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Twelve-year-old amateur astronomer Liberty Johansen used to love watching the stars and making up new constellations with her dad. But since her parents decided to separate and her father moved out of the house, spending time with her father and the love shared between them have become relics of the past.

Now Liberty is angry all the time. She’s angry at her depressed father for living with a new girlfriend, at her former friend Leah and her classmates who have “excommunicated” her, at the pressure to find boyfriends and girlfriends and even at her steadfast mother (though Liberty isn’t sure why). The only one who seems to understand Liberty’s pain is a meteorite that fell from space when Liberty’s own sense of normalcy fell down around her, too.

In this searingly realistic novel, author Amy Sarig King explores mental illness, the trauma of divorce and their intertwined relationship. Mingled with Liberty’s anger is an overwhelming sense of loss, making her wonder whether she might be depressed or prone to depression like her father.

As spunky, resilient Liberty meets with counselors, talks (and listens!) to her meteorite and sets boundaries for herself, she learns that divorce is a kind of mourning, complete with its own stages of grief. While full acceptance might still be as far away as the cosmos, she begins to recognize her control, including how to chart her stars—and her new life—again. Through Liberty’s process, King gives young readers who are also struggling with these issues the hope to persevere.

Twelve-year-old amateur astronomer Liberty Johansen used to love watching the stars and making up new constellations with her dad. But since her parents decided to separate and her father moved out of the house, spending time with her father and the love shared between them…

Puma Dreams, a lyrical, panoramic beauty of a book, is the collaborative effort of award-winning writer Tony Johnston and renowned illustrator Jim LaMarche.

In this lyrical story, a young girl who lives in the country has a dream of seeing a puma—the elusive “ghost of the mountains.” Her Gram tells her she must be patient and that dreams require waiting, time and more than a little luck.

To try and lure a puma, the girl and her Gram buy a salt lick and place it in the meadow. Every day the girl watches with her binoculars as birds, mice, deer and elk nibble at the salt lick, but no puma appears. The girl grows tired of waiting, but she knows dreams take time.

One morning over breakfast, the girl senses something is about to happen. When she gazes out the window, she finally sees the puma, golden and magical—the dream she has waited for. Now that she has realized her dream, the girl begins to imagine a new dream of keeping pumas safe and making sure they always have places to roam free.

With gentle pastels, LaMarche creates sweeping vistas of mountains and prairies, the perfect puma habitat, and Johnston’s evocative language beautifully portrays a little girl’s longing.

Puma Dreams, a lyrical, panoramic beauty of a book, is the collaborative effort of award-winning writer Tony Johnston and renowned illustrator Jim LaMarche.

In this lyrical story, a young girl who lives in the country has a dream of seeing a puma—the elusive “ghost of…

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Sometimes characters continue speaking to their creators long after their books have been published, prompting authors to write unplanned follow-ups. Grateful readers will reap ample rewards in Kate DiCamillo’s Beverly, Right Here, the last in what has unexpectedly become a middle grade trilogy, which began with Raymie Nightingale and continued in Louisiana’s Way Home, about three irrepressible girls who meet at baton-twirling lessons in Lister, Florida, in 1975.

This installment, set in 1979, features the tough-as-nails, eye-rolling Beverly Tapinski, who is now 14. Following the death of her beloved dog, Beverly decides she’s had enough of life with her drunken mother and leaves, hitching a ride to nowhere with a good-for-not-much-else cousin. A big-hearted older woman named Iola welcomes Beverly into her trailer. Beverly slowly builds an anchoring friendship not only with Iola but with bullied, brilliant Elmer, who is about to leave for Dartmouth on a full scholarship.

Life with a ragtag bunch of strangers becomes much better but is still hardly perfect as Beverly, who hates fish, ends up working in a fish restaurant and eating tuna melts every day. A tormentor named Jerome lurks on the sidelines, and Beverly desperately misses Raymie and Louisiana.

DiCamillo’s genius is her ability to create such worlds without ever sugarcoating their gritty realities. “People were terrible to other people. That was the truth,” Beverly realizes. Yet amid life’s injustices, a fish restaurant waitress repeatedly urges Beverly to always dream big, and a cook named Doris stages a sit-down strike for better working conditions.

In the end, although Beverly realizes she can’t run away from her past or her neglectful mother, she learns that she doesn’t have to be held back by either one. Instead, she can seek her own springboards to happiness. As Iola says, “Oh, I’m glad I needed you. I’m glad you needed me.”

DiCamillo has described her trilogy as being about “becoming” and “the power of community.” Drawing each girl’s story with subtle yet bold strokes, DiCamillo delivers novels that feel both beautifully spare and deeply rich. With lovely reminders of the angels who help us all find our way in this sometimes unbearable world—as well as the enduring power of stories, kindness, hope and surprising possibilities—Beverly, Right Here completes DiCamillo’s superb trilogy, which is destined to remain a classic.

Sometimes characters continue speaking to their creators long after their books have been published, prompting authors to write unplanned follow-ups. Grateful readers will reap ample rewards in Kate DiCamillo’s Beverly, Right Here, the last in what has unexpectedly become a middle grade trilogy, which began…

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When the school bell rings and students race for the doors, where do they go? What do they do? In each of the 10 short stories that compose Look Both Ways: A Tale Told in Ten Blocks, the reader follows a different student to see what they get up to on their way home. 

In “The Low Cuts Strike Again,” Bit, Francy, John John and Trista are the kids whom teachers talk about in the teachers’ lounge—“at-risk” kids who swipe loose change wherever they might find it. The Low Cuts, as the four call themselves, have something in common: their almost-bald heads, a haircut chosen in solidarity with each other and with their parents, all cancer survivors. And it’s what they do with all that loose change that shows another side of the label of “at-risk.” 

In the lead story, “Water, Booger, Bears,” Jasmine and TJ challenge those who think “boys and girls can’t just be friends.” Other stories portray protagonists dealing with bullying, falling in love and struggling with anxiety. 

Jason Reynolds affords loving attention to each of the characters in his large cast. Despite simple-seeming prose, his language sparkles. He writes of the Low Cuts, “Even though they were tight on time, they were loose on talk” and, “Bit put a pothole in the middle of memory lane.” Along with his previous novels, written in prose, verse and dual voices, these short stories demonstrate Reynolds’ range of superb storytelling.

When the school bell rings and students race for the doors, where do they go? What do they do? In each of the 10 short stories that compose Look Both Ways: A Tale Told in Ten Blocks, the reader follows a different student to see…

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Fly! by Mark Teague encourages young children to spread their wings through the calm and comical story of a tenacious baby bird.

Tired mama robin says her baby is old enough to fly. But baby, with a shock of feathers standing straight up on his head, is perfectly happy in the nest, eating worms delivered by his mother. Baby demands worms with increasing volume until he screams himself right out of the nest. Sitting in the grass, he envisions fantastical ideas for achieving flight—everything but the use of his own two wings.

In this wordless picture book, author/illustrator Teague masterfully balances humor and sincerity. He lets image-filled thought bubbles and charmingly illustrated bird facial expressions guide the narration. This inviting and interactive book makes the most of every page with soft, colorful illustrations. In a unique twist, a few two-page spreads compel the reader to turn the book vertically, physically engaging the reader in the baby bird’s journey.

Readers will laugh out loud at baby’s innovative migration ideas (which include a pogo stick and a shiny red convertible) and mama robin’s increasing exasperation. Familiar, funny and sincere, Fly! gently encourages children to grow and learn. Perhaps the best part of trying new things is having a warm, safe place to land at the end of the day.

Fly! by Mark Teague encourages young children to spread their wings through the calm and comical story of a tenacious baby bird.
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Chinese-born illustrator Guojing made her publishing debut in 2015 with The Only Child, a 112-page wordless book that won widespread acclaim and earned a spot on numerous best-of-the-year lists. Exploring an incident from her childhood, she delved into themes of being lost and lonely and finding one’s way home. Now, with Stormy, a wordless book about a homeless dog, Guojing has struck gold again as she explores similar themes with equal emotional resonance, albeit for a slightly younger audience.

The story opens as an adorable, scruffy ball of fluff sleeps under a park bench. A young woman approaches, causing the pup to scamper off. The next day she brings a tennis ball, which the dog cautiously sniffs and finally takes. Guojing shows each move of the dog and woman in a series of moody graphic panels, highlighting the deserted, desolate landscape, the dog’s curiosity mixed with fear and the woman’s quiet patience until she finally leaves to go home. Next, a full-page illustration shows the dog sitting with the ball on a dark, cloudy night, his small, quivering body backlit by moonlight.

On the next visit, the woman and dog actively play with the ball in a lively sequence of panels, and a full-spread illustration shows them gazing at each other from several yards apart, both gloriously backlit by the sun’s golden glow. They’ve made a connection, and in ensuing masterful scenes, Guojing shows how each tries to reach out to the other during the course of a wildly stormy night. Their efforts are, at first, unsuccessful, which makes their eventual reunion in the city all the more sweet.

A master of both mood and lighting, Guojing proves once again that she’s an expert at translating her own heartfelt emotions to the page in a style that can only be described as beautifully cinematic. Deserving of worthy comparisons to wordless classics such as Raymond Briggs’ The Snowman and Chris Raschka’s A Ball for Daisy, Stormy is a timeless treasure.

Stormy, a wordless book about a homeless dog, explores themes of being lost and finding one's way home in a beautifully cinematic style.
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Filled with beautiful art and poignant prose, Cary Fagan’s latest middle grade novel is funny and touching in equal measure.

Hartley Staples hasn’t been interested in much of anything since his older brother, Jackson, ran away from home. With middle school graduation approaching and his final project—the topic of which must be something he’s passionate about—due, Hartley’s disinterest is becoming a bigger problem. Then one day, he spots a handmade postcard, signed only with the initials “g.o.” Soon he happens upon another postcard, and just like that he’s completely wrapped up in a mystery: Who is g.o.? How many postcards are out there? Why does g.o. make them, and what do they mean? As Hartley becomes more invested in g.o. and their story, he starts to reawaken to the world around him and begins to find a way forward in Jackson’s absence.

Fagan has crafted Hartley as both a kid dealing with the trials of adolescence and as an individual facing emotional trauma; he’s a character readers of all ages will relate to. All of Fagan’s characters feel fully realized, with unique voices that stir laughter, warmth and even heartache on every page. The Collected Works of Gretchen Oyster addresses family hardship, bullying and other serious topics, all while managing to maintain a sense of humor and hope even in the midst of pain. It will fill you up and make you believe in the healing power of art and human connection.

The Collected Works of Gretchen Oyster is a funny, touching story about the healing power of art and human connection.

Tor Seidler, acclaimed author of A Rat’s Tale, revisits the theme of community in this New York City adventure of a hapless squirrel named Phoenix.

Snatched from his wooded New Jersey home by a hawk named Walter, Phoenix is dropped onto the hot tar of a Manhattan construction site, where he escapes with his life but loses most of his fur—including his beautiful bushy tail. Phoenix has always despised the “naked worm-tail” of the rat, along with the creatures sporting them, but now finds himself forced to look anew at his prejudices. As the days pass, Phoenix comes to appreciate the highly organized community of wharf rats that comes together to nurse him back to health. There’s P. Pandora Pack-Rat, the wise matriarch healer, as well as the kind and friendly Lucy and her literary brother, the aptly named Beckett, who’s teaching himself to read (and write) from the various newspapers and past issues of The New Yorker the rats collect for winter heating.

Phoenix’s climbing abilities and Beckett’s communication skills come in handy when the community is threatened by a developer intent on demolishing the pier. Phoenix and his new friends hatch a daring protest and attempt to dismantle the nearby electric substation. Can the community be saved? Can it rally support among humans? And when the opportunity arises, will Phoenix return to his own kind or decide to make his home on the Hudson River?

While young readers will be enthralled by Phoenix’s adventures, which are enhanced by Gabriel Evans’ delightful illustrations, Oh, Rats!, also offers lots of opportunities for discussion about being part of a community and how neighbors come together in times of crisis.

Tor Seidler, acclaimed author of A Rat’s Tale, revisits the theme of community in this New York City adventure of a hapless squirrel named Phoenix.

Snatched from his wooded New Jersey home by a hawk named Walter, Phoenix is dropped onto the hot tar of…

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It’s finally the last day of school, but Leah has a long summer looming ahead, with no camp or vacation plans. With boredom starting from day one, she’s aimless in her attempts to stay afloat during the long, hot summer days. She sleeps in, wanders from the kitchen to the couch in pajamas and clicks through the TV channels.

One day, boredom gets the best of her, and she puts on actual clothes and leaves the house. At the nearby creek, she sees a girl with a beautiful mop of huge, curly red hair, lounging on a big rock. The girl looks luminous in the light, and Leah is at first afraid to speak. From a distance, Jasper breaks the ice, introducing herself and explaining that she’s new to the area. But there’s a lot about Jasper that Leah doesn’t know.

Grief plays a prominent role in both girls’ lives. They both have their own secrets, and only time will tell if their newfound friendship will be enough to withstand them. Author Laurel Snyder (Orphan Island) pens a gorgeous yet realistic story about the struggles that a friendship endures when secrets verge into dangerous territory.

Tackling issues of grief, homelessness, alcoholism and abuse, My Jasper June is appropriate for mature young teens. The issues are intense and the consequences realistic, but they’re handled sensitively, making the novel a good fit for readers ready to explore such themes.

It’s finally the last day of school, but Leah has a long summer looming ahead, with no camp or vacation plans. With boredom starting from day one, she’s aimless in her attempts to stay afloat during the long, hot summer days. She sleeps in, wanders…

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Being human comes with many perplexing questions. But sometimes asking those questions opens the doors to a path, if not a straightforward answer. Written by Kobi Yamada and illustrated by Gabriella Barouch, Maybe is an inspiration tucked inside an adventure, perfect for readers of any age who may be asking, “What next?”

Loosely following the journey of a little girl, who is fancifully clad in a leafy “bird” cap, Maybe’s art is intrinsic to its message. Barouch’s vibrant, detailed illustrations are unusual and delightful. Dreamlike and intriguing, her art defies convention; mushrooms may loom as large as trees, and glaciers might fit comfortably in your hand. Pulling readers further into her journey, the little girl—more a reader’s companion than a character—helps create the fantasy, watering giant flowers, building a tower of houses. In a final lyrical nod, Barouch carries elements from page to page, culminating with an image that will leave readers smiling.

Maybe is an invitation instead of a lecture, as Yamada delivers his message with simple, brief statements that keep the story moving. And while the book’s images are imagined and invented, there is honesty in each depiction. When the little girl fails, a scribble hangs over her head. She climbs inside a storybook and befriends the unfamiliar.

It would be a disservice to qualify Maybe as just a children’s book. Children of all ages have dreams pulling them along, destinations and goals to meet along the path. But what truly matters is who we are along that journey.

Being human comes with many perplexing questions. But sometimes asking those questions opens the doors to a path, if not a straightforward answer. Written by Kobi Yamada and illustrated by Gabriella Barouch, Maybe is an inspiration tucked inside an adventure, perfect for readers of any…

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Things aren’t real unless you can prove them—that’s what 12-year-old Addie thinks. At least, that’s what she thought until she reads the notebook that belonged to her twin brother, Amos. It’s filled with clues about the mysterious creature living in Maple Lake, where Amos drowned the winter before. In The Light in the Lake, the debut novel from Sarah R. Baughman, Addie is drawn back to the lake to discover its secrets and more about herself as well.

Addie and Amos spent much of their time at the lake—swimming, boating and fishing. But when Amos goes out on the lake too late in the winter, he falls through the ice and drowns before anyone can rescue him. Now, Addie’s parents want her to stay as far away from the lake as possible. However, when Addie is offered the chance to be a Young Scientist for the summer, researching the effects of pollution on Maple Lake, she can’t resist. Each day she spends at the lake, she learns more about the water, the mysterious creature her brother was investigating and who she really is.

Haunting, memorable and full of mystery, The Light in the Lake is a brilliant combination of beautiful, lyrical prose and a compelling, exciting story. Baughman has created complex characters with real, deep emotions and a picturesque setting that will make readers feel as if they are at Maple Lake with Addie.

Things aren’t real unless you can prove them—that’s what 12-year-old Addie thinks. At least, that’s what she thought until she reads the notebook that belonged to her twin brother, Amos. It’s filled with clues about the mysterious creature living in Maple Lake, where Amos drowned…

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The award-winning author of Rooftoppers and Cartwheeling in Thunderstorms, Katherine Rundell is no novice at penning romps of adventure, and The Good Thieves is sure to carry on her tradition of capturing the hearts and imaginations of readers of all ages.

Vita Marlowe has always longed for adventures, but they can be hard to come by, due to her small stature and a bout of polio as a young child. Well-meaning adults are always telling her to “slow down” and “take care.” So when her grandfather’s family estate is swindled away by Sorrotore, a powerful, crooked businessman, Vita doesn’t hesitate to throw all of her strength and wits into concocting a plan to get it back, no matter the danger.

Before long, she’s assembled a ragtag group of accomplices, among them a pickpocket, an aspiring acrobat and a gifted animal charmer. With their help, Vita feels ready to steal back what rightfully belongs to her grandfather and put the smile back on his face. But with Sorrotore and his minions lurking around every corner, will this group of unlikely vigilantes be able to pull off their heist while avoiding disaster?

Prohibition-era New York serves as a gritty and glittering backdrop for this story of family loyalty and moral thievery. Fast-paced and sharply written, with a generous dose of heart and humor, Rundell’s fifth novel will appeal to readers with a penchant for grand escapades, a strong sense of justice and a soft spot for the underdog.

The award-winning author of Rooftoppers and Cartwheeling in Thunderstorms, Katherine Rundell is no novice at penning romps of adventure, and The Good Thieves is sure to carry on her tradition of capturing the hearts and imaginations of readers of all ages.

Vita Marlowe has…

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A bundled-up child of indeterminate gender, perhaps about 10 or so, rides a big-city bus on a snowy winter’s day and upon departure proclaims, “I know what it’s like to be small in the city.” This city seems dark, cold and not very friendly, and thus a tone of worry, uncertainty and intrigue runs throughout Sidney Smith’s captivating Small in the City.

Nonetheless, the unaccompanied narrator trudges through the streets with a sense of purpose and determination, seemingly fearless, although admitting that the busy streets “can make your brain feel like there’s too much stuff in it.”

“But I know you,” the child adds. “You’ll be all right.”

Offering advice on getting around safely, the narrator takes readers on a tour, warning against dark alleys and scary dogs while pointing out safe places to hide and spots offering comfort―a hot steam vent “that smells like summer,” a friendly fishmonger and a house where piano music is always playing.

Smith’s ink, watercolor and gouache illustrations perfectly portray the intricate, busy scramble of snow-covered city streets, while the narrator’s forward stride and yellow and orange boots act as a warm beacon on a stormy day. Some scenes are blurry, others razor-sharp. On one spread, a montage of vignettes shows the myriad sights that can seem an assault to the senses, from barbed wire and gleaming skyscrapers to warning traffic lights and crowds of people.

As the snow falls deeper and deeper, readers realize that the narrator is addressing their lost cat, all the while searching and putting up “lost” posters. Finally the child reaches home, falling into the arms of awaiting mom. The narrator hopes for the cat’s safe return while repeating the book’s comforting refrain, “But I know you. You will be all right.”

Small in the City is an unusual, useful parable, offering hope and reassurance for any young reader in the midst of a worrisome or frightening situation, whether it’s a missing pet or something else―or simply life itself.

A bundled-up child of indeterminate gender, perhaps about 10 or so, rides a big-city bus on a snowy winter’s day and upon departure proclaims, “I know what it’s like to be small in the city.” This city seems dark, cold and not very friendly, and thus…

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