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The oral history form can sometimes feel like a cop-out—a notebook dump that requires the author to do little but interview and transcribe and put passages in a reasonable order. 

But Paper of Wreckage: The Rogues, Renegades, Wiseguys, Wankers, and Relentless Reporters Who Redefined American Media gets a pass. The book’s subject, the New York Post’s past 50 years, includes so many famous and infamous characters, world events and weird historical side quests that the oral history form makes perfect sense. Plus, most of the subjects interviewed are colorful storytellers in their own right, making the blocks of text propulsive and vibrant without authorial intervention. 

This could be a book about journalism, sports journalism, political journalism, gossip journalism, celebrity, serial killers, labor, New York City, Donald Trump or Rupert Murdoch. Instead, it’s all of the above. Authors Susan Mulcahy and Frank DiGiacomo, both Post veterans themselves, have a sense for narrative (or at times, comedic) timing. Some well-known figure is described negatively and then immediately shows up to defend themself (or admit wrongdoing). An interviewee describes a funny or bad experience with a Post co-worker, only for the co-worker to respond directly in the next paragraph. Even journalists remember things differently. 

Two ex-Posties compare Murdoch’s arrival at the tabloid in the 1970s to Hitler’s arrival in Poland. But for the most part, the crew at the newspaper didn’t take themselves too seriously. Some went on to illustrious stints at more respectable publications, but still recall their time at the Post as the most fun and memorable of their careers. It was a funnier, dirtier, meaner, more violent and more exciting newsroom than most—including the New York Daily News and New York Times, with whom the Post has traded scoops and staffers back and forth for generations. 

The story sobers as it nears the present day. The paper’s right-wing politics become more entrenched, and the embrace of longtime Page Six stalwart Donald Trump and his presidency sour even those who still held out hope for the paper. The publication whiffs on the transition to television and then the internet, and its sway in New York faded. But the ride up to that point will entertain anyone interested in media, politics, celebrity or good stories. 

Paper of Wreckage is a vibrant oral history of the New York Post that recounts the tabloid’s sordid—and legendary—glory days.

Though physicists get the most attention when it comes to academic contributions to war efforts, the United States’ nascent intelligence team also relied on experts of another sort. Elyse Graham’s Book and Dagger: How Scholars and Librarians Became the Unlikely Spies of World War II, tells the thrilling story of the professors, archivists and artists who were recruited by the U.S. and British governments to become highly effective spies and intelligence agents during the Second World War. 

Graham recounts the various missions made possible by professional researchers recruited from university campuses by the Office of Strategic Services, the precursor to the CIA. These men and women put their skills to use in unexpected ways, such as drawing strategic insights from the most mundane texts, like Moroccan phone directories that revealed munitions factory locations, and scientific journals available only in Europe, which kept the Allies abreast of nuclear developments.

A Hollywood version of Book and Dagger would feature heart-pounding scenes of disheveled scholars digging for scraps of crucial information in stacks of ancient tomes. Without falling into this mire of tropes, Graham follows some recurring characters and includes some thrilling scenes of sabotage. The book is also about how the OSS and U.S. military relied on unique, research-driven perspectives to outsmart and outmaneuver the Nazis. With a keen ear for narrative prose, Graham builds suspense and intrigue, and the book is a pulpy delight.

Graham acknowledges that spycraft is a complicated, messy business, and readers may find this tale of underdog heroism difficult to square with the CIA’s later history of surveillance and subterfuge in U.S. and international politics. Even so, a story where a passion for knowledge and appreciation for outsiders defeats a regime fueled by hatred and greed is most welcome. Book and Dagger is a necessary reminder of the value of the humanities and the importance of the freedom of information and ideas at a time when both of those things are under threat.

Elyse Graham’s thrilling history of how scholars and librarians helped the U.S. outsmart the Nazis is a pulpy delight.
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Any horror writer doing their job knows how to tap into the fears that plague us most. Jeremy Dauber’s American Scary: A History of Horror, from Salem to Stephen King and Beyond provides a robust account of how art has reflected American dread for centuries. As it turns out, our history is rife with foundational fear, making it prime territory for some scary storytelling. 

Dauber starts his “tour of American fear” with our country’s bloody beginnings and proclivity for blaming the devil for everything from bad weather to miscarriage (hello, Salem!). He then passes through slavery, the Industrial Revolution, the Civil War and beyond to more contemporary paranoias reflected in film: murderous technology (The Terminator), individual indifference (the Final Destination series) and surveillance (Paranormal Activity), to name a few. 

One of his strongest examples illuminates the anxieties of women living in the late 19th century with Kate Chopin’s “The Story of an Hour.” In the story, when a woman is told that her husband has died in an accident, her reaction is one of great, unexpected joy and an overwhelming sense of liberation. Just when you think that’s the end of the tale, she discovers the news was given in error: Her husband is still very much alive. The tale ends with her death, which somehow feels less tragic than her loss of freedom. “Chopin’s most pressing contributions to the American fearfulness,” writes Dauber, “. . . consist of the suggestion that liberation, at least for women, is impossible; that, in the end, that sort of awakening . . . is but an illusion.”

Clocking in at over 400 pages with an at-times academic approach, American Scary may come off a bit intimidating at first. But for lovers of all things macabre, the book is worth its weight. Dauber’s attention to the details of myriad cultural touchstones, both famous and obscure, will entice those who care to tiptoe deeper into the darkest of the dark. Dauber acknowledges as well that things in the real world are often scarier than the stories we tell; it’s not a new take, but it’s one he makes exceptionally well. 

American Scary’s greatest success is making readers consider what art may be born of our late-night anxieties. Spooky stuff, huh?

 

The rigorous yet still enticing American Scary invites readers to peer into the horror show of American history through the lens of literature and film.
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In the summer of 1941, Germany broke its wartime alliance with the Soviet Union and invaded the Soviet frontier. Joseph Stalin was stunned and unprepared, and his army suffered many casualties. Hitler’s about-face was good news for Great Britain’s prime minister, Winston Churchill. Now, Germany’s forces would be split, and Great Britain and the Soviet Union had a common enemy. 

Only four months prior, President Franklin D. Roosevelt had agreed to aid Great Britain and appointed millionaire businessman Averell Harriman to be his personal liaison to Churchill. As bestselling historian Giles Milton describes in his vivid portrayal of high-stakes diplomacy and personal relations during World War II, The Stalin Affair: The Impossible Alliance That Won the War, this invitation “would lay the foundations of a remarkable, if bizarre, three-power wartime alliance.”

Soon after Germany’s invasion of the Soviet Union, the Soviet ambassador presented a formal request to the U.S. government for $2 billion in guns, ammunition and aircraft. Once the decision was made to help the tyrannical government, with whom the U.S. strongly disagreed on almost everything, Harriman soon found his mission expanded. He worked closely with Churchill and Stalin, coordinating the ordering and shipping of military supplies. He was also FDR’s eyes and ears, reporting back the goings-on of political leaders. Harriman’s astute judgment of Stalin, as a leader suspicious of everyone and focused on dominating all the territories “liberated” by his army, would prove critical. Milton writes that “Averell had helped to manage a complex relationship between three leaders with widely different backgrounds, approaches, and goals,” often assuaging Stalin’s fears of betrayal to keep the alliance on course. 

In addition to relying on a vast archive of official records of events, Milton also uses accounts written by some of the less prominent observers of this political alliance, which brings a sense of immersion and immediacy to The Stalin Affair. Among the previously unpublished sources are letters from Harriman’s daughter, Kathy, who accompanied her father and worked as a news service reporter. Her many letters to family and friends give us a special window into events. 

Milton’s outstanding writing and research make The Stalin Affair an authoritative and lively account that shows how despite tensions, strong egos and different approaches to leadership, these unlikely partners worked together to end the war. 

The Stalin Affair is an authoritative and lively account of the unlikely World War II alliance among the U.S., Great Britain and the Soviet Union.
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“Scotland Yard has been called in.” Those authoritative words imply the renowned reputation of the London Metropolitan Police, first established in 1829 as the world’s first professional, centrally organized police department. The name, in case you were wondering, comes from the fact that its headquarters were built on a piece of land facing a small street called Great Scotland Yard.

Simon Read eloquently explains the force’s long-standing allure in his hard-to-put-down history, Scotland Yard: A History of the London Police Force’s Most Infamous Murder Cases. “It’s something woven into our cultural fabric,” Read writes, “a conduit between history and pop culture. We can trace today’s true crime obsession, in large part, to the Yard’s early cases with their sensational news coverage, in-depth narratives of criminal trials and the celebration of detectives.”

Read brings all of the gory details to life in 19 notable cases that span the course of a century, drawing from official case files, newspaper reportage, trial transcripts and detectives’ notes. His crisp, evocative prose gets right to the heart of the matter, which is usually bloody: foggy nights, a cavalcade of shady characters and a surprising number of dismembered bodies, many discovered in trunks. With chapter titles like “A Death in Duddlewick” and “A Murder in the Manor,” readers will be forgiven for feeling entertained by these grisly tales: Some cases read like Charles Dickens’ novels brought to life, and, in fact, Dickens modeled Bleak House’s Mademoiselle Hortense after Maria Manning, whose execution he witnessed in 1849.

Readers will delight in learning about the evolution of detective work and forensics. During the Jack the Ripper investigation, for instance, “sniffer dogs” were briefly deployed for the first time. “The Crumbles” chapter describes a house of horrors in which crime scene investigators began using rubber gloves (thank goodness!). Ballistics started playing a role in the 1927 murder of police constable George Gutteridge, with the press declaring that the murderers were “hanged by a microscope.”

Read’s previous titles include Human Game: The True Story of the ‘Great Escape’ Murders and the Hunt for the Gestapo Gunmen, and he has cemented his reputation for escorting readers through real-life, spine-tingling adventures with this volume. Modern crime fanatics will find themselves captivated by the enduring relevance and mystique of these Victorian-era crimes.

Simon Read brings the gory details of Victorian-era crimes to life in his thrilling history of Scotland Yard.
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Four decades after the publication of his landmark on-the-ground reporting about the atomic bomb experiences of six Hiroshima survivors, journalist and author John Hersey returned to Japan to document what had become of his subjects over the years. Some embraced their hibakusha (the Japanese term for Hiroshima and Nagasaki survivors) identity, becoming regular presences on the speaking and memorial circuit. Others had preferred to keep their experiences private at first, and engaged with the public later in life. Most experienced medical fallout for the rest of their lives, and some died before Hersey could return.

“His memory, like the world’s, was getting spotty,” Hersey wrote of one survivor, decades after the bombing that killed some 80,000 to 150,000 civilians.

Now, four more decades later, M.G. Sheftall, an American professor living in Japan, has taken another crack at making sure the world’s memory remains clear. In Hiroshima: The Last Witnesses, he painstakingly reports on the lives of several other survivors in what, with remaining witnesses nearing 100 years old, could be the final firsthand recounting of the events of August 6, 1945. His subjects include a promising young student, girls tasked with working to prepare the city for an American invasion and a young military aide.

The similarities to Hersey’s findings do not stop with a title. Though Sheftall’s subjects were, generally, much younger than Hersey’s on the day the U.S. dropped the bomb, their lives tracked similar paths: chronic and debilitating medical conditions, survivor’s guilt, internal struggles over whether to publicize their experiences and a complicated blame game focused on both the Americans who wrought the destruction and a militaristic Japanese society that brought the war home.

Sheftall’s story is brutal but necessary (a second volume about Nagasaki survivors is on the way). In carefully recording the experiences of remaining hibakusha, he is providing crucial labor in service to our collective memory. But he does so with a literary flair that belies any stereotypes of academic writers and at times surpasses Hersey’s famous work of journalism.

Painful in substance but lyrical in form, Hiroshima should be required reading for political leaders, those interested in war and peace, and anyone who has grown numb to the specific horrors of World War II.

In this careful recording of the experiences of Japanese atomic bomb survivors, M.G. Sheftall provides a crucial service for our collective memory of Hiroshima.
STARRED REVIEW
August 12, 2024

Just the facts, ma’am

Six true crime books recount chilling stories, minus the sensationalism.

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On January 16, 1987, a vibrant, beloved Black woman, 35-year-old Lita McClinton Sullivan, opened the door of her townhouse in a wealthy Atlanta neighborhood to a man who seemed to be delivering flowers. Instead, he gunned her down, killing her with one shot to the head. Later that day, a judge had been scheduled to announce the division of assets in her divorce after 10 years of marriage to white millionaire Jim Sullivan. Nineteen years later, in 2006, Sullivan was convicted of hiring a hit man to kill Lita; his conviction was based largely on the testimony of that hit man, who in 2003 received a 20-year prison sentence for his role in the murder.

Journalist Deb Miller Landau writes a sweeping account of this crime and prolonged road to justice in A Devil Went Down to Georgia: Race, Power, Privilege, and the Murder of Lita McClinton. Landau first covered the case for Atlanta magazine in 2004. She writes of that story, “what really climbed under my skin was the humanity and depravity of it all. What makes people become who they are? What leads us to the choices we make?” The case continued to haunt her, and after George Floyd’s murder in May 2020, Landau, who is white, wondered, “How clearly had I seen Lita the first time I wrote this story?”

She revisited McClinton’s parents, now in their late 80s: Her mother, the “still glamorous” Jo Ann, is a former Georgia General Assembly representative; her father, Emory, is a retired engineer who has cancer and dementia. Neither parent approved of Sullivan, a divorced father of four who was 10 years older than their debutante daughter. As one source told Landau, “He was a real sociopath. He could be charming, but he could turn on you like a cobra.”

Landau excels at laying out decades of details, deftly weaving her recent investigations, including her meeting with the hit man, into the long timeline. While she does try to focus on Lita’s perspective, the victim’s long-silenced voice is hard to capture. In contrast, Sullivan’s misdeeds and bizarre behaviors reverberate, including his womanizing and lavish spending that alternated with extreme miserliness, despite the fact that he and Lita had been living in a 17,000 square foot mansion, a historic landmark called Casa Eleda in opulent Palm Beach, Florida.

A Devil Went Down to Georgia chronicles a collision course of race, power, class and, most of all, Sullivan’s narcissism and endless greed. It’s a page-turning saga, as well as a testament to Lita, her devastated family and the determined investigators and lawyers who sought justice for them.

 

A Devil Went Down to Georgia is a page-turning true crime saga about a calculating white millionaire, the vibrant Black wife he murdered and her family’s long pursuit of justice.
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The public attacks by NFL Hall of Famer Brett Favre and his nationwide legion of fans were bad enough. But Mississippi State Auditor Shad White also faced hostility close to home, even at church, from friends of the well-known family that was the focus of his investigation into the theft of millions in public welfare funds. You might think of their incredulity as the “nice lady” defense: How can you be going after Nancy New? She’s so nice at PTA meetings.

White’s team plowed ahead, and New, the head of an education nonprofit, and her son Zach ultimately pleaded guilty to fraud-related charges for financing their high-spending lifestyle with money from the Temporary Assistance for Needy Families program—including $250,000 used by Nancy to buy herself a new home in an affluent neighborhood. So much for nice. White, a Republican wunderkind (Rhodes scholar, Harvard Law) who became auditor at 32, gives us his insider perspective in Mississippi Swindle: Brett Favre and the Welfare Scandal That Shocked America, a lively account of a case that has raised questions about Favre, former football player Marcus Dupree and White’s own mentor, former Mississippi governor Phil Bryant.

Starting with a whistleblower’s tip actually forwarded to him by Bryant, White directed his team of auditors and agents to probe odd spending of federal welfare dollars by the head of Mississippi’s Department of Human Services, which they soon discovered included treatment at a luxury drug rehab center for a personal friend of the agency director. It ballooned from there.

Readers will be engrossed by the feud that developed between Favre and White after the investigation uncovered payments of welfare money by New’s nonprofit to finance a “deluxe” volleyball facility at the university where Favre’s daughter was a volleyball player. New’s nonprofit also paid welfare funds to Favre Enterprises for speaking engagements that Favre never did. Favre adamantly denies wrongdoing, while White points to evidence in the form of text messages and other records. (Favre has not been charged with any crime; he was sued in civil court by the state over the money.) But White’s harsh critiques of fellow Republican officials, notably a U.S. Attorney who White thinks tried to undermine him out of professional rivalry, are equally fascinating.

This isn’t a book about politics, but it’s not hard to discern White’s conservative views. Some readers will disagree with them. But everyone can unite around his anger at a broken system that allowed poor people to suffer so that an elite few could spend tax dollars on luxuries.

Mississippi Swindle is the shocking true story of how public welfare funds were used to finance the extravagant lifestyles of an elite few.
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District Attorney Isidro R. Alaniz believes that when taking a case to a jury, “The most effective structure for any argument will always be a story.” The 49th Judicial District of Texas, which he serves, is home to Laredo, where Alaniz led the prosecution of Juan David Ortiz, a married father of three and a 10-year member of the U.S. Customs and Border Protection agency who in September 2018 murdered four sex workers. In The Devil Behind the Badge: The Horrifying Twelve Days of the Border Patrol Serial Killer, Pulitzer Prize-winning journalist Rick Jervis delivers the tragic, headline-grabbing story with staccato precision and emotional depth. 

Jervis takes readers right into the heart of the San Bernardo Avenue district of sex workers, drug dealers and people with substance abuse disorders who live within a stone’s throw of the U.S.-Mexico border. Ortiz’s victims—Melissa Ramirez, Claudine Anne Luera, Guiselda Alicia Cantu and Janelle Ortiz—are painted vividly, thanks to Jervis’ many interviews with their families and friends. He carefully sets the stage for how each of these women’s lives intersected with one other and with Ortiz, who grew up as a Bible-toting Pentecostal Christian, served as a Navy medical corpsman in Iraq and eventually became a supervisor at the Border Patrol. Ortiz  refused Jervis’ interview requests and has given scant clues to what may have sparked his spree, but the author notes that the agency “tolerated an environment of misogyny and impunity within its ranks during Ortiz’s tenure there.”

One victim’s sister addressed Ortiz in the courtroom, saying, “You gave your word to protect the border, yet you failed. You betrayed your badge.” Jervis excels at conveying the frenzy of Ortiz’s crimes and his dramatic capture. The Devil Behind the Badge is an unsettling account of a serial killer leading a double life: one masquerading as an upright citizen, and the other mercilessly preying on society’s most vulnerable.

 

The Devil Behind the Badge is an unsettling true crime account of a U.S. Border Patrol officer who mercilessly preyed on society’s most vulnerable.
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It’s not a total mystery who killed Gauri Lankesh, a hard-charging local journalist and activist in the South Indian city of Bangalore who was assassinated in 2017.

Lankesh, the daughter of a famous Indian writer and publisher, was an aggressive critic of India’s right-wing religious groups, which have grown in power, prominence and violence under Prime Minister Narendra Modi and his ruling party.

While a few alternate theories are proffered about her death, I Am on the Hit List: A Journalist’s Murder and the Rise of Autocracy in India is not really a whodunit. Instead, it’s an obituary of a complicated woman and a portrait of a country’s descent into chaos, hatred and lawlessness. (Don’t worry: You still find out whodunit.)

The assassinated journalist’s life is both inspiring and perplexing, as her understated career in niche local tabloids blossoms into martyrdom and legend upon her death. Lankesh was fearless—some argued reckless—in her opposition to government corruption, creeping religious fervor and the subjugation of women and minority groups. She fought with her dear friends in the pages of her newspaper, and her antagonism of powerful forces had those same friends and family worrying for her safety. And for good reason. It’s a story of complex family relationships, both within the Lankesh family specifically and Indian civil society more generally.

As the story of Lankesh’s life and death unfolds, Rollo Romig, an American journalist with marital ties to Bangalore, sends the reader on several tangential journeys of varying levels of relevance: the story of Christian apostle “doubting” Thomas’ maybe-apocryphal mission to India, the history of the restaurant industry in India, a dazzling description of Bangalore’s astonishing book district. But the author’s reporting about the case has clearly been relentless; he traveled multiple times to the region and interviewed countless figures with connections to Lankesh, modern Indian politics and the case itself.

The complex ethnopolitics of the region and the country offer a disturbing but vivid backdrop for the murder. India’s retreat from pluralism and growing embrace of bigotry and oppression mean that Lankesh’s story is just one of untold many of murder, political violence and religious strife in a desperate country.

 

I Am on the Hit List pairs relentless reporting and historical context in a vivid exploration of a fearless Indian journalist’s assassination.
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Peter Houlahan’s Reap the Whirlwind: Violence, Race, Justice, and the Story of Sagon Penn recounts a historic 1985 crime that would irrevocably change Southern California. At its swirling center is Sagon Penn, a 23-year-old Black Buddhist, martial artist and community mentor who had never been in any legal trouble until two white patrol cops, Donovan Jacobs and Tom Riggs, followed a pickup truck carrying seven young Black men, some of them teenagers, up a dirt road.

The setting is a growing San Diego in flux. A progressive new police chief hoped to calm the city’s simmering racial tensions and address the disproportionate number of cops killed in the line of duty. Both crises came to a head when Jacobs incorrectly fingered the young men in the truck to be gang members—including the driver, Penn. An argument escalated into a brutal physical altercation, during which the cops reportedly used racial slurs. Within three minutes, Penn grabbed Riggs’ service weapon and fatally shot him. Then Penn shot both Jacobs and a civilian who was riding along with him, and fled the scene in a squad car.

Reap the Whirlwind’s novelistic narrative style delivers emotional weight as Houlahan, a master storyteller, plots out the cataclysmic event and its aftermath. Houlahan covers all angles, from skewed news reporting on the shooting to the inner workings of the judicial system to the messy interpersonal drama that followed Penn, whose psyche suffered devastating consequences. Though Penn is undoubtedly the focus of the book, Houlahan offers textured characterizations of significant players, like Penn’s lawyer, Milton Silverman Jr.; defense investigator Bob McDaniel; and Sara Pina-Ruiz, the only credible witness. When the story develops into a full-fledged courtroom drama, Houlahan remains an impartial, careful observer and rarely offers his own opinion, which allows readers to form their own conclusions and develop a personal investment in the case and those closest to it.

A topical, piercing story about how perspectives on law enforcement and innocence shift depending on who you are, Reap the Whirlwind shows how police brutality and racial profiling impact Black victims far beyond the actual incident—even when they make it out alive.

The piercing Reap the Whirlwind chronicles a historic 1985 homicide, and shows how perspectives on law enforcement and innocence shift depending on who you are.
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New York City’s East Side at the turn of the 20th century comes vibrantly alive in The Incorruptibles: A True Story of Kingpins, Crime Busters, and the Birth of the American Underworld. In the late 1800s, Eastern European Jews began fleeing Germany’s pogroms and Russia’s Pale of Settlement, the largest ghetto in history. The East Side became their American ghetto, soon in the grip of an underworld of gamblers, grifters and pimps, and an upper world of titans of manufacturing and politics. Then along came Abe Shoenfeld and his vice squad, the Incorruptibles.

Dan Slater (Love in the Time of Algorithms) stumbled upon Shoenfield’s “reams of reportage and intelligence about the Jewish underworld of pre-World-War-I New York.” Combined with reporting from newspapers of the day, as well court cases, sales receipts, government findings and memoirs of those involved, Slater provides rich context for the setting the Incorruptibles hoped to reform. In a city plagued by abominable labor conditions in factories, the political machine of Tammany Hall and corruption blocking the path to justice, Shoenfeld’s homegrown vice squad was determined, against all odds, to be incorruptible.

Slater recreates the notorious stars of this underworld—the likes of dapper Arnold Rothstein, ruthless Big Jack Zelig and comically clueless gangster Louie Rosenberg—and the women in their shadows, some of whom, like Louie’s widow, Lily Rosenberg, kept their own notes. He also weaves in the critical impact of fomenting antisemitism throughout the country. The vices plaguing the East Side were being attributed to Jewish immigrants at large, rather than the small cabal of wealthy schemers and corrupt politicians. Slater shows how this metastasizing hatred of Jews foreshadowed Nazi Germany.

While the need for reform was an easy message to sell to the public, actually prohibiting popular illegal activities like gambling and prostitution proved hard. Working with a scrupulous lawyer named Harry Newburger and detective Joseph Faurot, whose technical acumen, like bridging telephone wires to listen in to private conversations, revolutionized criminal investigations, the Incorruptibles prompted The World to print on the front page: “BIGGEST GAMBLERS QUIT; BROADWAY SECTION CLEAN.”

If this was the sole substance of Slater’s book, it would be a singularly worthy read. Yet it is so much more. The Incorruptibles is a compelling crime story, colorful history and an ominous warning about antisemitism.

Dan Slater’s vibrant The Incorruptibles chronicles the homegrown vice squad that took down New York City’s most notorious turn-of-the-century gangsters.

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Recent Features

6 new true crime books recount chilling stories, minus the sensationalism.

The Host

Stephenie Meyer mastered the love triangle in her famous Twilight Saga, but Edward and Jacob aren’t the only Meyer heartthrobs. In her lesser-known sci-fi thriller, The Host, an equally intriguing love triangle (parallelogram?) forms between bad-boy Jared, sensitive Ian and Melanie—plus the parasitic alien borrowing Melanie’s body. After Earth is invaded by aliens, most humans become hosts before they can even begin to fight back, but a small group resists. When Melanie is captured, the alien Wanderer is placed in her body to to shut down the human rebellion. But Melanie won’t cooperate, and Wanderer finds herself inside a body that still desperately loves another. Wanderer and Melanie become unlikely allies as Wanderer begins to understand why humans fight for love. I find myself returning to The Host often and urge Twilight lovers (or haters) to give another Meyer story a try. When you do, let me know . . . Team Jared or Team Ian?

—Meagan Vanderhill, Production Manager

Thunderstruck

Most people know Erik Larson for his dual-narrative history, the deservedly omnipresent The Devil in the White City, or, my personal favorite, In the Garden of Beasts. However, 2006’s Thunderstruck deserves just as much praise. Like Devil, Thunderstruck centers a shocking, sensational crime—Hawley Harvey Crippen’s murder of his wife in 1910—within a historical event. But in this case, the event is more of a paradigm shift: Guglielmo Marconi’s attempts to patent and popularize radio communication. In a previous era, Crippen may very well have vanished before justice could be served. But thanks to radio, Crippen’s attempted escape to Canada was instead the first true crime news story to unfold in real time for a breathless readership. Larson weaves these tales together with his signature novelistic flair, producing highly entertaining portraits of the loathsome Crippen and the obsessive, passionate and at-times hilariously obtuse Marconi.

—Savanna Walker, Managing Editor

The Shuttle

Reading The Secret Garden (1911) has been a rite of passage for generations. But did you know that Frances Hodgson Burnett first earned fame and fortune by writing for adults? Burnett began her career selling romantic tales to magazines, publishing her first novel in 1877. Dozens more adult novels followed, the best of which is 1907’s The Shuttle. New York City heiress Bettina Vanderpoel has always wondered why her gentle older sister, Rosalie, cut ties to the family after marrying an English peer. Once she’s old enough, Betty crosses the Atlantic to get answers. Her adventure features a dastardly villain, a surly yet handsome lord, a crumbling estate (and an ensuing renovation to delight HGTV fans)and the most charming typewriter salesman in literature, plus plenty of trenchant observations on the differences between the English and Americans that still ring true. If you loved Downton Abbey or wish the works of Edith Wharton were a little less mannered, put The Shuttle on your reading list.

—Trisha Ping, Publisher

Outer Dark

Long before venturing southwest with Blood Meridian and All the Pretty Horses, his most famous titles, Cormac McCarthy plumbed his native Appalachia for visceral cruelty and mythological beauty. Outer Dark may be the most eerie, devastating book in his flawless oeuvre. After falsifying the death of his newborn son—the product of incest with his sister, Rinthy—and abandoning him in the wilderness, Culla Holme wanders through a dreamlike, nebulous Southern landscape populated with bizarre characters. Meanwhile, Rinthy uncovers the empty grave and sets off in search of her child. Alternating between the two siblings’ perspectives, the novel reveals the staggering violence and deep tenderness within the human soul, both of which McCarthy captured with peerless acuity over his seven-decade career. Each scene in Outer Dark has a torrential fluidity: As you drift through this haunting, remarkable creation, remember to breathe.

—Yi Jiang, Associate Editor

A breakout success can bring new attention to an author’s body of work—or, one book can so define them that it overshadows earlier titles that are just as excellent. Here are four overlooked books from great authors that deserve their own moment in the limelight.
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New York City’s East Side at the turn of the 20th century comes vibrantly alive in The Incorruptibles: A True Story of Kingpins, Crime Busters, and the Birth of the American Underworld. In the late 1800s, Eastern European Jews began fleeing Germany’s pogroms and Russia’s Pale of Settlement, the largest ghetto in history. The East Side became their American ghetto, soon in the grip of an underworld of gamblers, grifters and pimps, and an upper world of titans of manufacturing and politics. Then along came Abe Shoenfeld and his vice squad, the Incorruptibles.

Dan Slater (Love in the Time of Algorithms) stumbled upon Shoenfield’s “reams of reportage and intelligence about the Jewish underworld of pre-World-War-I New York.” Combined with reporting from newspapers of the day, as well court cases, sales receipts, government findings and memoirs of those involved, Slater provides rich context for the setting the Incorruptibles hoped to reform. In a city plagued by abominable labor conditions in factories, the political machine of Tammany Hall and corruption blocking the path to justice, Shoenfeld’s homegrown vice squad was determined, against all odds, to be incorruptible.

Slater recreates the notorious stars of this underworld—the likes of dapper Arnold Rothstein, ruthless Big Jack Zelig and comically clueless gangster Louie Rosenberg—and the women in their shadows, some of whom, like Louie’s widow, Lily Rosenberg, kept their own notes. He also weaves in the critical impact of fomenting antisemitism throughout the country. The vices plaguing the East Side were being attributed to Jewish immigrants at large, rather than the small cabal of wealthy schemers and corrupt politicians. Slater shows how this metastasizing hatred of Jews foreshadowed Nazi Germany.

While the need for reform was an easy message to sell to the public, actually prohibiting popular illegal activities like gambling and prostitution proved hard. Working with a scrupulous lawyer named Harry Newburger and detective Joseph Faurot, whose technical acumen, like bridging telephone wires to listen in to private conversations, revolutionized criminal investigations, the Incorruptibles prompted The World to print on the front page: “BIGGEST GAMBLERS QUIT; BROADWAY SECTION CLEAN.”

If this was the sole substance of Slater’s book, it would be a singularly worthy read. Yet it is so much more. The Incorruptibles is a compelling crime story, colorful history and an ominous warning about antisemitism.

Dan Slater’s vibrant The Incorruptibles chronicles the homegrown vice squad that took down New York City’s most notorious turn-of-the-century gangsters.

“If bookstores were animals, they’d be on the list of endangered species,” notes author and historian Evan Friss in The Bookshop: A History of the American Bookstore. While endangered, bookstores are also, as Friss convincingly argues, resilient, powerful places with the capacity to anchor communities, shape lives and bring people together.

Friss sets the stage for his entertaining romp through history with an introductory portrait of Three Lives & Company, a cozy independent bookshop in Manhattan’s West Village with 6,000 books crammed into hand-carved shelves, and colorful booksellers who have worked there for decades and “keep track of inventory by hand, jotting down titles sold on yellow notepads.” Friss was more than a loyal customer there. When he married bookseller Amanda, the shop closed for the occasion.

Friss doesn’t neglect facts and figures, which can be depressing for those of us who could never quite enjoy You’ve Got Mail. We learn, for example, that the U.S. Census Bureau reported 13,499 bookstores in 1993; by 2021, the figure had dropped to 5,591. However, more than anything, Friss is a storyteller. Each chapter introduces us to fascinating, dedicated booksellers, including the multitalented Benjamin Franklin, who had a bookshop before bookselling businesses were widespread in the colonies. Friss tells us, “He was a shopkeeper who sold books (retail and wholesale), a printer (and sometimes binder), an editor (and sometimes author), a marketer, a publisher, and a postmaster—roles that blurred.”

Friss goes on to browse through the history of American bookstores in chapters that cover Chicago’s Marshall Field’s, the country’s “first book superstore,” as well as the last bastion on New York City’s erstwhile Book Row, the Strand. Having started with Franklin, it’s fitting that Friss’ final chapter focuses on another writer-bookseller: Ann Patchett. Patchett was already a successful author when she co-founded Nashville’s Parnassus Books with Karen Hayes in 2011. Friss tells us that Parnassus, along with other indies such as Word Up in New York City’s  Washington Heights neighborhood known as “Little Dominican Republic,” and Solid State Books, a Black-owned bookstore in Washington, D.C., have built loyal followings that have (mostly) enabled them to weather the COVID-19 pandemic—and Amazon.

Will the unique animal of the independent bookshop survive? In many ways, Friss suggests, that’s up to readers and book lovers—to us.

 

The Bookshop is an entertaining romp through the history of America’s bookstores, paying tribute to dusty stacks, colorful booksellers and the dedicated patrons who have helped shops endure.
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In 18th-century England, women and men had no setting where it was acceptable to converse as equals on intellectual subjects like literature, fine art, foreign affairs, history, philosophy and science. That is, until women began hosting lively gatherings that defied sexist gender norms.

When Elizabeth Montagu began hosting her salons in her house in London, she started a trend that historian Susannah Gibson calls “the centerpiece of the first women’s liberation movement.” Gibson’s meticulously researched and beautifully written The Bluestockings: A History of the First Women’s Movement tells how this groundbreaking development changed the lives of women who achieved prestige as novelists, poets, translators and advocates of education.

Gibson spotlights salon hosts Elizabeth Montagu and Hester Thrale alongside prominent intellectual figures of the period: novelists Frances Burney and Sarah Scott, poets Ann Yearsley and Hannah More, author and advocate Mary Wollstonecraft and historian Catharine Macaulay. “Whatever magic Montagu weaved within the walls of her salon,” writes Gibson, “the old spell was broken and the learned lady—so despised elsewhere—suddenly became a desirable person to know . . . even an aspirational figure.” Macaulay is of particular interest because her experience is emblematic of the existent societal tension. Her multivolume history of England was widely praised, yet she dealt with “an enormous amount of male prejudice.”

The term “bluestocking” “caught on as a way of valuing intellectual endeavors above fashion.”  While Gibson acknowledges the diversity of opinions among the Bluestockings, she writes that, on the whole, they “were advocating for the most fundamental woman’s right: the right to be acknowledged as an independent individual of inherent worth.” Laying the groundwork of a whole new worldview, the movement influenced the suffragists of the next century. Consistently enlightening and insightful, The Bluestockings should be widely read by both women and men.

Meticulously researched and beautifully written, The Bluestockings recounts the lives of 18th-century women who forged a path for feminist movements to come.

Don’t be put off by the erudite title of David Chaffetz’s vividly narrated book. Raiders, Rulers, and Traders: The Horse and the Rise of Empires reads like an enthralling travel memoir. It begins with the author perched uncomfortably on the back of a sure-footed pony on the steppes of Mongolia, where his arrival at a remote yurt is celebrated with ayraq, fermented mare’s milk. “We could no more drink all of the milky liquor on offer than we could take in all of the Milky Way above our heads,” he writes, charmingly. Likewise, Chaffetz’s account of how horses and landscapes shaped the distant past glimmers with myriad fascinating insights, seamlessly woven into a cohesive whole.

He begins at the very start of Homo sapiens-Equus interactions, when horses were hunted for meat and gradually domesticated for nutrient-rich mare’s milk. That, in turn, led to the need to ride horses to manage larger herds. Chaffetz demonstrates how the grassy steppes of Eurasia, rather than the forests of Western Europe, best suited horses, which led to their role as engines of war and empire-building in Persia, India and China.

Never dry, the narrative is enlivened by intriguing details. Chaffetz reports that the word “post” can be traced to Persian mounted messengers who navigated hundreds of miles of terrain. Along the messenger’s route, horses were tied to stakes, or posts, so a rider could quickly dismount a tired horse and remount a fresh horse and continue their journey, carrying a ruler’s decree across vast distances. In this way, horses were key to conquering territory in war and then governing it. Chaffetz sets the stage for his discussion of Genghis Khan with the observation of a medieval visitor: “When I travelled in the steppes, I never saw anyone walking. . . . Even the poor have to have one or two [horses].” The Mongols’ vast herds presented an opportunity. As Chaffetz explains, “The rains, the grasses, and the geldings of Mongolia did not create Genghis Khan, but his conquests are impossible to understand without them.”

Chaffetz, whose previous two books show him traveling through Afghanistan on horseback and celebrating Asian divas of old, exudes a contagious enthusiasm and curiosity. In Raiders, Rulers, and Traders, readers will happily follow his journey as he chronicles how closely our history is intertwined with the magnificent horse.

 

David Chaffetz’s charming, masterful Raiders, Rulers, and Traders glimmers with fascinating insights into how horses have helped build our world.
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Karen Kirsten spent afternoons as a young child at the home of her Polish grandparents in Melbourne, Australia, eating cakes from her grandmother’s favorite patisserie and listening to classical music. Adored by her maternal grandparents Alicja and Mietek, both Holocaust survivors, she could not understand why they never spoke about their past. As a young adult, she wondered why she was taught nothing about Judaism, and she struggled to explain her mother’s tales of a troubled and abusive childhood with parents she claimed did not love her.

What Kirsten didn’t know is that when her mother, Joasia, was 32, she received a letter from a stranger that blew open her world. It was from her real father—not Mietek, but another man who was living in Canada—and he wrote that her actual mother, Alicja’s sister Irena, was fatally shot by the Nazis in occupied Poland. Joasia would soon learn that as a baby, her father smuggled her out of the Warsaw ghetto in a backpack. Alicja and Mietek, her aunt and uncle, never told her the truth. And like her aunt and uncle, Joasia kept these revelations a secret from her own children for decades.

Irena’s Gift: An Epic WWII Memoir of Sisters, Secrets, and Survival chronicles Kirsten’s remarkable, decade-long quest to understand and heal the transgenerational trauma of war on her family. Using historical accounts, interviews and extensive archival research, Kirsten movingly reconstructs scenes of violence and heroism in the lives of everyday people, most notably the extraordinary women who came before her. After years of emotionally intense research reconstructing her mother’s and grandparents’ past, Kirsten takes Joasia to Poland to uncover the origins of their pain.

Pain sometimes travels through families until someone is ready to feel it. This memoir is the result of Kirsten’s journey to break open the seal of suffering and rebuild her family’s Jewish identity after decades of silence. Irena’s Gift is a beautifully written testimony to the power of memoir to heal and recreate a family’s history.

Weaving history with mystery, Karen Kirsten uncovers her family’s traumatic experiences during the Holocaust in her remarkable memoir, Irena’s Gift.

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