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All Contemporary Romance Coverage

Fans of romantic comedies love a meet cute, and in her young adult debut, Sandhya Menon adds an Indian tradition to this time-tested trope: Her characters’ parents have arranged their marriage.

As When Dimple Met Rishi opens, 18-year-old Dimple Shah has graduated from high school and been accepted to Stanford. She loves iced coffee and coding, but not her mother’s incessant harping about her appearance and future wifehood. She’s thrilled when her parents send her to Insomnia Con, a summer program for budding coders at San Francisco State University. On the first day, Dimple sits on the SFSU campus, eyes closed, sipping iced coffee and feeling hopeful that maybe, just maybe, her parents were “finally beginning to realize she was her own person, with a divergent, more modern belief system.”

But her tranquility is shattered when she hears a friendly male voice say, “Hello, future wife.” A horrified shriek and an iced-coffee-flying-through-the-air later, Rishi Patel is left dripping, and Dimple (fleeing at a dead sprint) is worried she has a stalker.

“There is a magic to true love and finding the perfect person. Even if your parents preordain it—that still helps you find love.”

This doesn’t seem like an auspicious beginning to a beautiful relationship, but—thanks to Menon’s warm, funny characters and a story that sensitively and evenhandedly explores what happens when traditional values and modern ideas collide—readers know better.

At first, though, Dimple doesn’t. She’s spent so many years defending herself against her relentlessly overbearing mother that’s she’s understandably twitchy about dating. Besides, she’s at Insomnia Con to code! Rishi, who’s been accepted to MIT, is there to code, too—but also because his and Dimple’s parents plotted to throw them together and nudge them toward marriage.

“I think arranged marriage is still fairly misunderstood in America,” Menon says from Colorado, where she lives with her husband and two children. “On TV, you usually see really old guys marrying helpless, vulnerable women, but that’s not what it’s like in my family and the families I knew growing up. I wanted to portray arranged marriage as it’s more commonly found in middle-class India.”

Menon grew up in India and came to America at age 15. While her marriage wasn’t arranged, she says, “Pretty much all of my relatives’ were, so it’s pretty normal for me to think about it.”

In Dimple and Rishi’s case, the two have more in common than they realize: Just as Dimple always feels like she’s not good enough for her parents, Rishi feels distant from his own. His dad urges him toward a practical business education, despite Rishi’s love for drawing comics.

However, Rishi is more in tune with his parents when it comes to marriage: He trusts them and believes in the importance of tradition. Of course, because he’s male, he hasn’t experienced a lifetime of being told to wear more makeup and to stop caring about school so he can focus on becoming marriage material.

Menon notes that in Indian culture, especially for daughters, it can be “hard to see past your mother constantly telling you how you should be, how things should be, what you should change. It’s hard to see that as coming from a place of love, or that it’s the only way they know how to communicate [that] they want you to end up in a good place in life.”

For Menon, this divide was a crucial addition to the story. “It’s a very universal experience for anyone with a controlling parent,” she says. “In the end, Dimple’s mom was really proud of her and wanted what was best for her, even if that was communicated in a convoluted way.”

As in any good rom-com, time passes and the two get to know each other, allowing perspectives to shift and defenses to weaken. Dimple realizes that Rishi is a good, talented person who stands up for her when it matters. (It doesn’t hurt that he’s handsome, too.) And Rishi acknowledges that fierce, lovely Dimple has been experiencing arranged-marriage pressure in a very different, demoralizing way—and that perhaps it’s OK to pursue something he’s passionate about.

Menon’s own experience of feeling torn between Indian traditions and American social mores is one of the main reasons why she loved writing this book. “I know what it’s like to grapple with the question, how much Indian am I?”

She explains that it got easier in college. “People came to assume I’d been born here . . . and I started to find my place a bit more. I started writing more and expressing myself through art. It was a really freeing thing for me to do—to feel like there’s this thing I can share with people, and they can accept that, even if they can’t accept every part of me just yet.”

When asked if she’s more like practical Dimple or romantic Rishi, Menon laughs and denies being a romantic. “I love to write [romance] and read it and watch it in Bollywood movies, but in my personal life I’m much more practical,” she says.

“I do think there’s a kind of magic to love. My super-logical brain says it’s all chemistry . . . but there is a magic to true love and finding the perfect person. Even if your parents preordain it—that still helps you find love.”

 

This article was originally published in the June 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Fans of romantic comedies love a meet cute, and in her young adult debut, Sandhya Menon adds an Indian tradition to this time-tested trope: Her characters’ parents have arranged their marriage.

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Alisha Rai’s Hate to Want You was easily the most sought-after galley at this year’s RT Booklovers Convention. Rai’s reputation for absorbing interpersonal drama coupled with unforgettably hot love scenes (and that stunning cover!) guaranteed intense interest, and the word-of-mouth buzz has been growing for months. Now that her first book with romance giant Avon has finally been released to glowing reviews, we talked to Rai about her biggest Twitter pet peeve, how she wove family issues and mental health into Hate to Want You’s love story and her past as a romance novel-obsessed teenager.

Describe your latest novel in one sentence.
It's grown-up Romeo and Juliet plus mature adult communication minus the sad ending stuff plus secret annual hookups.

I’ve seen a lot of comments online comparing this book to Romeo and Juliet. Did you have that play in mind while writing, or was it only after the book was finished that you saw the similarities?
When I first got the idea for the book, I jotted down "their only love sprang from their only hate," so yes! But ultimately, I think the Romeo and Juliet comparison is only really applicable in that the two main characters have a bit of a family feud to contend with.

I was riveted by how realistically Nicolas and Livvy’s internal issues and traumas complicate the relationship between them, and also their relationships with other characters. How did you develop such emotionally nuanced conflict in Hate to Want You?
I think a lot of developing nuanced characters is being utterly charmed by how messy humans are. People are complex, imperfect, convoluted creatures. Love (any kind of love) is funny, because it's often like working through a grab bag of puzzle pieces from a million different puzzles that don't and shouldn't really go together. Getting those pieces together in a way where the end result makes the characters happier together than without each other is difficult without conflict.

Sometimes that conflict feels like it's insurmountable, but I think maturity and communication can alter perspectives and help ease those puzzle pieces into place. People can fit, even if it seems like their issues might keep them apart.

You’ve loved romance since sneaking a romance novel out of the library when you were a teenager. Do you remember which book it was? What sort of books introduced you to romance?
Yes! It was a Shirley Busbee, though I don't remember the actual book. The cover caught my attention, because I was thirteen, and almost naked people were what I was really into at the time (this was pre-Tumblr).

After that, I read every single romance that the library had in it. Historicals at first, because they were the easiest to identify, but romance is vast, so I quickly graduated to suspense and contemporaries and paranormals and sci-fi. Nothing was safe from me.

What is your biggest Twitter pet peeve?
That the gif function doesn't have every single gif of Jason Momoa as Aquaman yet.

Did Livvy or Nicholas change a lot throughout the writing process? Or were their personalities fairly clear to you from the beginning?
My heroines are almost always very clear to me from the beginning, and Livvy was a smart, sassy, wild-haired artist from the first page.

Nicholas took a lot more work. In fact, in early drafts, I struggled a lot with the opening, and I finally realized it was because it started in Nicholas's point of view. A hero not given to emotional displays of emotion is a difficult place to start a romance. He finally gelled for me, but he was a tough nut to crack.

Both characters come to epiphanies about their relationships with their parents that drastically change their view of them. How did you approach writing the early scenes between Livvy and her mother, and Nicholas and his father? Did you want to imply the emotional truth of those relationships early on, or have readers go on a journey alongside the characters?
Definitely the latter. Relationships with parents are ongoing, never-ending journeys that rarely have perfect tidy endings. Nicholas and Livvy's relationships with all of their family members will continue to evolve past the end of this book (and will be explored in the other books in the series as well).

One of the most moving aspects of this book for me was your insight into Livvy’s mental health and the mindfulness techniques she relies on. Have you found these helpful in your own life? Or did they come from research you did into coping strategies?
A little bit of both. I think there's some coping mechanisms that are pretty widespread because they're almost instinctive. Specific techniques mostly came from research and consultants (@TGStoneButch on Twitter has many invaluable resources on coping with trauma and anxiety, for example).

What’s next for you?
Nicholas and Livvy each have a sibling and I can't leave them hanging! Wrong to Need You will be out in November, and Hurts to Love You will be out in the spring of 2018.

 

ALSO IN BOOKPAGE: Read our review of Hate to Want You.

We talked to Alisha Rai about her biggest Twitter pet peeve, how she wove family issues and mental health into Hate to Want You's love story and her past as a romance novel-obsessed teenager.

Interview by

Monica McCarty is something of an expert in alpha males, given that she’s written an entire series starring medieval Scottish warriors. Her latest novel, Going Dark, takes the modern version of that archetype—a veteran Navy SEAL—and pairs him with a brilliant environmental activist. We talked to McCarty about writing a couple on opposite sides of the political spectrum, creating a cover to die for and the never-fading allure of Scotland. 

Describe your latest book in a sentence.
SEAL Team Six meets Rome’s Lost Legion.

This is your first contemporary book—what made you make the switch from historicals? And why contemporary suspense specifically?
I think, like most writers, I want to write the books I love to read. I’ve always read both historical and contemporary romance, and my favorite contemporary subgenre is suspense—especially with sexy military guys. I’m still planning to write more Scottish historical romances, but after completing a long series of 12 books (The Highland Guard), I was looking to do something a little different.

In terms of action and survival scenes, what was the biggest change from writing about a group of Highland soldiers to a group of Navy SEALS?
Not as much as you might think! These type of scenes always take a bit of research whether the technology and weaponry are 21st century or 14th century. It seems as if I’m always trying to figure out what they would have available to use either way.

The main characters in Going Dark disagree politically on a lot of subjects. That's not something I see a lot in literature, especially in romance, even though that is an issue a lot of couples have to deal with. What was your impetus for making that a key element of Dean and Annie’s relationship?
I think it’s not typical because it’s tricky to navigate without being preachy. I tried really hard to avoid that and to present both sides fairly without any kind of authorial slant. I was a lawyer so taking both sides is fun for me—I like to play the devil’s advocate! I also liked the challenge, particularly in today’s politically heated climate. I wanted to take some stereotypes and shake them up a little (bleeding heart liberal activist versus conservative military guy). I think it’s easy to put people in a category and jump to conclusions about how they think—I had fun playing with that. It also certainly provided lots of conflict! 

Who is your favorite couple in classic literature?
I hate to be unimaginative or predictable, but I love Darcy and Lizzie from Pride & Prejudice. A close second would be Farmer Gabriel Oak and Bathsheba from Thomas Hardy’s Far from the Madding Crowd.

What is it about Scotland and the Scottish culture that you think makes romance fans and authors gravitate to it so much?
I think it’s both familiar and accessible to American culture, yet different enough to make it interesting with the clans, tartans, great accents and the rich war-torn history that lends itself to great storytelling. For me, there was also the ancestral connection. My grandmother was Scottish. Some of the coolest emails and posts I received about my Highland Guard books were from descendants of people I wrote about—including Robert the Bruce! There is also a romantic element with the beautiful countryside, windswept moors and castles on rocky bluffs. And then there are those sexy guys in kilts. . . .

Going Dark has such a gorgeous cover, and you’ve said in prerelease materials that you were pretty hands-on in deciding what it would look like. What is the cover art process like for the author, and does your level of involvement change based on the book?
I was absolutely thrilled with how the cover came out. I was a little more involved with this one simply because it was the first book of a series, and we really wanted to get the feel of it right. Once the general look of the first cover is established, it’s usually easier for later books. For Going Dark, we discussed a general look at first, and then Berkley did all the hard work from there. I knew I wanted a guy on the cover, and that it was important that he reflect the guy in the pages. In other words, he had to be a hot, sexy badass! Which isn’t always as easy as it sounds, but the art department at Berkley came through with flying stars in that regard. I was thrilled with the model they picked. It was a rare case where the guy actually looked like the character I pictured. From there, it came down to poses. I loved the action shots because they felt a little different than the typical male-torso covers. But even though I’d seen the initial cover shot, I was amazed when they came back with the final cover. The Berkley cover gods worked some serious magic.

What is your favorite genre outside of romance?
I love nonfiction survival or adventure stories (think Jon Krakauer). I’m a sucker for anything about Mt. Everest, and one of my all-time favorite books is about recovering a lost treasure on a sunken ship (Ship of Gold in the Deep Blue Sea).

What’s next for you?
Right now I’m finishing up the second book in the Lost Platoon series, Off the Grid. It will be out next summer!

 

ALSO IN BOOKPAGE: Read our review of Going Dark.

Author photo by Alex Abercrombie.

Monica McCarty is something of an expert in alpha males, given that she's written an entire series starring medieval Scottish warriors. Her latest novel, Going Dark, takes the modern version of that archetype—a veteran Navy SEAL—and pairs him with a brilliant environmental activist. We talked to McCarty about writing a couple on opposite sides of the political spectrum, creating a cover to die for and the never-fading allure of Scotland. 

Interview by

It takes a lot to stand out in the annual deluge of holiday-themed romance novels. Kieran Kramer's Christmas at Two Love Lane—with its charming (and only mildly cold) Charleston setting, matchmaker heroine and perfect blend of sweetness and sass—did just that. We talked to Kramer about Christmas in the South, how she decides if the humor in her books is working and what she thinks is the least romantic holiday activity.

Describe your latest book in a sentence.
Christmas at Two Love Lane is the first in a fun romantic series about three matchmakers finding their own paths to love in Charleston, South Carolina.

It was so fun to read a Christmas-themed novel set in the South! What was your inspiration for the setting, and what attracted you to Charleston in particular?
I grew up here in the Lowcountry, on a rural sea island called Johns Island, and consider Charleston my home. Christmas in the South is great. Charlestonians love their parties year-round, so around the holidays they go all out. Count on copious amounts of spiked eggnog and bourbon flowing at every event. The front doors downtown are always gorgeous, but around the holidays, the wreaths and trimmings are spectacular. I also love the nighttime boat parade in the harbor. And have you ever seen a palmetto tree swathed in lights? It's beautiful—and very merry!

Do people ever ask you to serve as a matchmaker or give them relationship advice because of your books? Do you think you'd be a good matchmaker?
This question makes me laugh because I can't tell you the number of taxi drivers in New York or strangers on a plane I've given romantic counsel to. Deep, meaningful chats that go to the heart of the matter are sometimes more possible with strangers, you know? And everyone seems to want love advice these days!

As for my friends and family, I secretly think I should have been a matchmaker in another life! I love getting people together. Have I had a lot of success with it? I think so. I've never seen anyone marry as a result of my date-strategizing on their behalf, but I've at least provided opportunities for people to get together. As Macy Frost says in the book, a matchmaker can only take a couple so far. They have to fall in love on their own.

You have a real knack for snappy dialogue and funny situations. How do you know when the humor in your book is working?
Thanks. The more I write, the more I realize I would have had a lot of fun trying to write for TV sitcoms because dialogue is my thing. I'd especially love to write for Tina Fey.

I know when the humor is working in my books when I'm not forcing it. It flows. And it makes me laugh out loud. I always feel sassy and powerful when I write funny. It's a great feeling.

Honestly, I'd like to go even further with my humor, which includes a love of the "out there," the absurd. I'm a huge fan of George Saunders and Aimee Bender. I'm working on some short stories right now in my MFA program. It's very freeing to explore my limits.

What was the most challenging part of writing Christmas at Two Love Lane?
I was writing this book over the holiday season in 2016 when I was living alone for the first time in my life, so that was very challenging. It gave me a new appreciation for people who don't have a solid network at the holidays. In late 2016, everyone left home all at once: My Navy husband deployed to Afghanistan for a year, our youngest child started college, and our two older children moved to England and Spain to study and couldn't come home for Christmas. So Christmas morning, my youngest and I made breakfast for the residents of Charleston's Ronald McDonald House. It was a great experience. And it fueled my references in the book about how good it feels to help other people during the holidays. It's the best gift you can give yourself, honestly.

When you worked as an English teacher, what was your favorite book to teach and why?
Great question! I could talk all day about books. I'd have to say The Pearl was a great novella to read in a classroom of kids who are intimidated by reading. It's shorter, it's got a fascinating setting, and it breaks your heart. Middle school and high school kids love to feel emotion. They're so sincere and wise. We don't give them enough credit.

You're a huge fan of Oscar Wilde. If you could magically transport him to the present day, what do you think he'd most enjoy about the 21st century?
First of all, he'd love to go to the great new bar named after him and totally devoted to celebrating him at 45 W. 27th Street in Manhattan. I was there last week, and it rocked! I so wish I could transport him to the present day. . . . I really would love for him to be my best friend. The closest I could get to that was hugging the bronze statue of him at the bar.

Oscar Wilde was wickedly intelligent and fun. He was fully alive. You know when you meet people like that—you want to be around them. Everyone wanted to hang out with Oscar back in the day. The thing he'd enjoy most about the 21st century would be the freedom he'd have to be totally himself without being thrown in jail (at least in most countries). He could go to Pride parades—he'd lead them! He'd love the computer age, I think. He'd be on his smartphone all the time, being snarky. He'd have a couple million followers on Twitter. I think he'd appreciate freedom of expression, above all.

In your humble opinion, what is the least romantic Christmas activity? And what is the most romantic?
The least romantic Christmas activity is standing in line at Target waiting to pay for Christmas gifts when you're both hungry and you can smell the Target popcorn in their cafe, but the line over there is too long to wait for popcorn (and a hot dog with relish for him), so you load up your stuff in the car trunk and tell yourselves you'll go home for a late lunch, but then you remember you forgot funny paper cocktail napkins for the office party, and you get boring ones because that's all they have left, and back at the car, you see the traffic leaving the shopping center is so backed up, you open the bag of candy you were saving for the stockings—and between you, you eat eight Reese's Christmas trees.

The most romantic Christmas activity is getting home after that hellish shopping trip, throwing yourselves on the couch, ordering pizza, skipping that night's party and watching Elf.

What's next for you?
Thanks for asking! Wedding at Two Love Lane is coming out in January 2018. That's Greer's book. And then Ella's book is Second Chance at Two Love Lane. That will be out later in August 2018.

I'll finish up my second year of grad school this coming May—I'll miss being on campus, walking around with my backpack with the other students, 99 percent of whom are half my age. I'll be very proud to graduate with an MFA in Creative Writing. I went back to school simply to blow my mind, kind of how Thoreau went to that pond to get away from the busyness of life. We all have our heads down, don't we? I decided to put the brakes on routine and re-examine who I am and who I want to be.

As for my writing life after grad school, I'm going to continue to explore the short form to keep me on my toes. But my main love is novel writing, especially books for women, so my plan is to get back to doing that full time (I've had to slow down a bit with classes and term papers, etc.).

Starting this May, the sky's the limit. It feels bigger to me now, wider. I'm very excited.

 

ALSO IN BOOKPAGE: Read our review of Christmas at Two Love Lane.

It takes a lot to stand out in the annual deluge of holiday-themed romance novels. Kieran Kramer's Christmas at Two Love Lane—with its charming Charleston setting and perfect blend of sweetness and sass—did just that. We talked to Kramer about Christmas in the South, how she decides if the humor in her books is working and what she thinks is the least romantic holiday activity.
Interview by

BookPage IcebreakerThis BookPage Icebreaker is sponsored by Thomas Nelson.


Zoe Collins wasn’t planning on returning to her hometown of Copper Creek—a place she associates with painful memories and burned bridges. But when her beloved grandmother dies, she knows she can’t miss the funeral. As soon as she steps foot back on Blue Ridge soil, she feels the pleasing pull of small-town life and is surprised to find that her old friends and estranged family members welcome her with open arms.

What’s especially surprising are her intense feelings for her first love, Cruz Huntley, who is still just as handsome and caring five years later. When Granny’s will is read, Zoe is shocked to hear that Granny wanted nothing more than for Zoe to return to Copper Creek in order to take over the family peach orchard. But is Zoe willing to leave her life back in Nashville—and the increasingly toxic, but familiar relationship with her boyfriend, Kyle—behind her? And what's the best decision for Zoe’s 5-year-old daughter? As Zoe and Cruz feel a familiar spark begin to ignite, the two must make peace with their mistakes and stop hiding secrets. Can first love triumph after they’re given a rare second chance? We caught up with bestselling author of Blue Ridge Sunrise, Denise Hunter, to find out more about this sweet, inspiring story.

Hilli: First of all, do you just want to tell me a little bit about your inspiration for this story?

Denise: There’s a country song: The guy is singing about a woman he used to know really well. She’s come back into his town and she’s different—she’s with another guy, and she’s just not herself. You can tell that this guy has beat her down. That’s what got me thinking about Zoe. I wanted to tell that woman’s story.

And this is also a small town story. It seems like you’re really drawn to small towns. What’s so special to you about these communities? Are you from a small town yourself?

I am. Originally I’m from a Southern Ohio town called Madison. I think the more spread out we become as a culture in the U.S., and the more impersonal we become with social media, I think there’s a large part of us that longs for small-town roots and the community and the support you get in a community like that, where friends are like family. We’re so isolated today. I think a small-town read really makes readers feel connected.

What drew you then to romance?

I’m a romantic at heart, there’s no doubt about that! I think what I love most is diving into the psychology behind why we do the things we do. A lot of times when there’s a problem with a couple, the problems stems from something that happened to them either with a former relationship or in their childhood. It keeps them from having a healthy, loving relationship in the present. That’s my favorite thing—to sort that out for the character: What’s causing them to have these problems? Is it abandonment? Is it abuse? I think that really connects with a lot of readers. You don’t escape this life unscathed. We all have issues and it’s my goal to help readers see their own issues in themselves. And I even use it as a method of working on my own sometimes! I really think fiction can be a great tool in that way.

Absolutely. I should mention then that this book deals with some pretty heavy issues, like domestic violence. Was it important for you to handle this in a really sensitive way? How did you go about that?

Of course I want to be sensitive to issues as serious as abuse. In this case, it was more control than [physical] abuse. I really wanted to show the way that Zoe ended up attracted to that kind of a controlling person. It stemmed directly from the way her father treated her. And I like to make those connections for readers so that they can see the connections in their own lives and hopefully find healing through the story.

And as a result, maybe understand some other people and their experiences. Put themselves in their shoes so to speak.

Absolutely! Sometimes people in this life do crazy things. And it really does help when you’re able to look and say: “Well, maybe they do this because of that.” It helps you have a little more empathy and more grace for that person.

What do you love most about your two main characters, Zoe and Cruz?

Ah, Zoe and Cruz. I think what I like most about them is that it’s a story about their first love. They’re getting a second chance. I think everybody appreciates a second chance because we all mess up, and Zoe really messed up [laughs]. But sometimes we do, too! I think it’s encouraging to see a couple that has made mistakes in the past, and they’ve paid for those mistakes. Now they’re getting a fresh opportunity. I think that’s encouraging and inspirational.

And maybe a little more realistic than some other romance stories these days.

Bad choices often lead to consequences!

Yes. What would be your best piece of relationship advice? You’ve written a lot of romances at this point, and I know you also have a very strong relationship with your husband. What kind of wisdom can you impart?

Oh wow. There are so many things I could say. I would say that we’re all fallible. I’m going to mess up. My husband’s going to mess up. The person you’re with is going to mess up. I just think it’s really important to stick with it. [With] love and relationships, the romance kind of takes a back seat as time goes on and you have to make a choice to love that person. If you’re both striving toward a healthy relationship, I think the main thing is to give each other grace.

Oh, I love that. Did these characters surprise you at any point in your writing process for this book?

Yes! I only had about a paragraph or two of the story going in.

Really!? Wow!

Oh yeah. It leaves quite a bit of wiggle room. It’s always a journey of finding out what these people are going to do and what’s going to happen to them. More if I don’t outline it all up front. All of that is part of the fun and surprise of writing. I enjoy that.

What’s the biggest takeaway for your readers with this novel?

With this novel and with all novels, my purpose in writing the story is to make the reader feel. I want my books to have all the good feels, that’s why readers read romance. I also think that when you open yourself up to really empathizing with characters—when you’re in their heads and you’re understanding what they’re doing (and maybe not liking it, but knowing why they’re doing it)—I think you can open yourself up to learning and growing because you’re so emotionally involved.

And how do you go about weaving in faith with your novels?

Every main character in a book needs to have some form of growth. In the case of a spiritual thread, there’s something in there, something in Zoe’s past that’s holding her back spiritually. Not just, you know, [holding her back] emotionally from love, but also spiritually. It might be connected to what’s holding her back from having a healthy love relationship. So they’re sometimes very intertwined, that’s just how life is.

Can we expect a new novel soon?

The follow up to Blue Ridge Sunrise comes out in May of next year! It’s called Honeysuckle Dreams, and it features Brady and Hope. I think it picks up less than a month after Blue Ridge Sunrise ends. That was a really fun one to write, too!

Denise Hunter, author of Blue Ridge Sunrise, a sweet and inspiring romance, talks with Assistant Editor Hilli Levin. Sponsored by Thomas Nelson.

Interview by

Jodi Thomas’ Mornings on Main is a sweet, contemplative romance between two lonely souls who connect in a small Texas town. Already a favorite among romance fans for her Ransom Canyon series, which takes place in a similar setting, Thomas’ newest book combines a contemporary romance with a coming-of-age story, as well as a tender portrait of a close-knit family. We talked to Thomas about her love of small towns and why habits were made to be broken.

Describe your latest novel in a sentence.
Mornings on Main weaves the stories of three women—one who is beginning to collect memories, one who is always leaving the past behind and one who is losing a lifetime.

Before you became a novelist full time, you were a family counselor. Did you bring your expertise to bear in this book?
I think everything I’ve done or studied in my life has become research for my writing.

You’re known for setting your books in small towns in Texas. Why does that particular type of place inspire you so much?
It’s partly because I’ve always lived in small towns and love and understand the people, the way their lives blend and influence one another’s. Also, every summer when I was a kid I used to visit a small town (4,000 people) where I had five sets of aunts and uncle plus dozens of cousins. My uncle always left a horse saddled for me in the backyard so I could go anywhere. I felt free and safe. Maybe in my small town stories, I’m going back to that place.

Why do you think Jillian has never deviated from the way of life she learned from her father?
I think most of us fall into patterns in our lives. Habit outweighs adventure until someone comes along and wakes us up. That’s what happened to Jillian.

Are you a crafter or quilter yourself? If you were to make a quilt with Eugenia, what would you make?
I have a quilt room in my house that has quilts from my grandmothers [going] back three generations. My mother quilted, both my sisters quilt and I do not quilt. When my mother read my first book she said, “Jodi, you quilt with words.”

Sunnie is a great example of a believable teen character—blossoming into her own independence and intelligence, but still prickly and immature at times. How did you thread that needle from a writing standpoint?
Sunnie was a hard character to write. Maybe those years of teaching high school helped me out. I loved that age.

When I first read the premise of Mornings on Main, I expected a lot of angst between Connor and Jillian, but instead, they both try their best to accept that her stay is temporary, no matter how strong their feelings towards each other are. Why did you choose to have your characters react in that way?
Connor is a good man who has always accepted his role in life. He’s settled, sometimes helping others at the cost of his own happiness. But he loves deeply with Jillian. To keep her, he’ll have to fight.

What do you like to read when you’re not reading romance?
Across the board. Reading one kind of romance would be like eating at the same restaurant every night. I love it when I find a book that I can’t put down. The whole world stops for a few hours and I step into the story.

What’s next for you?
I just finished the seventh book in the Ransom Canyon series, which will be out in September. And I’ve spent the last few weeks out in my little hideout we call the bunkhouse. A new story is taking shape on the whiteboards. I’m going back to Laurel Springs—back to Main—only this time I’m opening a tea shop. Hope my readers will drop in next spring.

 

ALSO IN BOOKPAGE: Read our review of Mornings on Main.

(Author photo © Portraits by Tracy.)

Jodi Thomas’ Mornings on Main is a sweet, contemplative romance between two lonely souls who connect in a small Texas town. Already a favorite among romance fans for her Ransom Canyon series, which takes place in a similar setting, Thomas’ newest book combines a contemporary romance with a coming-of-age story, as well as a tender portrait of a close-knit family. We talked to Thomas about her love of small towns and why habits were made to be broken.

Interview by

Romantic suspense fans often list the tough, take-no-prisoners heroines of the genre as one of its biggest selling points, but Diana Muñoz Stewart takes things to an entirely new level. The first book in her new series, I Am Justice, introduces readers to the League of Warrior Women, a multicultural group of talented, ferocious women dedicated to combating misogyny and oppression. We talked to Stewart about flipping gender stereotypes, the most intimidating part about writing I Am Justice and which real-life activists inspire her.

What inspired you to create the League?
I had the idea for the League of Warrior Women after reading a series of disturbing articles about injustices against women. Specifically, I remember reading about María Santos Gorrostieta Salazar—a small-town mayor in Mexico who took on drug cartels and as a result was threatened and beaten, her husband was killed, and she herself was eventually killed. Her story and others I read made me wish for a group like the League—a superhero-like group of women, sisters, who travel the globe righting wrongs against women. Wherever society, misogyny or callous disregard let bad things happen to women, the League would be there.

One of my favorite aspects of Justices character is that she follows a lot of the tropes of the badass, snarky male action hero. Was that an intentional choice on your part?
I did consciously play with the classic perceptions of action heroes and gender roles. The female character is all guns blazing while the male hero, who is an ex-Special Forces soldier turned humanitarian, wants to help in more nurturing and caring ways. Though they can both handle themselves in an explosive situation, the male lead, Sandesh, started a charity to help those in need. And the female lead, Justice, is that angry, combative snarky action hero—hopefully with a little more depth. I think this about sums it up: “He’s done with war. She’s just getting started.”

How do you write action scenes that are compelling and not confusing?
This question makes me so happy. If you’re asking that, it means that I succeeded in doing something that I worked very hard at. When I first started writing action scenes, they were a bit too detailed. It slowed down the pacing with unnecessary description and emotion. I went from this abundance to paired-back scenes that my agent, the wonderful Michelle Grajkowski, kindly pointed out were too light on detail. So basically, it was through trial and error that I found, and continue to try and find, that sweet spot in writing action scenes.

There’s a debate throughout I Am Justice as to whether the Parish family and the League should stay predominantly female, or should accept more male members. Where do you stand in that debate?
Oh, good question! The thing I like about the Band of Sisters series is that it tackles this exact question—how men and women can work together to create positive change that benefits everyone. And since I’m not into excluding anyone, I like the idea of adding men. But the League is run by Mukta Parish, and she’s a bit of a hard-ass on the subject. Still, the answer to this question is more fully fleshed out in I Am Grace, the sequel to I Am Justice. I won’t be spoiling anything by saying that the League will always be comprised of mostly women, but as the group develops and finds more love interests willing to become part of the family, it’s inevitable that they add a few more men to the group.

What scared you the most about writing this book?
The idea that I might come off as flip or callous with the serious subject matter in the book. Walking the line between entertaining and speaking about and for people that aren’t always the heroes in books was daunting. There were days when I didn’t think I could pull it off, when the attempt felt silly and disrespectful. But I pushed past that mental barrier, that place where we tell ourselves all the reasons why we shouldn’t be doing something. And I hope the result was respectful and engaging.

What are your biggest pet peeves in romantic suspense?
Oh, man. I think anything can work if the writing is there to support it. I’ve seen out-of-the-box ideas with poor execution that end up feeling stale, and recycled ideas with great execution that sucked me in and carried me through a story. I will pretty much forgive an author anything as long as she or he doesn’t bore me.

Which real-life activists inspire you?
While doing research for I Am Justice, I came across so many incredible examples of women and men that are doing the hard work of changing the world, changing minds. I’m in the process of updating a list of linked organizations on my website, but here are a few of my favorites:

WomenOne
Equality Now
Camfed
PRAJWALA
GEMS
Save the Children
Dofeve

Who would you cast in a movie adaptation of I Am Justice?
I’m so bad at this. This is one of those situations where I’d like to use my lifeline. My phone-a-friend or ask-the-audience button. So if anyone out there has any ideas on who should be cast in I Am Justice, please let me know in the comments!

What’s next for you?
My next novel, I Am Grace, is finished and in production edits. I’m super excited about this novel. It brings together two dynamic characters, Gracie and Dusty. This novel takes on some difficult and timely topics—including sexual abuse and political power—while weaving together a steamy, opposites-attract love story.

 

ALSO IN BOOKPAGE: Read our review of I Am Justice.

Romantic suspense fans often list the tough, take-no-prisoners heroines of the genre as one of its biggest selling points, but Diana Muñoz Stewart takes things to an entirely new level. The first book in her new series, I Am Justice, introduces readers to the League of Warrior Women, a multicultural group of talented, ferocious women dedicated to combating misogyny and oppression. We talked to Stewart about flipping gender stereotypes, the most intimidating part about writing I Am Justice and which real-life activists inspire her.

Interview by

There are challenging premises for a romance novel (like a less-than-popular time period), and there are premises that can derail the entire book if not handled well (say, a character recovering from abuse). And then there is Roni Loren’s latest series, The Ones Who Got Away, where the central characters are the adult survivors of a school shooting. In the hands of a less talented author, this could have superficial at best, exploitative at worst. But the first book in the series was a critically acclaimed success. And Loren’s detailed, multifaceted depictions of trauma, as well as her empathy for even minor and antagonistic characters, are on full display in its sequel, The One You Can’t Forget. We talked to Loren about what prompted her to take on such a heavy topic in a romance, how she writes emotionally raw conversations and more.

I have to say, I was dubious about this series at first, given its subject matter, but you completely won me over. What made you decide to write a romance with such an emotionally tricky, potentially alienating premise?
Thank you! I’m so glad to hear it won you over. I knew when I got the initial series idea that it could be a hard sell. Not just for readers but for a publishing house. I had to find an editor who believed that this premise could work in a romance. But the idea came to me with such strength that I couldn’t let it go. I needed to tell these stories. When we see tragedies like this happen in the news, we see the victims for a few moments on the screen and then we move on. However, those victims have to go on with their lives, carrying the weight of that grief and trauma with them. I wanted to draw attention to that, how these things have long-term ripple effects on all involved. I chose to tell the stories in a romance because I wanted to give people who have been through so much their happy endings.

The gun violence debate in this country is extremely prominent at the moment, but we’ve been here many times before without much significant change. Do you think this time is any different? Do you see any change in policy or outlook coming?
I want to say yes, that I always have hope, but honestly, it’s hard to come by lately. I was in college when Columbine happened, and I remember how horrified and shocked I was. I had never once walked into my high school wondering if someone would bring a gun to school and hurt me. Now we have school shootings happening every few weeks and kids have this new terrifying reality to face. Things need to change. That much is obvious. But will they? I don’t know. I won’t give up hope. I’ll send my money to the organizations that are working to make things better and will vote for the people who I think can make changes, but it’s going to be a long haul journey.

What about Rebecca made you want to write her love story? Did you always know she would have a book of her own, or did you come to that decision while writing her in The Ones Who Got Away?
From the beginning, I knew I wanted to tell each of the four women’s stories. I didn’t, however, know whose story should be next. I don’t plot ahead, so I leave myself open to see which characters will step forward while I’m writing. Originally, I thought it would be a different character, but Rebecca kept nudging her way into scenes and making me want to know more about her. (I know that sounds weird since I created her, but uncovering a character is like uncovering a fossil. I only get little glimpses at first.) I needed to know why Rebecca was such a workaholic and why she avoided getting emotionally involved with others. What was she running from? She was a hopeless romantic as a kid and now was an unsentimental divorce attorney. So many questions meant she had a big story to tell.

Something I really loved about The One You Can’t Forget was its wealth of compelling side characters. How did you make figures like Rebecca’s father, Wes’ brother Marco and Rebecca’s client Anthony pop off the page?
Thank you! I’m a character-driven writer, so creating side characters is a lot of fun for me. Everyone has a story even if they’re only on the page for a few moments, so I try to think about that when creating a side character. What’s their history? Why are they how they are? (This may come from the fact that I was a therapist in my former career. I need to know everyone’s secrets.) This also gets me in trouble because if a side character gets too interesting for me then I want to write them a book! I may already have plans for Marco. But I also want to make sure no one is a caricature. Like Rebecca’s father was at risk for that. Even though he’s an antagonist, I didn’t want him to be a “bad guy” because he’s not. He thinks differently from his daughter and goes about things in ways that he shouldn’t, but he absolutely loves her.

Since you used to be a therapist, what advice would you give Wes and Rebecca if they were your patients?
Depends on if they were in my office at the beginning of the book or at the end, lol. I’d have a lot of advice for them at the beginning. They are both white-knuckling their lives at the start of the book and not working through a lot of things they need to face.

Wes and Rebecca are both dealing with difficult emotional issues and the fallout from their respective pasts. How did you approach writing the conversations where they try to unpack those experiences together?
I try to write those heavy conversations in a way that shows the growth in the relationship. Both Wes and Rebecca tend to isolate themselves instead of opening up to anyone. Wes can be broody and pushes people away when they try to dig into emotional stuff (like when his brother pushes him on a few things). Rebecca can be the grin-and-bear-it type who doesn’t let anyone see her flinch. So when Wes and Rebecca open up to each other about their pasts and what they’re going through, it shows that their connection is becoming something special and different from the other relationships in their lives. That’s a big part of what falling in love is—showing the other person the ugly stuff and being accepted as you are. So when I’m writing these conversations, I do it in doses depending on where they are at in their relationship development.

I may or may not have stalked your website to prep for this interview, and was delighted by your fantastic book recommendations! What books are currently at the top of your TBR?
Yay, thanks! I love telling everyone what to read, lol. Right now, I’m reading Ugly Love by Colleen Hoover and listening to the audiobook of The Art of Screen Time by Anya Kamenetz. Next, I’ll probably be picking from The Great Alone by Kristin Hannah, No Good Duke Goes Unpunished by Sarah MacLean or The Handsome Girl and Her Beautiful Boy by B.T. Gottfred. I’m such a mood reader, though, so it will depend how I’m feeling when I finish reading the current book. My TBR pile has hundreds of books in it.

In honor of Wes’ profession and the many moments of food porn in The One You Can’t Forget, what is the most romantic meal someone could make for you?
I’m originally from New Orleans, so food from home would be a special treat since it’s harder to find here in Dallas. Boiled crabs. A shrimp po’boy. A really great gumbo. But really, just having a meal made for me would be a romantic gesture, since I’m the cook in the house, lol.

What’s next for you?
Next up is Taryn’s book, The One You Fight For, which will come out in January. Her story was a big challenge to write because of who her hero is. I can’t say more than that yet, but details should be available soon. And I’ll be starting Kincaid’s book in the next month or so to wrap up the series.

 

ALSO IN BOOKPAGE: Read our review of The One You Can’t Forget.

Author photo by Charm Me Photography.

There are challenging premises for a romance novel (like a less-than-popular time period), and there are premises that can derail the entire book if not handled well (say, a character recovering from abuse). And then there is Roni Loren’s latest series, The Ones Who Got Away, where the central characters are the adult survivors of a school shooting. In the hands of a less talented author, this could have superficial at best, exploitative at worst. Loren’s detailed, multifaceted depictions of trauma, as well as her empathy for even minor and antagonistic characters, are on full display in its sequel, The One You Can’t Forget. We talked to Loren about what prompted her to take on such a heavy topic in a romance, how she writes emotionally raw conversations and more.

Interview by

Donna Kauffman’s Blue Hollow Falls series takes the small-town genre and gives it a creative twist—the titular village is an artists and musicians’ enclave, tucked into the Blue Ridge Mountains. In the second book in the series, Bluestone & Vine, Blue Hollow Falls is the perfect place for Irish folk singer Pippa MacMillan to recover from a vocal chord surgery. She’s not nearly as famous in America as she is in the U.K., and the creative atmosphere could inspire her next album. Except for the fact that Pippa hasn’t sung so much as a note since her surgery because she’s so overcome with fear that her voice is forever lost or damaged. Enter a supportive community and a very handsome, ex-military vintner. We talked to Kauffman about whirlwind romances, the inherent risk of creation and what she thinks is the most underrated TV show.

I really loved Pippa—her ease with herself and self-deprecating humor were so refreshing. Where did your inspiration for her character come from?
Thank you! I grew up in a family filled with that exact same kind of life attitude. Pippa is sort of an amalgamation of me and my sisters. (Except we’re all very tall and Pippa is, well . . . not.)

Pippa and Seth definitely have a whirlwind romance. What do you think needs to happen for real love to develop in such a short time?
I think being put in close quarters like that, with heightened circumstances, does bring two people together far more quickly. Initially finding themselves stuck under one roof together definitely amplified Pippa and Seth’s reactions and feelings, but it was when they both had to deal with the outside crisis of Seth’s neighbor that they were really pushed forward more rapidly. It’s true in real life that when you have to work together with someone during a crisis, or in a situation where teamwork is required under intense pressure, whatever the ultimate goal might be, a unique bond is forged. If there also happens to be a strong attraction between the two people involved, well . . . anything can happen!

One of my favorite aspects of Bluestone & Vine is how the usual gender roles in romance were somewhat reversed—the hero was hesitant about getting into a relationship, and the heroine was far more open about her desires and emotions. Was that a conscious decision on your part, or did that facet of their personalities just emerge as you developed them?
It was a combination of both. I love to flip gender norms as well as societal norms. The characters definitely direct the course of the story, but any time we can take a look at something we all experience in a new way, from a totally different vantage point, I’m all for it. I think it makes for an interesting read as well as a fun way to explore the myriad reasons that might cause two people to take that leap of faith and let go of their fears. Falling in love is never boring and it never happens exactly the same way twice!

Why do you think small-town romances have such a steady appeal for readers?
I can’t speak for all readers, but for me, I love the cozy feeling I get when I’m reading a story set in a small town—tucked away in a picturesque place, with a group of people who all know each other, folks who I’d like to know and call friends. It’s so comforting. I especially like it when the location adds a distinct flavor, a specific character to the story. Best of all, the setting puts the main protagonists inescapably in each other’s orbit and their burgeoning relationship under the microscope as the whole town weighs in on what is happening right under everyone’s noses. The focus is on the blossoming romance, but the everybody-knows-everybody set up provides plenty of fodder for interesting secondary storylines as well.

At one point in the book, Pippa and Seth have a very lovely and honest conversation about how the creation of art is inherently risky. What was the riskiest thing about this book for you?
The risk is the same with all books I write. Everyone who reads one of my books (or any book, for that matter) brings their own life experience and point of view to the story. Of course, I want them to love it exactly how I love it, feel what I feel, laugh when I laugh, cry when I cry . . . but their own experiences might cause them to have a completely different reaction to this or that story element. The possible points of view are so vast and varied, there is no one-size-fits-all story. And that’s okay! I always write the story that I most want to read, then hope like crazy that enough readers feel the same way I do, love the things I do, to make the book a success. I love getting notes from readers who had strong reactions to elements that, to me, weren’t focal to the story, but to them, meant everything. On the flip side of that, there are readers who are turned off by things that I dearly love, because of their own experiences. As much as I want everyone to love everything I write, I’m also fascinated by all reactions, good and bad, because that informs me. Not so much as a writer, in that I will continue to write the stories I most want to read, but about the human condition, about why people react as they do to this thing or that. I study human nature by default, so the more I know, the more nuanced and interesting my future characters will become.

Every cabin and home in Bluestone & Vine was lovingly described and expressed its owners personality so well. What would someone learn about you based on your writing space?
That I love being a hermit. Ha. I live in the Blue Ridge Mountains, tucked away from the madding crowd, with a bounty of nature as my backdrop. My coworkers are the many types of birds who visit my feeders and deck garden, the deer, rabbits and raccoons who feast in my woods, and the occasional bear who drops by for a visit, often with youngsters in tow. Don’t get me wrong, I love people! I just like that I can venture out and be part of the crowd, observe the ebb and flow of humanity, then come home and be in peace and tranquility while I dream up my next fictional adventure.

You’re a TV critic in addition to writing romance. What would you say is the most underrated TV show? And what is your all-time favorite TV ship?
Hmm . . . hard to say. I think the most wonderful thing about the advent of the internet is that everyone can find folks who love the shows they love. My biggest critique is that, quite often now, new shows aren’t given the chance to develop a following before they are unceremoniously yanked from the lineup. (And, conversely, that some real head-scratchers are still out there banging away at it.) My all-time TV ship? Also a toughie. I have such a broad range of programming that I watch, I can’t pick just one. I’ve been doing play-by-play recaps of NCIS now for a few seasons for USA Today’s Happy Ever After blog, and I have to say it’s impressive that they’ve managed to avoid the pitfalls that so many other long-running shows do, where they write themselves into a corner and can’t develop the storyline beyond a certain point. NCIS has admirably managed to balance the murder-of-the-week storyline with the personal narrative stories of their main cast of characters. A far trickier balance than it would seem. So my kudos go to them.

You’re from the same area that the Blue Hollow Falls series is set. What’s a must-do for a first-time visit to the Blue Ridge Mountains?
It’s impossible to pick just one. Do it all! Last year I drove the full length of the Blue Ridge Parkway, which winds along the mountain ridges, traveling close to 400 miles through my state, Virginia, on down into North Carolina and ending just at the Tennessee border where the Great Smoky Mountain National Park begins. I expected it to be a lovely, scenic drive, with some fun hiking and camping along the way. It turned out to be one of the most spectacular adventures of my life. On par with any other national park I’ve seen, or any exploration I’ve undertaken anywhere in the world (and there have been many of those.) So, if you ever get the chance, make that drive. I did mine in the fall and saw everything from stunning foliage to sparkling ice forests. I plan to do it again in the spring and take in the wild colors of the blooming rhododendron, hike more trails, take in more exhibits. It would never be the same trip twice. You won’t regret it!

What’s next for you?
I’m excited to be continuing this series with a holiday novella coming this October. Christmas in Blue Hollow Falls (with Seth and Pippa’s wedding as the backdrop!) features Seth’s sister Moira and will be part of Fern Michaels’ annual Christmas anthology, A Season to Celebrate. Then readers won’t have long to wait for the next full-length Blue Hollow Falls book. Will McCall gets his forever love story in January’s Lavender Blue. And I’m thrilled to announce I’ve signed on with Kensington to continue the series into next year and beyond. I hope you’ll stop by for a visit and fall in love!

 

ALSO IN BOOKPAGE: Read our review of Bluestone & Vine.

Author photo by Spencer Kauffman.

Donna Kauffman’s Blue Hollow Falls series takes the small-town genre and gives it a creative twist—the titular village is an artists and musicians’ enclave, tucked into the Blue Ridge Mountains. In the second book in the series, Bluestone & Vine, Blue Hollow Falls is the perfect place for Irish folk singer Pippa MacMillan to recover from a vocal chord surgery. She’s not nearly as famous in America as she is in the U.K., and the creative atmosphere could inspire her next album. Except for the fact that Pippa hasn’t sung so much as a note since her surgery because she’s so overcome with fear that her voice is forever lost or damaged. Enter a supportive community and a very handsome, ex-military vintner. We talked to Kauffman about whirlwind romances, the inherent risk of creation and what she thinks is the most underrated TV show.

Interview by

HelenKay Dimon must be one of the busiest people in romance. She won the RITA for Best Romantic Suspense at this year’s RWA convention, she just published The Protector, the last book in her Games People Play series, and she’s also president-elect of the RWA. We caught up with Dimon to talk about her goals as incoming president, the fate of the Golden Heart Contest and where the romance genre and community need to do better.

You just won a RITA for The Fixer! What was that moment like for you?
Unreal but fantastic. My category—romantic suspense—was so strong. My fellow finalist authors are really doing amazing work, writing great books. I spent the entire conference name-checking the other finalists, insisting they all deserved to win. I truly believed that and didn’t prepare a speech. I was sitting with friends, just enjoying the night, when my name was called. I’ve had time to reflect, and some of the shock has worn off, but I am still so grateful and honored. I loved writing The Fixer. I love working with my editor, May Chen, and with Avon. To have all of that come together in a RITA win is pretty amazing and special.

How do you think the diversity summit at this year’s RWA conference went? What new ideas or initiatives came out of it?
I’ll put on my President-Elect hat for this one. . . . In an effort to promote open and honest discussion during the Diversity Summit, RWA keeps the attendance to invitation-only and follows the Chatham House Rule. The Summit is an opportunity for industry professionals, members of the RWA Board, RWA’s Diversity Committee, authors in leadership roles and other individuals to come together to discuss inclusion. Those discussions lead to ideas that need time to be assessed, so I don’t have any initiatives to report right now from this year’s Summit, but a summary of the event will be released by RWA this week.

I also can report on an initiative that arose out of the 2017 Diversity Summit. In July, the RWA Board voted to fund up to two housing stipends for summer interns who are from traditionally marginalized groups to work in publishing houses with established romance publishing programs. The idea is to help offset the housing costs associated with living in places like New York City during an internship. With the stipend, publishing houses can look for interns outside of the usual local universities they recruit from to find interns. The stipend recognizes that representation is not just about authors. It’s about promoting diversity when it comes to the people in publishing with the power to acquire and work on books. It took a year to work out the feasibility of such a program and the details, but we are very excited about it.

There have been several high-profile books and authors over the last few years that seem to prove romance is changing for the better in terms of diversity and representation. But do you think books like The Kiss Quotient and An Extraordinary Union are representative of a more lasting change?
I would say all authors need to fight to make sure this is representative of lasting change. Diverse authors are talented and right there. They are not invisible. It’s time to end the thinking that publishing is only a career for people who look or love a certain way. For years the message has been that successful books by authors from traditionally marginalized groups were outliers. Their success was portrayed as something “special” and outside of the normal. The insulting message was then reinforced in cover art and by separating out books, especially those by black authors and LGBT+ romances, onto different shelves in bookstores. That was a huge disservice to authors, readers and the industry. My hope is that we are all more aware of the harm that outlier message sends, whether spoken or unspoken, and that the romance community can lead the way in doing better.

In May, RWA announced that it was reconsidering the Golden Heart Contest for unpublished manuscripts, and potentially ending it. Do you have any updates on that decision-making process you can share? And what led the organization to consider discontinuing the contest?
At the July meeting, the RWA Board voted to discontinue the Golden Heart after one final contest that will begin in fall 2018, with awards being given out at the conference in New York City in July 2019. The Golden Heart is an incredible and important part of RWA’s history. It helped to launch careers and bring unpublished authors together in invaluable support groups. It was also created when there was only one path to publishing—traditional publishing through New York publishing houses. As the industry changed, more people self-published and made other publishing choices, and fewer people were eligible for the contest. Over the last few years, different RWA Boards have made changes to try to highlight the contest and increase the benefits, but the number of people who entered continued to sharply decline. Decreasing interest, changes in the marketplace and the reality that the contest lost money every year for the last few years made continuing it impossible. One of the things I have promised the RWA Board members who will remain next year and the general RWA membership is that we will make figuring out what happens after the Golden Heart a priority.

If you could guarantee that one of your goals as incoming president would be accomplished, what would it be?
The RWA Board is made up of many talented, smart and dedicated members, so I don’t do anything on my own. I wouldn’t want to, because when the RWA Board is working at its best, it’s collaborative. I do have some power over the agenda and can say that my plan is to continue the forward momentum, working to ensure that RWA is open, meaningful and welcoming to all. That means honoring our commitment to our historically marginalized members and pushing to open as many doors as possible in publishing.

In light of industry changes, I believe RWA needs to re-evaluate what it offers all of its members—unpublished, traditionally published, self-published, hybrid published, those switching between groups and those trying to find their way back into publishing. That includes a need for discussions about programs and benefits, as well as making a commitment to figure out what comes after the Golden Heart Contest now that it is ending. We have a lot of work ahead of us, but my presidential year will be my sixth year on the RWA Board, and I’m hoping it will be the most productive one yet.

What is something you think romance writers and fans would be surprised to learn or don’t quite understand about how RWA functions?
Probably how much time, resources, planning and work goes on behind the scenes. RWA is lucky to have an extraordinary and dedicated staff that keeps everything running. As for the RWA Board, every decision is weighed, discussed and assessed. Change might take longer than people would like, but generally that’s because we’re dealing with approximately 10,000 members with 10,000 different careers and needs. It’s detailed and time-consuming work, but it should be. When we make a change, we don’t want to make the wrong one.

The romance community has really embraced self-publishing and eBooks. Why do you think the other literary genres are still holding out?
Romance tends to be on the forefront of changes in publishing. The genre is made up of so many smart business people. When they found it difficult to get the price of their books where they wanted, or to publish the type of books they wanted, they found a way to get the books into the hands of their dedicated fans. Maybe it’s because romance authors hear the “When will you write a real book?” nonsense all the time. We have thicker skin. We’re willing to take chances and not worry about what people outside the genre think. Honestly, I think other genres could take a lesson.

Suzanne Brockmann’s Lifetime Achievement Award speech this year basically lit Twitter on fire. While the reaction was largely positive, there was some criticism of her calls for greater diversity in romance and support of the Democratic Party in the midterm elections this fall. Why do you think there can be such a resistance to romance authors taking explicitly political stances, or even advocating for greater representation in their own genre?
This is me, speaking purely as an author and not as the President-Elect of RWA or on behalf of RWA, because this issue is very important to me on a personal level. For so long authors, not just romance authors, have been told not to be political online. The advice relates to branding and is about not upsetting some readers. I understand why the advice is out there, but it’s just not relevant or realistic in today’s world, to the extent it ever really was. The advice ignores the fact that writing romance is in many ways an inherently political act. Women in charge of their lives, finances, futures and sexuality? Unfortunately, that’s considered bold to some, but romance has been spreading that message for years. What we, as a community, have not been so great about is recognizing that some of our fellow members are hitting roadblocks due to ethnicity, disabilities, sexual preferences and other issues. I hope there is a greater awareness now and a better understanding that fighting for all romance authors is right and needed. I’m happy that people are standing up, that Suzanne Brockmann and Sonali Dev and other speakers issued a challenge for us to do better. I think we need to listen.

You’re about to publish The Protector, the fourth book in your Games People Play series. Will this be the final book? And what would you like to write in your next series?
The Protector
is the final book in the Games People Play series. I have loved writing about these couples and solving the cold case in each book. I am working on my new series, which will also be published by Avon starting in summer 2019. It’s a character-driven romantic suspense series set on a fictional island in Washington State where people go when they want to start over. I’m unraveling the first book right now and generally making the lives of the hero and heroine very difficult, which is the fun part.

What recent reads would you give a (metaphorical) presidential stamp of approval?
You might be sorry you asked. I literally could spend pages writing about the books I’ve recently bought and those I’ve already read and loved. To save some space, I’ll tell you about some of the romance authors I’m loving right now who I think you should try: Alyssa Cole, Jill Shalvis, Beverly Jenkins, Scarlett Cole, Jayne Ann Krentz (an all-time favorite), Rebekah Weatherspoon, Vivian Arend, Courtney Milan, Alisha Rai, Lauren Dane, Mia Sosa, Kit Rocha, Farrah Rochon, Alexis Hall, Sarah MacLean, Jackie Lau, Damon Suede, Reese Ryan, Priscilla Oliveras, Tessa Dare, Sonali Dev, Laura Griffin . . . should I keep going? But if you want book titles, the last two romances I read and recommend are The Kiss Quotient by Helen Hoang and The Naked Truth by Vi Keeland.

HelenKay Dimon must be one of the busiest people in romance. She won the RITA for Best Romantic Suspense at this year’s RWA convention, she just published The Protector, the last book in her Games People Play series, and she’s also president-elect of the RWA. We caught up with Dimon to talk about her goals as incoming president, the fate of the Golden Heart Contest and where the romance genre and community need to do better.

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When the premise of Zoey Castile’s Stripped hit the Internet, it immediately landed on several most anticipated lists (including ours!). Now the wait is over and Castile’s Magic Mike-inspired romance is finally here. Stripper hero Zac Fallon is just as adorable and sexy as we hoped, and heroine Robyn Flores is a highly relatable portrait of “hot mess” millennial womanhood. We talked to Castile about researching male revues, the complexities of female friendship and what comes next.

For those who may not know, you’re also the author of the fantastical and magical Brooklyn Brujas series. Is writing fantasy YA a different experience than writing contemporary romance? Or is it the same writing routine, just different genres?
Romance and fantasy look very different but they’re the same in many ways. Writing fantasy YA is a much longer process because when I write about magic I’m creating entire systems of rules that will impact the rest of the books. Romance requires the same kind of careful world building and rules—they’re just different. The archetypes are there. The hero. The heroine. The unforeseen evil. The mentors. The sidekicks. The difference is that instead of your heroine being a witch, she’s a schoolteacher. Instead of the evil manifesting as a centuries-old sorceress, it’s the principal.

I definitely don’t mean to be a bit cheeky with this question, but did you do any research when trying to capture the life of a male revue dancer?
Hah! I definitely watched all the Magic Mike movies. Magic Mike XXL is the best modern fairytale ever told, and I do love retellings. I went to Thunder From Down Under while I was in Vegas. It was ridiculously over the top and fun. Other than that, I’ve just been following male dancers on Instagram for “inspiration.”

There are some romance readers who won’t read a book where the hero is in any way “involved” with other women. With that in mind, were you at all conflicted about making the hero a stripper?
I was not conflicted. Many people who work in adult entertainment as not involved romantically with their clients. It’s a fantasy and it is their work, so a partner would have to trust and respect that.

What I really love about the heroine (and charming fifth-grade teacher), Robyn Flores, is that she’s in the middle of a weird slump. Her best friend is about to get married, and she’s struggling to be happy because she’s worried about losing her best friend. How did you manage to strike a balance between depicting real, relatable friendships between women but also adding the internal conflicts we often experience when a relationship is on the cusp of a major change?
I always try to ask myself what I would feel if I was in the same situation as my characters. Then I ask myself what someone close to me would feel. Emotions are so complicated. Robyn wants to put her best friend’s wedding before her feelings. She also isn’t equipped to handle everything by herself. As women, we are taught to put others before our own happiness. There has to be a balance. As a writer, you have to write the truth that your character is feeling and that will lead you to their development.

All of the chapters are named after song titles, which I thought was really fun. Did you have a writing playlist while working on this book? Have you thought about putting one together for Stripped?
I always make two playlists when I write. One for drafting and one for editing. The drafting playlist always has lyrics. The editing playlist is just scores from my favorite movies. I did make a playlist for Stripped that’s up on Apple Music.

There are so many fun secondary characters and I hope they will all be getting their own love stories. How did you keep all their individual personalities straight while writing?
I love ensemble casts in books. Once I know who someone is in my book, they’re fully formed. If I have trouble tracking someone in a scene, then they probably don’t belong there and I remove them.

Some people might be conflicted about Lukas in the book. He’s the new principal at Robyn’s school and is definitely vying for her affection. Perhaps I’m a glutton for punishment, but do you foresee Lukas getting his own book? I think that buttoned-up man needs a wild girl to help him let loose.
All three titles in the series are already spoken for!

Can you give us a little peek on what to expect from the rest of the series? I know the next book, Hired, will have Aiden getting his own happy ending.
Hired is about Aiden Rios. He’s sworn to himself that he’d never be in a relationship, but then he goes to NOLA and meets a girl.

Flashed will be about Patrick Halloran. You won’t meet him until Hired, but he’s worth the wait. It’s a Beauty and the Beast retelling set in a Montana ranch.

Given the Magic Mike inspiration, who’s your favorite character in that series and which Magic Mike characters really lent themselves to Zac’s inception?
Fallon is my absolute favorite character in my series. I guess it’s because he’s where it all started. While he was physically inspired by Chris Evans, I think he embodies the charming and sweet personality that Channing Tatum has onscreen.

Lastly, I love asking authors this question. What are you reading and loving right now? Which books should be on our radar?
I’m reading a lot of different genres right now. Strange Grace by Tessa Gratton is a moody, lush, intoxicating fantasy. Trail of Lightning by Rebecca Roanhorse is perfect for fans that are waiting for more seasons of “Supernatural.” Sinner by Sierra Simone is an incredibly sexy romance. Trust Me by Farrah Rochon is a political romance set in New Orleans. Sarah MacLean’s latest Bareknuckle Bastards series is new and sexy.

 

ALSO IN BOOKPAGE: Read our review of Stripped.

Author photo by Sarah Nicole Lemon.

When the premise of Zoey Castile’s Stripped hit the Internet, it immediately landed on several most anticipated lists (including ours!). Now the wait is over and Castile’s Magic Mike-inspired romance is finally here. Stripper hero Zac Fallon is just as adorable and sexy as we hoped, and heroine Robyn Flores is a highly relatable portrait of “hot mess” millennial womanhood. We talked to Castile about researching male revues, the complexities of female friendship and what comes next.

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Most Christmas romances, while they may have some serious undercurrents, are more focused on providing the ultimate cozy, seasonal comfort reading. Susan Fox’s Sail Away with Me is not one of those books. While it does take place over the holidays, beginning in late fall and concluding in the new year, this romance between bookseller Iris Yakimura and popular musician Julian Blake uses the season as both thematic backdrop and complication, as opposed to a central element. It’s a wise choice on the part of Fox, whose latest hero is dealing with a very painful past—Julian is a survivor of sexual abuse, and his return to tiny Destiny Island brings back horrible memories. Yet he finds solace in his friendship-turned-romance with the shy, deeply kind Iris. We talked to Fox about creating the world of Blue Moon Harbor, tackling a serious subject in the context of a holiday romance and the importance of The Tao of Pooh.

Sail Away with Me was finished right as the #MeToo movement picked up steam—what was that experience like for you?
I’m glad that #MeToo has taken off, and I was already very aware of the issues when I started writing Sail Away With Me. I’d previously written about a widowed heroine who survived domestic physical and sexual abuse in Love Me Tender. I’d read Canadian hockey player Theo Fleury’s Playing With Fire, where he talked about being abused by his junior hockey coach. I followed the firing of prestigious Canadian radio host Jian Ghomeshi and his trial on charges of sexual assault. I was aware of the high incidence of sexual assault and harassment of vulnerable people, the disincentives for reporting it and the way society has enabled powerful people to continue getting away with abuse. I knew in the first Blue Moon Harbor book, Fly Away With Me, that Bart Jelinek was an abuser and one day would get his comeuppance.

Now, with #MeToo, I’m encouraged to see that more victims are feeling empowered to come forward, and also to see more sexual predators being exposed and sanctioned for their actions.

Like Iris, you’re an introvert, which can be a challenge for a successful author. How do you approach promoting your work and deal with going to events?
Like Iris, even though I’m shy I do like people and I’m interested in them. Many of the coping tools she uses are borrowed from me—like focusing on the other person rather than on myself. I’ve learned how to deal fairly well with most social situations. I avoid cocktail parties (my definition of hell!), but I’m okay with presenting workshops and doing readings. In November, for example, I was one of two panelists at Vancouver Public Library for a presentation on “Diversity in the Modern Love Story.”

Social activities are taxing for me, though. They drain me, and I then need to retreat to a nice safe, quiet space to recharge.

In terms of promo, I’m happy to do the introvert-oriented things like sending books to reader events, emailing a newsletter and posting on Facebook.

The shadow of Japanese-Canadian internment during WWII hangs over this book, as Iris’ family members were among those imprisoned. What types of research did you do for this aspect of Sail Away with Me, and what led you to include it in the novel?
I’d never even heard of the internment camps until I took a sociology course at the University of Victoria in the 1970s. I was appalled, and over the years did some more reading—books like Snow Falling on Cedars by David Guterson and Bridge of Scarlet Leaves by Kristina McMorris. When I started the Blue Moon Harbor series, I chose the Gulf Islands for my setting in part because of their very diverse history: Indigenous Canadians, immigrants from all over the world including Japan, fishermen, hippies, artists and big-city escapees. In the first book, when I created Dreamspinner bookstore and wanted an island family to run it, I decided more or less randomly that the family would be the Yakimuras, and Iris, the shy bookseller, would become friends with the heroines of Fly Away With Me and Come Home With Me. As I developed Iris’ character, I knew she needed her own romance, so I started brainstorming Sail Away With Me.

If the family (on her dad’s side) had been on Destiny Island since the late 1800s, of course, they would have been victims of Canada’s horrendous treatment of Japanese Canadians during WWI and WWII. So I had to do more research to get the facts right, and then reflect on how that history might have affected Iris’s family and herself. Then I had to decide how much of that to include in the book, and I thought it was important enough in these troubled times to play a significant part. For example, here’s Iris talking with Julian:

“We carry the wound of the internment camp, even though it happened to our ancestors and not to us. We are also aware something similar could happen again. That affects us. It’s part of the reason we keep our heads down and try to be respectable, contributing citizens who don’t make waves.”

“Jesus. You don’t really think it could happen again?”

“Julian, I want to believe in the good in people, but I see a world where people are hated and attacked, even killed, for their religion, the color of the skin, or their sexual orientation. Even their gender. Yes, horrible things can happen when people get scared.”

What made you decide to pair Iris, who you always knew would have her own story, with Julian?
Julian, too, has been there from the first book, when the heroine of Fly Away with Me saw him onstage, singing and playing the guitar. She thought of him as a “tarnished angel.” Obviously, a man like that had a backstory and deserved his own love story. As I delved into Julian’s backstory (which included being sexually abused as a child), I realized how complex he was, and what a fascinating combination of dark and light. A man who gave so much, yet didn’t believe he deserved love. Who better to pair him with than Iris, the woman her friends refer to as an “old soul”? Though she has her own frailties, she’s serene, at peace with herself, introspective, perceptive and wise. I knew Julian could learn from Iris and begin to heal, and I knew that with his support and love she could find a greater internal strength than she’d ever believed herself capable of.

How do you structure a whole island in your head? Have you drawn a map? Or does it just build out naturally as the series goes on?
I used a real Gulf Island, Salt Spring near Victoria, as a general model, but Destiny is much smaller and less developed. From there, I created what I needed for each story, keeping notes and making sure to be consistent. I’m not much of an artist, so I didn’t even try to make a map.

I was delighted when Julian asks Iris to recommend him a book, and she chooses The Tao of Pooh. When did you first encounter that book, and what made you decide that it would be Iris’ pick for Julian?
I discovered Benjamin Hoff’s The Tao of Pooh fairly soon after it was published, probably in the mid-eighties. I’m not sure if a friend introduced it to me, or if it was vice versa, but I know we both enjoyed it. That book sent me back to read Winnie-the-Pooh again, which is always a pleasure. So then, many years later, when I thought about Iris’s philosophy of life—which she refers to as a “constantly developing spirituality”—it reminded me of Hoff’s book. I read it again —and Pooh as well ☺—and realized what a good fit both stories were for Iris and Julian’s relationship. In a way, The Tao of Pooh, Winnie-the-Pooh and Sail Away With Me might be said to have the same theme: discover and respect your inner nature.

Did any real-life musicians inspire Julian? What type of music do you hear in your head when writing him?
In terms of appearance, I have a photo of Keith Urban dressed all in black, and that’s exactly the way I see Julian. In terms of musical style, no, there was no specific musician. I imagine Julian’s style as being kind of a mix of folk and rock, soulful and a bit angsty. His songs aren’t formulaic, and they tell stories. Like “From Dust a Rose,” based on Iris’s grandparents’ love story (which started in an internment camp). And “Your Reality,” about Julian’s father’s struggle to recover after a horrible accident.

Sail Away with Me takes place during the holidays, but is far less focused on Christmas trappings and events during many other seasonal romances. Was this in response to the darkness and emotion of Julian’s storyline, or did you have other reasons for writing a more holiday-adjacent book?
Partly, it was that the story needed a longish timeline. Neither Iris nor Julian are the type of people who’d leap into an emotionally intimate relationship over the short span of a holiday season. I wrote that kind of story in “Blue Moon Harbor Christmas” in Winter Wishes, and I think it worked for that couple because they’d known each other years before and had a child together. But Iris and Julian were strangers, reserved people, and needed time to develop a friendship and to learn that they could trust each other, so I started their story at the end of October and let it build through the autumn. And then when Julian did reveal his secret and publicly “out” his abuser in the middle of December, that was such a difficult, meaningful, stressful step for him, Iris, his family and their friends, that it just couldn’t be a normal Christmas. On the other hand, it does turn out to be a more emotional, loving Christmas than Julian has ever before experienced.

 

ALSO IN BOOKPAGE: Read our review of Sail Away with Me.

Author photo by BK Studio Photography.

We talked to Susan Fox about creating the world of Blue Moon Harbor, tackling a serious subject in the context of a holiday romance and the importance of The Tao of Pooh.

Interview by

To read one of Karen Rose’s romantic suspense novels is to enter an expansive, photo-realistic world. Each of her books is populated by a sprawling cast of law enforcement officials, their friends and family, and some truly twisted serial killers. Throughout series set in Chicago, Baltimore and Cincinnati (along with stops in Philadelphia, Atlanta and other major American cities), there are no stock side characters—everyone has a story to tell. With Say You’re Sorry, Rose kicks off a new series set in Sacramento, where an attack on radio personality Daisy Dawson reveals a killer that’s been operating for years, unnoticed by the police until now. We talked to Rose about creating her two complicated leads, why film noir inspires how she depicts violence and why she writes while listening to Barry Manilow.

What came first while you were plotting this novel? The cult or the serial killer?
The serial killer definitely came first. I got the idea for him at least five years ago while I was on a flight from Tampa to NYC. Sitting next to me was this man from Scandinavia. We got to chatting (as I do) and he shared he’d been an electrical engineer, but one day he stopped by the store after working very late and envied the woman behind the cash register because she didn’t take her work home. He changed his career, training to become a pilot. He flew for a service that was a mix between a charter and an airplane timeshare. He might be in Barcelona in the morning, Paris in the afternoon and New York the next day. He’d just delivered a plane to Tampa and was on his way home.

I stared at him and said, “If you were a serial killer, you’d never get caught. There would be no pattern.” He stared back, looking very concerned until I told him I was a thriller writer, LOL. I’ve been waiting for the right book to write this serial killer!

The cult came later, once I’d traveled several times to Northern California and realized how remote it is. Which is why so many cults have formed there.

Your previous series have been based in Baltimore and Cincinnati. What led you to pick Sacramento as the setting for your new series?
I have friends in Sacramento and have been able to visit them more often on my way to Northern California to meet with my writing group for plotting retreats. I’d set Taylor Dawson’s (heroine of Monster in the Closet) backstory in Northern California and decided to continue the Dawsons’ story in Sacramento with Daisy. My friends have been very helpful in showing me the city!

You’re known for writing series with a large cast of characters. How did you balance the central couple's love story, along with introducing the rest of the cast and developing the mystery in Say You’re Sorry?
I never know how to answer this. It just . . . happens. I see the story like I’m in a 360-degree movie theater. It’s happening all around me, parallel stories simultaneously, and I write what I see.

Speaking of the central couple, both Gideon and Daisy have complicated, emotionally fraught backstories. Why did you decide to give both of them such difficult pasts, and what was the most enjoyable aspect of writing two powerful, yet damaged protagonists?
My characters always have complicated, emotionally fraught backstories! I’m really mean that way ☺.

Seriously, to me the damaged characters are more interesting and catch my heart. The most enjoyable part is watching them grow and blossom and find their happily-ever-after. It’s so much more gratifying because they’ve earned it!

I found Daisy’s character to be quite layered, because I’d already told the Dawson family’s backstory in Monster in the Closet. But Daisy’s perspective of the same events is so different. I’m fascinated at how two people can grow up in the same home and be impacted so very differently.

Gideon, despite his harsh upbringing, was still kind and capable of tenderness. He’s not as alpha as some of my other heroes, but he’s still strong. He reminded me of Gregory Peck’s character in The Big Country—quietly solid. They’re different people, Daisy and Gideon, yet they have a mutual respect for each other and I loved that.

Say You’re Sorry does an admirable job depicting violence in a sensitive and non-gratuitous way, as well as portraying its serial killer in a three-dimensional light while never losing sight of the horror of his crimes. Has your approach to depicting violence and the perpetrators of it in your novels changed over the course of your career?
Thank you! I don’t think it’s changed that much. I learned a lot from watching the old film noir movies. You don’t see a lot of blood or gore in these films. What you do see is the reactions of the witnesses and victims to what’s happened. That is often scarier because it puts the viewer—or reader in the case of my books—in the place of the victim. We feel their terror, desperation and loss. Adding the POV of the killer increases the terror because we as the reader know what he’s planning—and what he’s capable of doing.

Violence happens every day and doesn’t need to be gratuitous on the page. We see enough of that in the real-world news. Reading about it in detail degrades the victims. Allowing the reader to emotionally connect with the victim is far more powerful.

How do you decompress from writing the darker material in your novels?
I read voraciously, but I don’t read thrillers as a rule. My decompression diet is contemporary romance of all kinds and comedy films. I have very lowbrow taste in movies. Talladega Nights is my go-to decompression flick ☺.

What are your pet peeves as a reader of mystery & suspense?
I hate, hate, hate when the story just ends. The author’s got a great setup and has me all worked up and then, the book just . . . ends. It’s all wrapped up in a few paragraphs of explanation way too soon. Like they ran out of time or pages. I feel cheated.

I also hate when the bad guy is the most obvious suspect, but nobody suspects him. And when the story doesn’t make sense or requires I take a leap of faith across the Grand Canyon. I clearly have feelings on this subject. LOL.

You love Barry Manilow, but many of your villains have murdered people to his music—does this ruin it a bit for you?
Well, to be fair, only one villain heard the music as he murdered. The rest don’t realize that I’m hearing Manilow’s music while they’re busy being villainous. I love Manilow because his voice is so smooth. It allows me to capture a mood and nothing rips me out of it. Which is why I had to remove “Copacabana” from my playlist—I kept getting ripped from the story and dancing in my chair. And maybe having “I Can’t Smile Without You” playing in the background keeps me from getting sucked too deep into the darkness. Or maybe it simply means I’m twisted ☺. So, nope, it doesn’t bother me at all!

What’s next for you?
I’m currently writing book five in my Cincinnati series, with Diesel and Dani as the central couple. Folks have been waiting for their story for some time, so it has to be good. No pressure, right?

After that book is finished, I’ll be returning to Sacramento for book two—Rafe and Mercy’s story. And I have a few books planned after that, so I’ll be busy!

 

ALSO IN BOOKPAGE: Read our review of Say Youre Sorry.

Author photo by Brian Friedman Photography.

We talked to Say You're Sorry author Karen Rose about creating her two complicated leads, why film noir inspires how she depicts violence and why she writes while listening to Barry Manilow.

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