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The 51-mile link between the Caribbean Sea and Pacific Ocean across the Panamanian isthmus stands as one of the great engineering feats of all human history, comparable to the Great Wall of China or the Apollo moon landings. In The Canal Builders: Making America's Empire at the Panama Canal, labor historian Julie Greene asks: Was it the princes or presidents who did those things? What about the compass bearers, the joiners and those who fed the horses and cooked the meals?

The central figures in Greene's story—the "builders‚" referred to in her title—are the 35,000 ordinary people who traveled to Panama, and, from 1906 to 1914, raised new towns, built houses, ran railroads, operated commissaries, set up a constabulary and judiciary and, above all, moved dirt. Greene examines how the U.S. government, determined to build the canal as fast as possible, managed this force of working people from all over the world.

"The engineering and constructional difficulties melt into insignificance compared with labor‚" she quotes chief engineer John Stevens as saying. Indeed, Greene finds that project director Col. George W. Goethals tried to apply the ideal of Progressivism: that by regulating environments one could improve human behavior. While the jungle gave way before steam shovels, this social engineering faltered and often failed. Goethals could not control appetites for drink, sex and money; eliminate racial or ethnic prejudice; make people fair or honest; or come close to perfecting the human character. The undeniable success of the project even left an indelible stain on the Republic of Panama, which the U.S. had brought into being: that country's sovereignty over its own territory was not retuned to it until 2000, when the U.S. ceded the Canal.

The great adventure might have taught Americans to take people and nations not as we might wish them to be but as they often are: perverse, selfish, nationalistic. Yet somehow the overtopping idealism and magnificent vision inspired this multitude to build the great Canal.

James Summerville writes from Dickson, Tennessee.

The 51-mile link between the Caribbean Sea and Pacific Ocean across the Panamanian isthmus stands as one of the great engineering feats of all human history, comparable to the Great Wall of China or the Apollo moon landings. In The Canal Builders: Making America's Empire…

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The February 1763 Treaty of Paris that officially ended the French and Indian War (the Seven Years’ War) set in motion a series of actions that led to unintended and unpredictable consequences for the peoples of North America. But, as Dartmouth historian Colin G. Calloway demonstrates in his superb narrative history, The Scratch of a Pen: 1763 and The Transformation of North America, The Peace of Paris brought little peace to North America, where Indian war dominated 1763 and where turmoil and movement led, ultimately, to civil war and revolution. This latest title in Oxford’s outstanding Pivotal Moments in American History series gives us the Big Picture, as well as concise and insightful descriptions of individuals and groups.

For example, Calloway describes the Native Americans as being stunned by the news that France had handed over their lands to Britain without even consulting them. He finds Jeffrey Amherst, the British commander-in-chief, arrogant and ignorant of Indian ways, and his policies significantly changed British-Indian relations, putting British lives in danger. Pontiac’s War, named after the Ottawa war chief, was really a war of independence in which Indian peoples resisted the British Empire a dozen years before American colonists did. Britain’s attempt to rule its huge North American territory revealed the fragility of its imperial power. From the government’s perspective, it seemed reasonable to expect the colonists to bear some of the expenses of victory after all, British ministers pointed out, the war had been fought for them. But, as we know now, taxation and the rights of the colonists fueled protest, rebellion and revolution. The Scratch of a Pen also details the crucial roles played by other factors, including increased immigration from Europe and demand for land, rampant disease and racial tension. America in 1763 was a crowded and often confused stage, Calloway says. His impressive panoramic view is a marvel of the historian’s craft and provides another way of looking at the reasons for what happened in 1776. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

The February 1763 Treaty of Paris that officially ended the French and Indian War (the Seven Years' War) set in motion a series of actions that led to unintended and unpredictable consequences for the peoples of North America. But, as Dartmouth historian Colin G. Calloway…
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Greece, of course, is known not only as the birthplace of history and philosophy, but of classic art. Few works of Greek art have inspired as much interest or controversy as the famed “Elgin Marbles” in the British Museum. These magnificent fragments and sculptures from the Parthenon were transported to England (or stolen from Greece, depending on your point of view) in the early 1800s by the British ambassador to the Ottoman Empire, Thomas Bruce, the 7th Earl of Elgin. Mistress of the Elgin Marbles: A Biography of Mary Nisbet, Countess of Elgin, by Susan Nagel, tells the story of Mary Nisbet, Lord Elgin’s young wife and one of the wealthiest heiresses in Europe of that era. It was Mary who funded the collection of the marbles and beguiled the Sultan himself into permitting their removal en masse. But even more lasting than Nisbet’s diplomatic successes may have been the impact of her tragedies. Shortly after their return home, Lord Elgin stunned both Mary and British society by accusing her of adultery with his best friend. The scandal rocked the British ruling class; Elgin lost his political future, and Mary lost her family. But the sensationalism and injustice of their battle sowed the long, slow seeds of reform, eventually leading to changes in British divorce law and the acknowledgement of property rights for women. Nagel has crafted a fascinating biography of a charming and intelligent woman, who pushed aside the expected boundaries of her sex and influenced the world in many ways.

Howard Shirley is a writer in Nashville.

Greece, of course, is known not only as the birthplace of history and philosophy, but of classic art. Few works of Greek art have inspired as much interest or controversy as the famed "Elgin Marbles" in the British Museum. These magnificent fragments and sculptures from…
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Franklin Delano Roosevelt’s first hundred days in office came during the country’s worst moment in history. The Great Depression was at its darkest point the economy in collapse, people desperate for jobs, money and food. During these bleak days many questioned whether democracy itself was a failure, suggesting America needed a dictator on the order of Mussolini or the barely known Hitler to set things right. These voices did not come from the bizarre fringes of society, but from such prominent sources as The New York Daily News and national columnist Walter Lippman. Almost no one saw much hope for the future, in America or anywhere else.

But Roosevelt did. The Defining Moment: FDR’s Hundred Days and the Triumph of Hope turns the dial back to those early days when few knew whether any solution could save the nation from teetering into fascism on one side and revolution on the other. Newsweek political columnist Jonathan Alter argues that Roosevelt offered a sea change in politics, an ability to depart from the way things had always been done, tied to a willingness to experiment to try anything until something worked. It was this combination, along with the gift of talking directly to the common man, that allowed Roosevelt to bring hope back to America. The Defining Moment is a fascinating window into a time that changed the very way our nation thinks about government and its role in society. At times Alter’s political biases poke through, but his writing is deft, pulling the reader rapidly along and creating a feeling of tension that echoes the desperation of the times a remarkable achievement for a book examining bank runs, government social experimentation and bureaucratic foibles. If you want to understand how our government came to be what it is today, or if you just want an interesting read about a pivotal time in history, this is indeed a defining book. Howard Shirley is a writer in Franklin, Tennessee.

Franklin Delano Roosevelt's first hundred days in office came during the country's worst moment in history. The Great Depression was at its darkest point the economy in collapse, people desperate for jobs, money and food. During these bleak days many questioned whether democracy itself was…

William G. Scheller, author of Columbus and the Age of Discovery and America's Historic Places, among others, puts his history chops to excellent use in America: A History in Art—The American Journey Told by Painters, Sculptors, Photographers, and Architects. The book is arranged in chronological order, from the first Americans to the new millennium. Commentary and captions accompany the 300-plus reproductions, from paintings to photos, political posters to objets d'art. Social, political, economic and geographic context are explored in detail, too. For example, regarding Caltrans 7 (a Los Angeles Department of Transportation building completed in 2004), Scheller notes that, just as the architectural firm's name, Morphosis, doesn't include "meta" as a way to indicate design is changeable and fluid like our surroundings, the building itself is wrapped in a sheath that opens or closes based on the heat and light that touches it. Scheller writes, "The United States has been since its inception … a study in the balance of pragmatism and idealism; of stubborn cultural independence and slavish devotion to the foreign; of conservatism and experimentation." The artists represented here shore up that assertion: looking at America through the lens of creations by Currier & Ives, Georgia O'Keeffe, Dorothea Lange, Andy Warhol and scores of lesser-known talents is a history lesson indeed.

A CELEBRATION OF DANCE
Ailey Ascending: A Portrait in Motion
is a gorgeous, heartfelt celebration of the Alvin Ailey American Dance Theater's 50th anniversary. Photographer Andrew Eccles writes in the afterword that he met Ailey in 1989 and that Ailey "choreographed our session, he kept it alive, he made it move." Ailey died three months after that encounter, but his energy and vision live on. In addition to the Dance Theater, which grew from a small troupe that had its 1958 debut at Manhattan's 92nd Street Y to a 30-member company that tours the world, there is the Alvin Ailey Dance Foundation, The Ailey School, the Ailey II repertory ensemble and numerous community and outreach programs. Ailey Ascending's large format and its text/image combination enhance the feeling of experiencing the dancers' world. Introductory pieces by Judith Jamison, artistic director and former lead dancer; Anna Deavere Smith; Khephra Burns and former Essence editor Susan L. Taylor describe Ailey's gifts, dedication and influence on the world of dance. The photos capture the grace of the Ailey dancers, and the range of compositions—close-ups of sculpted faces and bodies, a quartet onstage, a lone dancer stretching in front of a window as the city races by behind her—encourage contemplation and appreciation. This book is a fitting tribute to Ailey's work, which, as Burns and Taylor write, "was dance and theater, black and universal and wholly American."

PRESIDENTIAL LEGACIES
The Kunhardt family has been maintaining a collection of Lincoln memorabilia and writing about him for five generations. Now, the authors of Lincoln: An Illustrated Biography are back with the follow-up volume Looking for Lincoln: The Making of an American Icon, published to commemorate the bicentennial of our 16th president's birth. It's an "exploration of how Lincoln was remembered and memorialized in the first six decades after his life," as Doris Kearns Goodwin writes in the introduction. Accordingly, the book begins on the day of Lincoln's assassination; readers may pore over eyewitness accounts, photos of Ford's Theatre and other materials associated with April 14, 1865. The book's exhaustive attention to detail continues apace – it includes photos of Lincoln's family and friends; wartime remembrances; Frederick Douglass' recollections of his first and last encounters with the president; and more. A photo gallery makes a fitting conclusion: the book offers a variety of perspectives on Lincoln's legacy, and the images show different aspects of one of our most revered presidents.

History and architecture buffs, as well as those with a penchant for artfully done pop-up books (or perhaps the Griffin & Sabine trilogy), will delight in Chuck Wills' Thomas Jefferson, Architect: The Interactive Portfolio. Packaged in a sturdy protective sleeve, the book is filled with reproductions of architectural drawings, letters and sketches nestled in translucent pockets or secured behind flaps bearing photos of the structures in which Jefferson had a hand. This volume focuses on four in Virginia: his home at Monticello, the Virginia State Capitol, the University of Virginia and his retreat at Poplar Forest. "Jefferson has rightly been called 'the author of America,' but he can just as accurately be called 'the architect of America'," Wills says, making his case via well-written text on Jefferson's education, creations and influence on U.S. architecture. The opportunity to examine drawings, photos and descriptions of various structures makes for a heightened reading experience, one that surely will spark or renew interest in this American icon.

FIRST FAMILY TO YOURS
It's been 45 years since John F. Kennedy's presidency was tragically cut short, but the national fascination with his family remains strong. The Kennedy Family Album: Personal Photos of America's First Family will delight Kennedy-philes and photography fans with a peek into the family's daily life. The photos, by Bob Davidoff—who for 50 years was photographer-in residence at the family's Palm Beach home, until his death in 2004—depict things readers might expect: stylish adults shopping at high – end stores; cousins frolicking outdoors; and every holiday a festive event. Text by Linda Corley, a longtime producer for PBS, brings context, color and life to the images. 

There are poignant ones—JFK a few days before he was killed; matriarch Rose over the years, as she grew frail but retained her sparkle—and funny ones, from a young Maria Shriver conducting her first interview (she turned the tables on an inquisitive journalist) to Caroline Kennedy wrestling with her cousins. The Kennedy Family Album is a lovely keepsake of an important era in American history.

MAKING ART
Scrapbooking supplies—stickers, colored paper, ribbon, adhesives—line the aisles of craft and general merchandise stores, but scrapbooking, while wildly popular now, is hardly a new trend. In Scrapbooks: An American History, designer, writer and scrapbook-collector Jessica Helfand presents a visual history of these "ephemeral portraits," from the 19th century to the present. The books featured here had to meet Helfand's five criteria: they must be beautiful, tell a story, be eclectic and American, and represent celebrities and ordinary folk alike. As such, readers can explore the pages of scrapbooks created by Zelda Fitzgerald (photos, magazine covers, reviews) and Lillian Hellman (correspondence, drafts of her radio broadcasts), as well as civilians Dorothy Abraham (valentines, calling cards, a piece of school chalk) and Lawrence Metzger (invitations, canceled stamps). Pre-manufactured memory and baby books began to appear in the early 1900s, representing what the author calls a "significant cultural shift," noting "the anticipation of memory as a core emotional need … was a uniquely twentieth-century conceit." Just as Helfand worked to display and offer insight into these revealing keepsakes, she has succeeded in making Scrapbooks a valuable cultural artifact in its own right.

William G. Scheller, author of Columbus and the Age of Discovery and America's Historic Places, among others, puts his history chops to excellent use in America: A History in Art—The American Journey Told by Painters, Sculptors, Photographers, and Architects

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Behold this haunted house. The Pentagon bears a special fascination and dread for James Carroll, a social critic and the author of such noted books as Constantine’s Sword and the National Book Award-winning memoir An American Requiem. He played in the Pentagon’s hallways as a child, marched on it with masses of other Vietnam War protesters, was stunned when terrorists crashed an airplane into it and, throughout his life, watched it evolve into the menacing driving force behind America’s foreign and domestic policies. House of War, then, is at once a political history and a very personal journal.

Carroll’s father, Joseph F. Carroll, was a one-time FBI agent who was drafted into military intelligence and then appointed the first director of the Defense Intelligence Agency, a position he achieved under President Kennedy via the recommendation of Secretary of Defense Robert McNamara.

Starting with the construction of the Pentagon and the development of the atomic bomb during the height of World War II, Carroll argues that these two events combined to sweep America into perilous waters again and again, regardless of who was president and nominal commander of the military. His rogue’s gallery of overreachers, careerists, paranoids and villains is by now familiar (and persuasively documented). It extends from President Roosevelt, whose doctrine of unconditional surrender may have needlessly cost hundreds of thousands of lives, to Leslie Groves, the man who oversaw the creation of both the Pentagon and the A-bomb, to Curtis LeMay, the bombing scourge of civilians from Germany to Japan, on through alarmist George Kennan, the tormented McNamara and such hardliners as Edward Teller, Herman Kahn, Paul Nitze, Paul Wolfowitz, Richard Perle, Donald Rumsfeld and Dick Cheney.

It was not a coup by a man on horseback that Eisenhower was warning of [in citing the military-industrial complex], Carroll maintains, . . . but the impersonal workings of a frenzied cycle in which money feeds on fear which feeds on power which feeds on violence which feeds on a skewed idea of honor which feeds on demonization of an enemy which feeds on more fear which feeds on ever more money. Wiser and stronger presidents might have slowed or stopped this cycle, Carroll suggests. They might have even shifted the emphasis in international relations from force to diplomacy. But none did.

In growing up when and where he did, Carroll was more sensitive than most to the very real prospect of nuclear annihilation. Still, he manages to bring a scholar’s thoroughness to his critique. While clearly no fan of communism, he expresses great admiration for Soviet leader Mikhail Gorbachev and his willingness to negotiate nuclear disarmament. He also praises America’s nuclear freeze movement of the 1980s, which was gaining enormous momentum when President Reagan’s Star Wars proposal effectively neutralized it.

Despite the grim drag of history, Carroll says there are ways for America to rise above its worst instincts. But the road he envisions is a rocky one: no weapons in space; no wars of prevention; no going it alone; no torture ever, under any circumstances; treaties are sacrosanct; the spread of international legal forums is in America’s interest; the sources of violence deserve as much attention as the threat of it; diplomacy, not war, is America’s primary way of being in the world.

Edward Morris reviews from Nashville.

 

Behold this haunted house. The Pentagon bears a special fascination and dread for James Carroll, a social critic and the author of such noted books as Constantine's Sword and the National Book Award-winning memoir An American Requiem. He played in the Pentagon's hallways as…

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Life lessons, love, work, peace and the future of our precious planet: these are the subjects under idiosyncratic discussion by 50 notable individuals interviewed in writer/photographer Andrew Zuckerman's sublime, engaging book Wisdom, which is accompanied by a DVD of the author's documentary of the same name. Zuckerman, who says he has always enjoyed meeting accomplished older people spent months traveling the globe to glean words of wisdom from an eclectic, over – age – 65 group of luminaries, which includes Nelson Mandela, Kris Kristofferson, Chinua Achebe, Judi Dench, Jane Goodall, Andrew Wyeth, Billy Connolly, Vaclav Havel and Clint Eastwood.

For each interview, the author composed seven original questions, asking for candid thoughts on the definition and nature of wisdom and human life here on Earth.

The far-ranging, pointed and often surprising responses, along with dramatic color photographic portraits of the interviewees, make for a hope-filled, inspirational book for all generations, as evidenced by this graceful and succinct contribution from Nelson Mandela: "A good head and a good heart are always a formidable combination."

HEADLINE NEWS
The New York Times, that dominant icon of the Fourth Estate, is celebrated in all its page-one glory in The New York Times: The Complete Front Pages, 1851-2008. This is a heavyweight knockout of a book, a reprinted compilation of more than 300 front pages organized into 16 historical eras—from the Civil War (one notable, oddly low-key headline from September 1862 touts Lincoln's controversial Emancipation Proclamation by stating "Highly Important: A Degree of Emancipation") to the Cold War to our post-9/11 times of uncertainty.

This amazing encyclopedia of journalism is finely enhanced by pertinent, reflective essays written by Times staffers such as William Safire, William Grimes, Gail Collins and Thomas L. Friedman. From its witty, trenchant opening by Times executive editor Bill Keller to the final front-page weigh-in on the Eliot Spitzer sex scandal, much of the news "that's fit to print" is here, along with a magnifying glass (thankfully) and a three-DVD set of all the Times front pages, with indexing and online links to complete articles. The featured front pages have been selected with significant historical insight and artfully arranged to make an exceptional reference for aficionados of journalism, history and world affairs. A newspaper's front page is, by design, an eclectic and far – ranging mix of stories and is, says Keller, "imperfect, evolving and quite possibly endangered."

This extraordinary, eye-popping collection of reportage may, at least for now, ensure its survival.

AROUND THE WORLD
Though the 2008 Beijing Olympic Games have passed, the world still has its collective eye on China. China: Portrait of a Country compiled by Pulitzer Prize-winning photojournalist Liu Heung Shing, and with thoughtful, intelligently nuanced essays on Chinese history and photography by journalist James Kynge and art critic Karen Smith, focuses on an often mysterious and complex culture. This groundbreaking photographic book relays a stunning visual story of the birth and growth of modern China, from 1949 to present day, in photos from 88 Chinese photographers (along with their individual biographies), including those by Chairman Mao's personal photographer, Hou Bo. From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well-researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians. The collected images are disturbing, memorable and moving—from the frame of carnage and crushed bicycles in Tiananmen Square, to a toddler exuberantly waving a copy of Mao's Quotations, to the quiet delight of four elderly women as they totter around the Forbidden City on tiny bound feet.

Emblazoned across the cover of Canadian artist and writer Patrick Bonneville's Timeless Earth: 400 of the World's Most Important Places are Kofi Annan's wise words: "We should emphasize what unites us much more than what divides us." This gorgeous book shows, in hundreds of pages of incomparable color photos, cogent fact and wake-up-call quotations, the absolute necessity of that statement. This is a book with sweeping breadth: it is a rallying call to support mankind's common heritage, as well as an atlas and guide to at least 400 UNESCO World Heritage sites, which are natural and cultural places vital to mankind. It is a virtual passport for the armchair globetrotter and an enticement to those who long to explore our planet.

Divided into three sections, "The Natural World," "Human Culture" and "The Modern World," Timeless Earth offers concise data about each site and its present state of preservation, accompanied by sumptuous photography that almost makes the text superfluous (almost). A maps section, which locates hundreds of World Heritage Sites, rounds out the volume. Timeless Earth represents an adventure that transports readers to wilderness preserves, parks and waterways, monuments, cities and mountain ranges from the Amazon to the Serengeti, from Versailles to Istanbul and back to the Rockies. As a peerless tour leader, this information-packed reference will not disappoint.

FINE ART
Remember that art history class you took in college? Well, if you're a bit fuzzy on your ancient artifacts, Florentine frescoes, Klee, Klimt or Kandinsky, pick up Art—and you'll need strong biceps to do it. This stupendous compendium explores everything to do with artistic expression: use of color, composition and medium; theory and technique; themes, schools and movements, artworks and artists. Kicked off by a small poetic essay by Ross King (Brunelleschi's Dome), a team of international art experts offers a crash course in art appreciation, then leads readers through six chronological sections (from prehistory to contemporary) devoted to pre-eminent artworks and artists. Chock-full of gorgeous color reproductions and images, helpful timelines, detailed close – ups, artists' biographies, and with histories and explanations written in clear, concise prose, Art is a standout book for any student or aficionado, a volume King aptly describes as "an admirable feat and a true joy."

Norma Stephens, longtime colleague of the late, legendary photographer Richard Avedon, knew well his love of performance, especially the theater. "He looked with a reverent, unsentimental eye at performers, always acknowledging the craft and the complexity," she says in Performance: Richard Avedon, a bold, intriguing archive of more than 200 portraits capturing the performers—actors and directors, musicians, comedians and dancers—who dominated 20th-century stage and screen.

This predominantly black-and-white collection of images includes many of Avedon's best – known photos, notably the stunning nude of dancer Rudolf Nureyev and the sexy-vampy headshot of Marilyn Monroe, but also features lesser-known photo galleries of theatrical performers, musicians and dancers exuberantly engaged in their art. Enlivened by personal recollections and memoi- style essays from critic John Lahr and artists Mike Nichols, Andre Gregory, Mitsuko Uchida and Twyla Tharp, this volume will help readers appreciate anew the carefully crafted underpinnings—Avedon's own brand of staging and, thus, performance—and psychological insight of this artist's work and photographic legacy.

Life lessons, love, work, peace and the future of our precious planet: these are the subjects under idiosyncratic discussion by 50 notable individuals interviewed in writer/photographer Andrew Zuckerman's sublime, engaging book Wisdom, which is accompanied by a DVD of the author's documentary of the same…

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Germany was a signatory to the Hague Declaration of 1889, a decision that helped to establish the principle that some kinds of wartime combat were “uncivilized.” Among those types of combat was the use of “deleterious gases.” In April 1915, Germany violated its pledge, and chemical warfare as we know it was born. In A Higher Form of Killing: The Secret History of Chemical and Biological Warfare, authors Robert Harris and Jeremy Paxman present a general history of gas and germ warfare. The book was first published in 1982, but in this updated paperback edition, the authors have added new material covering recent developments. Compelling, timely and important, the book is even more relevant today than when it first appeared. Despite concerted efforts around the world to outlaw chemical and biological warfare, the threat still looms large. In this well-researched, briskly written account, the authors focus on the scientific and military aspects of the subject, as well as governmental and diplomatic issues. They also look at the effects of the breakup of the Soviet Union and the black market in weaponry that resulted. Recent terrorist attacks and attempts by Third World countries to establish arsenals are also given thorough coverage.

Because the research and development of these weapons has been done clandestinely, the authors use the term “secret history” in their title. The book takes us behind the secrecy to reveal the stories of victims who suffered and died, some by design, others by accident. And we learn of such figures as the Japanese army major, Shiro Ishii, who was given government permission to build the world’s first biological warfare installation in 1937, thus starting the biological arms race. Of particular interest is the reluctance of both sides to use biological or chemical weapons during World War II. Although either side might have deployed them under certain circumstances, both FDR and Hitler were opposed to their use. FDR regarded poison gas as “barbaric and inhumane” and rejected all proposals to use it. Hitler had been wounded by mustard gas in World War I and, the authors say, “was known to have a marked aversion to using chemical weapons.” Top Nazi leaders repeatedly advised Hitler to use them but to no avail. Churchill, on the other hand, strongly promoted the production and possible use of gas. The British were the first, in 1940, to prepare serious plans for using it. As late as July 1944, Churchill, proposed in an extraordinary memo, which the authors quote in full, that his service chiefs seriously calculate again the pros and cons of such use.

Robert Harris is known for best-selling fiction thrillers like Fatherland, Enigma and Archangel. Jeremy Paxman is a prominent news anchorman in Great Britain whose distinguished career has taken him to the Middle East, Africa and Central America, among other places. As the two point out, “Proliferation of chemical and biological weapons is now perhaps the most urgent problem facing Western military planners.” Their exploration of this grim but important subject helps us to understand it in a wider historical perspective. Roger Bishop is a regular contributor to BookPage.

Germany was a signatory to the Hague Declaration of 1889, a decision that helped to establish the principle that some kinds of wartime combat were "uncivilized." Among those types of combat was the use of "deleterious gases." In April 1915, Germany violated its pledge, and…
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Vertigo is the profoundly unsettling sensation that either you or your surroundings are spinning. It's also possible to suffer a kind of psychic vertigo, if your world changes too fast for comfort. Take, for instance, this year's Wall Street financial crisis, which left most Americans at least temporarily dazed. Author Philipp Blom makes a strong case that the period of 1900 to 1914 in Europe, just before World War I, was, as the title of his new book has it, "The Vertigo Years." From the perspective of the 1920s, when the memories of war, revolution and influenza epidemic were raw, it seemed in retrospect like a golden time, of ice cream socials and porch swings. But the reality could be far different. Something, after all, led to the war and revolutions.

Blom argues convincingly that the trends of modernism that played themselves out in the 20th century, and even into our own time, accelerated remarkably during those dizzying years. Among them: scientific and technological revolution, politicized racism and anti – Semitism, feminism, human rights abuses, globalized commerce, the mass media explosion, abstract art – and the reactions to every one of them, from peace campaigns and folkloric nostalgia to the cult of masculinity. That's a huge amount of territory to cover, so Blom takes it year by year, with each chapter highlighting a particular theme. The 1903 chapter, for example, focuses on pioneering scientists, such as Marie Curie and Albert Einstein, and the influence of their discoveries on philosophy and art. Curie won the Nobel Prize in physics in 1903. The 1911 chapter is about such culturally democratizing developments as the cinema, the comic strip, the Brownie camera and the gramophone. In that year, the 3,400 – seat Gaumont Palace movie theatre opened in Paris.

Blom is particularly good on the high level of anxiety, sexual and otherwise, that accompanied rapid change. It was the era of a disease known as "neurasthenia," which we would likely classify as extreme stress. From 1900 to 1910, the number of patients in German mental hospitals rose from about 116,000 to more than 220,000.

It's that kind of detail that stays with the reader. We learn, for example, that there was a craze for X – rays at the time. (See Thomas Mann's The Magic Mountain for a literary depiction.) And that the respect for uniforms was so strong in Germany that a petty crook masquerading as an army captain in 1906 was able to commandeer a platoon, use it to arrest a small – town mayor, and steal the town's cash register. These trends did vary from country to country. The women's suffrage movement, forexample, reached its height in England, but had much less traction on the Continent. In contrast, the English had little use for New Age – style bohemianism that was most notable in Germany and Austria – Hungary. It's impossible to read this book without being struck by parallels to our own society. We feel about the Internet the way our great – grandparents felt about the airplane – how amazing, and how frightening it all seems. Blom doesn't take us beyond 1914, but we know how the ideological movements of "The Vertigo Years" turned out in Germany and Russia. We can only hope for a better outcome.

Anne Bartlett is a journalist in Washington, D.C.

Vertigo is the profoundly unsettling sensation that either you or your surroundings are spinning. It's also possible to suffer a kind of psychic vertigo, if your world changes too fast for comfort. Take, for instance, this year's Wall Street financial crisis, which left most Americans…

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Mark Twain observed that "History doesn't repeat itself, but it does rhyme." Readers will certainly find much familiar in the history that Paul Strathern chronicles in Napoleon in Egypt. A great Western power, angered by the behavior of a Middle Eastern regime, sends an army to set things right and bring good government to the downtrodden masses. The resulting occupation is marred by atrocities and cultural misunderstanding, incites a rebellion and starts a larger war. The invaders are ultimately defeated by attrition and mismanagement.

But as a mirror of modern times, Napoleon Bonaparte's doomed 1798 venture into the Nile valley and the Levant is imperfect. Napoleon, as Strathern admirably proves, viewed Egypt as merely the first step on his journey to personal glory. He planned an overland invasion of south Asia and India, thereby repeating the accomplishment of his hero, Alexander the Great. The revolutionary government in France had no control over Napoleon during his three years in the Middle East – thanks largely to a British naval blockade – making him not just a military governor, but de facto Sultan of Egypt and ruler of all he surveyed. Napoleon tried to introduce reforms to the suspicious, xenophobic population. But even the presence of a contingent of French savants – intellectuals from all branches of science and the arts – seemed aimed more at burnishing Napoleon's ego than improving Egypt. That the savants made real contributions to science during the occupation is now a footnote in any field except Egyptology, which was founded during those difficult years.

Ultimately, Napoleon's invasion brought him the glory he desired, but in an unintended way. The broader war it started allowed him to seize control of France and most of Europe. Strathern, a prize – winning novelist as well as a historian, has probed Napoleon's complex personality, both the megalomania for which he is vilified and the military prowess for which he is admired, and has in the process created a highly readable lesson in the rhymes of history.

Chris Scott writes from Nashville.

Mark Twain observed that "History doesn't repeat itself, but it does rhyme." Readers will certainly find much familiar in the history that Paul Strathern chronicles in Napoleon in Egypt. A great Western power, angered by the behavior of a Middle Eastern regime, sends an army…

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The chaos in the art world resulting from World War II continues to this day, as paintings, icons and sculptures routinely emerge in auction rooms and private sales. As the Nazi armies raced towards Leningrad in 1941, the Catherine Palace was hastily dismantled and Peter the Great’s art treasures packed away. One of them, a room made of panels of amber mined from the Baltic Sea a gift from the King of Prussia has never been found. In September 2001, journalists Adrian Levy and Catherine Scott-Clark began their own search for the Amber Room, combing through archives in Moscow, Leningrad and Berlin, interviewing the few surviving figures and relatives of those deceased, and poring over previously unknown diaries. Their quest is meticulously recounted in The Amber Room: Uncovering the Fate of the World’s Greatest Lost Art Treasure. Levy and Scott-Clark have turned up two conflicting stories as to the fate of the Amber Room.

One theory follows the reasoning of Anatoly Kuchumov, a curator in charge of packing up Leningrad’s art treasures as the Germans invaded in 1941. Figuring that the Amber Room could not be moved, Kuchumov decided to disguise it instead. Another theory comes from archeology professor Alexander Brusov, who led the first search for the room just as the war ended in 1945. He concluded it had been carted off by the Nazis to Konigsberg Castle in East Prussia, where it survived until the city fell to the Red Army on April 9. By the end of May, the castle was a charred ruin, undoubtedly the work of Red Army troops, unaware that Russian art treasures were stored there.

Perhaps finally accepting the probability of the room’s destruction, Russia began assembling a replica in 1999, which officially opened in May 2003. While the fate of the room may never be established, The Amber Room is a fascinating tale of obsession, intrigue and fabrication rivaling a work of fiction. And since art works supposedly “missing” in the war continue to be uncovered, there may be a trove of similar stories waiting to be told. Deborah Donovan writes from Cincinnati, Ohio, and La Veta, Colorado.

The chaos in the art world resulting from World War II continues to this day, as paintings, icons and sculptures routinely emerge in auction rooms and private sales. As the Nazi armies raced towards Leningrad in 1941, the Catherine Palace was hastily dismantled and Peter…
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A really good volume of history provides the reader with a keen sense of perspective and a genuine appreciation for the past. This is exactly what David S. Reynolds does in Waking Giant: America in the Age of Jackson, which authoritatively describes the early to middle part of the American 19th century and makes clear how important this period was to the nation's growth in sociocultural, industrial and political terms. The first third of Reynolds' book is compellingly crafted, offering an incisive examination of the so-called Era of Good Feelings (early 1800s, post-Founding Fathers), leading into the administration of Andrew Jackson (1829 – 1837).

Reynolds delivers a fascinating profile of John Quincy Adams, Jackson's predecessor, who was a genius but didn't play politics very well. Other important statesmen of the time – Daniel Webster, Henry Clay and John C. Calhoun – get their due, but best of all are the author's insights into Old Hickory, exchanging the stereotyped perception of a rough – hewn rube for an admiring respect. Jackson, his obvious administrative blunders aside, was unafraid to wield power, showed what a president could do with a veto and oversaw the foundational development of a burgeoning empire. Jackson's reign had warts – including his ruthless pragmatism in relocating Native American populations – but his impact on infrastructure (never underestimate the importance of a paved road in a frontier land), westward migration, commerce, banking and the general assertion of the U.S. into the international sphere was huge.

Reynolds grapples with art, literature, religion, philosophy, even the theater of the day in subsequent chapters, which help to characterize the distinctively emerging individualist and outspoken American spirit. Reynolds pushes his narrative forward past the Jackson years in an effort to provide some continuity and context to key national trends and events. His coverage stops short of the Civil War, when the long-overdue and critical encounters with festering sectionalism and the slavery question are finally met head-on. The marvel here is how Reynolds tackles textbook material with a great deal of stylish and involving writing.

Martin Brady is a Nashville-based writer.

A really good volume of history provides the reader with a keen sense of perspective and a genuine appreciation for the past. This is exactly what David S. Reynolds does in Waking Giant: America in the Age of Jackson, which authoritatively describes the early to…

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From 1791 through 1794 in western Pennsylvania, acts of resistance to a federal excise tax on the production of whiskey led to an insurgency serious enough for George Washington to deploy the nation’s first federal military force to put it down. This was the first war for the American soul, according to William Hogeland, who traces the events in his lively new book The Whiskey Rebellion.

In part, Hogeland explains, Treasury Secretary Alexander Hamilton needed the whiskey tax of 1791 to fund the nation’s staggering war debt. Beyond that, he saw a continuing pool of capital in the hands of moneyed investors [whose] financial ambitions would fund the nation’s ambitions. The poorest people, however, would experience the whiskey excise as a tax on income.

The ensuing rebellion pitted well-off Easterners with large distilleries against less well-off Westerners, many of them desperate and disgruntled war veterans with small farms and businesses. Radical Westerners felt that resisting the tax, often with threats and violence (such as the tarring and feathering of collectors), was their last chance for fairness. Caught in between were Western moderates who worked to reach a compromise, but found themselves distrusted and threatened by both sides. As resistance continued, Hamilton advised Washington to raise an army to enforce the law, an action Washington saw only as a last resort.

Hogeland gives us vivid characterizations of the major players and evokes the atmosphere around the protestors. One of the most colorful is Herman Husband, a wealthy businessman, a plantation owner who owned no slaves, a Quaker pacifist who believed in nonviolence, and a radical leader, legislator and author. Religious absolutism brought him to the conviction that what was happening was the fulfillment of biblical prophecy.

Hogeland also describes the Dreadful Night, as it came to be called, when people whose names appeared on lists that Hamilton and his allies had compiled were rounded up and detained. Unfortunately, almost every adult male was fair game for capture. The fact that most of those arrested would have to be turned loose later was not an issue for the Dreadful Night. The Whiskey Rebellion is important history, carefully researched and written with verve for a general readership. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

From 1791 through 1794 in western Pennsylvania, acts of resistance to a federal excise tax on the production of whiskey led to an insurgency serious enough for George Washington to deploy the nation's first federal military force to put it down. This was the first…

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