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While there have always been avid crossword puzzle devotees among us, one recent trend that seems destined to continue is the growing popularity of word games. Whether it’s Wordle, Spelling Bee or Blossom, families and friends are finding daily enjoyment (and, yes, frustration) in learning new words. That’s the exact audience that will be delighted to discover The Dictionary People: The Unsung Heroes Who Created the Oxford English Dictionary, Sarah Ogilvie’s captivating, enchanting history.

The story of how Ogilvie—a linguist, writer and lexicographer—found her way to this project is almost as fascinating as the history itself. She begins, “It was in a hidden corner of the Oxford University Press basement, where the Dictionary’s archive is stored, that I opened a dusty box and came across a small black book tied with cream ribbon.” It was an address book, the names penned in the hand of James Murray, the longest-serving editor of the Oxford English Dictionary from 1879 until his death in 1915.

Murray, a father of 11, moved to Oxford in 1884 to work on the dictionary. For years he used a dank iron shed, nicknamed the Scriptorium, as an office. Murray and his assistants sometimes wrapped their legs in newspapers to stay warm. Ogilvie compares the monumental task of compiling the dictionary to a modern crowdsourcing project. The editor issued a global call for contributions, reaching out through newspapers, journals, clubs and schools. The result, Ogilvie tells us, “was massive,” requiring the installation of a special mailbox outside of Murray’s home. More than 3,000 contributors, primarily volunteers, mailed slips to the editor providing examples of how certain words were used, giving particular attention to rare, new or peculiar words.

Ogilvie fondly refers to these volunteers as “the Dictionary People,” and set out to discover more about them. Her research uncovered “not one but three murderers,” along with suffragists, vicars, inventors, novelists, a collector of pornography and Karl Marx’s daughter. Through their devotion and love of language, the unsung heroes of the Oxford English Dictionary have helped us understand our world better. Ogilvie’s passion for the Dictionary People is palpable and contagious, making this book a sheer delight.

The Dictionary People—which chronicles the unsung heroes who contributed to the Oxford English Dictionary—is sheer delight.
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The written narratives of enslaved people offer a window into circumstances that are, to most of us, unimaginable. These vital documents immortalize the names of their authors: Frederick Douglass, Solomon Northup and Harriet Jacobs, among them. But one woman wrote anonymously, perhaps trusting history to keep her secret until it was safe for her identity to be revealed. In The Life and Times of Hannah Crafts: The True Story of The Bondwoman’s Narrative, Harvard University professor Gregg Hecimovich sets out to find the woman who wrote The Bondwoman’s Narrative, an unpublished manuscript bought at auction by renowned scholar Henry Louis Gates Jr. in 2001. Hecimovich relies on the scholarship of Gates and others to celebrate the life and work of the first Black female novelist, Hannah Bond—more than a century after her death.

Scholars have suggested other candidates to fit the bondwoman’s identity—women who walked similar paths from slavery to freedom in the antebellum South of North Carolina, Virginia and Washington. Yet Hecimovich successfully braids together the fictitious details of the novel’s protagonist with Bond’s autobiography, leaving little doubt about the truth. Thanks to his deep research—and despite remaining gaps in the historical record—the titular bondwoman comes vividly to life.

As a “domestic servant,” Bond was at the mercy of her enslavers, who sexually abused her and cruelly severed her family ties—a practice especially rampant after the 1807 Act Prohibiting Importation of Slaves, when slave owners increasingly forced their captives to reproduce and then sold their children. Bond lost her mother and her child, but she held onto her hunger to learn and become literate. She especially leaned on Charles Dickens and Bleak House for help in creating her writing.

The Life and Times of Hannah Crafts is a vivid introduction to America’s first Black female novelist.
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The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World (12 hours) begins with a perilous escape attempt from Auschwitz and expands into a larger story about Rudolf Vrba, one of the first Jewish people to escape from the notorious concentration camp. 

British author Jonathan Freedland (known for both his thrillers and work in journalism) depicts Vrba as a demanding and complicated person whose eyewitness account, though verified and reported by the Jewish Council, failed to reach the number of people he’d hoped. As author and narrator of this probing biography, Freedland recounts the dire circumstances preventing Vrba’s compatriots and fellow Jews from protesting the existence of the death camps. Freedland also explores history’s restrictive expectations of the Holocaust survivor and how Vrba’s decadent lifestyle (he enjoyed fine food, travel and a good argument) did not aid his case. 

Through this gripping narrative and his commanding yet disarming voice, Freedland reinforces Vrba’s place within the annals of history.

Read our review of the print edition of The Escape Artist.


Correction February 13, 2023: This article was updated to clarify that Vrba was one of the first Jewish people to escape from Auschwitz.

Through his commanding yet disarming voice, British author Jonathan Freedland tells the story of Rudolf Vrba, the first Jewish person to escape from Auschwitz.
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Sixty-seven years after the savage murder of Emmett Till in Mississippi, his cousin still seeks some kind of justice. Haunted by the 1955 hate crime that ignited the civil rights movement, Reverend Wheeler Parker Jr. brings everything and everyone back to life in A Few Days Full of Trouble: Revelations on the Journey to Justice for My Cousin and Best Friend, Emmett Till. The title comes from the Bible—“Mortals, born of woman, are of few days and full of trouble” (Job 14:1, NIV)—and is aptly applied to the short life and violent death of 14-year-old Till, while also ironically relating to the decades of delayed and denied justice that followed.

Till’s murder became international news when his mother, Mamie Till-Mobley, insisted on an open casket at the boy’s funeral, inviting the world to see her mutilated son. People fainted, the press raged—and yet the two white men accused of his murder were soon acquitted by an all-white jury. Not that the men worried about their fate; during their trial, they were allowed to leave their jail cells for supper with their families, carrying guns. Four months later, Look magazine published “The Shocking Story of Approved Killing in Mississippi” by William Bradford Huie, which featured an exclusive interview with Till’s acquitted killers, Roy Bryant and his half brother, J.W. Milam. Milam admitted that they shot Till, tied a gin fan around his neck and rolled him into the river. Their confession earned them $4,000 and had no significant consequences.

Several investigations by the FBI and Department of Justice ensued, hindered by possibly racist politics and questionable sources. In 2017, Timothy Tyson published a bestselling book that contained a quotation from Carolyn Bryant Donham, the white woman who claimed that Till had accosted her at the grocery store, motivating her husband and brother-in-law to pursue and eventually murder Till. In the quote, Donham recanted part of her original story. Or did she? As the Mississippi district attorney worked to confirm the quote in Tyson’s book, evidence of the author’s conversation with Donham vanished—if it ever existed.

Parker, with the help of his co-author, Christopher Benson, takes a hard look at everything that has transpired since 1955, including Parker’s own feelings of guilt. He was there the night Bryant and Milam came for Till, but he survived and went on to become a barber, minister and major force behind the family’s effort to achieve justice and right the record. His is a vivid chronicle of racism in America, an intense read that may make some readers uncomfortable. Perhaps that is the point. 

Anti-lynching bills struggled through Congress for years after Till’s murder. Finally, in March of 2022, President Joe Biden signed into law the Emmett Till Antilynching Act, making lynching a federal hate crime. As Benson writes in an afterword, “the work to achieve justice has just begun.”

The story of Emmett Till’s violent death in 1955 is retold by his cousin Wheeler Parker Jr., the force behind decades of attempts to achieve justice and right the record.
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On February 28, 2003, as President George W. Bush prepared to authorize military action, he turned to his advisers and asked if they had thought enough about “what they hoped to achieve in Iraq.” Plans were made and carried out, but in a short time, the Iraq policy went awry. Historian Melvyn P. Leffler explores the many reasons why in his enlightening, detailed Confronting Saddam Hussein: George W. Bush and the Invasion of Iraq.

After 9/11, the president felt some responsibility for the attacks (there had been warnings not heeded), along with guilt, anger, fear, a sense of political expediency and a need for revenge, the mixture of which led him to declare war on terrorism. After the decision to invade Afghanistan, where al-Qaeda was based, other potential dangers were considered. The president said repeatedly “that his most compelling fear was the prospect of terrorists acquiring weapons of mass destruction from rogue regimes,” Leffler writes. Eventually the Bush administration turned its focus to Saddam Hussein, a ruthless tyrant in Iraq thought by some to have weapons of mass destruction. 

The Bush national security team was often regarded as unified and militant, Leffler explains. But in reality, the members were pragmatists with different approaches and interests who feuded with one another. Leffler shows that there was not a careful assessment of their proposed strategy for dealing with Hussein and Iraq. Hubris was a major factor, and no one person can be blamed. The president acted with the best of intentions, but his advisers who urged caution did so too hesitantly and ineffectively. Contrary to other accounts, Leffler claims that the president was not manipulated by others but was in charge at all times. He merely delegated too much authority and was indifferent to acrimony among his advisers, which adversely affected his policies.

As Leffler writes, President Bush “failed because his information was flawed, his assumptions inaccurate, his priorities imprecise, and his means incommensurate with his evolving ends.” Based on prodigious research, this superb account helps readers understand the many complexities of America’s attempts to keep our citizens safe in the face of very real dangers after 9/11.

President George W. Bush’s Iraq policy quickly went awry, and historian Melvyn P. Leffler’s enlightening, detailed book explores why.
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Journalist and Julia Child’s grandnephew Alex Prud’homme (My Life in France; The French Chef in America) has crafted a finely balanced, scrupulously researched account of gastronomy and culture, history and politics in Dinner With the President: Food, Politics, and a History of Breaking Bread at the White House.

Even for those of us who paid the barest of attention in history class, Prud’homme’s exceptional writing and good nose for a lively anecdote make the book’s portraits of 26 American presidents vibrant, entertaining and relevant. Food in the White House is both “sustenance and metaphor,” he writes. In a literal sense, these meals reflect the preferences of presidential palates. For example, George H.W. Bush despised broccoli; Barack Obama had a “global palate”; Richard Nixon didn’t care what he ate; Abraham Lincoln loved his cornbread; and Lyndon B. Johnson doted on Texas barbecue. In a broader sense, whatever food is served in the White House influences the nation’s economic, social, cultural and political climate. Food even has the power to bring together disparate parties for productive political debate, such as Thomas Jefferson’s “Dinner Table Bargain” and Jimmy Carter’s Camp David peace brokering efforts between Israel’s Menachem Begin and Egypt’s Anwar Sadat. As the late chef and writer Anthony Bourdain put it, “Nothing is more political than food. Nothing.”

Prud’homme also gives credit to the less visible figures who have wielded food’s power, such as the many Black chefs and diverse cooks who have staffed the White House kitchen throughout history. He also shows the powerful influence first ladies have had over the presidential diet and their canny oversight of White House entertaining, from State dinners to receptions and more.

The book’s coda is a short curation of presidential families’ favorite recipes, including Martha Washington’s preserved cherries, Jefferson’s salad with tarragon vinaigrette, Franklin D. Roosevelt’s “reverse martini,” Dwight D. Eisenhower’s steak and Lady Bird Johnson’s Pedernales River chili. A captivating epicurean history with a political twist, Dinner With the President is a fascinating look at life in the “People’s House.”

Alex Prud’homme’s exceptional writing and good nose for a lively anecdote make his 26 portraits of American presidents’ appetites vibrant and entertaining.
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You may have learned in high school that the post-Civil War Reconstruction was an inevitable failure. In her latest book, I Saw Death Coming: A History of Terror and Survival in the War Against Reconstruction, historian Kidada E. Williams demonstrates that, far from dying a natural death, Reconstruction was destroyed in a not-so-secret war waged against Black citizens.

Williams argues that the end of Reconstruction was the explicit goal of Confederates who refused to accept their military defeat. Abetted by war-weary white Northerners who wanted to put the Civil War behind them, a president who had no interest in securing civil rights for Black people and authorities who didn’t care to enforce the law, armed militias and Klansmen engaged in a concerted battle to destroy Black citizens who voted, ran for office or merely owned and farmed their own land. These white aggressors invaded homes and subjected Black Americans to a host of crimes, from arson and torture to rape and murder. The destruction of property alone amounted to millions of dollars in today’s currency, while the damage to victims, their families and their communities remains incalculable.

Williams, an associate professor of history at Wayne State University, lays out her case with forensic precision. She writes with authority about the political and social circumstances that enabled these attacks, as well as the impact that these acts of terror had on Black people’s health and financial security, for both the injured parties and the generations following them. But her most compelling evidence comes from the victims themselves: witness testimonies from the Congressional hearings on the Ku Klux Klan in 1871 and transcripts of Works Progress Administration interviews with the last survivors of slavery in the 1930s. 

These testimonies make for harrowing reading, but that is no reason not to read them. Previously enslaved people recounted the horrors of these “visits”—the deaths of loved ones, the rapes, the lingering physical and psychic wounds, the loss of hard-earned wealth—with dignity and courage, knowing full well the risks they ran by testifying. Williams honors their suffering by placing them at the center of this important, overdue correction to the historical record.

Kidada E. Williams demonstrates that the progress of the post-Civil War Reconstruction was hampered by a not-so-secret war against Black citizens.
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Everyone should know the story of Ellen and William Craft, the subjects of Ilyon Woo’s Master Slave Husband Wife: An Epic Journey From Slavery to Freedom. In 1848, Ellen, a light-skinned Black woman, disguised herself as a wealthy, young white man in a wheelchair. William, her husband, accompanied Ellen as an enslaved man, tending to his “master’s” needs. Together they traveled in disguise from the mansion in Georgia where they were enslaved to freedom in the North. Every step of their journey depended on them keeping their wits about them, especially for Ellen. Ship captains, train conductors and even a friend of her enslaver were fooled by Ellen’s ability to perform a role that transformed her demeanor in every conceivable way—from woman to man, Black to white, slave to master. Their self-emancipation was a triumph of courage, love and intelligence.

Yet the Crafts’ story is more than a romantic adventure, and Woo does an excellent job of providing historical context for the dangers they faced without losing the thread of a terrific story. The Crafts’ lives were not magically transformed merely by crossing the Mason-Dixon Line, Woo explains. The North, while free, was still hostile territory for self-emancipated Black people, with rampant bigotry and racism even among abolitionists. However, the greatest danger to Ellen and William was the passage of the Fugitive Slave Act in 1850, which required everyone to return formerly enslaved people to their enslavers and forced the Crafts into exile in England until after the Civil War.

The real strength of Master Slave Husband Wife comes from Woo’s exploration of how Ellen was perceived and treated after her spectacular escape catapulted her into celebrity. Woo, whose earlier book, The Great Divorce, explored another convention-defying 19th-century woman, makes the excellent point that Ellen’s method of escape was not only brilliant but transgressive, defying conventions of gender and race. Even the fair skin tone that allowed her to pass as white was the product of generations of rape, giving the lie to myths of the “happy slave.” With empathy and admiration, Woo details Ellen’s quiet refusal to conform to the racist, classist and sexist expectations of her enemies, benefactors, supporters and even her husband. Thanks to Woo, Ellen is finally at the center of her own story as someone who heroically challenged America’s myths of equality and freedom.

Ilyon Woo tells the remarkable true story of Ellen and William Craft, who came up with an ingenious and daring plan to emancipate themselves from slavery.

Journalist Mark Whitaker’s (Smoketown) riveting Saying It Loud: 1966—The Year Black Power Challenged the Civil Rights Movement chronicles a key moment in the movement for racial justice in the United States: the shift in 1966 from the nonviolent organizational tactics associated with Martin Luther King Jr. to an emergent focus on Black Power as a “state of mind and a badge of identity” whose adherents used whatever means necessary to achieve justice.

On January 3, 1966, Black civil rights worker Sammy Younge was murdered by a white gas station owner in Tuskegee, Alabama, for asking to use the restroom. As Whitaker points out, Younge’s death “reverberated through a generation of young people who were reaching a breaking point of frustration with the gospel of nonviolence and racial integration preached by Dr. King.” Whitaker tracks many such seismic events and the ways they shifted the leadership within core civil rights organizations such as the Student Nonviolent Coordinating Committee (SNCC), leading to the development of the Black Power movement and the Black Panther Party. Through meticulous research, he draws revealing portraits of figures such as Stokely Carmichael, who replaced John Lewis as SNCC’s chairman; Bobby Seale and Huey Newton, who formed the Black Panther Party in Oakland, California; and Ruby Doris Smith Robinson, who became the executive secretary of SNCC and thus the highest-ranking woman in the civil rights movement. In stunning detail, Whitaker records all the ways that 1966 became such a pivotal year in the quest for civil rights that, before it was over, “a cast of young men and women, almost all under the age of thirty . . . [had changed] the course of Black—and American—history.” He concludes by demonstrating that the defiant rhetoric of the Black Power movement in 1966 planted the seeds for the Black Lives Matter movement and other responses to police violence against Black Americans over the last 50 years.

Saying It Loud provides an essential history of events that deserve more attention and consideration. Whitaker’s striking insights offer a memorable glimpse of a key period in American history and the struggle for racial justice in the U.S.

Saying It Loud chronicles the shift in the civil rights movement from the nonviolent tactics associated with Martin Luther King Jr. to Black Power.

Is the book always better than the movie or TV show? Better read these soon-to-be adaptations ASAP so you can decide.


The Sympathizer

By Viet Thanh Nguyen

April 14, 2024

Nguyen’s 2015 Pulitzer-Prize winning novel will be adapted as a miniseries by A24 (Everything Everywhere All at Once) and Team Downey (Sweet Tooth), set to air April 14, 2024 on HBO. Hoa Xuande will play the Captain, a North Vietnamese spy whose allegiance grows blurry after he joins a community of South Vietnamese refugees, with other by Sandra Oh and Robert Downey Jr. Read our review of Nguyen’s A Man of Two Faces.


Dark Matter

By Blake Crouch

May 8, 2024

Apple TV+ is adapting Crouch’s thriller sci-fi novel about a physicist who is sent into a parallel universe. Crouch is the creator and serves as an executive producer. Joel Edgerton (The Gift, Loving) will star. The television series will air on Apple TV+ on May 8, 2024. Read our review of Dark Matter.


Romancing Mr. Bridgerton (Bridgertons #4)

By Julia Quinn

May 16, 2024

After two incredibly successful seasons and one enchanting spinoff (Queen Charlotte: A Bridgerton Story), Netflix’s hit TV series Bridgerton, which follows the romantic adventures of the seven Bridgerton siblings in Regency-era London, is back for a third season. Created by Chris Van Dusen and produced by Shondaland (Grey’s Anatomy), season 3 features Colin Bridgerton as he helps his friend Penelope Featherington find a husband, only to fall in love with her himself. Luke Newton and Nicola Coughlin (Derry Girls) will star. The first four episodes premiere May 16, 2024 on Netflix.


Fire and Blood

By George R.R. Martin

June 16, 2024

Fire and Blood began its journey to screens in 2022 with season one of the HBO series House of the Dragon. Set 200 years before the events of TV phenomenon Game of Thrones, this prequel traces the reign of the Targaryen family, focusing on the succession war between the children of King Viserys I. Season two of House of the Dragon will premiere June 16, 2024 on HBO. Read our interview with Martin about The World of Ice and Fire, his encyclopedic history of Westeros and beyond.


It Ends with Us (It Ends with Us #1)

By Colleen Hoover

June 21, 2024

Hoover is one of the biggest names in the romance genre. In 2022, her novel It Ends With Us topped the New York Times bestseller list and the Publishers Weekly adult list for months. Now, the fan-favorite book will be hitting theaters as a movie starring Blake Lively and Justin Baldoni. Despite some push backs in the shooting schedule due to the SAG-AFTRA strike, the film is confirmed for release on June 21, 2024. Read our interview with Colleen Hoover for her novel It Starts with Us.


The Sweetness at the Bottom of the Pie (Flavia de Luce #1)

By Alan Bradley

TBD, but soon!

Bradley’s charming Flavia de Luce mystery series has sold over 4 million copies worldwide. Susan Coyne (Daisy Jones and the Six) is adapting the first novel into a feature film, which will debut at the upcoming Cannes Film Festival. Isla Gie (The Sandman) will play the titular character, an 11-year-old amateur detective and master poisoner who gets caught up in a murder investigation, alongside Martin Freeman (Sherlock, The Hobbit). Read our review of The Sweetness at the Bottom of the Pie.

Viet Thanh Nguyen's The Sympathizer is the latest addition to a slate of upcoming book-to-screen adaptations you won’t want to miss.
Book jackets for four nonfiction books about Black history
STARRED REVIEW

February 4, 2023

Black history, well told

Four sweeping, novelistic nonfiction books illuminate important moments in American history.

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Four sweeping, novelistic nonfiction books illuminate important moments in American history.
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When word of emancipation reached them, the last men and women kidnapped in West Africa and sold to American enslavers just wanted to go home. They’d only been in the Mobile, Alabama, area about five years; they belonged in Yorubaland. So they saved their tiny wages and offered $1,000 to the captain of the Clotilda, the ship that had illegally brought them to the U.S. in 1860, to take them back. He refused.

Stuck in Alabama, they made the best of it. They paired off, bought land, built a church and founded the communities on Mobile’s north side known as “Africatown.” It’s still there, and its residents are still fighting for justice.

Nick Tabor’s absorbing Africatown: America’s Last Slave Ship and the Community It Created tells the story of these “shipmates” and their neighborhood up to the present day. The timing of its publication is auspicious, just a few years after the wreckage of the Clotilda was identified off the coast of Alabama in 2018. Zora Neale Hurston’s book Barracoon, based on interviews in the 1920s with shipmate Cudjo Lewis, was finally published that same year.

Africatown was added to the National Register of Historic Places in 2012, an action that was long overdue. If you are looking for a single community that epitomizes the Black experience in the American South, Africatown is a contender. It thrived as industry brought decent jobs, locally owned businesses prospered, and churches and an excellent school provided centers for civic life. But the factories polluted the air and water, then shut down. The residents were targets of white supremacist violence and voter suppression. Highway projects destroyed homes and commerce.

Tabor tells this history seamlessly through key individuals such as Lewis; Henry Williams, a welder who became an early activist; and Joe Womack and Anderson Flen, contemporary native sons who work to protect Africatown from continued environmental racism and to redevelop it as a heritage tourism center. Progress has been halting. The Mobile city government is happy to install laudatory plaques but reluctant to spend the money for real preservation. But the spiritual and biological descendants of that first Africatown generation, dragged from their homes and enslaved by racist white criminals, push on.

Nick Tabor’s absorbing Africatown tells of the Alabama community founded by the last Africans to be kidnapped and enslaved in America, and their descendants’ continued fight for justice.

In 1999, author Kate Zernike, then a reporter for The Boston Globe, broke an enormous story: The Massachusetts Institute of Technology had admitted to a long-standing pattern of discrimination against women on its faculty. Zernike, now a Pulitzer Prize-winning reporter for the New York Times, tells the full inspiring story in The Exceptions: Nancy Hopkins, MIT, and the Fight for Women in Science.

Zernike begins by focusing on molecular biologist Nancy Hopkins’ life and career path. In the spring of 1963, Hopkins, a Radcliffe junior, became so enthralled by a Harvard lecture on DNA by Nobel Prize winner James Watson that she sought work in his molecular biology lab. But like other women then and now, Hopkins faced difficult choices as she weighed the demands of science against marriage and potential motherhood. Zernike situates the tensions that led to the end of Hopkins’ first marriage within the broader context of the women’s movement of the 1960s. Eventually Hopkins earned her Ph.D. from Harvard in 1971, and by 1973, she had accepted a position at MIT’s Center for Cancer Research.

While the biographical sections are intriguing, Zernike’s narrative picks up speed in the later portions of the book, which delve into the ways male colleagues appropriated Hopkins’ work and used it for financial gain. By the 1990s, Hopkins realized that “a woman’s work would never be valued as highly as a man’s. It had taken her twenty years to see it—she’d understood it about other women before she’d realized it was true for her, too.”

Hopkins’ revelation led her to reach out to female colleagues, resulting in a letter by 16 women at MIT compiling evidence of discrimination, including unequal access to research resources and pay. The women spent the next four years doing fact-finding as a committee, and by March of 1999, they had compiled a report. Although it was only scheduled to appear in a faculty newsletter, news of the report reached Zernike’s ears—and when Zernike’s article appeared on the front page of the Globe, the story took off. Hopkins arrived on campus the next day to camera crews, and she received emails from women across the world. Overnight, MIT became a “pacesetter for promoting gender equality,” and other universities soon undertook similar efforts to examine their biases.

Zernike closes her narrative with updates on Hopkins’ continued successful career, short bios of the 16 women who signed the original letter and an examination of the progress for women in academia—and the work still to be done. These women’s efforts—and the subsequent impact this revelation had for women across academia—make for a gripping, page-turning read.

Kate Zernike’s impeccably researched book about MIT’s discrimination against its female faculty members is both enlightening and inspiring.

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