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 All the Living and the Dead

We are not born with the innate knowledge that we, and all those around us, will die. At some point, someone has to tell us. A beloved pet or grandparent might pass into the great beyond, prompting a bedside conversation with a parent about the finitude of life. Alternatively, if you are journalist and writer Hayley Campbell, you might absorb the concept of death while sitting in your father’s drawing studio as he studies the decomposition of a kidney. In the background, perhaps crime scene photos of the long-ago victims of Jack the Ripper stare down from a bulletin board.

As the daughter of the artist who created the classic graphic novel From Hell, which fictionalizes the brutal Whitehall Chapel murders, Campbell grew up fascinated by death. In All the Living and the Dead, she takes readers on a tour of the professionals of the death industry, interviewing embalmers, executioners, midwives who work exclusively with stillbirths and more.

All the Living and the Dead audiobook cover
Read our starred review of the audiobook, narrated by the author.

In one chapter, Campbell assists two employees in a funeral home as they care for a body and prepare it for burial, and she is moved by their admission that they got into this line of work because of their desire for a meaningful occupation. Most of her subjects are driven by this kind of loving kindness for the deceased and their bereaved, but not all of them. In another chapter, she interviews the boss of a death cleanup crew that scrubs blood from carpets and removes other physical signs of death from a home. This business posts exploitative photos of gruesome and sad scenes to Instagram for shock value and advertising.

But for the most part, All the Living and the Dead shines a light on those with a tenderness for death, and Campbell is an equally entertaining and sensitive guide to these interesting people and their grisly but indispensable jobs.

Over My Dead Body

It is this same appreciation for the dead, as well as for history, that drives journalist Greg Melville as he explores America’s cemeteries in Over My Dead Body. Melville escorts us through 17 of America’s most notable burial grounds, from the mossy colonial graveyards of New England to sparkling Hollywood memorial parks, all with a perfect balance of geeky joy, deep reverence and a meticulous knack for research.

Melville’s prose is pure pleasure mixed with wry asides. A running theme throughout is the difficulty Melville has in convincing any of his friends or family to accompany him on his explorations (Melville, if you are reading this, I am available), but even among his most amusing anecdotes, he never loses sight of the gravity that still vibrates through the stories of the dead. Upon visiting segregated cemeteries across the American South, underfunded and unmapped, Melville’s writing grows hot and indignant. The same tone arises again when Melville visits Arlington National Cemetery: A veteran himself, he flatly rejects the notion of war providing a glorious death, and he is not afraid to challenge this very American idea.

Though one covers the bodies of the dead and the other covers the ground they are laid to rest in, Campbell and Melville meet in their shared belief in the continuing importance of lives that have ended, and in their willingness to examine the complexities of the death industry. For them, the dead continue to speak to us from beyond the grave. Are you listening?

Dying leaves, dying crops, the dying light of a crackling fire. If October fills you with macabre joy, you will find kindred spirits in the authors of these books.
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n war, Napoleon wrote, “three-quarters turns on personal character and . . . the balance of manpower and materials counts only for the remaining quarter.” In notable biographies of Jefferson Davis, the Confederacy’s president, and John C. Breckinridge, its last secretary of war, and in dozens of other books on the Civil War, historian William C. Davis has underscored the prominence of “personal character” in shaping the Confederacy’s rise and fall.

In his engaging and well written An Honorable Defeat, Davis focuses closely on the last four months (January-April 1865) of the Confederacy’s existence. He frames the South’s defeat around the differing visions and personalities of Jefferson Davis and Breckinridge. William C. Davis knows the history of the Confederacy as well as any historian today, and his penetrating analysis of Jefferson Davis and Breckinridge provides a fresh look at their contrasting emotions, differing world views and divergent conceptions of southern honor and defeat.

Jefferson Davis was a cold, combative, distant autocrat. He meddled constantly in his generals’ affairs, gave his cabinet secretaries little authority and frittered away the Confederacy’s one economic ace in the hole “King Cotton.” Yet for all his shortcomings as president, Jefferson Davis was totally dedicated perhaps too dedicated to the southern cause. “If only Davis’ personality and temperament had been more winning,” writes William C. Davis, “and his grasp of human nature more keen . . . those who became his enemies might have forgiven him a multitude of lesser shortcomings.” In contrast to Davis, Breckinridge was flexible, balanced and popular, and the Kentuckian rose rapidly through the hierarchy of the Confederate Army to the rank of major general. “Charming and engaging, diplomatic, the least egotistical or confrontational of men,” William C. Davis explains, Breckinridge “never sought conflict, and yet even [Jefferson] Davis, so often undiscerning, saw well enough that this was a man he could not dominate.” The conflict of wills erupted in March 1865, as Union troops encircled Richmond, and the Confederacy disintegrated from within. President Davis, unwilling to accept anything short of independence and refusing to surrender, admonished white southerners to fight a guerilla war and to rally around remaining Confederate troops in Texas. Secretary of War Breckinridge disagreed, favoring an honorable, negotiated peace. “This has been a magnificent epic,” Breckinridge lectured a delegation of Confederate senators, urging them “in God’s name let it not terminate in a farce.” Though the Confederacy ultimately received a lenient peace, Davis spent two years in prison and remained “unreconstructed” long after Appomattox. Breckinridge escaped to Cuba, relocated to Canada and returned to the U.

S. in 1869. He urged southerners to accept the war’s verdict and move forward. Fortunately for America and the South, Breckinridge’s vision of Confederate defeat and Reconstruction, not Jefferson Davis’, prevailed.

John David Smith has written or edited 14 books, including Black Judas: William Hannibal Thomas and The American Negro (University of Georgia Press).

n war, Napoleon wrote, "three-quarters turns on personal character and . . . the balance of manpower and materials counts only for the remaining quarter." In notable biographies of Jefferson Davis, the Confederacy's president, and John C. Breckinridge, its last secretary of war, and in…
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hen he moved to Washington in December, 1823, newly elected Tennessee Senator Andrew Jackson was carefully scrutinized by other politicians and citizens from all walks of life. His reputation had preceded him, and he was prominently mentioned as a presidential candidate. His charismatic presence calm, dignified, tall, ramrod-straight stood in vivid contrast to what many had expected. He wrote to a friend, “I am told the opinion of those whose minds were prepared to see me with a Tomahawk in one hand, and a scalping knife in the other has greatly changed and I am getting on very smoothly.” Jackson was indeed best known for his military exploits, especially as the hero of the Battle of New Orleans in 1815 when his ragtag forces impressively defeated the British in the War of 1812. But he also had a reputation as an Indian fighter. His most notable victory in that role had come against the Creek Nation in the Battle of Horseshoe Bend in 1814.

Jackson’s personal and public lives were often controversial, particularly his complex dealings with Native Americans. In Andrew Jackson and His Indian Wars, noted Jackson scholar Robert V. Remini focuses exclusively on this subject, providing a well documented, thoughtful and sensitive exploration. Remini, who won the National Book Award for his definitive three-volume biography of Jackson, assures readers that “it is not my intention to excuse or exonerate Andrew Jackson for the role he played in the removal of Native Americans west of the Mississippi River. My purpose is simply to explain what happened and why.” To begin to understand what happened, “modern Americans must first appreciate the fact that the mood and temper of Americans during Jackson’s lifetime tolerated and actually condoned removal.” The author traces the life of the boy who “learned to fear and hate Indians from an early age,” sharing the attitude of most frontier settlers. Jackson never forgot his early life in South Carolina when the British allied with Native Americans to wage war against the Americans. “In his mind, and the minds of most frontiersman, the Indians were pawns to be used by any foreign power seeking to gain dominance in North America.” Remini follows Jackson into Tennessee where he develops into “a bold and resourceful Indian fighter, thirsting for Ôencounters with savages.’ ” Jackson was an early convert to the idea, first proposed by Thomas Jefferson, that Indian removal be linked to an exchange of land. Through the years, for Jackson, the most compelling argument for this approach was national security. American settlers could better protect the country against foreign invaders than the Indians.

Remini details not only the numerous battles between Jackson’s forces and Native Americans, but also the many negotiating sessions. “He always addressed Indians as though they were children, irrespective of their age, education, or intellectual maturity.” When negotiating, Jackson never hesitated to use bribery or the threat of violence if his demands were rejected.

The author shows how Indian removal began in the early 1800s by presidential action and continued for 20 years; Congress became involved only when the Senate eventually ratified the treaties. Remini notes that “the Indian Removal Act did not remove the Indians at all. . . . What Jackson did was force the Congress to face up to the Indian issue and address it in the only way possible. And what it did at his direction was harsh, arrogant, racist and inevitable.” Remini believes Jackson can be blamed in particular for his desire to speed things up. “He lacked patience, and by his pressure to move things along quickly he caused unspeakable cruelties to innocent people who deserved better from a nation that prided itself on its commitment to justice and equality.” Remini is to be commended for his balanced study of a difficult period and the complex man at its core.

Roger Bishop is a regular contributor to BookPage.

hen he moved to Washington in December, 1823, newly elected Tennessee Senator Andrew Jackson was carefully scrutinized by other politicians and citizens from all walks of life. His reputation had preceded him, and he was prominently mentioned as a presidential candidate. His charismatic presence calm,…

“Finis Austriae” was the only entry in Sigmund Freud’s journal on the day the Nazi army flooded over the Austrian border. In Saving Freud: The Rescuers Who Brought Him to Freedom, former Newsweek foreign correspondent Andrew Nagorski maps the Nazi takeover of Austria and the urgent operation to rescue Freud, one of Austria’s most famous and most devoted Jewish sons, along with fifteen other people, including his personal doctor, in-laws and other family members.

Nagorski is masterful at juxtaposing the evolution of the global emergency that became World War II with the deep interiority of a man whose passionate life work concerned people’s half-hidden thoughts. The father of psychoanalysis downplayed the threat the Nazis posed, clinging to his optimism that humans would turn back to the light and all would be made right, until it was almost calamitously too late. Saving Freud is the sort of book that, though you know the outcome of the events, still makes you hope with Freud that something might take a turn for the better. Nagorski has a gift for revealing that everything—worldwide emergencies, far-away news, political decisions—is, in the end, about people. This is wonderfully appropriate for a book about Freud, who laid the groundwork for interrogating and understanding the inner self.

It is dizzying to think of everything that had to be achieved to move a large, wealthy and well-known Jewish family out of Nazi territory and into the relative safety of the broader world, which was still often unwelcoming to both Jews and immigrants. Yet Saving Freud tells the story of a group of people—including Freud’s daughter Anna and her lover, Dorothy Tiffany Burlingham (heiress to the Tiffany & Co. fortune); the U.S. ambassador to France, William Bullitt; and Marie Bonaparte, princess of Greece and great-grandniece to Napoleon—who did just that. Motivated by love and towering respect for a man and his work, the unlikely team cooperated seamlessly to achieve the near impossible. It is a tale of good-heartedness, of human devotion and of people who unhesitatingly rushed in to do the right thing. In this way, it feels like a relief to read. Far from being a dry historical account, the book’s emphasis on the personal creates a compelling, page-turning narrative that is wholly engrossing and difficult to put down. Nagorski has written a book for our time, reminding us of the potential for good and adherence to higher ideals in moments of global emergency.

Far from being a dry historical account, Saving Freud is a compelling, page-turning narrative of the urgent operation to rescue Sigmund Freud from the Nazis.
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Reading One Hundred Saturdays: Stella Levi and the Search for a Lost World by Michael Frank is like watching an artist piece together a mosaic. A splash of blue sea here. A mother’s song over there. The smell of Purim pastries. The flash of first love. But the mosaic is never completed. Instead, a terrible wind descends, leaving the artist to pick up the pieces as best she can and begin a new image.

Here, the artist is Stella Levi, a 99-year-old Jewish woman living in New York City. The mosaic is the Juderia, the main Jewish quarter on the island of Rhodes, where Levi was born in 1923. And the wind is the Holocaust, which reached the Juderia in the last months of World War II and scattered Levi’s parents, family, friends and community. One Hundred Saturdays is the story of that time and place, but it is also much more: a story of friendship, survival, reinvention and courage.

Frank, author of The Mighty Franks and What Is Missing and a 2020 Guggenheim Fellow, met Levi by chance—or perhaps serendipity—when he rushed in late to attend a lecture, and the elegant older woman in the chair next to him struck up a conversation. The following Saturday, he found himself in Levi’s Greenwich Village apartment, the first of 100 Saturdays that he would spend with her over the following six years. Over the course of those visits, Levi became both a friend and muse as she recounted the minutest details of her life, from its rich beginning to its remarkable present.

Maira Kalman’s illustrations, heavily influenced by Matisse with their deceptive simplicity, rich colors and delicate textures, are perfect complements to Levi’s story, portraying vanished scenes from life on Rhodes before the Holocaust. Together with the text of Frank’s beautiful book, they create a sensitive portrait of an extraordinary woman. Fiercely independent, keenly intelligent and remorselessly honest, Levi refuses to be defined solely by the tragedy of her youth. Her life has been a constant evolution, and her final years are being lived with the same vitality as her earliest ones.

One Hundred Saturdays is the story of a Jewish community before the Holocaust, but it is also much more: a story of friendship, survival, reinvention and courage.
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Mark Twain wrote that “Jay Gould was the mightiest disaster which has ever befallen this country. The people had desired money before his day, but he taught them to fall down and worship it.” Gould’s fellow Gilded Age robber barons were more positive. Cornelius Vanderbilt called him “the smartest man in America,” and John D. Rockefeller said Gould had the “best head for business” of anyone. In American Rascal: How Jay Gould Built Wall Street’s Biggest Fortune, Greg Steinmetz briskly tells financier and railroad leader Gould’s rags-to-riches story and gives a nuanced view of this man of contradictions and why he matters.

Gould originally made his money through various ventures in New York. However, when the Civil War ended, railroads became the most important and powerful industry in the country, and thus the focus of Gould’s business dealings. By investing in various railroads, Gould did as much as anyone at the time to generate economic growth and steer the country toward becoming a world power. As the owner and manager of multiple railroads, Gould was one of the largest employers in the country and made rail travel faster, safer and more comfortable. At the same time, he bribed politicians and used deception to ruthlessly manipulate competitors.

The qualities Gould demonstrated in taking control of the Erie Railroad illustrate his strengths throughout his career: “his brilliance as a financial strategist, his deep understanding of law, a surprising grasp of human nature, and a mastery of political reality,” as Steinmetz writes. Above all, Gould was a pragmatist. He could be a visionary, but only when it didn’t clash with his primary objective, which was to make as much money as he could for himself.

Outside of work, Gould seemed to be less ruthless. Most evenings, he left his office to have dinner with his wife and six children and to read in his library. He did not drink alcohol. He loved flowers, owned the largest greenhouse in the country and cultivated a new breed of orchids. Despite their wealth, he and his family were not part of the city’s social aristocracy. “I have the disadvantage of not being sociable,” he once said.

Steinmetz’s fast-moving and eminently readable biography shows how Gould thrived within the context of his times but also that his greed led to necessary reforms for the health of the country’s economy.

In American Rascal, Greg Steinmetz tells robber baron Jay Gould’s rags-to-riches story and gives a nuanced view of why he matters to American history.
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f you’re a history buff of any age, you will not be disappointed by The Good Fight: How World War II Was Won. Stephen E. Ambrose, a world-renowned author and historian, trumpets the feats of unsung American heroes as he chronicles the major military campaigns in Europe, Asia, North Africa, the Atlantic and Pacific arenas. Significant events including the Manhattan Project, the holocaust, the war conferences, war crimes trials and the Marshall Plan are woven into the fabric of this comprehensive WWII compendium.

In our age of technology, smart bombs, Star Wars movies and missile defense strategies, the younger generation will be astounded to learn that our armed forces trained for combat with wooden rifles, flour bags for grenades and trucks for tanks. Even the most knowledgeable reader may be struck by how unprepared the United States was for battle. By all accounts, we should have lost the war; but we didn’t. It is with heart-swelling pride that Ambrose attributes our ultimate success to the determination, initiative, commitment and courage of America’s fighting forces. Specific examples such as Operation Husky profile an American soldier who declined individual recognition and promotion to remain with his regiment. These men fought out of duty and loyalty and succeeded because of faith in a cause greater than their own. Authentic WWII photographs are very effective in tandem with the written account of events. Together with numerous maps, there are 38 full-page photos plus quarter-page photo inserts on the text pages. All of them are moments of triumph and reflections of devastation that transport the reader to another time and place.

Ambrose’s The Good Fight is a stunning portrait of America’s innate goodness as a beacon to freedom that could not be extinguished or even diminished by the world’s most ruthless tyrants. America rose to meet its greatest challenge and therein lies a lesson for us all.

C. Elizabeth Davis is a former marketing director for the education division of Turner Broadcasting System.

f you're a history buff of any age, you will not be disappointed by The Good Fight: How World War II Was Won. Stephen E. Ambrose, a world-renowned author and historian, trumpets the feats of unsung American heroes as he chronicles the major military campaigns…
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The extraordinary talents and outstanding accomplishments of John Adams tend to be overshadowed by the illustrious and colorful careers of his contemporaries George Washington, Thomas Jefferson and Benjamin Franklin. Adams himself thought his own major attributes were "candor, probity, and decision," and those qualities were crucial as he shared in the leadership of a revolutionary people who made the difficult transition to a stable, responsible, representative government. David McCullough, who has received National Book Awards for both history and biography and whose Truman received the Pulitzer Prize, superbly captures the life and times of this remarkable figure in his compelling new book, John Adams.

In 1787, after completing a book that he thought would make him unpopular, Adams wrote to a friend, "Popularity was never my mistress, nor was I ever, or shall I ever be a popular man. But one thing I know, a man must be sensible of the errors of the people, and upon his guard against them, and must run the risk of their displeasure sometimes, or he will never do them any good in the long run." That quote, McCullough says, is "about as concise a synopsis of Adams’ course through public life as could be found."

Certainly Adams made mistakes in judgment. But when one surveys the range of his thought and actions during his entire public career, it is remarkable how astute he was in both the long and short terms. For example, Adams chaired the committee that asked Jefferson to draft a Declaration of Independence. But, after much revision, it was Adams whose speech to the Continental Congress convinced the delegates to pass it. As a delegate from New Jersey remembered: "[Adams was] the man to whom the country is most indebted for the great measure of independency. . . . It was he who sustained the debate, and by the force of reasoning demonstrated not only the justice, but the expediency of the measure."

In February 1778, when Adams was appointed to serve as one of three men to negotiate an alliance with France, "It marked," for Adams, "the beginning of what would become a singular odyssey, in which he would journey farther in all, both by sea and land, than any other leader of the American cause." He would help negotiate the peace treaty that ended the war with Great Britain in 1783 and become our first ambassador to that country in 1785. His most important service abroad, however, may have been negotiating for bank loans. "With his success obtaining Dutch loans at the critical hour of the Revolution," McCullough says, "he felt, as did others, that he had truly saved his country."

As the second U.S. president, he presided over a divided country and a divided party. Despite these disadvantages, under his leadership the Navy was greatly strengthened and proved decisive in keeping the young country out of war with France. As Adams wrote to a friend: "I desire no other inscription over my gravestone than: ‘Here lies John Adams, who took upon himself the responsibility of peace with France in the year 1800.’ "

McCullough skillfully interweaves accounts of his subject’s private and public lives, focusing in particular on Adams’ marriage to Abigail Smith, who was "in all respects his equal." The author’s insight into the relationship and, at times, rivalry between Adams and Thomas Jefferson is also of particular interest. Their unique correspondence after both were out of office remains one of the most important literary treasures from the Founding Fathers. "The level and range of their discourse were always above and beyond the ordinary," McCullough writes. "At times memory failed; often hyperbole entered in . . . they were two of the leading statesmen of their time, but also two of the finest writers, and they were showing what they could do."

This exceptional biography should be enjoyed by anyone who wants to explore in some detail the complexity of the Revolutionary and Early American eras as experienced by one who was a crucial mover and shaker.

Roger Bishop is a regular contributor to BookPage.

The extraordinary talents and outstanding accomplishments of John Adams tend to be overshadowed by the illustrious and colorful careers of his contemporaries George Washington, Thomas Jefferson and Benjamin Franklin. Adams himself thought his own major attributes were "candor, probity, and decision," and those qualities were…

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o Escobar became the godfather of international cocaine trafficking by offering a choice to anybody standing in his way: plata o plomo (silver or lead). Eventually, Escobar himself got both.

In 1989, Forbes magazine listed him as the seventh richest man in the world. Four years later the end came for Escobar when a bullet entered his brain. Of the 15-month manhunt that led to Escobar’s death, Morris D. Busby, then U.S. ambassador to Colombia, said, “Lots of things happened that no one is ever going to talk about.” In Killing Pablo, a fascinating new piece of investigative reporting, Mark Bowden tracks down and discloses many of those “things.” In chronicling the reign and ruin of Escobar and his empire, Bowden adds new content and context to the story of the man he calls “the world’s greatest outlaw.” Escobar terrorized and corrupted Colombia to its core through years of bombings, kidnappings and murders of police, politicians, judges, prosecutors and journalists and their relatives. Despite being tracked by modern surveillance equipment, Escobar slipped from hideout to hideout, frustrating a force said to number 3,000 Colombian policemen augmented by elite U.S. units.

Escobar’s demise was hastened by vigilantes whose families he had victimized. Adopting his style as their own, they torched Escobar’s lavish homes and killed, by their estimate, some 300 people who aided him. Bowden, a long-time Philadelphia Inquirer staffer, explores the vital contribution the United States made to the manhunt, as well as the reluctance of some Pentagon officers to become involved in lethal acts that they feared would incriminate them back home. News junkies might think they already know enough about the life and death of Pablo Escobar, but even they will be awed by the magnitude of the carnage, the intricacy of the manhunt and the legal and political complications that arose when two sovereign nations mixed law enforcement and military missions. With the same careful research and clarity that marked his Black Hawk Down, a 1999 National Book Award finalist, Bowden has neatly put it all together.

Alan Prince is the former editor of the Miami Herald’s Latin America edition.

o Escobar became the godfather of international cocaine trafficking by offering a choice to anybody standing in his way: plata o plomo (silver or lead). Eventually, Escobar himself got both.

In 1989, Forbes magazine listed him as the seventh richest man in the…
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“As a writer, I love change,” the award-winning journalist Eve Fairbanks notes on her website. It’s a good thing, because as the author of The Inheritors: An Intimate Portrait of South Africa’s Racial Reckoning, which outlines the depth and breadth of upheaval in South Africa in recent decades, there’s plenty of change to explore. By interviewing the people who were most affected when South Africa dismantled its white supremacist institutions, Fairbanks marries the overarching story the country’s turbulent apartheid history with Black and white individuals’ intimate experiences before and after 1994, when so much—and so little—changed.

Dipuo grew up in Soweto, a treeless, impoverished township of Johannesburg. It was strictly segregated during the years of white-minority rule but became increasingly politically active during the 1970s, as did Dipuo. “We were always told: Freedom first,” she remembers. Her daughter, Malaika, was 2 years old when their world became racially integrated. Malaika started going to a formerly white school, which Dipuo told her was so she could be “empowered, loose, and free” when she grew up.

Christo is the son of a successful white farmer. He joined the South African military at a young age, becoming one of the last fighters for apartheid even as it crumbled. When the laws around security force engagements changed, he simply wasn’t told. So when he shot and killed a Black man during a reconnaissance mission, he suddenly found himself charged with murder. 

Unable to find work in Johannesburg, Elliott became a chicken farmer. The farm’s former white owner had left it in ruins, overrun by antelopes, but Elliott strove to succeed against impossible odds, inspired to prove that Black Africans could be farmers, too, in a country where most land was owned and farmed by white people. 

As Fairbanks vividly demonstrates, South Africa’s complicated past continues to define the lives of Black Africans, white Afrikaners and immigrants from formerly colonized African countries such as Mozambique and Angola. The Inheritors covers a lot of ground, capturing Black heroes like Nelson Mandela and Steve Biko, as well as castigated white politicians like Frederik Willem de Klerk. She also examines how the rest of the world has handled racism and colonialism before and after 1994, including Angola’s own liberation in 1975 and the ongoing turmoil in 21st-century America. Glimmering throughout is the humanity she manages to find in all of it.

For the inheritors of these seismic changes, distrust and guilt can go unburied, and hope, progress and mutual respect can prove elusive. There are lessons here for readers the world over, especially as South Africa joins the global marketplace and as the U.S. continues to grapple with the human cost of racism. Fairbanks compels us to pay attention, learn and, above all, care.

Humanity glimmers throughout Eve Fairbanks' portrait of South Africa's turbulent apartheid history.
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Since 1973, when President Richard Nixon and Congress created the all-volunteer force as an alternative to conscripted military service, there has been a division between the American public and the military. Less than one-half of 1% of our population currently serves on active duty. And as the public has watched the wars in Afghanistan and Iraq continue on for years after 9/11, they have become more uncertain than ever about U.S. missions.

But active duty and retired military personnel have become more uncertain too. In an enlightening new book, Paths of Dissent: Soldiers Speak Out Against America’s Misguided Wars, a diverse group of veterans who volunteered and served in those wars tell us what they saw, did and learned. In these original essays, selected by co-editors Andrew Bacevich and Daniel A. Sjursen for their candor and eloquence, the contributors share their reasons for deciding to serve, why they became disillusioned and why they now feel the need to speak out about “military policies that they deem ill advised, illegal, or morally unconscionable.”

Erik Edstrom, a West Point graduate, was an infantry platoon leader in Afghanistan, where he “saw the systematic dehumanization and devaluation of Afghan lives on a regular basis. . . . It’s one of America’s deepest ironies: in efforts to ‘prevent terrorism’ in our country, we commit far larger acts of terrorism elsewhere,” he writes. Joy Damiani was an enlisted public affairs specialist who served two tours in Iraq. “According to the Army’s official narrative,” she writes, “the war was always in the process of being won. There were never any mistakes, never any defeats, and certainly never any failures.” Buddhika Jayamaha was an airborne infantryman in Iraq. He and many others “felt that the extreme hubris of American politicians and the commentariat was responsible for the mess in Iraq.”

Bacevich, who served for 23 years in the Army, including in Vietnam, writes that “genuine military dissent is patriotic.” Any citizen who wants to better understand our country’s current military entrapments will want to read this book.

In 17 original essays, U.S. veterans share their reasons for deciding to serve, why they became disillusioned with the military and why they now feel the need to speak out against its misguided policies.
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uthor Gerald Nicosia explains it, the American soldiers who fought in Vietnam lost two wars: one in Southeast Asia to gain and hold territory and one at home to gain public understanding of their life-warping experiences. The Vietnam veterans’ movement instrumental in exposing America’s duplicity during the late ’60s and early ’70s is the subject of Nicosia’s new book Home to War. The author brings a dramatist’s eye to this mammoth narrative, playing out hundreds of separate stories through the personalities of the participants. An exhaustive work (Nicosia says he interviewed 600 people for the book), Home to War offers accounts of incendiary demonstrations and loud “rap” sessions, Kafkaesque court trials and petty infighting, majestic displays of solidarity, moments of euphoria and days of despair. Not only did the vets fight to expose the war as a human catastrophe, they also struggled to convince an indifferent public and a hostile government that their wounds particularly the psychological ones were of a different sort than America was used to.

Instead of relying on the loftiness of political themes to do the work, the author uses recurring characters to endow his chronicle with a sense of direction and momentum. Overall, Nicosia strikes a pleasing balance between a vivid but fragmented oral history and a coherent narration of facts. While the veterans have scored some triumphs, Nicosia says, theirs has not been a story with a happy ending. “At the [Vietnam Veterans of America] convention in 1999,” he notes, “someone pointed out that most of the vets balding, gray- or white-haired, deeply wrinkled, with huge pot bellies or else emaciated, many walking slowly with canes looked as though they were in their 60s or 70s, when in fact they were actually 20 years younger. Premature aging has been universally observed among Vietnam veterans, and in some respects it has already been medically verified.” And these were just the visible scars.

Edward Morris writes for BookPage from Nashville.

uthor Gerald Nicosia explains it, the American soldiers who fought in Vietnam lost two wars: one in Southeast Asia to gain and hold territory and one at home to gain public understanding of their life-warping experiences. The Vietnam veterans' movement instrumental in exposing America's duplicity…

By the mid-20th century, Pablo Picasso’s paintings and sculptures were turning heads in France and Germany, ushering in cubism, a new artistic style that challenged older styles. At this same moment, American art was dominated by a devotion to realism and the old masters, and therefore resistant to and repulsed by the “modern art” of Picasso. In 1939, that all changed when the newly opened Museum of Modern Art in New York City held an exhibit titled “Picasso: Forty Years of His Art,” featuring pieces that two Americans, who never met, worked tirelessly to make available to the public. Hugh Eakin’s Picasso’s War tells the scintillating tale of how John Quinn, Alfred H. Barr Jr. and others brought Picasso’s work to America and changed the face of American art.

Irish American lawyer Quinn championed modernist novels and poetry and avant-garde art, introducing Americans to William Butler Yeats and T.S. Eliot, as well as to Marcel Duchamp’s painting “Nude Descending a Staircase.” A great collector, Quinn had a “growing aversion to what he called ‘dead art,’” Eakin writes, and wanted to promote painters and writers who could “express the values and forces of his own time.” Although he personally never understood cubism, he believed that “American art needs the shock that the work of some of these men will give.” After he met Picasso, the artist started reserving his best work for Quinn, who built a modest collection. Quinn dreamed of opening a museum devoted explicitly to modern art, since the Metropolitan Museum of Art excluded such art as “degenerate.” He never saw his wish come true, however. He died of cancer in 1924.

In 1926, Barr took up Quinn’s vision for such a museum, aided by wealthy patrons who shared Quinn’s hope. Three years later, Barr opened the Museum of Modern Art using pieces from Quinn’s collection, striving to build a collection of premier work by the most important modern artists. He worked incessantly to open a show devoted to Picasso, but he was hampered at several turns by challenges from Parisian art dealers and even by Picasso himself. By the late 1930s, though, as Adolf Hitler’s campaign against so-called degenerate art ramped up and museums and galleries in Paris began removing and hiding certain paintings, Picasso and his dealer, Paul Rosenberg, tried to get as many of the artist’s paintings as possible to America. Such forces enabled Barr to put on his 1939 Picasso exhibit and to secure a place in the American cultural world not only for Picasso but also for the Museum of Modern Art, which flourished following the Picasso exhibit.

Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about this illuminating chapter in cultural history.

Hugh Eakin’s rapturous storytelling makes Picasso’s War a spellbinding, page-turning read about the fight to bring Picasso’s art to America.

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