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The arts and culture flourished in many ways during the Great Depression of the 1930s. Writers such as John Steinbeck and Richard Wright, photographers like Walker Evans and Dorothea Lange and the playwright Clifford Odets sought to understand and convey what was happening. Busby Berkeley, Fred Astaire and Ginger Rogers brought dancing to the screen in imaginative ways. George and Ira Gershwin and Cole Porter wrote musical standards. There was the elegant music of Duke Ellington and the audience-friendly populism of Aaron Copland, while Woody Guthrie’s songs evoked the open road and his concern for social justice.

Noted literary critic and cultural historian Morris Dickstein brings this period vividly to life in his richly insightful, endlessly fascinating and deliciously readable Dancing in the Dark: A Cultural History of the Great Depression. Dickstein believes the Depression offers an incomparable case study of the function of art and media in a time of social crisis. In addition to writers whose books were bestsellers at the time, he discusses in detail the diverse writers whose work read decades later helps us to understand the period: Henry Roth, Nathanael West, Zora Neale Hurston and James Agee.

Dickstein says the Depression was probably the first time in American culture when the great myth of “a man alone,” represented by such writers as Emerson and Thoreau, yielded to images of collective activity. A significant aspect of cultural life was the fascination with American history and geography, its diverse peoples, stories of its folk culture and social myths.

Dickstein knows that artists and performers are limited in what they can do “but they can change our feelings about the world, our understanding of it, the way we live in it. . . . They were dancing in the dark, but the steps were magical.”

Roger Bishop is a regular contributor to BookPage.

The arts and culture flourished in many ways during the Great Depression of the 1930s. Writers such as John Steinbeck and Richard Wright, photographers like Walker Evans and Dorothea Lange and the playwright Clifford Odets sought to understand and convey what was happening. Busby Berkeley,…

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From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied Forces fought to save the Western world, others fought to save Western Civilization. They were “the Monuments Men,” a handful of soldiers given a unique assignment: to preserve the cultural soul of Europe by protecting Europe’s art. Robert M. Edsel’s masterful book The Monuments Men shares their story, in a tale that is part history, part war story and part treasure hunt. Undermanned, undersupplied and with virtually no authority, the Monuments Men (and women) faced bullets, bombs and Nazi booby traps to rescue works by Rembrandt, Da Vinci, Vermeer, Michelangelo and more.

Edsel and his co-author, Bret Witter, have crafted an account that moves like a Hollywood action adventure, with scenes ranging from a peasant’s cottage in the middle of an artillery battle, to the depths of an ancient salt mine. There are heroes to root for, villains to hiss at and an increasingly pressing race against time as the Nazis, in a last vicious act of defiance, set about to destroy the art rather than give it up.

Edsel and Witter interviewed the few surviving Monuments Men, examined family letters and even Nazi archives in their research. Whether you’re a fan of art, military history or stories of real-life heroes, The Monuments Men is a treasure worth the hunt.

Howard Shirley is a writer in Franklin, Tennessee.

From 1939 through the last months of the war, the Nazi army seized priceless paintings, sculptures, tapestries and more, from museums, palaces, cathedrals, private homes, even tiny chapels—the Nazis plundered everything, carting off the cultural history of every nation they entered.

But just as the Allied…

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In 1095, Pope Urban II called for Western European Christians to wage a holy war to reclaim Jerusalem from the Muslims. Those who served as “soldiers of Christ,” the pope said, would be cleansed of sin. Within several months, 100,000 men and women, from virtually all stations of life (no kings volunteered), answered the call. Their religiously motivated and violent actions set in motion events that radically transformed the relationship between Christians and Muslims; the reverberations are still with us. Thomas Asbridge, a British scholar and Crusade historian, tells the story of the three-year, 3,000-mile journey in his magnificent The First Crusade: A New History. Working from firsthand accounts and the latest Crusade scholarship, Asbridge skillfully combines religious and military history, challenging long-held views in the process. “The crusade was designed, first and foremost, to meet the needs of the papacy,” he writes, “the campaign must be seen as an attempt to consolidate papal empowerment and expand Rome’s sphere of influence.” The crusaders themselves had many motives for undertaking the journey; Asbridge is convinced that greed was not a primary one. Recent research shows how incredibly expensive and extremely frightening the journey was. He does note, however, that “perhaps the most significant insight into the medieval mentality offered by the First Crusade is the unequivocal demonstration that authentic Christian devotion and a heartfelt desire for material wealth were not mutually exclusive impulses in the eleventh century.” The First Crusade reached its nadir in June 1098 at the Great Battle of Antioch. Death, hunger, threat of a Muslim attack and a morale crisis appeared to signal defeat. It was only the discovery of a small shard of metal thought to be part of a Holy Lance an event interpreted as a “miracle” that, along with gifted leadership and a lot of luck, inspired the crusaders to achieve a stunning victory against all odds. Asbridge’s excellent account of the first Crusade is consistently enlightening. Roger Bishop is a Nashville bookseller and a regular contributor to BookPage.

In 1095, Pope Urban II called for Western European Christians to wage a holy war to reclaim Jerusalem from the Muslims. Those who served as "soldiers of Christ," the pope said, would be cleansed of sin. Within several months, 100,000 men and women, from virtually…
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There was one brief shining moment some 40 years ago when the word and the image were in fine balance in the world of politics. Into that time came John F. Kennedy. A handsome man, Kennedy cared very much how he looked, almost to the point of excessive vanity. But he also cared deeply about what he said and how he said it. His rhetorical hero was Winston Churchill, whose bold speeches had fortified a nation fighting for its life. Kennedy was no Churchill, yet whatever else American historians ultimately conclude about him, they will remember his 1961 inaugural address, which contained the memorable line, “Ask not what your country can do for you ask what you can do for your country.” In Ask Not: The Inauguration of John F. Kennedy and the Speech That Changed America, Thurston Clarke devotes the kind of attention to Kennedy’s speech that Garry Wills and other writers have recently given to Lincoln’s speeches. His book unintentionally serves as a coda to those analyses; as he notes, the Kennedy administration was the last period in U.S. politics when speeches mattered as much as pictures. And beyond his explication of the words, Clarke shows that it was the perfect speech for that particular point in time. Many who remember those elegant, but powerful phrases assume they were written by Kennedy’s brilliant speechwriter Ted Sorensen an assumption that would have enraged Kennedy. Clarke examines the speech drafts and other evidence to argue that it was a true collaboration between the two men, with the most memorable lines written by Kennedy himself. Certainly the speech was imbued with the president’s philosophy and life experience. As he closely examines the 10 days leading up to the inauguration, Clarke also provides a vivid portrait of the time, the place and the man. Clarke is no unthinking Kennedy acolyte. The president is described in all his complexity, at once brilliant, arrogant, brave, reckless and deadly earnest about making the United States a beacon of freedom in a new era. We seem finally to be far enough away from the trauma of Kennedy’s assassination to see his administration with some objectivity. But as Clarke demonstrates, Kennedy’s presidency started with what deserves to be counted among the great speeches of this country’s history. Anne Bartlett is a journalist who lives in South Florida.

There was one brief shining moment some 40 years ago when the word and the image were in fine balance in the world of politics. Into that time came John F. Kennedy. A handsome man, Kennedy cared very much how he looked, almost to the…
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When Margaret Hardenbroeck Philipse died in 1691, at the age of 53, she was the richest woman in what was then the English province of New York. Although she was helped early on by an inheritance from the death of her first husband, the achievement was almost exclusively hers. She had a rare combination of extraordinary business acumen including attention to detail, a single-minded ambition and vision with regard to how to achieve continued growth and diversity in her businesses. Jean Zimmerman tells Margaret’s story and that of three of her descendants in the lively and informative The Women of the House: How a Colonial She-Merchant Built a Mansion, a Fortune, and a Dynasty.

Zimmerman says Margaret’s independent spirit was central to her successes, but acknowledges that luck also played a crucial role. Growing up during the Dutch Golden Age, Margaret was a product of an egalitarian Dutch tradition, which made such success not only legally possible but also socially acceptable. She had landed in a new country in the process of inventing itself, a place where Old World rules did not always apply. Although higher education was not available to girls and women, Holland was the sole nation in seventeenth-century Europe to offer girls primary education as a matter of course, Zimmerman writes. Further, the Dutch Reformed Church urged equality for women and the Dutch legal system was fairer to women than any other in Europe. When New Netherland came under English rule in 1664, however, the rules began to change; with each passing year, there were fewer women engaged in commerce and their entitlements were restricted. Even then, Margaret, tough and shrewd, was able to exercise much control over business matters.

Zimmerman writes that New Netherland had a number of power couples that grew their fortunes as partners, but no colonial duo matched Margaret Hardenbroeck and Frederick Philipse (her second husband) for mutual involvement in a large-scale commercial enterprise. The family had extensive real estate holdings, but shipping was their area of expertise; they dealt in furs, linens and other textiles, tobacco and slaves ( neither Margaret nor virtually any of her American contemporaries saw trafficking in slaves as wrong, Zimmerman tells us).

Almost half of the book tells Margaret’s story, but Zimmerman also paints vivid portraits of three other women in the family, giving us a mini-history of the wealthy circles in which they moved and how they were affected by events. Catherine, who married Frederick after Margaret’s death, was a first-generation American whose main role was to be a wife. Beyond that, her legacy was to oversee the construction of an impressive stone church. Joanna, who married Margaret’s grandson, concentrated on matters of taste and style and promoting her husband’s career. Her world was shaken when her husband presided over conspiracy trials stemming from a suspected slave revolt. Joanna’s daughter, Mary, was courted by a young George Washington and then married a Loyalist.

Anyone interested in the Colonial period will enjoy The Women of the House. Jean Zimmerman’s extraordinary research and energetic writing helps readers better understand and appreciate the roles played by women during that era. Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

When Margaret Hardenbroeck Philipse died in 1691, at the age of 53, she was the richest woman in what was then the English province of New York. Although she was helped early on by an inheritance from the death of her first husband, the achievement…
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The romanticized version of the Civil War has noble Southerners united in a battle to preserve states’ rights and a genteel way of life. The reality is that the South was anything but unified, and there were any number of Southern abolitionists opposed to slavery, the true underlying issue of the war. Consider the residents of Jones County in southern Mississippi, the subject of The State of Jones. They were hardscrabble farmers too poor to own slaves. They were recruited by the South to fight in some major battles, including the siege of Vicksburg. But they ultimately became disenchanted, determining that they weren’t fighting for freedom, but to preserve slavery for wealthy plantation owners. They ended up deserting and returning home to establish their own independent government called “The Free State of Jones.” This ragtag band opposed slavery, declared their allegiance to the Union and fought unending waves of Confederates who tried to quell the uprising.

The State of Jones, by best-selling author Sally Jenkins and Harvard historian John Stauffer, is a colorful account of this defiant group of Southerners, led by a strong, fearless farmer named Newton Knight. A survivor of several Confederate assassination attempts, Knight also killed many of his enemies who came down to Jones County to hunt him down. But The State of Jones isn’t just about violence and war. It is also a love story—albeit a salacious one. Knight fathered close to a dozen children with two women: his white wife, Serena, and a freed slave named Rachel. He then tried unsuccessfully to enroll his mixed-raced children in an all-white school.

The State of Jones is an entertaining, informative book about a courageous group of Southerners clearly ahead of their time. It offers a refreshing look at the issues surrounding the Civil War, and some delightful surprises for even the most knowledgeable history buff.

John T. Slania is a journalism professor at Loyola University in Chicago.

The romanticized version of the Civil War has noble Southerners united in a battle to preserve states’ rights and a genteel way of life. The reality is that the South was anything but unified, and there were any number of Southern abolitionists opposed to slavery,…

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Let’s say you like a good gossipy book as much as the next person, but you have a certain reputation to uphold and can’t be seen on the beach with the latest celebrity tell-all. Then you must read When the Astors Owned New York: Blue Bloods and Grand Hotels in a Gilded Age, a fascinating social history as well as a fun gossipy read. Pulitzer Prize and National Book Award winner Justin Kaplan (Mr. Clemens and Mark Twain) knows his history. In this book, he looks at the post-Civil War period through a study of the Astors and their lavish hotels. Once simply a place for the stranded passenger to stay the night, hotels became destinations all their own. With their restaurants, tea rooms and open lobbies, they became a place where the public could gather, and they defined what luxury meant to the growing middle class. Furthermore, they were architectural and technical wonders, their plumbing and electrical capacities usually exceeding those in the homes of all but their wealthiest guests.

The real fun of When the Astors Owned New York, however, is its stories of the Astor world. Cousins William Waldorf Astor and John Jacob Astor IV did not like each other. Their joint venture, the famous Waldorf-Astoria hotel, was in fact two hotels: A contract specified that corridors connecting the two buildings could be sealed off if the fragile truce, uncomfortable for both parties, failed to hold. It seems that every famous person had some connection with the Astors or one of their hotels and John Jacob Astor IV became irretrievably tied to our country’s history when he went down with the Titanic. Kaplan has an eye for both the dishy details and the deeper meaning beneath them. This vision makes When the Astors Owned New York the best kind of history: entertaining. Faye Jones is on the faculty of Nashville State Community College.

Let's say you like a good gossipy book as much as the next person, but you have a certain reputation to uphold and can't be seen on the beach with the latest celebrity tell-all. Then you must read When the Astors Owned New York: Blue…
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In the 1990s, a shipwreck was discovered just off the coast of Panama, and from all indications it was a ship from the age of discovery, that exciting, tragic time when two civilizations discovered each other. The discovery of a ship five centuries old is a momentous event, but this shipwreck was something even more special. Its location raised the tantalizing possibility that it might be the Vizca’na, one of Columbus’ four vessels on his last voyage, abandoned due to an infestation of Tarado Navalis shipworm. The Voyage of the Vizca’na: The Mystery of Christopher Columbus’s Last Ship really tells the story of two voyages that of Columbus, with a readable, insightful look at his life and voyages, and that of the various governmental, scientific and private players jockeying to claim the wreck.

German journalists Klaus Brinkbaumer and Clemens Hoges write for the news magazine Der Spiegel and are also students of maritime history. Furthermore, Brinkbaumer is a diver and Hoges writes about underwater archaeology, making them the perfect pair to examine the tale of what really happened to the Vizca’na.

Much has been written about Columbus’ life and accomplishments. He has been accused of genocide and lauded as one of history’s greatest navigators, sometimes in the same sentence. Sadly, as this book shows, the motivations of men haven’t changed much for the better. This is a fascinating, and sometimes frustrating book, but a topic well worth exploring. Being one-quarter Cherokee himself, James Neal Webb likes to joke that when it comes to Columbus, his family met the boat.

In the 1990s, a shipwreck was discovered just off the coast of Panama, and from all indications it was a ship from the age of discovery, that exciting, tragic time when two civilizations discovered each other. The discovery of a ship five centuries old is…
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Landon Carter was one of the wealthiest planter patriarchs in Virginia, a man of letters and Enlightenment science and a member of the House of Burgesses from 1752 until 1768. Carter claimed he was the first person in America to sound the alarm over the coming Stamp Act. In 1774, he became the chair of his county’s boycott committee and was a militant patriot until his death in 1778.

In addition to the public record, we know more about him through his remarkable diary. Historian Rhys Isaac, who received the Pulitzer Prize for The Transformation of Virginia, 1740-1790, became a literary editor of sorts to guide us authoritatively through Landon Carter’s Uneasy Kingdom: Revolution and Rebellion on a Virginia Plantation. The result is a rich source for anyone interested in biography or in the revolutionary era.

One aspect of the diary, influenced by Virgil’s Eclogues, is a 22-year record that contains “the most elaborated and revealing English-language farm journalÉfrom the 18th-century age of agricultural improvement.” Another is what Isaac calls “gentrylore,” the mix of new and old narrative cycles to craft true stories about wayward slaves. There are also stories of family tensions. Throughout all of this we are given Carter’s self-justifying reasoning, his concern with doing his duty to God.

This unique book takes us into a world quite unlike our own and yet as Isaac reminds us, “the struggles he recorded are really timeless . . . and, above all, every one is Landon himself.”

Landon Carter was one of the wealthiest planter patriarchs in Virginia, a man of letters and Enlightenment science and a member of the House of Burgesses from 1752 until 1768. Carter claimed he was the first person in America to sound the alarm over…
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The sinking of the steamboat Sultana in late April 1865 is an episode whose horrific importance has eluded wider coverage in Civil War history. The grotesquely overloaded ship—filled with businessmen, families, idle travelers and, most critically, nearly 2,000 Union troops recently discharged from Confederate prison camps—went down into the cold Mississippi north of Memphis after its boiler room exploded. Approximately the size of a smallish football field, Sultana took on the task of transporting the soldiers mainly because the army paid per head, but also because the war was over, and bedraggled, undernourished and sickly ex-POWs needed immediate care. When the crowded vessel caught fire early in the dark morning, chaos ensued and about 1,700 lost their lives, eclipsing the death count of Titanic 50 years later.

Sultana is Mississippi-based journalist Alan Huffman’s account of the disaster, and his moment-to-moment description of desperation and death is totally riveting. But Huffman doesn’t get to the Sultana until the final third of his book, which up to that point is loosely focused on three soldiers and their service in the Civil War’s western theater, which led to their incarceration and eventual harrowing trip home as survivors of the ill-fated voyage. Huffman’s early narrative focuses on profiles of the trio—two Indiana farm boys, Romulus Tolbert and John Maddox, and also J. Walter Elliott, a man who later recorded his experiences of the river tragedy.

More generally, Huffman describes the mental state of humans while in battle mode or in extreme circumstances of self-protection, which serves as a kind of foreshadowing of the grim behaviors of the Sultana passengers. He draws upon the 1863 Battle of Chickamauga to set the stage for his conjecture—many of the soldiers aboard the boat had fought in that brutal campaign—and also details the conditions in Southern prison camps. More committed Civil War buffs won’t mind plowing through Huffman’s lengthy set-up, but the climactic events make for adventurous reading for anybody who loves a true-to-life disaster story.

The sinking of the steamboat Sultana in late April 1865 is an episode whose horrific importance has eluded wider coverage in Civil War history. The grotesquely overloaded ship—filled with businessmen, families, idle travelers and, most critically, nearly 2,000 Union troops recently discharged from Confederate prison…

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When journalist Charlayne Hunter-Gault was growing up in then-segregated Georgia, the movies she saw at the Saturday matinees always depicted Africans as hapless or even demonic. But Hunter-Gault, an African American who later became the first black woman admitted to the University of Georgia, was able to transcend those ugly stereotypes, creating a lush African jungle paradise in her own imagination.

Hunter-Gault, a two-time Emmy and Peabody Award winner, believes conventional Western journalism still stereotypes Africa as a place of unrelenting chaos and despair. In New News Out of Africa, she asks us to transcend that image by recognizing what she believes is a renaissance of a continent in hopeful transition.

Now Special Africa Correspondent for National Public Radio, Hunter-Gault does not ignore the huge problems faced by Africans, among them AIDS, famine, civil wars and authoritarian governments. But she believes they have to be seen in a context that also includes increased civic activism, economic progress and improving governments in such major countries as Nigeria and South Africa.

South Africa, where she now lives, is Hunter-Gault’s exemplar. She is unabashed in her admiration for Nelson Mandela and writes movingly of the country’s effort to peacefully overcome its apartheid legacy. She acknowledges that president Thabo Mbeki responded badly to the country’s AIDS crisis, but argues that he is largely a positive role model for African leaders.

Hunter-Gault brings to her view of Africa the perspective of a woman who was herself a successful civil rights pioneer. She asks only that we see the continent with balance and compassion. Anne Bartlett is a journalist in Washington, D.C.

When journalist Charlayne Hunter-Gault was growing up in then-segregated Georgia, the movies she saw at the Saturday matinees always depicted Africans as hapless or even demonic. But Hunter-Gault, an African American who later became the first black woman admitted to the University of Georgia, was…
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In 1944, U.S. researchers conducted what is still considered to be the definitive study on human starvation. The goal was not to replicate the then-famine conditions of World War II Europe, but to scientifically isolate and examine the effects of hunger from various perspectives. The hope was that the information obtained would be used to alleviate suffering and death. Todd Tucker’s compelling and provocative narrative of that experience, The Great Starvation Experiment: The Heroic Men Who Starved So That Millions Could Live, shows how three disparate groups scientists, the U.S. military and the conscientious objectors who volunteered to be human guinea pigs collaborated for a combination of national security, humanitarian, and scientific reasons.

The idea for the project came from Dr. Ancel Keys, perhaps best known for the K Ration issued to U.S. troops during the war. Dr. Keys had used pacifist draftees, who were officially part of the Civilian Public Service, in other experiments. In the one Tucker writes about here, each man was to attain the normal weight for his height during the first three months of the experiment. In the second period, there would be six months of starvation with each man’s diet cut in half, causing him to endure a 25 percent weight loss. Keys’ goal was nothing less than a complete cataloging of every quantifiable change that occurs in a famished human being, writes Tucker. The final three months, the rehabilitation period what Tucker refers to as the heart of the study was concerned with recovery diets and recording the effects. Tucker follows the volunteers through each phase, and we get to know several as individuals as they endure the grueling ordeal with varying degrees of physical and psychological deterioration. (One, Max Kampelman, impressively, completed his law school course and became an attorney while engaged in the experiment.) Of the original group of 36, 32 made it to the rehabilitation phase. Interviewed in later years, many said participating in the experiment was the most important experience of their lives. For Keys, the most significant finding of the study was, Tucker writes, that the human body was supremely well equipped to deal with starvation. . . . The human body was very, very tough. The author enlightens us about the evolving history of conscientious objection in the U.S. Many CO’s served as combat medics in World War II, including Desmond T. Doss, a devout Seventh-day Adventist, who received the Congressional Medal of Honor for heroic actions on Okinawa. Tucker also contrasts Keys’ experiment, which used idealistic volunteers, with the horrible medical experiments conducted on unwilling victims in Nazi Germany and Japan and traces the attempts by the international medical community to deal with the abuse of human beings in such studies. This well-searched and lucidly written account captures an important experiment little known to the general public. It is consistently compelling and provocative. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

In 1944, U.S. researchers conducted what is still considered to be the definitive study on human starvation. The goal was not to replicate the then-famine conditions of World War II Europe, but to scientifically isolate and examine the effects of hunger from various perspectives. The…
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George Washington sat for at least 28 different portraits. As he became one of the best-known men in the world, he was increasingly in demand as a subject and though the process of "sitting‚" was uncomfortable for him, he recognized the importance of paintings—and by extension, engravings, etchings, woodcuts and mezzotints—to his new republic. In the delightful The Painter's Chair: George Washington and the Making of American Art, Hugh Howard develops the idea of Washington as a patron of the arts and examines how art and the painting of portraits developed in the United States.

Howard first introduces us to two artists who never painted Washington, Benjamin West and John Smibert, but who were crucial influences on those who did. However, it is Washington portraitists Charles Willson Peale, John Trumbull, Edward Savage and Gilbert Stuart who are among Howard's main interests. With quiet authority, he relates their quite different life stories and their struggles to reconcile their passion for painting with the necessity of earning a living. Their interactions with Washington and their approaches to him as a subject are told with verve and an intimacy that makes their personalities come alive on the page. Stuart's work is the best known to us today, especially his 1796 portrait of Washington, which is regarded as the best—and is reproduced on our dollar bill. Unlike Peale and Trumbull, who served in the military during the American Revolution, Stuart was not caught up in the cause. He left for London in 1775, returning in 1793 with a plan to paint a portrait of Washington that would make him a fortune and ease his persistent financial woes.

Howard also shows how during Washington's lifetime America changed from a group of colonies with little artistic culture to a new nation with art displayed in public buildings and galleries. As a much-painted cultural icon, Washington played a large role in those changes. "He was," as Howard notes, "a man who always agreed, admittedly with an air of resignation, to sit for yet another portrait."

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

George Washington sat for at least 28 different portraits. As he became one of the best-known men in the world, he was increasingly in demand as a subject and though the process of "sitting‚" was uncomfortable for him, he recognized the importance of paintings—and by…

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