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When a book unfolds as beautifully and thoughtfully as Deborah Freedman’s This House, Once, it’s easy to forget the hard work that goes into creating a story, much like we take the objects around us for granted. This House, Once gently opens our eyes to the craftsmanship and histories that surround us daily.

Freedman builds her story as she piece-by-piece builds a house. A small, lyrical statement accompanies each object (door, window, roof) as it is presented as part of the growing house. A beautiful, full-color, wordless spread follows, in which each item returns to where it began: the windows to the sandy beach, the wooden door to the heart of a tree. But Freedman’s is not a story about deforestation. Hers is a world of attentive shaping and art, the act of creating a home to protect and care for those living inside. Curious wild animals prod the mud and frolic on the pages, adding another layer of belonging and contentment.

Freedman’s illustrations are subdued and soft, but with detail that demonstrates her architectural background. Even the snowstorm that engulfs the house seems less a threat than an invitation to sit by the fireplace. Like a craftsperson with her tools, Freedman chooses her words with precision and significance. Her un-rhymed poetry rings with unique metaphors and similes, polished with gentle alliteration. Freedman also endows the house with sentiment and thought, a comforting reminder of where we call home.

The perfect gift for all ages, This House, Once will warm any home, regardless of the season. No fireplace needed.

When a book unfolds as beautifully and thoughtfully as Deborah Freedman’s This House, Once, it’s easy to forget the hard work that goes into creating a story, much like we take the objects around us for granted. This House, Once gently opens our eyes to the craftsmanship and histories that surround us daily.

Spunky Priscilla is obsessed with gorillas. She and her dad read about gorillas every day, but what does Priscilla likes best about the big apes? They always get their way. When Priscilla dons her gorilla pajamas to give a report on her favorite animal, she’s excited. Her report goes well—with one hitch. It’s class photo day and Priscilla insists on staying in her gorilla suit. Her teacher is not pleased.

Mr. Todd insists that having a gorilla in the picture would ruin it for the others. After Priscilla polls her cheering classmates, the teacher invites Priscilla to visit the Thinking Corner—the spot for troublemakers, But she’s no troublemaker! She’s a gorilla. Priscilla’s impish individuality influences the entire class and soon everyone wears animal pajamas to school. The Thinking Corner is overcrowded.

Priscilla’s father reminds her that gorillas survive because they cooperate. Maybe Priscilla should be a skunk instead? After studying all her gorilla photos, she apologizes to Mr. Todd in her own way. On a field trip to the zoo, Mr. Todd encourages Priscilla to wear her special PJs. When she pounds her chest and hoots, the big gorilla begins to dance and the whole class joins in, even Mr. Todd.

New York Times bestselling author Barbara Bottner provides a charming, playful story, and Michael Emberley’s lively drawings perfectly capture the bright spirit of a little girl who knows her own mind. Priscilla Gorilla will get readers on their feet, dancing to their own beat.

 

Billie B. Little is the Founding Director of Discovery Center at Murfree Spring, a hands-on museum in Murfreesboro, Tennessee.

Spunky Priscilla is obsessed with gorillas. She and her dad read about gorillas every day, but what does Priscilla likes best about the big apes? They always get their way. When Priscilla dons her gorilla pajamas to give a report on her favorite animal, she’s excited. Her report goes well—with one hitch. It’s class photo day and Priscilla insists on staying in her gorilla suit. Her teacher is not pleased.

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With her debut novel, Maria D. Laso (who died in 2015) offers a rich story populated with colorful characters, a setting so vivid you feel as if you could step right into the pages, and heaping doses of humor and heart.

Possum Porter has had to endure a change that no young child should: the loss of her beloved Mama. Now that it’s just her and Daddy, she’s willing to do whatever it takes to ensure that no more change comes their way. But when a new teacher, Ms. Arthington, comes to their small town, it looks like Daddy might have different plans. He wants to send Possum to school for the first time, which is an atrocity considering that Mama already taught her everything she needed to know during their lessons at home. Worst of all, Ms. Arthington seems to be eyeing a new suitor—Possum’s very own daddy. To prevent more change from uprooting her life, Possum must find a way to prove that she already knows everything she needs to, all while keeping Daddy out of her new teacher’s clutches.

Laso’s writing shines with all the charm of a small Southern town, and each character, from nosy and meddlesome Miss Nagy to Possum’s cherished canine companion, Traveler, has a personality as genuine as it is distinct. At the heart of it all lies an unforgettable heroine with all the grit, spunk and charm fit to share the ranks of such treasured predecessors as Scout Finch and Laura Ingalls Wilder.

With her debut novel, Maria D. Laso (who died in 2015) offers a rich story populated with colorful characters, a setting so vivid you feel as if you could step right into the pages, and heaping doses of humor and heart.

Sussy introduces readers to her best friend, Guy, as he valiantly runs to her house to retrieve her jacket on a cool fall morning, even if it means missing the bus. Four years later, when they are both 10 years old, their friendship still endures. They decide to adopt a leopard gecko and name her Matylda. It’s Guy who knows all about lizards and how to feed them live crickets. It’s Guy who is kind, inquisitive and thoughtful and by whom Matylda feels most understood. And so, when a freak bicycle accident takes his life, the readers, as much as Sussy, are devastated by the loss. Guy always put Sussy first, and now Sussy is trying her best to take care of Matylda while grieving the one person she cared for most —an incredible task for any child.

Matylda, Bright & Tender is a heartbreaking story about loss and grief narrated by Sussy with childlike honesty and openness. Sussy’s response to her grief is to funnel her anger and guilt over Guy’s death into the care of this lizard, which consumes her. Although Guy’s accident is neither graphic nor drawn-out, parents will want to read this book along with their child to aid discussion and to respond to questions about life and death.

This is a beautiful story told with hope and light exploring how life endures despite loss.

 

Kimberly Giarratano is the author of Grunge Gods and Graveyards, a young adult paranormal mystery.

Sussy introduces readers to her best friend, Guy, as he valiantly runs to her house to retrieve her jacket on a cool fall morning, even if it means missing the bus. Four years later, when they are both 10 years old, their friendship still endures.

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Stephanie Graegin’s new wordless picture book, Little Fox in the Forest, is the enchanting story of a young girl and the stuffed fox she brings to class for show-and-tell. The absence of text adds to the magical atmosphere of the tale, which Graegin, working with a subdued palette of grays and blues, presents in panels, in the manner of a comic book.

During a break on the playground at school, the girl leaves her treasured toy unattended. Meanwhile, a fox (the real thing!) peeks out of the bushes, his vivid orange coat contrasting with the book’s muted background. He nabs the fox and dashes away, the girl in hot pursuit behind him.

With the help of a boy from school, the girl tracks the fox into the woods. When the two classmates discover a magical village among the trees, Graegin’s illustrations bloom into full color. The bright, bustling little town is inhabited by animals of every stripe—including the fox. But will the travelers be able to find him?

From opening endpapers that feature a bookshelf loaded with fabulous toys and titles like Mystery in the Woods to the fully realized town tucked away in the forest, Graegin’s book is filled with surprises. It’s a thrilling adventure that youngsters will love, and a story that gets richer with every perusal. No words necessary.

Stephanie Graegin’s new wordless picture book, Little Fox in the Forest, is the enchanting story of a young girl and the stuffed fox she brings to class for show-and-tell. The absence of text adds to the magical atmosphere of the tale, which Graegin, working with a subdued palette of grays and blues, presents in panels, in the manner of a comic book.

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The words tell one story and the pictures another in this charming tale from master picture book creator Jon Agee.

The story is told from the first-person point of view of a boy astronaut, who has traveled to Mars in his spaceship to find life. In his hand is a gift with a pretty red bow, which we learn are chocolate cupcakes. Just after he begins his trek and tells readers that everyone doubts he’ll find life on Mars, we see a wordless spread in which an alien creature—tall, rust-colored, googly-eyed and pointy-eared—pops his head out of a crater.

The boy continues to talk to the reader (or perhaps out loud to himself), losing faith all the while. He sees no life on Mars—though this large Martian follows him and reacts to the boy’s running commentary. Agee draws the Martian rather large and pear-shaped, making it look downright huggable and often vulnerable. The Martian is truly baffled by the boy’s pretty awful grasp of the obvious. Eventually, the Martian picks up the gift the boy hopelessly drops as he heads back to look for his spaceship. On his way, the boy spots a bright yellow flower and is relieved and elated to have discovered life after all. He retrieves his box, crawls across the Martian itself (thinking it’s a mountain) and heads back to Earth. Feeling like he deserves a treat, he opens his box of cupcakes while in his spaceship to discover . . . crumbs.

Child readers will thrill in being one-up on the protagonist in this tale, which is also a wonderful read-aloud. Cue the laughter of young children when they see the reactions of the Martian behind the boy. “Mars looks pretty gloomy,” the boy says, as the friendly Martian frowns, hands on hips. The final page, wherein the boy discovers that, indeed, there was more life on Mars—and more than just a plant—is a moment funny and tragic, all at once. (And quick! Grab the elementary students learning about inferencing, because that moment is inferencing gold.)

Out of this world.

 

Julie Danielson features authors and illustrators at Seven Impossible Things Before Breakfast, a children’s literature blog.

The words tell one story and the pictures another in this charming tale from master picture book creator Jon Agee.

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Maybe Flora and her younger brother, Julian, came from the ocean or the television or even the horizon. The multiracial 11-year-old girl doesn’t remember much before being adopted two years ago, but when her classroom pet mouse has babies, she begins to wonder about her own birth. With no early memories and no record of a birth mother, Flora is certain she never was a baby. So how did she begin?

In Forever, or a Long, Long Time, Caela Carter examines the aftermath of foster care and adoption through the lens of Flora, who is repeating the fourth grade, can’t talk when her words get “stuck” and has trouble always believing Person (her secret name for her white adoptive mother) is her forever mom. Additional layers of this untraditional family are revealed through Julian, with his fake smiles and food hoarding, and their black adoptive father and his daughter from his first marriage.

The siblings’ memories become even more critical when Flora and Julian discover postcards sent from a former foster placement. In an effort to find out more about their past and prove to Flora and Julian that they really were babies, their adoptive mom takes them on a road trip to previous foster homes. Sometimes the answers just lead to more questions; there’s no saccharine ending here. But in learning about herself, Flora begins to make sense of her life now and what it means to be a family. Her story is heartbreakingly realistic and hopeful.

Maybe Flora and her younger brother, Julian, came from the ocean or the television or even the horizon. The multiracial 11-year-old girl doesn’t remember much before being adopted two years ago, but when her classroom pet mouse has babies, she begins to wonder about her own birth. With no early memories and no record of a birth mother, Flora is certain she never was a baby. So how did she begin?

Stephen W. Martin’s latest book for children is a fun, clever story. Six-year-old Charlotte Grey wants a pet. She’s not particularly choosy—any animal will do. When her parents present her with a very large pet rock (really, boulder) for her birthday, Charlotte is a bit disappointed, but also determined to make the best of it.

Her pet rock, Dennis, cannot do many things that “normal” pets can do—like eat your broccoli for you under the table or go for walks. Still, Charlotte learns to appreciate what it does offer and becomes very fond of Dennis. If only Dennis could love her back! With a clever twist, Charlotte is rewarded for her love and devotion.

Martin’s story is a lighthearted read but opens the door to discussions about acceptance and patience with young audiences. Illustrator Samantha Cotterill’s minimalist drawings with a two-color wash are perfect for the simplicity of the story.

 

Jennifer Bruer Kitchel is the librarian for a Pre-K through 8th level Catholic school.

Stephen W. Martin’s latest book for children is a fun, clever story. Six-year-old Charlotte Grey wants a pet. She’s not particularly choosy—any animal will do. When her parents present her with a very large pet rock (really, boulder) for her birthday, Charlotte is a bit disappointed, but also determined to make the best of it.

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Cao Wenxuan, bestselling Chinese author and 2016 recipient of the prestigious Hans Christian Andersen Award, presents a timeless, emotional tale of loss, heartache and the ultimate power of friendship and connection to overcome any hardship.

Sunflower is a city girl with a country girl’s name, and her arrival with her father at the rural Cadre School that sits across the river from the tight-knit village of Damaidi certainly causes a stir. While her father spends his days at the school and his nights in meetings, Sunflower explores the countryside in solitude. With no other children on her side of the river with whom to share her daily adventures, she spends her time observing the villagers and wondering about their ways of life. But when tragedy strikes, Sunflower finds herself living among the villagers, taken in by the poorest family. It is here that she meets Bronze. Rendered mute by the trauma of his own tragic experience, Bronze nonetheless connects with Sunflower through a mutual understanding all their own, and the two become inseparable, existing within the realm of simple understanding that only pure, beautiful childhood friendships can offer.

Told in spare yet glimmering prose, this story is a testament to all that love and loyalty are able to overcome, be it cultural divisions, unthinkable losses or the crushing weight of loneliness. These two children serve as an example for kids and adults alike of the power of genuine love and loyalty to traverse boundaries and reach across divides, both those that are created by society and those that are self-imposed. In a time when our divisions seem to be drawn more forcefully than ever, Bronze and Sunflower’s unlikely bond serves as a beacon of hope.

Cao Wenxuan, bestselling Chinese author and 2016 recipient of the prestigious Hans Christian Andersen Award, presents a timeless, emotional tale of loss, heartache and the ultimate power of friendship and connection to overcome any hardship.

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This coming-of-age story opens with a lightning-bolt moment—literally the moment a young mother is struck by lightning and taken from her two toddlers. The narrative then flashes ahead 10 years—to 10-year-old Claire and 13-year-old Abigail, enjoying their usual summer at their lake house. But this year, everything is different: Dad and his new wife are expecting a baby.

This novel-in-verse alternates between Claire and Abigail’s voices while incorporating the perspective of the lake itself. Throughout these stanzas, Claire tries to come to terms with Abigail growing up: She’s calling herself “Abi” now, has taken a definite interest in boys and is distancing herself from her little sister. With nothing but change at every turn, Claire feels the seams of her family loosening. Growing up is hard; growing apart is even harder. 

Novels-in-verse must work double duty: The story must be compelling and the verse accessible and worthy of the story. Helen Frost, a Printz Honor-winning author, has done so seamlessly. Her mastery extends to her use of varied poetic forms, including acrostics, which incorporate lines from some of Frost’s favorite poems. 

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

This novel-in-verse alternates between Claire and Abigail’s voices while incorporating the perspective of the lake itself. Throughout these stanzas, Claire tries to come to terms with Abigail growing up: She’s calling herself “Abi” now, has taken a definite interest in boys and is distancing herself from her little sister. With nothing but change at every turn, Claire feels the seams of her family loosening. Growing up is hard; growing apart is even harder. 

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Charlie Ross is not looking forward to starting sixth grade, since his best friends will be attending different schools. His dad says new kids from a black housing development will be coming to Charlie’s all-white Wonderland Avenue School. Armstrong Le Rois is not looking forward to starting sixth grade either. Waking up at 5:30 every morning to take a bus to attend an integrated program at Wonderland is not his idea of fun. Charlie and Armstrong butt heads more often than not, but a weeklong class camping trip gives the boys an opportunity to build a friendship. 

Inspired by his own childhood experiences, debut author Steven B. Frank spins a tale that goes beyond racial issues. In first-person juxtaposed narratives, Armstrong and Charlie captures the viewpoints of two preteens caught in the shifting tide of school integration. While sprinkling his tale with popular vintage games, music and food of the 1970s as well as uproarious humor, Frank weaves in a poignant “out of every conflict comes an opportunity” theme based on Charlie and Armstrong’s relationship. Replete with unforgettable moments, young love and unexpected plot turns, this is a hilarious, heartwarming and timely read.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Charlie Ross is not looking forward to starting sixth grade, since his best friends will be attending different schools. His dad says new kids from a black housing development will be coming to Charlie’s all-white Wonderland Avenue School. Armstrong Le Rois is not looking forward to starting sixth grade either. Waking up at 5:30 every morning to take a bus to attend an integrated program at Wonderland is not his idea of fun. Charlie and Armstrong butt heads more often than not, but a weeklong class camping trip gives the boys an opportunity to build a friendship. 

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Calling all Alfred Hitchcock fans: In her debut novel, British writer Lisa Thompson has brilliantly borrowed the director’s Rear Window plot, adapting it into a middle grade novel called The Goldfish Boy. Not only is this a riveting mystery filled with twists, turns and red herrings, it’s an emotionally complex tale centered on a 12-year-old narrator suffering from severe OCD.

Matthew Corbin feels safest in his home, where he constantly worries about germs and feels responsible for the death of his baby brother. He wears latex gloves and refuses to go to school, so his parents are in the process of lining up therapy. Meanwhile, Matthew watches his neighbors, taking notes about their comings and goings.

When a toddler goes missing, Matthew is the last to see him, and he knows what all the neighbors were doing at the time of the disappearance. He works diligently to solve the case, eventually joining forces with a lonely neighborhood girl, Melody, and a former friend, Jake, who’s been bullied so much that he’s become a bully himself.

Despite the severity of his problems, Matthew is an energetic, likable character whose adolescent voice and increasing self-awareness ring true. Rare is the book that manages to be an entertaining page-turner while also offering meaningful insight into a serious disorder. The Goldfish Boy manages to do both in a masterful way.

 

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Calling all Alfred Hitchcock fans: In her debut novel, British writer Lisa Thompson has brilliantly borrowed the director’s Rear Window plot, adapting it into a middle grade novel called The Goldfish Boy. Not only is this a riveting mystery filled with twists, turns and red herrings, it’s an emotionally complex tale centered on a 12-year-old narrator suffering from severe OCD.

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Chet is a big, mean bully who likes to spend his time harassing Virgil. Virgil is shy—painfully shy—but desperately wants to catch the attention of Valencia. Valencia is deaf, overprotective and plagued by a recurring nightmare, which she hopes to interpret with help from Kaori. Kaori is psychic and, along with her little sister Gen, knows that something is terribly, terribly wrong. In Hello, Universe by Erin Entrada Kelly, these four tweens—some friends, some enemies, some strangers—come together under unexpected circumstances.

On his way to visit Kaori for a psychic reading, Virgil has an unpleasant run-in with Chet, which results in his backpack, complete with guinea pig Gulliver, being thrown to the bottom of an abandoned well. After climbing down to reach Gulliver, Virgil realizes that he is trapped, and no one knows where he is. Through a series of coincidences, some new friendships and just a bit of luck, things in the universe come together to bring hope to the boy trapped in the well.

Folklore, fairy tales, astrology, mysticism and dreams all mingle together to create a wonderful, fantastical and unique world. It’s impossible to identify the perfect reader for this story, because there is so much for every reader contained within.

This article was originally published in the March 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Chet is a big, mean bully who likes to spend his time harassing Virgil. Virgil is shy—painfully shy—but desperately wants to catch the attention of Valencia. Valencia is deaf, overprotective and plagued by a recurring nightmare, which she hopes to interpret with help from Kaori. Kaori is psychic and, along with her little sister Gen, knows that something is terribly, terribly wrong. In Hello, Universe by Erin Entrada Kelly, these four tweens—some friends, some enemies, some strangers—come together under unexpected circumstances.

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