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Beautiful Jim Key: The Lost History of a Horse and a Man Who Changed the World also documents an animal-based story, but quite a different one. Mim Eichler Rivas spotlights Beautiful Jim Key, a horse whose intelligence and ability paved the way for a new appreciation of horses and all other animals as well. Key’s owner and trainer was Dr. William Key of Shelbyville, Tennessee, an ex-slave who was also a veterinarian and entrepreneur. Dr. Key eschewed cruelty and the use of force, preferring to use kind words, a gentle touch and a calm, almost reverent demeanor toward his horse.

Dr. Key became a celebrated figure in his own right, a famous black American who wasn’t an entertainer, athlete or activist. His stately, dignified and educated image and the results of his training made him a quiet hero during a time long before the civil rights era. He traveled with his horse to places where he was regarded as something below the animal he was presenting, yet his openness, kindness with Jim Key and overall attitude often softened the hearts of those who would otherwise oppose him solely due to his race. Beautiful Jim Key contains some striking descriptions of the horse’s maneuvers and performance moves, as well as a poignant account of an amazing relationship between owner/trainer and animal that in a small but significant way helped make a difference socially during the early part of the 20th century.

Beautiful Jim Key: The Lost History of a Horse and a Man Who Changed the World also documents an animal-based story, but quite a different one. Mim Eichler Rivas spotlights Beautiful Jim Key, a horse whose intelligence and ability paved the way for a…
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There aren’t too many folk other than historians who know that there was a time when African Americans ruled horse racing. Black jockeys won at least 13 or 14 of the first 25 Kentucky Derby events, and 12 of the 15 jockeys in the first Kentucky Derby were black. Jimmy Winkfield grew up during that era, and in 1901 and 1902 he won back-to-back Kentucky Derbies, a feat equaled only by three others. Ed Hotaling unveils Winkfield’s rise and the disgraceful reaction it provoked in his wonderful book Wink: The Incredible Life and Epic Journey of Jimmy Winkfield.

Hotaling starts with Winkfield’s early years as a shoeshine boy in Lexington, Kentucky, then details Winkfield’s rise to superstar status at 22 and his highly confident and combative personality that eventually caused him to be blackballed by stable owners in 1903. Undeterred, Winkfield left America and embraced the European racing circuit. He became the “black maestro” in Moscow, and was later highly celebrated in France. He eventually left France and returned to America to become a construction worker for the Works Progress Administration. Winkfield once again emerged as a winner, this time training horses and owning a stable in France despite being in his 70s. He finally died in Paris at 94. Hotaling doesn’t sanitize Winkfield or minimize his flaws. Alongside the biographical details, Hotaling shows how racism and economic pressure combined to displace black jockeys and turn horse racing into an all-white sport before the first decade of the 20th century ended.

There aren't too many folk other than historians who know that there was a time when African Americans ruled horse racing. Black jockeys won at least 13 or 14 of the first 25 Kentucky Derby events, and 12 of the 15 jockeys in the…
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William Faulkner wrote: “The past is never dead. It’s not even past.”

That argument gained credence when James Ford Seale was arrested more than 40 years after he and fellow Ku Klux Klan members tortured and murdered two young black men in Mississippi. The ghosts of his victims, and others who lost their lives during the long struggle for civil rights, seem eerily present in the courtroom during Seale’s murder trial, as chronicled in The Past is Never Dead: The Trial of James Ford Seale and Mississippi’s Struggle for Redemption. Author Harry N. MacLean’s main objective is to cover the trial in which a now aging and feeble Seale is accused of the 1964 killings of Charles Moore and Henry Dee. But the book’s broader theme concerns an underlying racial tension MacLean detects in Mississippi, and how the state’s white residents are still trying to atone for sins their ancestors committed against blacks. Thus, the steamy courtroom air seems thick with the spirits of hate-crime victims Medgar Evers, Emmett Till and other lost souls of the South.

Even while MacLean is covering Seale’s trail, he spends time traveling across Mississippi. His goal is to understand and describe the complex culture of the state. MacLean’s approach is effective when he recounts Mississippi’s struggle to recover from the Civil War, the rise of The Klan and the racial clashes during the 1960s. Equally engaging is his account of how Mississippi attempts to exorcise its demons, as when one small town tries to erect a memorial to Emmett Till. But the narrative loses its way when MacLean takes side trips to Faulkner’s hometown of Oxford, and later visits with an old black blues musician who admits he’s never heard of James Ford Seale. Fortunately, these distractions are short, and the drama of the murder trial is enough to keep the reader interested and the story moving forward.

In sum, The Past is Never Dead works both as a true crime potboiler and as a broader allegory of the South’s search for redemption.

John T. Slania is a journalism professor at Loyola University in Chicago.

William Faulkner wrote: “The past is never dead. It’s not even past.”

That argument gained credence when James Ford Seale was arrested more than 40 years after he and fellow Ku Klux Klan members tortured and murdered two young black men in Mississippi. The ghosts of…

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One missing piece in HBO’s otherwise marvelous series Band of Brothers was the role played during World War II by nonwhite combatants. Christopher Paul Moore’s Fighting for America: Black Soldiers The Unsung Heroes of World War II corrects that oversight on one front, tracing the achievements, sacrifices and contributions of African Americans to campaigns throughout the war. While these soldiers fought in segregated situations and dealt with second-class treatment from the beginning of their tours to the end, they didn’t let that sap their spirit or drain their resolve. Moore includes breakdowns of all the black units in both the European and Pacific campaigns, plus rare photos of everything from black women working in factories stateside to those in the Women’s Army Corps (WAC), Army Nurse Corps (ANC) and Women Accepted for Voluntary Emergency Services (WAVES). He also highlights special units like the Tuskegee Air Corps and rifle units.

One missing piece in HBO's otherwise marvelous series Band of Brothers was the role played during World War II by nonwhite combatants. Christopher Paul Moore's Fighting for America: Black Soldiers The Unsung Heroes of World War II corrects that oversight on one front, tracing the…
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No matter how much people think they know about the slavery era, books like Slavery and the Making of America by James Oliver Horton and Lois E. Horton will unearth facts they didn’t know. Experts in early black American history, the Hortons use narratives from the slaves themselves to provide much of the information here. While there are some expected personalities, the more compelling portraits highlight unfamiliar names such as John Roy Lynch, a former slave elected to the House of Representatives in 1872; Sergeant William Carney, the first black American winner of the Congressional Medal of Honor, awarded for his service during the Civil War; and George Middleton, who became a commander of a black regiment in the Revolutionary War.

The Hortons show how slavery affected commerce and industry in both the North and South, how the nation was ensnarled in controversy regarding the practice almost from the beginning, and how the quandary over the fugitive slave issue frequently triggered ugly and brutal riots in Northern cities. They also detail a legacy of revolt and rebellion that counters the notion that most slaves accepted their fate without incident. As the accompanying book for this month’s PBS television series, Slavery and The Making of America has set the bar extremely high for the documentary production.

No matter how much people think they know about the slavery era, books like Slavery and the Making of America by James Oliver Horton and Lois E. Horton will unearth facts they didn't know. Experts in early black American history, the Hortons use narratives…
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Dr. Carter G. Woodson valued information and knowledge and would certainly laud the release of I’ll Find a Way or Make One: A Tribute to Historically Black Colleges and Universities, an authoritative survey written by journalist Juan Williams and Dwayne Ashley, president of the Thurgood Marshall Scholarship Fund. The book blends personal reflection, historical examination, photographs and plenty of detailed information covering all 108 historically black colleges and universities. In many cases, the birth and growth of these institutions revealed a level of unprecedented cooperation between whites and blacks, often in places where social segregation was enforced at the point of a gun. Historically black schools have also had white and foreign faculty, fostered a climate of support for the arts (with the exception in some places of jazz), and developed ambitious, innovative types who neither accepted nor followed conventional thinking in their endeavors. From the great thinker and activist W.E.

B. Dubois and Supreme Court Justice Thurgood Marshall to television and film moguls Oprah Winfrey and Spike Lee, these students have been a vital force in American society. But Williams and Ashley also feel that while black colleges and universities will always have a special place and tradition, adjustments must be made and transitions recognized.

Dr. Carter G. Woodson valued information and knowledge and would certainly laud the release of I'll Find a Way or Make One: A Tribute to Historically Black Colleges and Universities, an authoritative survey written by journalist Juan Williams and Dwayne Ashley, president of the…
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Just as he used the pivotal figure of John Paul Vann in A Bright Shining Lie to tie together America’s myriad miscalculations in the Vietnam War, so Neil Sheehan focuses here on Bernard Schriever, another relatively unknown presence, to anatomize America’s arms race with Russia from the end of World War II through the mid-1960s.

A German by birth, “Bennie” Schriever came to the U.S. in 1917 when he was six years old. He grew up in San Antonio, earned a degree in construction engineering from Texas A&M and was commissioned into the fledgling Army Air Force in 1933. That same year he met Lt. Col. Henry “Hap” Arnold, a strong believer in the scientific development of weaponry. Schriever served in the Pacific during World War II, and in 1946, with the war over, Arnold appointed Schriever to serve as liaison between civilian scientists and the Air Force to develop new weapons systems. Although Schriever would rise in rank and responsibility, this essentially would be his mission until he left the service in 1966.

Sheehan argues that the arms race between the U.S. and the Soviet Union was predicated on an erroneous assessment of Joseph Stalin’s comparatively modest territorial ambitions. After Russia got the atomic bomb in 1949, however, the us-versus-them dynamic boiled out of control. Then the question became which side could deliver its A-bombs most effectively. Schriever’s nemesis in this calculation was Gen. Curtis LeMay, the man who had fire-bombed Japan into near submission before the A-bombs dropped on Hiroshima and Nagasaki finished the job. LeMay’s solution was more, bigger and longer-range bombers, all carrying thermonuclear warheads—and a willingness to use them.

Since Russia couldn’t match the U.S. in number of A-bombs and planes, it turned its attention to long-range rockets. So did Schriever and his civilian teams. Much of Sheehan’s book concerns his circumventing or surmounting the political machinations, corporate greed and personal vanities that stood in the way of creating what would come to be called the “ICBM”— intercontinental ballistic missile—with the capability of delivering a targeted, nuclear-tipped rocket halfway around the world.

In telling his story, Sheehan profiles a gallery of fascinating characters, among them Paul Nitze (whose 1950 report to the National Security Council, Sheehan says, grossly overstated the Soviet threat); hawkish and brilliant mathematician John von Neumann; the Hall brothers, Ed and Ted, the former a member of Schriever’s first ICBM unit, the latter a spy for Russia who wasn’t unmasked until 1995; and Hitler’s morally accommodating rocket man, Wern-her von Braun, who was more interested in space travel than nuclear confrontation. In piecing this narrative together, Sheehan interviewed well over 100 sources, including Nitze, physicist and hydrogen-bomb pioneer Edward Teller, diplomat Richard Holbrooke and Schriever himself, who died in 2005. It is a dazzling display of scholarship.

To some, this book will be a triumphant tale of America once again winning the day, but to others it will read like a tragedy in which the brightest minds of a generation bent themselves to finding the best ways to slaughter people en masse.

Edward Morris writes from Nashville.

Just as he used the pivotal figure of John Paul Vann in A Bright Shining Lie to tie together America’s myriad miscalculations in the Vietnam War, so Neil Sheehan focuses here on Bernard Schriever, another relatively unknown presence, to anatomize America’s arms race with Russia…

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Best-selling author James Patterson has multiple manuscripts on the drawing board at any given time, but when he decided to write about King Tut, Patterson suspended all projects and teamed up with respected journalist Martin Dugard to craft this “nonfiction thriller” that aims to unravel an age-old mystery.

The Murder of King Tut: The Plot to Kill the Child King essentially divides into two alternating historical sections, with scenes shifting readily from 1492 B.C. (with the Tut lineage, life and death outlined) to the first decades of the 20th century, when excavator/Egyptologist par excellence Howard Carter finally discovered the young monarch’s elusive tomb. Patterson and Dugard exploit their own extensive research into the available historical facts, then extrapolate accordingly, coming to dramatic conclusions that fly in the face of some official speculations. The Tut story emerges as the fictionalized true-crime aspect of the book, while the accounts of the eccentric but determined Carter are based on more readily verifiable facts.

With a simple storytelling style that proves accessible whether focusing on the factual or fanciful, the authors effectively portray the exotic ancient world, including colorful insights into Tut’s brief reign and the soap-opera-like events of his rise and fall, especially as involves his stepmother Nefertiti and his marriage to his half-sister Ankhesenpaaten. The Carter story evokes the atmosphere of an Indiana Jones movie (but without the violence). Occasionally, Patterson interrupts his two-pronged tale to fill his readers in on certain elements of the writing and research process, these tidbits shedding some light on his passion for getting at the truth about Tut’s fate.

Patterson is due to return in November with a new Alex Cross novel; in the meantime, this deft blend of antiquity and whodunit should interest his many fans.

Martin Brady writes from Nashville. 

Best-selling author James Patterson has multiple manuscripts on the drawing board at any given time, but when he decided to write about King Tut, Patterson suspended all projects and teamed up with respected journalist Martin Dugard to craft this “nonfiction thriller” that aims to unravel…

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When Martin Luther King Jr. met Lyndon Baines Johnson on December 3, 1963, the latter did most of the talking. King told reporters afterward, I have implicit confidence in the man, and unless he betrays his past actions, we will proceed on the basis that we have in the White House a man who is deeply committed to help us. Despite highs and lows in their relationship, the two men achieved two historic legislative landmarks, the Civil Rights Act of 1964 and the Voting Rights Act of 1965.

By the spring and summer of 1965, however, King began to publicly raise doubts about the administration’s Vietnam policy. In an April 1967 speech, the Nobel Peace Prize recipient and minister explained his opposition to the war and denounced the country’s role in world affairs. Johnson called the speech an act of disloyalty to the country. Nick Kotz tells the dramatic story of these complex men and their tumultuous times in Judgment Days: Lyndon Baines Johnson, Martin Luther King, Jr., and the Laws That Changed America. Kotz draws on tapes of LBJ’s telephone conversations, the so-called Stegall files named after a confidential secretary to LBJ and several thousand documents released in response to Kotz’s Freedom of Information Act requests. The effect is a powerful narrative that makes events come alive.

We are made aware of the constant pressures on each man, both from their opponents and supporters. Kotz shows Johnson’s legendary skill at guiding legislation through Congress in both subtle and not-so-subtle ways. We see how King, though told by both presidents Kennedy and Johnson to stop demonstrations because it made passing legislation more difficult, continued because those who marched believed that traditional methods alone would never win them equality. Kotz shows us that LBJ, not known as a great public speaker, could be eloquent on the subject of civil rights. This well-written study helps us to better understand two men without whom Kotz says the civil rights revolution might have ended with fewer accomplishments and even greater trauma. Roger Bishop is a Nashville bookseller and frequent contributor to BookPage.

When Martin Luther King Jr. met Lyndon Baines Johnson on December 3, 1963, the latter did most of the talking. King told reporters afterward, I have implicit confidence in the man, and unless he betrays his past actions, we will proceed on the basis that…
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History has all too often dismissed Marie Antoinette as a simple, frivolous queen with expensive taste. But in Queen of Fashion: What Marie Antoinette Wore to the Revolution, Barnard College professor Caroline Weber makes the clothing of Marie Antoinette startlingly relevant. She argues that, like Jacqueline Kennedy Onassis, Empress Josephine and countless other iconic women, Marie Antoinette used fashion to make powerful political statements that shaped the public’s perception of her and still resonate today: More than 200 years after her death, her style is still mimicked on fashion runways.

Queen of Fashion depicts a sadly human woman desperate to signal her allegiance to an increasingly bitter public. In the face of accusations that her extravagant wardrobe and lifestyle were bankrupting the nation, Marie Antoinette chose to dress more simply and cheaply in taffeta and somber colors. Yet even this choice was ridiculed by nobility and common folk alike, who then complained that she did not appear adequately royal.

Although Weber has clearly done her homework, Queen of Fashion never succumbs to textbook tediousness. Just the opposite: It’s a rollicking account of fashion and power in Versailles. Weber’s empathy for the queen is palpable, and her fascination with fashion is contagious. Frivolous? Never. Fascinating? Every single page.

History has all too often dismissed Marie Antoinette as a simple, frivolous queen with expensive taste. But in Queen of Fashion: What Marie Antoinette Wore to the Revolution, Barnard College professor Caroline Weber makes the clothing of Marie Antoinette startlingly relevant. She argues that,…
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The fourth Thursday of November is often barely a pause in the relentless holiday shopping spree. But older people may recall school lessons about the intrepid passengers of the Mayflower, their compact that prepared the way for democratic institutions, and particularly, their first friendly meal of turkey and pumpkin with the native people. No serious student of early America has ever believed these myths, so Godfrey Hodgson breaks no new ground in undercutting them in A Great and Godly Adventure: The Pilgrims and the Myth of the First Thanksgiving. He has, however, done valuable work drawing on historians’ research about the original New England settlements.

The Pilgrims were fleeing the spies of the Church of England, not anticipating the American Revolution. Their agreement, or compact, merely set up civil order in a place far outside the bounds of authority back home. There were no turkeys in eastern Massachusetts. The real story of the first Thanksgiving is richer and more complex.

Hodgson reminds us of our tendency to interpret and understand the past through the lens of the present. That is not altogether unfortunate. The Pilgrims afforded later Americans examples of bravery in the face of adversity. These first Americans are worth remembering and honoring, and Hodgson gives them their due. One can deconstruct the idea of Thanksgiving as much as one likes, he writes. It remains . . . a domestic celebration of gratitude, humility, and inconclusiveness. These are not qualities for which anyone need apologize.

The fourth Thursday of November is often barely a pause in the relentless holiday shopping spree. But older people may recall school lessons about the intrepid passengers of the Mayflower, their compact that prepared the way for democratic institutions, and particularly, their first friendly…
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The arts and culture flourished in many ways during the Great Depression of the 1930s. Writers such as John Steinbeck and Richard Wright, photographers like Walker Evans and Dorothea Lange and the playwright Clifford Odets sought to understand and convey what was happening. Busby Berkeley, Fred Astaire and Ginger Rogers brought dancing to the screen in imaginative ways. George and Ira Gershwin and Cole Porter wrote musical standards. There was the elegant music of Duke Ellington and the audience-friendly populism of Aaron Copland, while Woody Guthrie’s songs evoked the open road and his concern for social justice.

Noted literary critic and cultural historian Morris Dickstein brings this period vividly to life in his richly insightful, endlessly fascinating and deliciously readable Dancing in the Dark: A Cultural History of the Great Depression. Dickstein believes the Depression offers an incomparable case study of the function of art and media in a time of social crisis. In addition to writers whose books were bestsellers at the time, he discusses in detail the diverse writers whose work read decades later helps us to understand the period: Henry Roth, Nathanael West, Zora Neale Hurston and James Agee.

Dickstein says the Depression was probably the first time in American culture when the great myth of “a man alone,” represented by such writers as Emerson and Thoreau, yielded to images of collective activity. A significant aspect of cultural life was the fascination with American history and geography, its diverse peoples, stories of its folk culture and social myths.

Dickstein knows that artists and performers are limited in what they can do “but they can change our feelings about the world, our understanding of it, the way we live in it. . . . They were dancing in the dark, but the steps were magical.”

Roger Bishop is a regular contributor to BookPage.

The arts and culture flourished in many ways during the Great Depression of the 1930s. Writers such as John Steinbeck and Richard Wright, photographers like Walker Evans and Dorothea Lange and the playwright Clifford Odets sought to understand and convey what was happening. Busby Berkeley,…

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From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied Forces fought to save the Western world, others fought to save Western Civilization. They were “the Monuments Men,” a handful of soldiers given a unique assignment: to preserve the cultural soul of Europe by protecting Europe’s art. Robert M. Edsel’s masterful book The Monuments Men shares their story, in a tale that is part history, part war story and part treasure hunt. Undermanned, undersupplied and with virtually no authority, the Monuments Men (and women) faced bullets, bombs and Nazi booby traps to rescue works by Rembrandt, Da Vinci, Vermeer, Michelangelo and more.

Edsel and his co-author, Bret Witter, have crafted an account that moves like a Hollywood action adventure, with scenes ranging from a peasant’s cottage in the middle of an artillery battle, to the depths of an ancient salt mine. There are heroes to root for, villains to hiss at and an increasingly pressing race against time as the Nazis, in a last vicious act of defiance, set about to destroy the art rather than give it up.

Edsel and Witter interviewed the few surviving Monuments Men, examined family letters and even Nazi archives in their research. Whether you’re a fan of art, military history or stories of real-life heroes, The Monuments Men is a treasure worth the hunt.

Howard Shirley is a writer in Franklin, Tennessee.

From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied…

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