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Prince Alain de Polignac, a direct descendant of Madame Pommery and winemaker at his family’s Champagne estate, believes women are better tasters than men that they have more direct access to sensory impressions and the 2001 class of wine books indicates that women write with more intuition as well.

Karen MacNeil’s The Wine Bible is just my kind of book: a little history, a little science, a little practical advice and a fair amount of (quite comprehensible) tasting flourish. The heavy paperback begins with the basics of winemaking, varietals and tasting how-to’s, and then is divided by country into chapters that, while covering important wines, labels and styles, are more like conversations with a tolerant and funny professor who also happens to cook a great dinner for the grad students. MacNeil, director of the wine program at the Culinary Institute of America’s Napa Valley, is remarkably well-versed; she has an easy manner with information and flavor, mixing entries on whether to "age" wines and bits of food pairing advice. You could start at the beginning, but browsing will be just as much fun. A fine all-round reference.

Sunday (London) Times writer Joanna Simon definitely shoots from the lip, and her deceptively breezy and brightly illustrated book, Wine: An Introduction takes the same approach the smart new wine shops are promoting: defining grape varietals by flavor, suggesting similar styles for experimentation (if you like this, try that); and moving through hints on food and wine compatibility before touching on regions, buying and storage tips. A very nice choice for those who might like to start a small personal cellar or tasting circle.

Master of Wine Jancis Robinson, who edited the comprehensive and almost pedantic Oxford Companion to Wine (one of last year’s picks), has this year produced the much more informal How to Taste: A Guide to Enjoying Wine. As the name suggests, this is a handbook to getting the most out of wine, and meals, set up as a beginner’s course but extending through intermediate to confident amateur. Robinson spends little time on specific producers, concentrating on regions and styles, but she cleverly divides "theory" from "practice," which may make some techno-phobes relax, and similarly makes the concept of tasting, even hosting blind tastings, intriguing rather than intimidating.

Even some of the wine "guys" are getting a little more in touch with their feelings these days. The third edition of Tom Stevenson’s The New Sotheby’s Wine Encyclopedia, for instance, is more straightforward than MacNeil’s primer but may be more useful for those primarily concerned with specific producers and their styles. Stevenson also goes through a no-nonsense but useful explanation of tasting criteria and oenology basics before moving to the major winemaking regions, which he sums up crisply and, for all but the more pretentious jargonist, completely. He has additional thumbnail descriptions of his picks from each region, and is still the only critic (to my knowledge) to recognize the fine Bordeaux-style Chateau Lumiere reds from Japanese winemaker Toshihiko Tsukamoto.

Beyond all the fermentation diagrams, topographical comparisons, historical factoids and tasting charts, the second edition of Exploring Wine: The Culinary Institute of America’s Complete Guide to Wines of the World, written by three (male) wine educators at the CIA, has a list of food and wine pairings so specific that it covers rumaki, veggie burgers, eggs Benedict and huevos rancheros. This is an admirably complete volume but perhaps too much for the ordinary drinker who may be put off by its encyclopedia-like flatness.

Eve Zibart is the restaurant critic for the Weekend section of The Washington Post and author of The Ethnic Food Lover’s Companion (Menasha Ridge).

 

Prince Alain de Polignac, a direct descendant of Madame Pommery and winemaker at his family's Champagne estate, believes women are better tasters than men that they have more direct access to sensory impressions and the 2001 class of wine books indicates that women write with…

Review by

Prince Alain de Polignac, a direct descendant of Madame Pommery and winemaker at his family’s Champagne estate, believes women are better tasters than men that they have more direct access to sensory impressions and the 2001 class of wine books indicates that women write with more intuition as well.

Karen MacNeil’s The Wine Bible is just my kind of book: a little history, a little science, a little practical advice and a fair amount of (quite comprehensible) tasting flourish. The heavy paperback begins with the basics of winemaking, varietals and tasting how-to’s, and then is divided by country into chapters that, while covering important wines, labels and styles, are more like conversations with a tolerant and funny professor who also happens to cook a great dinner for the grad students. MacNeil, director of the wine program at the Culinary Institute of America’s Napa Valley, is remarkably well-versed; she has an easy manner with information and flavor, mixing entries on whether to "age" wines and bits of food pairing advice. You could start at the beginning, but browsing will be just as much fun. A fine all-round reference.

Sunday (London) Times writer Joanna Simon definitely shoots from the lip, and her deceptively breezy and brightly illustrated book, Wine: An Introduction takes the same approach the smart new wine shops are promoting: defining grape varietals by flavor, suggesting similar styles for experimentation (if you like this, try that); and moving through hints on food and wine compatibility before touching on regions, buying and storage tips. A very nice choice for those who might like to start a small personal cellar or tasting circle.

Master of Wine Jancis Robinson, who edited the comprehensive and almost pedantic Oxford Companion to Wine (one of last year’s picks), has this year produced the much more informal How to Taste: A Guide to Enjoying Wine. As the name suggests, this is a handbook to getting the most out of wine, and meals, set up as a beginner’s course but extending through intermediate to confident amateur. Robinson spends little time on specific producers, concentrating on regions and styles, but she cleverly divides "theory" from "practice," which may make some techno-phobes relax, and similarly makes the concept of tasting, even hosting blind tastings, intriguing rather than intimidating.

Even some of the wine "guys" are getting a little more in touch with their feelings these days. The third edition of Tom Stevenson’s The New Sotheby’s Wine Encyclopedia, for instance, is more straightforward than MacNeil’s primer but may be more useful for those primarily concerned with specific producers and their styles. Stevenson also goes through a no-nonsense but useful explanation of tasting criteria and oenology basics before moving to the major winemaking regions, which he sums up crisply and, for all but the more pretentious jargonist, completely. He has additional thumbnail descriptions of his picks from each region, and is still the only critic (to my knowledge) to recognize the fine Bordeaux-style Chateau Lumiere reds from Japanese winemaker Toshihiko Tsukamoto.

Beyond all the fermentation diagrams, topographical comparisons, historical factoids and tasting charts, the second edition of Exploring Wine: The Culinary Institute of America’s Complete Guide to Wines of the World, written by three (male) wine educators at the CIA, has a list of food and wine pairings so specific that it covers rumaki, veggie burgers, eggs Benedict and huevos rancheros. This is an admirably complete volume but perhaps too much for the ordinary drinker who may be put off by its encyclopedia-like flatness.

Eve Zibart is the restaurant critic for the Weekend section of The Washington Post and author of The Ethnic Food Lover’s Companion (Menasha Ridge).

 

Prince Alain de Polignac, a direct descendant of Madame Pommery and winemaker at his family's Champagne estate, believes women are better tasters than men that they have more direct access to sensory impressions and the 2001 class of wine books indicates that women write…

Review by

Celebrated American author M.F.

K. Fisher once said that when she wrote about food and eating, she was really speaking to our hunger for love and warmth. We humans are hungry, each with different longings we assuage according to our varied cultural roots. Come to sustain us through the winter are three savory volumes of food writing from a cornucopia of authors, including Fisher, that illuminate man’s culinary and agrarian traditions, creations, prejudices and cravings.

A memorable meal might offer superb dishes and exquisite vintages served in a delightful ambiance. Mark Kurlansky, author of The New York Times bestseller Cod, delivers just such a remarkable repast with his gastronomic anthology, Choice Cuts: A Savory Selection of Food Writing from Around the World and Throughout History. Literary writings from an eclectic company of authors focus on man’s knowledge and appreciation of food and drink through the ages. From Plato, Brillat-Savarin and Thoreau to Elizabeth David and Alice B. Toklas (who reveals the best way to clobber a carp), these “cuts” analyze culinary arts and exaggerations, degustation and man’s enduring desire for crispy pommes frites.

Kurlansky’s clear, well-researched introduction (a small history of food writing) and commentary enliven his selections, which are tucked into chapters on gluttony, food and sex, the primary food groups, culinary rants, food politics and the seductions of chocolate. Choice Cuts is an erudite treat containing practical instruction on preparing your Thanksgiving turkey, arcane lore on the aphrodisiacal properties of celery, and peculiar recipes, such as how to make your whole roasted cow look alive again. A book for culinary aficionados, Cuts casts a wide appeal as pure entertainment, especially when garnished with a comfortable armchair, favorite libation and a plate of chilled, crunchy celery at hand.

When French winemakers speak of terroir, they refer to a signature confluence of natural elements that distinguish one vineyard from another, helping to produce unique, legendary wines. This concept of distinction is no less evident when considering American Southern cuisine, which is bound intimately to its terrain and cultural diversity. The Southern way with food is feted in Corn Bread Nation 1: The Best of Southern Food Writing (University of North Carolina, $16.95, 304 pages, ISBN 0807854190), edited by John Egerton. Cornbread draws an endearing culinary portrait of the South, long renowned for its anomalies of habit and culture.

These collected essays from contemporary writers such as Rick Bragg, Roy Blount Jr., James Villas and others, are a celebration of Southern food, cooks and culinary traditions many of which have fallen prey to progress. Funny, perceptive, and wise, often a touch odd, these evocative writings are a paean to the vanishing South. There are not many men left like 96-year old Coe Dupuis, a Cajun moonshiner, who contributing writer Craig Laban calls the “wizard of whiskey, a Stravinsky at the still.” And it is hard to find a good batch of livermush, a fragrant mess o’ beans and hocks, or ambrosial ‘cue at just any corner cafŽ. These are special dishes of heredity, place and the sometimes strange finesse of Southern cooks.

Cornbread Nation, sponsored by the Southern Foodways Alliance, a Mississippi group dedicated to preserving Southern food culture, is not a definitive study of its subject, but provides a soulful, enlightening window on the terroir of Southern cuisine. With tributes to cooks Edna Lewis and Eugene Walter, debate on country- versus chicken-fried steak and a rhapsody to watermelon, even readers north of the Mason-Dixon Line will want to pull up a chair to the convivial Southern table.

Jeffrey Steingarten, indefatigable eater and food critic for Vogue, pulls no punches: He will go to the ends of the earth to debunk quackeries of taste and uphold gastronomic veracity. It Must’ve Been Something I Ate: The Return of the Man Who Ate Everything (Knopf, $27.50, 464 pages, ISBN 0375412808), a compilation of his essays for Vogue, chronicles Steingarten’s investigatory travels into the truth about how, why and what we humans eat.

Steingarten’s introduction, “The Way We Eat Now,” asserts that misguided attitudes toward food are at the root of global angst. He believes that bringing an open mind to the table can foster personal, and ultimately global, goodwill. The author’s culinary quest is often perilous: He takes a turbulent trip on a tuna boat in search of the elusive bluefin, endures a claustrophobic brain scan to prove that gourmandise is not caused by insidious brain lesions and suffers an overstuffed stomach searching out the last honest Parisian baguette.

These essays, a delight for discerning eaters, are lavished with Steingarten’s self-deprecating wit, obsessive doggedness and his devotion to “the elemental, primordial glee we feel every time we are called to dinner.” He preaches a simple gospel: Eat happily, be happy!

Celebrated American author M.F.

K. Fisher once said that when she wrote about food and eating, she was really speaking to our hunger for love and warmth. We humans are hungry, each with different longings we assuage according to our varied cultural roots. Come…
Review by

It has been 10 years since Anthony Bourdain’s breakout book, Kitchen Confidential, lured us from our comfortable restaurant chairs and banquettes in the front of the house back through the swinging doors into his mad, mad world—the kitchen—with lurid tales of life back there recounted in a profane and acerbically hilarious manner that confirmed our worst fears.

In Medium Raw, Bourdain is back with more intriguing food fights, moving further from the kitchen into the eating industry. If he and his recipes have changed, so have we. The Food Channel has made us all reality cooks, if not chefs, and we know Emeril, Bobby and Rachael by their first names. Bourdain has himself become a TV star, a world traveler in search of rare food; yet he went through his own personal downs and ups, and is now in a second marriage with a three-year-old daughter.

His dissections of the dumbing down of food TV, the sellouts by big-name chefs who will endorse anything, and his reduction of Alice Waters from an icon to a clueless and naïve crusader for locally produced, organically grown lunches for inner-city kids are still as hilarious, as scatological and as spot-on as ever. But while Bourdain is still the indicter, he is no longer the executioner. He understands ratings are ratings, that successful chefs have huge retinues and dozens of partners who get paid by endorsements, and that Waters means well and has inspired many. Moreover, he realizes now that he is human too, vulnerable to selling out, and no longer a chef or even a cook—just another food personality.

Yet Medium Raw is hardly buffalo wings for the masses. While Bourdain may have toned down the hot chili peppers and reduced the acidity, his fare—and his prose—is still quite spicy.

It has been 10 years since Anthony Bourdain’s breakout book, Kitchen Confidential, lured us from our comfortable restaurant chairs and banquettes in the front of the house back through the swinging doors into his mad, mad world—the kitchen—with lurid tales of life back there recounted…

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For more than a decade, The New Food Lover’s Companion by Sharon Tyler Herbst has been the definitive food reference book. It has sold more than a million copies, received praise from Julia Child, been cited on the quiz show “Jeopardy” and is employed as an official source on major websites such as Food Network, Recipes.com and the Culinary Institute of America’s Tavolo. Now, just in time for the holidays, a redesigned and updated version has been released: The Deluxe Food Lover’s Companion, by Herbst and her husband, Ron Herbst. This impressive makeover of a classic book is sure to please longtime Food Lover fans and novice chefs alike.

Retaining its predecessor’s alphabetical format, The Deluxe Food Lover’s Companion now supplements the 6,700 cross-referenced entries with 40 different glossaries ranging from apéritifs and artificial sweeteners to grains, meats and cheeses. There are glossaries for desserts, fruits and vegetables, even kitchen tools and cookware, and definitions are given in clear, concise prose. The many charts and directories—especially the ones decoding food additives and food labels—give clarity to what is oftentimes downright confusing. The appendix alone contains more than most cookbooks, including a list of ingredient substitutions, fatty acid profiles of popular oils and comparisons of British and American food and cooking terms. To say The Deluxe Food Lover’s Companion is comprehensive is an understatement.

With its hundreds of illustrations, plethora of fun facts, cooking tips and how-to steps, The Deluxe Food Lover’s Companion is the latest must-have culinary guide—and its reasonable price makes it this year’s bookstore bargain. 

For more than a decade, The New Food Lover’s Companion by Sharon Tyler Herbst has been the definitive food reference book. It has sold more than a million copies, received praise from Julia Child, been cited on the quiz show “Jeopardy” and is employed as…

Review by

The 900-pound gorilla in the room—whose 1,600-odd pages give that term new weight—is Wine Advocate founder and national wine critic-in-chief Robert Parker and the seventh edition of his Parker's Wine Buyer's Guide. This edition, which happens to coincide with the 30th anniversary of the first mailing of what was then called the Washington/Baltimore Wine Advocate, focuses on wines currently available or expected to be released in the next two years and also puts a greater emphasis on value.

Parker's focus on accessible wines is echoed in the section of the introduction dealing with the issue of drinking wines young vs. cellaring them for long periods. It's satisfying (for those of us too indulgent to wait for more than a few years) to see Parker encouraging wine lovers to adopt a sort of carpe diem attitude, concluding that "only a small percentage [of wines] are more interesting or more enjoyable after extended cellaring than when originally released." Parker further puts himself on the side of the consumer by denouncing restaurants whose excessive markups discourage patrons from ordering good wine. And he displays an admirably democratic attitude toward price, valuing Penfolds Koonunga Hill line, one of its more inexpensive styles, as highly as some of the high – end releases. (Perhaps in a gesture of sympathy, Simon & Schuster is simultaneously releasing the "Guide" in paperback for a more affordable $35.)

However, it's a little less comfortable to find Parker taking aim at what he calls the "dark side" of wine production, especially "the growing international standardization of wine styles." This is arguably self-serving, as Parker's own 100-point scale is widely blamed for the bulking up of many classic wines. His pointing out that many of the wines in his cellars have scores of 87 or 88 likewise seems rather defensive, as many other wine writers (such as the author of our next book, Robin Goldstein) blame him for wine stores' increasing reluctance to stock any wine rated less than a 90. Nevertheless, the descriptions of wines and winemakers—some trenchant, some dismissive, some fulsome and some fully enthusiastic—are clear and absolute.

It seems likely that "Fearless Critic" food writer Robin Goldstein is hoping to get a rise out of the wine community with his myth-busting manifesto, The Wine Trials. Goldstein and co-conspirator/editor Alexis Herschkowitsch organized 17 double-blind tastings—mostly in Texas, where they're based, and New York—enlisting more than 500 wine professionals and amateurs to taste inexpensive wines and big-ticket bottles in a sort of viniferous smackdown. (One half-expects Bobby Flay to burst in and quaff a few glasses.)What they discover is that many of the tasters preferred the cheaper wines to the luxury versions, even when they would have predicted the opposite outcome. Goldstein attributes this result partly to psychological factors such as perceived value (we are still, of course, the most conspicuous consumer society in the world), manufacturers' expenditures on advertising and a set of rather distracting genetic speculations. He also points to the "Parkerization" of wines, which Goldstein feels leads to the homogenization of wines and their increasing in-your-face, jammy, high-alcohol style.

Eventually the book gets to listing 100 under-$15 wines of note, but having apparently exhausted themselves in trying to make the front matter "heavy," the authors go pretty light on the write-ups, spending nearly as much space on the label designs as the wine. Goldstein also seems to have a champion-of-the-underdog attitude, shrugging that while Dom Perignon "has a classic, expensive Champagne taste … a lot of our blind tasters didn't like that taste." However, the "smoothness of the bubbles" apparently trumps the metallic aftertaste of Freixenet. (Full disclosure: not the opinion of this Champagne freak.) It's a fun book and cheap enough for a stocking (or tucked in with a bottle), but should have been more focused.

Bold blends
Somewhere between the two selections above is the glossy, hefty 1001 Wines You Must Taste Before You Die—which, as it happens, describes Dom Perignon as "sublime." It seems to pander to the type of wine lover who is really a collector for appearance's sake, snapping up the right labels, the right vintages, etc. As a source of information for particular wines, it's very good, but as a "bucket list," it kicks.

It's a little hard to figure out The Wine Planner: Select the Right Wines to Complement Your Favorite Food by wine teacher Chris Hambleton, which is sort of a "Pat the Bunny" of wine and food pairings. It's a heavy spiral notebook with each page divided into four mini-pages, the top listing appetizers, the second main courses, the third desserts and the last cheeses. The idea is that you flip through looking for the food you want to serve wine with, and there's your drink recommendation and tasting notes on the flip side. But listing a specific Pinot Blanc for monkfish tacos or Zardetto prosecco di Conegliano for "peaches stuffed with cream cheese and walnuts," five vintages of the Chateau Lagrange St. Julien (at $50 plus) to dispense with "roast beef, roast lamb, or steak tartare" or (only) the 2005 De Ladoucette Pouilly-Fume for "salmon en croute, baked trout with almonds, or steamed bass" seems showy and somewhat arbitrary.

Top tier
The well-behaved dinner guest of the lot is WineWise: Your Complete Guide to Understanding, Selecting, and Enjoying Wine by Steven Kolpan, Brian H. Smith and Michael A. Weiss. These three wine educators from the Culinary Institute of America have produced a clear and useful (if not particularly unique) primer with descriptions of major wine-producing regions, wine styles, etc., with full-color photos and maps. There's also a surprisingly useful final chapter that lists all three critics' favorite wine bargains of all styles—more than 650, with most in the $15 or less range. Now that's timely.

The 900-pound gorilla in the room—whose 1,600-odd pages give that term new weight—is Wine Advocate founder and national wine critic-in-chief Robert Parker and the seventh edition of his Parker's Wine Buyer's Guide. This edition, which happens to coincide with the…

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Wine books make corking good presents, and this year's offerings run the gamut from info-packed to irreverent. George Taber's smart and highly readable To Cork or Not to Cork: Tradition, Romance, Science, and the Battle for the Wine Bottle is firmly in the former camp. Taber, whose 2005 bestseller Judgment of Paris detailed the crucial 1976 victory of California's Stag's Leap and Chateau Montelena wines over their French rivals, takes a widely researched (as per the subtitle) but highly entertaining tale about how the issue of cork spoilage has roiled the winemaking industry and lifted the once lowly screwtop and other non-cork options to at least relative respectability. Not surprisingly, Bonny Doon's Randall Grahm and Australian Riesling star Jeffrey Grosset come in for applause. Taber's chapter lead-ins are great anecdotes of how bad corks have spoiled great moments for winemakers, collectors and critics.

Just as screwtops regularly get the (Thunder)bird from wine snobs, Beaujolais Nouveau are routinely ridiculed as the $10 version of, well, screwtop wines definitely dernier cru. (Wine Bible author Karen MacNeil, who wrote the foreword for To Cork or Not to Cork, famously compared it to cookie dough.) Beaujolais wines are immensely food-friendly, fruity and light, which is why these wines were traditionally tasted as soon as bottled. The man who made this tasting into a worldwide event every year on the third Thursday of November is village winemaker turned importer George Duboeuf, hero of I'll Drink to That: Beaujolais and the French Peasant Who Made It the World's Most Popular Wine by Rudolph Chelminski. He may have started out, in some eyes, as a simple peasant though his palate has repeatedly been validated but the Beaujolais Nouveau with his imprint now sells some 2.5 million bottles a year in this country alone.

VIN NOUVEAU
Hip Tastes: The Fresh Guide to Wine, an oh-so-chatty primer by 28-year-old San Francisco sommelier-cum-social events organizer Courtney Cochran, is like one of those infomercials where you hear more about what you're going to learn than anything else but there's a much better, albeit very small book buried under all the cuteness. Cochran, who organizes monthly tasting parties for wine newbies, as she would say, seems to have taken a microphone to one of her events and simply transcribed her spiel, with bums me out, kick-ass and juvenile sexual innuendoes intact. Luckily, the useful explanations of terroir, flavors and aromas to look for and so on are in a much more straightforward tone.

For those who prefer the Year in Provence-style memoir (albeit with an R rating), Eric Arnold's First Big Crush: The Down and Dirty on Making Great Wine . . . Down Under is the choice book on this list. Would-be standup comedian Arnold takes a year's apprenticeship at Allen Scott's Marlborough winery, during which he nearly kills several people, drinks and eats extensively and occasionally imparts good information about the process amid the profanity and locker-room jokes. The two strains of the memoir becoming one of the wine boys, and the actual Wine 101 stuff don't always flow smoothly, but his workplace is a first-rate down-and-dirty winery, anyway. (Incidentally, there is a short and quite subjective but memorable explanation of the screwtop vs. cork debate included here.)

MADE IN THE USA
Wine Across America: A Photographic Road Trip, by husband-and-wife team Charles O'Rear and Daphne Larkin, took two years and 80,000 miles to create; but as a coffee-table book, it makes a pretty travel brochure. O'Rear, a longtime photographer for National Geographic, has already produced seven wine books; Lardin reports on the wine industry for various magazines. But here her reporting is limited mostly to captions, some useful and some simply descriptive. Ultimately, it seems the best way to use this book is if a friend has visited a particular winery included here, and wrap it with a bottle. There is a spread of American wine labels glossily reproduced that would make a great wall poster, ˆ la the pub signs of London or bottles of hot sauce; I'd order several myself.

Wine books make corking good presents, and this year's offerings run the gamut from info-packed to irreverent. George Taber's smart and highly readable To Cork or Not to Cork: Tradition, Romance, Science, and the Battle for the Wine Bottle is firmly in the former camp.…

Review by

Celebrated American author M.F.K. Fisher once said that when she wrote about food and eating, she was really speaking to our hunger for love and warmth. We humans are hungry, each with different longings we assuage according to our varied cultural roots. Come to sustain us through the winter are three savory volumes of food writing from a cornucopia of authors, including Fisher, that illuminate man's culinary and agrarian traditions, creations, prejudices and cravings.

A memorable meal might offer superb dishes and exquisite vintages served in a delightful ambiance. Mark Kurlansky, author of The New York Times bestseller Cod, delivers just such a remarkable repast with his gastronomic anthology, Choice Cuts: A Savory Selection of Food Writing from Around the World and Throughout History. Literary writings from an eclectic company of authors focus on man's knowledge and appreciation of food and drink through the ages. From Plato, Brillat-Savarin and Thoreau to Elizabeth David and Alice B. Toklas (who reveals the best way to clobber a carp), these "cuts" analyze culinary arts and exaggerations, degustation and man's enduring desire for crispy pommes frites.

Kurlansky's clear, well-researched introduction (a small history of food writing) and commentary enliven his selections, which are tucked into chapters on gluttony, food and sex, the primary food groups, culinary rants, food politics and the seductions of chocolate. Choice Cuts is an erudite treat containing practical instruction on preparing your Thanksgiving turkey, arcane lore on the aphrodisiacal properties of celery, and peculiar recipes, such as how to make your whole roasted cow look alive again. A book for culinary aficionados, Cuts casts a wide appeal as pure entertainment, especially when garnished with a comfortable armchair, favorite libation and a plate of chilled, crunchy celery at hand.

When French winemakers speak of terroir, they refer to a signature confluence of natural elements that distinguish one vineyard from another, helping to produce unique, legendary wines. This concept of distinction is no less evident when considering American Southern cuisine, which is bound intimately to its terrain and cultural diversity. The Southern way with food is feted in Corn Bread Nation 1: The Best of Southern Food Writing, edited by John Egerton. Cornbread draws an endearing culinary portrait of the South, long renowned for its anomalies of habit and culture.

These collected essays from contemporary writers such as Rick Bragg, Roy Blount Jr., James Villas and others, are a celebration of Southern food, cooks and culinary traditions many of which have fallen prey to progress. Funny, perceptive, and wise, often a touch odd, these evocative writings are a paean to the vanishing South. There are not many men left like 96-year old Coe Dupuis, a Cajun moonshiner, who contributing writer Craig Laban calls the "wizard of whiskey, a Stravinsky at the still." And it is hard to find a good batch of livermush, a fragrant mess o' beans and hocks, or ambrosial 'cue at just any corner cafŽ. These are special dishes of heredity, place and the sometimes strange finesse of Southern cooks.

Cornbread Nation, sponsored by the Southern Foodways Alliance, a Mississippi group dedicated to preserving Southern food culture, is not a definitive study of its subject, but provides a soulful, enlightening window on the terroir of Southern cuisine. With tributes to cooks Edna Lewis and Eugene Walter, debate on country- versus chicken-fried steak and a rhapsody to watermelon, even readers north of the Mason-Dixon Line will want to pull up a chair to the convivial Southern table.

Jeffrey Steingarten, indefatigable eater and food critic for Vogue, pulls no punches: He will go to the ends of the earth to debunk quackeries of taste and uphold gastronomic veracity. It Must've Been Something I Ate: The Return of the Man Who Ate Everything, a compilation of his essays for Vogue, chronicles Steingarten's investigatory travels into the truth about how, why and what we humans eat.

Steingarten's introduction, "The Way We Eat Now," asserts that misguided attitudes toward food are at the root of global angst. He believes that bringing an open mind to the table can foster personal, and ultimately global, goodwill. The author's culinary quest is often perilous: He takes a turbulent trip on a tuna boat in search of the elusive bluefin, endures a claustrophobic brain scan to prove that gourmandise is not caused by insidious brain lesions and suffers an overstuffed stomach searching out the last honest Parisian baguette.

These essays, a delight for discerning eaters, are lavished with Steingarten's self-deprecating wit, obsessive doggedness and his devotion to "the elemental, primordial glee we feel every time we are called to dinner." He preaches a simple gospel: Eat happily, be happy!

Celebrated American author M.F.K. Fisher once said that when she wrote about food and eating, she was really speaking to our hunger for love and warmth. We humans are hungry, each with different longings we assuage according to our varied cultural roots. Come to sustain…

Review by

The salt industry proudly boasts that its product has some 14,000 uses in hundreds of industries. After reading Salt: A World History, you'll no doubt respond to "Please pass the salt" with a new measure of respect for the substance, since every one of us would perish without it. Author Mark Kurlansky has compiled a remarkable book in which he explores every aspect of the mineral that for centuries was one of the most sought-after commodities in human history, presaging, in a sense, what today is viewed as a dependence on foreign oil.

Kurlansky tracks the impact of salt on the political, military, economic and social lives of societies throughout history. He details, for instance, Mahatma Gandhi's leading thousands of Indians on an exhausting 240-mile march to the sea to make their own salt in protest of a tax on the substance. Gandhi was jailed, but the march was a tool that led to his ending British rule over India without striking a single blow. Another of Kurlansky's heroes is Anthony Lucas, who ignored the advice of geologists and drilled a Texas salt dome called Spindletop. He struck oil in 1901 and thus gave birth to the modern petroleum industry.

Salt deserves a place on the shelf next to Cod: A Biography of the Fish That Changed the World, which earned Kurlansky a James Beard Award for Excellence in Food Writing, as well as a slot on the New York Times bestseller list. His new book brims with recipes from around the globe. Some of them are hundreds of years old, which just might entice a few adventuresome cooks back into the kitchen. And here's a taste of the countless other items spicing the text: some Lapplanders prefer salted coffee; sauerkraut was valued more than caviar in 19th century Russia; and in the United States, salt workers were considered so vitally important they were exempt from conscription in the Confederate army during the Civil War.

While homemakers and master chefs alike should enjoy this book, it's also likely to consume the interest of those who survive on TV dinners.

 

Alan Prince of Deerfield Beach, Florida, is an ex-newsman and college lecturer.

The salt industry proudly boasts that its product has some 14,000 uses in hundreds of industries. After reading Salt: A World History, you'll no doubt respond to "Please pass the salt" with a new measure of respect for the substance, since every one of…

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Worried about what to eat? Michael Pollan’s new "eater’s manifesto," In Defense of Food, offers remarkably simple, practical advice on the question. "In a way I’ve written a book that comes down to seven words," Pollan says during a call to his home in Berkeley, California. " ‘Eat food. Not too much. Mostly plants.’ Everything else is an unpacking of those words and an explanation as to why that should be so."

The unpacking and explanation are, of course, a bit more complicated than Pollan’s basic nostrum. But readers of his immensely popular previous book, The Omnivore’s Dilemma (2006), will be familiar with the broad strokes of his argument and his critique of food science and the American food industry. The Omnivore’s Dilemma was a delightfully informative narrative history of the food systems that underlay four meals consumed by Pollan and his friends and family. It was a book that tapped into or gave voice to a paradigm shift in American eating habits that had been building for some time, and it made Pollan something of a spokesman for the movement.

In Defense of Food is the result of Pollan’s encounters with readers of his earlier book. "One of the enormous blessings of a successful book is that you get to talk to thousands of readers in the year after it comes out," he says. "I not only did book tours but a lot of public speaking. So I really got to hear what people were confused about and what they wanted to know. I found that people still had this very simple question: Well, what should I eat? I decided that the question was best answered by really looking at the science and asking what do we really know about the connection between food and health."

Pollan seems uniquely positioned to examine the question. He was for many years executive editor of Harper’s, is a contributing editor to the New York Times Magazine, and has written widely on issues of animal agriculture, genetically modified crops and natural history. In 2003 he and his wife, the painter Judith Belzer, and their son, Isaac, now a freshman in high school, moved from Connecticut to Berkeley so that Pollan could head the Knight program at the UC Berkeley graduate school of journalism. The program’s mission is to advance the quality of science and environmental journalism, and Pollan has used some of the program money to bring a wide array of food experts to campus and to help stimulate the growing debate about the American diet. " We came thinking we’d be here for two years," Pollan says, "but it’s worked out very well for us all. Besides, we bought a house at the top of the market, so I think we’re here for a while."

In the new book, Pollan examines the cult-like aspects of what he calls "nutritionism" and finds the supporting science riddled with unexamined assumptions, chief among them the idea that the key to understanding food is the nutrient. "I was surprised by how primitive the state of knowledge is scientifically," Pollan says. " It’s a very hard problem to study. Both the food side and the body side of the system are incredibly complex. Reductive, single-factor science has a lot of trouble understanding both a carrot and the digestion of a carrot. On the other hand we have thousands of years of cultural experience with various foods and we know which ones contribute to health. One of the interesting discoveries here was that culture may have more to teach us about how to eat than science. To me, that was a big ‘aha’ moment."

Picking up where he left off in The Omnivore’s Dilemma, Pollan also explores the problems of the Western diet, which has increasingly come to rely on edible foodlike substances largely derived from two highly subsidized crops corn and soybeans. "We co-evolved with the things we eat," Pollan says. "We have relationships that are based on the characteristics of these whole foods. So, as I explain in the book, we have a longstanding, very healthy relationship with corn as a food. But we don’t have a relationship with high fructose corn syrup, which is a kind of abstraction of corn. Our bodies are not accustomed to dealing with that the way they are with corn on the cob or cornmeal or tortillas. Our bodies have been exquisitely designed by evolution to deal with a whole food, to digest it, to make good use of it. But for these abstractions of a whole food, which are what the food industry makes the most money selling, our bodies have not evolved to handle properly, and won’t in our lifetime or maybe ever."

In the final section of In Defense of Food, Pollan boils down what he has analyzed and learned into a set of straightforward but provocative rules what he calls algorithms for thinking about what and how to eat. "The challenge was to come up with aids for thinking through these issues rather than a menu or a prescription," Pollan says. "I resent when people tell me what to eat, and I don’t think it’s my job to tell others what to eat. But given what I know and what I’ve learned about the food system, I can provide tools for people to think through their own decisions. Like don’t eat foods that make health claims, which sounds counterintuitive until you realize that only foods in packages are going to make health claims because they need somewhere to print those claims, that they are more likely to be processed foods, and that their claims are probably based on reductive science. The rule is meant to be a way of capturing a much larger piece of knowledge about how the food system works. Using them people will come to very different conclusions. These rules can lead to an infinite number of different menus, but all of them should be better than the industrial menu currently on offer."

Alden Mudge writes from Oakland, California.

Worried about what to eat? Michael Pollan's new "eater's manifesto," In Defense of Food, offers remarkably simple, practical advice on the question. "In a way I've written a book that comes down to seven words," Pollan says during a call to his home in Berkeley,…

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When you bite into a burger, a steak sandwich or pile of juicy wings—and sauce drips down your wrist and your jaw aches from opening wide—you’re having a classic Guy Fieri moment.

The restaurateur, author and top-rated Food Network personality is best known for his hit show “Diners, Drive-ins & Dives” and the best-selling cookbooks of the same name, in which he travels the nation in his ’67 Camaro in search of the best hole-in-the-wall joints with “good food by good people.” 

But long before “Triple D” (as Fieri refers to it), his quirky rock-’n’-roll, adrenaline-fueled food philosophy helped him win season two of “The Next Food Network Star.”

“I didn’t want to do ‘The Next Food Network Star,’” the very busy Fieri says in a phone interview. “I had no interest—go on national TV and lose? But I always had this mantra in my company: Take that hill. Be all that you can be. That’s the challenge.”

He sized up the competition and realized that most of the contestants were younger and had been to culinary school. He decided to focus on “having a good time, and maybe I’d get to meet Emeril and hang out with Bobby Flay.”

Fieri ended up winning the whole thing, and made his Food Network debut with “Guy’s Big Bite.” Ditching the traditional chef’s coat and bandana for bowling shirts, spiky dyed blond hair, tattoos and man-bling, he created a big, bold, in-your-face food category that he has made his own.

“I’m comfortable with who I am and how I cook and what I do,” Fieri says. “I don’t believe in luck. I think it all comes back to surrounding yourself with good people, surrounding yourself with information and, more importantly, feeling comfortable in your own skin.”

On May 3, Fieri moves a bit beyond his bad-boy, rock-’n’-roll image with his first cookbook of original recipes, Guy Fieri Food, which includes more than 125 recipes, plus color photos and cooking tips. The same goofball humor and big flavors are there, and the same emphasis on quality ingredients and expert preparation, whether it’s a hot dog or filet mignon. But this book focuses on how he cooks at home in Northern California, where he also owns and manages a small chain of fusion restaurants.

“I’m very into ethnic food, fresh food, vegetables,” Fieri says. “I’m a huge texture person. Love BBQ, love stuff that has to cook for 12-16 hours, love Asian food, love complexities, love French food, Italian food, love making pasta, love making food and working with it.”

Guy Fieri Food features twists on everyday classics from appetizers, soups, salads, sandwiches, pizza and pastas, to main course meats and seafood, vegetables and sides, sauces and marinades, a smattering of desserts and drinks, all with a funky fusion of flavors (Irish Nachos, anyone?).

“The recipes are out of bounds,” Fieri says. “Everything from Asian to All-American to cooking with your kids, to homemade whole wheat pizza dough to juicing fresh vegetables, making chicken stock, tomato sauce and meatballs—not that I’m trying to be everything to everybody. I just opened up my Rolodex to the 150 recipes that I’ve been cooking at home and this is what you get.”

While Blackened Sesame Salmon with Cellophane Noodle Salad, Caramelized Leek and Apple Pizza and Lamb Loin Chops with Mint Pesto could be at home in any California restaurant, Fieri adds Bacon Jalapeno Duck Nuggets, No Can Beato This Taquito, and Good-to-Go Pizza Dough to the mix. It’s the high and low he’s known for.

“There are some steak sandwiches, there is some crazy food in there,” Fieri says of the new book that aims to teach as well as make cooks salivate. “But what you’re going to see is a lot of fresh ingredients. I broke down all the vegetables, cuts of meat. I try to give some insight. Chili from dried beans—that’s just the energy. It’s the life of Guy with food.”

Long before he became known as a fearless rock-’n’-roll chef, Fieri fell in love with food as a 16-year-old exchange student in France. Today, he shows great respect for all the cooks he visits on his “Diners, Drive-ins & Dives” show. “The guy making the burger, that’s what he wants to make, how he wants to live. That’s his domain,” he says. “When you walk into somebody’s castle, you’ve got to respect that. That’s how I was raised.”

Fieri’s new cookbook reflects the way he and his family really eat. His children have never been to McDonald’s.

“Probably the last thing you’ll ever see me eat is a hamburger,” Fieri says. “I’d much rather have a tri-tip sandwich—I can’t even tell you the last time I had fried food, and not because it’s wrong. I love a good french fry like anybody [else], but I have to keep a balance.”

“I’m not saying I’m a purist—you can look at my petite 215-pound structure and tell I’m not some dietary wizard,” he says. “It’s about eating good food by good people. Make a french fry the right way, use good beef, fresh baked buns, lettuce that wasn’t sliced two weeks ago and packed in a bag in Schenectady. Keep it real.”

It also reflects how Fieri spends his off-camera time. He helped draft California legislation proclaiming the second Saturday in May as “Cook With Your Kids Day” and just launched Cooking with Kids, a program that promotes healthy eating habits and encourages families to share quality time in the kitchen. Fieri has also visited military bases as a guest of the U.S. Navy, entertaining troops and consulting with their cooks.

Whether he’s cooking for family, hosting hopefuls on the hit game show “Minute to Win It,” “bustin’ down” another best-selling book or cooking show, or hitting the culinary highway with “The Guy Fieri Road Show,” his focus is always clear: quality food and maximum fun.

 

When you bite into a burger, a steak sandwich or pile of juicy wings—and sauce drips down your wrist and your jaw aches from opening wide—you’re having a classic Guy Fieri moment.

The restaurateur, author and top-rated Food Network personality is best known for his hit…

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In What She Ate, food historian Laura Shapiro reveals the surprising stories behind six fascinating women’s appetites. Her subjects include author, poet and diarist Dorothy Wordsworth, sister of William; British chef Rosa Lewis, known as the “Queen of Cooks,” whose champions included King Edward VII; first lady Eleanor Roosevelt; Hitler’s mistress and eventual wife, Eva Braun; British novelist Barbara Pym; and writer and publisher Helen Gurley Brown. 

We asked Shapiro a few questions about the secrets food can reveal, the questions that still linger and her own appetites and cooking habits. 

You wrote that digging deeply into the stories of these women sometimes felt like probing into "the underside" of a Norman Rockwell painting. What surprised you the most? Do any unknowns still nag you?

There’s an image I just can’t shake; it’s been hovering over me ever since I started reading about Eleanor Roosevelt and the food at the FDR White House. It's an image of Eleanor herself, one of the most generous and warm-hearted First Ladies in history, gazing pleasantly around the luncheon table as the main course is served. Her guests try a bite or two of some dreary, lifeless dish; they push the food around, and as soon as they can politely do so, they put down their forks. I think about this scene so often, I feel as though I must have been there, but I still can’t figure out what Eleanor was thinking. She loved these people! They were friends, colleagues, people she admired, people working hard for FDR and the New Deal. And she was watching them get up from the table hungry. What’s unknowable here, at least to me, is the nature of the disconnect between Eleanor-the-empathetic and Eleanor-the-oblivious. In the book I write about the various reasons why she tolerated and/or promoted terrible food at the White House, yet enjoyed food in other times and places. But this disconnect runs even deeper, and it’s a mystery to me. I suspect it was a mystery to her, too.

“Everyday meals," you write, "constitute a guide to human character and a prime player in history." In addition to the Last Supper, what other famous meals come to mind, and what questions do you have about that meal?
One day in Paris, probably around 1913, Gertrude Stein invited the writer Carl Van Vechten to dinner. Van Vechten was a cultural entrepreneur and activist—he was involved in dance, music, the Harlem Renaissance and pretty much everything else going on in the arts before World War II. He wanted to cultivate Gertrude Stein, and she was very willing to be cultivated, hence the invitation. Stein, of course, lived with Alice B. Toklas, a great cook and very discerning food-lover. In other words, everything was in place for a noteworthy meal. Toklas herself didn’t make dinner—they had a cook, Hélène—but as Stein’s devoted lover and most fanatic admirer, Toklas surely would have overseen the menu. Or did she? That night, Hélène served them "an extraordinarily bad dinner," Stein wrote in The Autobiography of Alice B. Toklas. "For some reason best known to herself she gave us course after course of hors d’oeuvres finishing up with a sweet omelet." Actually that sounds good to me, but then, I always like the hors d’oeuvres best.

At any rate, I’m dying to know more. Years later, when Toklas wrote The Alice B. Toklas Cookbook, she described Hélène as "that rare thing, an invariably perfect cook. She knew all the niceties of making menus. If you wished to honour a guest you offered him an omelette soufflé with an elaborate sauce, if you were indifferent to this an omelette with mushrooms or fines herbes, but if you wished to be insulting you made fried eggs." I have a feeling insult was on the menu that night—but why? Why?

When you visit people’s homes, do you yearn to peek inside their cupboards and fridge? How and why did you turn into a culinary historian?
Yes, it was exactly that impulse to sneak a look inside other people’s refrigerators that propelled me into writing about food. Growing up I was wildly curious about what everyone else was eating—I remember looking at other kids’ lunch trays at Broadmeadow School, and trying to guess why they skipped the Jell-O but didn’t mind eating those horribly flabby mashed potatoes doled out with an ice-cream scoop. When I discovered that this obsessive curiosity was perfectly respectable as long as I called it being a culinary historian, I was delighted.

The chapter about Eva Braun is fascinating, including her fondness for daily champagne and her penchant for new clothes and preserving her figure. You note that historians have reconstructed Hitler and Braun’s last hours in minute detail, yet there is "remarkably little documentation of the last meal." What might those details reveal?
It’s fascinating that Third Reich historians have described practically everything about the final hours in the bunker, except the last lunch. Or rather, they've noted it, but the accounts differ; and it’s impossible to say for sure exactly what was on the table. I made what I hope is a reasonable guess, based on the most consistent information; but I hate not having all the facts. I think what I’d see, if I knew the food more precisely, would have to do with the nature of appetite and the symbolic power of the act of eating. They were under siege; horror and destruction were just outside, and they had created that horror and destruction, so the chaos was inside them as well. How do you feed yourself, what does sustenance mean, when you’ve brought about so much death and are now looking straight at your own?

Of the women you profile, Cosmopolitan editor Helen Gurley Browns food story seems particularly surprising. Famed for being on the forefront of feminism, she was constantly dieting with protein, pills and Lean Cuisines while still trying to cook for her husband. Why do you think she was unable to escape this self-imposed trap?
I was fascinated by the young Helen I discovered in the Helen Gurley Brown papers at Smith College—a smart, ambitious woman determined to make her way in Los Angeles. She had such a lively mind, and I think she could have gone in all sorts of interesting directions if she hadn’t decided to focus practically exclusively on men and sex. The moment she hit the big time with Sex and the Single Girl it was all over. She didn’t dare let go of the formula. So for the rest of her life, she worked like crazy on maintaining the same body, the same skin, the same hair and the same single-minded focus on men. It really was her prison, and by the end of her life, under the wig and the plastic surgery, there just wasn’t much left.

What were your favorite meals as a child? And now?
My mother was a wonderful cook, and in fact she worked as a caterer during the ’50s and ’60s, so there was often a lot of cooking going on in our kitchen that wasn’t for the family, it was for one of her clients. She would pack it all up, put it in the car, and drive off to the event. Late that night she’d return home, unpack the car, and put the leftovers in the refrigerator. The leftovers! I used to get up very early, go right down to the kitchen in my pajamas, and forage in the refrigerator for breakfast—the most glorious breakfasts you can imagine. There were cream-cheese-and-mushroom rolls; there were slices of "party rye" with onion, mayonnaise and parmesan cheese; there were cream puffs filled with crabmeat; there was liptauer cheese dip; and I suppose there were things like meat and vegetables, but those didn't interest me. Then I would check the cookie tin for desserts—brownies, rugelach, and what we called "edges." My mother made excellent lemon squares, and she always cut off the messy edges so each square would look tidy. The edges— lemony, buttery and crisp—were saved for us.

Alas, I’ve never again lived with a refrigerator that held such treasures, but to this day, leftovers are my favorite meal.

Once you got married, "the prospect of making dinner hovered over each day like a thundercloud that refused to break." To further complicate matters, you and your husband had moved to India.
It’s a good thing I got married back in the 1970s and not last week, because I’d be losing my mind even more definitively in today’s culinary environment than I did all those years ago. Back then I had cooked lots of meals as a woman but none as a wife, and I was frantically trying to figure out the difference between those two female identities. Yes, there was a male partner in my life, but it was the same male partner who had been there before the wedding, so why was I suddenly a different person? Or was I the same person, albeit wearing a ring and writing thank-you notes? In pursuit of some kind of answer, I focused on the act of making dinner, which I knew to be a special preoccupation of wives—at least, that was the message I had absorbed from all the women’s magazines that came to our house while I was growing up.

But suppose I were launching my domestic life today, and focusing on dinner as the prime signifier of wifedom. I’d be assailed on all sides by images of glamorous, perfect meals—they’d be on TV and social media, they'd be in newspapers and magazines, they'd be in every cookbook. The stakes would be impossibly high. I'd have wife-anxiety and also competitive-cookery anxiety. I’d be worrying about spending a fortune on flawless organic ingredients just to make my mother’s recipe for chicken tetrazzini, and I’d be worrying that I shouldn’t make it at all because it's so embarrassingly old fashioned, and I'd be worrying about whether to make some splendidly simple dinner instead, like grilled salmon, and then I'd realize I had no grill and that the good salmon cost $35 a pound—well, you get the picture. Mania in all directions simultaneously.

I think if I have any advice on starting to cook, it’s this—just cook. Regularly. Use fresh ingredients, and for heaven’s sake buy them in the supermarket if you want to. Follow some incredibly simple recipe, and cultivate a respect for the ordinary. The rest is commentary.

ALSO IN BOOKPAGE: Read our review of What She Ate.

(Author photo by Ellen Warner.)

In What She Ate, food historian Laura Shapiro reveals the surprising stories behind six fascinating women's appetites. We asked Shapiro a few questions about the secrets food reveals, the questions that still linger and her own appetites and cooking habits.&nbsp
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Despite the title, John-Bryan Hopkins’ Foodimentary: Celebrating 365 Food Holidays with Classic Recipes isn’t quite a calendar or a cookbook. The first entry is “Peanut Butter Lover’s Day” on March 1, and from there the book covers everything from the Aztecs and Incas to health-food pioneer Dr. John Kellogg to the 1904 St. Louis World’s Fair.

The January 1 entry, many chapters later, is not about black-eyed peas, soba noodles or lentils but a specialty concoction for “Bloody Mary Day.” It is one of many holidays that Hopkins shamelessly admits to having personally anointed. “I looked up all sorts of recipes going back to the 1910s and ’20s,” he says. Ultimately, Hopkins makes his Bloody Mary with vodka, for those into such spirited debates.

Foodimentary—inspired by Hopkins’ popular blog, foodimentary.com—is what he calls a celebration, a daily indulgence and an appreciation of food, culture and nostalgia. It’s also an evocation of Hopkins’ own story, “fleshed out” with recipes, vintage photographs and delightful trivia.

“It’s how I wanted to tell my tale,” says the Birmingham native, “with as much layering as I could bring to it.” It’s comfort food in both senses, a hometown story alongside his favorite dishes.

Hopkins, whose blog began in 2005, came up with the Sherlock Holmes-inspired name during a freewheeling and slightly inebriated post-dinner conversation. Ironically, he had a mild bias against blogs because he felt they tended to be about the blogger, not the subject. He styles himself more as the wizard behind the delicious and decadent curtain. When he discovered the word “foodimentary” was free and clear of copyright, he took it as a sign.

Hopkins’ goal is to lead his readers to their own food-inspired “A-ha!” moment: “When you learn a fact about a food or recipe you think, oh, that makes sense!”

For Foodimentary, Hopkins originally tested 176 recipes, which have been whittled down to a few dozen highlights. Some are personal favorites; others, such as Eggs Benedict, are classics. There’s also his own “personal best” dish, an extra-savory take on grilled cheese featuring sun-dried tomatoes, arugula and sautéed mushrooms on baguette slices.

Altogether, Hopkins estimates he’s introduced the world to around 150 national food holidays. So many, in fact, that one of his proudest achievements is that Google has taken up his food calendar. Foodies can sign up for his daily alerts that include food trivia along with fun historical facts, like his salute to bologna and its Italian origins.

Some holidays are comparatively serious (September 25 honors the multitude of waiters, busers, servers, dishwashers, chefs, etc. in the food service industry) while others are more akin to guilty pleasures. We have “Cheez Doodle Day,” March 5; “Pizza and Beer Day,” October 9; and “Whiskey Sour Day,” August 25 to name a few. This reviewer is looking forward to both the soft and hard taco days, October 3 and 4, respectively, though it seems like October 5 should probably be Alka-Seltzer Day instead of “Apple Betty Day.” While the ubiquitous and beloved fall flavor, pumpkin spice, is seasonally celebrated on October 1, sometimes Hopkins eschews tradition in favor of his own agenda. For example, August is famously among the months when it is considered inadvisable to eat oysters. Perhaps flaunting the all-season convenience of our modern age, he has assigned Oyster Day to August 5.

Adding to the nonstop fun are the trivia questions in the sidebars. The word “zucchini” may translate from Italian into “small squash,” but a full-grown fruit can grow the size of a baseball bat—no doubt thanks to the same food science that allows us to eat oysters year-round. Peanuts have more antioxidants than either green tea or spinach; Brits like to enjoy pigs in a blanket on Thanksgiving; ramen noodles were taken into outer space; Italy is the world’s largest exporter of caviar. This is a book that could easily be displayed in the kitchen or on a coffee table for visitors to leisurely graze.

One of the more intriguing elements of Foodimentary is that the illustrations are by four different artists, one for each season, which are harmonious without being identical. “I wanted each season to have a slightly different feel as you travel through the book,” Hopkins, a former interior designer, says. “I didn’t want the concept just to be about a series of days, I wanted [the nostalgia] to visually rise up under a seemingly simple premise.”

Now that his whimsical almanac has gone public, Hopkins is stirring up ideas for a second book. He envisions a more serious reference title, though still accessible: “Need a quick substitute in a recipe? Don’t go to Google, go to Foodimentary.” He managed most of his first book’s text in six weeks, so followers may not have to wait too long.

Speaking of whimsy, Foodimentary begins with March because spring is Hopkins’ favorite food season. He says it’s the “best time to me to celebrate food.” Hey—it worked for the Romans.

 

This article was originally published in the December 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Despite the title, John-Bryan Hopkins’ Foodimentary: Celebrating 365 Food Holidays with Classic Recipes isn’t quite a calendar or a cookbook. The first entry is “Peanut Butter Lover’s Day” on March 1, and from there the book covers everything from the Aztecs and Incas to health-food pioneer Dr. John Kellogg to the 1904 St. Louis World’s Fair.

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