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It’s never too early for kids to get acquainted with history—to have aha! moments as they identify role models and make important connections. The picture books featured here serve up factual information in story form and provide great introductions to significant figures from America’s past.

AVID READER, GREAT LEADER

Barb Rosenstock’s Thomas Jefferson Builds a Library (ages 8 to 11) is a lighthearted profile of our third president—a statesman with a serious book fixation. Born in Shadwell, Virginia, in 1743, Tom Jefferson grows up with a love for books, a passion that serves him well as he enters politics. Through the years, he collects thousands of titles on all sorts of subjects. His wife, Martha, is a kindred spirit, and together, they instill a love of reading in their children. John O’Brien’s jolly, rollicking pen-and-ink illustrations show the great man reading in the unlikeliest of places (while balancing on the bowsprit of a ship, for instance). Teeming shelves and precariously stacked piles deliver a sense of the density of Tom’s personal collection, the vast size of which enables him to resupply the Library of Congress after the British burn it in 1814. Rosenstock, who knows how to make facts fun, has written a spirited story that stands as testament to the impact of books. This is a biography that young readers will learn from and enjoy—at the same time!

A PIONEERING SCIENTIST

With The Tree Lady: The True Story of How One Tree-Loving Woman Changed a City Forever (ages 5 to 10), H. Joseph Hopkins offers an appealing, easy-to-understand profile of one of America’s greatest gardeners. Kate Sessions spends her childhood exploring Northern California’s lush forests, and their beauty ignites her imagination and her intellect. In 1881, she earns a degree in science from the University of California, becoming the first woman to do so. When a job lands Kate in San Diego, she sets her mind on transforming the dry, barren town into a site of tree-filled splendor. The story of how she makes her vision a reality is a remarkable one. Artist Jill McElmurry contributes the book’s delicate yet vivid gouache illustrations. Her colorful renderings of trees, leaves and bright blossoms (and ginger-haired Kate, of course) are the perfect vehicle for Hopkins’s intriguing bit of horticultural history.

THE STORY OF A POWERFUL PARTNERSHIP

The latest title from acclaimed husband-and-wife collaborators Andrea Davis Pinkney and Brian Pinkney, Martin and Mahalia: His Words, Her Song (ages 6 and up) is a great way to introduce the Civil Rights era to children. This inspiring book pairs the stories of Martin Luther King Jr. (a “master minister”) and gospel vocalist Mahalia Jackson (a singer with a “voice like brass and butter”), who worked side by side to break down racial barriers. He comes from a distinguished line of preachers in Atlanta. She grows up in New Orleans and sings in the church choir. Both use their gifts to deliver messages of freedom. Their partnership reaches a high point in 1963 at the March on Washington, where Mahalia sings and Martin delivers his “I Have a Dream” speech. Brian Pinkney’s swirling, impressionistic watercolor illustrations add to the narrative’s sense of uplift and victory. Andrea Davis Pinkney, who contributed the book’s accessible text, writes in a style that’s plainspoken yet poetic. Together, they’ve created a moving tribute to two history-making figures.

It’s never too early for kids to get acquainted with history—to have aha! moments as they identify role models and make important connections. The picture books featured here serve up factual information in story form and provide great introductions to significant figures from America’s past.

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Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the Artist and His Work—and one introduced by the legendary Eric Carle, Don’t Pigeonhole Me!, a Mo Willems collection. Anyone who follows children’s book illustration with interest could spend many happy hours exploring these entertaining books, each one appealingly designed and providing fresh insight into the celebrated illustrators featured therein.

THE LIFE OF A PICTURE-BOOK LEGEND

Both the late Maurice Sendak and author-illustrator Mo Willems have been recognized multiple times by the American Library Association with either Caldecott Honors or the big award itself, the Caldecott Medal. That award wouldn’t be possible without British illustrator Randolph Caldecott, the subject of Leonard Marcus’ new biography for young readers, Randolph Caldecott: The Man Who Could Not Stop Drawing.

As a young man in England, where he was born in 1846, Caldecott made a living as a bank clerk, doodling while on the job; Marcus even treats readers to several of those sketches in this art-filled biography, as well as previously unpublished drawings from the illustrator’s last sketchbook. After he landed his first editorial illustration assignment for a London monthly in 1872, his career accelerated and he became known for his lively illustrations, eventually finding success with picture books in England and the United States. It was in the States that he died while traveling, one month shy of his 40th birthday, and was buried in Florida.

Caldecott is remembered today for his innovative work in merging text and art to tell one seamless story. It’s for this reason that the American Library Association named the award in his honor in 1938. Prior to his time, children’s books included illustrations that made no effort to extend the story told by the words. Caldecott put page-turns to work to add drama, increase tension and establish unique rhythms, and he introduced story elements in his illustrations that were not mentioned in the text, further expanding a book’s storytelling possibilities. This, at the time of Walter Crane and John Tenniel, was revolutionary.

Marcus’ exploration of Caldecott’s pivotal contributions to picture books make this juvenile biography an essential read for picture book lovers of all ages. He tells the story of Caldecott’s life with great reverence (and thorough research), and those who appreciate good design may linger over such things as the thick, cream-colored pages and the endpapers filled with Caldecott’s picture book illustrations.

THE WORK OF A WILD THING

One of numerous illustrators inspired by Caldecott was Maurice Sendak. He often spoke during his lifetime about his deep respect for Caldecott’s work, even naming his 1989 anthology of essays on writing and illustrating for children Caldecott & Co. Recently, Abrams published Maurice Sendak: A Celebration of the Artist and His Work, a lavish volume edited by Leonard Marcus and released in conjunction with a June 2013 Society of Illustrators exhibition of Sendak’s work.

This one is a must-have for Sendak fans, a compelling tribute to the famed illustrator. It includes 12 essays from art collectors, librarians, editors, fellow illustrators and more. Featuring the private collection of art curators Justin G. Schiller and Dennis M.V. David, the book treats fans to rare drawings, posters, lithographs, sketches, commercial art and design work of all types. Some previously unpublished photos are also on display; Sendak mimicking a Wild Thing doll, circa 1970, captures an impish joy.

The essays in this in-depth volume, many giving us compelling peeks into Sendak’s personality, are not to be outdone by all the rare artwork on display. Author-illustrator Paul O. Zelinsky, whom Sendak taught at Yale, contributes an outstanding essay, writing about Sendak’s energy and conviction as a lecturer and teacher, as well as his disdain for those who condescended to children’s books: “He believed that art can be for children,” Zelinsky writes, “that it mustn’t be treacly or pandering, and that it should be as rich and good as the art that adults want for themselves.”

SKETCHES FROM ONE OF TODAY'S BIGGEST STARS

Like this Sendak tribute, Don’t Pigeonhole Me!—a look at two decades of Mo Willems’ sketches—is aimed squarely at adults. “Mo Willems is a master of the doodle, sketch, cartoon, and scribble,” writes Eric Carle in the book’s foreword. In the introduction, Mo explains that the book—which even shows the birth of the Pigeon, his most famous protagonist—is a culmination of decades of making art that is “purely mine, free from any restrictions, without regard for those who will eventually see it.”

Well, his fans can see it now, and it’s worth their time. It opens with sketches from the early ‘90s and takes readers all the way up to recent sketches made on the butcher paper laid out on the kitchen table in his home, where visitors are encouraged to sketch. Readers see Mo’s personality from just about every angle in this collection of his minimalist cartoon sketches. Some are particularly clever and funny; others, obscure and mildly to moderately amusing. “I was so tired,” Willems writes about the sketches in the “Wise Things” chapter, the most refreshing of them all, “of rendering jolly round-headed scamps that my subconscious just wanted to kill them.” This was the phase, he explains, where an Edward Gorey influence snuck up. The youngest of Pigeon fans need not apply, but for adults, it’s a trip.

The holiday season draws nigh. Consider any—or all, if your pocketbook allows—of these books great gift choices for the picture book fans in your life.

Julie Danielson conducts interviews and features of authors and illustrators at Seven Impossible Things Before Breakfast, a children's literature blog primarily focused on illustration and picture books.

Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the…

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Has the countdown to the most mischievous night of the year already started at your house? October 31 is creeping closer, but we’re not quite there yet! In the meantime, treat your costumed crowd to some pre-Halloween fun with one of the picture books featured here. Happy haunting!

HALLOWEEN FUN ON THE FARM

The ingenious team behind the classic books Click, Clack, Moo: Cows That Type and Giggle, Giggle, Quack is back with another uproarious animal adventure. Click, Clack, Boo!: A Tricky Treat by Doreen Cronin and Betsy Lewin features Farmer Brown and his beloved barnyard crew in a tale with a chilling twist.

Farmer Brown is anti-Halloween (he scares easily!), so he opts out of the holiday by setting a bowl of candy on the front porch, hanging up a “Do Not Disturb” sign, and retiring behind drawn blinds. Meanwhile, out in the barn, preparations for a Halloween shindig are well under way, and the guests are arriving—in costume, of course: There are cats dressed as bats, chickens draped in ghostly sheets and mice disguised as princesses. Absent from the scene is the chief mischief-maker, Duck, which means he’s probably up to something.

Back at the house, Farmer Brown is seriously spooked by the sight of a robed figure out in the yard. He takes refuge in bed, but there’s no escaping the sounds of Halloween—the ominous crunch of leaves, the foreboding creak of front-porch boards. When a “quack, quack, quackle” enters the mix, though, Farmer Brown knows who’s haunting him. Wearing his PJs—a hilarious ensemble consisting of a red neckerchief and a union suit with a flashy pattern—he dashes outside only to fall prey, once again, to Duck’s wily designs.

Fans will be happy to see that—despite Farmer Brown’s best efforts—the animals still run this outfit. Lewin brings the barnyard to life through her wonderful watercolor illustrations, and Cronin’s use of sound words (creak, crunch, tap) lend the story extra Halloween spirit. This is a four-star addition to their irresistible series.

A CREEPY COUNTING BOOK

Ammi-Joan Paquette’s Ghost in the House is a fiendishly fun introduction to numbers. The story begins with a “Boo!” as readers meet a lonely ghost (a cute little fellow with a quizzical grin) who’s floating down the hallway of a haunted house. He’s not alone for long, though. A loud groan indicates company, and the ghost soon gains a bandaged sidekick: “a mummy makes two … in the creepy haunted house.” Ghost and mummy continue down the hall together, but they freeze when a growl issues from the staircase: A monster, furry, striped, and fanged, swells their eerie ranks to three. As the night progresses, the ghostly gang grows. A loud “click-clack” signals the arrival of a skeleton, while a witch makes her presence known with a spine-chilling “shriek!”

The creepy crew—now five in number—is surprised by a sixth arrival: “A sudden FLASH makes them topple and crash, and suddenly they hear, ‘Who’s there?’” The query comes from a wide-eyed lad in striped pajamas, who has turned on a light. The sight of a flesh-and-blood boy frightens the ghost and his friends, and they fly from the house. The book’s striking final page shows a spectral set of silhouettes—the five creatures fleeing.

Hair-raising and hilarious, Ghost in the House is a practically foolproof way to get kids counting. Paquette’s simple yet effective rhymed verses give the little story momentumm while Adam Record’s digital illustrations have a wonderful sense of texture. With its dingy walls and grubby carpet, his haunted house has definitely seen better days! He conjures up a distinctive expression for each member of the ghoulish group. A true treat regardless of the season, Ghost in the House is a book readers will have fun with throughout the year.

A BEWITCHING BATCH OF POEMS

Trick-or-Treat: A Happy Haunter’s Halloween by Debbie Leppanen is a frolicsome anthology of poems filled with clever rhymes, playful language, and—of course—plenty of Halloween hijinks. “Hallow’s Eve,” the book’s opening poem, sets the mood: “The wind is howling; / the leaves are blowing. / A sliver of moon is barely showing… With shrieks and howls / and make-believe, / let’s prowl the night— / it’s Hallow’s Eve!” From there, all manner of mischief follows, as readers visit a graveyard, cruise via broom with a group of witches and attend a party where a guest loses his head—literally.

Two of the collection’s sweetest treats pertain to parents.In “Mummy Dearest,” a gauze-wrapped boy lists the benefits of life with his monster mom: “She draws my bath with mud and ice, / then rubs me down with tickly lice.” In “A Vampire Makes a Wonderful Daddy Because…” father gets his due, too: “He’ll let you stay up late at night… When someone picks on you, he’ll bite!”

Thanks to Tad Carpenter’s colorful digital visuals, the book brims with Halloween eye candy—grimacing jack-o-lanterns, antic one-eyed monsters and cute, costumed kids. His meticulously composed pictures contain plenty of spooky minutiae: What does a vampire dad drink at night? A bottle of type O blood, of course!

Although she covers familiar holiday themes in these poems, Leppanen has her own angle on Halloween, and her unique vision gives the collection extra oomph. From short four-liners to longer, story-like pieces, her poems are fresh, original and very funny. A terrific introduction to poetry, this creepy collection will have little readers howling for more.

Has the countdown to the most mischievous night of the year already started at your house? October 31 is creeping closer, but we’re not quite there yet! In the meantime, treat your costumed crowd to some pre-Halloween fun with one of the picture books featured…

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It’s a tried-and-true storytelling adage: Show, don’t tell. The wordless picture books featured here follow that advice in literal fashion. Plot points are laid out and events unfold via pictures alone. As a result, each book reveals something new about the possibilities of storytelling and the ways in which the pieces of a narrative fit together, all without the typical verbal directives and prompts. Perfect for budding brains, these books will challenge youngsters to make their own connections and draw their own conclusions.

IT CAME FROM OUTER SPACE

David Wiesner’s delightful new picture book, Mr. Wuffles!, is filled with detailed illustrations that speak for themselves. A black-and-white feline with imposing yellow eyes, Mr. Wuffles can’t be bothered with commonplace cat toys. He’s unimpressed with the fake fish urged on him by his owner, and he ignores a row of playthings so new they’re still wearing price-tags. Polka-dotted mice, a ball with a bell inside it—Mr. Wuffles is not amused.

That changes when he notices a curious object—a small round-ish item made of metal with a strange slot near its top. Mr. Wuffles claws it and paws it until it starts emitting smoke, and then—in classic cat fashion—he turns his back on it and takes a nap. But the intriguing object isn’t a toy—it’s a spaceship filled with tiny green aliens. Mr. Wuffles’ rough treatment of the craft has left the crew a bit queasy and, worse, caused their equipment to go on the fritz. Repairs must be made! The little gang of greenies disembarks, and—hoping to evade Mr. W.—tiptoes across the living room floor. Beneath a radiator, they find a bunch of friendly bugs who are all too familiar with the feline terror outside. Bugs and aliens bond, an escape plan is formed, and the craft is soon back in the air. Mr. Wuffles watches helplessly as his toy sails over the sill of an open window and out of reach.

Expertly illustrated in watercolor and India ink by Wiesner, who’s a three-time winner of the Caldecott Medal, this off-the-wall story is a visual feast. Some of the pages are cut up into panels, providing the author with extra room for play. Wiesner’s illustrations successfully capture the essence of cat (Mr. Wuffles’ eyes look more alien than those of the aliens themselves), and he cleverly provides the extraterrestrial travelers with their own lingo—a code young readers will have fun trying to crack. An irresistibly amusing tale from start to finish. 

PASSAGE TO ANOTHER WORLD

Every picture tells a story in Aaron Becker’s beguiling new book, Journey. This lavishly illustrated tale features a daring heroine who—thanks to the power of a simple crayon—learns that magical worlds are just a dream away and surprisingly easy to access. All that’s required is a little imagination.  

On a humdrum day when no one seems to have time for her—mom’s chatting on the phone; big sis has her head in a book—Becker’s lonely protagonist retreats to her room, where she spies a bright red crayon on the floor. Inspired to take action, she uses the crayon to draw a door on her bedroom wall. Stepping through it, she finds herself in a gorgeous forest with a winding river. The girl sets out in a small boat to encounter still more marvels, including a vast castle with an armada of strange dirigible-like ships hovering in the air above it. The imposing guards manning one of the crafts have captured a beautiful bird. After the girl goes to dangerous lengths to free the creature, it leads her back home, where her prospects are decidedly brightened by a new friend with a crayon of his own.

Art-whiz Becker has worked for Disney and Pixar, and his genius is in evidence on every page. With its complex architecture and cunning system of waterworks, his castle could’ve come from a movie set. His delicate watercolor illustrations have a special radiance. The book’s lack of text creates a quality of silence—a sort of hush that adds to the enchantment of the story. In Becker’s whimsical world, words would only be superfluous.

WHEN HISTORY COMES TO LIFE

Nature and its power to surprise serve as the basis for Bill Thomson’s fascinating Fossil, a beautifully illustrated book that showcases the author’s signature photo-realistic painting style.

On a sunny day, a boy and his dog hike to the shore of a lake that’s dotted with rocks. The boy soon makes a strange discovery about the stones. Through an accident, he breaks one open and finds a fossilized fern inside. Perfectly preserved, the fossil itself is magical enough, but when ferns suddenly materialize on the shore, the boy realizes that there’s more going on than meets the eye. Splitting open another stone, he finds the remains of a dragonfly. The bug immediately appears before him.

A third rock holds the most impressive relic of all—a dinosaur bone. What happens next? You guessed it: This haunting remnant of the past summons a scary pterodactyl! When the winged creature wheels above him, dips down, and makes off with his dog, the boy is forced to find a fast way of reversing the fossil-come-to-life process.

Executed with crisp clarity and uncanny accuracy, Thomson’s illustrations—done by hand with acrylic paint and colored pencils—communicate the wonder, puzzlement and panic the boy experiences thanks to his unusual predicament. The author of Chalk (2010), another wordless picture book, Thomson has an instinct for telling details, which he renders with scientific precision. From the pattern on the soles of the boy’s sneakers to the water droplets that cling to the coat of his cocker-spaniel companion, no element is overlooked. Youngsters are sure to see a bit of themselves in Thomson’s boy-hero, and they’ll have fun unraveling his quirky blend of science and magic. This is a thrilling hike they’ll want to go on again and again.

It’s a tried-and-true storytelling adage: Show, don’t tell. The wordless picture books featured here follow that advice in literal fashion. Plot points are laid out and events unfold via pictures alone. As a result, each book reveals something new about the possibilities of storytelling and…

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Light the fire, grab a mug of hot cocoa and cozy up with the kids for some holiday reading. You’re sure to find magic in a fine Christmas picture book—the best of which will earn a place in your heart and become a treasured part of your family traditions.

That special magic is brilliantly captured in The Christmas Wish, a family project that involved photographer Per Breiehagen, his wife Lori Evert and their young daughter, Anja. Just imagine the warmth and Nordic charm of Jan Brett’s The Wild Christmas Reindeer. Now envision a book that uses breathtaking photographs instead of illustrations to tell its story, and you have The Christmas Wish.

Breiehagen grew up in the mountains of Norway, and a photo he took of Anja with a reindeer inspired his stylist wife Evert to write this holiday story. The result is an exciting tale about a Scandinavian child who dreams of becoming one of Santa’s elves. We first see Anja in her cozy home and at school, tackling holiday chores while contemplating her heart’s desire. One day she simply whooshes away on skis to head to the North Pole, fearlessly plunging into the deep wilderness snow.

Breiehagen’s photographs take readers on a journey up and down mountains, through Northern Light vistas, past frozen waterfalls and across the northern tundra. Along the way, Anja is guided by a cardinal, a giant horse, a musk ox, a polar bear and a reindeer, until she finally reaches the North Pole and sees the big man himself. This unique tale makes readers feel like they’re a part of Anja’s exhilarating journey.

POOR LITTLE SANTA

Children will also enjoy Jon Agee’s Little Santa, an amusing tale about Santa’s childhood. In contrast to the photographic opulence of The Christmas Wish, this story features minimalist illustrations that spin a yarn about a down-on-their-luck family living a dreary life at the North Pole. Young Santa lives in a drab cabin with his parents and six brothers and sisters, all of whom hate the winter chill and dream of moving to Florida. Santa, on the other hand, adores winter fun and can’t stop baking gingerbread cookies and sliding down their chimney.

Just as the family prepares to move, a blizzard buries the house and traps the Claus family. Santa is sent up the chimney to get help. He encounters a buried reindeer, and together they fly to a house that happens to be jam-packed with elves.

Little Santa is a lively romp in which elves say things like “Holy Snowflake,” and young Santa saves the day, meeting a gang of friends who will obviously become his North Pole mainstay.

TRACTOR TROUBLE

Kids will clamor for An Otis Christmas, Loren Long’s fourth story about a spunky little tractor who lives on a hillside farm. Everyone there is happily preparing for Christmas, and Otis is thrilled when the farmer presents him with a shiny new horn on Christmas Eve.

Otis’ sense of holiday cheer quickly turns to dismay, however, when Doc Baker is desperately needed for a horse in labor. Unfortunately, a blinding snowstorm makes his arrival seem impossible, until our trusty tractor sets out bravely into the dark, stormy night, “with snow up to his chin.” Plenty of excitement awaits as Otis chugs up a steep hill and comes to the edge of a cliff, shining his headlights into the abyss.

Long’s gouache-and-pencil illustrations are full of heartfelt charm, yet never stoop to cutesiness. His wonderful Otis series provides a classic new option for vehicle and adventure lovers alike.

CHRISTMAS CATS

I’m not a cat person, but Fuddles completely wins me over. A Very Fuddles Christmas is the second book about this charismatic cat, written and illustrated by Disney animator Frans Vischer and based on his family’s pampered, fat cat. Spoiled “endlessly,” Fuddles thinks Christmas is just for him. He lights up at the sight of a fancy turkey dinner, a gingerbread house and a twinkling Christmas tree. He has a rude awakening, however, when he knocks the tree over and flees in dismay, only to find himself stranded outside in the cold.

Vischer adds humor every step of the way, both to text (“Like a pioneer frontiersman, Fuddles bravely faced the elements”) and to his endearing depictions of Fuddles’ escapades. His illustrations practically leap off the page with energy and imagination. Rest assured that Fuddles does find his way back inside, arriving via a dramatic holiday route.

On a very different note, Maryann Macdonald was inspired to write The Christmas Cat when she saw Leonardo da Vinci’s drawing “La Madonna del Gatto,” showing young Jesus holding a cat. What if Jesus had a cat, she wondered. In Macdonald’s fresh take on the Nativity story, she begins: “Jesus was beautiful, like all babies. And like all babies, he cried.” Baby Jesus is inconsolable, in fact, until a curious kitten begins to nuzzle him and purr.  Thus a friendship is born, and later, when Mary, Joseph and Jesus flee Bethlehem to escape into Egypt, this faithful kitten saves the day when danger is near. Softly evocative illustrations by Amy June Bates enhance this gentle biblical tale.

MOVE OVER, GOLDILOCKS

After watching polar bears frolic at the Central Park Zoo, Maria Modugno went home and wrote Santa Claus and the Three Bears, a Yule-themed take on Goldilocks. These three polar bears live in a Nordic cottage filled with Scandinavian decor, and everything is picture-perfect until a hungry, sleepy Santa drops in and makes himself at home.

After all is said and done, Santa, of course, has the last word of the day, saying: “Sorry about the chair. I’ll bring you a new one next year.” Preschoolers will relish this festive spin on a beloved tale, illustrated by award-winning artist Jane Dyer and her daughter Brooke Dyer.

Light the fire, grab a mug of hot cocoa and cozy up with the kids for some holiday reading. You’re sure to find magic in a fine Christmas picture book—the best of which will earn a place in your heart and become a treasured part…

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Looking for great gift books for children, selections that will encourage creativity and curiosity? We’ve combed through publishers’ offerings to find these 10 irresistible choices for kids of all ages, from tots to teens.

FOR LITTLE ONES

Avast, toddler and preschool pirate fans, here’s a pop-up book and play mat all in one. Playbook Pirates, written by Corina Fletcher and illustrated by Britta Teckentrup, is a take-along adventure set starring a cute crew (boys and girls, and with a range of skin tones) and colorful critters. Read the book from either end: One side is a pop-up tale with cheerful pirates searching for buried treasure and navigating sharks, a shipwreck and a mermaid tea party. The other side shares scenes from a pirate’s busy life, including parent-pleasing evidence that pirates “have to keep the ship clean and tidy!” The clever design unfolds into a large, pop-up play mat equipped with free-standing characters ready for uncharted adventures.

Here’s a wish: that kiddies will grow up loving and remembering Caldecott Honor-winning illustrator and author Paul Galdone. The Folk Tale Classics Treasury: Six Cherished Stories in One Keepsake Volume is a core curriculum of the earliest kid lit, including The Little Red Hen, The Three Little Pigs, The Three Bears and The Gingerbread Boy as retold and illustrated by Galdone. Each story has a perfect ratio of word to fabulous image, “just right for reading aloud and reading together.” Who can forget the “TRIP, TRAP, TRIP, TRAP” of the third Billy Goat Gruff across the troll’s bridge? Hopefully, no one. This beautiful collection, designed for ages 4 to 7, includes a downloadable audiobook of all six stories.

MOVING PARTS

Pop-up master Robert Sabuda pays big homage to Hans Christian Andersen’s The Little Mermaid in this spectacular three-dimensional edition. Those of us who only know the Disney version or abridged picture book variations will be surprised by plot details and the emotional depth of Andersen’s story. It is hardly simple, sweet goodnight fare. Sabuda spins the drama with towering, intricately engineered eruptions on every spread, as well as within sequential booklets—with pop-ups of their own—in the margins. We are hooked from the very first page, when the sea king’s castle—a paper sculpture teeming with merpeople, studded with doors shaped like water drops—rises far larger than the book itself. Best for ages 6 and up.

Ever hear the phrase “rack and pinion steering” on car commercials and wonder what it means? Ask a kid to show you with this nifty kit: How Cars Work: The Interactive Guide to Mechanisms That Make a Car Move by Nick Arnold. Children aged 7 and up can build 10 basic car mechanisms with pegboard, cardboard bits (gears, strips, cams, etc.), rubber bands, plastic bolts and wing nuts. What they’re really building is a hands-on, working knowledge of stuff like valves, brakes and windshield wipers. Running timelines provide historical context, while adorable illustrations by Allan Sanders make instructions easy and fun to follow.

CREATURE TEACHERS

Nat Geo goes interactive with the Animal Creativity Book, stuffed with animal photos and facts, plus stickers, stencils, games, crafts and other neat things to do. Make a pop-up card for a friend, featuring one of the world’s longest living animals: a giant tortoise. Play Baby Animal Match-Up with colorful cards ready to cut out, or Build a Bear, a game of chance where players compete to assemble a paper panda model. More highlights: a cut-out 3-D lion mask (with a mane made of paper strips) and Animal Artist, a step-by-step, super-easy method for drawing dogs and cats. For ages 6 to 9.

A cell phone or digital camera is all a kid (ages 8 to 12) needs to make amazing animated films with the awesome boxed set of Animation Studio by Helen Piercy. We’re talking “stop-action” movies, where every incremental movement is caught “on film” and then combined at speed to look real. Movies can feature 2-D action, such as simple drawings on a whiteboard or paper, or 3-D subjects like clay and more complex models. The kit includes a fold-out stage, props, sets and storyboards, all with irresistible artwork, plus some cool tools from animation history: a zoetrope drum and a thaumatrope. The colorful handbook gives storytelling tips, advice on editing and complete how-tos.

Dinosaurology: The Search for a Lost World is a facsimile of the 1907 travel journal of Raleigh Rimes, a (fictitious) young explorer on a secret journey to a “lost island” in South America where indigenous humans and “living, breathing dinosaurs” coexist in the shadow of a grumbling volcano. Yellowed pages studded with notes, maps, drawings and lift-the-flap extras detail the boy’s adventures and bring to life many prehistoric creatures, remains and encounters. This fictional account is an entertaining way to learn a lot of facts, including a brief history of paleontology, dinosaur characteristics and behavior, plus a great deal about popular prehistoric creatures not classified as true dinosaurs, such as the Megalodon, Ichthyosaurus and Pterodactyl. For ages 8 to 12.

The Animal Book: A Visual Encyclopedia of Life on Earth is an “amoebas to zebras” reference destined to pique the interest of young readers and provide years of homework help for ages 8 to 12. A super simple (and thus memorable) Tree of Life graphic starts the book, dividing all living things into Plants, Fungi, Microscopic Life and—the main attraction—Animals, with invertebrates and vertebrates branching out from there. The goal is a comprehensive, at-a-glance guide illustrated with brilliant color photography, accompanied by facts that prove to be easily digestible. A nice bonus is the little silhouette “scale” graphic tucked beside each gorgeous spread, giving kids a better sense of how each specimen relates to other species and to themselves.

How the World Works, by Clive Gifford, promises young readers (ages 8 to 13) they can “know it all, from how the sun shines to how the pyramids were built.” “All” means “the systems, processes and phenomena . . . that make up the workings of the world,” organized into five headings: Earth and Space, Prehistoric Life, Life, Science and Technology, and History, presented in an inviting question-and-answer format. For example: How do volcanoes erupt, how did the dinosaurs die out, and how does nuclear power work? Each question and answer fits onto two adjoining pages, which gives kids plenty of information via illustration and description without being overwhelming. 

ROOKIE GROWS UP

Rookie is on online, independent magazine with writing and artwork from and for teenage girls. (Check it out at Rookiemag.com.) Rookie Yearbook Two, edited by Tavi Gevinson, compiles highlights from Rookie’s thrilling second year of life, including pieces by Lena Dunham and Mindy Kaling, interviews with Emma Watson and Carrie Brownstein, and tons of thematic content from dozens of talented young contributors. Themes like Play, On the Road, Freedom and Paradise give scope to memoirs, essays, fiction, photos and other creative responses. Funky DIY projects are paired with step-by-step photos, like the denim jacket tutorial which, according to a reader’s whim and materials on hand, can involve spray bleach, tie-dye, vintage fabrics and even googly eyes. This compilation would be a welcome gift for the hard-to-please teen on your list.

Looking for great gift books for children, selections that will encourage creativity and curiosity? We’ve combed through publishers’ offerings to find these 10 irresistible choices for kids of all ages, from tots to teens.

FOR LITTLE ONES

Avast, toddler and preschool pirate fans, here’s a pop-up book…

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The date on which Hanukkah falls is based on a lunar calendar, and this year it comes far earlier than usual—which means we don’t have much time to choose Hanukkah books for the children in our lives. You can’t go wrong with these selections. They either add a new twist to an old story or succeed in emphasizing timeless values with a light touch, and all are very entertaining.

A SNOWY CELEBRATION
Hanukkah in Alaska (ages 4 to 8), written by Barbara Brown and illustrated by Stacey Schuett, proves that there can be fresh, new children’s stories for Hanukkah, and that even one as specific as this—set in Alaska—can have universal appeal. A young girl describes winter in Alaska: the snow, the moose that wander at will throughout her neighborhood, the scarce hours of daylight. Pages later, the family kindles Hanukkah candles, but no mention is made that the family is Jewish or that everyone else in Alaska might not be. The narrator seems to take it for granted that her family celebrates this holiday, so readers will, too. It’s a relief, this easy-going tone about identity, and it’s believable. The story’s conflict is peculiarly Alaskan, involving one of the aforementioned company of moose, and is resolved when the quick-thinking narrator averts mild disaster with a Hanukkah-themed solution.

ONE MORE MENORAH
Sam’s dilemma in The Eighth Menorah (ages 4 to 7), written by Lauren L. Wohl and illustrated by Laura Hughes, might resonate with those of us whose kids bring home a handmade menorah from school every single Hanukkah, year after year. Is there such a thing as too many menorahs? My answer would be an emphatic no, but Sam is not so sure. He asks to make something else, please, but the teacher gently insists, assuring Sam that his newest creation will be well met at home. She’s right, of course. Sam’s menorah does find the perfect home, and ends up brightening the lives of grateful residents in Grandma’s new retirement facility. This value-oriented tale of a thoughtful boy and his Bubbe is a sweet addition to a Hanukkah picture book library.

HANUKKAH AT HOME
Hanukkah lasts eight nights, with a new candle added to a Hanukkah menorah each evening. In Eight Is Great (ages 1 to 4), written by Tilda Balsley and illustrated by Hideko Takahashi, eight is so great, every page of this board book rhymes with it: celebrate, decorate, late, great and so on, while describing cozy family Hanukkah scenes at home. “Each night with Shamash tall and straight a candle’s lit. Soon we’ll have eight.” And a page or two later, “Dad serves eight latkes from the plate. “There’s more,” he says, “don’t hesitate.” The rhythm and page turns are just right for the youngest listeners, who get a window into cozy home observance. No history here, which is just fine, but the illustration on the last page links the contemporary family’s Hanukkah menorah with the original, seven-branched lamp from the Temple.

SORTING THINGS OUT
Sadie’s Almost Marvelous Menorah (ages 2 to 6) is the third picture book collaboration by Jamie Korngold ("the Adventure Rabbi") and illustrator Julie Fortenberry, and this time, their preschool heroine navigates the holiday of Hanukkah. Sadie loves school. Her awesome teacher, Morah Rachel, lets the kids take a whole week to make and decorate a clay menorah and learn the special Hanukkah blessings for candlelighting. Sadie is very excited about her own pink and blue creation, but as she runs to show her mom on Friday afternoon, she trips, and the menorah shatters into smithereens. Here’s where Mom shines: she notices that the one surviving chunk of Sadie’s menorah is the part where the helper candle would sit—the Shamash—that lights the eight Hanukkah flames and ushers in a new day of the holiday. So, Mom suggests to Sadie that this bit can become something very special, a kind of “Super Shamash.” Sadie is immediately on board, which proves her mettle once again. Mom and kid demonstrate resilience in the face of disappointment, creativity in figuring out how to make the best of a bad situation. For some sensitive (or perfectionist) children, the working through of the story from disaster to a beautiful solution can be especially redemptive. Sadie later uses the Super Shamash to light all four of her family’s menorahs.

The illustrations are lively and expressive, and, in one subtle way, rather miraculous: Not only does Morah Rachel wear a kippah (yarmulke), which is a traditional male headcovering, but several of the female students do, too. I can’t think of any other illustrator depicting this sort of thing in a picture book.

Another bonus: on the last page, the author includes all three Hanukkah candle blessings in English, Hebrew and in transliteration, so kids can welcome Hanukkah just like Sadie.

THE POWER OF GIVING
“It’s Hanukkah from A to Z. An alphabet of things to see,” begins ABC Hanukkah Hunt (ages 3 to 8), another entry written by Tilda Balsley. Every page has a simple rhyming couplet and busy, colorful illustrations by Helen Poole. Young listeners are prompted to find and point: “The leader’s Judah. Can you find him? Brave Maccabees all stand behind him.” Pages progress from history (King Antiochus “would not let the Jews be free”) to how we celebrate Hanukkah today. A maze to the Holy Temple, a page showing the calendar month of Kislev (Hanukkah starts on the 25th of Kislev), and a pile of Hanukkah doughnuts called by their Hebrew name, sufganiyot, help bump this picture book from just cute to downright educational.

Best of all, even in a book with a whole alphabet to work with, gifts do not get much attention. In fact, the letter T puts the emphasis on giving, not getting: “A Tzedakah box—what goes inside? Who needs your help? You can decide.” So, not only do we see a kid with a collecting box, we see what she’s imagining: a hospital and a food bank. She’s the one with the power to ponder where her donations should go. This is powerful message for little eyes and ears, especially during these months when the big holidays are so hyper-commercialized.

AN UNEXPECTED GUEST
Hanukkah Bear (ages 4 to 8), written by Eric A. Kimmel and illustrated by Mike Wohnoutka is a do-over. Kimmel, a Jewish picture book celebrity, published The Chanukah Guest with a different illustrator in 1990, and Hanukkah Bear is the same story, but tightened, edited perhaps for a new generation of parents and children who like to cut to the chase. It works. The charm and suspense are both heightened with the reduced word count, and I don’t miss a thing (I’ve still got my 1995 copy right here). Perhaps more importantly, the illustrations are truly delightful this time around.

Bubba (Granny) Brayna is 97 years old and can’t see or hear very well, but she keeps up her tradition of feeding friends and family the best latkes in the village. This year, she makes a double batch because a special guest is coming: the Rabbi. The Rabbi arrives first, so the two of them light the menorah, play a game of dreidel and then get down to the latkes, which are gobbled in a surprisingly short amount of time. What Bubba Brayna doesn’t realize is that her guest is not the Rabbi, but a bear, who was hungry from interrupted hibernation, but leaves the house full and happy. The mistaken identity interplay between bossy Bubba and the complacent bear is charming. When the real Rabbi and all of Bubba’s friends come for latkes and find none, they realize what has happened and all pitch in together to make more. A latke recipe and short explanation of Hanukkah are included.

The date on which Hanukkah falls is based on a lunar calendar, and this year it comes far earlier than usual—which means we don’t have much time to choose Hanukkah books for the children in our lives. You can’t go wrong with these selections. They…

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Whether it’s a baby shower or a sip-and-see (for you non-Southerners out there, it’s a gathering where an infant is adored), there is nothing I love more than holding a baby. In lieu of a real baby, I have to settle for books about babies. Lucky for me, there are some adorable new ones to add to my collection.

Melissa Guion’s newest offering, Baby Penguins Love Their Mama!, is one of those books that kids and parents will both love. A mama penguin is busy taking care of her very large family. Between swimming lessons on Monday and squawking on Saturday, it’s no wonder Mama has to take a nap on Sunday. The pencil-and-watercolor illustrations are the stars here—while Mama is playing the role of a modern overscheduled parent, the roly-poly babies are busy making something that Mama doesn’t notice. Follow the pictures and you will discover that these babies know a thing or two about appreciation. When Mama worries about the day when her babies grow up and can do things on their own, the babies assure her that she will always be their Mama. Their heart-shaped present is sure to warm Mama’s heart—and yours.

SPRING BABIES

Il Sung Na’s A Book of Babies is as bright and sweet as its cover, which features a very yellow chick on a rich green background. Spring has come, and all sorts of babies are born. A new duckling explores the world, noticing other animals along the way. Very young readers will learn about these babies: Some have siblings, some have none, some can walk, some have fur and so on. Na’s colorful illustrations, filled with rainbows that pop in unexpected and welcome places (leaves, a lion’s mane, a seahorse’s pouch), are perfect for this dreamy story. Each loving animal family is shown taking care of its young offspring, reassuring young readers about how families care for their own babies. Textured papers, some used as background and others in collage, add depth and interest. In the end, this is a go-to-sleep book, the very best sort of book for babies and their tired parents.

BABY BROTHER

One of the biggest challenges for new families is the birth of a second or third baby, especially when there is a toddler waiting suspiciously in the wings. Dino-Baby, written by Mark Sperring and illustrated by Sam Lloyd, is unabashed in its message about how a toddler needs to behave with a new baby in the house. Opening with an obviously pregnant dinosaur mother, this rhyming and rhythmic story directly addresses a wide-eyed dino-sister who wants to do the right thing for her new little brother. The right thing to do is be quiet when the baby is sleeping, share and be gentle and polite. Adults might like the message, but kids will stay for the humorous, bright cartoon illustrations. They’ll laugh at the father wearing a tie and the dino-baby wrapped in a cuddly blankie.

Keep these books in mind when that next baby shower invitation arrives in the mail.

Whether it’s a baby shower or a sip-and-see (for you non-Southerners out there, it’s a gathering where an infant is adored), there is nothing I love more than holding a baby. In lieu of a real baby, I have to settle for books about babies.…

Remembering the sacrifices and successes of African Americans—from unexpected champions of civil rights to talented performers who dreamed big—is one of the most inspiring ways to celebrate Black History Month. If we keep teaching our children well, racism just may someday be a thing of the past.


AN OAK'S GREAT GIFT

“Hearts drumming, / eyes darting, / knees trembling.” Susan VanHecke’s reverent free verse describes the trepidation felt by Frank, James and Shepard, three slaves working in a Confederate camp in Virginia, as they risk their lives. The men secretly slip out and sail across the harbor to a Union fort on May 23, 1861. If they had attempted this just a few days earlier, they would have been returned according to the Fugitive Slave Act of 1850. But Virginia has recently seceded from the United States, and the Union general declares the men “contraband” and “keeps” them as “enemy property.”

Soon the three former slaves are joined by hundreds more. Based on actual events and accompanied by dramatic illustrations, this poetic picture book follows the runaways as they build a community, which they call Slabtown, in the ruined city of Hampton, once torched by Confederates. At the heart of this community grows a mighty oak, where missionaries illegally teach slave children to read, and a boy recites President Lincoln’s recent Emancipation Proclamation, a promise of freedom to come.

A concluding author’s note provides more information on the Emancipation Oak, now designated one of the 10 Great Trees of the World by the National Geographic Society, and the daring escape of the three slaves. With appeal for younger and older readers alike, Under the Freedom Tree is both a beautiful tribute to a lasting symbol of freedom and a powerful reminder that one brave action can change the course of history.

—Angela Leeper


A TRIBUTE TO A MEMORABLE VOICE

In Josephine, Patricia Hruby Powell writes with great reverence and a vigor fitting to the life of the illustrious performer Josephine Baker. This handsomely designed tribute to Josephine’s life is refreshingly uncluttered in every way: Powell’s free-verse text doesn’t waste any words, and Christian Robinson’s minimalist acrylic illustrations communicate the very essence of Josephine’s vivacious spirit. 

Powell takes readers from Josephine’s poor childhood to her death, and in between she chronicles the major events of her life—her struggles with racial discrimination, her rise to the top, her legendary performances and her efforts to spy for the Allies against the Nazis during WWII. Powell repeatedly uses the powerful metaphor of Josephine as a volcano, often using all caps to emphasize Josephine’s larger-than-life talent. “Deep-trapped steam FLASHED and WHISTLED,” she writes about her signature dance moves. “Josephine was on fire. CALL THE FIRE DEPARTMENT.” Other sparkling metaphors nail Josephine’s stamina and describe her body as “a prizefighter, like a kangaroo, with rhythm in her hips, like a cat ready to strike, a volcano about to burst.” 

The book plays effectively with font size and type to accentuate the major themes of her life. After Josephine gets yet another rejection early in her career, based on her skin color, Powell asks in large, cursive type, “Wasn’t there any place in the world where color didn’t matter?” Quotes from Josephine are also dramatically placed, and Powell chooses those that communicate Josephine’s inner fire: “I improvised, crazy with music. Even my teeth and eyes burned with fever.” 

With grace, simple shapes and lots of style and movement, this book perfectly captures Josephine, with a varied and vibrant color palette that complements her dynamic personality. Josephine is an extraordinary tribute to an American legend. 

—Julie Danielson


LOST LIVES

In The Port Chicago 50, Steve Sheinkin, author of the Newbery Honor book Bomb, tells the harrowing story of the fight for the lives and rights of 50 black sailors. 

On July 17, 1944, more than 300 sailors were killed and almost 400 were injured when several thousand tons of explosives aboard two ships detonated at the Port Chicago naval base in California. When the surviving sailors went back to work, they refused to obey orders to load munitions again. They were too scared to do such a dangerous job without the proper training. It was also worrisome that no white sailors were ordered to load munitions at Port Chicago. Charged with mutiny and facing the death penalty after their continued refusal, the sailors became unsung heroes in the heated battle for racial equality.

Painstakingly researched through recorded interviews, The Port Chicago 50 vividly recounts the fear and anxiety surrounding the explosion. From 17-year-old sailors to respected, 23-year-old informal leader Joseph Smalls, Sheinkin provides powerful first-hand accounts of these events. Long, complicated court transcripts and documents are presented as edge-of-your-seat drama. 

Sheinkin does an admirable job describing for young readers the profound impact these sailors had on civil rights and the integration of the Navy. This is a fascinating read on an important event in U.S. history. 

—Sada Stipe


FINDING HER FREEDOM

In 1848, 15-year-old Willow lives on a plantation so far north in Maryland that the Mason-Dixon Line lies just beyond her mother’s grave. Although she barely remembers her mother, Willow desperately needs her advice. Papa is planning to marry Willow off to a man on the neighboring plantation, a very different place from the “gentle” plantation life she has known. The owner of Willow’s plantation has even taught her to read—but no one knows that Willow has gone on to teach herself to write. One morning, Willow catches sight of two black men riding horses into free Pennsylvania. If they are fugitive slaves, then just seeing them is dangerous. As it turns out, one of the men is 17-year-old Cato, a free man, who changes everything Willow has grown to believe about her future. 

In a highly credible fashion, Willow grapples with her choices—she is as afraid of the path of freedom as she is of the certain horrors of continued enslavement. Perhaps most important to Willow, however, are the secrets she learns about the fate of her own mother, a beautiful and educated African woman.

Author Tonya Cherie Hegamin slides period details into Willow’s simple, insightful narrative, creating a fluid reading experience only slightly interrupted by the occasional shift to Cato’s third-person narration. Willow is a well-researched historical novel that features a unique aspect of American slavery.

—Diane Colson

Remembering the sacrifices and successes of African Americans—from unexpected champions of civil rights to talented performers who dreamed big—is one of the most inspiring ways to celebrate Black History Month. If we keep teaching our children well, racism just may someday be a thing of the past.

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Even if the weather is still cold, it’s time to start thinking about the change in seasons. Springtime means new beginnings and the chance to play outside and appreciate nature. Preschoolers and their parents and teachers will love these three new picture books that celebrate the joys of nature.

Jennifer Ward teams up with master paper artist Steve Jenkins in Mama Built a Little Nest (ages 4 to 8). From the title page, where a cactus is used as a wren’s nest, to the final spreads where the reader realizes that a bed is a nest for a person, the young lap listener can celebrate nests of all sorts. The gently rhyming text (which can be sung to the tune of “Mary Had a Little Lamb”) is easy to follow and is presented in a generous typeface. Smaller type follows later, and this is where the author presents the book’s more scientific information.

Budding bird lovers will find lots to appreciate, from woodpeckers and hummingbirds to cowbirds and penguins. Jenkins’ cut-paper collages, so familiar in many other nature books, are stunning and make excellent use of white space. Ward’s light humor makes these short poems unforgettable: “Daddy built a little nest— / now don’t gross out—with spit. / Who would have thought that spit would make / the perfect place to sit?”

A BUG’S WORLD

Some Bugs (ages 4 to 8), written by Angela DiTerlizzi and illustrated by Brendan Wenzel, is another fine book for the very youngest reader. Bugs—insects and spiders alike—are endlessly fascinating, aren’t they? With the simplest of text and effortless rhyme, DiTerlizzi tells a lot: “Some bugs sting. Some bugs bite. Some bugs stink.” Turn the page for the kicker: “And some bugs fight!” The collage, crayon and paint illustrations show bugs in their natural environments and are sure to bring a chuckle to the reader, no matter how old. Each insect is shown with exaggerated bug eyes (pun intended), often looking directly at the reader. The final page reveals a marvelous surprise: The previous spreads have been close-ups of the child’s backyard, which is now shown in its entirety. Delightful!

GROWING UP

Seeds live in the soil and are reluctant to make their way to the surface in Rooting for You (ages 3 to 5), written by Susan Hood and illustrated by Matthew Cordell. One little green seed (a pea?) is NOT coming out of the earth. Alone with the earthworms and cicadas, he seems nervous and worried. Just like teachers and parents cheer for children, all the little earthy critters cheer on our little pea as he sticks out one little root—and then a shoot, and so on.

The book works regardless of whether young readers recognize the seed as a symbol for new experiences, so it’s no big deal if the message goes unnoticed. Whether your little one is heading for preschool or for college, let her know that you are rooting for her!

 

Robin Smith lives in Nashville, where she teaches second grade, knits and reads, sometimes all at the same time.

Even if the weather is still cold, it’s time to start thinking about the change in seasons. Springtime means new beginnings and the chance to play outside and appreciate nature. Preschoolers and their parents and teachers will love these three new picture books that celebrate the joys of nature.

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National Poetry Month begins with April Fools’ Day. Coincidence? Perhaps not. These three books for young readers goof, spoof and are rarely, if ever, aloof. They make poetry and reading as easy as breathing, and also a lot of fun.

“My sister likes to sing a lot, / but some, like me, prefer she not.” Outside the Box (ages 7 to 10) dots comical couplets like this one among longer works, covering such topics as school, holidays, superstitions and how great salad would taste if you could just leave out all the vegetables (so true!). Author Karma Wilson’s verses are illustrated with black-and-white art from Diane Goode, and the pictures grace the words with additional humor. (In one illustration, a Good Samaritan certificate is drawn to indicate it was a free Internet download.) Outside the Box is dedicated to Shel Silverstein, and a streak of gentle subversion—much like in his poems—runs through it. Thoughtful, funny and sometimes gross, these poems have solid kid appeal.

A PANDA’S YEAR
Jon J Muth’s Hi, Koo!: A Year of Seasons (ages 4 to 8) is a beautiful introduction to haiku, following a panda and two human friends through the four seasons. From outdoor play to spending the winter watching too much TV (“my eyes are square”), each poem is accompanied by a watercolor illustration of Koo or his friends. The images are largely joyful, but there are pensive moments as well (“killing a bug / afterward / feeling alone and Sad”), which allow for discussion of difficult emotions. Muth capitalizes one letter in each poem, so there’s an A-to-Z sequence readers can follow. The calming sounds, short poems and paintings set in nature make this an ideal bedtime book.

VROOM VROOM
“You thought the dinosaurs were dead?! / The cars behind our school / Are big Tyrannosaurus wrecks / That run on fossil fuel.” The wild rides in Poem-mobiles: Crazy Car Poems (ages 4 to 8) include a rubber band car, an egg car and a hot dog car with the value-added feature that it runs on sauerkraut and “when you’re done / You simply eat it.” That sure saves on parking. J. Patrick Lewis and Douglas Florian wrote the lively and humorous poems, and artist Jeremy Holmes brings them to vibrant life with paintings full of visual puns, lush colors and retro styling. Read the poems aloud—they’re snappy as bubblegum—then spend 10 minutes spotting all the visual treats that accompany them. Poem-mobiles will win over any reluctant reader who lights up at the sound of an engine, after which they’ll delight in dreaming up new cars from the stuff of daily life. It’s a clever way to jump-start young imaginations.

National Poetry Month begins with April Fools’ Day. Coincidence? Perhaps not. These three books for young readers goof, spoof and are rarely, if ever, aloof. They make poetry and reading as easy as breathing, and also a lot of fun.

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It’s never too early to start teaching kids about the importance of friendship. Offering lessons to live by, three delightful new picture books demonstrate the rewards of team effort and the power of partnership. As these clever tales prove, pitching in to help a pal—whether it’s with a stroke-of-genius idea or a simple word of cheer—can make a world of difference. That’s what friends are for!

A HIGH-FLYING TALE OF TEAMWORK
No goal is unattainable if you’ve got a gang of buddies to lend a hand. Of course it helps if they have smarts and pluck, like the animals that assist their penguin pal in Kerstin Schoene’s A Mountain of Friends. Giraffe, toucan, elephant, snake—all are concerned about the little penguin, who, attired in a tiny black hat and matching bow tie, slouches glumly on a chunk of ice. This bird clearly has the blues! Why? The flippers he possesses instead of wings prevent him from taking to the air. “Just once I want to soar above the clouds,” the penguin says.

In a fun twist, readers are prompted to rotate the book, which takes on a vertical orientation as the resourceful animals assemble themselves into a precarious pile that reaches to the sky. And who’s at the very top? The penguin! Poised on the tip of the elephant’s trunk, he’s able to enjoy—at last—the feeling of flight. Rendered vividly in chalk, pencil and watercolor, Schoene’s furred and feathered group shows just how important it is to support a friend in need. With its irresistible illustrations and inspiring upshot, this story soars.

A HOUSE BUILT ON FRIENDSHIP
Willingness to compromise is a terrific quality in a friend, as demonstrated by the companion-critters in Kit Chase’s new book, Oliver’s Tree. There’s Lulu, a dainty little bird, and Charlie, a trim, gray bunny. Both take to the trees in the forest with ease. If only Oliver, their elephant friend, could join them! During games of hide-and-seek, Oliver, with his big, gray bulk, is at a decided disadvantage. Lulu’s so light she can vanish up in the branches, and Charlie’s so slight he can hide inside a stump, but Oliver’s weight is too great for any tree. His attempt to scale a low-hanging limb ends in a crash.

Thoroughly dejected, Oliver stalks off and falls asleep. But Lulu and Charlie have an idea. On a broad, flat tree stump, using sticks and moss, leaves and rocks, they build a whimsical house. Size-wise—“not too small and not too tall”—it suits the trio to a T, and Oliver soon joins his buddies there for an inaugural game of pirates. Problem solved! Chase does a wonderful job of depicting the riches of nature—delicate mushrooms and vibrant blooms—with ink and watercolors. Her pink-cheeked woodland pals make this tale of cooperation a winner.

FRIENDS IN FLIGHT
Lita Judge’s too-funny Flight School is the tale of a misfit (another anatomically challenged penguin, as it happens) who, with the help of his mates, graduates with—there’s no better way to say it—flying colors. School is in full swing, and birds of every feather have gathered near a dock to try out their wings, including one latecomer—a penguin who’s more than ready to soar. “I have the soul of an eagle,” he says. Teacher, a stern-looking bird with a pince-nez balanced on his beak, regards his tardy pupil doubtfully but allows him to join the group.

After weeks of practice, the class is ready for flight day. Penguin takes off, but his flippers fail, and he belly-flops into the ocean. When he resurfaces, he’s ready to quit. But his chums come up with a clever way of getting him into the air. In the end, Penguin is so happy with his flight-school experience that he brings a new student to class—an ostrich “with the soul of a swallow.” Uh-oh.

Ford’s storytelling genius shines through her richly detailed watercolor and pencil illustrations. Her birds have character to spare. Overall grade: A+.

It’s never too early to start teaching kids about the importance of friendship. Offering lessons to live by, three delightful new picture books demonstrate the rewards of team effort and the power of partnership. As these clever tales prove, pitching in to help a pal—whether it’s with a stroke-of-genius idea or a simple word of cheer—can make a world of difference. That’s what friends are for!

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Featuring creatures with outsize personalities whose slightly subversive behavior is hugely hilarious, the picture books featured below are about defying expectations and bending the rules. Young readers, show the world who you really are!

Delightfully demonstrating the adage that there’s “nothing to fear but fear itself,” Jill Esbaum’s I Am Cow, Hear Me Moo! is a triumphant tale of self-reliance that features, of all creatures, a cow. In the barnyard one day, Nadine boasts about her own bravery, impressing her cow comrades, Starla and Nanette. To test her courage, the two suggest a trek to the forest. Nadine is game, although the sight of the woods—overgrown, dark and dense—quickly sparks fear in her heart. Nadine discovers that she loves the woods, but when she becomes separated from her friends and night falls, she’s terrified. With a twitch of her own tail, she spooks herself and takes off at a mad trot. But she soon bumps into her buddies, who were hopelessly lost. Convinced that Nadine saved them, they celebrate her as a hero—not quite the truth, Nadine knows, but close enough! Esbaum’s rollicking, rhymed lines give this inspiring story momentum, while Gus Gordon’s clever mixed-media illustrations will draw the kiddos in for a closer look. Who knew that fear could be fun?

HOLLYWOOD STARS
And the Best Comedy Award goes to . . . Richard T. Morris and Tom Lichtenheld for their screwball offering, This Is a Moose. Set in the woods during the shooting of a movie, this zany tale is the story of a star who eludes the typecasting trap and pursues new dreams. The lead, a moose with broad antlers and a defiant stance, has something to declare: He wants to be an astronaut! Clad as a spaceman, he steps before the camera, causing the director to call “cut”—the first of many such eruptions, as the star and his animal pals usurp the production. With gags aimed at grownups, showbiz jokes and a quintessential dictator-director, this is a brilliant send-up of cinema culture. On this set, a bear serves as gaffer, a chimp mans the camera, and a kangaroo wields the clapper. Lichtenheld is the real director here: His antic illustrations in ink, pencil and gouache make Moose a future classic. Readers will applaud this behind-the-scenes movie spoof.

HOW-TO HIGH JINKS
Camp Rex, Molly Idle’s madcap sleepaway adventure, features the blue-eyed tykes from her previous book, Tea Rex. This time around, the proceedings are less civilized, as blonde and beaming Cordelia and her impish younger brother (with teddy bear in tow) rough it in the wilderness with four grinning, agreeable dinosaurs. No regulation troupe, this! Led by the granddaddy of them all, T. Rex, whose kit consists of a red neckerchief and a minuscule scout hat, the gang goes on a march and (after some inexpert attempts at pitching tents) sets up camp. When it comes time to gather round the fire, T. Rex tears a tree from the ground, attaches marshmallows to the roots and gets to roasting! Idle plays it straight in the text, adopting a serious, how-to-camp tone that stands in hilarious contrast to her genius drawings. This is an irresistible trip readers will want to go on again and again.

 

This article was originally published in the May 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Featuring creatures with outsize personalities whose slightly subversive behavior is hugely hilarious, the picture books featured below are about defying expectations and bending the rules. Young readers, show the world who you really are!

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