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In Our First Civil War, historian and two-time Pulitzer Prize finalist H.W. Brands brings to life the families, communities and tribes torn apart by opposing beliefs during the American Revolution.


Our First Civil War is a concise history of the American Revolution told largely through first-person accounts from letters, diaries and memoirs written by the Founders, prominent Loyalists and other lesser-known participants. Why did you take that approach? Were any of the documents difficult to find and research?
I myself am most engaged by primary sources: the words of the men and women who lived and made history. So it comes naturally for me to write history that way—and indications are that my readers like it.

As for documents, as the digital world expands, historical research becomes easier. There was almost nothing I wanted to see for this book, by way of letters, diaries and the like, that wasn’t available online.

You wrote The First American about Benjamin Franklin 20 years ago. Why have you now come back to the American Revolution, in a book that again looks closely at Franklin, among others?
While recently writing about the Civil War (of the 1860s), I remembered how divisive the Revolutionary War had been. And with the civil war model in mind, I took a new look and discovered how apt a model it is for viewing that earlier conflict.

You devote a considerable amount of the book to Franklin’s evolution from believing in a transatlantic British empire to his firm advocacy for independence. How was he pivotal to the Revolution’s ultimate success? 
No single person is indispensable in something as large as the American Revolution. But Franklin comes close. He was a great fan of the British Empire until the people who ran that empire treated him like a foolish and venal provincial. He then concluded there was no future for people like him within the empire. George Washington had a similar experience. They were both unlikely revolutionaries, but British folly provoked them beyond forgiveness.

Read our starred review of ‘Our First Civil War.’

Some readers may be shocked to learn that Franklin’s son William was not only a prominent Loyalist but also someone who instigated what can be seen as a Loyalist terror campaign late in the war. Why did he take such a different path from his father?
Benjamin Franklin had revolted against his own parents and against the theocrats who ran Boston when Ben was young. William Franklin came to his independence of mind honestly. In addition, where Ben was abused by the British authorities, William found his honor and honesty called into question by American rebels. From his position, loyalty to Britain was the only possible course.

You write about how people of relatively similar backgrounds and early beliefs, like Franklin and the Loyalists Thomas Hutchinson and Joseph Galloway, ultimately developed sharply different positions on independence from Britain. How much of their divergence was ideological, and how much derived from personal experience? I think, for example, of Hutchinson losing his home to the vandalism of a Patriot mob.
Every decision for or against independence was deeply personal. In some cases it was ideological, too. In almost no cases was it simply ideological. To put your life on the line in revolt requires a powerful emotional commitment.

Historians who want to examine the role of women in the Revolution often focus on Abigail Adams. In contrast, you tell us about a Philadelphia Loyalist named Grace Growden Galloway. Why was she interesting to you?
Grace Galloway suffered grievously as a Loyalist in Philadelphia, primarily from the Patriots, who confiscated her property, but also from abandonment by her Loyalist husband, who had to flee for his life to Britain. Yet Grace discovered in her sufferings and abandonment a personal freedom she had never imagined.

“Every decision for or against independence was deeply personal.”

George Washington and Benjamin Franklin wrote often about how the British were treating Americans no better than “slaves”—obviously a sore point for both. But neither seemed to address the existence of slavery in the colonies, including, in Washington’s case, his own possession of enslaved workers. Did they really not see the contradiction between their beliefs and the injustice in their own system?
Both recognized the injustices of slavery, but they didn’t see enslaved people as their social and political equals; almost no white people at that time did. In any case, they believed that before enslaved people could be freed, the United States would have to win its freedom from Britain. The revolution in rights that they were waging wouldn’t be won all at once.

How does your focus on Mohawk leader Joseph Brant address the Native American side of the Revolution’s story?
Brant and the Mohawks faced the same question everyone did at that time: Which side will you choose? Brant had good relations with the British and leaned in their direction. He also supposed his tribe and the larger Iroquois Confederacy would have an easier time dealing with Britain than with an independent United States. Some of his fellows agreed with him; others did not. The war split tribes just as it did families and communities among white Americans.

Among the other fascinating but lesser-known characters in the book are two enslaved men on different sides of the war, Boston King and Jeffrey Brace. Why would enslaved people have fought for either side?
Boston King accepted the British offer of freedom to those enslaved by rebel masters if they crossed lines and came to the British side. He took a gamble: that the Patriots wouldn’t capture him, that the British would win, and that they would honor their promise at war’s end. Although the side he chose—the British—lost the war, King won his freedom and evacuated to Canada with the British at war’s end. 

Jeffrey Brace went to war on the Patriot side because his enslaver did and took Brace along. Brace noted the irony of fighting, enslaved, for his master’s freedom, yet didn’t see an appealing alternative. The Patriot side won, with Brace still enslaved, but his master decided Brace had earned his freedom and let him go.

“As worrisome as the current divisions in American society are, this country has survived much worse.”

At times in the book, it seems like Washington was desperately trying not to lose to the British until Franklin had negotiated an aid treaty with France. French ships were crucial to the outcome at Yorktown. Did the French really win the American Revolution for us?
French help was crucial, but France was fighting not for American independence but to weaken Britain. For a time, the interests of France and the United States coincided. Franklin and Washington capitalized on that coincidence, to America’s benefit.

Another surprise for some readers will be how restive and even mutinous the Patriot army was, to the point that the safety of Congress was under genuine threat. What was Washington’s role in turning that around, and how was that important for the nation’s development?
Mutiny—its threat and its actuality—was a real danger during the Revolutionary War. Many other generals have taken it upon themselves to assume political power when the civil government seems feckless, as the Continental Congress often did during the Revolution. But not Washington. His authority compelled the mutineers to stand down. Quite possibly no other person could have accomplished that feat. Had he not done so, the United States might have gone the way of revolutionary France, into dictatorship.

What do you hope contemporary readers learn from this book, and how might it help them see our current political divisions in a different way?
As worrisome as the current divisions in American society are, this country has survived much worse.

Your 30-some books on American history are incredibly wide-ranging in their subjects, from capitalism to foreign policy, American presidents and recently John Brown and Abraham Lincoln. Is there a period you haven’t yet explored that you want to tackle?
I’m thinking about something on World War II.

Author photo by Marsha Miller.

H.W. Brands illuminates the intensely personal convictions of the Patriots and Loyalists during the American Revolution.
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History fans have big treats in store this year, including groundbreaking books on American history and baseball, plus visual extravaganzas devoted to legendary women and design innovations. There are even lessons in how to survive a sea monster attack—because you just never know.

Relics

Relics: A History of the World Told in 133 Objects is my idea of the perfect coffee-table gift book. Billed as “four billion years in the palm of your hand,” it’s small enough not to be cumbersome, weighty enough to be substantial and full of colorful photos and intriguing text. Open it to any random page and get lost in the images of tiny relics and their histories, ranging from a 4.5-billion-year-old asteroid fragment to a tiny piece of Winston Churchill’s faux leopard-skin hand muff. (Poor circulation in his later years caused Churchill’s hands to get cold.) The book is part of the Mini Museum project, intended to share a collection of hand-held bits of wonders from around the world—a whole exhibition, Polly Pocket-style. 

Young and old will be enticed by the variety of natural, historical and cultural tidbits, including a specimen of petrified lightning from the Sahara, a piece of a Martian meteorite, coal from the Titanic and a morsel of Prince Charles and Princess Diana’s wedding cake. Enjoy at your leisure, with no museum crowds invading your space. 

★ Original Sisters

Award-winning artist Anita Kunz certainly made the most of her COVID-19 lockdown: She began researching and painting portraits of more than 150 extraordinary women from ancient times to the present, many whose stories have been lost to history or whose glory has been stolen by men. The result, Original Sisters: Portraits of Tenacity and Courage, brings these heroines to life in wonderfully bold portraits, each accompanied by a paragraphsummarizing her notable life. These portraits are so vivid that readers will feel as though they are meeting these women face-to-face—and believe me, you will feel their power.

You’ll recognize many women’s names, like Temple Grandin, Nina Simone and Ruth Bader Ginsburg, but others may be new, such as Amanirenas, the partially blind African warrior queen who defeated Augustus Caesar. Patricia Bath, the first Black female ophthalmologist, invented a medical device to remove cataracts. Mabel Ping-Hua Lee was a Chinese American suffragist who led a parade on horseback in New York City to advocate for voting rights. A wonderful gift for friends, family or yourself, Original Sisters is an inspiring springboard for further study of these noteworthy souls.

★ The 1619 Project

For any lover of American history or letters, The 1619 Project: A New Origin Story is a visionary work that casts a sweeping, introspective gaze over what many have aptly termed the country’s original sin: the moment in 1619, one year before the Mayflower arrived, when a ship docked at the colony of Virginia to deliver 20 to 30 enslaved people from Africa. While many books have addressed enslavement and its repercussions, few, if any, have done so in such an imaginative, all-encompassing way, incorporating history, journalism, fiction, poetry and photography to show the cataclysmic repercussions of that pivotal moment.

A superb expansion of the New York Times Magazine’s “1619 Project” issue, this book contains 18 essays as well as 36 poems and stories that examine how slavery and its legacy of racial injustice have shaped the U.S. over the last 400 years. Each piece was curated by MacArthur “genius grant” winner Nikole Hannah-Jones, who pitched the original “1619 Project” to the Times and won the Pulitzer Prize for her contribution to it. The book’s many talented contributors include Ibram X. Kendi, Terry McMillan, Khalil Gibran Muhammad, ZZ Packer, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Bryan Stevenson and Jesmyn Ward. Seven essays are new, and existing essays have been substantially revised and expanded to include additional details. Black-and-white portraits have also been added—both historical and present-day images—as another way of allowing readers to look history in the eye.

A new concluding essay from Hannah-Jones explores economic justice, and her wonderful preface is a special standout. It’s a powerful, personal essay in which she notes that she is “the daughter and granddaughter of people born onto a repurposed slave-labor camp in the deepest South, people who could not have imagined their progeny would one day rise to a position to bring forth such a project.”

The sheer breadth of this book is refreshing and illuminating, challenging each and every reader to confront America’s past, present and future.

‘The 1619 Project’ is excellent on audiobook. Read our starred review!

Make Good the Promises

As Hannah-Jones writes in The 1619 Project, “Slavery was mentioned briefly in the chapter on this nation’s most deadly war, and then Black people disappeared again for a full century, until magically reappearing as Dr. Martin Luther King, Jr., gave a speech about a dream.” What happened in between? Make Good the Promises: Reclaiming Reconstruction and Its Legacies, edited by Kinshasha Holman Conwill and Paul Gardullo, attempts to fill in those gaps, leading readers through Black history from 1865 to today. 

Presented by the Smithsonian’s National Museum of African American History and Culture, the book has a beautifully rendered and highly accessible narrative that’s also methodically organized, with helpful timelines, colorful illustrations and photographs. The book does a particularly good job of laying out the long view of events and their consequences while shining a light on more recent incidents, such as #SayHerName, George Floyd’s murder and the deadly riot at the U.S. Capitol on January 6, 2021. Make Good the Promises is a distressing yet essential, enlightening read.

How to Slay a Dragon

Medieval historian Cait Stevenson admits that she has sometimes “trampled over scholarly conventions in ways that will leave other medievalists curled up in agony.” But armed with her passion for the Middle Ages, she has carved out a unique niche for herself, straddling the worlds of scholarly and popular history. Her fervor is contagious in How to Slay a Dragon: A Fantasy Hero’s Guide to the Real Middle Ages

In a tongue-in-cheek but firmly historical way, Stevenson addresses the stereotypical events that happen in popular media set in and inspired by the Middle Ages, like saving a princess, digging for treasure, slaying a dragon and defeating barbarian hordes. Her writing is informative yet humorous (there’s a chapter titled “How to Not Get Eaten”), so even if you’re not a gamer or “Game of Thrones” fan, you’ll find yourself riveted. In a section on bathing, she notes, “Twelfth-century abbess and prophet Hildegard of Bingen went so far as to suggest that natural hot springs were heated by the underground fires of purgatory, cleansing bathers’ souls as well as their bodies.” Stevenson may not be able to tell you where to find real dragons, but readers will have a blast getting ready for their quests. 

The Baseball 100

Major League Baseball fans, you just won the lottery. In The Baseball 100, noted sports writer Joe Posnanski presents 880 pages of sheer baseball bliss, discussing the history of the game by examining the lives, obstacles and achievements of his nominations for the 100 greatest players of all time, including MLB stars and players from the Negro Leagues. It’s a true masterwork, and his writing is so good that it’s likely to engross even those who know nothing about the sport.

Avid baseball fans will easily become absorbed in these pages, and when they reemerge, they’ll be all too ready to debate Posnanski’s rankings. He’s prepared for this, writing, “I stand firmly behind them, and I expect you to come hard at me with vigorous disagreements. What fun would it be otherwise?” In fact, the author even teases, “I have a list of more than 100 players who could have made this list. I think I’ll save them in case the Baseball 100 ever needs a volume 2.” Perhaps he’d better start writing now.

Patented

At over 1,000 pages, Patented: 1,000 Design Patents is thicker than an old phone book but much more fun to thumb through. Architectural designer Thomas Rinaldi frequently found himself getting lost in “odd internet searches” of design patents, eventually realizing that he was uncovering “a design historian’s El Dorado, a proverbial rabbit hole of unfathomable depth.” He sifted through more than 750,000 patents issued from 1900 to the present to come up with this collection of visual treats. 

The patents are presented chronologically, with line drawings and key information such as the date and designer’s name. It’s an interesting mix of many universally owned, everyday objects—ranging from teapots to barbecue grills, from salt and pepper shakers to the Fitbit—along with patents for much larger things, such as Pizza Huts and Boeing airplanes, unusual entries like the Mars Rover and famous designs like Eames chairs.

For some, this will become a trusted reference, but Patented will also appeal to historians, engineers and kids interested in how things used to look, plus anyone passionate about design, innovation and technology. One could even turn the pages and play a “name that item” game. Some are a cinch to guess, while others, like a 1930 “ozonizing apparatus,” will likely leave you stumped. Once you start browsing, however, you may find yourself hooked.

Find more 2021 gift recommendations from BookPage.

History fans have big treats in store this year, including groundbreaking gift books on American history and baseball, plus visual extravaganzas devoted to legendary women and design innovations.
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A Spanish queen. A Florentine printer. An English wool merchant. A disgruntled German monk. A Genoese explorer. According to Patrick Wyman, author and narrator of The Verge: Reformation, Renaissance, and Forty Years that Shook the World (11.5 hours), these are among the actors who gave birth to the modern world. Wyman argues that from 1490 to 1530, a series of economic, religious and state-building revolutions transformed Europe from a backwater into the dominant global power. And like the song says, it was money—in the form of increasingly available credit—that made the world go round.

Creator of the podcast series Tides of History and Fall of Rome, Wyman is a skilled performer with obvious enthusiasm for his subject. His reading is also enhanced by the book’s structure: Each chapter focuses on a particular historical figure who in some way acted as a midwife to the new age, and Wyman’s narration emphasizes their humanity, warts and all. As a result, he makes this economic history of Europe an entertaining and informative audiobook.

Podcaster Patrick Wyman skillfully narrates his engaging economic history of Europe.
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If flying high in the sky with ducks and digging into the earth’s floral depths isn’t quite what you had in mind, how about a trip back in time? Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad is the first-ever written account of the Quilt Code used by slaves. At a chance meeting in Charleston, South Carolina, quiltmaker Ozella McDaniel Williams told author Jacqueline Tobin about slaves who would color- and pattern-code their quilts (for most slaves could neither read nor write) as a way to communicate to other slaves escaping on the Underground Railroad. Co-authored by Dr. Raymond G. Dobard, who provides historical foundation to Williams’s story, Hidden in Plain View recounts an intricate web of navigation, communication, and courage. Includes color photographs and drawings of the various patterns, colors, and fabrics used in this unique mapping system.

If flying high in the sky with ducks and digging into the earth's floral depths isn't quite what you had in mind, how about a trip back in time? Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad is the first-ever…

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If April showers bring May flowers, get a headstart with The Tulip: The Story of a Flower That Has Made Men Mad. Author Anna Pavord spent six years sifting through library books, paintings, illustrations, tulip gardens (cultivated, wild, and sometimes dangerous), and talking to scores of tulipomaniacs to develop a thorough account of the flower’s very checkered past. Beginning with its Turkish roots (one sultan’s reign was completely dominated by his passion for the tulip), Pavrod reveals incidents where entire businesses were traded for one single bulb; the tulip’s migration from one continent to another; the great mystery behind breaking, where a plain tulip changes into a multi-colored bloom (once thought to be a grower-controlled process, it’s actually caused by a virus). Rich endpapers contain Pavord’s detailed text, and The Tulip is complete with color plates and hundreds of species’ descriptions. Ideal for gardeners and social historians.

If April showers bring May flowers, get a headstart with The Tulip: The Story of a Flower That Has Made Men Mad. Author Anna Pavord spent six years sifting through library books, paintings, illustrations, tulip gardens (cultivated, wild, and sometimes dangerous), and talking to scores…

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While the Middle Ages may seem like ancient history, the proliferation of medieval-themed festivals testifies to our enduring interest in knights, jousting and chivalry. Such gatherings present only the thinnest veneer of the times, of course, masking the rich details that characterized the Middle Ages. With fast-paced storytelling, historian Dan Jones’ captivating Powers and Thrones: A New History of the Middle Ages carries readers over the expansive history of the years 410 to 1527. We meet kings and philosophers, clerics and bankers, theologians and scientists, and explorers and navigators as Jones illustrates an era full of the sorts of challenges we still grapple with today: pandemics, the privilege of a moneyed merchant class, war, climate change and more.

Jones’ magisterial history opens with the fall of Rome in the early fifth century. Mass migrations and a changing climate contributed to an already weakened imperial government, and invaders eventually tore down the walls of the empire. By the sixth and seventh centuries, the first Islamic empires came to power, ushering in new developments in politics and science. Jones examines the roles of monks and knights during this time and explores the age of the Franks, who established a pseudo-Roman Christian empire that gave birth to the Crusades. Jones also helpfully points out that the Crusades did not always feature conflict between Christians and Muslims in battle for control of Jerusalem, but in fact several Crusades grew out of intra-Christian disagreements about orthodoxy and heresy.

In all, Jones introduces readers to the “merchants who invented extraordinary new financial techniques to make themselves and the world richer; scholars who revived the wisdom of the ancients and founded some of today’s greatest universities; and the architects and engineers who built the cities, cathedrals, and castles that still stand five hundred years on, as portals back to the medieval world.” A sprawling book to cover a sprawling history, Powers and Thrones is essential reading for everyone interested in the ways a 1,100-year period changed the course of our cultural history in profound ways.

With fast-paced storytelling, Dan Jones introduces the kings, philosophers, clerics, bankers, theologians, scientists and navigators who defined the Middle Ages.

Edward Dolnick, author of The Clockwork Universe, has a remarkable ability to explain and contextualize complex topics and create compelling, lucid nonfiction narratives. In his new book, The Writing of the Gods, he tackles the Rosetta stone, a broken stone slab weighing three quarters of a ton that was discovered in a heap of Egyptian rubble in 1799.

Once news of this discovery got out, linguists and scholars were ecstatic. The stone contained three different kinds of inscriptions: Egyptian hieroglyphs (undecipherable at the time), a mysterious middle section (which turned out to be another form of Egyptian writing) and, at the bottom, 53 lines of Greek.

“The first guesses were that it might take two weeks to decipher the Rosetta stone,” Dolnick writes. It seemed plausible that the task would be simple: If all three sections were the same text in different forms, the Greek section should provide the key. The reality? It took 20 years to interpret. Along the way, Dolnick clearly lays out the high stakes of this battle to translate Egyptian writing for the first time.

Readers are immersed in the urgency of these scholars’ task and the weight of why it mattered.

In a conversational, accessible tone, Dolnick draws readers into the mystery. He introduces linguist rivals Thomas Young and Jean-Francois Champollion and takes immense care to illustrate the daunting nature of their quest. The result is a book that’s much more than a simple biography or dull history. Readers are immersed in the urgency of these scholars’ task and the weight of why it mattered.

Reading The Writing of the Gods is like tagging along for a dazzling intellectual journey of discovery, akin to listening to a fascinating lecture. Dolnick brings this period of history to life in the same way the Rosetta stone revived ancient Egypt.

With a conversational, accessible tone, Edward Dolnick draws readers into the dazzling intellectual mystery of the Rosetta stone.
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When we think of women’s contributions to World War II, what often comes to mind are bandanna-headed Rosie the Riveter types taking over factory work while the men were away. However, women journalists also reported on the war, facing challenges that male journalists did not, and their contributions are frequently overlooked.

Biographer Judith Mackrell’s wonderful new book, The Correspondents: Six Women Writers on the Front Lines of World War II, examines the war through the eyes of six reporters from this time. Mackrell posits that, though these women had a harder time accessing the front lines or the important political and military figures of the day, creative workarounds led to more nuanced and interesting coverage. “Over and over again,” Mackrell writes, “it was the restrictions imposed on women which, ironically, led to their finding more interestingly alternative views of the war.”

The six women Mackrell focuses on are Virginia Cowles, an American correspondent who started her career as a New York City society reporter; Sigrid Schultz, a brilliant and brave Berlin-based reporter whom readers may remember from Erik Larson’s In the Garden of Beasts; Clare Hollingworth, an ambitious and idealistic young Brit; Helen Kirkpatrick, whose college internship in Geneva led to a lifelong love of covering international relations; Virginia Cowles, an upper-class Bostonian who covered the war while remaining “disconcertingly glamorous in lipstick and high heels”; and Martha Gellhorn, a dazzling writer whom history primarily, and unfairly, remembers as Ernest Hemingway’s third wife.

Mackrell effortlessly weaves together the personal and professional stories of these six journalists, producing a hearty biography that feels almost like a novel with its rich details. She brings each woman to life, tracing her childhood and entry into journalism, as well as her work and romantic life, against the backdrop of a simmering conflict that boiled over into a disastrous war. Although these women covered hard news, delivering scoops about impending military moves, they also wrote human stories that almost certainly would have been underreported had the war been left entirely to male correspondents.

For example, Martha Gellhorn, one of the first reporters to bear witness to the Dachau concentration camp, wrote about one Polish inmate in the camp infirmary who was so wasted that his jawbone “seemed to be cutting into his skin.” After that experience, she wrote, “I know I have never again felt that lovely easy lively hope in life which I knew before, not in life, not in our species, not in our future on earth.”

Judith Mackrell’s biography of six female journalists during World War II feels almost like a novel with its rich details.
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In his account of the 500-year sweep of interaction between American Indians and Euro-Americans, British writer and historian James Wilson attempts to right some of the wrongs of earlier historians. Fitting 500 years of history into fewer than 500 pages is no small task, but part of Wilson’s success is based on his weighting the second half of the 19th century the period when most of the decisions (i.e., mistakes) about the Indian problem were made. Wilson also gives the 20th century, especially the first half, ample space. The settling of the West, the displacement and near annihilation of the Indians, and the modern consequences of those events are treated fully.

For example, a century ago there were more than 300 [American Indian boarding schools] across the country with a combined enrollment of nearly 22,000, close to 10 per cent of the entire native American population at the time. These schools were the result of the Dawes Act of 1877, a piece of legislation that followed a nearly unbroken series of disastrous policies toward native peoples. The first of these schools to open, located in Carlisle, Pennsylvania, was made famous by its most renowned athlete, Jim Thorpe, and the movie based on his life. The sugarcoating job done by that 1951 film (starring the decidedly non-Indian Burt Lancaster) typifies the ongoing revisionism done by white American historians until relatively recently.

Of those boarding schools Wilson writes that native American schoolchildren were thrown into a hostile universe in which everything that made them what they were was systematically ridiculed and condemned. Not surprisingly, many did not survive and many who did survive were scarred for life. . . . He quotes Lakota spokeswoman Charlotte Black Elk who asserted that the Dawes Act was bureaucratic genocide. Children who were successfully civilized were not accepted by their own people. Attitudes persist, so it is easy to understand why little value is placed, even now, on a young person’s leaving the reservation to attend a white university.

Throughout, promises were broken, treaties were broken, and the hearts and wills of many strong people were also broken. And yet today native people are again growing in number and importance. James Wilson’s The Earth Shall Weep affords a good overview of an unhappy segment of the American past.

Writer James Grinnell lives in DeKalb, Illinois.

In his account of the 500-year sweep of interaction between American Indians and Euro-Americans, British writer and historian James Wilson attempts to right some of the wrongs of earlier historians. Fitting 500 years of history into fewer than 500 pages is no small task, but…

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Even historical amnesiacs will have no difficulty remembering the terrible images of American soldiers dragged through the streets of Mogadishu, Somalia, killed and mutilated by a rampaging mob that they had originally been sent to feed. The Battle of the Black Sea (as the events of October 3-4, 1993, came to be known) began as a simple Special Forces kidnapping scheme and ended in a desperate bloody retreat which left 18 Americans and at least 500 Somalis dead. Between the time the assault force (an airborne and motorized medley of Delta Force operators supported by U.

S. Army Rangers) broke into the house of their quarry (local warlord Mohammed Farah Aidid) and the time the force was pulled out in tatters by an international rescue team, something went terribly wrong. Mr. Bowden does a commendable job of showing just what went wrong, and how.

The book came about nearly four years after the event, but the author has done his homework. His list of interviewees is impressive, as is the extent of his research, which includes material which has only recently been declassified. What comes through is a no-holds-barred glimpse into the hell of desperate battle, of men (closer to boys, many of them) killing each other in order just to stay alive. Mr. Bowden describes the fighting through the eyes of several of the battle’s veterans, including Somalis whom he had to bribe his weight in khat (the indigenous drug of choice) to interview, and the result is a searing illustration of vicious urban warfare. In a frank and even-handed epilogue, the author discusses the pros and cons of the mission and its objectives, and shifts the focus from depiction of battle to a discussion of U.

S. foreign policy. The commitment of American forces to back UN famine-relief workers can be seen as President Bush’s parting shot to his successor Bill Clinton, and the difference between their military views became painfully clear in this and subsequent conflicts. Black Hawk Down is a savage reminder that real lives hang in the balance of such changeovers in administrative policy, particularly when heads of state have decided that might makes right.

Adam Dunn writes reviews and features for Current Diversions and Speak magazine.

Even historical amnesiacs will have no difficulty remembering the terrible images of American soldiers dragged through the streets of Mogadishu, Somalia, killed and mutilated by a rampaging mob that they had originally been sent to feed. The Battle of the Black Sea (as the events…

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All statues are raised, but relatively few are razed; when they are, somebody is always upset. In recent years, statues have been vandalized, pulled down by crowds and plucked from public plinths and placed in secret warehouses in the dead of night—to both applause and outcry. Whenever a statue is removed, the same questions arise: Are we erasing history? Wasn’t he just a man of his time? Is this the beginning of a slippery slope?

In Fallen Idols: Twelve Statues That Made History, historian Alex von Tunzelmann addresses these questions by examining 12 different case histories of statues from around the world that fell (literally) out of favor. Tunzelmann makes the argument that statues are not history but rather representations of history. Josef Stalin’s statues were propaganda to justify his grip on the Soviet Union, for example, not depictions of historical fact. The statue of Robert E. Lee in New Orleans was erected as part of a deliberate campaign to rewrite the history of the Civil War by self-avowed white supremacists.

It’s clear from Fallen Idols that there are many reasons to tear down a statue. Removing Stalin’s statue in Budapest was the start of a revolution. Pulling down Saddam Hussein’s statue was a symbolic end to the Iraq War—a symbol that turned out to be disastrously wrong. Taking down a statue can also be an act of truth telling. Leopold II of Belgium was not a benevolent ruler of the Congo, for example, even though that’s how monuments depict him. Even during his lifetime, he was widely condemned for his bloodthirsty exploitation and colonization of the Congolese. In cases like these, Tunzelmann finds that, far from erasing history, the eradication of a statue can actually illuminate it.

In discussing these and other statues, Tunzelmann invites us to consider all public monuments. What are these statues commemorating? What are they hiding? Are there other, better ways to depict history in public spaces without resorting to images of great men (or women)? Fallen Idols is an illuminating guide to a much-needed discussion about history and how it is represented.

Historian Alex von Tunzelmann examines 12 different case histories of statues from around the world that fell (literally) out of favor.
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On their 40th wedding anniversary, Winston Churchill sent the following message to his wife Clementine: My Beloved, I send this token, but how little can it express my gratitude to you for making my life and any work I have done possible, and for giving me so much happiness in a world of accident and storm. Your ever loving and devoted husband, W.

Their six-month courtship in 1908 led to a 57-year marriage. Winston had been elected to Parliament in 1900 and, at the time they married, was also President of the Board of Trade. His passion for politics and public service would take him in the years to come to primary leadership roles in both World Wars and acclaim as the greatest Western statesman of the 20th century. Their marriage survived the often turbulent seas of politics and was a source of strength throughout the years.

We are given an extraordinary look at the famous couple and their world through Winston and Clementine. Edited by Mary Soames, their youngest and only surviving child, this remarkable collection enables us to see them as individuals in the context of their times and understand the depth of their devotion to one another.

The Churchills preferred letter writing, and an occasional telegraph, to the telephone. One would expect Winston to be a good corespondent. He made his living, at least in part, as an author and received the 1953 Nobel Prize for Literature. His letters are well written, but so are Clementine’s. She is a keen observer, has good insight into people, and expresses herself clearly with sensitivity and grace. She does not hesitate to put forth her own opinions when she disagrees with her husband. An important aspect of this book is the editor’s admirable historical and personal commentary about matters that place the letters in proper context. Soames also helpfully identifies persons as they are mentioned in the letters. In addition, there are Biographical Notes at the back, which give more detailed information about some of those closest to the Churchills. Winston and Clementine is a treasure and a delight.

Roger Bishop is a regular contributor to BookPage.

On their 40th wedding anniversary, Winston Churchill sent the following message to his wife Clementine: My Beloved, I send this token, but how little can it express my gratitude to you for making my life and any work I have done possible, and for giving…

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Massachusetts Lieutenant Governor Thomas Hutchinson’s house in Boston was destroyed by a mob. Benjamin Franklin’s son William was imprisoned for political reasons and wasn’t allowed to visit his dying wife. Grace Growden Galloway, a prominent Philadelphian, was forcibly evicted from her home when it was confiscated because of her husband’s beliefs.

Who were the miscreants who beleaguered these upstanding citizens? In all three cases, they were supporters of American independence from Britain—the very people we now think of as Patriots. The American Revolution wasn’t just a conflict between colonists and redcoats, as it turns out. It was an unforgiving brawl between neighbors.

H.W. Brands illuminates the intensely personal nature of early Americans’ ideas about independence.

In Our First Civil War, prolific historian and Pulitzer Prize finalist H.W. Brands zeroes in on that neglected aspect of the Revolution in a narrative told mostly through the writings of those who lived through it. He ranges from the very famous, such as George Washington and Benjamin Franklin, to the less familiar, such as two enslaved Black men who fought on different sides of the war and a Mohawk chief who chose the alliance least damaging to his tribe.

Much of the book is devoted to the evolution of Washington and Franklin from staunch Britons to unlikely leaders in the movement for independence. But Franklin’s sad family history is equally intriguing: He helped his son William achieve prominence as a colonial governor, then bitterly broke with him over their political differences. The two never reconciled.

Galloway’s experience is another of Brand’s poignant tales. After her Loyalist husband deserted her and fled to Britain, the Patriots seized her substantial property, and she was left in poverty. Her view of independence was not a positive one. But Brands also shows that the British were their own worst enemies, treating sincere compromise efforts with arrogant contempt, then ignoring informed advice from Loyalists over the war’s conduct.

Like all civil wars, it was a bloody mess. Some Americans achieved better lives, but others were utterly devastated. Brands shows how fraught and complicated it was for the generation that lived through it, a perspective well worth considering amid our current divisions.

The American Revolution wasn’t just a conflict between colonists and redcoats. It was an unforgiving brawl between neighbors.

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