Our top picks for June include the latest from S.A. Cosby, Dominic Smith and Uzma Jalaluddin, plus the first major biography of Martin Luther King Jr. in decades.
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Geena Rocero was a trans pageant queen in the Philippines who became a successful model in the United States. As you’d expect, her life story is a completely engrossing whirlwind.
Humorist Harrison Scott Key’s memoir of the fallout following his wife’s affair offers plentiful food for thought about faith, humor, courage and love.
Lisa See’s spellbinding historical novel, inspired by the true story of a female physician, vividly depicts 15th-century China with artfully woven details, rich characters and descriptive language.
With Return to Valetto, Dominic Smith doesn’t reinvent the wheel, but he doesn’t need to: He is a master of his trade who has executed a flawless novel that satisfies on all counts.
Natalia Shaloshvili’s finely tuned visual humor in Pavlo Gets the Grumps dovetails nicely with her comforting, uplifting message to any reader who’s ever been a bit cranky (aka all of us).
Read by Cynthia Nixon, Anna Montague’s moving and surprisingly humorous debut, How Does That Make You Feel, Magda Eklund? shows grief’s potential to lead to reconciliation and hope.
Nuanced, hopeful and insightful, Ava Robinson’s Definitely Better Now is an endearing portrayal of a young woman redefining herself after one year of sobriety.
Our top picks for June include the latest from S.A. Cosby, Dominic Smith and Uzma Jalaluddin, plus the first major biography of Martin Luther King Jr. in decades.
When ghostwriter Chandler Cohen has a wildly disappointing one-night stand with actor Finn Walsh, she chalks it up to the perils of casual sex and moves on. But then she finds out that Finn is her new client—and he’d really appreciate it if, when they’re not working on his book, she taught him how to satisfy a woman properly.
Sex in romance novels is often idealized and aspirational, but you absolutely turn that on its head in this book! What made you want to create a handsome, charming, appealing hero who’s genuinely awful at sex? I love subverting tropes whenever I can, and while I adore romance novels, the sex can sometimes feel a bit airbrushed. Don’t get me wrong, sometimes that’s exactly what I want to read. Other times, though, I’m eager to see more varied, more realistic sexual experiences on the page—and those can absolutely still be hot. I would argue that sometimes they’re even hotter.
There’s a reason I only ever write beta heroes: I love the awkwardness and fumbling and blushing. It’s far sexier to me to read (and write) a spicy scene between two people working together to learn what each other likes, especially because this lends itself to significant character and relationship growth. Communication is crucial in these scenes, and when the sex is bad, there needs to be a lot of communication to make it better. That journey makes the end result all the more satisfying.
With Finn, I wanted to challenge myself: Could I redeem a hero who’s bad in bed? Would readers still root for that character? (I hope so! He’s quite sincere about wanting to improve, and he is a very good listener.) That’s also why I made his most famous role a nerdy scientist type who wasn’t the main character of his show: I didn’t want him to be typical leading man material.
“There’s a reason I only ever write beta heroes: I love the awkwardness and fumbling and blushing.”
I was intrigued by the comparison Finn made between ghostwriting and acting—how both are a chance to escape from your own story for a little while and live in someone else’s. Is that something you enjoy as an author? It’s truly my favorite thing, and it’s why I studied journalism. I am so curious about people, and journalism gave me a noncreepy way to ask them questions about themselves. In all seriousness, though, it’s such a privilege to get to learn about what someone loves and then to try and bring that passion to the page.
As you note in Business or Pleasure, there are countless different ways to approach writing a memoir. Did you read a lot of them for research? Do you have any particular favorites? I’ve read plenty of celebrity memoirs over the years, so in a way, I was researching before I started writing! I also spoke to a few ghostwriters about their experiences, which helped me add more depth as I was drafting. I will admit that the first memoir I read post-Business or Pleasure happened to be Prince Harry’s Spare. I found myself trying to determine which turns of phrase might have been massaged by the ghostwriter and which ones might have been exactly as the subject had spoken them. That was the first book where I felt I could really see the ghostwriter.
As for favorites, Mara Wilson’s Where Am I Now? really struck a chord with me. I also loved both of Mindy Kaling’s books and Judy Greer’s I Don’t Know What You Know Me From.
Outlines and planning of all sorts are very important to Chandler. Is that a trait you share? What did that add to her character for you? Perhaps to my own detriment at times, but yes! My process usually begins with some character work, learning their backstories and what brought them to the places they’re at when the book opens. Then I outline. I recently started using Gwen Hayes’ Romancing the Beat and can’t believe it took me this long to pick it up. Total game changer.
The outlines Chandler uses were my editor’s idea. In my first draft, Chandler’s sex-ed instruction was interwoven with the “practical” portion of her lessons, and it messed with the flow of the intimate scenes—they’d be getting into it, and she’d pause to give him a lecture on anatomy. The outline suggestion was great because it speaks to how Chandler is a planner who’s spent years chaining herself to a career that isn’t giving her what she needs. She takes the job with Finn in hopes of getting out of a professional rut, and it wrecks her plans in the best possible way.
“My characters don’t love each other in spite of whatever else they happen to be dealing with. They simply love each other, full stop.”
In Chandler’s lessons with Finn, she talks about how movies and TV tend to focus on the male gaze. It could be said that heterosexual romance tends to focus on the female gaze. Do you agree? I agree to an extent, yes. But I think this can get tricky because the male gaze so often sexualizes women, and just as I’m not interested in media featuring women as sex objects, I never want to write men as sex objects either. That’s not progress. While my books center women’s desires because I’m mainly writing from a single point of view, my heroes’ desires are still present, and my hope is that these relationships feel healthy and balanced.
The Lord of the Rings books were deeply formative for Finn. Was there a series like that for you? One you connected with as a child or a teen that still holds a lot of resonance? Yes, absolutely! The Princess Diaries books were my comfort reads, and they always feel like slipping back into conversation with an old friend. I have distinct memories of sitting in an aisle of Borders (RIP) with the latest volume, trying not to read the whole thing before I could bring it home but unable to stop myself from turning the pages.
You render the world of fan conventions so vividly! Do you have much experience with them? Thank you! I’ve been to Emerald City Comic Con a few times, and I’ve always loved the energy there and how cons are a place where people can be unashamedly passionate about what they love. One of my early ideas for Business or Pleasure actually sparked at a con many years ago at a panel with a few “Buffy” actors. I found it fascinating that their careers mainly centered on the con circuit and wondered what that might be like—to be most well known for something you did two decades ago.
I’m this weird combination in that I studied journalism, which revolves around interviewing strangers, but I also have moments of intense shyness. Most of my con experiences were with my now-husband, and he’d always have a joke or anecdote ready for a celebrity, while I’d give an awkward smile and struggle to make eye contact. Essentially, I’d be terrible at Chandler’s job!
I loved the specificity of your portrayal of the Jewish experience, from looking for matzo ball soup when you’re sick, to seeking out menorahs in holiday movies, to going to services and realizing you still remember all the words. Why was it important that Chandler and Finn shared a Jewish background? While all my protagonists are Jewish, I tend to go back and forth with my heroes. For Business or Pleasure, I wanted another point of connection between Chandler and Finn. They’re coming from two different worlds, but they have more in common than they initially realized, from a shared feeling of imposter syndrome to mental health to religion.
You don’t shy away from serious topics in Business or Pleasure, including mental health and abortion. What made you decide to include those subjects? What story possibilities did they open up for you? I never want my writing to feel didactic, but mental health tends to play a key role in my books because it’s often at the forefront of my own mind, and it’s been a long journey for me to feel comfortable and safe in my own brain.
I want to test the limits of what we can call a romantic comedy, because I still consider my books rom-coms even when they deal with depression or grief or any number of “heavier” topics. And I put that in quotes because while those things might seem heavy for a rom-com, they’re so much a part of our regular, nonfictional lives, and humans still manage to fall in love all the time. My characters don’t love each other in spite of whatever else they happen to be dealing with. They simply love each other, full stop.
A young widow gets a second chance at happiness in A Lady’s Guide to Scandal by Sophie Irwin. After a miserable 10-year marriage, Eliza, Lady Somerset, is finally free—and rich, if she can keep the Somerset name scandal-free. That seems easy enough for the timid and soft-spoken Eliza, but when latent desires arise, she travels to Bath to take up a paintbrush and take in some of what society has to offer . . . including the attentions of the wicked Lord Melville. The plot thickens with the return of Eliza’s first love, who has never forgotten her. With two such attractive yet different men vying for her heart, can Eliza break old habits, be her own person and reach for what she truly wants? This kisses-only tale is a delight, and readers will be guessing just who Eliza finds her happy ever after with until the very end.
A Rulebook for Restless Rogues
Two old friends become more in Jess Everlee’s Victorian romance A Rulebook for Restless Rogues. David Forester and Noah Clarke have been friends ever since David appointed himself Noah’s protector in boarding school. David now runs The Curious Fox, a queer club in London, and he still looks after Noah, a talented tailor who spends some nights as his alter ego, Miss Penelope Primrose. David cares for all the patrons of his club and tries to keep them safe in a time when they could be jailed or worse. When The Curious Fox’s owner threatens to shut it down, David’s life is thrown off balance just as he realizes his feelings for Noah might go beyond friendship. Readers will sympathize with the difficulties David and Noah face dealing with the law, their families and the risk of changing their long-standing relationship in this sweet and satisfying romance.
Play to Win
Play to Win by Jodie Slaughter offers up a delicious premise: Stuck-in-a-rut nail tech Miriam Butler wins millions in the lottery—but for legal reasons, she has to alert her estranged husband, construction worker Leo Vaughn. Miriam offers Leo a generous lump sum to sign divorce papers. But this new opportunity gives Leo a chance to rethink his life, and he realizes his love for Miriam never died. Can they make a second chance work? Of course it’s delightful to imagine an end to financial problems, but Slaughter shows that Miriam and Leo still have to overcome the identity issues and expectations that once broke them apart. Told in their no-holds-barred voices, this romance is sexually frank, starkly intimate and often sizzling.
Sophie Irwin’s Regency-set novel boasts an impressively unpredictable love triangle, plus standouts from Jess Everlee and Jodie Slaughter in this month’s romance column.
Chandler Cohen has reached rock bottom. Her dreams of being an author have deflated into a career as a ghostwriter. Her dreams of a relationship with her longtime crush died with a whimper when he gave her the “It’s not you (except it’s totally you)” talk after they finally hooked up. And the cute, fun guy with whom she had a spontaneous romp turned out to be the worst lay she’d ever had. The cherry on top? An interview for a new ghostwriting gig—the memoir of a former second fiddle on a hit supernatural show from 10 years back—reunites Chandler with her horizontal tango partner from her one-night snafu. He’s her new client.
Finn Walsh, better known as Oliver Huxley from “The Nocturnals,” has been working steadily since he was a nerdy Lord of the Rings-obsessed kid, desperate to lose himself in make-believe to distract him from his emotionally abusive father and his severe obsessive-compulsive disorder. “The Nocturnals” was the highest his star ever rose, and he’s now settled into made-for-TV movies and paid appearances at fan conventions. Lots of fan conventions. After Chandler agrees to write Finn’s memoir, she crisscrosses the country by his side, helping him figure out how to tell his story, figuring out what she wants her own story to be—and teaching him better bedroom technique.
Rachel Lynn Solomon has a lot to say in Business or Pleasure, analyzing the hierarchy of celebrity culture; the way even liberal, urban, educated adults find it hard to talk about sex, especially bad sex; and the mysterious allure of monthly subscription boxes. Fortunately, she says it all very, very well. Her voice is sharp, funny and penetrating, describing her characters with warmth and affection without letting them off the hook.
Finn is an appealing and charming hero who is open to improving himself, especially when it comes to his performance in bed. His experience with OCD isn’t a gimmick but an important aspect of his life that Solomon explores through thoughtful details such as Finn’s day-to-day fixations on cleanliness in restaurants and living quarters, and the microaggressions he hears from the more toxic people in his life.
Chandler, meanwhile, is also supremely relatable: a former “gifted kid” who was constantly told she’d be a big success. Over the years, she whittled her dreams down to size, but it’s still uncomfortable for her to realize this is where she’s landed. She may be the leader when it comes to Finn’s sexual education, but she’s still the follower in other situations, as Solomon avoids making her either a waif needing to be saved or an angel come down from heaven. She’s real and flawed and likable and fun.
Solomon dives wholeheartedly into the messiness of life and emerges with a beautiful, moving, truly romantic story about characters readers will appreciate and understand on a deep level.
Rachel Lynn Solomon’s sharp, funny and penetrating Business or Pleasure dives into the messiness of life and emerges with a truly romantic love story.
Think you know your Greek myths? Think again, and keep thinking, because Katee Robert’s Dark Olympus series is a twisted web that keeps getting twistier. Cruel Seduction, the fifth entry in the series, starts with a wedding, a shaky alliance . . . and a rabid populace that has just learned that they could potentially become powerful beyond measure if they’re willing to get their hands a little bloody.
The gods are here, but not quite in the way you might expect them: The modern city of Olympus is ruled by the Thirteen, who are headed by Zeus, but that’s not actually his name; it’s his title. All of the Thirteen are titles, and some of them were won fairly recently. The new Aphrodite, Eris Kasios, has only been in the position for about a year, but she’s been heavily involved in politics all her life as the daughter of the former Zeus and the sister of the current one. And the new Hephaestus, Theseus Vitalis, is an even more recent arrival who won the title by taking advantage of an obscure rule and killing his predecessor. The rest of the Thirteen have agreed not to end his life in retaliation, but only if he marries Aphrodite so they can gain some control over him.
Longtime fans of the series will appreciate the way Robert keeps raising the stakes. Tensions are cresting, and multiple assassination attempts, complex plots to undermine the city’s stability and hints of a dangerous new adversary lurking in the shadows create a palpable sense of impending doom. Mixed in with all of that is a heady, barbed romance full of lush encounters and sharp edges. Hephaestus and Aphrodite try to use sex to one-up and control each other, and things get heated in a hurry, especially when extra players join the game. Aphrodite seduces Hephaestus’ foster sister, Pandora, a calculated move that leads to a startlingly genuine connection. Meanwhile, Hephaestus is stunned to find himself bonding with—and falling for—Aphrodite’s ex, Adonis. The four characters come together in sensual detail in many permutations, and Robert contrasts the growing tenderness between them with the building chaos outside the bedroom.
If you like easy, escapist romances, this series may not be for you. In just about every way, Dark Olympus is a lot: a lot of varied, explicit sex, often with light BDSM elements; a lot of tense, violent conflict; and a whole lot of story to keep up with. Readers who haven’t read the first four books in the series will come in feeling like they’ve transferred schools as a high school senior, with three previous years of relationship sagas, messy in-group fighting, complex hookups and breakups, and gnarled family trees to sort through. But for those looking to experience something heated and dangerous, Cruel Seduction will be just right.
Marry Me by Midnight
The Cinderella story has been tackled from dozens of different angles. The Brothers Grimm took a crack at it, Rossini based an opera on it, the first film version dates back to 1899 and various remakes include multiple Disney versions, Jerry Lewis’ Cinderfella and plenty more besides. It’s a testament to the enduring strength of the story that there always seems to be another way to put a fresh spin on it. The latest is Felicia Grossman’s Marry Me by Midnight, a Jewish, genderswapped Cinderella set in 1832 London.
Grossman’s “prince” is Isabelle Lira, a Jewish heiress with marriage on her mind. Her father has recently died, and she aspires to honor his legacy by taking his position in his surety company. The problem is that the Berabs, her father’s partners, are threatening to upend the business if she does not agree to marry one of them. To get a better position at the bargaining table, she needs a husband who’s a force to be reckoned with. So Isabelle goes all out to find him, holding a series of three festivals and inviting all the eligible Jewish men in the community. To stack the deck in her favor, she decides to dig up some dirt on her potential suitors and hires Aaron Ellenberg to assist. This Cinderfella’s plight isn’t due to an evil stepmother, but rather a lack of family and resources. A poor orphan, Aaron works as a custodian at the synagogue, leading a quiet life until Isabelle sweeps in and changes everything.
It’s remarkable how genderswapping a story can totally shift the balance of power. Isabelle is as elite as any fairy-tale prince, and yet simply because she’s a woman, her husband hunt takes on a new and far more urgent tone. Likewise, Aaron, as a man, has much more agency than your typical Cinderella. He’s able to live independently, chart his own course, even contemplate the idea of starting over in America. But he faces a different kind of judgment, too, with his low social status treated as a personal failure rather than a result of his circumstances. Meanwhile, Grossman’s choice to set Aaron and Isabelle’s romance at a particularly delicate time for the Jewish community in the U.K.—when legislation was being debated that would eventually guarantee Jewish men the same rights as all English men—adds a special poignancy. For all the wealth and privilege that most of these characters possess, there’s still a sense of otherness, of striving for acceptance that might be coming . . . or might be delayed yet again. In this troubled atmosphere, Aaron and Isabelle’s decision to choose love, courage and kindness over everything else resonates that much louder and feels that much sweeter.
The messy relationships of Greek mythology get messier and the fairy-tale love story of Cinderella gets genderswapped in these two books.
Ally Carter will keep readers laughing with The Blonde Identity. A woman awakens in Paris, unable to remember her name or why she’s there. Soon she encounters a mysterious hot guy who claims she’s an operative named “Alex” being pursued by international spies. When bullets start flying, it seems he’s right, and as they make a run for it, they learn a thing or two about each other. Her name is actually Zoe, she must be Alex’s identical twin and the hot guy, Jake Sawyer, is a spy in his own right. The pace never lets up and neither does the fun in this sexy fluff of a story. To truly enjoy it, readers will need to suspend disbelief and a few of the laws of physics, but who cares when the characters are so charming, the antics so entertaining and the plot so cinematic? Known for her young adult titles, Carter seamlessly makes her adult debut with this highly enjoyable romantic suspense novel. Don’t miss it!
Give the Devil His Duke
Wrongs are righted, arrogance is humbled and good deeds are rewarded in Anna Bradley’s Give the Devil His Duke. Penniless Lady Francesca “Franny” Stanhope has worked up the courage to confront her greedy uncle in hopes of securing financial help for her ailing mother. But at her uncle’s home, Franny encounters Giles Drew, the Duke of Basingstoke and her cousin’s new fiancé. Franny distrusts Giles—his father caused her own family’s ruin—but he’s undeniably handsome and more than a little suave. As they encounter each other at society events, Giles can’t help his preoccupation with his bride-to-be’s relative, which does not go unnoticed by the ton’s gossips. Then scandal forces Giles to go all out to save his reputation and hers—by marrying Franny. Balls, gowns and friends destined for their own installments in this new series contribute to the charming ambiance of this sweet and sexy Regency romance.
Someone Just Like You
Childhood frenemies unite for their parents’ joint anniversary party in Meredith Schorr’s Someone Just Like You, set amid New York City’s vibrant restaurant and bar scene. Molly Blum grew up hating and pranking Jude Stark, who gave as good as he got. But surely they can team up to organize a celebration without reverting to old ways. Except . . . no. Jude is more irritating than ever. Family and friends point out that every woman he dates looks just like Molly, and she’s been dating a series of guys who look just like Jude. Can they settle past grievances and figure out why the sparks between them now seem sexy rather than angry? The first-person narration hums with Molly’s energy and honesty in this pitch-perfect enemies-to-lovers rom-com.
Plus, a charming Regency love story and a pitch-perfect enemies-to-lovers rom-com in this month’s romance column.
Recently divorced Gillian Armstead-Bancroft has returned to Freedom, Kansas, with two kids, no money, seriously dented self-respect—and a curse that’s robbed her of her magical powers. Nothing in life has turned out as this always-good girl (and secret bruja) thought it would. And when a good girl is under a curse that turns all her good intentions to ash, the obvious fix is to try out being bad. Preferably with her childhood friend, Nicky Mendoza, who is now a successful artist and still the only man who has ever satisfied her in bed. Meanwhile, things are changing in the town of Freedom. The run-down East Side is getting a boost, and Gillian’s noisy, nosy family is leading the charge. There’s a role there for Gillian, if she’s willing to take it . . . and if she can let go of the idea that success looks like the life she left behind, which was all big-city sparkle, name-brand luxury and soul-crushing emptiness.
Angelina M. Lopez’s Full Moon Over Freedom, her sequel to After Hours on Milagro Street, delivers on all expectations. It’s both powerful and sweet to see Gillian and Nicky rekindle their romance. They’ve lived separate lives for the past 13 years, but from the moment they reunite, Nicky is once again the only person Gillian lets herself be truly honest with. And when it comes to her sexuality—her needs, her desires—their compatibility is off the charts. If you’re a reader who enjoys the “healed by the magic of great sex” trope, you will absolutely love this book. Mixing in with all of the classic plot elements is actual magic, which in Lopez’s hands is tangible, present and beautifully imperfect. Refreshingly, it doesn’t solve all of Gillian and Nicky’s problems and it also results in contact with the spirit realm, moments that are alternately unsettling and enchanting—sometimes both at once.
Gillian’s Mexican American identity, which Lopez shares, radiates throughout the book. Full Moon Over Freedom unpacks the Latinx history of Kansas, showing how the struggles of women in the past trickle down into the prejudices of today through an infuriating heartbreaker of a historical story based on a real court case. This is the work of a writer who knows and celebrates her community and her culture. It’s also a love story that embraces the unusual, celebrates the unsung and makes you believe the words of another famous Kansan: There’s no place like home.
Full Moon Over Freedom celebrates the unsung Latinx history of Kansas while telling a second-chance love story that’s powerful, sexy and sweet.
The second book in Lucy Parker’s Palace Insiders series, Codename Charming, is a light-hearted rom-com that perfectly deploys the grumpy-sunshine and fake dating tropes. Unbelievably fun on every page, it’s another all-around winner from Parker.
Petunia “Pet” De Vere is the personal assistant of Johnny Marchmont, a goofy, lovable British royal who stops just shy of being a himbo. He’s the perfect boss for Pet, who is very proficient at her job and happy to adapt to whatever Johnny throws at her. But when a blundering moment between them goes public, the tabloids assume there’s more to their relationship than duty. Johnny is a happily married man, so the palace higher-ups ask Pet to fake a relationship with Johnny’s stoic bodyguard, Matthias Vaughn, in order to immediately quash rumors of an affair.
Matthias is the opposite of his charge. Johnny goes with the flow, affably making his way through life and duty, and Matthias is there to pick up the pieces and provide a stalwart wall of support. He grew up in the foster system, and always felt like he was merely tolerated in the places he lived, rather than accepted. His history, however painful, has made him well-suited for his profession, where his serious reserve is a major asset. Having proved his indispensability time and again, Matthias agrees to the fake relationship with the very perky Petunia.
Matthias and Pet are enjoyable characters with rich backstories. They’re refreshingly mature, understanding how they fit into the narrative of the royal institution and Johnny’s life. When they gamble on a real relationship, they not only have to face the normal fears that come when you let love in, but also balance them with their individual duties. No matter what happens between them, they must maintain their professional focus given that their lives unfold, at least partially, in the public eye.
As usual, Parker surrounds her couple with a robust cast of fun supporting characters who never overshadow the two central figures. Even if you aren’t a professed Anglophile, Codename Charming is a breezy read that’ll have you smiling and dreaming of fish and chips—and maybe a quiet bodyguard who’s over the moon for you.
Lucy Parker’s breezy and winning new rom-com, Codename Charming, follows a reserved royal bodyguard and the perky personal assistant of the prince he protects.
If every story has already been told, then writers have the supreme challenge of telling old tales in new ways. Kate Goldbeck’s debut novel, You, Again, is the perfect example of how to do this successfully. A fresh take on the iconic rom-com When Harry Met Sally, You, Again is funny, deliciously awkward and uniquely romantic.
What happens when Ari, a struggling comedian who doesn’t believe in love, meets Josh, a hopelessly romantic chef? Well, naturally, they find out they are sleeping with the same woman. While both figured that they’d never meet again, New York City has other ideas, and a series of maddeningly funny run-ins ensues. Until one day, five years after their initial meeting, when heartbreak has them both reeling and they form an unexpected friendship. But over time, the lines start to blur and Ari and Josh’s commitment to being “friends without benefits” slowly crumbles.
You, Again provides a clever and highly satisfying rendition of enemies-to-lovers, especially because it isn’t a solitary disappointing encounter that makes Ari and Josh enemies, as is often the case. Oh no. These two consistently enrage each other for years before life delivers them both humbling heartaches, allowing them to extend a bit of grace. This progression from mounting hostility to a weary truce makes their friendship and its inevitable romantic turn all the more satisfying in the end.
Josh and Ari are both flawed and funny messes who can’t seem to get out of their own way. And it’s very fun to watch them be messy. The magnetic push and pull that Goldbeck constructs between the two makes it obvious that keeping their relationship purely platonic won’t last. Ari, with her unapologetic and hilarious goading, and Josh, with his stubborn and oftentimes infuriating sense of righteousness, are perfectly crafted to first infuriate, then delight each other.
In one of the novel’s best scenes, Ari, riffing on the title of Brené Brown’s Daring Greatly, asks, “Is it possible to wallow greatly? Somebody write that book.” Well, congratulations, Goldbeck: You did it. You, Again wallows in fantastic, funny and romantic fashion.
You, Again is a fantastic, funny and uniquely romantic update of When Harry Met Sally.
Lindsey Kelk’s sparkling Love Me Do is a fish-out-of-water rom-com with a Cyrano twist. Phoebe Chapman arrives in Los Angeles from England seeking a much-needed vacation and a distraction from her ex’s impending nuptials. Her sister was going to host her, but an unexpected business trip leaves Phoebe navigating the Hollywood Hills on her own. She’s fascinated by the neighborhood, by her sister’s sprightly personal trainer, Bel, and particularly by hunky carpenter Ren Garcia in the house next door. But since she’ll only be in town a short time, Phoebe tries to help Bel win the romantic Ren’s heart, using her writing skills to pen a killer love letter. Can this tangled web be straightened out? Kelk offers a golden-hued, fairy-tale vision of LA, complete with a wild celebrity party and a mischievous octogenarian actor. Told from Phoebe’s self-deprecating and charming first-person perspective, Love Me Do is pure fun.
My Rogue to Ruin
The wild Wynchester family is back in Erica Ridley’s My Rogue to Ruin. An artist and forger, Marjorie Wynchester has always been overshadowed by her more flamboyant siblings. While she carries the same fire in her heart to right wrongs, she’s never felt capable of taking the lead on one of their crime-solving endeavors—until now. That fire leads her straight into the den of a notorious blackmailer and into the arms of Lord Adrian Webb, who has had a scandalous reputation ever since being banished from society by his father. But Marjorie sees the goodness in Adrian and as they team up to stop the blackmailer and save Adrian’s sister from ruin, they both begin to see themselves differently and appreciate family in a truer way. Cleverly plotted and filled with nonstop action and the delightful and talented Wynchester clan (including their fabulous woodland pets), this Regency romance will have readers speeding through the pages and smiling all the while.
My Roommate Is a Vampire
The title of Jenna Levine’s debut says it all: My Roommate Is a Vampire. This breezy contemporary romance introduces the reader to Chicagoan Cassie Greenberg, a struggling 32-year-old artist who’s just desperate enough to respond to a too-good-to-be-true Craigslist ad for a roommate. The ad was posted by the awkward and strangely formal Frederick J. Fitzwilliam, who claims to sleep during the day and work at night. Though Cassie’s a “Buffy the Vampire Slayer” fan, it takes time for her to suss out that Frederick’s a vamp, but by then, she’s already lusting after her charming, handsome and cool-to-the-touch roommate. Though hundreds of years old, Frederick appreciates Cassie’s looks, her art and just her. With steamy scenes and a bit of danger, this is an amusing, lighter look at love with the undead.
Jenna Levine’s debut romance delights our columnist! Plus a sparkling rom-com and the latest Wynchester love story.
The top 10 books for September include the latest from Angie Kim & Zadie Smith, plus a compelling mystery from William Kent Kruger and a helpful guide for talking about food with kids.
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Family & Relationships
In a thoughtful attempt to reckon with the past, Meg Kissinger delivers a spellbinding account of how mental illness and addiction ripped her family apart.
Zadie Smith writes eloquent, powerful and often quite humorous novels with social issues at the fore, and The Fraud is no exception. Its firm grounding
Angie Kim’s suspenseful follow-up to Miracle Creek follows a family that lives in a quiet and even bucolic neighborhood near Washington, D.C. They try to
Lucy Parker’s breezy and winning new rom-com, Codename Charming, follows a reserved royal bodyguard and the perky personal assistant of the prince he protects.
Budding naturalists will flock to Springtime Storks and its memorable celebration of loyalty and devotion, call to protect and conserve wildlife, and heartfelt reminder that love can prevail despite unanticipated challenges.
Eliot Stein’s vivid Custodians of Wonder documents the last people maintaining some of the world’s ancient cultural traditions, and proves that comfort, community and beauty never get old.
In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
An atmospheric thriller with genuine scares, What the Woods Took examines how teenagers can go through the worst and still choose to trust, over and over again.
The top 10 books for September include the latest from Angie Kim & Zadie Smith, plus a compelling mystery from William Kent Kruger and a helpful guide for talking about food with kids.
Suzanne Enoch delights in Every Duke Has His Day, a comedic, charming and kisses-only Regency romance. Michael Bromley, Duke of Woriton and dedicated scientist, clashes with social butterfly Elizabeth “Bitsy” Dockering while both are out walking their poodles. In the confusion, they accidentally switch dogs and are soon forced to team up when one of the pooches is stolen. From there, Michael’s logical but narrow world is opened by Bitsy’s grace and warmth, while Bitsy encounters, for the first time, a man as interested in her mind as her smiles. This breezy romp is a sweet and pleasurable escape, with a secondary romance between the dog thief and his heart-of-gold neighbor as well as a satisfying comeuppance for the mastermind of the poodle-napping. Though the dogs threaten to steal the show, with their fussy haircuts and big personalities, the well-deserved happy ending for Michael and Bitsy will leave readers more than satisfied.
Love at 350°
In Love at 350°, a delicious kisses-only read by Lisa Peers, high school teacher and amateur baker Tori Moore lands a spot on a competition baking show and finds herself dazzled by chef Kendra Campbell, one of the celebrity judges. The pair make eyes and swap small talk that somehow seems serious, but they can’t go any further due to the competition’s strict no fraternization rule. So their romance is a slow burn—pun intended—that builds over time, finding an outlet with an exchange of heartfelt letters. The competition will have readers turning pages, hungry to know what comes next and who will be sent home. There’s sabotage afoot as well, lending the story a little more mystery beyond how the very likable Kendra and Tori will finally get together.
The Duke Gets Desperate
In Diana Quincy’s Victorian romance The Duke Gets Desperate, an English aristocrat is shocked to learn that his familial castle has been willed to his stepmother’s cousin—the Arab American daughter of an Palestinian merchant. Anthony Cary, the Duke of Strickland, is appalled to have lost his home but even more so by Raya Darwish’s brash manners and her independent spirit . . . even as he reluctantly admires them. While archaeologist Anthony is more interested in the antiquities he discovers on digs, Raya decides to save the dilapidated castle with her business acumen and ingenuity. That she’s passionately attracted to the handsome but disapproving duke doesn’t help matters, but Raya refuses to surrender and return to America. As they come to know each other, the passion between them erupts in true enemies-to-lovers style, nearly setting the pages of this sizzling romance on fire.
Plus, a cooking show contestant falls for one of her judges and Diana Quincy returns with a sizzling take on the enemies-to-lovers trope.
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Maria Ressa’s book is a political history of the Philippines and an intimate memoir, but it’s also a warning to democracies everywhere: Authoritarianism is a threat to us all.
Sean Adams has dialed down the dystopian quotient from his first satirical novel, The Heap, but that element is still very much present in The Thing in the Snow.
“Family vacation” takes on a new meaning for grown children without kids of their own—like the couple trying their best to keep both sets of in-laws happy in Weike Wang’s Rental House.
