Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All Coverage

All History Coverage

Review by

Though contemporary politicians on both sides of the aisle often either fondly praise or viciously attack the legacy of Franklin Delano Roosevelt's New Deal, there really aren't that many people around who either remember or understand the impact of such entities as the Works Progress Administration (WPA), nor the many things that were created under its umbrella. Author and biographer Susan Quinn's exhaustive new book Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times offers vital information about exactly what the WPA did, who it helped and why it was among FDR's most important creations. The book also spotlights a period in American history whose links to subsequent cultural and political developments is frequently underrated.

Quinn focuses on the Federal Theater Project, which began in 1935 and was among four endeavors labeled "Federal One" and designed to employ writers, visual artists, musicians and theater workers. Hallie Flanagan, director of a theater program at Vassar, was tapped by WPA head Harry Hopkins to launch the project in Iowa. Hopkins wanted to start it in the Midwest to allay fears about elitism, snobbery or bias on behalf of larger urban cities. Hopkins and Flanagan, who had graduated a year apart at Grinnell College, also picked a week when a national theater conference was happening in Iowa City to launch the project.

From this promising start, Quinn traces the Federal Theater Project's growth, willingness to combat racial and social taboos, and recruitment of gifted but controversial personalities. All these elements resulted in plenty of behind-the-scenes drama and intrigue. Whether presenting a voodoo version of "Macbeth" or employing the likes of Orson Welles, John Houseman and Sinclair Lewis, the Federal Theater Project delighted in surprising and shocking audiences, confronting conservative authorities, and smashing boundaries and barriers in terms of expectations.

Sadly, such welcome trends as presenting plays with integrated casts, encouraging submissions and participation from black and female actors and playwrights, exploring themes of poverty and injustice in the rural South, and presenting material featuring strong protest and social justice themes proved the very things that led to the program's destruction. Though nowhere as prominent during the '30s as they became in the '50s, the "Red Scare" and paranoia about Communists infiltrating the government were becoming more commonplace.

These fears helped fuel a backlash that was most vividly expressed by Rep. Martin Dies Jr. (D-Texas). Like his legislator father, Dies was a virulent racist and xenophobe. He became chairman of the House Un-American Activities Committee in 1938, and was one of several Southern senators determined to halt such developments as anti-lynching bills and stop the rising number of immigrants coming to America. Dies made scuttling the Federal Theater Project part of a larger plan to destroy FDR's New Deal legacy. While that didn't work, he did succeed in ending the Federal Theater Project by the summer of 1939.

Still, as Quinn's volume colorfully documents, over its four-year tenure the Federal Theater Project tapped a nationwide creative energy and spirit that had previously been mostly dormant. The roots of everything from the civil rights and feminist movements to the artistic revolution of the '60s can be traced to this period, and Furious Improvisation relives these times with zest and reverence.

Ron Wynn writes for Nashville City Paper and other publications.

Though contemporary politicians on both sides of the aisle often either fondly praise or viciously attack the legacy of Franklin Delano Roosevelt's New Deal, there really aren't that many people around who either remember or understand the impact of such entities as the Works…

Review by

The February 1763 Treaty of Paris that officially ended the French and Indian War (the Seven Years’ War) set in motion a series of actions that led to unintended and unpredictable consequences for the peoples of North America. But, as Dartmouth historian Colin G. Calloway demonstrates in his superb narrative history, The Scratch of a Pen: 1763 and The Transformation of North America, The Peace of Paris brought little peace to North America, where Indian war dominated 1763 and where turmoil and movement led, ultimately, to civil war and revolution. This latest title in Oxford’s outstanding Pivotal Moments in American History series gives us the Big Picture, as well as concise and insightful descriptions of individuals and groups.

For example, Calloway describes the Native Americans as being stunned by the news that France had handed over their lands to Britain without even consulting them. He finds Jeffrey Amherst, the British commander-in-chief, arrogant and ignorant of Indian ways, and his policies significantly changed British-Indian relations, putting British lives in danger. Pontiac’s War, named after the Ottawa war chief, was really a war of independence in which Indian peoples resisted the British Empire a dozen years before American colonists did. Britain’s attempt to rule its huge North American territory revealed the fragility of its imperial power. From the government’s perspective, it seemed reasonable to expect the colonists to bear some of the expenses of victory after all, British ministers pointed out, the war had been fought for them. But, as we know now, taxation and the rights of the colonists fueled protest, rebellion and revolution. The Scratch of a Pen also details the crucial roles played by other factors, including increased immigration from Europe and demand for land, rampant disease and racial tension. America in 1763 was a crowded and often confused stage, Calloway says. His impressive panoramic view is a marvel of the historian’s craft and provides another way of looking at the reasons for what happened in 1776. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

The February 1763 Treaty of Paris that officially ended the French and Indian War (the Seven Years' War) set in motion a series of actions that led to unintended and unpredictable consequences for the peoples of North America. But, as Dartmouth historian Colin G. Calloway…
Review by

Greece, of course, is known not only as the birthplace of history and philosophy, but of classic art. Few works of Greek art have inspired as much interest or controversy as the famed “Elgin Marbles” in the British Museum. These magnificent fragments and sculptures from the Parthenon were transported to England (or stolen from Greece, depending on your point of view) in the early 1800s by the British ambassador to the Ottoman Empire, Thomas Bruce, the 7th Earl of Elgin. Mistress of the Elgin Marbles: A Biography of Mary Nisbet, Countess of Elgin, by Susan Nagel, tells the story of Mary Nisbet, Lord Elgin’s young wife and one of the wealthiest heiresses in Europe of that era. It was Mary who funded the collection of the marbles and beguiled the Sultan himself into permitting their removal en masse. But even more lasting than Nisbet’s diplomatic successes may have been the impact of her tragedies. Shortly after their return home, Lord Elgin stunned both Mary and British society by accusing her of adultery with his best friend. The scandal rocked the British ruling class; Elgin lost his political future, and Mary lost her family. But the sensationalism and injustice of their battle sowed the long, slow seeds of reform, eventually leading to changes in British divorce law and the acknowledgement of property rights for women. Nagel has crafted a fascinating biography of a charming and intelligent woman, who pushed aside the expected boundaries of her sex and influenced the world in many ways.

Howard Shirley is a writer in Nashville.

Greece, of course, is known not only as the birthplace of history and philosophy, but of classic art. Few works of Greek art have inspired as much interest or controversy as the famed "Elgin Marbles" in the British Museum. These magnificent fragments and sculptures from…
Review by

Franklin Delano Roosevelt’s first hundred days in office came during the country’s worst moment in history. The Great Depression was at its darkest point the economy in collapse, people desperate for jobs, money and food. During these bleak days many questioned whether democracy itself was a failure, suggesting America needed a dictator on the order of Mussolini or the barely known Hitler to set things right. These voices did not come from the bizarre fringes of society, but from such prominent sources as The New York Daily News and national columnist Walter Lippman. Almost no one saw much hope for the future, in America or anywhere else.

But Roosevelt did. The Defining Moment: FDR’s Hundred Days and the Triumph of Hope turns the dial back to those early days when few knew whether any solution could save the nation from teetering into fascism on one side and revolution on the other. Newsweek political columnist Jonathan Alter argues that Roosevelt offered a sea change in politics, an ability to depart from the way things had always been done, tied to a willingness to experiment to try anything until something worked. It was this combination, along with the gift of talking directly to the common man, that allowed Roosevelt to bring hope back to America. The Defining Moment is a fascinating window into a time that changed the very way our nation thinks about government and its role in society. At times Alter’s political biases poke through, but his writing is deft, pulling the reader rapidly along and creating a feeling of tension that echoes the desperation of the times a remarkable achievement for a book examining bank runs, government social experimentation and bureaucratic foibles. If you want to understand how our government came to be what it is today, or if you just want an interesting read about a pivotal time in history, this is indeed a defining book. Howard Shirley is a writer in Franklin, Tennessee.

Franklin Delano Roosevelt's first hundred days in office came during the country's worst moment in history. The Great Depression was at its darkest point the economy in collapse, people desperate for jobs, money and food. During these bleak days many questioned whether democracy itself was…
Review by

Joseph T. Glatthaar's General Lee's Army: From Victory to Collapse offers a cradle-to-grave recounting of the Army of Northern Virginia, the South's main battle force for the duration of the Civil War. Glatthaar provides everything we might come to expect from such a serious tome: authoritative background on the army's founding, its key generals (especially Robert E. Lee, who took command in 1862) and its major campaigns and time-honored engagements (Antietam, Chancellorsville, Gettysburg, etc.) But Glatthaar also does something that distinguishes, and should well establish, his volume as a new, major one-stop source on the ANV: he profiles the everyday soldier. The author's research is exhaustive, and he quotes extensively from contemporary accounts (diaries, letters, etc.) that tell us where the rank-and-file Johnny Reb may have hailed from, his family status (generally not from the moneyed class), his attitudes on the war (usually enthusiastic, at the beginning anyway), the ammunition he used, his religious beliefs and the rigors of his daily camp life (generally tough going, especially as the fortunes of war turned downward). On a broader level, Glatthaar does what every Civil War historian must, offering appropriately detailed discussions of battles within a strategic and political context, with good maps and archival photos of division and corps commanders rounding out the coverage.

BEFORE IT ALL BEGAN
A war begun for spurious reasons, initiated at the behest of a U.S. president whose term in office amounted to little more than the flexing of American might. As familiar as that might sound, we're actually talking about the Mexican War and President James K. Polk. Odds are the territory gained in that conflict – including California and New Mexico – may very well have accrued to the U.S. anyway. Yet besides its land-grab aspects, the Mexican War also proved important in later years because it was there that many commanders in the Civil War got their first real battle experience. Martin Dugard's The Training Ground: Grant, Lee, Sherman, and Davis in the Mexican War, 1846-1848 does a wonderful job of explaining the war's origins and political ramifications in the aftermath of the fight for Texas independence. Thereafter, the author follows the lives and careers of the later-to-be-famous military men – including Robert E. Lee, Ulysses S. Grant, William Tecumseh Sherman, Stonewall Jackson, Joseph Hooker, eventual Confederate president Jefferson Davis and many others – leading up to and including their performance on the other side of the Rio Grande. American forces in Mexico were commanded by Gen. Zachary Taylor, himself elected U.S. president shortly after the war's end. Dugard gives us a full strategic and tactical history of the war, with the coverage of the noted individuals folded neatly within, including the roles they played at battles whose names – Palo Alto, Resaca de la Palma, Buena Vista – are rarely ever mentioned in common contemporary discourse.

THE AFRICAN-AMERICAN EXPERIENCE
University of Tennessee history professor Stephen V. Ash is noted for his rigorous research and his capable, almost novelistic, way of telling a historical tale. He brings those gifts to Firebrand of Liberty: The Story of Two Black Regiments That Changed the Course of the Civil War, which, unsurprisingly, will evoke memories of the story told in the 1989 film Glory. The key player here is Col. Thomas Wentworth Higginson, an educated, moralistic New Englander with a very public abolitionist streak. In March 1863, Higginson gathered 900 African-American soldiers in South Carolina and led them, by land and sea, to Jacksonville, Florida, where their efforts helped to assert territorial control over the Confederate Army, while also sending a message to Southerners (both black and white) about freedom. This mission was relatively short-lived and its strategic importance has never been emphasized in general accounts of the Civil War. Yet it was the first instance where black troops faced live bullets and served effectively alongside white troops. The 1st and 2nd South Carolina's professional deportment also alerted President Lincoln to a new reality – that recruitment of black troops for the Union war effort could begin in earnest.

If there is one area of recollection on the Civil War not yet exhausted, it's certainly the voice of the slave. The Slaves' War: The Civil War in the Words of Former Slaves is a remarkable volume, which, in its singular way, provides the reader with a fresh perspective on the conflict. Author/compiler Andrew Ward has "sifted from literally thousands of interviews, obituaries, squibs, diaries, letters, memoirs, and depositions" to capture a slave's-eye view of events, arranged in a chronological narrative from antebellum 1850 through war's end and Reconstruction. This "civilian history" is told with unflinching honesty in a deeply affecting vernacular, the quoted material offering valuable insights not only into the slaves' personal plights, but also into the defeated lives of their former masters. There's humor, irony and wisdom in these pages, and the mix of Ward's astutely rendered factual setups with the testimonies of the blacks who lived the history truly explores new historical ground.

FATHER OF A GUN
Chicago Tribune writer and Pulitzer Prize-winner Julia Keller travels interesting historical and sociological roads in Mr. Gatling's Terrible Marvel, her account of the development and marketing of the Gatling Gun. The Gatling is associated with the Civil War mainly because inventor and businessman Richard Jordan Gatling tried mightily to get the Union army to adopt his innovative, crank-operated "machine gun." In fact, the Gatling was used very little during the war, but was found valuable later in the U.S. Army's hostilities against Indian tribes, not to mention as a curiosity item in Buffalo Bill Cody's Wild West Show. Keller draws an interesting parallel between Gatling and atomic bomb mastermind J. Robert Oppenheimer, both of whose weapons were designed with the ultimate goal of saving more lives than they claimed.

Joseph T. Glatthaar's General Lee's Army: From Victory to Collapse offers a cradle-to-grave recounting of the Army of Northern Virginia, the South's main battle force for the duration of the Civil War. Glatthaar provides everything we might come to expect from such a serious tome:…

Review by

Very few people know the name Mary Surratt today, but in 1865, she was one of the most hated women in the United States—unless you were a staunch Confederate. Surratt ran the boarding house where the conspirators, including John Wilkes Booth and her own son, met to plan the assassination of President Abraham Lincoln.

In The Assassin's Accomplice, historian Kate Clifford Larson paints a vivid picture of Civil War Washington, D.C., and Maryland with its Confederate spies and sympathizers. Through an extensive search of records, court transcripts and memoirs, she also shows conclusively that Mary Surratt was indeed one of the conspirators, not simply the mother of one of them. Still, it is hard to read the accounts of the trial without having sympathy for Surratt. Had her son, John, returned to the States from a Confederate spying mission in Canada to testify on her behalf, it is likely she would have been found innocent or pardoned. Her lawyer disappeared following his opening remarks, leaving her in the hands of two much less experienced attorneys.

Then there were the newspapers. As Larson writes, "Vilified and caricatured in the mostly Northern newspapers that carried reports from the courtroom, Mary endured almost continual aspersions against her femininity, religion, age, physical appearance, and demeanor." Ironically, popular opinion moved in Surratt's favor after her execution and she became the poster child for the innocent Southern martyr at the hands of a "vengeful and vindictive Northern political machine." But for Larson, there is only one conclusion: Mary Surratt "decided to assist [Booth] in whatever way she could. In providing a warm home, private encouragement, and material support to Abraham Lincoln's murderer, she offered more than most of Booth's other supporters. For that, Mary Surratt lost her life and must forever be remembered as the assassin's accomplice."

Very few people know the name Mary Surratt today, but in 1865, she was one of the most hated women in the United States—unless you were a staunch Confederate. Surratt ran the boarding house where the conspirators, including John Wilkes Booth and her own son,…

Review by

One had to be an adult living through that time to fully appreciate the fear kindled throughout the world by what is now called "the Cuban missile crisis" – 13 agonizing days in October 1962 when it seemed certain that the U.S. and the Soviet Union would wage an apocalyptic war over nuclear missiles Russia had attempted to install in Cuba.

In the years since, the complexities of that confrontation have been reduced to a manageable American myth in which young but resolute President Kennedy faces down wily, impulsive Premier Khrushchev. Not so, says Washington Post reporter Michael Dobbs in One Minute to Midnight. In his accounting, both Kennedy and Khrushchev emerge as temperate and essentially moral leaders who succeeded in staving off warmongers within their own ranks, notably the pugnacious Gen. Curtis LeMay, who had distinguished himself in World War II by firebombing Tokyo, and Fidel Castro, who was still bristling with revolutionary fervor.

Dobbs draws on interviews with eyewitnesses, White House tape recordings, surveillance photos, contemporary news accounts and overlooked records to show the chaotic randomness of events and why so many things went wrong. American intelligence was greatly flawed, seriously underestimating the number of Russian troops and missiles in Cuba. Castro (not without reason) was certain the U.S. would invade the island at any moment. Had it done so, Dobbs reveals, Russian forces armed with tactical nuclear weapons were set to destroy the naval base at Guantanamo Bay.

Then there were the wild cards that could have tipped the uneasy standoff into full-fledged war. Among these were the U-2 spy plane the Russians shot down over Cuba. Most perilous of all were the primitive means of communication between the two governments that could never keep up with the rapid shifts in circumstances.

One Minute to Midnight is another persuasive argument that war is too important to be left in the hands of generals.

Edward Morris writes from Nashville.

 

One had to be an adult living through that time to fully appreciate the fear kindled throughout the world by what is now called "the Cuban missile crisis" - 13 agonizing days in October 1962 when it seemed certain that the U.S. and the…

Review by

Behold this haunted house. The Pentagon bears a special fascination and dread for James Carroll, a social critic and the author of such noted books as Constantine’s Sword and the National Book Award-winning memoir An American Requiem. He played in the Pentagon’s hallways as a child, marched on it with masses of other Vietnam War protesters, was stunned when terrorists crashed an airplane into it and, throughout his life, watched it evolve into the menacing driving force behind America’s foreign and domestic policies. House of War, then, is at once a political history and a very personal journal.

Carroll’s father, Joseph F. Carroll, was a one-time FBI agent who was drafted into military intelligence and then appointed the first director of the Defense Intelligence Agency, a position he achieved under President Kennedy via the recommendation of Secretary of Defense Robert McNamara.

Starting with the construction of the Pentagon and the development of the atomic bomb during the height of World War II, Carroll argues that these two events combined to sweep America into perilous waters again and again, regardless of who was president and nominal commander of the military. His rogue’s gallery of overreachers, careerists, paranoids and villains is by now familiar (and persuasively documented). It extends from President Roosevelt, whose doctrine of unconditional surrender may have needlessly cost hundreds of thousands of lives, to Leslie Groves, the man who oversaw the creation of both the Pentagon and the A-bomb, to Curtis LeMay, the bombing scourge of civilians from Germany to Japan, on through alarmist George Kennan, the tormented McNamara and such hardliners as Edward Teller, Herman Kahn, Paul Nitze, Paul Wolfowitz, Richard Perle, Donald Rumsfeld and Dick Cheney.

It was not a coup by a man on horseback that Eisenhower was warning of [in citing the military-industrial complex], Carroll maintains, . . . but the impersonal workings of a frenzied cycle in which money feeds on fear which feeds on power which feeds on violence which feeds on a skewed idea of honor which feeds on demonization of an enemy which feeds on more fear which feeds on ever more money. Wiser and stronger presidents might have slowed or stopped this cycle, Carroll suggests. They might have even shifted the emphasis in international relations from force to diplomacy. But none did.

In growing up when and where he did, Carroll was more sensitive than most to the very real prospect of nuclear annihilation. Still, he manages to bring a scholar’s thoroughness to his critique. While clearly no fan of communism, he expresses great admiration for Soviet leader Mikhail Gorbachev and his willingness to negotiate nuclear disarmament. He also praises America’s nuclear freeze movement of the 1980s, which was gaining enormous momentum when President Reagan’s Star Wars proposal effectively neutralized it.

Despite the grim drag of history, Carroll says there are ways for America to rise above its worst instincts. But the road he envisions is a rocky one: no weapons in space; no wars of prevention; no going it alone; no torture ever, under any circumstances; treaties are sacrosanct; the spread of international legal forums is in America’s interest; the sources of violence deserve as much attention as the threat of it; diplomacy, not war, is America’s primary way of being in the world.

Edward Morris reviews from Nashville.

 

Behold this haunted house. The Pentagon bears a special fascination and dread for James Carroll, a social critic and the author of such noted books as Constantine's Sword and the National Book Award-winning memoir An American Requiem. He played in the Pentagon's hallways as…

Review by

The public record shows that Franklin D. Roosevelt had one wife. But from a purely emotional perspective, he had three: the Official Wife, the Work Wife and the Hidden Wife. And that's not counting the casual flings. The legal wife, of course, was Eleanor. Admirable though she was, she drove him nuts. The work wife, equally predictably, was his longtime secretary Missy LeHand, who spent much more time with him than Eleanor did, day and night, before her untimely death at 46. The backdoor wife was Lucy Mercer Rutherfurd.

FDR's affair with Lucy Mercer during World War I, when she was Eleanor's social secretary, nearly broke up his marriage. More than 25 years later, Lucy, by then the widowed Mrs. Rutherfurd, was staying with him in Warm Springs, Georgia, until just before his death. In Franklin and Lucy, historian Joseph E. Persico, the author of a previous book on FDR and World War II espionage (Roosevelt's Secret War), is able to highlight their close friendship with the help of letters from FDR found in 2005 by Rutherfurd's grandchildren. The letters and other evidence, including phone logs, show that loving contact between the two was continuous through much of the 1920s and 1930s, even as Lucy enjoyed a good marriage to an older millionaire and Roosevelt carried on semi-publicly with Missy.

Persico effectively argues that Lucy was the enduring true love of Franklin's life. But this psychologically perceptive book is as much an emotional biography of Franklin and Eleanor as it is about the somewhat elusive Lucy, the "intelligent listener." It shows how much Franklin was influenced by all the strong women in his life – his overwhelming mother, his conflicted daughter, his several likely mistresses. It poignantly describes Eleanor's probable love affair with journalist Lorena Hickok and midlife crushes on younger men. It documents FDR's questionable treatment of Missy.

They were complicated people, Franklin and Eleanor and Lucy. Luckily for FDR and his wife, they lived at a time when friends and journalists largely kept quiet about the private lives of public figures. One wonders how they would fare today.

Anne Bartlett is a journalist in Washington, D.C.

The public record shows that Franklin D. Roosevelt had one wife. But from a purely emotional perspective, he had three: the Official Wife, the Work Wife and the Hidden Wife. And that's not counting the casual flings. The legal wife, of course, was Eleanor. Admirable…

Review by

Germany was a signatory to the Hague Declaration of 1889, a decision that helped to establish the principle that some kinds of wartime combat were “uncivilized.” Among those types of combat was the use of “deleterious gases.” In April 1915, Germany violated its pledge, and chemical warfare as we know it was born. In A Higher Form of Killing: The Secret History of Chemical and Biological Warfare, authors Robert Harris and Jeremy Paxman present a general history of gas and germ warfare. The book was first published in 1982, but in this updated paperback edition, the authors have added new material covering recent developments. Compelling, timely and important, the book is even more relevant today than when it first appeared. Despite concerted efforts around the world to outlaw chemical and biological warfare, the threat still looms large. In this well-researched, briskly written account, the authors focus on the scientific and military aspects of the subject, as well as governmental and diplomatic issues. They also look at the effects of the breakup of the Soviet Union and the black market in weaponry that resulted. Recent terrorist attacks and attempts by Third World countries to establish arsenals are also given thorough coverage.

Because the research and development of these weapons has been done clandestinely, the authors use the term “secret history” in their title. The book takes us behind the secrecy to reveal the stories of victims who suffered and died, some by design, others by accident. And we learn of such figures as the Japanese army major, Shiro Ishii, who was given government permission to build the world’s first biological warfare installation in 1937, thus starting the biological arms race. Of particular interest is the reluctance of both sides to use biological or chemical weapons during World War II. Although either side might have deployed them under certain circumstances, both FDR and Hitler were opposed to their use. FDR regarded poison gas as “barbaric and inhumane” and rejected all proposals to use it. Hitler had been wounded by mustard gas in World War I and, the authors say, “was known to have a marked aversion to using chemical weapons.” Top Nazi leaders repeatedly advised Hitler to use them but to no avail. Churchill, on the other hand, strongly promoted the production and possible use of gas. The British were the first, in 1940, to prepare serious plans for using it. As late as July 1944, Churchill, proposed in an extraordinary memo, which the authors quote in full, that his service chiefs seriously calculate again the pros and cons of such use.

Robert Harris is known for best-selling fiction thrillers like Fatherland, Enigma and Archangel. Jeremy Paxman is a prominent news anchorman in Great Britain whose distinguished career has taken him to the Middle East, Africa and Central America, among other places. As the two point out, “Proliferation of chemical and biological weapons is now perhaps the most urgent problem facing Western military planners.” Their exploration of this grim but important subject helps us to understand it in a wider historical perspective. Roger Bishop is a regular contributor to BookPage.

Germany was a signatory to the Hague Declaration of 1889, a decision that helped to establish the principle that some kinds of wartime combat were "uncivilized." Among those types of combat was the use of "deleterious gases." In April 1915, Germany violated its pledge, and…
Review by

The chaos in the art world resulting from World War II continues to this day, as paintings, icons and sculptures routinely emerge in auction rooms and private sales. As the Nazi armies raced towards Leningrad in 1941, the Catherine Palace was hastily dismantled and Peter the Great’s art treasures packed away. One of them, a room made of panels of amber mined from the Baltic Sea a gift from the King of Prussia has never been found. In September 2001, journalists Adrian Levy and Catherine Scott-Clark began their own search for the Amber Room, combing through archives in Moscow, Leningrad and Berlin, interviewing the few surviving figures and relatives of those deceased, and poring over previously unknown diaries. Their quest is meticulously recounted in The Amber Room: Uncovering the Fate of the World’s Greatest Lost Art Treasure. Levy and Scott-Clark have turned up two conflicting stories as to the fate of the Amber Room.

One theory follows the reasoning of Anatoly Kuchumov, a curator in charge of packing up Leningrad’s art treasures as the Germans invaded in 1941. Figuring that the Amber Room could not be moved, Kuchumov decided to disguise it instead. Another theory comes from archeology professor Alexander Brusov, who led the first search for the room just as the war ended in 1945. He concluded it had been carted off by the Nazis to Konigsberg Castle in East Prussia, where it survived until the city fell to the Red Army on April 9. By the end of May, the castle was a charred ruin, undoubtedly the work of Red Army troops, unaware that Russian art treasures were stored there.

Perhaps finally accepting the probability of the room’s destruction, Russia began assembling a replica in 1999, which officially opened in May 2003. While the fate of the room may never be established, The Amber Room is a fascinating tale of obsession, intrigue and fabrication rivaling a work of fiction. And since art works supposedly “missing” in the war continue to be uncovered, there may be a trove of similar stories waiting to be told. Deborah Donovan writes from Cincinnati, Ohio, and La Veta, Colorado.

The chaos in the art world resulting from World War II continues to this day, as paintings, icons and sculptures routinely emerge in auction rooms and private sales. As the Nazi armies raced towards Leningrad in 1941, the Catherine Palace was hastily dismantled and Peter…
Review by

From 1791 through 1794 in western Pennsylvania, acts of resistance to a federal excise tax on the production of whiskey led to an insurgency serious enough for George Washington to deploy the nation’s first federal military force to put it down. This was the first war for the American soul, according to William Hogeland, who traces the events in his lively new book The Whiskey Rebellion.

In part, Hogeland explains, Treasury Secretary Alexander Hamilton needed the whiskey tax of 1791 to fund the nation’s staggering war debt. Beyond that, he saw a continuing pool of capital in the hands of moneyed investors [whose] financial ambitions would fund the nation’s ambitions. The poorest people, however, would experience the whiskey excise as a tax on income.

The ensuing rebellion pitted well-off Easterners with large distilleries against less well-off Westerners, many of them desperate and disgruntled war veterans with small farms and businesses. Radical Westerners felt that resisting the tax, often with threats and violence (such as the tarring and feathering of collectors), was their last chance for fairness. Caught in between were Western moderates who worked to reach a compromise, but found themselves distrusted and threatened by both sides. As resistance continued, Hamilton advised Washington to raise an army to enforce the law, an action Washington saw only as a last resort.

Hogeland gives us vivid characterizations of the major players and evokes the atmosphere around the protestors. One of the most colorful is Herman Husband, a wealthy businessman, a plantation owner who owned no slaves, a Quaker pacifist who believed in nonviolence, and a radical leader, legislator and author. Religious absolutism brought him to the conviction that what was happening was the fulfillment of biblical prophecy.

Hogeland also describes the Dreadful Night, as it came to be called, when people whose names appeared on lists that Hamilton and his allies had compiled were rounded up and detained. Unfortunately, almost every adult male was fair game for capture. The fact that most of those arrested would have to be turned loose later was not an issue for the Dreadful Night. The Whiskey Rebellion is important history, carefully researched and written with verve for a general readership. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

From 1791 through 1794 in western Pennsylvania, acts of resistance to a federal excise tax on the production of whiskey led to an insurgency serious enough for George Washington to deploy the nation's first federal military force to put it down. This was the first…
Review by

Art’s ability to entertain is readily acknowledged, but its motivational and inspirational qualities aren’t always recognized. Those aspects are celebrated in award-winning author and historian Raymond Arsenault’s outstanding new book The Sound of Freedom: Marian Anderson, the Lincoln Memorial, and the Concert that Awakened America.

This volume shows how reaction and response to one concert, Anderson’s historic Easter Sunday performance at the Lincoln Memorial 70 years ago, energized the movement against racism and injustice. Long before that, Anderson had spent the professional equivalent of a lifetime breaking barriers and shattering stereotypes. Though not the first black vocalist operating in the classical/operatic arena, Anderson’s thundering, spectacular contralto won praise from Europe’s toughest critics and finest conductors. Arsenault shows how she took techniques mastered in the black church to a different musical setting, proving equally masterful with opera and spirituals.

But Anderson’s amazing 1939 concert is Arsenault’s primary focus here. The Daughters of the American Revolution was then among the nation’s foremost political and social organizations and its leaders had previously opposed Anderson’s appearance at Constitution Hall because she was black. First lady Eleanor Roosevelt resigned from the group in protest and convinced Secretary of the Interior Harold Ickes to let Anderson perform at the Lincoln Memorial. Anderson’s singing not only solidified her reputation, it electrified the 75,000 in attendance, and garnered the good will of people around the world. Arsenault equates this with subsequent milestones like Jackie Robinson’s integration of major league baseball and Rosa Parks’ refusal to move to the back of the bus.

Anderson achieved other firsts, like breaking the Metropolitan Opera’s color bar in the 1950s. Still, for the generations who aren’t well acquainted with her career, The Sound of Freedom provides critical perspective on her most significant achievement.

Ron Wynn writes for the Nashville City Paper and other publications.

Art’s ability to entertain is readily acknowledged, but its motivational and inspirational qualities aren’t always recognized. Those aspects are celebrated in award-winning author and historian Raymond Arsenault’s outstanding new book The Sound of Freedom: Marian Anderson, the Lincoln Memorial, and the Concert that Awakened America.

This…

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Recent Reviews

Author Interviews

Recent Features