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All Children's Coverage

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Author-illustrator Ed Vere would like readers to know that there’s more than one way to be a boy, a lesson delivered via the story of Leonard the lion. A gentle, introspective soul, Leonard likes to spend time daydreaming, thinking, playing with words and humming. He especially loves it when his wordplay leads to poetry, and he’s thrilled when he makes a new friend in Marianne, a “poetic duck.” But when other, more aggressive lions discover the two have hit it off, they tell Leonard there’s only one way for a lion to be: fierce. Shouldn’t he be chomping ducks? Leonard is left feeling discouraged, but together, Leonard and Marianne collaborate on a poem about the value of thinking for oneself. They bravely recite their verses to the lions—with Marianne clutching Leonard’s leg in fear the whole time.

Vere’s palette is dominated by deep honey, rose and mustard hues, and he keeps the focus on the characters with outlines in thick, wide brushstrokes and simple backgrounds. How to Be a Lion may be a message-driven picture book, but it’s a welcome message: There’s an alternative to the tough-guy approach to masculinity. Leonard is sensitive and thoughtful, and as he tells the other lions, “Let nobody say / just one way is true.” Vere’s story is likely to linger in the minds of children.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

 

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

Author-illustrator Ed Vere would like readers to know that there’s more than one way to be a boy, a lesson delivered via the story of Leonard the lion.

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No one likes moving, especially Geraldine the giraffe. It doesn’t help when her mother reminds her not to be a drama queen or when her father suggests that moving will be “a Grand Adventure.” Back in Giraffe City, Geraldine was just Geraldine. But as the only giraffe at her new school, she feels like “That Giraffe Girl.”

Never shy before, Geraldine now hides behind trees and basketball poles during lunch and recess. But one day, Geraldine discovers someone else in her lunchtime hiding spot: a girl named Cassie with a long, twisty braid who identifies herself as “that girl who wears glasses and likes MATH and always organizes her food.” As Geraldine and Cassie hide and hang out together, they realize that they’re not so unusual.

In her debut picture book, Elizabeth Lilly’s unpretentious illustrations depict Geraldine’s range of emotions through her spirited, wiggly neck. As Geraldine and Cassie gain confidence and new friends just by being themselves, Geraldine begins to stand a little taller. To readers, Geraldine will always stand out humorously among her new classmates, but she also fits right in with them, playing, dancing and hiding (in a game of hide-and-seek).

Although Geraldine is a giraffe, her experience will resonate with any child who’s ever had the difficult task of moving and starting over with new friends.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

No one likes moving, especially Geraldine the giraffe. It doesn’t help when her mother reminds her not to be a drama queen or when her father suggests that moving will be “a Grand Adventure.” Back in Giraffe City, Geraldine was just Geraldine. But as the only giraffe at her new school, she feels like “That Giraffe Girl.”

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BookPage Children's Top Pick, July 2018

Eleven-year-old Dorothy, better known as Donut, knows what she likes—taxidermy, poker and geography—and what she doesn’t—the prospect of having to leave her beloved Vermont woods for a new life in stuffy, crowded Boston.

The year is 1927, and Donut, whose mother died in childbirth, has been perfectly content in the life she’s led with her engineer father and the eccentric characters who occupy her remote corner of Vermont. But now, after her father’s death in a car accident, Donut is terrified of what a future with her Aunt Agnes might look like, hundreds of miles away from everything and everyone she knows and loves.

Desperate to avoid attending the girls’ school run by her aunt, Donut hatches a plan to take her dad’s innovative, collapsible boat and hide away in an abandoned cabin in the Vermont woods. But when a crisis strikes, Donut must reassess not only her own independence but also the meaning of family—and what it means to rely on one another.

For more than 20 years, debut novelist Daphne Kalmar was a teacher who loved introducing her students to the natural world. Her affection for the animals and landscapes of Vermont’s northern kingdom is apparent throughout A Stitch in Time, but what will really win over readers is her novel’s heroine. With her big heart and an openness to adventure, Donut is an affecting blend of toughness, vulnerability and fearlessness. A Stitch in Time would make a wonderful read-aloud and provides an opportunity for parents and children to talk about grief, love and self-reliance.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Eleven-year-old Dorothy, better known as Donut, knows what she likes—taxidermy, poker and geography—and what she doesn’t—the prospect of having to leave her beloved Vermont woods for a new life in stuffy, crowded Boston.

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Intrepid fifth-grader Mia Tang gets a crash course in capitalism when she oversees the front desk at the motel that her Chinese-American parents operate. Loosely based on author Kelly Yang’s experiences as a new immigrant to America, this story shimmers with good cheer, working-class realities and Mia’s unshakeable belief that people can make a difference if they pull together.

To help her family, Mia occupies the manager’s stool at the front desk, but folks aren’t too sure about her until she proves her managerial skills. Mia improvises by putting out a tip jar and makes improvements like creating a better key system.

Despite the Tangs’ hard work, they’re barely making a living because of the motel owner’s shady, untruthful tactics. Beyond this unfairness, Mia experiences racism towards herself in school, and towards one of the African American tenants at the motel. Front Desk also highlights a variety of immigrant hardships through the many visitors the Tangs give free respite to, at the great personal risk of losing their positions at the hotel.

But Mia learns just how powerful her pen can be to right the wrongs in her own backyard, and that honest and persuasive writing can make people come together for the greater good. Front Desk delights with its spunky main character who offers young readers lessons in being fearless.

Intrepid fifth-grader Mia Tang gets a crash course in capitalism when she oversees the front desk at the motel that her Chinese-American parents operate. Loosely based on author Kelly Yang’s experiences as a new immigrant to America, this story shimmers with good cheer, working-class realities and Mia’s unshakeable belief that people can make a difference if they pull together.

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In this French Canadian import by Benjamin Flouw, we meet a botany-loving Fox who is always looking for new plants to add to his home collection. When he reads about The Golden Glow, a rare mountain plant “from the Wellhidden family,” he decides to hike his way to it.

First, Flouw shows readers the contents of Fox’s backpack in a spread in which everything is labeled. The Fox sets off on his journey, and along the way he meets other anthropomorphized animals—Bear, Wolf, Marmot and Mountain Goat, but there’s no menace in this forest; all the creatures Fox meets are either friends or family. On his hike, he stops to identify trees and flowers—and even altitudinal zones—in more scientific, detailed spreads.

Fox, with his cheerful determination, is immensely likable. When he finally finds the legendary golden plant, which Flouw illustrates with a flower that almost seems to glow on the page, Fox decides that the “golden glow is more beautiful here on the mountaintop than it ever would be in a vase in his living room.” The angular lines of Flouw’s illustrations are paired with a cool, earth-toned palette—primarily mustards, greens, teals and browns—and some spreads, particularly the spread with the flower, are juxtaposed with softer pinks and yellows. Readers will realize that the joy of Fox’s hike came from his experience of the natural world, even if he chose not to accomplish his original goal of adding the flower to his plant collection. Who could pluck such beauty from the mountain, after all?

Sweet with a subtle environmental message, this is a story that glows.

 

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

In this French Canadian import by Benjamin Flouw, we meet a botany-loving Fox who is always looking for new plants to add to his home collection. When he reads about The Golden Glow, a rare mountain plant “from the Wellhidden family,” he decides to hike his way to it.

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From debut author Amy Makechnie comes a small-town romp as remarkable as its titular character.

Guinevere St. Clair has no ordinary life: Her mother can’t remember anything after the age of 13. But this unfortunate situation only seems to have increased Gwyn’s spunkiness. So when her father announces that the family will be moving back to their hometown of Crow, Iowa, in hopes of jogging her mother’s memory, Gwyn embraces the change. But soon she’s caught up in a mystery she didn’t anticipate and uncovering secrets from her mother’s past that she’s not quite sure how to deal with. Ready or not, Gwyn is about to learn that sometimes tending to feelings, both her own and those of the people around her, is more important than getting answers.

Makechnie’s rural Iowa setting is populated with unique and memorable characters, and she takes on serious topics with honesty and grace, always balancing the sadness with enough love and laughter to keep hope alive. And overall, that’s what this story is about: maintaining hope for a better future when it seems impossible. Even if the better future you get doesn’t look exactly like the one you had in mind.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

From debut author Amy Makechnie comes a small-town romp as remarkable as its titular character.

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With flying fish that fling themselves onto the doorsteps of its rainbow-colored homes, Allora is a charming seaside town unlike any other. But this quiet and quirky town also has a heartbreaking past—one that brings together the characters of The Boy, the Bird, and the Coffin Maker.

Thirty years ago, Alberto the carpenter lost his wife and three children to a plague that ravaged Allora. Alberto built five coffins—one for each family member he’d lost and one for himself. But Alberto survived. Now an old man, he notices that some food has suddenly gone missing from his home. He discovers that the thieves are Tito and Fia, a small, hungry boy and an unusual bird. After many weeks, Alberto befriends the pair and convinces them to live with him rather than in an abandoned shed on the outskirts of town. Tito reminds Alberto of his own children and his long-forgotten happiness, and he begins to teach Tito carpentry, how to read and how to grieve his dead mother—whom Alberto built a coffin for just weeks ago. When Tito reveals that he and his mother originally came to Allora to escape his abusive father, Alberto is determined to protect him.

With magical realism reminiscent of Gabriel García Márquez, author Matilda Woods has crafted a tender tale about the power of kindness in light of tragedy, accompanied by magical illustrations from Anuska Allepuz. Woods’ simple yet beautiful prose is open, honest and bears the soul of each of her characters.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

With flying fish that fling themselves onto the doorsteps of its rainbow-colored homes, Allora is a charming seaside town unlike any other. But this quiet and quirky town also has a heartbreaking past—one that brings together the characters of The Boy, the Bird, and the Coffin Maker.

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When a girl is left on the steps of the Mostly Silent Monastery in Washington, D.C., wearing a shirt adorned with a picture of a bicycle, the practical Sister Wanda names her Bicycle.

Living with Sister Wanda and the mostly silent monks, 12-year-old Bicycle has found a contented existence, which reaches near perfection when she rescues a battered bicycle, lovingly dubs it Clunk and spends every spare moment cycling around town. Sister Wanda, worried that Bicycle has no friends, arranges for her to attend a friendship camp. Dismayed, Bicycle plots out a cross-country route to San Francisco to see her cycling idol, Zbig Sienkiewicz, and slips away on trusty Clunk.

Bicycle’s subsequent adventures have a modern fairy-tale charm. She and Clunk encounter a succession of quirky yet good-hearted characters, such as Griffin, a Civil War-era ghost, and the chef Marie Petitchou. Each chapter captures a snapshot of Americana: Bicycle leads a horse to the finish line at the Kentucky Derby, is mowed down by pigs on parade in Missouri and crosses the Continental Divide. Readers willing to suspend disbelief and roll with the silliness are rewarded with an enriched understanding of America’s vast landscapes and more than a couple easy-to-digest life lessons.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

When a girl is left on the steps of the Mostly Silent Monastery in Washington, D.C., wearing a shirt adorned with a picture of a bicycle, the practical Sister Wanda names her Bicycle.

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When Otis Barton and Will Beebe descended into the ocean’s depths in their bathysphere on June 6, 1930, they became the first humans to see deep-sea creatures in their natural environment. Barton and Beebe’s adventure inside their cramped invention was a great leap into the unknown—one filled with life-threatening risks.

Caldecott Honor-winning author Barb Rosenstock does a phenomenal job of choosing just the right details to bring this achievement brilliantly to life in Otis and Will Discover the Deep. Katherine Roy’s stunning, detailed illustrations show the marine life these two explorers saw off the coast of Bermuda, with gatefold pages that dramatize their otherworldly descent and endpapers that perfectly highlight the excitement and danger at hand. Completing the package are several pages of historical notes, including one from Library of Congress librarian Connie Carter, who was one of Beebe’s assistants. And don’t miss Roy’s fascinating description of her quest for artistic authenticity, which involved everything from building a digital model of the bathysphere to shooting reference photos.

Just as Barton and Beebe partnered to complete their bathysphere adventures, Rosenstock and Roy’s collaboration presents this story in a vivid, unforgettable way. Open these pages and dive right in!

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

When Otis Barton and Will Beebe descended into the ocean’s depths in their bathysphere on June 6, 1930, they became the first humans to see deep-sea creatures in their natural environment. Barton and Beebe’s adventure inside their cramped invention was a great leap into the unknown—one filled with life-threatening risks.

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Olive and her best friend, a stuffed owl named Hoot, are adventurers—or at least Hoot is. But when their latest escapade becomes more windy and rainy and woodsy than they’d planned, Hoot’s intrepidness fails, and it’s up to Olive to get them home again. Captivating and endearing, Jonathan D. Voss’ Brave Enough for Two gives readers a gentle and timeless message: It’s one thing to be bold and daring and seek adventure, but the friend who takes your hand when your own courage falters is also brave.

Voss is well-acquainted with best-friend tales, having illustrated Sally Walker’s picture book biography Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh. While Brave Enough for Two is his first book as both author and illustrator, Voss writes with vast talent, lyricism and gentleness. With compassionate and slightly off-beat dialogue, Olive and Hoot’s world feels like a neighborhood next door to Pooh’s Hundred Acre Wood.

Using unique perspectives such as a bird’s-eye view of a balloon ride and the catawampus angle of a capsizing basket boat, Voss skillfully captures big dreams, vast skies, frightening storms and the relief of returning home. Soft colors, sidebar sketches and full-spread adventure illustrations make every page turn unique and inviting.

Brave Enough for Two is an instant classic, as is its enduring message of friendship and pluck. Any journey, big or small, is better with a friend by your side. But perhaps the biggest, grandest adventure of all is friendship.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Olive and her best friend, a stuffed owl named Hoot, are adventurers—or at least Hoot is. But when their latest escapade becomes more windy and rainy and woodsy than they’d planned, Hoot’s intrepidness fails, and it’s up to Olive to get them home again. Captivating and endearing, Jonathan D. Voss’ Brave Enough for Two gives readers a gentle and timeless message: It’s one thing to be bold and daring and seek adventure, but the friend who takes your hand when your own courage falters is also brave.

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BookPage Children’s Top Pick, June 2018

A boy named Julián and his abuela hop on the subway, where he sees three glamorous women dressed as mermaids. Julián is transfixed; he loves mermaids. In the three spreads that follow, we are swept up in Julián’s reverie: We see the subway car become an ocean and fill with colorful sea creatures. They sweep Julián along until he’s a mermaid himself.

Once home, the inspired Julián makes his own mermaid costume. The curtains become his dress, a fern becomes his hair and lipstick is applied. When Abuela enters the room, she takes it all in wordlessly, and Julián’s triumphant stance becomes one of a defeated boy, sure he’ll be shamed. Instead, Abuela brings Julián a string of pearls and takes him to the Coney Island Mermaid Parade, ushering him without judgment into a world of people like him. Julián parades exuberantly with his fellow mermaids, knowing that Abuela, always by his side, recognizes and accepts him for who he is.

Jessica Love’s vivid watercolor and gouache illustrations are made even brighter by her decision to paint on brown paper; the richly colored palette pops off the pages, and abundant character is conveyed via the subtlest of facial expressions and body language. Also subtle—and terrifically poignant—is the eloquent encouragement of Abuela’s spare words. A book for the ages, Julián Is a Mermaid is going to make a big splash.

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

A boy named Julián and his abuela hop on the subway, where he sees three glamorous women dressed as mermaids. Julián is transfixed; he loves mermaids. In the three spreads that follow, we are swept up in Julián’s reverie: We see the subway car become an ocean and fill with colorful sea creatures. They sweep Julián along until he’s a mermaid himself.

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Lucy can’t remember the moment when lightning struck her four years ago, but now the 12-year-old has a gift for numbers. Her favorite is pi, and she can recite the digits to the 314th decimal place. While her doctors call her condition acquired savant syndrome, Lucy just knows she’s a reclusive genius with obsessive-compulsive disorder who’d rather hang out in online math chat rooms than leave her house.

After finishing all of her homeschool requirements needed to graduate, the tween thinks she’s ready for online college. Her perhaps even wiser Nana, who’s raised her since Lucy’s mother died, thinks differently. In Stacy McAnulty’s electrifying debut middle grade novel, Lucy unwillingly heads to seventh grade. She knows it’s going to be a long year, but when a school service project at a local animal shelter forces the math whiz to interact with other socially awkward kids, she begins to solve a problem that seems to defy logic—making friends.

And when a dirty dog with its own special condition needs saving, Lucy feels a bolt of kindness and empathy as she finds she has other gifts besides math. Filled with numbers—including a concluding math section on pi and Fibonacci facts—the ups and downs of middle school and gentle humor, this story of Lucy’s struggles and newfound answers will resonate with anyone who’s ever felt like an outsider. And hasn’t every middle schooler?

Lucy can’t remember the moment when lightning struck her four years ago, but now the 12-year-old has a gift for numbers. Her favorite is pi, and she can recite the digits o the 314th decimal place. While her doctors call her condition acquired savant syndrome, Lucy just knows she’s a reclusive genius with obsessive-compulsive disorder who’d rather hang out in online math chat rooms than leave her house.

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After the sudden death of her beloved father, 13-year-old Briana has more than just her grief to contend with. Her mother has shut down—closing herself off and not wanting to get up or leave her bedroom. Her younger brother, Aaron, is on the autism spectrum and now needs much more of her time. And then theres the issue of her second heart.

As Briana navigates life without her father, she believes she hears him speaking to her through what she thinks is a second heart inside of her. But she’s not always clear about what her father’s messages mean.

It’s hard enough trying to find her way through owning a second heart, but now Briana must pick up the slack where her mother and Grandpa Ben can’t fill in. And in the process, she’s trying to succeed at school and, hopefully, impress that guy she has her eye on.

Throughout The Girl with More Than One Heart, Briana reflects on happier days with her late father—and to be honest, before her brother was born—and those memories propel her to find her own way, to “be her own” (as her second heart tells her) and embrace her new life.

After the sudden death of her beloved father, 13-year-old Briana has more than just her grief to contend with. Her mother has shut down—closing herself off and not wanting to get up or leave her bedroom. Her younger brother, Aaron, is on the autism spectrum and now needs much more of her time. And then theres the issue of her second heart.

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