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Three delightful new Disney-related titles have arrived in time for the gift-giving weeks that lie ahead, with options for adults and little readers alike. Disney devotees young and old are in for a treat this holiday season!


The Queens of Animation by Nathalia Holt
Art lovers, film-history buffs and those drawn to all things Disney will adore Nathalia Holt’s The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History. Holt, bestselling author of Rise of the Rocket Girls, offers an invaluable account of the studio’s overlooked female artists and writers—women who played key roles in the creation of classic films, enduring on-the-job discrimination and other obstacles along the way.

The book’s many unforgettable figures include Grace Huntington, the second woman to land a spot in Disney’s story department; Sylvia Moberly-Holland, whose ideas and artwork shaped the films Bambi and Fantasia; and Mary Blair, who created concept art for many a beloved movie and provided designs for the Disneyland ride “it’s a small world.” Holt also spotlights the work of current Disney women. Spanning nearly eight decades, her timely, well-crafted book gives an important group of artists their due.

Mary Blair’s Unique Flair by Amy Novesky
Mary Blair was indeed an animation queen, and she receives the royal treatment in Mary Blair’s Unique Flair: The Girl Who Became One of the Disney Legends. Author Amy Novesky delivers an accessible account of Blair’s life in this terrific children’s nonfiction book. An aspiring artist from the get-go, young Blair is captivated by color, but her parents lack the funds to pay for paint and other materials. Undeterred, she follows her dream, getting into art school and going on “to create colorful happily ever afters” at Walt Disney Studios, where she works on Cinderella and Peter Pan.

Mary’s story is brought to vivid life through Brittney Lee’s sensational cut-paper and gouache illustrations, which have the twinkling refinement of a Disney cartoon—small wonder, since Lee is an artist at (you guessed it!) Disney Animation Studios. This inspiring book is the perfect stocking stuffer for little illustrators-to-be.

They Drew as They Pleased Volume 5 by Didier Ghez
Animation fans and Disney aficionados alike will be wowed by They Drew as They Pleased Volume 5: The Hidden Art of Disney’s Early Renaissance: The 1970s and 1980s by Disney historian Didier Ghez. As the newest entry in Ghez’s series on the evolution of Disney, the book focuses on celebrated artists Ken Anderson and Mel Shaw, first-class draftsmen and storytellers at Disney who, after the death of Walt in 1966, breathed new life into the medium of animation at the studio.

In the 1970s and 80s, the two artists brought their creative talents to bear on cherished films such as Robin Hood and The Rescuers. They Drew as They Pleased abounds with their colorful concept drawings, character designs and sketches and includes fascinating facts about their working methods. From start to finish, the book is a Disney lover’s dream—and a stellar tribute to a pair of animation pioneers.

Three delightful new Disney-related titles have arrived in time for the gift-giving weeks that lie ahead, with options for adults and little readers alike.
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The thrill of a big snowfall. Snow angels. Snow days! These three picture books celebrate the snowy season. 


Some Snow Is . . .

Ellen Yeomans’ Some Snow Is . . . revels in winter, exploring how wildly different each snowfall can be. There’s First Snow (the “we’ve waited for so long snow”) and Spring Snow (“time to go away snow”), with lots of variations in between. There’s Yellow Snow (uh oh, watch out) and Sledding Snow, which takes your breath away and freezes your face. Yeomans also explores the emotional extremes of such weather—from the frustration of light, early-winter Fluff Snow that doesn’t stick, to the complicated relationship with Driveway Snow, which makes Papa growl but also allows the building of a snow fort, which succeeds in making Papa smile. 

Illustrator Andrea Offermann takes readers on this journey with three children, best friends eager for outdoor winter play. She juxtaposes vivid colors against the bright white of snowfall. In one striking spread, we see a field of snow angels formed by a group of happy children, the text reading merely, “A flock of angels sing.” On a spread about Snow Day snow, Offermann’s energetic pen-and-ink lines nearly conceal houses in “a world of swirling white.” 

Yeomans writes in pleasing, flowing rhymes that form paired stanzas, with the first three lines of each stanza ending with “snow.” It all makes for an engaging read-aloud. 

Snowy Race

It’s another wondrous, wintry world in April Jones Prince’s Snowy Race. A young girl rides with her father in his snowplow. She has been counting down to this day and now feels abundant pride at the opportunity to help. But the snowplow does more than just clear the roads; it also takes the two of them to meet someone special at the train station, kicking off a thrilling race to reach a family member they love. 

Prince effectively uses short rhyming phrases (“whirl of snow”) and simple sentences (“off we go”), making this briskly paced tale a winning storytime choice. Prince writes with bustling verbs—slip, slide, chase, spin, whistling, howling, climbing, growling—as the plow chugs along, the snowy winds accumulate and father and daughter, always smiling, brave the elements. 

The page turns on these landscape-oriented spreads are especially compelling as the vehicle plows through the snow toward its destination. At one point, illustrator Christine Davenier even puts readers in the vehicle, seated behind father and daughter as we look through the windshield with them. Reds, greens and blues pop off these snowy-white spreads, as do the lemony yellows of the snowplow’s headlights and the sun trying to peek through winter clouds. 

The final spread is a wordless one, showing a family happy to be together—warm, safe and snug inside on a frigid winter’s day. Look closely at the opening and closing endpapers to see the impressive amount of snow that fell during the adventure.  

Almost Time

Written by Newbery Honor recipient Gary D. Schmidt and his late wife, Elizabeth Stickney (a pseudonym), Almost Time is a story about anticipating the turning of the seasons. Ethan is eager for winter’s exit, when the warmer weather causes the sap from the trees to run. But for now, there’s no maple syrup on his pancakes, cornbread or oatmeal. He must wait patiently for the days to heat up and the nights to get shorter. 

One day, he discovers a loose tooth. Eager to pull it, Ethan now has “two things to wait for.” Even children unfamiliar with the process of collecting and boiling sap—which illustrator G. Brian Karas depicts in three of the book’s final spreads—can relate to this story, because all children know how interminably slow time creeps when they’re excited for something to happen. 

Karas depicts the joys of sledding and chopping wood in a cozy, wintry-white world, even if Ethan wears an impatient scowl as he does these things. He’d rather be single-mindedly wriggling his tooth, thanks very much, or trying “not to think about maple syrup.” Once the sap starts to run, his tooth also comes out; it was all worth the wait. Spreads dominated by white snow make way for a closing spread of warm greens, as the snow melts and Ethan finally gets sweet maple syrup on his pancakes. 

The thrill of a big snowfall. Snow angels. Snow days! These three picture books celebrate the snowy season. 


Some Snow Is . . . Ellen Yeomans’ Some Snow Is . . . revels in winter, exploring how wildly different each snowfall can be. There’s First Snow (the “we’ve waited for…

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Four new picture books celebrate the lives of African Americans who have contributed to the arts, sciences and the written word. 


The Secret Garden of George Washington Carver

The Secret Garden of George Washington Carver opens in 1921 on the historic day that Carver addressed Congress and evangelized the many uses of the peanut. From there, author Gene Barretta travels back to 1874 to meet a frail young Carver, who lived with a white couple on the farm where he was once enslaved. Carver, who loved working in nature, tended to a secret garden. At age 12, he left the farm and eventually became the first black man to graduate from Iowa Agricultural College. Although the rest of the book emphasizes Carver’s contributions to botany and agriculture, Barretta goes beyond Carver’s work with peanuts, highlighting his innovative work in science and education and describing him as a “folk hero.” 

The final spread shows Carver as an elderly man, tending to yet another secluded garden. Illustrator Frank Morrison, working in richly colored oils, depicts Carver’s tall frame, resting on a cane, looking out over a field of vibrant flowers. Throughout the book, Morrison’s use of light is particularly effective, whether it’s the warm light that glows from behind the elderly Carver as he speaks to Congress or the rays of sunlight that illuminate his boyhood garden. The illustrations shine in this ode to a celebrated inventor who was “always ready to serve humanity.” 

By and By

By and By tells the life story of Charles Tindley, composer of dozens of hymns. Acclaimed poet Carole Boston Weatherford narrates via spare rhymes that read as if Tindley himself is singing directly to readers. “My life is a sermon inside a song,” the book opens. “I’ll sing it for you. Won’t take long.” 

Tindley’s life was remarkable. Since his mother was a free woman, he was spared from slavery at birth in Maryland. But when she died, he was hired out. He learned about scripture from spirituals sung in the fields. He taught himself to read and walked barefoot to church every Sunday. As an adult, Tindley promised himself he would learn one thing each day: “Farmhand by day, student by night.” He married, moved to Philadelphia, continued his education and became the pastor of the very church where he once worked as a janitor. As he nurtured his congregation, his “small flock” grew, and he wrote the influential hymnal Soul Echoes

Bryan Collier’s watercolor and collage illustrations, which incorporate sheet music, are a rich and layered tribute to Tindley’s life. The book’s backmatter includes a list of hymns that Weatherford quotes throughout the text. This first picture book biography of Tindley is a superb introduction to the man who left a rich legacy in American gospel music. 

The Power of Her Pen

Award-winning author Lesa Cline-Ransome tells the story of another talented writer in The Power of Her Pen, chronicling the life and career of journalist Ethel L. Payne, known as the “First Lady of the Black Press.” Although it begins with Payne’s childhood, describing a girl with an ear for storytelling, the book focuses primarily on Payne’s accomplishments as a journalist. Payne reported from Tokyo during World War II and worked at the black newspaper The Chicago Defender—all before becoming one of only three black journalists issued a press pass to the Eisenhower White House and the first African American commentator on a national television network. 

Cline-Ransome writes reverently about Payne, who fearlessly asked questions about race that politicians would have preferred to avoid, reported on stories that the mainstream white press dismissed and uncovered answers for those “whose paths were paved with dreams.” In his signature folk-art style, John Parra’s acrylic paintings capture snapshots of Payne’s career. He incorporates many images of birds in flight, a fitting motif for a journalist whose determined reporting “created awareness and activism in the fight for civil rights for people across the globe.” 

★ The Oldest Student

Mary Walker, dubbed “the nation’s oldest student” by the U.S. Department of Education, may not be as well known as Carver, Tindley or Payne, but her life is equally extraordinary. Author Rita Lorraine Hubbard brings Walker’s exceptional story to the page in The Oldest Student: How Mary Walker Learned to Read. In 1863, at the age of 15, Walker was freed from slavery. When she was a teenager, an evangelist gave Walker a Bible, telling her that her “civil rights are in these pages.” Understanding the “squiggles” of that Bible became Walker’s lifelong goal. She eventually moved from Alabama to Tennessee, where, well past the age of 100, she at last learned to read. Walker diligently studied the alphabet, famously noting, “You’re never too old to learn,” and read proudly from her Bible at the age of 116. 

Hubbard commemorates Walker’s story with care; she writes in an author’s note that much about Walker is unknown and explains that she “chose to imagine . . . details to fill in the blanks.” The book’s illustrations come from Caldecott Honoree Oge Mora, who also includes bird imagery as symbolic of Walker’s longing for freedom and her determined spirit. Mora collages scraps of text into many spreads as reminders of Walker’s spectacular accomplishment. It all adds up to a riveting portrait of a strong-willed American icon. 

Four new picture books celebrate the lives of African Americans who have contributed to the arts, sciences and the written word. 


The Secret Garden of George Washington Carver

The Secret Garden of George Washington Carver opens in 1921 on the historic day that Carver…

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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


Charlotte Mason, an English teacher living at the turn of the century, is one of my heroines. She once wrote, “We cannot measure the influence that one or another artist has upon the child’s sense of beauty, upon his power of seeing, as in a picture, the common sights of life; he is enriched more than we know in having really looked at even a single picture.” Her writings have significantly influenced my views on childhood, teaching and the purpose of education. One of her strongly held beliefs was that children should be served “a delectable feast” of literature, music and art. Well-illustrated picture books are all miniature works of art, influencing a “child’s sense of beauty.”

The following books introduce children to three significant illustrators and their art, but they also go beyond just that. They, too, are works of art in their own right that offer children delectable feasts of illustration, information and inspiration.


It Began With a Page: How Gyo Fujikawa Drew the Way written by Kyo Maclear, illustrated by Julie Morstad

Growing up in a Japanese American family, Gyo Fujikawa knew from an early age that she wanted to be an artist. “She loved the feeling of a pencil in her hand.” Though she often felt invisible to her white classmates, her drawings caught the eye of two of her high school teachers. Their encouragement and monetary assistance opened the door for Fujikawa to attend art school and then to travel to Japan for further study.

Upon her return to the United States, she began working as an animator on the East Coast. When her family was sent to an internment camp, however, she struggled to continue drawing. Inspiration returned when she realized that her drawings could help fight the racial prejudice that pervaded the country. Her groundbreaking book, Babies, published in 1963, showed babies of all races playing together, and the book was a great success. Full of action and determination, the story of Fujikawa’s life shows children their natural talents can go far to fight injustice.

  • Comfort and Creativity

    In school, Fujikawa often felt invisible; when her family was sent to an internment camp, her heart was broken. At first, she was so sad that she could not draw, but eventually she began to take comfort in color. Color lifted her spirit, and she wondered, “Could art comfort and lift others too?” Allow time for students to think and journal about a time when they felt invisible, worried, anxious or sad. Come back together and discuss strategies for working through these hard feelings. Ask another question: “What comforts and lifts you when the world feels gray?” For many children (and adults), expressing feelings through a creative project can be a comforting and healthy way of processing emotions. Provide art supplies and let students get lost in a creative project.

  • Women at Disney

    The book’s excellent back matter has a timeline of significant events of Fujikawa’s life. One of the events mentions a Glamour magazine article spotlighting “Girls at Work for Disney.” Show the article to students and ask them what they notice about the caption under Fujikawa name. It reads, “Gyo, a Japanese artist.” What is wrong about this caption? Show students the article and then research some of the other women who worked at Walt Disney. Read aloud Amy Guglielmo’s Pocket Full of Colors: The Magical World of Mary Blair, Disney Artist Extraordinaire and parts of Mindy Johnson’s Pencils, Pens & Brushes: A Great Girls’ Guide to Disney Animation.

  • Sketching a la Gyo

    Set up a Gyo table. Provide copies of her books, white paper, black ink pens and colored pencils. Throughout the week, let students read her books, study her illustrations and create their own Gyo-inspired artwork.


Paper Son: The Inspiring Story of Tyrus Wong, Immigrant and Artist written by Julie Leung, illustrated by Chris Sasaki

Tyrus Wong emigrated from China to the United States when he was only 9 years old. Due to the Chinese Exclusion Act, he was forced to become a “paper son,” to take on a false identity in order to pass through the rigorous strictures of the immigration process. After being detained at Angel Island for weeks, he finally passed the intense interview with immigration authorities and was reunited with his father. He worked hard to graduate from high school and art school.

Landing a job as an “in-betweener” at Walt Disney studios, Wong was excited when production plans were announced for an upcoming film, Bambi. His combination of Western and Eastern artistic styles heavily influenced the film, but he was only credited as a “background artist.” Shedding a light on the difficulties of immigration and showing the practical implications of racism, Wong’s story is sure to spark classroom discussion.

  • Immigration Stories

    Wong was detained for weeks at Angel Island. Read other stories about children who emigrated from China to the United States and compare them to Wong’s experience. My 4th grade students and I read Helen Foster James’ Paper Son: Lee’s Journey to America, parts of Russell Freedman’s Angel Island: Gateway to Gold Mountain and Bette Bao Lord’s In the Year of the Boar and Jackie Robinson, which is one of my very favorite novels.

  • Song Dynasty Art Study

    Tyrus attended art school in Los Angeles and studied artwork from China’s Song dynasty. Combining Western and Eastern styles and influences in his painting allowed him to offer a unique artistic perspective to Bambi. Enlarge a few landscape paintings from the Song Dynasty. Give students time to study them and write down or orally share their observations. Then compare the paintings with stills from Walt Disney’s Bambi. Invite students to share how they think the Song Dynasty paintings influenced Wong’s work in Bambi.

  • History of Animation

    Wong was featured on an episode of the PBS series “American Masters.” Show students the portion of the episode (which starts at the 31:00 minute mark) that discusses Wsong’s work with Walt Disney studios and specifically his work on Bambi, the film that Walt Disney considered to be “the best picture I have ever made, and the best ever to come out of Hollywood,” as he told TIME magazine at the time.


Hi, I’m Norman: The Story of American Illustrator Norman Rockwell written by Robert Burleigh, illustrated by Wendell Minor

Grabbing readers’ attention with engaging first-person narration (“Hi, I’m Norman. Norman Rockwell. Come on in.”), Robert Burleigh’s account of Rockwell’s life and work is a solid introduction to one of America’s most recognized and beloved illustrators.

Starting with his childhood love for “telling stories with pictures,” Rockwell explains how he worked his way through art school and, in an attempt to outrun the fear that he “wasn’t good enough,” accepted menial jobs until five of his illustrations were accepted by the Saturday Evening Post. He recounts how he got his ideas, shares stories about his use of various types of model and informs readers about how major American events, including World War II and racial segregation, influenced his artwork. Inviting and informative, the stories behind the illustrations had my students eagerly begging for me to show them Rockwell’s “real” artwork.

  • The Four Freedoms

    When America entered World War II after the attack on Pearl Harbor, Rockwell was too old to enlist. He decided that he would fight “with the one weapon I had—my art.” Watch a small portion of Roosevelt’s Four Freedoms speech. As a class, discuss the four freedoms. Give older children time to copy down the four freedoms; give younger students an index card with the four freedoms listed. Print out oversize copies of each of the paintings in Rockwell’s Four Freedoms series and hang them around the classroom. Label them numerically, one through four, and let students participate in a silent gallery walk. Can they match each of the four freedoms with its respective painting? Emphasize the power of observation and unhurried art study. After students have spent time studying the art (perhaps the next day), gather back together. Going one painting at a time, let students share their observations and explain which freedom the painting represents. Invite children to discuss, “Do we still have these freedoms today?” and “Do you think everyone in the United States or the world shares these freedoms?”

  • The Problem We All Live With

    Give students two minutes to take a visual inventory of Rockwell’s “The Problem We All Live With” and then let them share what they notice. Ask them if it reminds them of anything or anyone they have encountered in previous learning. Read Ruby Bridges Goes to School: My True Story by Ruby Bridges. Allow time for students to reflect on Bridges’ story. Invite them to consider ideas such as, “Do things like this still happen in our neighborhood, city or world today? Where and how?” Write down their responses on the board or piece of chart paper. Show students the video of Ruby Bridges looking at “The Problem We All Live With” alongside President Obama.

  • Cover Stories

    In the book, Rockwell explains, “Doing covers is doubly hard because a cover has to tell the whole story in just one picture.” Give students time to share or journal about a humorous or meaningful small moment from their life. Can they tell this story through a single illustration? After students have had time to experiment, brainstorm and doodle, provide blank white paper or a Saturday Evening Post template and let them illustrate their story.

Three books introduce children to illustrators and their art and serve as works of art in their own right, offering delectable feasts of illustration, information and inspiration.

Two masters of historical fiction send their heroines on life-changing journeys in these middle grade novels.

Gold Rush Girl
Award-winning author Avi (Crispin: The Cross of Lead, Sophia’s War) opens his latest novel in 1848, when Rhode Islander Tory Blaisdell makes a vow to live like Jane Eyre and control her own destiny. Her resolve is put to the test when her father decides to seek his fortune in the California gold rush, bringing along Tory’s little brother, Jacob. Tory convinces her brother to help her stow away. 

When the trio arrives in San Francisco, they’re confronted by the harsh realities of the mining craze. They trade their middle-class house for a dirt-floor tent on a muddy road. Water costs a dollar a bucket. When Tory’s father departs for the hills, she dresses as a boy to do manual labor. Then Jacob is kidnapped, and Tory and her friends must launch a desperate rescue attempt before he is shipped off as a cabin boy.

Gold Rush Girl tells an adventure-filled but grounded story of what life was like for many families whose dreams of gold came to nothing but who nevertheless made new lives for themselves in California. 

The Blackbird Girls
Anne Blankman’s The Blackbird Girls tackles a subject rarely touched on in middle grade fiction: the Chernobyl nuclear disaster.  

This riveting story opens on the fateful morning of April 26, 1986, when Valentina Kaplan’s father doesn’t return from the late shift at the Chernobyl power station. At school, Valentina’s neighbor and classmate Oksana, whose father also works at Chernobyl, taunts Valentina with anti-Semitic insults. In the aftermath of the disaster, the girls are separated from their mothers and evacuated to Leningrad, where they live with Valentina’s grandmother, Rifka. The experience challenges Oksana’s attitudes about Jewish families, while Valentina begins to connect more deeply with her faith and her family’s history. 

Flashbacks from Rifka’s life during World War II deepen Blankman’s exploration of the transformative power of friendship across time. Rich with historical details, The Blackbird Girls places Valentina and Oksana’s compelling relationship firmly at the story’s center.  

Two masters of historical fiction send their heroines on life-changing journeys in these middle grade novels.

Gold Rush Girl
Award-winning author Avi (Crispin: The Cross of Lead, Sophia’s War) opens his latest novel in 1848, when Rhode Islander Tory Blaisdell makes a vow…

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Families come in all shapes and sizes! Three beautifully executed middle grade novels explore all the ways families can be created through the stories of young people searching for a place in the world.

A Home for Goddesses and Dogs
Thirteen-year-old Lydia rethinks her notions of family in Leslie Connor’s warm and winning A Home for Goddesses and Dogs. Following her mother’s death from heart disease, Lydia moves to a farm in small-town Connecticut with her aunt, Brat.

Brat’s good-natured wife, Eileen, and their aging landlord, Elloroy, also live on the farm, and Lydia does her best to adapt to her surroundings, but matters become complicated when her new guardians take in a rescue mutt. Lydia is not a dog lover!

Through it all, Lydia takes comfort in the collages of resilient women she and her mother made together as a way of maintaining hope while she was dying. When Lydia shows the creations to her new friends, things take a turn for the better.

Connor instills her novel with a rich sense of place, from the “candy-shop wonderful” feed store where Eileen works, to the small school Lydia attends. “Finding friends had been one of the surprises,” Lydia says of her new life. Her hope-filled narrative demonstrates the flexible nature of families and the restorative power of love.

Birdie and Me
J.M.M. Nuanez explores themes similar to Connor’s in her self-assured debut, Birdie and Me. The novel tells the story of Birdie and Jack, a brother-and-sister pair who—after the death of their mother—move from Portland, Oregon, to the small town of Moser, California, where their uncles live.

Named after first ladies Jackie Onassis and Lady Bird Johnson (women their mother admired), they’re a tight twosome. Nine-year-old Birdie loves Audrey Hepburn and favors extravagant, eye-catching outfits. Jack, who is 12, keeps a journal of her observations, a habit she learned from their mom.

In Moser, they live with eccentric, well-meaning Uncle Carl, a slacker in the parenting department, and then with reticent Uncle Patrick, whose structured approach to family life takes some getting used to. When Birdie’s outspoken style makes him a target for bullying at school, Patrick is determined to help him fit in, a process that teaches the siblings about love—and demonstrates that people are rarely what they seem.

The novel alternates between Jack’s first-person narration and her notebook entries, which are funny, smart and heartfelt; a loving inventory of her mother’s belongings, for example, includes a sequin bag, a big clock in the form of a banana and pillows shaped like cheeseburgers. With this impressive first book, Nuanez delivers a nuanced story about modern kinship.

★ Coo
Kaela Noel stretches the definition of family in her whimsical, wonderful debut, Coo. Dropped off in an alley as an infant, Coo is rescued by a flock of pigeons who take her to their home on the rooftop of an old factory. Coo grows up among them, eating leftover tidbits of food and fashioning clothes from newspapers and plastic bags. Burr, a senior bird in the flock, holds a special place in her heart.

Although Coo is aware that she’s different from her beloved family, she considers herself one of them: “She had long ago decided that the roof was her home, her whole world . . . everything beyond it was unnecessary.” All of that changes after Burr is attacked by a hawk and Coo is forced to descend to the city streets to get help, a quest that’s truly terrifying. But when she connects with Tully, who cares for injured birds, she encounters human kindness—and the hope of a real home.

The plot broadens along the way, as the birds’ existence is threatened by city officials and Coo and her new human companions try to help them. Noel writes from the flock’s point of view as well as from Coo’s, and she shifts perspectives effortlessly, with the ease of a seasoned author. Readers will lose themselves in this high-flying story of friendship and home.

Families come in all shapes and sizes! Three beautifully executed middle grade novels explore all the ways families can be created through the stories of young people searching for a place in the world.

A Home for Goddesses and Dogs
Thirteen-year-old Lydia rethinks her…

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Stories about World War II continue to resonate with young readers. These four titles offer distinct formats—a young adult novel, a work of nonfiction, a graphic novel, and a middle grade novel—but all capture the horror, the humanity and the hope of this moment in history.

A Holocaust heroine
Sharon Cameron’s young adult novel The Light in Hidden Places is based on the true story of Holocaust heroine Stefania Podgórska, a 16-year-old Catholic girl in Poland who not only took care of her younger sister but also hid 13 Jewish people in the attic of her tiny apartment.

In order to tell Stefania’s story, Cameron (The Dark Unwinding, The Knowing) did extensive research, which included interviewing several of the attic’s survivors, gaining access to Stefania’s unpublished memoir and traveling with Stefania’s son to Poland. There, they visited the places in which this incredible tale unfolded. Cameron saw for herself the minuscule, cramped space where 13 people cowered for more than two years with no electricity, water or toilet, and which Stefania and her sister could only access via a ladder to bring them food and water and carry out their waste in buckets. 

What’s more, an SS officer lived in an adjacent apartment for months, and by the end of the war, two German nurses had moved into Stefania’s apartment. The nurses often brought their SS boyfriends home for the night, making Stefania feel like she was not only secretly and illegally hiding Jewish people but also “running a Nazi boarding house.”

Cameron’s wide-ranging research and deft storytelling abilities combine to create an astoundingly authentic first-person narration. Her exquisite prose conveys in riveting detail exactly what it was like for Stefania to live through the horrors she witnessed, as well as the difficult decisions that had to be made by both survivors and those who did not, ultimately, survive.

Though it at times reads like a memoir, The Light in Hidden Places is a tense and gripping novel, full of urgency, in which death seems to wait around every corner. Although it’s still early in the year, it seems destined for my list of the best books of 2020.

The Kindertransport kids
When 6-year-old Frieda Korobkin’s parents told her that she and her siblings were going on a “great adventure,” she had no idea they would leave their parents behind in Vienna, Austria, to go to England as part of a Kindertransport, an evacuation effort for Jewish children, in December 1938. As they walked to the train station, two thugs attacked Frieda’s father and cut off his beard. When they finally reached the station, Frieda was so frightened that her father had to force her, kicking and screaming, onto the train; the angry, bewildered girl refused to wave goodbye. “As a result,” she remembers, “I am haunted forever by the image of my father standing desolate and bleeding on that station platform, watching helplessly as the train carrying his four children vanished before his eyes.”

This is just one of the many personal stories included in Deborah Hopkinson’s outstanding work of nonfiction, We Had to Be Brave: Escaping the Nazis on the Kindertransport. This relief effort saved 10,000 children, mainly from Germany and Austria. In engrossing, lively prose, Hopkinson, who contributes regularly to BookPage, has compiled many of their stories, personally contacting many of these now-elderly survivors. “Before they were refugees,” she writes, “before they were victims, before they were survivors, they were ordinary children and teens. They were like you.”

Hopkinson zeroes in on these personal stories while also skillfully setting the historical stage every step of the way. “Look, listen, remember” sidebars throughout the book will guide curious readers to related online video and audio links. Hopkinson also includes a wealth of photographs and helpful follow-up information, including brief accounts of the later years of the many survivors she profiles.

Despite their seemingly bleak circumstances, the survivors’ stories include a multitude of hopeful and redemptive moments. As Hopkinson notes in her introduction: “We may not be able to change the entire world. But what we do matters. We can be brave and raise our voices to make sure others are not silenced, hurt, or bullied.”

We Had to Be Brave is a powerful book that will haunt readers—and should.

Photos of hope amid despair
Bearing witness. That’s what Catherine Colin does in the fascinating graphic novel Catherine’s War, a coming-of-age story written by Julia Billet and inspired by her mother’s life. Like Catherine, Billet’s mother was one of the Jewish children who attended the progressive Sèvres Children’s Home outside Paris and was moved from place to place all over France to avoid capture by the Nazis.

Catherine’s real name is Rachel Cohen. In order to stay alive, she must take on a Catholic identity and leave her family and friends behind. Her Rolleiflex camera becomes both her passion and lifeline, allowing her to chronicle the bright moments as well as the turmoil and danger she encounters as she hides in a monastery school, a rural family farmhouse, a chateau orphanage and a house in the woods that belongs to a fighter in the French Resistance. “I love seeing the world through the viewfinder,” she says. “One click stops time.”

And what a time it is. Claire Fauvel’s lively illustrations help readers keep track of these many locales and of the people Rachel encounters, as well as her multitude of experiences (eating pork soup for the first time, photographing three young girls who are later taken by the German police, falling in love). The easy, sketch-like quality of Fauvel’s panels lends immediacy to the narrative and humanity to the characters. Her illustrations seem particularly suited to moments of tension, especially in scenes where adults must punish the children for small errors that could prove costly, including accidentally responding to their real names or making the sign of the cross with the wrong hand.

Haunted by the losses she has suffered, Catherine stops taking photos for a while, but eventually finds her way back to her camera, able to once again see “beauty everywhere, hidden in each reflection.” She eventually witnesses the liberation of Paris and travels the world to continue her artistic journey. Catherine’s War packs a big story within its pages and serves as a tribute to the healing power of art and and to the promise of hope, even in the midst of death and danger.

Young heroes of France
Maggie Paxson’s 2019 nonfiction book for adults, The Plateau, garnered acclaim for telling the story of the Vivarais-Lignon plateau in southern France. It’s an area that has welcomed refugees for centuries; during World War II, the villagers of Le Chambon successfully hid Jews and foreigners throughout their town. Now, Newbery Honor winner Margi Preus (Heart of a Samurai) focuses on the heroic actions of numerous young people in Le Chambon in Village of Scoundrels, a middle grade novel.

Preus bases her characters on a variety of real-life heroes to tell a bold, exciting story with precision and passion, full of action at every turn. Red-headed Philippe sleeps all day and transports people and vital items on his sled at night. Jean-Paul sets up shop forging documents, putting his life in danger, as he also tries to attend medical school, even though, as a Jewish person, he isn’t allowed to do so. Celeste carries messages for the Resistance and overcomes her paralyzing fears. “It’s as if we’re fighting our own little war, all by ourselves,” she observes. Each of their narratives depicts people, young and old, who must make excruciating moral choices and muster extreme courage in the face of grave danger. Celeste so wisely concludes, “They had no choice but to be brave. They had no choice but to take action.”

Middle-grade readers will be both transfixed and inspired by the many acts of courage chronicled in Village of Scoundrels.

Stories about World War II continue to resonate with young readers. These four titles offer distinct formats—a young adult novel, a work of nonfiction, a graphic novel, and a middle grade novel—but all capture the horror, the humanity and the hope of this moment in…

When we’re feeling anxious or sad, sometimes we need to pause, escape reality for a moment and give ourselves time to find calm. Isn’t it wonderful just to soar above it all? In these two books, that’s exactly what the characters do, as they ride on the wings of birds and planes through the dazzling landscape of imagination.

When You Need Wings
Oh, that flittery-fluttery feeling inside! It’s the one we all get when we’re nervous. Maybe we’re too excited, or we’re afraid something won’t go well, or we just don’t want to do whatever it is we’re about to do. In When You Need Wings, author-illustrator Lita Judge’s evocative, expressive pencil-and-watercolor art shows a little girl who transforms her anxious energy from distressing to enervating, as the narrator encourages and motivates: “That isn’t your heart. It’s the sound of your very own wings, beating within.”

And so, the little girl who wordlessly resists entering the cacophonous playground at Little Dreamers Preschool takes a moment to focus inward. Ethereal white doves fly her away, and suddenly, she’s in a forest, cavorting with wild animals. The Maurice Sendak-style boogieing scenes are joyous and detailed, providing much to discover on repeat reads, from an alligator’s backward baseball cap to a squirrel’s chunky-knit sweater.

Confidence restored, the girl dashes onto the playground, where a gaggle of new friends welcome her. Attentive readers will notice that each new friend is wearing something reminiscent of the forest animals. Clever! It’s a happy, reassuring ending for a beautifully rendered tribute to the quiet kids whose imaginations help them find real-world tranquility and delight.

Paper Planes
In Jim Helmore and Richard Jones’ Paper Planes, we meet best friends and neighbors Mia and Ben, two kiddos who are really, really into making paper airplanes. They frolic with their dogs (who show adorable and assiduous interest in everything the children do), swing on tires, go sailing and plot to build an airplane that’ll make it all the way across the giant lake behind their houses.

Readers will love the kids’ bobblehead-esque proportions—all the better to showcase Mia’s red beret and Ben’s aviator goggles. Dramatic, chalk-textured sweeps of verdant landscape and fish-filled water beckon readers to contemplate what it would be like if (oh, no!) their best friend were to move far away. When it happens to her, Mia feels abandoned and angry, but then she has a wondrous dream: A flock of geese invite her and Ben to climb in planes and join them as they fly through the sky. When Mia awakens, her emotional storm has passed—and a package from Ben arrives in the mail. Won’t she help him finish the airplane he started?

It’s fun to follow Mia’s determined quest as she realizes that strong connections aren’t easily broken. After all, “not even an ocean could keep them apart.” Paper Planes is a meditative, uplifting tale about imagination, resourcefulness and new beginnings that’s sure to inspire an uptick in paper-airplane making.

When we’re feeling anxious or sad, sometimes we need to pause, escape reality for a moment and give ourselves time to find calm. Isn’t it wonderful just to soar above it all?
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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


In my first year of teaching, I taught fourth grade in a school where the students were mostly African American. My students familiar with the names Martin Luther King Jr., Harriet Tubman, Abraham Lincoln and Ruby Bridges. They connected these names with African American history, but their understanding was fragmented. When one of my students asked, “Was Abraham Lincoln at the ‘I Have a Dream’ speech?” I knew that something needed to be done to clarify—and more importantly, to honor—these figures and the history they represented.

An oversized hallway timeline was the answer. I started in February, and for the next three months, I shared books that recounted the contributions of African Americans to our shared history. After each title, my students and I printed pictures and wrote down facts to add to our timeline. This was the beginning of a tradition.

For the past ten years, when February arrives, I pull out the pieces of the timeline and coordinating books. But now, the row of books is far longer than the timeline. Each year brings new stories. There are stories of hatred and heroism, of injustice and integrity, of bigotry and bravery, of pain and perseverance. The stories in the following three books were new to my students—and new to me as well. Share them knowing that stories can be the most powerful weapon in our fight against injustice and the most effective tool for raising compassionate human beings.


Overground Railroad
written by Lesa Cline-Ransome, illustrated by James Ransome

One morning, Ruthie and her Mama and Daddy wake early to board the Silver Meteor, which will take them from North Carolina to New York. Author Lesa Cline-Ransome tells of their journey through simple poems, each describing significant moments of their Great Migration. Though they are “free,” Ruthie’s family continues to face persecution; for example, they are not allowed to eat in the dining car and are ignored by some passengers. Their dream of a life with new freedoms helps them persevere with optimism and hope. The Great Migration is a period often overlooked in African American history curricula, and my students were full of questions sparked by Ruthie’s odyssey.

  • Compare & Contrast

Most students are familiar with the Underground Railroad. On a piece of chart paper, write “Underground Railroad,” then create a list of what students know about it. Supplement a few details if needed. After reading Overground Railroad, explain that Overground Railroad is a term that refers to a historical period known as The Great Migration. I told students, “At the end of World War I, many African Americans left their homes in the South and traveled North for a better life in cities, where most of them had better chances of finding work. Ruthie’s family was going to New York. Other families went to big cities in Illinois, Pennsylvania or Michigan.” Read aloud Jacob Lawrence’s The Great Migration: An American Story and Eloise Greenfield’s The Great Migration: Journey to the North. On another sheet of chart paper, write what the students know about the Overground Railroad. Using the class’s information, create a Venn diagram comparing the Underground Railroad to the Overground Railroad.

  • Biographies

Ruthie’s teacher gives her the a copy of Narrative of the Life of Frederick Douglass. It becomes her companion as she undertakes a journey much like Douglass’. Though they lived many years apart, Douglass and Ruthie both share feelings of hope and trepidation. Like Douglass, Ruthie is “running from and running to at the same time.”

Gather several picture book biographies and place them in a designated spot in your classroom. For the next few days, encourage your students to read several (ideally more than 10). Prompt them to consider which biography resonated with them. Ask, “How is this person’s life like your life? How is this person like you?” Turn this into a larger biography project with the understanding that, as a part of the project, students must connect this person’s life with their own.


A Ride to Remember
written by Sharon Langley and Amy Nathan, illustrated by Floyd Cooper

In this biographical picture book, Sharon Langley recounts the story of her monumental carousel ride. Prior to 1963, children like Shirley and their families were not allowed to enter the local amusement park because of a segregation law. The process of integration was not easy; it included peaceful protests and a series of arrests before the park became open to everyone. The narrative thread, a conversation between Sharon and her mother, makes the Civil Rights Movement accessible for the youngest of readers. By focusing on a small yet universal childhood experience, Sharon’s story will spark empathy as students see the weight and grief of injustice and how segregation affected the daily life of all African Americans.

  • Significance of Objects

The Gwynne Oak Amusement Park carousel, renamed the Carousel on the Mall, was installed on Washington’s National Mall in 1981. Using Google Earth, show students the carousel. Ask, “Why is this carousel so important that it is deserves a place along the National Mall?” Guide them to the idea that historical objects are valuable and special because of what they symbolize. The carousel itself is just painted wooden horses, but it serves as a reminder of the our Civil Rights journey. It is a tangible representation of the idea that equality means “nobody first and nobody last, everyone equal, having fun together.” Show students other historical objects that are significant for what they represent. Using the Smithsonian’s online collection, we looked at the Greensboro lunch counter and a broken bus window and discussed what these objects represented in the fight for Civil Rights.

  • Local Civil Rights History

A Ride to Remember focuses on an incident in a local community that was a small representation of what was happening on larger scale around the country. Contact your local library and ask if they have any Civil Rights resources that tell stories from your community. If possible, invite a guest speaker to come share their experience of growing up during this time.

  • The March on Washington

Sharon’s historical ride occurred on Aug. 28, 1963—the same day that Martin Luther King addressed the crowd at the March on Washington for Jobs and Freedom. Give your students more context about this event by watching footage and reading aloud two excellent picture books, Shane W. Evans’ We March and Angela Johnson’s A Sweet Smell of Roses. Both books are told through the eyes of a child. Invite students to use what they have learned to write a first-person narrative imagining what it was like to be part of the march. Encourage them to include the sights, sounds, smells and sensory details of the day.


Big Papa and the Time Machine
written by Daniel Bernstrom, illustrated by Shane W. Evans

When a young grandson expresses first-day-of-school nerves, he becomes a passenger in Big Papa’s vintage car on a journey through the past. Together, the pair visits the places that formed Big Papa and determined the course of his life. Each stop shows Big Papa taking action despite his own nervousness and fear of the unknown that accompanies all significant transitions. Bernstrom writes dialogue between the two that’s honest and full of wisdom. Without veering into didactic or overly saccharine territory, Big Papa shows his grandson that courage is not the absence of fear, but the choice to carry on through it. Both the textual story (the journey through historical events) and the subtextual story (acknowledging and facing our fears) are strong testaments to the courage and sacrifices of older generations and will help students understand that the freedoms and privileges they enjoy today were hard-earned.

  • Time Travel

Oh, time travel, that most magical of concepts! Invite older students to plan their own journey though the past. As a class, brainstorm historical events to get ideas flowing, then let students take over with their own ideas. My students’ journeys included everything from “The 1998 National Championship game,” “my mother’s high school graduation,” “the 1960 Olympics, so I can watch Wilma Rudolph” and “my first day of kindergarten.”

Use butcher paper to create a long timeline. Let students work together to determine the earliest year of their journeys and then to decide how to mark the other years. After the timeline structure is in place, let each student add their journey stops to the timeline.

  • Bravery Interviews

Big Papa acknowledges his fear and nerves at each new situation, but he explains, “ . . . sometimes you have to jump in an ocean of scared.” Later, Big Papa tells his grandson that being scared never goes away.

When I was in elementary school, I thought adults were never afraid. After I read this book to my students, I shared a few understandable instances in my life when I felt nervous and scared. Like Big Papa, persevering through these fears resulted in growth and joy. Ask students to interview parents, grandparents or other adults in the school. As a class, create some questions so that students will have purpose and clarity in their interviews. Realizing that everyone has fears and uncertainty can be a liberating concept for children. This exercise gives them assurance that their personal fears are not unusual or wrong.

Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


In my first year of teaching, I taught fourth grade in a school where…

The battle of cats versus dogs has raged among BookPagers for more than 30 years. This month, we’re picking sides and sharing some of our favorite literary cats and dogs.

The Duchess Deal by Tessa Dare

Taken aback by a duke’s proposal of marriage (he wants an heir to spite his annoying cousin, just go with it), Emma Gladstone insists on bringing her cat to their new home. Emma doesn’t actually have a cat, but she wants something she can love while entering into a marriage that promises to be little more than a business arrangement. But a harried Emma only has time to find Breeches, the angriest and ugliest alley cat in all the land. Breeches proceeds to stalk through the chapters of Dare’s hilarious historical romance like the xenomorph from Alien, interrupting love scenes, stealing fish from the dining table and generally being a total nuisance. The reveal of why Emma named him Breeches in the first place is both giddily funny and oddly touching, which is basically The Duchess Deal in a nutshell.

—Savanna, Associate Editor


A Small Thing . . . but Big by Tony Johnston, illustrated by Hadley Hooper

A Small Thing . . . but Big is a deceptively simple charmer. A little girl goes to the park and, gradually, overcomes her fear of dogs, thanks to a fuzzy muppet named Cecile and the dog’s owner, who is only ever referred to as “the old man.” Illustrator Hadley Hooper’s spreads are a masterclass in expression and framing, and Tony Johnston’s language is delicate and playful, as Lizzie “carefully, oh carefully” pats Cecile, then works her way up to “springingly, oh springingly” walking her around the park. “All dogs are good if you give them a chance,” Cecile’s owner tells Lizzie, and by the end of the book, it’s clear that Lizzie agrees. It’s a practically perfect picture book: a small thing . . . but big.

—Stephanie, Associate Editor


Dewey by Vicki Myron

When you are a notorious cat lady, people send you cat stuff—cat memes, cat socks, cat salt and pepper shakers and, occasionally, cat books. My grandma sent me a copy of Dewey when I was in college, and initially I thought, “Thanks, Grandma, but I’ve got a lot of Sartre to get through before I have time for a heartwarming cat memoir.” Reluctantly, I started skimming. A helpless kitten is abandoned through the book-return slot of an Iowa library. A librarian fallen on hard times discovers and raises him. A community is transformed through the affections of a bushy, orange cat. Before I knew it, I was reading this book every night before bed, and by the end, I was openly weeping. Fellow cat ladies and laddies, put your pretensions aside and give this one a chance.

—Christy, Associate Editor


Good Boy by Jennifer Finney Boylan

Jennifer Finney Boylan knows that to write about dogs is to write about the very nature of love. “Nothing is harder than loving human beings,” she writes, but loving a very good dog has the power to remind us of our best selves—and to reveal who we are in our human relationships. Boylan offers an ode to all the dogs she’s loved before in Good Boy, a memoir-via-dogs coming April 21. Dog books are sometimes just a vehicle for crying, so for me, the inevitable bittersweetness can never be maudlin. And if memoir can help us better understand our own stories, then breaking up our memories into dog treat-size bites is a special exercise for anyone who puts unreasonable expectations on their best friend. (For the record, my dog is very good. Perfect, even.)

—Cat, Deputy Editor


Kafka on the Shore by Haruki Murakami

Cats are intelligent, if not outright magical creatures. Their attitudes, their curiosity, the uncannily human pathos in their meows all let us know there is something going on beneath the surface. Japanese author Haruki Murakami is aware of this, and so he took advantage of cats’ magic in Kafka on the Shore. In the story, Mr. Nakata, one of two central characters, has the ability to speak to cats and makes a living searching for lost felines. We see Mr. Nakata use his abilities in a few hilarious scenes before he loses his ability to speak to cats, but as the story unfolds, cats become a central part in unlocking the mysteries that send Mr. Nakata on a journey across Japan. Murakami uses the whimsical magic of cats to unfold grand metaphysical mysteries.

—Eric, Editorial Intern

The battle of cats versus dogs has raged among BookPagers for more than 30 years. This month, we’re picking sides and sharing some of our favorite literary cats and dogs.
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Past the “read me a story” stage? Try these books next!

If your young reader’s relationship with books has progressed beyond sitting quietly as you read aloud to them, this roundup is for you. We’ve gathered three titles of varying lengths and difficulty levels that are perfect for readers ready to go it alone. Each is sure to challenge and delight kiddos who are on their way to tackling stories independently. 

Baloney and Friends

Greg Pizzoli’s Baloney and Friends, a collection of short tales presented as a graphic novel, is the first entry in a new series. A scene-stealer from the start, Baloney is a precocious pig that little ones are sure to adore. In the introductory tale, he tries to hog the spotlight, but he’s soon joined by his pals, who are all equally deserving of attention. There’s Peanut, an imperturbably good-natured horse; Krabbit, a crotchety cottontail; and Bizz, a very wise bee. 

Pizzoli brings the crew’s contrasting dispositions to vivid life in cleverly designed comic panels. When Baloney tries to stage a magic show, Krabbit is skeptical of his skills, while Peanut, a pushover, falls for Baloney’s tricks. Bizz, meanwhile, serves as the voice of reason throughout the proceedings. Whether Baloney is feeling sad or trying to disguise his fear of water when his friends go swimming, his chums will always cheer him up. Pizzoli’s colorful illustrations and easy-to-take-in text will attract up-and-coming readers and leave them wanting more madcap episodes of “the one and only Baloney!”

Charlie & Mouse Outdoors

Story lovers ready to take on a more intricate tale will enjoy Laurel Snyder’s Charlie & Mouse Outdoors. Featuring charming artwork by Emily Hughes, it’s the latest entry in Snyder’s beloved Charlie & Mouse series. This time around, brothers Charlie and Mouse trek into the woods with their parents for an overnight stay that’s full of surprises. 

On the long car ride to the campsite, the boys are bored, but once they hit the hiking trails, the excitement begins. During a walk, they battle a big bush monster and get startled by a wild pig. Afterward in their tent, they shut out the spooky stuff by focusing on things that are nice. “You know what isn’t ever scary?” Charlie says. “Kittens!” As darkness falls, they roast marshmallows with a little direction from Dad. Sundown also brings storytime, a cozy conclusion to an eventful day. 

In Hughes’ delicate yet expressive illustrations, Charlie and Mouse are endearing brown-eyed boys awakening to the wonders of the big wild world around them. Their latest chronicle will engage youngsters while helping them build reading skills and confidence.

Wayside School Beneath the Cloud of Doom

Self-reliant readers primed for a longer, more substantial story will find big fun in Louis Sachar’s Wayside School Beneath the Cloud of Doom. The fourth entry in Sachar’s popular Wayside School series (and the first new Wayside title in 25 years!), Cloud of Doom documents the daily doings of the oddball institution. Wayside is still no ordinary school; Principal Kidswatter shrieks into a microphone to signal the start of the day, and Miss Mush, who runs the cafeteria, serves up pepper-only pizza and spaghetti and feetballs.

Mrs. Jewls’ class is back, too, and filled with the usual suspects, including curmudgeonly Kathy; Dana, an expert at making funny faces; and Jason, who somehow manages to read a 999-page book. Everyone is stressing over a big exam called the Ultimate Test when the formidable Cloud of Doom appears. All manner of strange incidents ensue, and the students struggle to stay on task. 

“Someday, the Cloud of Doom will be gone,” Mrs. Jewls predicts. “And the world will be a much better place. . . . Even Miss Mush’s food will taste good.” Does her forecast come true? Readers will have to find out for themselves. Sachar’s off-the-wall take on academic life is enlivened by Tim Heitz’s ace illustrations. It all makes for an A-plus read from start to finish.

—Julie Hale

Past the “read me a story” stage? Try these books next!

If your young reader’s relationship with books has progressed beyond sitting quietly as you read aloud to them, this roundup is for you. We’ve gathered three titles of varying lengths and difficulty levels that…

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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


I loved history until the fifth grade. In my TV-less house, I spent most of my free time as a child reading, and historical fiction was one of my favorite genres. At the time, I didn’t realize it and wouldn’t have been able to articulate it—I just read and reread the books I knew I loved.

Sydney Taylor’s All of a Kind Family series? Check. Ask me about about the traditions, holidays and routines of Jewish families living on the Lower East Side at the turn of the century.

Doris Gates’ Blue Willow? Check. It pulled my nine-year-old self into the world of Janey, the daughter of migrant farmers, and her life the Great Depression. (Later, my deep fondness for it caused The Grapes of Wrath to fall flat.)

Bette Bao Lord’s In the Year of the Boar and Jackie Robinson? Check. I adapted it into a screenplay, which I produced with my dear (read: manipulated) little sister in the lead role of Shirley Temple Wong, the young Chinese immigrant living in New York City during the golden age of Jackie Robinson and the New York Yankees.

And, yes. I read The Little House on the Prairie series in its entirety. I can thank Laura Ingalls Wilder for my button collection and a summer spent hand-washing clothes in my backyard. The washboard is still in my parents’ attic.

Reflecting on these memories and the books behind them, two things stand out to me. The first is that these books have been rooted in historical detail, without going so far as to claim complete historical accuracy, by authors who lived similar stories or felt deep personal connections to the period and its circumstances.

The second is that children (and perhaps adults, too) learn best through story. Beginning in the sixth grade, history class took the form of lectures, note taking and textbook reading, and my interest in and love for history took a nosedive. I remember very little from my Advanced Placement U.S. History class, but I’ll never forget how I felt when reading Mildred Taylor’s Roll of Thunder, Hear My Cry for the first time and encountered the plethora of cruel racial injustices that occurred in the South during the 1930s.

How can children best begin to understand history? I believe it is through authentic characters and author connection, two elements the following books deliver with insight, thoughtfulness and grace.


Prairie Lotus
written by Linda Sue Park

Since the death of her Chinese Korean mother three years earlier, 14-year-old Hanna and her white father have been on the search for a town where they can settle down. When they reach LaForge, a frontier town in the Dakota Territory, Hanna wonders whether she will be accepted or ostracized by the other settlers. As her father works to open a dry goods store and Hanna begins to attend school, the townspeople’s racial prejudice and xenophobia, which is both subtle and deliberate, quickly becomes apparent. Thoughts of her mother and of the women in the nearby Ihanktonwan community give Hanna the strength and courage she needs to persevere through hard months of isolation. A sensitive and much-needed response to the Little House series, Park’s novel offers students a new perspective on the era of westward expansion and its impact on the lives of those whose stories are often overlooked.

  • Quote-Led Discussion

By the time they reach the end of middle school, many children have personally experienced suffering. Fear, loneliness, death, prejudice—these things cause lasting pain in a child’s life that we can’t ignore or trivialize. But children often lack emotional awareness or aren’t developmentally ready to express or even name these hard feelings. Encountering them in the context of a book can be comforting for students who are experiencing similar circumstances. It can even help them give words to a feeling they previously could not articulate. For other children, reading about a character’s hardships and hurts can provide them with a small empathy-sparking glimpse into what their classmates might be experiencing.

A book like Prairie Lotus can provide a point of entry for rich discussion. Start with Hanna’s story. Type the following quotations from the text (or find others) and print them out for students. Arrange desks in a circle or gather in a circle on the floor. Review classroom discussion guidelines, reminding students how to listen, express and respond. Read the quotations and ask a few open-ended questions, then release teacher control and let students do most of the talking. This exercise can also be done in small groups of students if you are able to rotate around the room enough to monitor the discussions.

“No, thank-you,” he said. Again, Hanna recognized the kind of astonishment she’d perceived before in so many other people. She speaks, she speaks English, she speaks English politely!”

“Their mothers were seldom better, and often worse. On spotting Hanna, they would cross the street hastily, sometimes covering their mouths as if she were diseased. Or they would pull their smaller children behind their skirts, protecting them. From what? Hanna always wondered.”

“Except for Hanna. She and Mama had never spoken about it, but Hanna had somehow absorbed the knowledge that there were times when it was useful—crucial—to hide her thoughts.”

“Then there were those like Dolly, perhaps not meaning to be unkind, but still unthinking. Cruelty was painful. Thoughtlessness was merely exhausting.”

“That’s no excuse! What’s got into you, Hanna—since when did you care so much about the Indians?” It was a reasonable question. I always cared about the unfairness. But I used to think only of how white people treated Chinese people. Now I know it’s about how white people treat anybody who isn’t white.”

  • New Perspectives

For generations, history was taught through a single perspective. Read Linda Sue Park’s author’s note aloud to the class. Discuss how Prairie Lotus was a response to her childhood feelings as she read the Little House series. Read a few passages from the Little House series and prompt discussion about how narration and perspective can negatively influence a story and offer inaccurate or misleading information.

Read Brittany Luby’s Encounter or Rosalyn Schanzer’s George vs. George: The American Revolution as Seen From Both Sides and discuss the varying perspectives. Read aloud more picture books and ask students, “Whose story is not being told?” and “How might this story change if another character was telling the story?”

For older grades, connect this to the social studies curriculum by guiding students through a classroom story-shifting exercise. For example, tell the story of the California Gold Rush through from the perspective of the Native Americans who had lived for centuries in the areas where gold was found.


Show Me a Sign
written by Ann Clare LeZotte

It’s 1805. Mary Lambert lives in Chilmark, a community on Martha’s Vineyard where about a quarter of the population is deaf and almost everyone communicates in Martha’s Vineyard Sign Language. Mary feels safe in her community but is aware of mounting racial tensions between the English, black and Wampanoag people, all of whom call the Vineyard home. Mary’s peaceful life is upended upon the arrival of Andrew Noble, an arrogant young scientist who wants to study the community and its deaf population. In need of a live specimen, he kidnaps Mary and takes her to Boston, where she becomes part of a cruel “experiment.” Against the backdrop of a riveting and well-researched story, LeZotte handles big issues with sensitivity while opening doors for rich classroom discussion.

  • Chilmark vs. Boston

In Part 1 of the book, Mary lives a normal life. She is not treated any different from the other people in her community. She is surprised when she finds out, “We have the highest number of deaf residents on the island. I hadn’t noticed that before. He concluded that one in four residents are deaf compared with one in six thousand on the mainland. You could have knocked me down with a feather!” In Boston, Mary is considered a living specimen and begins to understand how deaf people are treated outside of the Chilmark community.

As you read Part 1 together, make note of people and their daily lives in Chilmark. How do they treat each other? How do they treat Mary? What is considered normal? When you reach Part 2, do the same for the people and life in Boston. I suggest recording these observations at the end of each chapter instead of recording posthumously.

Use this exercise as a launching point for a discussion about how we view and treat others. Before you begin, review the classroom discussion guidelines. I always remind students, “What is shared in our circle STAYS in our circle.” Prompt students with open-ended questions. You might ask, “Do we let others’ differences (because we all have them) change the way we treat them? If so, how can it be for the better?” “How can we learn from each other’s differences?” or “How do you feel when someone asks you questions in an effort to know more about you?”

  • Ownvoices Narratives

Ann Clare LeZotte is a deaf author and librarian. Ask students how this might influence the story she wrote. Students might be unfamiliar with the concept and term “ownvoices.” (This explanation, from the term’s creator, YA author Corinne Duyvis, is a good place to start.) Use this as an opportunity to discuss the importance of writing and telling such stories, and what can occur when people attempt to write a fiction story without personal experience or thorough research. Guide the students through an exercise that helps them identify a topic or experience that they can use to draft an ownvoices narrative of their own. If possible, model it with students.

For example, as a child, I had a moderate to severe speech impediment. Years of speech therapy helped, but it’s still very much present today. When I shared childhood memories and a few of the thoughtless comments that I still receive, student began to grasp how we truly don’t know the many nuances other people experience, and how even thoughtless comments can be hurtful and exhausting.

Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


I loved history until the fifth grade. In my TV-less house, I spent most…

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Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


In the spring of my junior year of high school, I was assigned The Autobiography of Benjamin Franklin. But staying true to form, I went rogue. My wayward book of choice was Anna Quindlen’s How Reading Changed My Life, a slim book I discovered nestled on my mom’s bookshelf. And change my life it did. In her personal love letter to reading, Quindlen writes:

“In books I have traveled, not only to other worlds, but into my own. I learned who I was and who I wanted to be, what I might aspire to, and what I might dare to dream about my world and myself. More powerfully and persuasively than from the ‘shall nots’ of the Ten Commandments, I learned the difference between good and evil, right and wrong.”

I have never posted rules in my library. I have never delivered an anti-bullying lecture. I have never given a child a “you can be anything you want to be” pep talk. But I believe deeply in library behavior, compassion for all and student empowerment. So how do I address these issues with my students? Through bibliotherapy.

Bibliotherapy uses books to create an entry point into the social and emotional lives of students. Any teacher will tell you that SEL (social emotional learning) is a hot topic in the education world—as it should be. Children often have trouble naming and expressing their emotions. Sometimes they express their feelings in ways that violate the peace of the library and of other students.

Books offer children places to see feelings validated through characters and story. Stories help children encounter issues from an objective viewpoint before gently guiding them to personal application, sparking self-awareness and empathy. For teachers, books can be nonthreatening points of entry, doorways into sensitive discussions. When unkindness or deliberate exclusion occur among our students, we can stand and lecture like Charlie Brown’s teacher, or we can gather the children around us on the rug with Eleanor Estes’ The Hundred Dresses: “Today, Monday, Wanda Petronski was not in her seat. But nobody, not even Peggy and Madeline, the girls who started all the fun, noticed her absence.”

In the spirit of Quindlen’s description, the following books invite students to travel through words and pictures into the worlds of others, as well to the worlds of their own minds and hearts. These books help them discover who they were, who they are and who they aspire to be, whether in the next hour or in their dreams. They serve as validation, affirmation and excellent launching points for classroom discussions.


Paolo, Emperor of Rome
written by Mac Barnett, illustrated by Claire Keane

Paolo the dachshund lives in Rome, the Eternal City filled with “fountains, food, and music.” It is, “above all, a place of freedom”—but for Paolo, Rome is not a place of freedom. He is confined to Signora Pianostrada’s hair salon, where he sits with his nose pressed against the window and longs for a chance to explore the city. One morning, someone leaves the salon door ajar, and Paolo escapes into the beauty and chaos of Rome. He scampers around the city, visiting cafes and cathedrals, temples and statues. When challenges (city cats, alley dogs and falling nuns, among others) arise, Paolo confronts them with a tenacious spirit and heroic energy. With a lovable pup at its heart, this cinematic tale heralds bold self-assurance and valor.

  • Self-perceptive art

Signora Pianostrada calls him “Lazy Paolo,” but Paolo’s heart and self-perception is the opposite. In his dreams, he zooms around on a scooter and balances trays of Italian food on the tip of his nose. (Be sure to show children this illustration.) Discuss how our self-perceptions (try using the word “view”) are sometimes different and much more important than how others perceive us.

Ask the following questions: “Can you think of a time when someone called you something that hurt your feelings because it wasn’t true? Maybe they called you lazy, mean, shy, dumb or too rowdy? Do you see yourself this way, or do you see yourself differently?” Tell students that they are going to be like Paolo and draw versions of “their best self.” Before having this discussion with a first grade class, I drew a picture of myself as a first grader. I was holding a book and looking down at the floor, but in my dreams, I was building my own backyard flower shop and running track like Wilma Rudolph.

  • Peaceful hearts

When he watches the sunrise wash the city in a pink light, Paolo’s heart is “at peace.” Walk your students through a peaceful heart mindfulness activity. Before beginning the exercise, invite students to articulate why they think Paolo’s heart is at peace. I made a script to use with my students. You can find it here.


ALSO IN BOOKPAGE: Read our starred review of Paolo, Emperor of Rome.


An Ordinary Day
written by Elana K. Arnold, illustrated by Elizabet Vukovic

At first glance, it seems to be another ordinary day in the neighborhood. Mrs. LaFleur waters her roses, Kai and Joseph hunt for reptiles, and Magnificent the Crow caws in disapproval. Amid the morning neighborhood bustle, two houses sit “unusually quiet.” A car pulls up in front of each house, and two stethoscope-wearing visitors emerge. A female doctor quietly knocks on the door of one house, and a male veterinarian quietly knocks on the other. Two stories unfold simultaneously. What is an ordinary day for most of the neighborhood becomes an extraordinary day for these two families.

In one house, the doctor helps a mother as she brings new life into the world. In the other house, the veterinarian oversees the death of the family’s pet dog. When the “final breath was exhaled” and the “first breath was inhaled,” each is surrounded by family and love. Spare and sensitive, An Ordinary Day gently addresses the fragility of life, the nature of love and the power of small moments.

  • “I spy” awareness activity

Without fail, when I pull out blocks or building logs and let students have free building time, an unfortunate event inevitably follows: One student always accidentally knocks over another student’s creation. I always wonder, how did they not see that tower in the middle of the floor? Many children have trouble noticing their environment. Use an awareness game to help students practice social and spacial awareness.

An Ordinary Day begins with small, ordinary neighborly activities. Ask children, “What are some of the things on your street, in your home or in our classroom that happen every day?” List student responses on the board. Invite children to wonder with you. “I wonder if we are forgetting things because they are so ordinary that we don’t even notice them.”

Take students to the playground or another school room or hallway. Tell them that it is their job to “spy” the details that are happening around them. When you return to the classroom, help students connect their observations with an appropriate behavior. For example, “I spy a long line by the slide. Maybe I should go to the fort first.” If you observed a hallway, you might say, “The first graders’ artwork is hanging on the wall, so I’m not going to lean against this wall.”

  • Bibliotherapy

The birth of a sibling and the death of a beloved family pet are enormous and impactful events in the life of a young child. The classroom can be a safe place for them to discuss the big feelings that accompany these changes. Hearing friends share similar feelings can be comforting. Encountering these experiences and feelings in the context of a book can be equally comforting.

If possible, purchase or check out books that deal with new siblings, the death of a pet and other common changes. Keep them in a special basket and encourage children to read them whenever they are sad, confused or frustrated because of changes in their lives. Some of my favorite titles include Judith Viorst’s The Tenth Good Thing About Barney, Corinne Demas’ Saying Goodbye to Lulu, Bill Cochran’s The Forever Dog, Susan Eaddy’s Poppy’s Best Babies, Kevin Henkes’ Julius, the Baby of the World and Russell Hoban’s A Baby Sister for Frances.


Are Your Stars Like My Stars?
written by Leslie Helakoski, illustrated by Heidi Woodward Sheffield

This lyrical concept book invites children to consider how families around the world experience color. Each double-page spread showcases a color through a sensory-filled stanza that concludes with a refrain in the form of a question. A family picking apples begins the red exploration: “When you stroll in an orchard, / do sweet smells fill your head? / Is the fruit bold and flashy? / Is your red . . . ” The page turn reveals a family surrounded by red Chinese New Year lanterns and finishes the refrain, “ . . . like my red?” Without resorting to didactic or heavy-handed prose, the book invokes curiosity, empathy and global unity. To quote one of my kindergarteners, “The world is big. Huge. I mean, it’s the whole universe! But we all see colors, so it’s actually really small.”

  • Color association

Gather oversized sheets of colored paper. Have students sit on the floor with clipboards or at their desks. Stand or sit in front of your students and tell them, “Close your eyes. When I say open them, I want you to look at me. In my hand will be a piece of colored paper. Write down one or two images that come to mind when you see the color that I am holding. For example, when I first saw this dark green paper, I thought of my ivy plant and the couch that was in my family’s den for years.” After the exercise, invite children to share their associations. Remind them that this is not a time to think of the funniest thing to share, but rather a time to understand how colors represent different things for all of us.

  • Culture study artwork

Provide children with photo atlases and books with vibrant and clear photographs of children and places around the world. National Geographic Kids has a great collection of online videos, as well. Let students choose a country and create a piece of artwork based on a color association that represents the country. For example, for a child living in England, red might mean the color of double-decker buses, while for a child living in India, blue might be the color of a peacock. Incorporate social emotional learning concepts by discusing how daily life is different for children around the world. Use the discussion to introduce the understanding that, although these differences can seem big, the similarities in our lives are even bigger. For further reading, I recommend Jenny Sue Kostecki Shaw’s Same, Same but Different and Norah Dooley’s Everybody Cooks Rice.

Tips for Teachers is a monthly column in which experienced teacher and children’s librarian Emmie Stuart shares book recommendations and a corresponding teaching guide for fellow elementary school teachers.


In the spring of my junior year of high school, I was assigned The Autobiography…

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