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The 51-mile link between the Caribbean Sea and Pacific Ocean across the Panamanian isthmus stands as one of the great engineering feats of all human history, comparable to the Great Wall of China or the Apollo moon landings. In The Canal Builders: Making America's Empire at the Panama Canal, labor historian Julie Greene asks: Was it the princes or presidents who did those things? What about the compass bearers, the joiners and those who fed the horses and cooked the meals?

The central figures in Greene's story—the "builders‚" referred to in her title—are the 35,000 ordinary people who traveled to Panama, and, from 1906 to 1914, raised new towns, built houses, ran railroads, operated commissaries, set up a constabulary and judiciary and, above all, moved dirt. Greene examines how the U.S. government, determined to build the canal as fast as possible, managed this force of working people from all over the world.

"The engineering and constructional difficulties melt into insignificance compared with labor‚" she quotes chief engineer John Stevens as saying. Indeed, Greene finds that project director Col. George W. Goethals tried to apply the ideal of Progressivism: that by regulating environments one could improve human behavior. While the jungle gave way before steam shovels, this social engineering faltered and often failed. Goethals could not control appetites for drink, sex and money; eliminate racial or ethnic prejudice; make people fair or honest; or come close to perfecting the human character. The undeniable success of the project even left an indelible stain on the Republic of Panama, which the U.S. had brought into being: that country's sovereignty over its own territory was not retuned to it until 2000, when the U.S. ceded the Canal.

The great adventure might have taught Americans to take people and nations not as we might wish them to be but as they often are: perverse, selfish, nationalistic. Yet somehow the overtopping idealism and magnificent vision inspired this multitude to build the great Canal.

James Summerville writes from Dickson, Tennessee.

The 51-mile link between the Caribbean Sea and Pacific Ocean across the Panamanian isthmus stands as one of the great engineering feats of all human history, comparable to the Great Wall of China or the Apollo moon landings. In The Canal Builders: Making America's Empire…

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When Margaret Hardenbroeck Philipse died in 1691, at the age of 53, she was the richest woman in what was then the English province of New York. Although she was helped early on by an inheritance from the death of her first husband, the achievement was almost exclusively hers. She had a rare combination of extraordinary business acumen including attention to detail, a single-minded ambition and vision with regard to how to achieve continued growth and diversity in her businesses. Jean Zimmerman tells Margaret’s story and that of three of her descendants in the lively and informative The Women of the House: How a Colonial She-Merchant Built a Mansion, a Fortune, and a Dynasty.

Zimmerman says Margaret’s independent spirit was central to her successes, but acknowledges that luck also played a crucial role. Growing up during the Dutch Golden Age, Margaret was a product of an egalitarian Dutch tradition, which made such success not only legally possible but also socially acceptable. She had landed in a new country in the process of inventing itself, a place where Old World rules did not always apply. Although higher education was not available to girls and women, Holland was the sole nation in seventeenth-century Europe to offer girls primary education as a matter of course, Zimmerman writes. Further, the Dutch Reformed Church urged equality for women and the Dutch legal system was fairer to women than any other in Europe. When New Netherland came under English rule in 1664, however, the rules began to change; with each passing year, there were fewer women engaged in commerce and their entitlements were restricted. Even then, Margaret, tough and shrewd, was able to exercise much control over business matters.

Zimmerman writes that New Netherland had a number of power couples that grew their fortunes as partners, but no colonial duo matched Margaret Hardenbroeck and Frederick Philipse (her second husband) for mutual involvement in a large-scale commercial enterprise. The family had extensive real estate holdings, but shipping was their area of expertise; they dealt in furs, linens and other textiles, tobacco and slaves ( neither Margaret nor virtually any of her American contemporaries saw trafficking in slaves as wrong, Zimmerman tells us).

Almost half of the book tells Margaret’s story, but Zimmerman also paints vivid portraits of three other women in the family, giving us a mini-history of the wealthy circles in which they moved and how they were affected by events. Catherine, who married Frederick after Margaret’s death, was a first-generation American whose main role was to be a wife. Beyond that, her legacy was to oversee the construction of an impressive stone church. Joanna, who married Margaret’s grandson, concentrated on matters of taste and style and promoting her husband’s career. Her world was shaken when her husband presided over conspiracy trials stemming from a suspected slave revolt. Joanna’s daughter, Mary, was courted by a young George Washington and then married a Loyalist.

Anyone interested in the Colonial period will enjoy The Women of the House. Jean Zimmerman’s extraordinary research and energetic writing helps readers better understand and appreciate the roles played by women during that era. Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

When Margaret Hardenbroeck Philipse died in 1691, at the age of 53, she was the richest woman in what was then the English province of New York. Although she was helped early on by an inheritance from the death of her first husband, the achievement…

William G. Scheller, author of Columbus and the Age of Discovery and America's Historic Places, among others, puts his history chops to excellent use in America: A History in Art—The American Journey Told by Painters, Sculptors, Photographers, and Architects. The book is arranged in chronological order, from the first Americans to the new millennium. Commentary and captions accompany the 300-plus reproductions, from paintings to photos, political posters to objets d'art. Social, political, economic and geographic context are explored in detail, too. For example, regarding Caltrans 7 (a Los Angeles Department of Transportation building completed in 2004), Scheller notes that, just as the architectural firm's name, Morphosis, doesn't include "meta" as a way to indicate design is changeable and fluid like our surroundings, the building itself is wrapped in a sheath that opens or closes based on the heat and light that touches it. Scheller writes, "The United States has been since its inception … a study in the balance of pragmatism and idealism; of stubborn cultural independence and slavish devotion to the foreign; of conservatism and experimentation." The artists represented here shore up that assertion: looking at America through the lens of creations by Currier & Ives, Georgia O'Keeffe, Dorothea Lange, Andy Warhol and scores of lesser-known talents is a history lesson indeed.

A CELEBRATION OF DANCE
Ailey Ascending: A Portrait in Motion
is a gorgeous, heartfelt celebration of the Alvin Ailey American Dance Theater's 50th anniversary. Photographer Andrew Eccles writes in the afterword that he met Ailey in 1989 and that Ailey "choreographed our session, he kept it alive, he made it move." Ailey died three months after that encounter, but his energy and vision live on. In addition to the Dance Theater, which grew from a small troupe that had its 1958 debut at Manhattan's 92nd Street Y to a 30-member company that tours the world, there is the Alvin Ailey Dance Foundation, The Ailey School, the Ailey II repertory ensemble and numerous community and outreach programs. Ailey Ascending's large format and its text/image combination enhance the feeling of experiencing the dancers' world. Introductory pieces by Judith Jamison, artistic director and former lead dancer; Anna Deavere Smith; Khephra Burns and former Essence editor Susan L. Taylor describe Ailey's gifts, dedication and influence on the world of dance. The photos capture the grace of the Ailey dancers, and the range of compositions—close-ups of sculpted faces and bodies, a quartet onstage, a lone dancer stretching in front of a window as the city races by behind her—encourage contemplation and appreciation. This book is a fitting tribute to Ailey's work, which, as Burns and Taylor write, "was dance and theater, black and universal and wholly American."

PRESIDENTIAL LEGACIES
The Kunhardt family has been maintaining a collection of Lincoln memorabilia and writing about him for five generations. Now, the authors of Lincoln: An Illustrated Biography are back with the follow-up volume Looking for Lincoln: The Making of an American Icon, published to commemorate the bicentennial of our 16th president's birth. It's an "exploration of how Lincoln was remembered and memorialized in the first six decades after his life," as Doris Kearns Goodwin writes in the introduction. Accordingly, the book begins on the day of Lincoln's assassination; readers may pore over eyewitness accounts, photos of Ford's Theatre and other materials associated with April 14, 1865. The book's exhaustive attention to detail continues apace – it includes photos of Lincoln's family and friends; wartime remembrances; Frederick Douglass' recollections of his first and last encounters with the president; and more. A photo gallery makes a fitting conclusion: the book offers a variety of perspectives on Lincoln's legacy, and the images show different aspects of one of our most revered presidents.

History and architecture buffs, as well as those with a penchant for artfully done pop-up books (or perhaps the Griffin & Sabine trilogy), will delight in Chuck Wills' Thomas Jefferson, Architect: The Interactive Portfolio. Packaged in a sturdy protective sleeve, the book is filled with reproductions of architectural drawings, letters and sketches nestled in translucent pockets or secured behind flaps bearing photos of the structures in which Jefferson had a hand. This volume focuses on four in Virginia: his home at Monticello, the Virginia State Capitol, the University of Virginia and his retreat at Poplar Forest. "Jefferson has rightly been called 'the author of America,' but he can just as accurately be called 'the architect of America'," Wills says, making his case via well-written text on Jefferson's education, creations and influence on U.S. architecture. The opportunity to examine drawings, photos and descriptions of various structures makes for a heightened reading experience, one that surely will spark or renew interest in this American icon.

FIRST FAMILY TO YOURS
It's been 45 years since John F. Kennedy's presidency was tragically cut short, but the national fascination with his family remains strong. The Kennedy Family Album: Personal Photos of America's First Family will delight Kennedy-philes and photography fans with a peek into the family's daily life. The photos, by Bob Davidoff—who for 50 years was photographer-in residence at the family's Palm Beach home, until his death in 2004—depict things readers might expect: stylish adults shopping at high – end stores; cousins frolicking outdoors; and every holiday a festive event. Text by Linda Corley, a longtime producer for PBS, brings context, color and life to the images. 

There are poignant ones—JFK a few days before he was killed; matriarch Rose over the years, as she grew frail but retained her sparkle—and funny ones, from a young Maria Shriver conducting her first interview (she turned the tables on an inquisitive journalist) to Caroline Kennedy wrestling with her cousins. The Kennedy Family Album is a lovely keepsake of an important era in American history.

MAKING ART
Scrapbooking supplies—stickers, colored paper, ribbon, adhesives—line the aisles of craft and general merchandise stores, but scrapbooking, while wildly popular now, is hardly a new trend. In Scrapbooks: An American History, designer, writer and scrapbook-collector Jessica Helfand presents a visual history of these "ephemeral portraits," from the 19th century to the present. The books featured here had to meet Helfand's five criteria: they must be beautiful, tell a story, be eclectic and American, and represent celebrities and ordinary folk alike. As such, readers can explore the pages of scrapbooks created by Zelda Fitzgerald (photos, magazine covers, reviews) and Lillian Hellman (correspondence, drafts of her radio broadcasts), as well as civilians Dorothy Abraham (valentines, calling cards, a piece of school chalk) and Lawrence Metzger (invitations, canceled stamps). Pre-manufactured memory and baby books began to appear in the early 1900s, representing what the author calls a "significant cultural shift," noting "the anticipation of memory as a core emotional need … was a uniquely twentieth-century conceit." Just as Helfand worked to display and offer insight into these revealing keepsakes, she has succeeded in making Scrapbooks a valuable cultural artifact in its own right.

William G. Scheller, author of Columbus and the Age of Discovery and America's Historic Places, among others, puts his history chops to excellent use in America: A History in Art—The American Journey Told by Painters, Sculptors, Photographers, and Architects

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Let’s say you like a good gossipy book as much as the next person, but you have a certain reputation to uphold and can’t be seen on the beach with the latest celebrity tell-all. Then you must read When the Astors Owned New York: Blue Bloods and Grand Hotels in a Gilded Age, a fascinating social history as well as a fun gossipy read. Pulitzer Prize and National Book Award winner Justin Kaplan (Mr. Clemens and Mark Twain) knows his history. In this book, he looks at the post-Civil War period through a study of the Astors and their lavish hotels. Once simply a place for the stranded passenger to stay the night, hotels became destinations all their own. With their restaurants, tea rooms and open lobbies, they became a place where the public could gather, and they defined what luxury meant to the growing middle class. Furthermore, they were architectural and technical wonders, their plumbing and electrical capacities usually exceeding those in the homes of all but their wealthiest guests.

The real fun of When the Astors Owned New York, however, is its stories of the Astor world. Cousins William Waldorf Astor and John Jacob Astor IV did not like each other. Their joint venture, the famous Waldorf-Astoria hotel, was in fact two hotels: A contract specified that corridors connecting the two buildings could be sealed off if the fragile truce, uncomfortable for both parties, failed to hold. It seems that every famous person had some connection with the Astors or one of their hotels and John Jacob Astor IV became irretrievably tied to our country’s history when he went down with the Titanic. Kaplan has an eye for both the dishy details and the deeper meaning beneath them. This vision makes When the Astors Owned New York the best kind of history: entertaining. Faye Jones is on the faculty of Nashville State Community College.

Let's say you like a good gossipy book as much as the next person, but you have a certain reputation to uphold and can't be seen on the beach with the latest celebrity tell-all. Then you must read When the Astors Owned New York: Blue…
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In the 1990s, a shipwreck was discovered just off the coast of Panama, and from all indications it was a ship from the age of discovery, that exciting, tragic time when two civilizations discovered each other. The discovery of a ship five centuries old is a momentous event, but this shipwreck was something even more special. Its location raised the tantalizing possibility that it might be the Vizca’na, one of Columbus’ four vessels on his last voyage, abandoned due to an infestation of Tarado Navalis shipworm. The Voyage of the Vizca’na: The Mystery of Christopher Columbus’s Last Ship really tells the story of two voyages that of Columbus, with a readable, insightful look at his life and voyages, and that of the various governmental, scientific and private players jockeying to claim the wreck.

German journalists Klaus Brinkbaumer and Clemens Hoges write for the news magazine Der Spiegel and are also students of maritime history. Furthermore, Brinkbaumer is a diver and Hoges writes about underwater archaeology, making them the perfect pair to examine the tale of what really happened to the Vizca’na.

Much has been written about Columbus’ life and accomplishments. He has been accused of genocide and lauded as one of history’s greatest navigators, sometimes in the same sentence. Sadly, as this book shows, the motivations of men haven’t changed much for the better. This is a fascinating, and sometimes frustrating book, but a topic well worth exploring. Being one-quarter Cherokee himself, James Neal Webb likes to joke that when it comes to Columbus, his family met the boat.

In the 1990s, a shipwreck was discovered just off the coast of Panama, and from all indications it was a ship from the age of discovery, that exciting, tragic time when two civilizations discovered each other. The discovery of a ship five centuries old is…
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Life lessons, love, work, peace and the future of our precious planet: these are the subjects under idiosyncratic discussion by 50 notable individuals interviewed in writer/photographer Andrew Zuckerman's sublime, engaging book Wisdom, which is accompanied by a DVD of the author's documentary of the same name. Zuckerman, who says he has always enjoyed meeting accomplished older people spent months traveling the globe to glean words of wisdom from an eclectic, over – age – 65 group of luminaries, which includes Nelson Mandela, Kris Kristofferson, Chinua Achebe, Judi Dench, Jane Goodall, Andrew Wyeth, Billy Connolly, Vaclav Havel and Clint Eastwood.

For each interview, the author composed seven original questions, asking for candid thoughts on the definition and nature of wisdom and human life here on Earth.

The far-ranging, pointed and often surprising responses, along with dramatic color photographic portraits of the interviewees, make for a hope-filled, inspirational book for all generations, as evidenced by this graceful and succinct contribution from Nelson Mandela: "A good head and a good heart are always a formidable combination."

HEADLINE NEWS
The New York Times, that dominant icon of the Fourth Estate, is celebrated in all its page-one glory in The New York Times: The Complete Front Pages, 1851-2008. This is a heavyweight knockout of a book, a reprinted compilation of more than 300 front pages organized into 16 historical eras—from the Civil War (one notable, oddly low-key headline from September 1862 touts Lincoln's controversial Emancipation Proclamation by stating "Highly Important: A Degree of Emancipation") to the Cold War to our post-9/11 times of uncertainty.

This amazing encyclopedia of journalism is finely enhanced by pertinent, reflective essays written by Times staffers such as William Safire, William Grimes, Gail Collins and Thomas L. Friedman. From its witty, trenchant opening by Times executive editor Bill Keller to the final front-page weigh-in on the Eliot Spitzer sex scandal, much of the news "that's fit to print" is here, along with a magnifying glass (thankfully) and a three-DVD set of all the Times front pages, with indexing and online links to complete articles. The featured front pages have been selected with significant historical insight and artfully arranged to make an exceptional reference for aficionados of journalism, history and world affairs. A newspaper's front page is, by design, an eclectic and far – ranging mix of stories and is, says Keller, "imperfect, evolving and quite possibly endangered."

This extraordinary, eye-popping collection of reportage may, at least for now, ensure its survival.

AROUND THE WORLD
Though the 2008 Beijing Olympic Games have passed, the world still has its collective eye on China. China: Portrait of a Country compiled by Pulitzer Prize-winning photojournalist Liu Heung Shing, and with thoughtful, intelligently nuanced essays on Chinese history and photography by journalist James Kynge and art critic Karen Smith, focuses on an often mysterious and complex culture. This groundbreaking photographic book relays a stunning visual story of the birth and growth of modern China, from 1949 to present day, in photos from 88 Chinese photographers (along with their individual biographies), including those by Chairman Mao's personal photographer, Hou Bo. From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well-researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians. The collected images are disturbing, memorable and moving—from the frame of carnage and crushed bicycles in Tiananmen Square, to a toddler exuberantly waving a copy of Mao's Quotations, to the quiet delight of four elderly women as they totter around the Forbidden City on tiny bound feet.

Emblazoned across the cover of Canadian artist and writer Patrick Bonneville's Timeless Earth: 400 of the World's Most Important Places are Kofi Annan's wise words: "We should emphasize what unites us much more than what divides us." This gorgeous book shows, in hundreds of pages of incomparable color photos, cogent fact and wake-up-call quotations, the absolute necessity of that statement. This is a book with sweeping breadth: it is a rallying call to support mankind's common heritage, as well as an atlas and guide to at least 400 UNESCO World Heritage sites, which are natural and cultural places vital to mankind. It is a virtual passport for the armchair globetrotter and an enticement to those who long to explore our planet.

Divided into three sections, "The Natural World," "Human Culture" and "The Modern World," Timeless Earth offers concise data about each site and its present state of preservation, accompanied by sumptuous photography that almost makes the text superfluous (almost). A maps section, which locates hundreds of World Heritage Sites, rounds out the volume. Timeless Earth represents an adventure that transports readers to wilderness preserves, parks and waterways, monuments, cities and mountain ranges from the Amazon to the Serengeti, from Versailles to Istanbul and back to the Rockies. As a peerless tour leader, this information-packed reference will not disappoint.

FINE ART
Remember that art history class you took in college? Well, if you're a bit fuzzy on your ancient artifacts, Florentine frescoes, Klee, Klimt or Kandinsky, pick up Art—and you'll need strong biceps to do it. This stupendous compendium explores everything to do with artistic expression: use of color, composition and medium; theory and technique; themes, schools and movements, artworks and artists. Kicked off by a small poetic essay by Ross King (Brunelleschi's Dome), a team of international art experts offers a crash course in art appreciation, then leads readers through six chronological sections (from prehistory to contemporary) devoted to pre-eminent artworks and artists. Chock-full of gorgeous color reproductions and images, helpful timelines, detailed close – ups, artists' biographies, and with histories and explanations written in clear, concise prose, Art is a standout book for any student or aficionado, a volume King aptly describes as "an admirable feat and a true joy."

Norma Stephens, longtime colleague of the late, legendary photographer Richard Avedon, knew well his love of performance, especially the theater. "He looked with a reverent, unsentimental eye at performers, always acknowledging the craft and the complexity," she says in Performance: Richard Avedon, a bold, intriguing archive of more than 200 portraits capturing the performers—actors and directors, musicians, comedians and dancers—who dominated 20th-century stage and screen.

This predominantly black-and-white collection of images includes many of Avedon's best – known photos, notably the stunning nude of dancer Rudolf Nureyev and the sexy-vampy headshot of Marilyn Monroe, but also features lesser-known photo galleries of theatrical performers, musicians and dancers exuberantly engaged in their art. Enlivened by personal recollections and memoi- style essays from critic John Lahr and artists Mike Nichols, Andre Gregory, Mitsuko Uchida and Twyla Tharp, this volume will help readers appreciate anew the carefully crafted underpinnings—Avedon's own brand of staging and, thus, performance—and psychological insight of this artist's work and photographic legacy.

Life lessons, love, work, peace and the future of our precious planet: these are the subjects under idiosyncratic discussion by 50 notable individuals interviewed in writer/photographer Andrew Zuckerman's sublime, engaging book Wisdom, which is accompanied by a DVD of the author's documentary of the same…

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Vertigo is the profoundly unsettling sensation that either you or your surroundings are spinning. It's also possible to suffer a kind of psychic vertigo, if your world changes too fast for comfort. Take, for instance, this year's Wall Street financial crisis, which left most Americans at least temporarily dazed. Author Philipp Blom makes a strong case that the period of 1900 to 1914 in Europe, just before World War I, was, as the title of his new book has it, "The Vertigo Years." From the perspective of the 1920s, when the memories of war, revolution and influenza epidemic were raw, it seemed in retrospect like a golden time, of ice cream socials and porch swings. But the reality could be far different. Something, after all, led to the war and revolutions.

Blom argues convincingly that the trends of modernism that played themselves out in the 20th century, and even into our own time, accelerated remarkably during those dizzying years. Among them: scientific and technological revolution, politicized racism and anti – Semitism, feminism, human rights abuses, globalized commerce, the mass media explosion, abstract art – and the reactions to every one of them, from peace campaigns and folkloric nostalgia to the cult of masculinity. That's a huge amount of territory to cover, so Blom takes it year by year, with each chapter highlighting a particular theme. The 1903 chapter, for example, focuses on pioneering scientists, such as Marie Curie and Albert Einstein, and the influence of their discoveries on philosophy and art. Curie won the Nobel Prize in physics in 1903. The 1911 chapter is about such culturally democratizing developments as the cinema, the comic strip, the Brownie camera and the gramophone. In that year, the 3,400 – seat Gaumont Palace movie theatre opened in Paris.

Blom is particularly good on the high level of anxiety, sexual and otherwise, that accompanied rapid change. It was the era of a disease known as "neurasthenia," which we would likely classify as extreme stress. From 1900 to 1910, the number of patients in German mental hospitals rose from about 116,000 to more than 220,000.

It's that kind of detail that stays with the reader. We learn, for example, that there was a craze for X – rays at the time. (See Thomas Mann's The Magic Mountain for a literary depiction.) And that the respect for uniforms was so strong in Germany that a petty crook masquerading as an army captain in 1906 was able to commandeer a platoon, use it to arrest a small – town mayor, and steal the town's cash register. These trends did vary from country to country. The women's suffrage movement, forexample, reached its height in England, but had much less traction on the Continent. In contrast, the English had little use for New Age – style bohemianism that was most notable in Germany and Austria – Hungary. It's impossible to read this book without being struck by parallels to our own society. We feel about the Internet the way our great – grandparents felt about the airplane – how amazing, and how frightening it all seems. Blom doesn't take us beyond 1914, but we know how the ideological movements of "The Vertigo Years" turned out in Germany and Russia. We can only hope for a better outcome.

Anne Bartlett is a journalist in Washington, D.C.

Vertigo is the profoundly unsettling sensation that either you or your surroundings are spinning. It's also possible to suffer a kind of psychic vertigo, if your world changes too fast for comfort. Take, for instance, this year's Wall Street financial crisis, which left most Americans…

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Landon Carter was one of the wealthiest planter patriarchs in Virginia, a man of letters and Enlightenment science and a member of the House of Burgesses from 1752 until 1768. Carter claimed he was the first person in America to sound the alarm over the coming Stamp Act. In 1774, he became the chair of his county’s boycott committee and was a militant patriot until his death in 1778.

In addition to the public record, we know more about him through his remarkable diary. Historian Rhys Isaac, who received the Pulitzer Prize for The Transformation of Virginia, 1740-1790, became a literary editor of sorts to guide us authoritatively through Landon Carter’s Uneasy Kingdom: Revolution and Rebellion on a Virginia Plantation. The result is a rich source for anyone interested in biography or in the revolutionary era.

One aspect of the diary, influenced by Virgil’s Eclogues, is a 22-year record that contains “the most elaborated and revealing English-language farm journalÉfrom the 18th-century age of agricultural improvement.” Another is what Isaac calls “gentrylore,” the mix of new and old narrative cycles to craft true stories about wayward slaves. There are also stories of family tensions. Throughout all of this we are given Carter’s self-justifying reasoning, his concern with doing his duty to God.

This unique book takes us into a world quite unlike our own and yet as Isaac reminds us, “the struggles he recorded are really timeless . . . and, above all, every one is Landon himself.”

Landon Carter was one of the wealthiest planter patriarchs in Virginia, a man of letters and Enlightenment science and a member of the House of Burgesses from 1752 until 1768. Carter claimed he was the first person in America to sound the alarm over…
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Mark Twain observed that "History doesn't repeat itself, but it does rhyme." Readers will certainly find much familiar in the history that Paul Strathern chronicles in Napoleon in Egypt. A great Western power, angered by the behavior of a Middle Eastern regime, sends an army to set things right and bring good government to the downtrodden masses. The resulting occupation is marred by atrocities and cultural misunderstanding, incites a rebellion and starts a larger war. The invaders are ultimately defeated by attrition and mismanagement.

But as a mirror of modern times, Napoleon Bonaparte's doomed 1798 venture into the Nile valley and the Levant is imperfect. Napoleon, as Strathern admirably proves, viewed Egypt as merely the first step on his journey to personal glory. He planned an overland invasion of south Asia and India, thereby repeating the accomplishment of his hero, Alexander the Great. The revolutionary government in France had no control over Napoleon during his three years in the Middle East – thanks largely to a British naval blockade – making him not just a military governor, but de facto Sultan of Egypt and ruler of all he surveyed. Napoleon tried to introduce reforms to the suspicious, xenophobic population. But even the presence of a contingent of French savants – intellectuals from all branches of science and the arts – seemed aimed more at burnishing Napoleon's ego than improving Egypt. That the savants made real contributions to science during the occupation is now a footnote in any field except Egyptology, which was founded during those difficult years.

Ultimately, Napoleon's invasion brought him the glory he desired, but in an unintended way. The broader war it started allowed him to seize control of France and most of Europe. Strathern, a prize – winning novelist as well as a historian, has probed Napoleon's complex personality, both the megalomania for which he is vilified and the military prowess for which he is admired, and has in the process created a highly readable lesson in the rhymes of history.

Chris Scott writes from Nashville.

Mark Twain observed that "History doesn't repeat itself, but it does rhyme." Readers will certainly find much familiar in the history that Paul Strathern chronicles in Napoleon in Egypt. A great Western power, angered by the behavior of a Middle Eastern regime, sends an army…

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A really good volume of history provides the reader with a keen sense of perspective and a genuine appreciation for the past. This is exactly what David S. Reynolds does in Waking Giant: America in the Age of Jackson, which authoritatively describes the early to middle part of the American 19th century and makes clear how important this period was to the nation's growth in sociocultural, industrial and political terms. The first third of Reynolds' book is compellingly crafted, offering an incisive examination of the so-called Era of Good Feelings (early 1800s, post-Founding Fathers), leading into the administration of Andrew Jackson (1829 – 1837).

Reynolds delivers a fascinating profile of John Quincy Adams, Jackson's predecessor, who was a genius but didn't play politics very well. Other important statesmen of the time – Daniel Webster, Henry Clay and John C. Calhoun – get their due, but best of all are the author's insights into Old Hickory, exchanging the stereotyped perception of a rough – hewn rube for an admiring respect. Jackson, his obvious administrative blunders aside, was unafraid to wield power, showed what a president could do with a veto and oversaw the foundational development of a burgeoning empire. Jackson's reign had warts – including his ruthless pragmatism in relocating Native American populations – but his impact on infrastructure (never underestimate the importance of a paved road in a frontier land), westward migration, commerce, banking and the general assertion of the U.S. into the international sphere was huge.

Reynolds grapples with art, literature, religion, philosophy, even the theater of the day in subsequent chapters, which help to characterize the distinctively emerging individualist and outspoken American spirit. Reynolds pushes his narrative forward past the Jackson years in an effort to provide some continuity and context to key national trends and events. His coverage stops short of the Civil War, when the long-overdue and critical encounters with festering sectionalism and the slavery question are finally met head-on. The marvel here is how Reynolds tackles textbook material with a great deal of stylish and involving writing.

Martin Brady is a Nashville-based writer.

A really good volume of history provides the reader with a keen sense of perspective and a genuine appreciation for the past. This is exactly what David S. Reynolds does in Waking Giant: America in the Age of Jackson, which authoritatively describes the early to…

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When journalist Charlayne Hunter-Gault was growing up in then-segregated Georgia, the movies she saw at the Saturday matinees always depicted Africans as hapless or even demonic. But Hunter-Gault, an African American who later became the first black woman admitted to the University of Georgia, was able to transcend those ugly stereotypes, creating a lush African jungle paradise in her own imagination.

Hunter-Gault, a two-time Emmy and Peabody Award winner, believes conventional Western journalism still stereotypes Africa as a place of unrelenting chaos and despair. In New News Out of Africa, she asks us to transcend that image by recognizing what she believes is a renaissance of a continent in hopeful transition.

Now Special Africa Correspondent for National Public Radio, Hunter-Gault does not ignore the huge problems faced by Africans, among them AIDS, famine, civil wars and authoritarian governments. But she believes they have to be seen in a context that also includes increased civic activism, economic progress and improving governments in such major countries as Nigeria and South Africa.

South Africa, where she now lives, is Hunter-Gault’s exemplar. She is unabashed in her admiration for Nelson Mandela and writes movingly of the country’s effort to peacefully overcome its apartheid legacy. She acknowledges that president Thabo Mbeki responded badly to the country’s AIDS crisis, but argues that he is largely a positive role model for African leaders.

Hunter-Gault brings to her view of Africa the perspective of a woman who was herself a successful civil rights pioneer. She asks only that we see the continent with balance and compassion. Anne Bartlett is a journalist in Washington, D.C.

When journalist Charlayne Hunter-Gault was growing up in then-segregated Georgia, the movies she saw at the Saturday matinees always depicted Africans as hapless or even demonic. But Hunter-Gault, an African American who later became the first black woman admitted to the University of Georgia, was…
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In 1944, U.S. researchers conducted what is still considered to be the definitive study on human starvation. The goal was not to replicate the then-famine conditions of World War II Europe, but to scientifically isolate and examine the effects of hunger from various perspectives. The hope was that the information obtained would be used to alleviate suffering and death. Todd Tucker’s compelling and provocative narrative of that experience, The Great Starvation Experiment: The Heroic Men Who Starved So That Millions Could Live, shows how three disparate groups scientists, the U.S. military and the conscientious objectors who volunteered to be human guinea pigs collaborated for a combination of national security, humanitarian, and scientific reasons.

The idea for the project came from Dr. Ancel Keys, perhaps best known for the K Ration issued to U.S. troops during the war. Dr. Keys had used pacifist draftees, who were officially part of the Civilian Public Service, in other experiments. In the one Tucker writes about here, each man was to attain the normal weight for his height during the first three months of the experiment. In the second period, there would be six months of starvation with each man’s diet cut in half, causing him to endure a 25 percent weight loss. Keys’ goal was nothing less than a complete cataloging of every quantifiable change that occurs in a famished human being, writes Tucker. The final three months, the rehabilitation period what Tucker refers to as the heart of the study was concerned with recovery diets and recording the effects. Tucker follows the volunteers through each phase, and we get to know several as individuals as they endure the grueling ordeal with varying degrees of physical and psychological deterioration. (One, Max Kampelman, impressively, completed his law school course and became an attorney while engaged in the experiment.) Of the original group of 36, 32 made it to the rehabilitation phase. Interviewed in later years, many said participating in the experiment was the most important experience of their lives. For Keys, the most significant finding of the study was, Tucker writes, that the human body was supremely well equipped to deal with starvation. . . . The human body was very, very tough. The author enlightens us about the evolving history of conscientious objection in the U.S. Many CO’s served as combat medics in World War II, including Desmond T. Doss, a devout Seventh-day Adventist, who received the Congressional Medal of Honor for heroic actions on Okinawa. Tucker also contrasts Keys’ experiment, which used idealistic volunteers, with the horrible medical experiments conducted on unwilling victims in Nazi Germany and Japan and traces the attempts by the international medical community to deal with the abuse of human beings in such studies. This well-searched and lucidly written account captures an important experiment little known to the general public. It is consistently compelling and provocative. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

In 1944, U.S. researchers conducted what is still considered to be the definitive study on human starvation. The goal was not to replicate the then-famine conditions of World War II Europe, but to scientifically isolate and examine the effects of hunger from various perspectives. The…

Rick Smolan and Jennifer Erwitt have created coffee-table books that resonate with Americans, from A Day in the Life of America to Passage to Vietnam. The husband-and-wife duo's latest, America at Home: A Close-up Look at How We Live, sticks to the winning formula: large color photos (by pros and amateurs alike) with short, evocative captions. Thoughtful essays consider what home means: "Simpsons" creator Matt Groening ponders our "weird, mysterious connection" with home, tech writer David Pogue muses about home-as-workplace and novelist Amy Tan writes about her husband, their pets and their home life. All sorts of Americans are represented – from different states, age groups, ethnicities and lifestyles – and the concept of home is broad. America at Home visits a yurt, houseboats and comedian Rich Little's in-home theater, to name a few, and offers statistics on everything from homelessness to adoption rates. The book is fun to flip through, pore over or share.

The prolific, Pulitzer Prize-winning George F. Will offers his impressions of America's culture via a cross-country chronicling of the people, places and traditions that inform our national identity. In One Man's America: The Pleasures and Provocations of Our Singular Nation, the longtime Newsweek columnist writes about Hugh Hefner, Ronald Reagan, the Holocaust Memorial Museum and baseball. He also peers through the lens of his own experience to question what is accepted vs. what is right. In an essay about his son Jon, born with Down syndrome, Will bemoans "today's entitlement mentality—every parent's 'right' to a perfect baby." He also questions whether "green" companies are as eco-conscious as they claim, and rhapsodizes about his beloved baseball. The book is a mixed bag and, ultimately, an invitation to look at America in a skeptical but hopeful way.

EMBRACING CHANCE
Numismatists, history buffs and schoolchildren alike will enjoy A Pocketful of History: Four Hundred Years of America – One State Quarter at a Time. Jim Noles explores the meaning of what's shown on the coins, such as the Statue of Liberty, a cow, the Space Shuttle and Helen Keller. He reveals how the U.S. Mint came up with the idea (they were inspired by a Canadian program), and notes that, in some states, the governor chose the design, while others had citizens weigh in. Also interesting: thanks to recent legislation, Washington, D.C., and the five U.S. territories will get quarters, too. There's a lot to be learned here, but the quarter-by-quarter approach keeps the information manageable. It's clear, as Noles writes, "that new spare change jangling in our pockets . . . celebrates change and the history of change."

RUN IT UP THE FLAGPOLE
You may already know the Betsy Ross story has been consigned to myth, but did you know that, since 1998, the Smithsonian has been working to preserve the Star-Spangled Banner? The museum reopens this month, and visitors may enter the new flag room and see the American icon in all its dramatic, tattered glory. The Star-Spangled Banner: The Making of an American Icon by Lonn Taylor, Kathleen M. Kendrick and Jeffrey L. Brodie serves as a nice preview or alternative: it takes readers through the flag's history and considers its role as a symbol of American unity and democracy. The book covers a range of topics, from the day in 1814 when Francis Scott Key was inspired to write the national anthem to a biographical sketch of the woman who made the flag from linen, cotton and wool. There are plenty of photos, including the historic (raising the flag at Iwo Jima) and the pop cultural (images of '60s-era items adorned with stars and stripes).

Rick Smolan and Jennifer Erwitt have created coffee-table books that resonate with Americans, from A Day in the Life of America to Passage to Vietnam. The husband-and-wife duo's latest, America at Home: A Close-up Look at How We Live, sticks to the winning formula: large…

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