Holiday spirits are supposed to be high, not haute. But if the proliferation of cocktail “creations” and infusions and artisan mixers has you and your friends flummoxed, here are a handful of drinkers’ delights that could either adorn the coffee table or—just in time—restore your hostly confidence.

WINE-ING DOWN
Once upon a time, wine drinkers aspired to be connoisseurs. Then came the wine wonks—those who carried calculators for vintages and futures—and the geeks, who bought by the ratings. Now we have entered the age of wine nerds, who buy the wine equivalent of self-help books.

For example: Hello, Wine: The Most Essential Things You Need to Know About Wine by Melanie Wagner, a self-confessed former wine “bumpkin” turned Certified Sommelier. Like most such books, it begins with a confessional, then runs through a catechism of allure and reassurance to bring the reader resoundingly into the converts’ fold. Once Wagner hits her stride, her descriptions of varietals, tips on restaurant wine lists, tasting, hosting and food-matching, etc., are very good. And her picks for dependable producers—particularly those whose wines are under-$15 steals or fall in the “sweet spot” of $26 to $50—are spot on, so to speak.

This season’s best gag gift, perfect for pairing with a bottle, is the unexpectedly entertaining The Essential Scratch & Sniff Guide to Becoming a Wine Expert. Brevity is indeed the soul of wit: A scant dozen spreads illustrate the pithy tips from Master Sommelier Richard Betts. (A Certified Sommelier ranking is Level 2; a Master is Level 4, the highest.) “Wine is a grocery, not a luxury” is Betts’ mantra. He demystifies in guy-pal style: “In this case, size does not matter: We’ve all got a great schnoz.” The cartoons by Wendy MacNaughton contribute so much to the book that she really should have been acknowledged on the cover. Betts includes a pullout map to the “whole wine world” that attempts to match mood to olfactory method. While the scratch-and-sniff technology is in need of a little tweaking—the leather may be the best simulacrum—the illustrations, both literal and figurative, of the aromatic elements are memorable.

SIPPING SUDS
Although the title is a little man-cave chic, The Complete Beer Course: Boot Camp for Beer Geeks, From Novice to Expert in Twelve Tasting Classes is an accessible and impressively informed dissertation on beer styles and best labels. Longtime beer journalist Joshua M. Bernstein has traveled, tasted, interviewed and researched centuries of brewing lore. Like nearly all his colleagues, Bernstein is prone to the pun (“yeast of Eden,” “all is not white in the world,” etc.). His picks of breweries and beer-centric restaurants and festivals make this a consumer’s guide in both senses.

For those who want to go straight to the good stuff, World Beer: Outstanding Classic and Craft Beers from the Greatest Breweries, by veteran British beer critic Tim Hampson, disposes of brewing techniques, history, beer styles, tasting techniques and flavor pairings in a few high-gloss pages and launches headlong (sorry—the punning is contagious) into profiles of more than 800 fine craft beers organized by country and region. And Hampson does mean “world beer”: Who knew Namibia was a big microbrewery center? This is a serious coffee table book that could be the co-star of a fine beer-tasting party.

WHISKEY RIVER
Drinking mirrors pop culture, and having passed through the “Mad Men” martini renaissance, Americans are testing the “Breaking Bad” waters—which is to say, whiskey, derived from the Gaelic for “water of life.” In Drink More Whiskey: Everything You Need to Know About Your New Favorite Drink, Daniel Yaffe, founder and editor of Drink Me magazine, covers the wide world of whiskey from the U.S. to the U.K. to Japan (and beyond), from single malt to small batch to honey whiskey to moonshine. Like Wagner, he can flourish a bit too often: “If a single malt is a group of violinists with a brilliant tone, a blend might be the full orchestra.” “Like people, peat mellows with age.” (Clearly, he and I have not met.) But if the flash is weak, the spirit is indeed willing: Yaffe mixes history, trends, ingredients—both within the barrel and in the glass—and technique into a truly tasty cocktail.

After decades of transforming everyday life into a service industry, Americans are embracing DIY as a second language, with whole industries devoted to restoring the lost garden of earthly delights.

BRING HAPPY HOUR HOME
Organic produce and farm-to-table dining, artisan cheeses, small-vineyard wines, etc., are badges of the newly educated palate. There are more has-beens wielding knives and renovating houses on cable TV than on “Dancing with the Stars.”

And now we are in the age of the mixologist. You read it here first: The next Cooking Channel will be the Cocktail Channel. While drinkers’ manuals to consuming wine, whiskey, beer and so on have been flourishing for years, the trend now calls for how-to books designed to reinvent happy hour as home entertainment.

Among the most useful, and admirably unpretentious, is The 12 Bottle Bar: A Dozen Bottles. Hundreds of Cocktails. A New Way to Drink. by David Solmonson and Lesley Jacobs Solmonson, which leads you gently from buying the basics to making the best of them—a friendly offer made even less threatening when you realize that the dependable dozen includes two vermouths, two bitters and orange liqueur (i.e., Cointreau, Grand Marnier, etc.). Even more admirable, it reminds readers that being a good host has more to do with joining your guests than trying to impress them.

At once the wittiest and most comprehensive of new spirits encyclopedias, The Thinking Drinker’s Guide to Alcohol: A Cocktail of Amusing Anecdotes and Opinion on the Art of Imbibing, by Ben McFarland and Tom Sandham, arose from a theatrical lecture at the Edinburgh Fringe Festival in 2011, but it’s more than wordplay. It’s a succinct but surprisingly sound romp through the history of spirits, their great proponents (Jack Kerouac for tequila, Thomas Jefferson for wine, Hemingway for rum), a bit of myth and culture (the Wild West) and even some great movie moments as well as a restrained selection of famous labels. Oh, and did you know? Jesus was a beer guy. (Toga party, anyone?) It may also be the first such tome with a Kickstarter pedigree, making it a truly populist publication. The collage-style illustrations and graphic timelines are equally admirable.

AN AMERICAN CLASSIC
Although it might sound painfully stodgy, Michael Dietsch’s Shrubs: An Old-Fashioned Drink for Modern Times is a fine introduction to artisanal ingredients you actually can make at home. A shrub is simply a beverage combining fruit and herbs or spices with vinegar, or in some cases citrus fruit. It’s a style of drink that goes back millennia, and was a staple of Founding Mother pantries; one of the recipes comes from Martha Washington, another from Ben Franklin. Such beverages are still common elsewhere—I have a bottle and recipe book from the wife of a highly regarded Japanese winemaker—and are immensely soothing by themselves as well as in mixed drinks, which makes them perfect for mixed-ages parties (or, as per Dietsch’s wife, for the pregnant or indisposed). Most of the 40 or so shrub recipes here have only three or four ingredients and don’t even require cooking; what a lovely weekend project!

FOR COCKTAIL NERDS ONLY
At the far end of the accessibility spectrum is molecular mixology, and only true cocktail geeks (or those looking for gifts for them) will get the full frontal benefit of Liquid Intelligence: The Art and Science of the Perfect Cocktail Momofuku’s resident mad scientist Dave Arnold, who is to cocktails as Richard Blais is to home cooking (doesn’t everyone use liquid nitrogen in the kitchen?), discourses at length on the correct size of ice cubes for specific concoctions, quick-cooking bitters, countertop distilling, eutectic freezing (look it up), comparative percentages of ethanol in mixers and so on. Fortunately, there are a few recipes that don’t require a vacuum machine, so maybe you and your Significant Nerd can bond over those.

SPIRIT GUIDES
Matt Teacher’s The Spirit of Gin: A Stirring Miscellany of the New Gin Revival begins with a foreword by Arrigo Cipriani, son of the co-founder of the legendary Harry’s Bar in Venice, and includes interviews with distinguished bartenders and producers, but sometimes there’s a little too much Teacher in the talk. It is, however, a lush and beautiful book full of what might be called cocktail porn—full-color photographs of concoctions, shakers, bars, etc. (Nearly 40 percent of the book is entitled “A Catalogue of Gin Distillers,” and what with the pictures of various producers’ bottles, it starts to feel a little like a sales brochure.)

Whisk(e)y Distilled: A Populist Guide to the Water of Life, by Heather Greene, is modeled on the now-familiar wine manual style, combining history, terroir (bourbon vs. Irish, and that pesky “e”), science and technology (distilling methods, barrel aging), education (deciphering labels) and storage and entertaining tips (recipes and glassware). Greene, who teaches a whiskey course at Manhattan’s Flatiron Room and was the first woman to serve on the Scotch Malt Whisky Society tasting panel, plays up the chick-liquor schtick a little too much, but she’s particularly good on tasting elements and flavor and aroma descriptions. As she points out, women seem to have better noses.

Now, if someone would just outlaw the subtitle, we could save a forest.

This article was originally published in the November 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Americans discover, and rediscover, trends in drinking just as they do in dining. A few years ago, the holidays were afloat in variously erudite or encouraging tomes on wine-tastings, great regions and terroirs, and beginners’ ways to “express” beverage flavors, not to mention a slew of wine guides especially for women.

Then the evangelicals of beer hopped up to defend that equally ancient and venerable tonic, followed by the prophets of whiskeys, shrubs and, well, tonics. Not to mention the numerous re-inventors of the cocktail.

All this alcohol-inspired abundance may explain why beverage experts are looking more into niche and novelty approaches this year.

PROPOSE A TOAST
Paul Dickson has written 65 nonfiction books on a variety of subjects, including cocktailing and toasting, language and baseball—often in combination (i.e., a history of drinking in baseball). Dickson’s latest, Contraband Cocktails: How America Drank When It Wasn’t Supposed To, began as a fascination with Prohibition-era recipe books that along the way naturally snowballed into an engaging discourse on classic cocktails replete with trivia, recipes, a list of -alcohol-related slang of the period and a fair amount of Golden-Era literary and celebrity gossip. As Dickson points out, the years of Prohibition coincided with some of the most flamboyant drinking in literature and on Broadway and the Silver Screen (think The Great Gatsby and W.C. Fields). 

Although not exactly unknown, the asides are entertaining: Henry Craddock, who fled Prohibition Manhattan for London and compiled the still-revered Savoy Cocktail Book, told an interviewer in 1926 that he was then mixing up at least 280 cocktails—a number that did not include juleps, fizzes, punches, highballs, etc. Dickson defends the use of vodka in the Bloody Mary, though he does dispense with the common misconception that it has anything to do with the onetime Queen, and goes with the often-disputed version of the drink having been created at Harry’s New York Bar in Paris. (A disproportionate number of famous bartenders and recipe writers were named Harry, possibly giving a whole new meaning to the phrase “hair of the dog.”) 

THE PUN'S THE THING
More self-consciously “literary” is a stocking stuffer for unrepentant punsters (actually, the sort of entertainment that used to be found in the bathrooms of the well-read). In Shakespeare, Not Stirred: Cocktails for Your Everyday Dramas, populist Shakespeare professors Caroline Bicks and Michelle Ephraim have pulled out all the stoppers, condensing the plots of the Bard’s plays into “riotous prose” and then naming slightly twisted cocktails for long-suffering characters. Consider the Lady Macbeth’s G-Spot (something like a Lear-ing bastard offshoot of a whiskey sour and a Rob Roy); Much Ado About Frothing (pisco sour with heart-shaped sprinkles) and chapters entitled “Shall I Campari Thee to a Summer’s Day?” 

As Shakespeare was already an inveterate punster, the book is almost too much of a muchness, best consumed in small quantities. Maybe it could serve a peculiar book club—one reading, and one round of drinks, at a time.

AN APPLE A DAY
Longtime beer-book author and blogger Jeff Alworth has temporarily swapped suds for cider, which he believes is the next specialty brew, and which he pointedly defines not as the insipid fruit juice of childhood but a whole family of artisan beverages including Calvados and Lambig. In Cider Made Simple: All About Your New Favorite Drink, Alworth travels from apple farms in the U.S. to Canada, England, France and Spain, talking and tasting with artisan cider blenders. He discusses the roles of aromatics, acidity, sweetness, tannins, fermentation, florals, “funkiness”—and if this sounds reminiscent of a wine primer, it’s no accident. Craft cider can range in alcohol content from 3 percent to 10 percent. It may be blended from a carefully curated balance of apple species, like vine varieties. Some of the best cider is even riddled and disgorged, à la Champagne, although with a somewhat different technique. 

Alford may be jumping the gun a little on calling cider the next favorite beverage, but he isn’t too far ahead of the curve: While its following is small compared to that of craft beer, the cider market is estimated to double every three years. 

A CLASSIC MIXER
The glossiest book of the bunch, and the one best suited to the cocktail obsessive, is Adam Ford’s Vermouth: The Revival of the Spirit that Created America’s Cocktail Culture. It’s part love letter to what has become his actual profession—he’s the founder of Atsby, a groundbreaking vermouth producer—and a bit of a vanity production, as it’s hard for him to resist specifying one of Atsby’s vermouths in his recipes.

Either way, it’s a passion project. Ford has dived deeply into drinking history—about 10,000 years’ worth—to show that herb- and spice-infused alcohols have been recognized as medicinal and recreational potions since Neolithic times nearly everywhere around the globe. (Admittedly, that’s a pretty broad definition of vermouth, but he has a point.) He strolls through decades of America’s evolving cocktail culture: the New York Exhibition of 1853, when four different Italian “vermout” makers poured a liquor that Charles Dickens admired; the wild and wicked post-Civil War Manhattan; the “Mad Men” era; etc. 

Oh, along the way, Ford brings up two more famous Harrys: Harry Johnson, famed author of the 1882 New and Improved Illustrated Bartender’s Manual, Or: How to Mix Drinks of the Present Style; and Harry Hill, owner of one of Manhattan’s first Gilded Age “concert saloons.” Maybe it’s a secret society.

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.