorful, creative “code” to crack.

A NEW NATIVITY
Preschoolers will enjoy a fresh new look at the nativity story with Christmas Is Here. In this highly accessible, warm book, a young family walks through falling snow in a small town, where a sign announces, “Live Nativity Tonight!” The first few pages are wordless, as the family rounds a corner and sees the actors and another sign saying, “Come celebrate Jesus’ birth!”

A young child peers at the sleeping manger baby, imagining the Christmas story. On the next page, readers are taken back to the time of Jesus’ birth, and the simple words of the King James Bible tell the age-old story. The ink and watercolors of artist Lauren Castillo cast soft gray-blue tones on the nighttime story, drawn in simple lines and keeping the action front and center. In the final pages, we come full circle, returning to the watchful family of today. Christmas Is Here is simply and artfully told and illustrated.

TODDLER-FRIENDLY
Another excellent choice for young children is the toddler version of The Child in the Manger. Belgian-born author/illustrator Liesbet Slegers illustrates with bright primary colors and dark, thick lines, making the artwork appear childlike. The nativity story is full of solemnity, but Slegers conveys this sacred story in a warm way that never overwhelms.

The Child in the Manger is the perfect introduction to the Christmas story for the very young. It’s excellent, also, for both religious and nonreligious families, thanks to the carefully worded conclusion:

Now everybody knows who Jesus is. / He was born on the day we call Christmas. / And when you get a Christmas present, / it also celebrates the birthday of Jesus.

Don’t forget to deck your halls with picture books for the little ones. Here are some jolly new selections to add to your holiday favorites.

DAVID'S AT IT AGAIN
When it comes to kids, “no” is a much-used word by adults during the crazy days and…

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