Sometimes the best way to address kindness is through actions, not words. I Walk with Vanessa: A Story About a Simple Act of Kindness (ages 4 to 8) is a wordless picture book that does just that. A young black girl has just moved to town and started school. As she walks home after school, feeling lonely, a white boy bullies her, his mouth snarling, the emotionally explosive confrontation surrounded by an angry sea of red. A classmate with brown skin and straight hair watches the exchange and is left shaken and saddened as she watches the newcomer run home in tears.

The next morning, this thoughtful classmate is waiting for the bullied girl at her front door, taking her hand and escorting her to school. Soon there’s an entourage as others join the growing procession, until the newcomer, lonely no more, is surrounded by a sea of new friends.

This simple, touching story comes to life in the hands of Kerascoët, the pen name for the French husband-and-wife illustration team of Marie Pommepuy and Sébastien Cosset. Their simply drawn characters are filled with energy and expression, powerfully showing the angst of being bullied and the joy of solidarity and friendship.

Baby Bear makes a handful of discoveries in this volume of four short stories. He finds a boot, returning it to its rightful owner; he finds a rare flower, making his mother’s day; he helps a baby bird, handing him safely back to his mother; and he makes a new friend. All of this is told in simple sentences and easy-to-follow dialogue.

With an endearing protagonist—Baby Bear is curious, caring and determined to be helpful—and a sunny, earth-tone palette, young readers will be drawn easily into Baby Bear’s world. Most of the artwork features circular or oval spot illustrations with generous white space surrounding them, while one illustration in each story covers both sides of a spread. These compositions, as well as the book’s bucolic setting, give the book a cozy, intimate feel. The tone is sweet and gentle, and Baby Bear’s abundant naïveté (he must ask a friend what “rare” even means) will be relatable to the preschool audience at which the book is aimed.

The strikingly childlike bear, not to mention the anthropomorphized forest creatures and the old-fashioned vibe of the stories, all bring to mind Else Holmelund Minarik’s Little Bear books, illustrated by Maurice Sendak, even if no bear stories can ever hold a candle to those eloquent classics. But this Baby Bear’s stories, in their warmly lit outdoor world, will make a cozy send-off at bedtime for the youngest of listeners—and may be just the book they pick up again when they’re ready to start reading.

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

Wordy Birdy, as her name suggests, is one talkative bird. From the moment she wakes up in her treetop home, she’ll happily give you a running commentary about, well, anything—from what she likes (“spaghetti and unicorns and library books”) to what she doesn’t (“tall grass or turtlenecks or long lines or tuna salad”). She is also good at asking a lot of questions, but what Wordy Birdy is not so good at? Listening to the answers.

So when Wordy Birdy sets off on a walk into the deep, dark forest, she is too busy talking to notice the dire signs about danger ahead, or to hear the warnings from her raccoon, squirrel and rabbit friends, who beg her to turn around. Will Wordy Birdy stop talking and start listening before it’s too late?

Obviously, Wordy Birdy is a story with a clear message that will be relevant to a lot of young readers (and their grown-ups). Author Tammi Sauer balances the story’s moral with plenty of hilarity, and Dave Mottram’s cartoon-like illustrations—including bright plumage that matches Wordy Birdy’s zany personality—amp up the fun in this silly story. Cartoon speech bubbles help highlight the importance of the story’s dialogue and bring Wordy Birdy’s voice to life. It would be fun to hear this story read by two readers—one to seriously read the narrator’s and sidekicks’ voices, and one to have fun with Wordy Birdy’s many words.

This is one story that kids will love to listen to.

Kobi Yamada fans will adore What Do You Do With A Chance?, the latest in a series of inspiring and relatable tales about dealing with the opportunities life throws our way.

When a golden chance, flitting like a butterfly, first appears to a child, he doesn't know what to make of it, but he feels the chance is important. But the child is unsure and doesn’t act, so the chance flits away. Soon the child regrets not having taken the chance and wonders if it will return. The next time the golden chance appears, he tries to grasp it but misses. Embarrassed, he decides to ignore any chance that comes his way. In time, the chances stop coming altogether. The child decides to be ready for the next chance, just in case. Finally, a chance appears on the horizon, and this time he runs to greet it. Grabbing the chance and holding on tight, the child soars, flying high and free.

Mae Besom’s dreamy illustrations, rendered in subtle earth tones, place gentle, rounded figures against surreal mountain villages, providing a beautiful backdrop for a child’s first foray into a world of chance and random opportunity. Yamada’s relatable story urges readers of all ages to take the chances that come their way—they could be the start of something incredible.

Billie B. Little is the Founding Director of Discovery Center at Murfree Spring, a hands-on museum in Murfreesboro, Tennessee.

Young Jerome loves words. How much? He loves them so much, he collects them—in the same way someone might collect bugs or baseball cards.

Words are tangible things that catch his attention and draw him in; he starts recording all the amazing words he hears or reads—words as small as “dream,” as big as “kaleidoscope” or as random as “smudge.” Jerome discovers that words have power in their syllables, their rhythm, their meaning. He keeps his many delightful, marvelous and poetic words in a scrapbook, and his journey takes a charming turn when he drops these scrapbooks, sending his strips of collected words flying. As they land next to each other, Jerome realizes the true power of words strung together—their power to help and heal. Thrilled, Jerome takes his discovery one step further by sharing his words with the world.

With illustrations featuring whimsical (and multicultural) faces and distinctive font lettering, master author-illustrator Peter H. Reynolds’ The Word Collector is a thing of beauty and an inspirational story about why words are wonderful. Big or small, we need them all. Lucky Jerome!

In a book illustrated entirely in silhouette and written in the conditional tense, we meet a young girl who longs to have her own horse. She dreams of meeting one, shy like her, and befriending, taming and riding him. Her horse would be strong and gentle, and together, the girl imagines, they would conquer anything.

Author-illustrator Gianna Marino uses cool teals, purples and blues in expansive, border-free spreads (no borders could possibly corral this young girl’s big desires), balanced by the warm reds and yellows of the setting sun. The choice to convey all the action in silhouette is a fitting one for a book about a goal not yet met, as if we’re seeing the incomplete details of a dream. Movement propels the turn of each page; the girl’s hair and horse’s mane fly in the wind as she imagines how she would ride free if her wish were granted.

Marino’s tone is both gentle and fierce as the girl imagines the person she could become and what her moral character could be (strong, brave, curious and fearless) if she had her beloved horse by her side. It’s 40 pages of a girl’s most fervent wish, dreamy and wistful. Horse lovers will be especially rapt.

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

This article was originally published in the February 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

From its first page, Kate, Who Tamed the Wind might seem like a fairy tale about to unfold. There is a folk-art feel to the painting of a bearded man pedaling to his creaky house on the windswept top of a steep hill. But this clever collaboration between author Liz Garton Scanlon and illustrator Lee White is actually a delightfully original exploration of the role of trees in the environment, perfectly calibrated for children.

We soon see that the man in the house has bigger problems than a steep bike ride. The wind never lets up! It makes his shutters bang, knocks his teacup off the table and blows his hat—and his words—right out the door. “What to do?”

Enter a little girl called Kate from the tiny town below. Kate brings back the man’s hat, along with a wagonload of saplings. The saplings are planted, and they grow into trees as the old man’s beard gradually turns white. Kate gets older, too, and one day she returns for a celebratory tea party under the shade of the sheltering trees near the quiet house on top of the now-green hill.

The fictional story is accompanied by an informative author’s note, “More About Marvelous Trees,” which provides background on the role of trees in the earth’s ecosystem as well as internet resources for budding environmentalists.

This is the perfect choice for tree huggers of all ages.

Deborah Hopkinson lives near Portland, Oregon. Her most recent book for young readers is Ordinary, Extraordinary Jane Austen.

This article was originally published in the February 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this sneak peek inside the lively world of the dictionary, we meet words that are exceedingly bored and long for liberation. They break free from Noah Webster’s dictionary and march throughout the land of Hollyword.

With bustling energy, this orthographic adventure celebrates the basic components of any elementary school language arts curriculum—verbs, conjunctions, interjections, contractions, homophones, antonyms and more—making it a great choice for classrooms. The anthropomorphized letters, composed with energetic lines, relish their freedom as they march, happy to be free from the book’s spine. Author Judy Sierra amps up the madcap fun with a palindrome family reunion and an onomatopoeia marching band. With a palette of teals, greens and oranges, illustrator Eric Comstock keeps the spreads balanced and never too cluttered, an impressive feat in a book with so much going on. A glossary closes out the book for those left wondering at the meaning of “lexicon” and “synonym,” as well as “garboil” and “sackbut,” which make their own delightful appearances in the parade.

In the end, Noah orders all the letters back into their tome, but when he runs into Roget and his thesaurus, we are left wondering if a sequel is in the works. Logophiles will be thrilled.

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

This article was originally published in the February 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.