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Leigh Bardugo’s new series, set in the same universe as her best-selling Grisha trilogy, kicks off with Six of Crows. In this gritty world, gangs battle for control of the streets in the bustling port city of Ketterdam. One of these gangs is the Dregs, led by Kaz Brekker, whose youth belies his cunning as a thief and viciousness as a leader. Because of this growing reputation, Kaz is offered a job: liberate a prisoner from the Ice Court, a legendary stronghold in the nation of Fjerda. It’s almost certainly a suicide mission, but the reward money, even split between six accomplices, is worth the risk. 

Six of Crows is narrated by the rotating perspectives of Kaz’s young crew, a relatively diverse group whose personalities are distinct and compelling. Bardugo reveals each character’s backstory in stages, which adds suspense in the early chapters before the action ramps up. The bonds between members of the gang, especially the romantic ones, are sufficiently convincing to carry readers through a few weaker moments. Beyond the romance, Six of Crows is undeniably exciting. Bardugo cultivates a taut sense of urgency that intensifies as the heist unfolds minute by minute, leading to an unexpected twist in the final moments.

While the adventure and romance are perfect for the provided age range, episodes of extreme violence makes this dark heist novel suitable for older teen readers.

 

This article was originally published in the October 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Leigh Bardugo’s new series, set in the same universe as her best-selling Grisha trilogy, kicks off with Six of Crows. In this gritty world, gangs battle for control of the streets in the bustling port city of Ketterdam. One of these gangs is the Dregs, led by Kaz Brekker, whose youth belies his cunning as a thief and viciousness as a leader.

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Chloe was born a teenager and will always be one. Like her sisters, the middle-aged Serena and the elderly Xinot, she exists only to spin, measure and cut the threads of human lives. Chloe and her sisters are the Fates of Greek mythology, living and working on an island far from human entanglements—until a desperate teenage girl, Aglaia, seeks shelter in the Fates’ home.

Aglaia’s village was destroyed, and she alone knows why. Soon Chloe and her sisters are driven to follow the refugee as she pursues a new life on the mainland. There, the Fates are tempted to intervene in human affairs for the sake of their friend—despite prophesies that their involvement will cause the weaving to come unwound and the sun to sink into the sea.

Chloe’s narrative voice is stunning, especially when she speaks of the dark power that she and her sisters channel, the mystery that fills and guides them. This is a story to savor and discuss, especially in multigenerational groups.

 

Jill Ratzan teaches research rudiments in central New Jersey. She learned most of what she knows about YA lit from her terrific grad students.

This article was originally published in the September 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Chloe was born a teenager and will always be one. Like her sisters, the middle-aged Serena and the elderly Xinot, she exists only to spin, measure and cut the threads of human lives. Chloe and her sisters are the Fates of Greek mythology, living and working on an island far from human entanglements—until a desperate teenage girl, Aglaia, seeks shelter in the Fates’ home.
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A wonderful, brilliant mother—who dies. An adoring, protective father, who remarries—and then dies. A beautiful but nasty stepmother, two conniving, vapid stepsisters—this is starting to sound familiar, isn’t it? However, Betsy Cornwell’s Mechanica is anything but another lifeless “Cinderella” retelling. And Nicolette, filled with her mother’s inventiveness and her father’s determination, is anything but another princess waiting to be rescued.

Detested by her stepmother and called “Mechanica” by her stepsisters to humiliate her, Nicolette has resigned herself to a lifetime of forced servitude—and to the loss of access to magic from the now-banished Fey. But at age 16, she is granted access through mysterious means to her mother’s hidden workshop, filled with wonders beyond her imagination. There, Nicolette discovers fantastic inventions and clockwork animals that almost seem to think. Most importantly, she finds hope—hope that she can get her life back, hope that she can escape, hope that she can reclaim her home from her stepmother. And with the help of new friends and the perfect timing of the technological exposition and royal ball, Nicolette sets out to do just that.

With a unique mix of steampunk and the maker movement, Mechanica introduces a smart, strong, talented heroine who may be able to find her prince, but doesn’t necessarily want to.

 

This article was originally published in the September 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

A wonderful, brilliant mother—who dies. An adoring, protective father, who remarries—and then dies. A beautiful but nasty stepmother, two conniving, vapid stepsisters—this is starting to sound familiar, isn’t it? However, Betsy Cornwell’s Mechanica is anything but another lifeless “Cinderella” retelling. And Nicolette, filled with her mother’s inventiveness and her father’s determination, is anything but another princess waiting to be rescued.
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Best-selling author Ilona Andrews—a pseudonym for husband and wife writing team Gordon and Ilona—returns fans to the world of Kate Daniels in Magic Shifts. The novel is the eighth installment in the wildly popular post-apocalyptic series. Kate and her mate, shape-shifter and Beast Lord, Curran, have abdicated their role of running the Pack and are living in suburban Atlanta.

The two are focused on building the client list for Cutting Edge, Kate’s mercenary-for-hire company. Nothing has ever been simple for these two, however, and stepping down from ruling the city’s shape-shifters to embrace civilian life proves to be no different. They soon learn that an ancient enemy has been unleashed and is bent on wreaking havoc on Atlanta. Since Kate accidentally claimed the city during a showdown with her godlike father, it’s up to her and Curran to save their world. To do so, they’ll have to fight a horde of ghouls, terrifying killer insects and massive giants. Given the nature and power of their enemy, however, this time they might not win the final battle. Could someone close to her—someone Kate can’t bring herself to fully trust—provide the answer to defeating what seems to be indestructible evil?

The world of Kate Daniels is unique, often bloody, frequently laced with humor and downright fascinating. Toss in elements of myth and legend, and readers have a novel they won’t be able to put down until the last page. Twists in the continuing plot involving Kate and Curran continue to surprise, intrigue and delight, and longtime fans of the series will cheer as familiar faces appear. This one is for readers everywhere who love a rattling good yarn and excellent writing.

Lois Dyer writes from Port Orchard, Washington

est-selling author Ilona Andrews—a pseudonym for husband and wife writing team Gordon and Ilona—returns fans to the world of Kate Daniels in Magic Shifts. The novel is the eighth installment in the wildly popular post-apocalyptic series. Kate and her mate, shape-shifter and Beast Lord, Curran, have abdicated their role of running the Pack and are living in suburban Atlanta.
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Caught between her Patron father and her Commoner mother, Jessamy’s entire life is a balancing act, yet she yearns for the freedom to become whomever she wants. She relishes her secret sessions on the Fives court, where she trains for the intricate, dangerous athletic event that could someday bring her glory. But when Jes’ family is endangered by cruel Lord Gargaron, she must focus on saving them from a fate worse than death.

With this new series, World Fantasy Award finalist Kate Elliott has built an intriguing world inspired by Greco-Roman Egypt, in which class dictates opportunities and everyday life is ruled by strict codes of conduct. Jes is strong-willed and savvy, unafraid to take risks but always putting her family’s safety ahead of her daredevil nature. Her romance with the upper-class Kalliarkos is sweet but unobtrusive; Elliott has fulfilled this YA requirement with a perfectly light touch. Though many supporting characters remain mere sketches, Jes joins Katniss among the ranks of fierce leading ladies.

 

This article was originally published in the August 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Caught between her Patron father and her Commoner mother, Jessamy’s entire life is a balancing act, yet she yearns for the freedom to become whomever she wants. She relishes her secret sessions on the Fives court, where she trains for the intricate, dangerous athletic event that could someday bring her glory. But when Jes’ family is endangered by cruel Lord Gargaron, she must focus on saving them from a fate worse than death.
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The trick to a good alternate history, particularly one that’s trying to be as impish and unpredictable as Crooked, is walking a delicious but delicate line between the weird and the plausible. You don’t want the story to veer into territory so unbelievable that it becomes a farce, but neither do you want to follow the straight and narrow. Austin Grossman (You) knows how to walk this line, and as a result he’s delivered a fiendishly entertaining book.

Our story begins with the premise that everything you know about Richard Nixon is wrong. He is not simply a disgraced politician whose own susceptibility to corruption and lust for power and victory doomed him. He is something much more. In Crooked, a young Nixon, years from the presidency, stumbles upon a supernatural secret behind the Cold War, something that shatters his view of how the world works. Armed with and suffering from this knowledge, Nixon embarks on a personal quest to become powerful and protect his nation, crafting in the process an alternate narrative that reimagines him as the best president the United States ever had. 

The imaginative power Grossman deploys in Crooked is staggering. If you’ve ever been taken by alternate history before, or you just want a truly engrossing yarn to keep you up at night, this is the book for you—but that’s far from the only reason to read. From the beginning, Grossman understands that to buy his premise, you need to buy his version of Nixon. So he roots the story in the president’s voice, crafting a man who understands his own shortcomings, who realizes that his motives aren’t always pure, and who wants something more for himself even if it will cost him. This is a Nixon with a depth even the man himself never had in the public eye, and that depth makes the jokes land harder and the truths appear sharper.

Crooked is a wonderfully entertaining book that will please both political junkies and fantasy fans, but it also makes us see Nixon in a new light.

 

This article was originally published in the August 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

The trick to a good alternate history, particularly one that’s trying to be as impish and unpredictable as Crooked, is walking a delicious but delicate line between the weird and the plausible. You don’t want the story to veer into territory so unbelievable that it becomes a farce, but neither do you want to follow the straight and narrow. Austin Grossman (You) knows how to walk this line, and as a result he’s delivered a fiendishly entertaining book.
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Lapland, in the far north of Sweden, is a strange and mysterious place, and this epic novel by Swedish author Stefan Spjut reflects every bit of its otherworldly mystery. It’s not a quick read; it’s the kind of book you want to live with for a while. Characters and situations are introduced without any explanation of their relationships to each other or their surroundings, but patient readers will be rewarded: Much of the book’s pleasure comes from the slow and shocking revelations of the story’s architecture as it progresses.

Shapeshifters begins in 1978, when a 4-year-old boy is abducted while he and his mother are vacationing at a cabin in northern Sweden. The mother swears a giant stole her son; no one believes her, and the mystery is never solved.

Twenty-five years later, a woman named Susso who runs a blog about mysterious creature sightings—Bigfoot, aliens and of course, because this is Sweden, trolls—gets a call from an old lady who has seen a strange person standing outside her house. Susso checks it out, and manages to get a photo of the creature, who looks vaguely but not exactly like a tiny old man. Soon after, the old lady’s grandson vanishes, and Susso finds herself at the heart of a missing-child investigation that lines up oddly with her search for the strange little man.

Elsewhere, an act of violence shatters a cult-like family of outsiders who maintain a guest house inhabited by unspecified but dangerous beings. Nothing about their situation is explained directly; we see them through the eyes of Seved, a young man whose relationship to the other adults is somewhere between servant and heir.

There’s much more: clever animals that aren’t what they seem, ineffective cops, territorial snowmobilers and the real story behind the shipwreck that killed famous Swedish artist John Bauer. As Susso’s and Seved’s paths converge, we gradually come to understand more and more about where they are and how they got there. The more we understand, the more disturbing it gets. At the risk of revealing too much, trolls aren’t the scariest thing in the book.

Though he preserves certain mysteries as long as he can, Spjut relates two aspects of the story with perfect clarity. One is the physical world: The natural landscape is vivid and specific, and crucial to the story, as befits any tale set in Lapland. The other is the day-to-day texture of life: how people talk, the importance of coffee, what the hotel restaurant tablecloth looks like. These details build a completely realistic world around equally realistic characters, which makes the strangeness at the story’s core all the more effective.

Lapland, in the far north of Sweden, is a strange and mysterious place, and this epic novel by Swedish author Stefan Spjut reflects every bit of its otherworldly mystery.
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With the blockbuster success of the Lord of the Rings series, the Wheel of Time saga and, most recently, George R.R. Martin’s A Song of Ice and Fire, the fantasy genre has been steadily gaining in popularity for nearly a century. Are you ready to dive into a world of magic and adventure, but a bit hesitant to pick up an 800-page doorstopper with a hefty roster of characters? Then Naomi Novik, author of the best-selling Temeraire series, has the perfect summer fantasy for you in the spellbinding Uprooted

Agnieszka is a bullheaded and accident-prone 17-year-old from a sleepy, vaguely Eastern European village that lies in the shadow of the mysterious and malevolent Wood. Grotesque creatures and horrors of all kinds creep from its depths to terrorize the villagers. Their sole protector is the Dragon—the realm’s most powerful sorcerer, who keeps the enchanted Wood at bay. All the Dragon asks in return is a harvest of sorts—a village girl to live in his tower for 10 years at a time. Usually, he chooses the most exceptional girl, but shockingly it is Agnieszka who draws the Dragon’s attention. 

Although at first desperate to escape the gruff wizard, Agnieszka discovers a latent gift for spell casting, and when her improvised, earthy style of magic sparks the Dragon’s curiosity, an ember of friendship (or maybe something more?) begins to glow. Soon the two are sent on a deadly journey into the heart of the Wood itself in order to make their final stand. 

With a foothold firmly in the fairy-tale tradition, Novik spins an enthralling story of the classic good-versus-evil variety, where magic, monsters and romance abound. Truly beautiful prose, inventive twists and a capable, tenacious heroine make this charmingly accessible fantasy shine.

 

This article was originally published in the June 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Are you ready to dive into a world of magic and adventure, but a bit hesitant to pick up an 800-page doorstopper with a hefty roster of characters? Then Naomi Novik, author of the best-selling Temeraire series, has the perfect summer fantasy for you in the spellbinding Uprooted.
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At first glance, The Only Words That Are Worth Remembering looks like Interstellar meets The Stand. Centuries from now, in a post-scientific society where astronomy “is regarded as a delusional cult scarcely more respectable than Jesus Lovers,” a powerful corporation discovers a perfectly intact Orion spacecraft hidden beneath the ruins of Cape Canaveral, along with detailed instructions from NASA on how to launch a voyage to Europa, Jupiter’s icy moon.

Meanwhile in Miami, Rowan Van Zandt is sentenced to hard labor for stealing a tour bus, until he’s offered a deal by Bosom Industries: pilot the spacecraft with his brother, mother and father, and avoid serving time.

But the story of the Van Zandt family isn’t a quixotic space mission. In a frame narrative set 10 years after the discovery, Rowan records his coming-of-age story from the Paranal Observatory in Chile, home of the world’s only remaining telescope. So it’s clear from Chapter 1 that Rowan, at least, never leaves Earth, making comparisons to Interstellar misleading at best. Instead of a high-stakes adventure through the solar system, Rowan’s journey across the dystopic remnants of America is a dark comedy, a clever, funny satire on the way reality is distorted by time and willful ignorance.

Rotter’s second novel is just as funny as his first (The Unknown Knowns), and—in our own age of populist challenges to science—just as topical. “It is a comfort,” Rowan posits eerily, “to know how swiftly and thoroughly a civilization can crumble when nobody wants it anymore.”

At first glance, The Only Words That Are Worth Repeating looks like Interstellar meets The Stand. Centuries from now, in a post-scientific society where astronomy “is regarded as a delusional cult scarcely more respectable than Jesus Lovers,” a powerful corporation discovers a perfectly intact Orion spacecraft hidden beneath the ruins of Cape Canaveral, along with detailed instructions from NASA on how to launch a voyage to Europa, Jupiter’s icy moon.
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In V.E. Schwab’s A Darker Shade of Magic, three versions of London exist side by side in parallel universes. There’s Grey London, where magic is basically extinguished; Red London, where it’s abundant; and White London, where it’s somewhere in between (and where the control of it as a resource is jealously and viciously contested). There was also a fourth—Black London—whose inhabitants were devoured by magic and which should no longer exist. Schwab’s male protagonist, Kell, is one of the few with the power to travel between those Londons, and as such, serves as a diplomatic courier of sorts between the monarchies of each.

As premises go, it’s a solid yet simple framework that is both easily grasped and potentially rich to mine. Of course, it’s one thing to have an interesting setting, and another to bring that world (or worlds) to life. Fortunately, Schwab populates her many Londons with compelling heroes, villains and bit players. Kell is joined as the primary protagonist by Delilah Bard, a Grey London resident whose name and aspirations could have come straight from the D&D gaming table (or perhaps the Dragon Age character creation screen). That may sound like faint praise, but again, it’s what Schwab does with her characters after the initial outline that matters, and it doesn’t take long for the reader to become engrossed in the fortunes of Bard, especially after she pickpockets a certain worlds-traveling mage and lifts an item of dark origin and dangerous power.

Ultimately, A Darker Shade of Magic feels familiar, especially to anyone who has read any of the stories in Robert Lynn Asprin’s classic Thieves’ World shared-world anthology. Though crisply drawn, the depths of Schwab’s characters are pretty quickly and clearly plumbed—a reader won’t be left wondering too long about who the real villain is or from where comes the real threat. But it’s a familiarity that breeds interest, and this is less a weakness than the result of a writer who recognizes and employs the shorthand native to the genre in which she works.

By novel’s end, readers may be left wondering if the various threats haven’t been resolved in a manner that’s a tad too tidy. (They have been.) And they will certainly be curious if new adventures await. (Let’s hope so.) But regardless, they will have likely found the time with Kell, Bard and the rest of the inhabitants of the three Londons time well spent.

In V.E. Schwab’s A Darker Shade of Magic, three versions of London exist side by side in parallel universes. There’s Grey London, where magic is basically extinguished; Red London, where it’s abundant; and White London, where it’s somewhere in between (and where the control of it as a resource is jealously and viciously contested). There was also a fourth—Black London—whose inhabitants were devoured by magic and which should no longer exist. Schwab’s male protagonist, Kell, is one of the few with the power to travel between those Londons, and as such, serves as a diplomatic courier of sorts between the monarchies of each.
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In the magical, feuding lands of Norta, a poor young woman is thrust into the center of an elite world where she must hide her true self and discover her inner strength and power to survive.

Seventeen-year-old street thief Mare Barrow has always understood the blood-based hierarchy of her nation: Unremarkable Reds serve the Silvers, who possess supernatural abilities to control metal, fire, minds and more. But when Mare, a Red, discovers that she possesses one of these superhuman abilities, she turns the entire social system on its head and must become someone she never thought she could be just to stay alive.

Author Victoria Aveyard’s debut novel builds a world that’s rife with classism, political jostling and unfathomable power. Red Queen is the first in a trilogy, and with Aveyard’s steady, masterful reveal of this world’s dark inner workings, readers will have much to devour.

 

Justin Barisich is a freelancer, satirist, poet and performer living in Atlanta. More of his writing can be found at littlewritingman.com.

This article was originally published in the February 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

In the magical, feuding lands of Norta, a poor young woman is thrust into the center of an elite world where she must hide her true self and discover her inner strength and power to survive.

“Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin . . . and in it slept a boy with horns on his head and ears as pointed as knives.” So begins Holly Black’s exquisite story about siblings Hazel and Ben and the sleeping faerie prince they swore to protect. When Hazel and Ben were children, they would disappear into the forest, whisper their secrets to the horned boy and protect unsuspecting humans from the evil faeries. Ben subdued them with his haunting music, while Hazel wielded a sword against the sinister fae who lured tourists to their deaths. As they grew older, Hazel put away her sword and Ben gave up his music. But then one day the horned boy woke up. Hazel, now 16, once made a bargain with the fae, and they’ve come to collect.

Black’s stories are like the faerie world she creates—deeply dark, yet achingly beautiful. She turns stereotypes on their heads and engages her readers in a discussion about social constructs and finding oneself, whether in a faerie land or the real world. This is a true storytelling achievement and perhaps Black’s finest work yet.

 

This article was originally published in the January 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

“Down a path worn into the woods, past a stream and a hollowed-out log full of pill bugs and termites, was a glass coffin . . . and in it slept a boy with horns on his head and ears as pointed as knives.” So begins Holly Black’s exquisite story about siblings Hazel and Ben and the sleeping faerie prince they swore to protect.
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Ember is a dragon. Her life has been spent at an isolated training school run by Talon, the organization that governs all dragons. To fulfill the next stage of training—assimilation into human society—Ember and her brother, Dante, must assume human form. The assignment lands them in a small beach town in California, where they befriend a group of surfer teens. But Ember’s enthusiasm is tempered when she spots a dangerous rogue dragon in the guise of a gorgeous biker boy. At the same time, a dragon-slayer affiliated with the Order of St. George—a legendary society that once hunted dragons nearly to extinction—arrives in the seaside town. Ember is attracted to both the chivalrous slayer and the mysterious rogue dragon, but she cannot distinguish between friend and foe.

Kagawa’s fine storytelling elevates this novel within the crowded field of fantasy romance. The first in a new series, Talon leaves readers perfectly balanced between satisfaction and anticipation.

 

Diane Colson works at the Nashville Public Library. She has long been active in the American Library Association's Young Adult Library Association (YALSA), serving on selection committees such as the Morris Award, the Alex Award and the Excellence in Nonfiction for Young Adults Award.

This article was originally published in the November 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Ember is a dragon. Her life has been spent at an isolated training school run by Talon, the organization that governs all dragons. To fulfill the next stage of training—assimilation into human society—Ember and her brother, Dante, must assume human form.

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