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Debut author Beth Turley brings readers a heartwarming tale of a 10-year-old girl who sees magic in the world around her and even finds a way to create some herself.

Hannah Geller is a star speller and the only girl in her fifth-grade class who has pimples on her face. Her best friends, Courtney and Ryan, have always been there for her. But lately someone has been writing mean notes about Hannah, and Courtney is starting to become distant. Things aren’t much better at home with her parents and their constant fighting. In the midst of all this, Hannah finds herself less and less able to escape from the sad thoughts in her head, and she wishes her life was a happy story more than ever. But this is her reality, and if she wants things to get better, she’ll have to find the courage to let go of the words she keeps trapped inside so tightly.

With sage wisdom and delicate feeling, Turley pens a story that is equal parts melancholic and hopeful. At the center of it all shines an unforgettable heroine who demonstrates to young readers that one can be both tenacious and gentle, sensitive and strong. Every page calls to mind an ordinary magic in the world, from the first crisp air of fall to the luck of a heads-up penny, and with Hannah as a guide, readers can’t help but open their eyes and their hearts a little wider.

Debut author Beth Turley brings readers a heartwarming tale of a 10-year-old girl who sees magic in the world around her and even finds a way to create some herself.
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Illuminating the world of those whose day begins when most of us are tucked into bed, Night Job by Karen Hesse is a sweet story about hard work and devotion. One young boy makes a lunch he and his father will share late in the night, as he prepares to join his father at his night custodial job. While the duo cleans, they squeeze in moments of levity as they work their way through the deserted school, turning a night’s work into time together.

Multiple award-winner Hesse narrates in first person with an ear for childhood wonder and honesty, as the boy observes everything from the fishy smell coming from the bay to his father’s heft of custodial keys. Exceptionally poetic, Hesse’s imaginative language lends a slightly surreal and dreamlike feeling to this nighttime adventure. Even the taste of a well-earned, late-night sandwich is amplified.

G. Brian Karas’s art perfectly matches Hesse’s observant tone. An empty school by night might seem somewhat otherworldly, but Karas manages to convey a sense of intimacy and coziness as our characters work in muted colors that are highlighted by spots of bright light. Karas illustrates with unexpected and often disarming detail; I could almost feel the early-morning breeze blowing in through the window.

Inspired by a true story, Night Job is, at first glance, a story about a boy and his father going to work. Unexpressed with words, and yet loudest of all, is its emotional undertone of love, companionship and admiration.

Illuminating the world of those whose day begins when most of us are tucked into bed, Night Job by Karen Hesse is a sweet story about hard work and devotion.
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In this German import, originally published in 2015 by Antje Damm and translated by Sally-Ann Spencer, young readers meet the reclusive Elise. Likely agoraphobic, she is scared of many things, including people, and she doesn’t leave her compulsively-cleaned home. One day, when her open window allows for the entry of a paper airplane, it frightens her. With broom in hand, she sweeps the paper airplane into the fire.

The next morning, a young boy named Emil arrives to retrieve his plane, and the spark of a friendship is ignited. The boy stays to play, to hear a story (“It was a long time since Elise had read to anyone”), and to have a snack. “It’s fun at your house,” he tells Elise before exiting. After his visit, Elise is a changed person, and she even sits down to make her own paper airplane—one sure to serve as an invitation to her new friend.

In her delicate 3-D illustrations, rendered via paper vignettes, Damm uses color to capture the inner life of our introverted protagonist. In the opening spreads, as Elise sits despondingly at her kitchen table, no color can be found, save for a subtle yellow behind the windows. With each page turn, this yellow grows brighter, and when the boy enters her home, so do colors that eventually bloom throughout her small dwelling. In the final spread, the colors are bright; Elise’s cheeks are rosy and her heart is content.

A sweet, tender story of a friendship found.

A sweet, tender story of a friendship found.
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In Louisiana’s Way Home, award-winning author Kate DiCamillo expands on the story of Louisiana Elefante, a fan-favorite character from 2016’s Raymie Nightingale.

When Louisiana’s Granny wakes her in the middle of the night, she claims it’s the day of reckoning and says they have to leave town. After a long, eventful drive across the Florida-Georgia state line, Granny’s toothache forces them to stop in a quirky small town with a motel, a church and a friendly boy with a pet crow. Louisiana desperately wants to return to Florida and reunite with her best friends, but Granny has other plans. As Louisiana learns something new about her past and grows closer to the people of the town, will she be able to choose between making a new home and returning to her old one?

Louisiana tells her story in first person with unaffected charm, gentle warmth and keen observation, making it easy to see why the townspeople immediately embrace her. The magic of DiCamillo’s storytelling is in its simple, believable realism. Some people are kind, some are less so. The world can be harsh, even terrible, but it can also be beautiful. The way Louisiana notices, takes in and shares this wisdom is what makes DiCamillo one of our finest storytellers. This lovely story of independence and community will resonate with readers of all ages.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In Louisiana’s Way Home, award-winning author Kate DiCamillo expands on the story of Louisiana Elefante, a fan-favorite character from 2016’s Raymie Nightingale.

Author-illustrator John Hendrix brings his considerable talents to this nonfiction graphic exploration of the German resistance during World War II and the fascinating story of theologian Dietrich Bonhoeffer. Bonhoeffer, a double agent who played a role in the failed plot to kill Hitler, was hanged by the Nazis on April 9, 1945, just weeks before the end of the war.

Through black-and-white hand-lettering along with teal, red and black illustrations, Hendrix provides historical context of the post-World War I factors that led to the Nazis’ assumption of power in 1933. Ample white space allows readers to move easily from frame to frame without being overwhelmed by colors. The intensity is already there, of course, in the story itself. In the back matter, Hendrix modestly disavows being a scholar, but The Faithful Spy provides just the right amount of historical information while simultaneously hooking readers on Bonhoeffer’s tragic journey. Direct quotations are flagged with an asterisk, allowing curious readers to trace sources in the notes.

The Faithful Spy is exactly the kind of accessible, innovative page turner sure to entice new readers to the graphic format and the burgeoning genre of middle grade nonfiction. Truly a tour de force.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Author-illustrator John Hendrix brings his considerable talents to this nonfiction graphic exploration of the German resistance during World War II and the fascinating story of theologian Dietrich Bonhoeffer. Bonhoeffer, a double agent who played a role in the failed plot to kill Hitler, was hanged by the Nazis on April 9, 1945, just weeks before the end of the war.

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Novels that blend history with imaginative fantasy are particularly hard to pull off and particularly special when they’re written just right. Jonathan Auxier’s Sweep definitely falls into the latter category, as this accomplished storyteller combines Victorian labor history and Jewish mythology for an unforgettable tale of a friendship that transcends time and place.

Nan Sparrow is the best chimney sweep London has seen in a generation. She learned from the best, having been tutored by her kindly guardian known only as the Sweep. But the Sweep has been gone for years, and Nan is now in thrall to a cruel master with little regard for his young charge’s well-being. Although Nan is smart and creative, she can’t imagine a different future until she finds herself cleaning the chimneys at a girls’ school and a teacher recognizes her potential.

But then Nan becomes trapped in the school’s narrow chimney, risking being burned alive on the job. That moment of crisis, however, brings to life the Sweep’s last gift to Nan, a kindly soot golem named Charlie who transforms her life.

Auxier’s melding of fiction and fact—much of which is explained in an author’s note—will inspire readers to learn more about the sources behind this tale. But what will ring truest for readers of all ages is the novel’s emotional core: “We save ourselves by saving others.” This message of generosity and compassion changes Nan’s life and will touch young readers, too.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Novels that blend history with imaginative fantasy are particularly hard to pull off and particularly special when they’re written just right. Jonathan Auxier’s Sweep definitely falls into the latter category, as this accomplished storyteller combines Victorian labor history and Jewish mythology for an unforgettable tale of a friendship that transcends time and place.

In this double debut from Scottish poet Louise Greig and Irish illustrator Ashling Lindsay, the coming of darkness is imagined as The Night Box.

A little boy named Max is outside his house in the country as the light fades. It’s time to wave goodbye to the day and come in, but a box is waiting, and Max has the key. While his kitten looks on, Max opens the Night Box, and magical darkness begins to pour out: “Darkness tumbles into the air. / It dances and whirls around the room.”

Greig imagines the character of Night through wonderful imagery: Night is mischievous, chasing other colors away; Night is huge, big enough to hold a house, a pond and a forest. And as Night “soars, streams, stretches up to the sky,” a thousand stars appear.

This is, of course, a bedtime story, and the gentleness of Night comes through Lindsay’s rustic, comforting illustrations, in which lots of white space keeps this tale from being too dark.

In the morning, Max opens the box and “WHOOSH! Night slips inside as Day sweeps out.”

First published in the U.K. in 2017, this beautiful, award-winning picture book has the appeal of a classic and is sure to be a hit with readers and families in the U.S.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this double debut from Scottish poet Louise Greig and Irish illustrator Ashling Lindsay, the coming of darkness is imagined as The Night Box.

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It’s a snow day, and Alice’s father wakes to find her dressed in royal garb, declaring she is “KING Alice! The first!” King Alice is full of creative ideas for how to spend the unexpected day off, and whatever she says goes. While her mother tends to the baby, King Alice and her drowsy but willing father write and illustrate a story. Even though King Alice is bursting with ideas and hops from one game to another, she faithfully returns to their story—the one where, just like in real life, she calls the shots.

After a well-earned timeout breaks King Alice’s stride, father and daughter make amends and return to their bustling, chaotic story featuring pirates, unicorns and fairies. Though most of King Alice is filled with the lively pen-and-ink and watercolor illustrations that won Cordell a Caldecott Medal for Wolf in the Snow, the story within the story is rendered via Cordell’s children’s stash of art supplies, and his fluid, humorous dialogue keeps things moving at a brisk pace.

The bond between father and daughter is the heart of this sweet but never saccharine story. King Alice’s father goes all in, never turning down a game in the name of traditional gender roles—he spends most of the book in a tiara and toy earrings—which is refreshing to see. Long may King Alice reign.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s a snow day, and Alice’s father wakes to find her dressed in royal garb, declaring she is “KING Alice! The first!” King Alice is full of creative ideas for how to spend the unexpected day off, and whatever she says goes. While her mother tends to the baby, King Alice and her drowsy but willing father write and illustrate a story. Even though King Alice is bursting with ideas and hops from one game to another, she faithfully returns to their story—the one where, just like in real life, she calls the shots.

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BookPage Children's Top Pick, October 2018

The inimitable M.T. Anderson has teamed up with award-winning author and illustrator Eugene Yelchin for The Assassination of Brangwain Spurge—which is not quite a graphic novel but far more than your traditional illustrated middle grade book. Yelchin’s wonderfully quirky drawings fill entire chapters without any accompanying text. Other times, they supplement Anderson’s pithy prose or directly contradict it. Such is the inventive world of this wry, rollicking and totally refreshing take on cultural contact and conflict—in this case, between elves and goblins.

Having been at war for as far back as their histories stretch, elves and goblins are sworn enemies, but they’ve entered a period of tenuous peace. In stumble Brangwain Spurge and Werfel (an odd couple if there ever was one), two historians who are more at home in dusty libraries than at the center of the historical stage. Spurge, a pompous elf, has been selected by his government to return an ancient relic to the goblin overlord as a peace offering. Werfel, a gracious and endearing goblin, is tasked with playing cultural emissary to his elfin peer.

Werfel soon realizes that Spurge has no interest in anything that might change his view of goblins as uncultured brutes. Between Spurge’s prejudice and Werfel’s deep sense of hospitality—which requires him to appease his guest as well as protect him with his life—hilarity ensues.

A brilliant, satirical take on cultural chauvinism, objectivity and war and peace, The Assassination of Brangwain Spurge is witty, wise and wondrously unique.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

The inimitable M.T. Anderson has teamed up with award-winning author and illustrator Eugene Yelchin for The Assassination of Brangwain Spurge—which is not quite a graphic novel but far more than your traditional illustrated middle grade book. Yelchin’s wonderfully quirky drawings fill entire chapters without any accompanying text. Other times, they supplement Anderson’s pithy prose or directly contradict it. Such is the inventive world of this wry, rollicking and totally refreshing take on cultural contact and conflict—in this case, between elves and goblins.

Drew Daywalt, author of the bestselling picture book The Day the Crayons Quit, brings his kid-centric sense of humor to a new bedtime story with a twist, raucously brought to life by illustrator Scott Campbell.

Roderick positively loathes going to bed at night. He’s adept at coming up with excuses to delay the inevitable. There are the usual requests for more stories and a glass of water, but Roderick isn’t above pulling out all the stops: Why not ask for a pony so he can hear his parents detail all the many reasons he’s not getting one? But Roderick’s parents have a plan. They give Roderick a special stuffed goodnight buddy (Is he a moose or a bear?) named Sleepy. Roderick doesn’t like the look of Sleepy all that much, and when he tries to stash him away in the closet, Sleepy reveals that he’s alive.

The tables are then turned and the real fun ensues as we learn that Sleepy doesn’t live up to his name—he hates bedtime even more than Roderick does. And so an increasingly exasperated and exhausted Roderick finds himself on the other end of a series of Sleepy’s delaying tactics, humorously brought to life through the characters’ dialogue and Campbell’s watercolors.

While children will appreciate the story’s humor, parents may well wonder about the inspiration for the book. Let’s just say that author Daywalt dedicated it to his children, “To Abigail and Reese, but mostly Reese.” Unlike the mom on the back cover, parents can’t go to the store to buy a magical goodnight buddy, but adding Sleepy to the must-read bedtime pile for the sleep-averse ones in your home may be the next best thing.

Drew Daywalt, author of the bestselling picture book The Day the Crayons Quit, brings his kid-centric sense of humor to a new bedtime story with a twist, raucously brought to life by illustrator Scott Campbell.

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In Ann Stott’s Want to Play Trucks? two toddlers meet at a playground and engage in the communication and compromise necessary for creative play. Alex and Jack, who meet there regularly, are always referred to by their names in the text; refreshingly, no pronouns are ever used to assign their gender.

Jack likes trucks, ones that wreck things, and Alex likes pink, sparkly dolls. Jack’s play is more physical and aggressive; at one point, the truck destroys a large pile of sand while Alex watches with hesitation. The two attempt to play yet can’t agree on whether to play with dolls or trucks, finally deciding to play “dolls that drive trucks.” When the toy crane comes out and Jack says that no one can wear a tutu and drive a crane, Alex takes offense. An argument ensues until Jack clarifies: “It wouldn’t fit in the driver’s seat.” But of course. So the tutu comes off, and the doll, now in overalls, can happily operate the crane.

An ice cream truck that visits the playground eventually trumps all imaginative play in the sandbox, and agreeing on ice cream is a cinch.

Stott’s text, laid out in simple sentences and uncomplicated dialogue, is matched by illustrator Bob Graham’s soft, spacious watercolors. As with any book illustrated by Graham, it’s fun for readers to take in the details around the children—such as the children’s caregivers chatting intensely behind them and the other park-goers, including one in a wheelchair and a woman in a headscarf. It’s a truly inclusive playground. 

Want to Play Trucks? is a joyful, authentic tribute to the dynamics of children’s play.

In Ann Stott’s Want to Play Trucks? two toddlers meet at a playground and engage in the communication and compromise necessary for creative play.

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Felix Knutsson has a lot to worry about. His mother, Astrid, can’t find or keep a job, and the duo have been living in a van for months after being evicted from their Vancouver apartment. It’s a tough life for young Felix, especially since he doesn’t feel like he can share his dire situation with any of his friends from school.

Still, life with no fixed address isn’t all bad. While Astrid struggles with occasional bouts of depression referred to as “slumps,” she is a loving mother who is trying her best to provide for her son. Felix has a beloved pet gerbil and a good-luck troll, does well in school, makes good friends and has a huge interest in trivia. He even manages to win a slot on the junior edition of his favorite game show, “Who What Where When.”

At almost every turn, however, the state of Felix’s “residence” comes into question by the Canadian Ministry of Children and Family Development. Felix’s luck soars after he wins the game show’s substantial cash prize, but his world soon threatens to implode when he finds himself in the police station with his mother shortly after. The good and bad intermingle at the end, leaving Felix to learn the true meaning of kindness and to discover that homelessness doesn’t have to mean hopelessness.

Author Susin Nielsen weaves humor and heart into No Fixed Address while highlighting struggles that are often swept under the rug. Through Felix, Nielsen shows readers what it takes to carry on.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Felix Knutsson has a lot to worry about. His mother, Astrid, can’t find or keep a job, and the duo have been living in a van for months after being evicted from their Vancouver apartment. It’s a tough life for young Felix, especially since he doesn’t feel like he can share his dire situation with any of his friends from school.

Twelve-year-old Cassidy Blake is an unusual girl. A book nerd and a bit of a loner, she nearly drowned when she was younger, only to be rescued at the last minute by a boy her age named Jacob. Only Jacob isn’t a typical boy: He’s a ghost, and Cassidy’s near-death experience has given her the ability to cross the Veil and enter a world where she can see and speak to the dead. When Cassidy’s parents, a team of historical and supernatural researchers, take a summer job in Edinburgh, Scotland, Cassidy and Jacob tag along. But Edinburgh is a city full of creepy graveyards, haunted castles and the Raven—a malicious ghost who lures children to their deaths.

Cassidy cannot ignore the pull of the Veil or the Raven, and when she meets another girl who can also see the dead, Cassidy discovers that she’s supposed to send the ghosts away. But what does that mean for Jacob? And when the Raven comes after Cassidy, will she have the strength to fight back, or will she become a spirit herself?

Although City of Ghosts is Victoria Schwab’s first foray into middle grade fiction, the bestselling author of adult fiction and young adult titles like Vicious is squarely in her wheelhouse. The Scottish setting is authentic and chilling, likely drawn from Schwab’s experience attending graduate school in Edinburgh. Schwab cleverly balances the book’s macabre elements with humor. Jacob is a charming sidekick, and as a ghost, he is the bright light of this tale.

Hopefully, there are more adventures for Cassidy and Jacob in store, as readers will be clamoring for a sequel.

 

This article was originally published in the September 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Twelve-year-old Cassidy Blake is an unusual girl. A book nerd and a bit of a loner, she nearly drowned when she was younger, only to be rescued at the last minute by a boy her age named Jacob. Only Jacob isn’t a typical boy: He’s a ghost, and Cassidy’s near-death experience has given her the ability to cross the Veil and enter a world where she can see and speak to the dead.

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