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A young girl named Jamie digs sand and shells on a rock-strewn, sandy beach, completely immersed in the rhythm of her own creative world in Hum and Swish, a reflective picture book from author-illustrator Matt Myers.

“Jamie and the sea are friends. Jamie hums. The waves swish,” writes Myers. As Jamie’s unique rock and shell creations take shape―some resembling people, others resembling increasingly elaborate creatures―a parade of passersby and even her parents cheerily inquire about what she’s making, much to Jamie’s increasing ire. She’s not sure, and no one seems to understand that until a woman sets up her easel nearby. When Jamie asks what she’s making, the woman says, “I don’t know yet,” and both continue to work side by side, quietly enjoying each other’s presence until each proudly completes and shares her masterpiece.

Myers’ understated storyline and moody ocean scenes perfectly complement Jamie’s introspective world and her desire to follow her own artistic instincts. The story’s natural simplicity and Myers’ intriguing illustrations make for a kid-pleasing examination of both the joy and marvelous uncertainty of the artistic process.

A young girl named Jamie digs sand and shells on a rock-strewn, sandy beach, completely immersed in the rhythm of her own creative world in Hum and Swish, a reflective picture book from author-illustrator Matt Myers.

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In Laura Tucker’s All the Greys on Greene Street, Ollie, a gifted artist, is content living with her artist parents in a loft in New York City. But then her father leaves for France, accompanied by a woman whom Ollie and her mother playfully nickname “Vooley Voo.” One week later, the playfulness has vanished, and Ollie’s mother will not get out of bed. Ollie strives for normalcy as she attends school, hangs out with her two best guy friends and goes to visit Apollo, her father’s partner in his art restoration business. Due to her mother’s urgent, hushed phone conversations and a desperate man who appears at their door, it becomes apparent that a mystery surrounds Ollie’s father and his departure, which coincided with the disappearance of a valuable piece of art. This is a lot for 12-year-old Ollie to puzzle out, and she becomes fiercely protective of her mother and refuses to accept the truth of her mother’s depression.

There is a beguiling naturalness to Tucker’s depiction of Ollie and her troubles. Ollie is observant and reflective, allowing the reader full access to her emotional upheaval. Her best friends are genuine and loyal but clumsy in their attempts to help. Apollo is kind but distantly adult. Perhaps the most lovely element of the book is the infusion of art: Ollie’s art, rendered in pencil drawings, is sprinkled throughout the book, and there are discussions of art technique, art in museums and, most instructively, the provenance of art displaced by war.

All the Greys on Greene Street is a poignant and well-structured debut novel that’s sure to satisfy young readers.

All the Greys on Greene Street is a poignant and well-structured debut novel that’s sure to satisfy young readers.

Debut author Chris Baron steps into the arena of children’s literature with a beautiful novel-in-verse, All of Me. Baron takes on a number of difficult forms for middle grade reading—first-person narration, a theme of self-discovery, free-verse poems—but he does so with grace.

Ari Rosensweig has just moved to California from New York. That would be hard enough to deal with, but Ari is also bullied for being overweight, and his parents’ marriage is tenuous at best. Through the course of one summer between seventh and eighth grade, Ari makes a number of changes, most of which stem from his self-loathing and issues with body image. When Ari’s mother attempts to set him on the path of controlling his diet, he finds that it can lead to internal discoveries about himself as well as external changes in his appearance, but it can’t solve all of his problems.

Baron’s free-verse poetry is immediate and lyrical, allowing us access to Ari’s thoughts and feelings in a way that prose would not. Baron’s first-person narration allows the reader to experience Ari’s pain and revelations, both of which are balanced with moments of grace and beauty. All of Me is highly recommended for readers of all ages.

Debut author Chris Baron steps into the arena of children’s literature with a beautiful novel-in-verse, All of Me.

Caldecott Honor-winning author and illustrator Vera Brosgol’s new picture book, The Little Guys, charms with a story of a band of acorn-hatted creatures, a gang of inscrutable little guys who live on a small island. They may be small, but they live large. Tiny but strong, they are clever and fearless. Using their noggins, their numbers and their tight teamwork, they ford deep streams, cross dark forests, climb tall trees, lift heavy logs, dig deep burrows and even bounce on the belly of a big brown bear. They do this all to find food for the little guys. But one day, while hunting for their breakfast, they get carried away with their success and leave chaos in their wake.

Soon they have bullied all the residents of the forest and collected a tower of food. All the food is for them. There is nothing for anyone else. The little guys quite literally have everything—everything except one grape in the beak of a small red bird. When the little guys create a tower to grab it, the tower sways and they all tumble into the water. The little guys float along and finally climb out, but only with the help of the forest creatures whose food they’ve taken.

This incident wakes the little guys to the realization that they already have all they need. Together they are strong, they say, as they deliver the grape back to the small red bird. Brosgol’s story filled with bright, cartoonish illustrations will delight young readers and spur conversations about teamwork, greed and even the politics of power.

Caldecott Honor-winning author and illustrator Vera Brosgol’s new picture book, The Little Guys, will delight young readers and spur conversations about teamwork, greed and even the politics of power.

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Her birth certificate says Roberta Briggs, but the 12-year-old who keeps a daily birding chart and leaves out strands of hair plucked from her brush for birds to make nests with is (fittingly) better known as Birdie. The last three years have been filled with changes since her firefighter father died in the line of duty and she and her mother moved from Philadelphia to live with her great-grandma Maymee. In Eileen Spinelli’s novel-in-verse, Birdie, this spunky tween has even more big changes ahead in her small town of Hadley Falls.

In Hadley Falls, life has a steady rhythm. Birdie hangs out with her best friend, Nina, and plays Scrabble with a boy named Martin on Saturdays. Birdie’s mother works days at a diner and spends evenings at home. Her quirky grandma Maymee plans the details of her own funeral. And through it all, Birdie keeps on smiling on the outside, even if her insides don’t quite match—and she still talks to her father’s photo at night.

Birdie has started to wonder if Martin could be her first boyfriend, but with the arrival of summer, suddenly Nina and Martin are a couple, her mother is dating police officer Fred, and even Maymee puts down her coffin catalogs and picks up curlers when a new gentleman arrives at church. Realistic verse expresses the disappointment, anger and fear Birdie experiences as she worries about losing her friends, her mother’s love and her father’s traditions. Yet with time, patience and community, the resilient girl learns that friends and family help the heart grow and that moving forward in life doesn’t mean forgetting the past.

In Eileen Spinelli’s novel-in-verse, Birdie, a resilient girl learns that friends and family help the heart grow and that moving forward in life doesn’t mean forgetting the past.

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Kate Allen’s noteworthy debut novel, The Line Tender, is a big-hearted story about friendship, grief and recovery set in the 1990s. Twelve-year-old Lucy Everhart’s summer is off to an exciting start when a fisherman in her town of Rockport, Massachusetts, catches a great white shark. Lucy and her best friend and neighbor Fred are overjoyed because they’re working on a field guide of local animals for their science project, with Lucy illustrating and Fred providing scientific data of specimens they encounter, and this will be an exciting entry. But the great white stirs up memories of Lucy’s mother, a shark expert who died of an aneurysm five years ago.

Unfortunately, another tragedy strikes and kills another loved one, and Lucy and her father, a diver for the police department, are left to piece their lives together once again. Allen seamlessly weaves in intriguing facts about marine biology throughout this story, and her narration is strikingly authentic and subtly nuanced, whether she’s describing a joyful afternoon trip into Harvard Square or the painful moments when Lucy’s grief is so all-consuming that she can’t eat for fear of choking.

Lucy’s heartache does help lead her back to her mother, “whom everyone seemed to know better” than she did. She becomes engrossed in a research proposal her mother wrote just before her death to tag and study great white sharks, whose numbers seem to be increasing off the New England coast. 

A grieving Lucy is buoyed by a cast of helpful adults, including her father, a kind neighbor, her science teacher, a guidance counselor, and a number of researchers who worked with her mother, including one who says, “All life is interconnected. If one species moves away or becomes extinct, the order shifts.” Numerous middle grade books deal with grief, but few do it so beautifully―and hopefully―as The Line Tender.

Numerous middle grade books deal with grief, but few do it so beautifully―and hopefully―as The Line Tender.

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You won’t ever see an art note quite like the one in Rowboat Watkins’ delicious new picture book Most Marshmallows: “The pictures were built out of marshmallows, construction paper, cake sprinkles, cardboard, acorn tops, twisty ties, pencil and whatever else was needed.”

If you’ve ever wondered what life as a marshmallow is like, you’re in luck. It’s a lot like a human life, with the exception of things like birthday parties, and the days of most marshmallows are fairly rote. Marshmallows head to school—where they learn to be “squishy”—and then return to their marshmallow families, where they all have dinner together, sleep at night and “dream about nothing.” And repeat.

For the book’s picture, Watkins draws intricate faces and even clothing onto real marshmallows, and he builds the colorful world around them in remarkably inventive, highly textured mixed media illustrations. To see marshmallows with backpacks board a bus, and to read about the details of their daily lives, is utterly delightful. Expect peals of laughter from young readers.

But Watkins takes the silly story a step further by reminding readers that most doesn’t mean all. Some marshmallows “secretly know that all marshmallows can do anything,” he writes. And in six magnificent closing spreads, Watkins shows us the big aspirations of those marshmallows who dare to dream. Despite the key fact that marshmallows learn in school (in a morbidly funny spread involving a blackboard) that “fire is only for dragons,” we see a marshmallow knight with a thimble for a hat not only fight a dragon but breathe fire on the creature. Take that, marshmallow detractors. Watkins closes Most Marshmallows with two empowering words for you to discover for yourself when you pick up a copy of this thoroughly original story.

 

Julie Danielson conducts interviews and features of authors and illustrators at Seven Impossible Things Before Breakfast, a children's literature blog primarily focused on illustration and picture books.

If you’ve ever wondered what life as a marshmallow is like, then pick up a copy of Rowboat Watkins delicious new picture book Most Marshmallows.

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In Hayley Barrett’s Babymoon, a new mother and father shut out the world in more ways than one (“SEE YOU SOON,” a sign on their front door declares) and delight in the newborn addition to their young family. In rhyming text that is marked by tenderness and flows as smooth as a lullaby, Barrett describes the delicate “dance of give-and-take” that is acclimating to a new baby. Her phrasing captures the boot camp that is early parenthood, marked as it is by fatigue and a “tentative and awkward grace”—but also by abundant love.

Newly-minted Caldecott honoree Juana Martinez-Neal depicts a brown-skinned family, the parents spelling out “Mami” and “Daddy” in board game tiles as they adjust to these “brand-new names.” She doesn’t shy from showing the parents’ fatigue. The mother gives her body over to the child as shown in one eloquent breastfeeding spread, yet she never lets the exhaustion trump the joy.

There are a lot of comforting curves in Martinez-Neal’s sure and gentle lines and velvety-soft illustrations. All the circles, including the one the family of three forms on the cover as the parents shelter the baby, communicate wholeness, commitment and love. Martinez-Neal also adds subtle humor to many spreads in the form of a dog and cat, who look warily at the babe who temporarily displaced them.

With heartfelt honesty, both Barrett and Martinez-Neal refrain from painting a saccharine portrait of new parenthood, and toddlers old enough to sit and listen to this story will delight in considering the ways in which their parents cared for them during their first years.

 

Julie Danielson conducts interviews and features of authors and illustrators at Seven Impossible Things Before Breakfast, a children's literature blog primarily focused on illustration and picture books.

In Hayley Barrett’s Babymoon, a new mother and father shut out the world in more ways than one (“SEE YOU SOON,” a sign on their front door declares) and delight in the newborn addition to their young family. In rhyming text that is marked by tenderness and flows as smooth as a lullaby, Barrett describes the delicate “dance of give-and-take” that is acclimating to a new baby. Her phrasing captures the boot camp that is early parenthood, marked as it is by fatigue and a “tentative and awkward grace”—but also by abundant love.

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The almost infinite possibilities of tomorrow are the theme of bestselling author Dave Eggers’ first picture book, Tomorrow Most Likely.

Though tomorrow may hold wonders galore, Eggers reminds young readers that it will most likely hold more of the same as well. You will, most likely, wake to the same cereal in the same bowl that you woke to yesterday. But you need not despair. There’s a whole wide world waiting to be explored just beyond your door.

And in Tomorrow Most Likely, that world is filled with wonderful things, like a mythical beast with the tail of a snake and the head of a bird or a whale waiting for you to hitch a ride on its back. Eggers and acclaimed illustrator Lane Smith juxtapose these more dazzling wonders with more muted ones, such as a striped stone or the smell of a flower you can’t quite name. In doing so, they remind readers—young and old alike—of the marvelous things that are often hidden in plain sight.

Though Eggers’ twist on the “day in the life” theme is inventive, what really makes this book shine is Smith’s gorgeous color palette, inventive use of textures and wonderfully subtle mixed-media accents. A visually stunning reminder that the realm of what’s possible is as wide or narrow as we imagine it to be, Tomorrow Most Likely is an absolute joy to read.

The almost infinite possibilities of tomorrow are the theme of bestselling author Dave Eggers’ first picture book, Tomorrow Most Likely.

Author Jacqueline Véissid’s debut picture book Ruby’s Sword is the kind of simple family story that sometimes gets lost in the flurry of children’s publishing. But with its resolute young heroine and gorgeous, summery illustrations, this is a perfect example of a book young readers will want to curl up with and read again and again.

Argentinean artist Paola Zakimi shows little-sister Ruby wading through tall grass as she tries to catch up with her two older brothers. When Ruby flops down to rest on her own, the wind blows her way and reveals something special—sticks in the shapes of swords.

In Ruby’s hand, her “sword” vanquishes a fearsome dragon. But fighting dragons is best with companions, and the generous Ruby races to grant swords to her siblings. Sadly, her gift is not at first appreciated, and Ruby is once again left to her own devices. But soon, the magical world she begins to create becomes irresistible, and her two brothers return to join in. Together, the three children work to build a magnificent castle from the simplest of materials: a sheet from the clothesline, sticks, rocks and flowers.

Ruby’s Sword is a reminder of the importance of imaginative and collaborative play for young children. Perhaps this story will remind parents or grandparents of their own long-ago forts and imaginary adventures. If there’s no beautiful, bucolic meadow like the one Zakimi depicts nearby, don’t worry. When you’re fighting dragons, sometimes all you need is the corner of a backyard.

Author Jacqueline Véissid’s debut picture book Ruby’s Sword is the kind of simple family story that sometimes gets lost in the flurry of children’s publishing. But with its resolute young heroine and gorgeous, summery illustrations, this is a perfect example of a book young readers will want to curl up with and read again and again.

Gail Shepherd’s colorful debut novel The True History of Lyndie B. Hawkins takes place in 1985 in the town of Love’s Forge, Tennessee. As the story opens, 11-year-old Lyndie and her parents have lost their home and have had to move in with her grandparents.

Lyndie is an outspoken, curious girl who loves research, history and getting to the bottom of things, but her quest to discover the truth about her father’s job loss and her parents’ strained relationship isn’t easy. One thing Lyndie does know is that it’s best to keep her daddy’s habit of hiding George Dickel Tennessee Whiskey in his glove box a secret from her opinionated grandma, who isn’t so sure that her son, a wounded Vietnam vet, quite knows how to raise Lyndie into a proper young lady. As for Lyndie’s mom who’s moved into a small room alone: “When she’s not at her new job at Miller’s Department she stays holed up in that room chewing on Bayer aspirins.”

In addition to Lyndie’s troubled family situation, her best friend Dawn is dealing with the outcome of her own issues; Dawn’s family is taking in a boy named D.B. who’s just come from a reform school. Eventually, both Lyndie’s father and D.B. realize they cannot outrun their past, and that they instead must undertake the long, hard work of trying to recover.

This richly voiced story explores themes of PTSD, the hope of redemption and the importance of friends and family. Full of humor and insights, The True History of Lyndie B. Hawkins will give middle school readers much to think and talk about.

Gail Shepherd’s colorful debut novel The True History of Lyndie B. Hawkins takes place in 1985 in the town of Love’s Forge, Tennessee. As the story opens, 11-year-old Lyndie and her parents have lost their home and have had to move in with her grandparents.

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In the follow-up to her acclaimed debut, The Secret of Nightingale Wood, author Lucy Strange explores the harrowing history of England at the start of World War II through the eyes of a young, fearful girl.

Eleven-year-old Pet has grown up on the southeast coast of England with her mother, father and older sister, Mags. Her tight-knit family tends to their village’s lighthouse and has always led a quiet, happy life. But as the 1940s begin and the war moves ever closer, Pet’s beloved cliff tops turn from an idyllic place for a child to roam and play to a battleground of barbed wire and a target for bombings. As the war rages, everyone in her family seems to have a secret to hide, which strains their bonds when they need connection the most. Pet, a girl prone to freezing up in times of fear, will have to learn to be braver than she’s ever been if she hopes to untangle the mysteries shrouding her family. 

Set during one of the most momentous periods of world history, Our Castle by the Sea is a powerful novel, and the steady pace of the narrative will keep readers engrossed. Strange’s incorporation of coastal English folklore and legend adds a layer of depth to both the narrative and characters, making for a rich and immersive reading experience. At the heart of the story is Strange’s heroine, however unlikely, as well as her journey of growth and change during a time that absolutely necessitated it.

In the follow-up to her acclaimed debut, The Secret of Nightingale Wood, author Lucy Strange explores the harrowing history of England at the start of World War II through the eyes of a young, fearful girl.

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Reminiscent of both Madeleine L’Engle’s A Wrinkle in Time and Lemony Snicket’s Series of Unfortunate Events, bestselling children’s author Margaret Peterson Haddix’s Greystone Secrets: The Strangers is the first installment in the author’s latest intricately written and emotionally resonant sci-fi series.

When the three young Greystone siblings—Chess, Emma and Finn—hear the news that three siblings on the other side of the country who share their exact first and middle names, as well as their birthdays, were kidnapped, they can’t help but find it odd. Then, when their mom goes on a “work trip” out of town the very next day, they become even more suspicious and take the investigation into their own hands.

As they dig around the house for clues, they soon discover a coded message from their mom that leads them to a hidden room in their basement. But as they’re padding around for answers to the mysteries, the Greystone siblings accidentally find themselves in a whole different, parallel world—one that’s eerily similar to their own but strange enough to be dangerous if they don’t stay smart and stick together.

Adventures, mysteries and puzzles abound, and Haddix’s high-concept middle grade novel deftly uses her understanding of young readers’ innermost thoughts and emotions to bring her characters to life as they learn the importance of trusting themselves—and each other—in order to survive.

ALSO IN BOOKPAGE: Read our Q&A with Margaret Peterson Haddix.

Reminiscent of both Madeleine L’Engle’s A Wrinkle in Time and Lemony Snicket’s Series of Unfortunate Events, bestselling children’s author Margaret Peterson Haddix’s Greystone Secrets: The Strangers is the first installment in the author’s latest intricately written and emotionally resonant sci-fi series.

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