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Abraham Lincoln was not an abolitionist. Instead, as noted Civil War historian James Oakes believes, Lincoln’s evolving views on racial equality were based on an antislavery view of the Constitution. According to such a view, the text of the Constitution refers to people who were enslaved as “persons” and never as property, making it (with the exception of two carefully defined rights of enslavers) an antislavery document. By the time he was inaugurated, Lincoln had gone on record to support the major principles of such an interpretation, and now Oakes explores this subject in his compelling and detailed The Crooked Path to Abolition: Abraham Lincoln and the Antislavery Constitution.

Oakes demonstrates that the goal of all antislavery politics through the Civil War was to use federal power to prevent new territories from becoming slave states and allow existing slave states to do away with slavery on their own. Slavery was abolished, Oakes shows, because the Civil War radically accelerated the decadeslong shift in power between slave and free states. Lincoln’s object in emancipating enslaved people, as important as that act was, was not an end in itself as much as a means to pressure the states to abolish slavery individually.

Lincoln spoke eloquently of a society in which everyone had a “fair chance in the race of life,” but on several occasions he made disturbing public comments that raised questions about his views on racial equality. In 1858, he specified four areas in which he did not advocate equality: voting, serving on juries, holding elective office and intermarrying between Black and white people. All of those areas were regulated by the states during this age of “constitutionalism,” during which major issues were debated in constitutional terms.

This relatively short book is richly rewarding and helps us see the full context of political decisions that put slavery, as Lincoln said, on “a course of ultimate extinction.”

The Crooked Path to Abolition is richly rewarding and helps us see the full context of political decisions that put slavery, as Lincoln said, on “a course of ultimate extinction.”

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In the spring of 2015, at the still-vigorous age of 87, Hans Lichtenstein agreed to a road trip. Accompanied by his son Jonathan, he would travel by car, ferry and train from Wales to Berlin, Germany, where, in 1939, Hans’ mother put him on a train to England to escape the Nazis. At 12 years old, Hans was one of 10,000 mostly Jewish children who escaped through what came to be known as the Kindertransport, fleeing the tragic ending that many of their families could not avoid. In Hans’ son’s eloquent and poignant memoir, The Berlin Shadow, ghosts from that time in history continue to haunt them both.

This reverse journey loomed ominously for the author. Often at odds with his “difficult” father, Jonathan, by then a father himself, as well as a professor and acclaimed playwright, feared that “such a trip could break the small amount of fondness that had only recently arisen between us.” The people and places that haunted Hans were as yet unknown to his son. He knew Hans hated Volkswagens and would not tolerate hearing Hitler’s name. Visits with relatives were rare and mysterious. Yet as Hans’ health grew more problematic, they understood he was running out of time to find some peace—or at least relief from his nightmares.

Jonathan’s own memories of his father’s erratic, dangerous behaviors—such as speeding them all in the family car toward the edge of a seaside cliff—left little room for bonding. When Hans, a physician beloved by his community, discounted his own children’s illnesses, he came close to causing their deaths. Jonathan paints vivid pictures of it all, interspersing their troubled past in Wales with their present in history-haunted Berlin. He writes in such vibrant detail that his words become like a map of the city, containing everything from streets to shops to family gravesites. Revelations ignite the landscape as father and son draw closer.

“It’s not just what you remember, it’s how you remember,” the author commented on an episode of the “History Extra” podcast. The Berlin Shadow casts a truly memorable light on both.

In 1939, Hans Lichtenstein’s mother put him on a train from Berlin to England. In 2015, he and his son Jonathan returned to Berlin in search of peace.

In his engrossing and accomplished debut work of nonfiction, The Eagles of Heart Mountain: A True Story of Football, Incarceration, and Resistance in World War II America, Bradford Pearson shines light on a little-known chapter of World War II resistance on the homefront. He sets the stage by confronting the inaccurate vocabulary used to describe the forcible relocation of 120,000 people of Japanese descent in the 1940s, rejecting the commonly used “internment” in favor of the more accurate term “incarceration.”

Pearson’s story revolves around the Eagles, the high school football team of a Japanese incarceration camp located near Heart Mountain, outside of Cody, Wyoming. In the fall of 1943, in its inaugural season, the football team went undefeated against neighboring high schools. Based on meticulous archival research and interviews with surviving family members, Pearson’s narrative provides the political context for the incarceration of Japanese civilians while bringing readers into the lives of several of the teens who came of age in the camp, including Ted Fujioka, George “Horse” Yoshinaga and his best friend, Tamotsu “Babe” Nomura.

Pearson’s tale goes beyond a simple feel-good sports story to encompass the complex political and racial justice issues of the time. In early 1944, for example, after the War Department reinstated the draft for second-generation Japanese men, 63 men imprisoned at Heart Mountain were put on federal trial and found guilty for their decision to resist the draft unless their rights as American citizens were restored.

Pearson weaves this legal fight with the experiences and fates of the young Eagles both during and after World War II. Some went to war, such as Fujioka, who was killed fighting in France. Yoshinaga became a journalist and sports promoter. Nomura returned to California, where he had once been the starting halfback on his high school football team. In December of 1945, he was touted for his impressive reputation on the Los Angeles City College football team as the “nation’s top Japanese-American gridster”—a headline unthinkable only two years before.

The Eagles of Heart Mountain is an inspiring exploration of resistance and a timely examination of how the policy of Japanese incarceration impacted the lives of young people and their families.

The Eagles of Heart Mountain is an inspiring exploration of resistance and a timely examination of how the policy of Japanese incarceration impacted the lives of young people and their families.

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Ed Caesar’s irresistible book The Moth and the Mountain tells two essential stories. Its primary story is an account of Maurice Wilson’s ill-fated 1934 attempt to be the first solo climber to summit Mt. Everest. Wilson is barely a footnote in Everest climbing history, usually derided as a grandiose dilettante whose widely publicized ambitions were not only absurd but fatal. And yet, as he promised, the traumatized, highly decorated World War I officer did learn to fly, did elude British colonial authorities seeking to ground his efforts at every turn, did pilot a biplane to India (despite an absurdly wrongheaded takeoff), did sneak across the border into Tibet dressed in the elaborate garb of a suspiciously tall holy man and did climb to substantial heights on Mt. Everest.

The important second story Ed Caesar tells is about his own obsession with solving the mysteries of Maurice Wilson. What gave Wilson his bold determination? Was it his desire to romance Enid Evans, his supposed “soul mate”? Caesar, a terrific writer and a contributor to the New Yorker, introduces us to Enid this way: "Enid was slim, winsome, brown haired, stylish, vivacious, and married. Wilson was cripplingly in love with her, and not just because of her faith in his mission."

Or might it be because of Wilson’s wartime trauma? Wilson, the son of a provincial textile manufacturer, was not of the right class to be a British officer. But the decimation in the trenches of the war led to his elevation to leadership. He performed heroically and, as a result, experienced physical and psychological torments for years. Were these wounds what led him to try to prove himself on the mountain?

The frustrating thing for Caesar and for us is that some of life’s questions are unanswerable. Enid’s letters to Maurice are lost, presumably destroyed by her husband. Caesar discovers a relative of Wilson who reveals some information but says, provocatively, that other bits will go with him to the grave. The Moth and the Mountain has many, many riveting moments of storytelling and insight, and yet, some answers to the mystery of Maurice Wilson remain shrouded in the mists of Mt. Everest.

Ed Caesar’s irresistible book The Moth and the Mountain tells two essential stories. Its primary story is an account of Maurice Wilson’s ill-fated 1934 attempt to be the first solo climber to summit Mt. Everest. Wilson is barely a footnote in Everest climbing history, usually derided as a grandiose…

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Chances are, if asked about life in the Middle Ages, one might describe a landscape from Monty Python and the Holy Grail, with mud-covered peasants throwing not-quite-dead relatives into plague carts. And if asked about medieval science, one might simply ask, “What’s that?” However, in The Light Ages: The Surprising Story of Medieval Science, Cambridge historian and lecturer Seb Falk reveals how far from reality these perceptions are.

Instead of smothering science, Falk argues, the church actually nurtured it during the Middle Ages. Observance of daily devotions and holy days required accurate methods for measuring time, which required sophisticated mathematical skills and precise astronomical observation. Astrolabes and other beautiful scientific instruments originally developed to tell time were found to be useful in other fields as well, triggering advances in optics, navigation and medicine. Friars, monks and priests went to universities, where, in addition to theology, they learned about scientific and mathematical advances developed by Islamic scholars. The medieval scholar was a member of an international society devoted to the precise understanding of creation, not a benighted isolationist.

In The Light Ages, Falk uses the story of John Westwyk, a 14th-century monk-mathematician-astronomer-warrior, to explore the scientific explosion that occurred well before the Renaissance. Westwyk, an almost anonymous brother in the Benedictine abbey of St. Albans, serves as the reader’s guide to the intellectual world of medieval Europe. This ordinary monk shows up in the most extraordinary places: the University of Oxford, Chaucer’s London and even the middle of a doomed crusade. A talented mathematician and astronomer, Westwyk refined the measurements necessary to locate exactly where a planet was on any given day in its revolution around the earth. Ironically, this increased precision necessitated evermore elaborate and unlikely explanations for the glaring discrepancies between the geocentric theory of the universe and observed reality.

The work of these early scientists revealed that the universe couldn’t revolve around the earth. Without their work, Copernicus’ calculations would have been neither possible nor necessary. In this magisterial and informative book, Falk makes a convincing argument that The Light Ages gave birth to our own age.

Chances are, if asked about life in the Middle Ages, one might describe a landscape from Monty Python and the Holy Grail, with mud-covered peasants throwing not-quite-dead relatives into plague carts. And if asked about medieval science, one might simply ask, “What’s that?” However, in…
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In October 1957, Sputnik 1 went up, and America panicked: My gosh, the Soviets are winning the Cold War! At least that's how it seemed as the little satellite's beep-beep was heard around the world. President Eisenhower hated spending money, but even he was persuaded that an aggressive space program was crucial. The United States' prestige was at stake, and so NASA was born as an instrument of nationalist competition.

But that's not how it evolved, at least in global public perception. Teasel Muir-Harmony’s engaging Operation Moonglow: A Political History of Project Apollo reveals that the 1969 Apollo moon landing mission was the single most successful U.S. diplomatic effort of the late 20th century—precisely because it consciously avoided jingoism.

Muir-Harmony, a curator at the Smithsonian, draws on a rich cache of documents from NASA and the United States Information Agency, among other sources, to bring to vivid life the ground-level public relations onslaught surrounding the Apollo project. When U.S. diplomats organized exhaustive worldwide tours and exhibits about their country's successes, they quickly learned that American boasting was a turnoff. Instead, millions of people across the earth reacted with astounding enthusiasm to a message of global unity. The space mission was "for all mankind."

The astronauts assigned to the mission proved to be natural goodwill ambassadors, indefatigable in their unpretentious friendliness. Muir-Harmony brings us along for their post-flight tours—as Frank Borman wades into Paris crowds to press the flesh and as Neil Armstrong says just the right thing to charm the prickly wife of Yugoslav president Josip Broz Tito. The positive feeling generated by Apollo arguably helped Nixon jump-start his secret Vietnam War peace talks.

It feels like such a remote era now: Presidents Eisenhower, Kennedy, Johnson and Nixon were all instinctive internationalists, despite their political differences. They believed the United States would prevail through U.S.-led alliances and openness, in contrast to Soviet secrecy and bullying. Muir-Harmony notes that, even with the achievement of the moon landing, NASA couldn’t overshadow global disgust with the Vietnam War or the nation's racial turmoil in any lasting way. Still, Operation Moonglow is a winning remembrance of a time when America thought big and optimistically about its role in the world.

In 1957, Sputnik went up, and America panicked: My gosh, the Soviets are winning the Cold War! At least that's how it seemed as the little satellite's beep-beep was heard around the world. President Eisenhower hated spending money, but even he was persuaded that an aggressive space program was crucial.
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When the western part of the former Third Reich transformed itself with lightning speed into a stable democratic republic and economic powerhouse, it was the ultimate post-World War II success story. The story is true enough, but it wasn't quite that simple. In fact, the defeated German people were shattered after the war. Countless thousands were refugees, prisoners of war and rape victims, collectively blamed for the Holocaust. Unsurprisingly, these conditions caused widespread tension, illness, emotional breakdown and deep denial.

They also caused a now-forgotten witch panic. Historian Monica Black surfaces this deeply buried episode in her riveting A Demon-Haunted Land: Witches, Wonder Doctors, and the Ghost of the Past in Post-WWII Germany, which explores the connection between Germany’s trauma and an upsurge in superstitious hysteria. Included in this wave were Germans who accused their neighbors of being witches, a charismatic faith healer named Bruno Gröning who attracted thousands of followers and others who reported sightings of the Virgin Mary.

From 1947 to 1956, there were 77 “witchcraft” trials in Germany. To be clear, these were not trials of witches; they were cases brought by people accused of witchcraft against their accusers. (The word “witch” was seldom used; the accusers called them “evil people.”) The most notorious trial involved Waldemar Eberling, a lay healer and exorcist who told clients they had been bewitched by neighbors. He was called Hexenbanner, "witch banisher," and both he and his nemesis, a retired teacher who crusaded for the accused, had been anti-Nazis.

Black focuses much of the book on Gröning, a former Nazi believed by his legion of followers to possess magic healing powers against illnesses caused by evil. He eventually went to trial in a tragic case involving a teenage girl with tuberculosis who stopped medical treatment because of her faith in him.

All these cases were studied by doctors at the time they occurred, but Black perceptively points out that none of them ever publicly faced up to the heart of the matter. The terrible societal conditions that led to this outbreak, the experts said, was the fault of the Allied occupation. Guilt and shame over Nazi crimes were never mentioned. Only Eberling’s teacher-enemy pointed out—privately—that a hunt for “witches” was not unlike blaming the Jews.

Historian Monica Black’s riveting A Demon-Haunted Land: Witches, Wonder Doctors, and the Ghost of the Past in Post-WWII Germany explores the connection between Germany’s trauma and an upsurge in superstitious hysteria.
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When World War II ended, Europe was devastated. There were over 40 million displaced people across the continent, including 8 million civilians in Germany alone, 10% of them Jewish. Malaria, tuberculosis and famine were serious threats in areas that lacked a stable society, moral authority and basic infrastructure. In his wide-ranging and consistently enlightening Ruin and Renewal: Civilizing Europe After World War II, Paul Betts shows how efforts to “civilize” these devastated regions influenced much of our world today. His account combines political, cultural and intellectual history, while also touching on science, religion, photography, architecture and archaeology.

The first humanitarian efforts were waged by foreign volunteers from both secular and religious groups. Among the many agencies was the United Nations Relief and Rehabilitation Administration, made up of workers from 44 countries. They offered help to the “victims of German and Japanese barbarism,” and their legacy is mixed, but the organization “did forge a new language of civilization . . . for postwar Europe.”

Other types of aid had religious overtones. In 1946 Winston Churchill asserted that there “can be no revival of Europe without a spiritually great France and a spiritually great Germany.” His message of forgiveness went as far as a personal contribution to the defense fund for German officers accused of war crimes. Likewise, Presidents Truman and Eisenhower shaped a good deal of U.S. foreign policy according to their Christian beliefs.

The first half of the book focuses on the European continent, and the second half concentrates on Europe’s changing role in the wider world with regard to empire and decolonization. In all, this splendid overview provides striking new insights about where the Western world has been and where we may be going.

When World War II ended, Europe was devastated. There were over 40 million displaced people across the continent, including 8 million civilians in Germany alone, 10% of them Jewish. Malaria, tuberculosis and famine were serious threats in areas that lacked a stable society, moral authority…

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“Divorce, divorce, divorce.” Homeira Qaderi’s phone screen lit up with these words from her husband, ending their arranged marriage—and her parental rights to their baby son. This heartbreaking act comes not at the beginning of her searing memoir, Dancing in the Mosque: An Afghan Mother’s Letter to Her Son, but near its inevitable conclusion, as a woman who could not conform to the strictures of Taliban-ruled Afghanistan must face the bitter consequences. Her journey from rebellious child to courageous teacher, acclaimed storyteller and, finally, despairing mother feels like a secret that needed to be told. Someday, Qaderi writes to her son, Siawash, from her chosen exile in California, she hopes their story will mean other Afghan mothers will not meet the same fate.

Qaderi’s childhood in Herat, occupied by Russians and later ruled by the Taliban, was fraught with violence. Bullets flew everywhere. Soldiers strode through streets and into homes. Books were forbidden for girls, and her mother “was like a spider trying to safeguard me within her web.” Her grandmother chastised her curiosity and fearlessness, but her father encouraged her. She was still a teenager when she began teaching boys and girls together, a forbidden act. Their classroom was a stifling tent that served as a mosque, and they kept their notebooks hidden in their Qurans lest Taliban soldiers found them learning instead of praying. Risking discovery and death for a few moments of youthful joy, Qaderi once even allowed dancing.

Interspersed among grim descriptions of Taliban rule and Qaderi’s heartbroken letters to her lost son are stunning passages describing the austere beauty of her homeland, which she still mourns. Yet her grief begs an even harder question: What does it take for a parent to choose hope for a greater good over their own child?

“Divorce, divorce, divorce.” Homeira Qaderi’s phone screen lit up with these words from her husband, ending their arranged marriage—and her parental rights to their baby son. This heartbreaking act comes not at the beginning of her searing memoir, Dancing in the Mosque: An Afghan Mother’s…

America’s current struggle with racist police violence, voter suppression and white supremacy has deep and bloody roots in our national history. In order to understand the divisive United States of today, we must examine how the legacy of slavery and segregation continues to shape our nation. Jane Dailey’s White Fright: The Sexual Panic at the Heart of America’s Racist History contributes to this scholarship through the lens of white anxiety about interracial relationships.

A noted historian of race in America, Dailey grounds this book with a clear narrative voice as she reviews the legal cases that institutionalized segregation in the American South. From Reconstruction after the Civil War to the 1960s civil rights movement, this history has been marked by legal restrictions on interracial sex and marriage occasioned by the sexual panic Dailey terms “white fright,” in a nod to the idea of “white flight.”

Beginning in the late 19th century, voting restrictions such as poll taxes and literacy tests were used in the American South to suppress the African American vote. This allowed for the passage of the so-called Jim Crow laws, legal machinations that institutionalized racial segregation under the false claim of “separate but equal” and were accompanied by white supremacist mob rule and the tragic violence of lynching. Dailey shows how inflammatory narratives of sexual predation underpinned these assaults on Black lives, while also revealing how white women were then held to notions of racial “purity.”

An illuminating contribution to the history of racism in America, White Fright reveals how white anxieties around gender and sexuality shaped the Black experience of social injustice.

In order to understand the divisive United States of today, we must examine how the legacy of slavery and segregation continues to shape our nation. Jane Dailey’s White Fright: The Sexual Panic at the Heart of America’s Racist History contributes to this conversation through the lens of white anxiety about interracial relationships.

Although it’s been 75 years since the end of World War II, accounts that reveal the resilience of ordinary individuals in the face of the Nazi regime continue to emerge into the historical record. In Paper Bullets: Two Artists Who Risked Their Lives to Defy the Nazis, Jeffrey H. Jackson, a Rhodes College professor specializing in European history, unearths the fascinating story of two women, Lucy Schwob and Suzanne Malherbe, whose “resistance activity grew organically out of life-long patterns of fighting against the social norms of their day.”

After 20 years of immersion in the art scene of Paris, Lucy, a photographer and writer who published under the name Claude Cahun, and Suzanne, an illustrator whose professional pseudonym was Marcel Moore, found themselves under German occupation on Jersey, the largest of the Channel Islands. The two women had retreated there in 1937 out of concern for Lucy’s chronic health problems, posing as sisters to hide their true relationship.

Jackson links the women’s involvement in resistance work to their personal experiences as artists and lesbians whose lives constantly put them at odds with expectations placed on them as the daughters of wealthy families in France. These expectations included gender identity and expression, which they explored in both their personal lives and art as a fluid spectrum between masculinity, androgyny and femininity. Jackson’s previous works include Making Jazz French: Music and Modern Life in Interwar Paris, and he is adept at bringing the vibrancy of 1920s and 1930s Paris to life, including the cafes, nightclubs and personalities that were part of the thriving gay and lesbian community to which Lucy and Suzanne belonged.

This carefully researched volume also includes fascinating photographs, artwork and excerpts from the women’s letters and articles. The author’s attention to detail and prodigious research skills are also on display as he recounts the saga of the German occupation of Jersey and the women’s growing determination to do something to resist.

They began small enough, ripping down German posters and announcements and making graffiti. They also created their own anti-Nazi artwork and slipped subversive messages (the eponymous “paper bullets”) onto the windshields of police cars or into the pages of German-language magazines on local newsstands. Their efforts at fomenting doubt among the occupying forces escalated, eventually leading to their arrest, imprisonment in solitary confinement and a dramatic trial in which they were sentenced to death in November of 1944. Their sentence was later commuted, but they remained confined until the war ended.

The final section of Paper Bullets details these women's postwar lives. Lucy died in 1954, Suzanne in 1972. In an epilogue entitled “Why Resist?” Jackson addresses some of the issues that led to the women’s commitment to the cause of freedom. Their story, he notes, “invites us to look at a history of the war from the bottom up, to think about the complexities of ground-level responses to conquest.” Impeccably researched and meticulously sourced, Paper Bullets is a welcome and timely portrait of courage and creativity.

Although it’s been 75 years since the end of World War II, accounts that reveal the resilience of ordinary individuals in the face of the Nazi regime continue to emerge into the historical record. In Paper Bullets: Two Artists Who Risked Their Lives to Defy…

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Lisa Robinson offers a panoramic view of women rockers, whom she collectively refers to as “the girls,” in Nobody Ever Asked Me About the Girls: Women, Music and Fame. Chapters explore topics that are personal (relationships, family, motherhood), professional (fame, bad reviews, stage fright) and artistic (inspirations, influences, the writing process). What emerges is not a detailed profile of any one woman, though certain women are referenced several times, but rather a collective portrait of how women have navigated the music industry, which Robinson calls “one of the sleaziest and more corrupt sides of show business.”

If you, like me, have never considered the careers of women rockers, certain patterns may surprise you. Most got their start because of powerful male sponsors. Many were abused by people they trusted. Musicians as diverse as Jewel and Rhianna, Stevie Nicks and Beyonce, describe a singular obsessive focus on music. Some like Gwen Stefani and Sheryl Crow started off as background singers. Robinson has been interviewing the stars for a long time, and she offers satisfying context. For instance, in 1995 Sheryl Crow told her that if she ever made real money, she would buy her manager “a big house, because he has really stuck with me.” Robinson reports that 25 years later, “Scooter Weintraub is still Sheryl’s manager and she did buy him that house.”

As this anecdote suggests, Robinson is uniquely situated to write this book. She toured with the Rolling Stones in the 1970s. (They jokingly called her “Hot Pants” because they considered her such a prude.) She’s been with musicians as they wrote, recorded and performed. Robinson herself, like the best critics, emerges as a strong and likable figure with a clear point of view. Madonna, she opines, would have never gotten so big without MTV. Hearing Robinson’s sidebar commentary on the music industry, as well as her “war stories” with the rockers of the past, is one of the major delights of this book.

Whether you are tuned in to the history of rock or a casual fan, this book has something to offer. The quotes Robinson has gathered over the years are surprising and intimate, bringing figures like Lady Gaga, Alanis Morrisette and Bette Midler to life. Though no one may have asked Robinson about “the girls,” this reader is glad she found space to write about them anyway.

Lisa Robinson offers a panoramic view of women rockers, whom she collectively refers to as “the girls,” in Nobody Ever Asked Me About the Girls: Women, Music and Fame.
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Urbane and bustling, New York City is often considered the epitome of “Northern-ness.” However, in the decades before the Civil War, the city’s interests were very much in line with those of Southern cotton farmers. Through its finance, insurance and shipping industries, New York probably profited from slave labor more than any other city in the country. The city would do almost anything to appease the Southern states, even if it meant sending its own citizens into slavery.

The Kidnapping Club: Wall Street, Slavery, and Resistance on the Eve of the Civil War by Jonathan Daniel Wells is an eye-opening history of antebellum New York. Wells, a professor of history at the University of Michigan, meticulously details two of New York City’s dirtiest secrets: the city’s illicit backing of the illegal transatlantic slave trade and the Kidnapping Club that helped reinforce it. From the 1830s until the start of the Civil War, and with the support of the city’s judiciary, vigilantes in the Kidnapping Club as well as the police abducted Black New Yorkers on the pretext that they were escaped slaves. With little or no due process, hundreds of men, women and even children were snatched, jailed and then sent south. The broader effects of New York’s illegal slave trade were even more horrific, resulting in the abduction, enslavement and frequently death of hundreds of thousands of West Africans.

There are many villains in this thoroughly researched and fascinating history, including police officers Tobias Boudinot and Daniel Nash, Judge Richard Riker and Mayor Fernando Woods. Yet The Kidnapping Club is more than a story of villainy. It’s also a history of heroes, including David Ruggles, a Black abolitionist who put his body between the victims and their snatchers; Elizabeth Jenkins, who fought against segregated transportation over a century before Rosa Parks; and James McCune Smith, an abolitionist and the first African American to hold a medical degree.

Most important of all, The Kidnapping Club restores the names of the abducted: Ben, Hester Jane Carr, Isaac Wright, Frances Shields, John Dickerson and countless others whose lives were destroyed and humanity erased— until now.

Urbane and bustling, New York City is often considered the epitome of “Northern-ness.” However, in the decades before the Civil War, the city’s interests were very much in line with those of Southern cotton farmers. Through its finance, insurance and shipping industries, New York probably…

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