Sarah MacLean wraps up her Bareknuckle Bastards series with the ultimate story of revenge and redemption. Fans of the first two books will enjoy seeing the series villain, Ewan, the Duke of Marwick, brought to his knees (literally and figuratively) by the strong-willed Grace.

A long time ago, Grace considered Ewan to be her first love, until he betrayed her and his brothers and forced them to live on the streets. Since then, Grace has built herself up to be a ruler in Convent Garden’s seedy underworld. Ewan’s love for Grace has never wavered, even in spite of his deceptive actions. For years, he thought she was dead, her memory driving him into madness. But once he discovers she’s not dead at all, but is instead the very successful owner of a ladies’ club, he fights to win back her heart. Unfortunately, Grace’s first instinct is to seek revenge rather than reconciliation. Can Ewan fully redeem himself and become worthy of Grace’s love and affection? In the end, the answer is yes, but you’ll get no spoilers from me on Ewan’s path to redemption. It’s something readers really do need to experience for themselves.

When Grace and Ewan reconnect, there is more pull than push. It’s obvious they both still love one another and their relationship becomes less of a fight against attraction and more of a healing journey to right past wrongs. If you expect fireworks of antagonism, you may be disappointed; this is a tender second-chance romance between two people who have known a life full of pain and abandonment. It’s emotional and heart-wrenching, as both Grace and Ewan are characters who experience their emotions strongly and earnestly. Think of this as more of a slow simmer than a rolling boil. Daring and the Duke will crush your heart and then slowly and carefully piece it back together. It’s the epitome of catharsis.

Though Daring and the Duke offers enough exposition for newcomers to dive right in, readers will miss the nuance of the hero and heroine’s history and how it informs their behavior without reading the previous two romances in the series. And honestly, it’s a grave disservice to your reading enjoyment to not start from the beginning with MacLean’s charming cast of characters. I can’t think of a better weekend activity than powering through the entire trilogy!

An unexpected, embarrassing and disastrous first impression provides the basis of a friends-to-lovers historical romance between a curious, winsome heroine and a grumpy Scottish spy in Vanessa Kelly’s The Highlander’s English Bride.

Lady Sabrina Bell is honestly having the worst day. After being stood up by a suitor, she becomes the victim of a mugging and winds up in the river, soaked to the bone. Her rescuer: highlander Graeme Kendrick. The two begin a friendship, the basis of which is Sabrina’s uncanny ability to get herself into trouble. Graeme steps into the role of “knight in shining armor” begrudgingly, and the two make up the classic romance coupling of a hapless ray of sunshine who invades the heart of a buff, solitary curmudgeon.

Because of the secretive nature of Graeme’s work, he’s hesitant to form any sort of serious romantic attachment. Unfortunately for Graeme, his meddling family is determined to nudge him toward love and it doesn’t take much for Sabrina to win them over. Since this is the third book in Kelly’s Clan Kendrick series, readers can expect visits from the previous books’ large and lively cast, with plenty of Easter eggs for dedicated fans. Newbies, though, shouldn’t be deterred. This book works well on its own as a historical romance packed with mischief and mayhem!

Sabrina’s sweet and seemingly flighty nature hides a woman who knows what she wants and, put simply, she wants Graeme. If you prefer romances where the heroine is the one attempting to court the hero, The Highlander’s English Bride is a worthy addition to that list. Graeme possesses a deep sense of loyalty to his family and his country and worries about jeopardizing both by falling for Sabrina. Though opposites in personality, they are consistently drawn into riotous scenes of adventure and sharp-tongued banter. Retiring to an isolated and bucolic country estate is not their sort of happy ending. Theirs is a lovely coupling in which neither the hero nor the heroine feels like they have to compromise or sacrifice part of themselves to make things work.

In addition to the romance, there’s also an intricate mystery (after all, Graeme still has a job to do) that’s more of an adventurous road trip than a tightly wound whodunnit. The back and forth between the romantic main plot and action subplot guarantee that you’ll never be bored. A Vanessa Kelly historical romance is a lot like being at a carnival: It’s a whirlwind of fun with the lightness of cotton candy, the rush of a tilt-a-whirl and the satisfaction of a night well planned. There are few better choices than than this bubbly romance that delivers a heartwarming happily ever after.

Bestselling author Madeline Hunter begins a brand new historical romance series with a mystery inheritance from an eccentric benefactor, a roguish investigator and a secretive widow.

There is no love lost between Chase Radnor and Minerva Hepplewhite. In fact, Minerva is slightly delighted to whack Chase over the head when he sneaks into her home. She still holds some rather negative feelings for Chase, seeing as he previously accused her of murdering her late husband. But now he’s tumbled back into her life to inform her that she’s inherited a fortune, and from his very own uncle no less.

Why? Well, no one seems to have any idea. While Minerva is grateful for the financial windfall, she’s also perplexed by both the duke’s decision and his death, leaving the unlikely pair to put aside their differences to find some answers.

Minerva is a lively, independent heroine. Readers will fall in love with her the moment she decides to tie up and interrogate Chase for his intrusion. She’s frequently exasperated by his needling and the fact that he looks so good doing it. As an investigator, Chase has a natural disposition for solving puzzles and to him, Minerva is a puzzle yet unsolved. He isn’t sure he can trust her, but respects her intelligence and know-how and sees this as a large advantage in finding answers regarding his uncle’s death. Expect to have a goofy smile on your face for a bulk of the book as the two go head-to-head, while slowly learning to value the other.

Heiress for Hire feels like a mix of Knives Out (minus the hunky Chris Evans in a cable knit sweater) and Clue, with a touch of “Scooby Doo.” It’s an entertaining whodunnit with a slew of entertaining side characters and suspects. Thankfully, the mystery elements only enhance Minerva and Chase’s slow burn. And let’s talk about this slow burn, which is worthy of the ultimate chef’s kiss. After an an initial period of suspicion and mistrust, Chase and Minerva’s working relationship is built on respect for one another’s intellect. They’ve clearly made snap judgments about one another without truly considering how the other would feel, especially with Chase’s prior accusations against Minerva. The underlying mystery is the perfect catalyst to get them in close quarters and allow their strengths to shine. It’s a gradual and wonderfully agonizing seduction that will leave readers begging for these two nerds to just kiss already.

This fantastic beginning may be Hunter's best series starter yet. With its memorable characters, a murder mystery and a perfectly paced romance, Hunter is at the top of her game in Heiress for Hire.

Eva Leigh puts inspiring, forthright female characters at the forefront of her delectable romances, and Lady Grace Wyatt is no exception in My Fake Rake, the first of a new series.

But first, Leigh introduces us to a disparate group of boys who, while in a Regency version of detention, form a lifelong bond and will eventually call themselves the Union of the Rakes. One of their number is Sebastian Holloway, a bookish and handsome anthropologist who becomes a close friend of Lady Grace.

Grace could care less what others think of her fascination with amphibians. With scholarly friends like Sebastian by her side, she doesn’t need the approval of the ton. However, things change when she’s suddenly faced with the task of finding a husband. Enlisting Sebastian to play the part of her suitor, she hopes to catch the attention of Mason Fredericks, a dreamboat fellow scholar.

Like many stories with this plotline, you’re left on the edge of your seat as you wait for Sebastian and Grace to discover their feelings for one another. With a keen eye for pacing, Leigh takes the reader along for the sensual ride, immersing them into Grace and Sebastian’s intimate friendship as they discover feelings that simmer just below the surface.

Leigh excels at giving appropriate modern and relatable touches in a historical romance. Grace’s deep intelligence and Sebastian’s social anxiety hook you in and transport you to their time with ease. And the other rakes, such as the scene-stealing Duke of Rotherby, possess sensitive qualities that humanize each man and complement the passionate and engaging female characters. Another benefit of Leigh’s subtle modernity? The sensual scenes are all the steamier.

With down-to-earth characters and an enthralling friends-to-lovers storyline, My Fake Rake is a hard one to put down.

In the latest installment of the Outcasts series, author Miranda Spencer shows that she has by no means lost her taste for juicy, refreshingly shocking characters that throw proper London society into a tizzy.

Martin Bouchard, captain of the Golden Scythe will be familiar to her readers. The New Orleans–born privateer has been a recurring character in the first two books of the series, and the story opens with him seizing a Dutch slave ship and finding, among the human cargo, someone he never could have expected. Sarah Fisher was born and raised in Africa and seized by the slavers along with the rest of the villagers, despite being the Caucasian daughter of British missionaries. When she’s freed by Martin—or rather, when her freedom is confirmed, since she starts the process herself through the audacious theft of the slaving captain’s gun—arrangements are made for her to be transported to England, courtesy of the Golden Scythe. While Sarah thinks of herself as plain (and tall, for that matter) and therefore entirely unlikely to entice the gorgeous, notorious, sin-poured-into-breeches captain, it doesn’t take long for her to fascinate, irritate, educate and enflame him. They clash—a lot. They say the wrong things and hurt each other—a lot. Their attraction is palpable (and very, very obvious to everyone around them) but at times it truly does seem like they’ll never be able to overcome the obstacles they keep putting in their own way.

Sarah is self-conscious about her looks and wounded by a lifetime of feeling undesired and out of place, and so she struggles to accept or even recognize Martin’s fascination with her. And Martin, wounded by secrets from his past and his own feelings of unworthiness, bristles with jealousy and what seems to be a deep streak of self-loathing that leads him to not just push but actively hurl everyone away from him. They’re complicated characters, and their journey to love and happiness is far from easy.

It would be clichéd to say that in the end, love sets them free. It also wouldn’t be quite true. Love actually comes early on, even if neither of them wants to admit it. Freedom comes later—and it’s something they have to embrace before they can truly let love in. Spencer enjoys poking at the delicate scales of power in Regency society. While her characters move in the highest echelons, they’ve all struggled with powerlessness and disdain in various forms. Sarah’s struggles would seem at first to be the most challenging—after all, she begins the story in the hold of a slave ship. But it’s Martin, a former slave himself, who carries the weight of his bondage, even years after gaining his liberty. When he lets go of that burden and finally accepts that his past doesn’t have to control his future, he’s truly set free. Free to love and accept love in return—and free to live happily ever after.

A marriage of convenience gives way to acceptance and love between two characters marked by trauma in Kerrigan Byrne’s suspenseful historical romance How to Love a Duke in Ten Days.

Piers Atherton needs to solidify his claim as the Duke of Redmayne and the quickest way to do that is to take a wife and produce an heir. Lady Alexandra Lane is low on funds and in desperate need of money to pay off a blackmailer. Piers and Alexandra are upfront in what they expect from their marriage, though the true nature of why Alexandra requires money isn’t revealed to Piers.

A decade earlier, Alexandra was raped by the headmaster at her school. (Content warning for readers: the scene is graphic, and very much on the page.) She took her revenge by killing him, and her two best friends helped her cover up the murder. The three women are certain there are no loose ends, until a blackmailer reaches out to Alexandra for money in exchange for keeping their secret.

Strong, resilient Alexandra is a wonderful heroine and her friends, Cecelia and Francesca (who are obviously sequel-bait for the next books), are unconditionally supportive. The sense of girl power and female solidarity is infectious, and some of the best scenes are when all three have the opportunity to get into some mischief.

Piers has a whole closet full of baggage—he was raised by a philandering mother, was jilted by his former betrothed and survived a jaguar attack that nearly took his life. He’s slow to trust and his scarred face has caused the locals to dub him the “Terror of Thorcliff.” The tenderness and respect he displays when faced with Alexandra’s avoidance of intimacy makes him a worthy hero, and he learns to let go of deep-seated grudges as the story progresses.

As Alexandra and Piers travel for their honeymoon, a series of bizarre events make it obvious to that pair that someone is after their lives. Piers assumes it’s his cousin trying to kill him off for the title of Duke of Redmayne. Alexandra thinks her blackmailer is no longer satisfied with money. The reveal of the unseen villain is surprising and will undoubtedly keep readers guessing to the very end.

Byrne’s writing harkens back to classic romance superstars like Judith McNaught and Bertrice Small: There’s a grand complexity to the plot, an alpha hero and a headstrong heroine who has overcome great emotional turmoil. Alexandra’s trauma and PTSD were respectfully portrayed and, as a fellow survivor, reached me on a personal level. Her dedication to rebuilding her life and allowing herself to take joy in even the smallest things is a heady mix of heartbreaking and inspirational.

How to Love a Duke in Ten Days is an intense journey from start to finish, but Byrne delivers. Readers will be left breathless, and with a few tears shed along the way.

ALSO IN BOOKPAGE: Read our Q&A with Kerrigan Byrne about How to Love a Duke in Ten Days.

Two opposites find love amid a madcap adventure and a coterie of troublemaking rescue animals in The Wallflower Wager by Tessa Dare.

Lady Penelope Campion has an undeniable weakness for the wounded, especially animals. Known as an eccentric spinster, Penny cares for creatures that have nowhere else to go. There are lewd parrots, a bevy of kittens and even a goat among her little homegrown refuge, a Dr. Doolittle’s paradise. Unfortunately, her next pet project takes the form of her rather grouchy neighbor, Gabriel Duke.

A self-made real estate mogul, Gabe is known as the Duke of Ruin. There is no love lost between him and the aristocracy, and he takes immense pleasure in tying them up in all sorts of costly red tape. His current mission is to sell the recently renovated home that rests next to Penny’s, but her nosy menagerie is making the task quite difficult. Gabe hopes to strike a bargain with Penny, playing upon her deep insecurities of never being taken seriously as a lady of society. He will aid her in re-homing her animals to restore her good name, and as a result, he’ll be able to sell the home he’s dying to get off his hands.

Gabe is a prickly hero who doesn’t take kindly to his breeches being coated in several layers of animal hair. But behind all his scowls and sneers rests a delicious, ooey-gooey marshmallow center. Penny, a walking ray of sunshine, is the perfect foil. Kind to a fault, all she truly wants to do is help living things and make the world a better place. At times, Gabe struggles with ripping off Penny’s rose-colored glasses if it means changing the sweet, caring woman she really is—and that he comes to love.

Like many of Dare’s romances, The Wallflower Wager will have you in tears from both laughter and the pure, unfiltered emotion of Gabe and Penny’s path to love. Having long since adopted the shell of a ruthless businessman, Gabe fears he no longer knows what it means to be vulnerable. Penny treats him with the gentle hesitation she would give to a frightened, caged animal, and earns his trust and affection over time.

There’s a reason why Dare’s historical romances are beloved by so many readers: She truly captures the heart and soul of a happily ever after. The respect and affection Penny displays for the animals and the people she loves will remind you of all that is good in the world (and we really need that right now). Fans of any of Dare’s books will be reminded why they keep reading her astounding, swoony romances, and as for newer readers—welcome to the club.

A naval officer presumed dead crashes his wife’s second wedding in Marry in Secret by Anne Gracie. Lady Rose Rutherford is shocked to discover her husband lives, and her family is shocked to learn she secretly married years ago. Commander Thomas Beresford longed to reclaim his wife, but now that he’s face-to-face with her and her protective family, he’s not so sure marriage is best for either of them. Rose remembers the man who stole her heart, and she’s ready to recommit, but Thomas’ harrowing experiences have changed him. Nothing is more delicious than a heroine determined to overcome a noble hero’s scruples, and watching Rose win Thomas over is a true pleasure. A charming supporting cast and witty banter are paired with emotion and a dash of suspense to make Marry in Secret a deeply enjoyable historical romance.

Mary Balogh returns to her Westcott historical romance series with Someone to Honor, an emotional and sweetly indulgent romance in which first impressions aren’t always indicative of a person’s true character.

Abigail Westcott and Gilbert Bennington truly get off on the wrong foot after she chastises him for working shirtless on the Westcott estate. It’s not proper, especially when there are young, unwed ladies in his midst. And this single interaction leads to a host of misunderstandings. Abigail makes the assumption that Gil is just a servant on the grounds and not the officer who helped her brother return home from the Napoleonic Wars. Meanwhile, Gil reduces Abigail’s comments to her being a spoiled and rich woman, something that deeply taps into his feelings of inadequacy given their class differences.

Despite their disastrous first meeting, Abigail and Gil begin spending more and more time together, often enjoying walks around the grounds, where they have rather insightful and illuminating conversations. Gil realizes he was wrong about his assessment of Abigail. She’s a wealthy and independent woman whose life was upturned by a family scandal. Meanwhile, Abigail learns of Gil’s heroic treatment of her brother, and when he reveals a personal, heartbreaking predicament, Abigail and her brother offer to help. But that help comes in the form of marriage.

Self-assured and practical, Abigail has grown accustomed to being a pariah since her father’s bigamy scandal. What she never expected was how much it would give her in the ways of freedom. With no man wanting to attach his name to her, Abigail has settled into a lovely, quiet country life in which she can do as she pleases. Gil carries lingering trauma from his military service, and while he may have earned the respect of many, he can’t shake the insecurity he feels from being an illegitimate child and growing up in poverty. A bit broody, Gil is a hero who prefers to observe and be on the sidelines, harboring an understandable distrust for upper-crust society.

Balogh writes with an inescapable tenderness, in which each conversation furthers Gil and Abigail’s affection ever so slightly. There is always a softness and subtlety to Balogh’s romances, serving as a lasting reminder that love is patient and kind. Previous fans of the Westcott series will love seeing familiar faces integrated into Gil and Abigail’s romance. Though well-meaning, the Westcott family isn’t afraid to meddle and can’t leave well enough alone.

With a relationship built on trust that slowly blooms with understanding, Someone to Honor is another fantastic novel by Balogh, who expertly navigates all the highs and lows that come before a happily ever after.

Olivia Waite is, quite simply, one of the finest critics of the romance genre working today. I would advise any skeptic of the genre to read her eloquent celebrations of romance, and her ability to evoke the tone and feeling of a particular book is astonishing. So I was excited, but also a little apprehensive, to hear that she would be publishing a new historical romance, having never read any of her previous books. It was a relief and a joy to find that The Lady’s Guide to Celestial Mechanics is just as elegant, just as incisive and intelligent, as Waite’s criticism.

Waite’s writing is gorgeous and always purposeful throughout this Regency-era romance. The introductions to astronomer Lucy Muchelney and her aristocratic love interest, Catherine St. Day, are striking and immediately effective, as the text itself shifts to express the differences in their personalities. The reader is thrust into Lucy’s mindset at the start of Lady’s Guide, and Waite renders her keen intelligence and longing for a life in pursuit of knowledge with immediate, straightforward prose. Then when Lucy meets Catherine, the woman who will offer to be her patron, Waite allows her writing to unfold into more fanciful, evocative turns of phrase: “You wouldn’t think, looking at the pinned-up gold of her hair and the sweet pink-and-cream plumpness of her figure, that this was the same woman who’d traversed so much of the globe. . . . She’d sat in that parlor as if she’d been grown there, as immoveable and domestic as a potted rosebush.”

Catherine is Lucy’s last and best chance to emerge from her recently deceased father’s shadow. Having been the mathematical brains behind his theories for years, she knows she is capable of translating the game-changing latest text from French genius Olerón, a task Catherine offered to Lucy’s father before he died. And while Catherine is inclined to allow the single-minded and alluring Lucy to take on the job, she fears becoming further involved with the younger woman. Catherine’s late husband, George, was also devoted to science, a calling that eventually eclipsed all other concerns and excused any emotional cruelty he visited upon his wife.

Waite patiently excavates Catherine’s memories of her difficult marriage, as well as Lucy’s lingering heartbreak over a rejection from a former lover, as the two women grow closer professionally and personally. As they attempt to gain the support of the early scientific community, Waite is able to explore the fascinating world of Regency astronomy, a booming field that commanded rapt popular interest while still warped by the same sexist, racist gatekeeping present in scientific endeavors today. The championing of women in STEM has become a bit of a romance cause célèbre in recent years, especially in historical romance, and Lady’s Guide is among the most nuanced and satisfyingly detailed works in this category. The thrill of discovery, the satisfying internal click when a new concept is fully understood, is beautifully expressed, both in Lucy’s internal monologue and in Catherine’s when Lucy explains her work and her passion for it.

However, Waite also captures how the heady rush of more equal-opportunity Enlightenment-era scientific discovery was slowly but surely narrowing via the staid nature of the following Regency period. As science began to settle into an established role in society, an interested party increasingly needed either wealth of their own or a generous patron to make an impact. This unpleasant fact becomes one of the largest stumbling blocks in Catherine and Lucy’s affair and also complicates Lucy’s relationship with her unsupportive brother, a working artist who is familiar with the dangers of becoming an aristocrat’s pet project.

In the character of Catherine, Waite is able to not only explore the personal costs of the pursuit of science but to also mount a full-throated celebration of so-called “womanly pursuits.” A devoted embroiderer, Catherine turned to needlework and design throughout her difficult marriage for solace and emotional expression. Waite describes Catherine’s embroidery just as rapturously as she details Lucy’s stars and glories in how clothing can be both art and a source of social power.

By the time I reached the wonderful, warm and quite frankly inspirational ending of Lady’s Guide, I only had one main critique, which can also be taken as a compliment. When the Black Moment* arrived, I didn’t accept it. Because I was that certain that Lucy and Catherine were destined for each other.

*the point in a romance when the central relationship seems doomed

I always tell my son, who is a supremely kind young man, that the world is often unkind to kind people. It’s a defense mechanism I’m trying to install because kindness is an incredibly important trait, and one that seems to be waning. So I deeply enjoyed Rogue Most Wanted, Janna MacGregor’s latest Cavensham Heiresses romance. The most recent Cavensham to fall is Lord William, a good son and loving friend who is devoted to his family’s estate, but overly protective of the heart that was broken a decade ago.

Will is a sexy, capable, nice beta guy who gets the girl for exactly those reasons. Lady Theodora Worth has an appropriate name, as she’s been raised by her grandfather on remote family lands and prioritizes things like caring for her tenants and being a good person over being the most fashionable, sought-after woman in society. One of the biggest annoyances for me in historical romance is the monotony of storylines concerning life in the Ton—of being graceful and solicitous and flirty, but not too graceful or solicitous or flirty. Thea’s earnest authenticity makes her an extremely compelling heroine. And Will’s genuine fondness of and friendship with Thea before their relationship blooms into romance is refreshing.

Rogue Most Wanted draws parallels to the modern dating and social scene as well. The snide meanness of chapter-opening quotes from gossip rag The Midnight Cryer evoke the cyber bullying on current social media. And MacGregor shines a light on the unfairness women faced in not being able to inherit family lands and wealth because of their gender, and the necessity to marry—even a stranger—to keep what should rightfully be theirs. Fortunately, Thea falls in love, quite easily, with Will, whose family that is amazingly likable and supportive and dependable (especially rare in historical romance novels). And for all Will’s pragmatism, he’s a lovable romantic deep down: “When we find love it’s completely, decidedly, and forever.” Who wouldn’t want that, in any era?