In 1790, England had a new naval hero: a man who had saved the lives of more than a dozen sailors by navigating a 23-foot open boat over 4,000 miles a staggering feat of seamanship. William Bligh, late of the ship H.M.

S. Bounty, was the toast of the town. Captain Bligh? A hero? As everyone “knows” thanks to Nordhoff and Hall’s 1932 novel Mutiny on the Bounty and the various movies based on it, intrepid master’s mate Fletcher Christian launched a mutiny against the tyrannical Captain Bligh, whom he set adrift in a launch with a handful of loyalists. Christian then led his followers to an idyllic existence on a South Pacific island. But real life has an inconvenient way of diverging from legend. Readers will find the true story in Caroline Alexander’s The Bounty, a fascinating book based on court testimony, diaries and other primary sources that draws a picture very different from the popular version. Alexander, author of the equally excellent volume The Endurance, which told the story of Sir Ernest Shackleton’s Antarctic expedition, produces a vivid narrative with psychological depth and a keen understanding of historical context. Not that Alexander’s Bligh is a saint. He was a perfectionist with an ugly temper. But his record was far better than that of many contemporary naval officers, and he didn’t treat anyone unfairly by the standards of the time. As presented here, the mutiny wasn’t a rebellion against oppression, but a personal clash between two men under pressure who misunderstood each other’s motives. Ironically, even in Alexander’s deft hands, Christian emerges as somewhat of a mystery, in part because he died under odd circumstances not long after he brought his crew to Pitcairn Island. Anne Bartlett is a journalist who lives in South Florida.

Its owner was correct when he said the 10-story Asch Building in downtown Manhattan was fireproof. The problem was that its contents were not. Thus, the cloth and paper used on the top three floors by the Triangle Shirtwaist Company’s garment workers fed the March 25, 1911, fire that resulted in the deaths of 146 people, the worst workplace disaster in New York City’s history before that Tuesday morning in September two years ago.

Other authors have told the story of the fire but probably never as completely and carefully as David Von Drehle in Triangle: The Fire That Changed America. Von Drehle, a journalist who pored over more than 1,300 long-lost, crumbling pages of trial testimony, examines the tragedy in a wider context than ever before and produced what historians likely will regard as the first complete and most reliable list of the victims and the people who identified the remains on the pier that became a makeshift morgue.

After taking us to the congested Lower East Side, with its dingy workshops and teeming mass of new immigrants, the author brings alive rich society matrons joining poor sweatshop seamstresses to defy thugs, cops and judges intent on breaking up their strike for decent wages, tolerable hours and voting rights. Von Drehle gives us a minute-by-minute replay of the fire itself, with some victims being burned alive, others plunging fatally down an elevator shaft, and, by one reporter’s count, 54 people mostly young women leaping or falling from window ledges to their doom. Then we visit the courtroom, where the tight-fisted factory proprietors managed to beat the accusation that they knew the building’s exit doors were locked an illegal practice that allowed guards to search workers’ purses for pilfered goods. A powerful story about a pivotal event in the maturation of our nation, Triangle is a valuable addition to the literature of reform in America.

While the main events of history paint the picture of our past in broad strokes, it is often the lesser known stories that fill in the details and enrich our understanding of events. The Last Voyage of Columbus, a new book by Martin Dugard, is of the latter variety, and in it we find a figure who, while familiar, is more human and thus more interesting than the Christopher Columbus we know from history textbooks.

Columbus is, in many ways, one of the most complex and enigmatic figures in human history. While certainly a man of vision, he was also stubborn to the point of absurdity; he was a superb navigator and sailor who often had trouble with the sailors he led; he was handsome and charming, so much so that if Queen Isabella had been other than the devout Catholic she was, he could have been her lover. Dugard’s portrait of Columbus has its origins in the discovery of an ancient shipwreck at the mouth of a river in Panama. While the evidence is inconclusive, it is possible that the wreckage is that of the La Vizcaina, one of four ships Columbus took on his fourth trip to the New World. This journey was more than Columbus’ last voyage it was his last shot. While Columbus fancied himself the administrator of all the lands he discovered, in truth there was nothing he could do to stop the flood of humanity to the New World. His only chance at everlasting glory (he thought) was to find China, or at least discover a way to get there. In pursuit of that goal, Columbus endured becalmed seas, hostile natives, a horrific hurricane and eventually a devastating shipwreck before finally making his way home to die two years later.

As Dugard shows us in this remarkable book, while Columbus may have thought himself a failure, and while he remained virtually unremembered for a couple of centuries thereafter (Amerigo Vespucci was mistakenly credited with the discovery), the truth finally resurfaced. And amazingly, the wrecked ship in Panama tells us that Columbus may have come within 38 miles of seeing his goal, the Pacific Ocean.

We are in a patriotic month in a patriotic age. Our nation displays its colors, sings its songs, honors its past and argues its present. The sights and sounds of the Fourth of July all serve to remind us of our identity as a nation, but what does that identity mean? Four new books offer insight into this question.

Patriotic music is a staple of Fourth of July picnics. But where did these songs come from, and how did they become a part of our national character? Songs Sung Red, White, and Blue: The Stories Behind America’s Best-Loved Patriotic Songs (HarperResource, $14.95, 223 pages, ISBN 0060513047), by Ace Collins, explores the history of our nation’s music, from the grade school favorite “Yankee Doodle” to the modern staple “God Bless the U.S.

A.” These are the songs that have led us into battle, motivated us to change and inspired us to believe. In each chapter, Collins reveals the stories behind our favorite national tunes, delving into the lives of the songwriters and performers who made them famous. The book also offers a look at the mood and mind of the nation during the time when each song appeared and shows how the songs themselves have been changed by the nation they praise. For those with a love of music or history, or readers looking for a patriotic lift, Collins’ little book is a treat.

In the same manner, Stars ∧ Stripes Forever: The Histories, Stories, and Memories of Our American Flag (Morrow, $14.95, 192 pages, ISBN 0060523571), by Richard H. Schneider, takes a look at the history of our nation’s most beloved symbol, from the early vague description enacted by the Continental Congress on June 14, 1777, to the tattered icon rescued from the rubble of the World Trade Center after September 11, 2001. The book is a collection of history, observations and anecdotes about “Old Glory” (including the origin of that name), set off by moving recollections from veterans, celebrities and citizens about their experiences of the Stars and Stripes. Schneider delves into thoroughly modern controversies about the flag and patriotism, from the Pledge of Allegiance to bizarre Internet conspiracy theories. In many ways, this inspiring book is as much a history of our nation and its attitudes towards patriotism as it is a history of the flag itself.

Exploring the meaning of patriotism is at the center of Caroline Kennedy’s latest book. A Patriot’s Handbook: Songs, Poems, Stories and Speeches Celebrating the Land We Love (Hyperion, $24.95, 643 pages, ISBN 0786869186) is a compilation of opinions and art from more than two centuries of American experience. In the introduction, Kennedy calls the book her “collage of America,” and an exceptional collage it is. From George Washington’s farewell address to Loretta Lynn’s “Coal Miner’s Daughter,” Kennedy has created a marvelous mixture of speeches, opinions, lyrics and literary works about America and her people. As great as the differences are between the voices she selects (where else will you find Ronald Reagan collected with Cesar Chavez?), there is something uniquely American in every one.

Among the unique voices of America, few are more vocal and controversial than Alan Dershowitz. Built around an examination of the words and ideals expressed in the Declaration of Independence, America Declares Independence is Dershowitz’s latest broadside in the continuing argument over the appropriate relationship between church and state. Using Thomas Jefferson as both touchstone and target, Dershowitz argues that the founders, many of whom were Deists, never intended for America to be an explicitly Christian nation. Readers can (and likely will) debate whether Dershowitz proves his points, but this book stands as a testament to the diversity of opinion that can exist under one flag and that may be exactly what defines our nation best. Howard Shirley is a writer in Nashville.

We are in a patriotic month in a patriotic age. Our nation displays its colors, sings its songs, honors its past and argues its present. The sights and sounds of the Fourth of July all serve to remind us of our identity as a nation, but what does that identity mean? Four new books offer insight into this question.

Patriotic music is a staple of Fourth of July picnics. But where did these songs come from, and how did they become a part of our national character? Songs Sung Red, White, and Blue: The Stories Behind America’s Best-Loved Patriotic Songs (HarperResource, $14.95, 223 pages, ISBN 0060513047), by Ace Collins, explores the history of our nation’s music, from the grade school favorite “Yankee Doodle” to the modern staple “God Bless the U.S.

A.” These are the songs that have led us into battle, motivated us to change and inspired us to believe. In each chapter, Collins reveals the stories behind our favorite national tunes, delving into the lives of the songwriters and performers who made them famous. The book also offers a look at the mood and mind of the nation during the time when each song appeared and shows how the songs themselves have been changed by the nation they praise. For those with a love of music or history, or readers looking for a patriotic lift, Collins’ little book is a treat.

In the same manner, Stars &and Stripes Forever: The Histories, Stories, and Memories of Our American Flag (Morrow, $14.95, 192 pages, ISBN 0060523571), by Richard H. Schneider, takes a look at the history of our nation’s most beloved symbol, from the early vague description enacted by the Continental Congress on June 14, 1777, to the tattered icon rescued from the rubble of the World Trade Center after September 11, 2001. The book is a collection of history, observations and anecdotes about “Old Glory” (including the origin of that name), set off by moving recollections from veterans, celebrities and citizens about their experiences of the Stars and Stripes. Schneider delves into thoroughly modern controversies about the flag and patriotism, from the Pledge of Allegiance to bizarre Internet conspiracy theories. In many ways, this inspiring book is as much a history of our nation and its attitudes towards patriotism as it is a history of the flag itself.

Exploring the meaning of patriotism is at the center of Caroline Kennedy’s latest book. A Patriot’s Handbook: Songs, Poems, Stories and Speeches Celebrating the Land We Love is a compilation of opinions and art from more than two centuries of American experience. In the introduction, Kennedy calls the book her “collage of America,” and an exceptional collage it is. From George Washington’s farewell address to Loretta Lynn’s “Coal Miner’s Daughter,” Kennedy has created a marvelous mixture of speeches, opinions, lyrics and literary works about America and her people. As great as the differences are between the voices she selects (where else will you find Ronald Reagan collected with Cesar Chavez?), there is something uniquely American in every one.

Among the unique voices of America, few are more vocal and controversial than Alan Dershowitz. Built around an examination of the words and ideals expressed in the Declaration of Independence, America Declares Independence (Wiley, $19.95, 196 pages, ISBN 0471264822) is Dershowitz’s latest broadside in the continuing argument over the appropriate relationship between church and state. Using Thomas Jefferson as both touchstone and target, Dershowitz argues that the founders, many of whom were Deists, never intended for America to be an explicitly Christian nation. Readers can (and likely will) debate whether Dershowitz proves his points, but this book stands as a testament to the diversity of opinion that can exist under one flag and that may be exactly what defines our nation best. Howard Shirley is a writer in Nashville.

We are in a patriotic month in a patriotic age. Our nation displays its colors, sings its songs, honors its past and argues its present. The sights and sounds of the Fourth of July all serve to remind us of our identity as a nation, but what does that identity mean? Four new books offer insight into this question.

Patriotic music is a staple of Fourth of July picnics. But where did these songs come from, and how did they become a part of our national character? Songs Sung Red, White, and Blue: The Stories Behind America’s Best-Loved Patriotic Songs (HarperResource, $14.95, 223 pages, ISBN 0060513047), by Ace Collins, explores the history of our nation’s music, from the grade school favorite “Yankee Doodle” to the modern staple “God Bless the U.S.

A.” These are the songs that have led us into battle, motivated us to change and inspired us to believe. In each chapter, Collins reveals the stories behind our favorite national tunes, delving into the lives of the songwriters and performers who made them famous. The book also offers a look at the mood and mind of the nation during the time when each song appeared and shows how the songs themselves have been changed by the nation they praise. For those with a love of music or history, or readers looking for a patriotic lift, Collins’ little book is a treat.

In the same manner, Stars ∧ Stripes Forever: The Histories, Stories, and Memories of Our American Flag, by Richard H. Schneider, takes a look at the history of our nation’s most beloved symbol, from the early vague description enacted by the Continental Congress on June 14, 1777, to the tattered icon rescued from the rubble of the World Trade Center after September 11, 2001. The book is a collection of history, observations and anecdotes about “Old Glory” (including the origin of that name), set off by moving recollections from veterans, celebrities and citizens about their experiences of the Stars and Stripes. Schneider delves into thoroughly modern controversies about the flag and patriotism, from the Pledge of Allegiance to bizarre Internet conspiracy theories. In many ways, this inspiring book is as much a history of our nation and its attitudes towards patriotism as it is a history of the flag itself.

Exploring the meaning of patriotism is at the center of Caroline Kennedy’s latest book. A Patriot’s Handbook: Songs, Poems, Stories and Speeches Celebrating the Land We Love (Hyperion, $24.95, 643 pages, ISBN 0786869186) is a compilation of opinions and art from more than two centuries of American experience. In the introduction, Kennedy calls the book her “collage of America,” and an exceptional collage it is. From George Washington’s farewell address to Loretta Lynn’s “Coal Miner’s Daughter,” Kennedy has created a marvelous mixture of speeches, opinions, lyrics and literary works about America and her people. As great as the differences are between the voices she selects (where else will you find Ronald Reagan collected with Cesar Chavez?), there is something uniquely American in every one.

Among the unique voices of America, few are more vocal and controversial than Alan Dershowitz. Built around an examination of the words and ideals expressed in the Declaration of Independence, America Declares Independence (Wiley, $19.95, 196 pages, ISBN 0471264822) is Dershowitz’s latest broadside in the continuing argument over the appropriate relationship between church and state. Using Thomas Jefferson as both touchstone and target, Dershowitz argues that the founders, many of whom were Deists, never intended for America to be an explicitly Christian nation. Readers can (and likely will) debate whether Dershowitz proves his points, but this book stands as a testament to the diversity of opinion that can exist under one flag and that may be exactly what defines our nation best. Howard Shirley is a writer in Nashville.

We are in a patriotic month in a patriotic age. Our nation displays its colors, sings its songs, honors its past and argues its present. The sights and sounds of the Fourth of July all serve to remind us of our identity as a nation, but what does that identity mean? Four new books offer insight into this question.

Patriotic music is a staple of Fourth of July picnics. But where did these songs come from, and how did they become a part of our national character? Songs Sung Red, White, and Blue: The Stories Behind America’s Best-Loved Patriotic Songs, by Ace Collins, explores the history of our nation’s music, from the grade school favorite “Yankee Doodle” to the modern staple “God Bless the U.S.

A.” These are the songs that have led us into battle, motivated us to change and inspired us to believe. In each chapter, Collins reveals the stories behind our favorite national tunes, delving into the lives of the songwriters and performers who made them famous. The book also offers a look at the mood and mind of the nation during the time when each song appeared and shows how the songs themselves have been changed by the nation they praise. For those with a love of music or history, or readers looking for a patriotic lift, Collins’ little book is a treat.

In the same manner, Stars &and Stripes Forever: The Histories, Stories, and Memories of Our American Flag (Morrow, $14.95, 192 pages, ISBN 0060523571), by Richard H. Schneider, takes a look at the history of our nation’s most beloved symbol, from the early vague description enacted by the Continental Congress on June 14, 1777, to the tattered icon rescued from the rubble of the World Trade Center after September 11, 2001. The book is a collection of history, observations and anecdotes about “Old Glory” (including the origin of that name), set off by moving recollections from veterans, celebrities and citizens about their experiences of the Stars and Stripes. Schneider delves into thoroughly modern controversies about the flag and patriotism, from the Pledge of Allegiance to bizarre Internet conspiracy theories. In many ways, this inspiring book is as much a history of our nation and its attitudes towards patriotism as it is a history of the flag itself.

Exploring the meaning of patriotism is at the center of Caroline Kennedy’s latest book. A Patriot’s Handbook: Songs, Poems, Stories and Speeches Celebrating the Land We Love (Hyperion, $24.95, 643 pages, ISBN 0786869186) is a compilation of opinions and art from more than two centuries of American experience. In the introduction, Kennedy calls the book her “collage of America,” and an exceptional collage it is. From George Washington’s farewell address to Loretta Lynn’s “Coal Miner’s Daughter,” Kennedy has created a marvelous mixture of speeches, opinions, lyrics and literary works about America and her people. As great as the differences are between the voices she selects (where else will you find Ronald Reagan collected with Cesar Chavez?), there is something uniquely American in every one.

Among the unique voices of America, few are more vocal and controversial than Alan Dershowitz. Built around an examination of the words and ideals expressed in the Declaration of Independence, America Declares Independence (Wiley, $19.95, 196 pages, ISBN 0471264822) is Dershowitz’s latest broadside in the continuing argument over the appropriate relationship between church and state. Using Thomas Jefferson as both touchstone and target, Dershowitz argues that the founders, many of whom were Deists, never intended for America to be an explicitly Christian nation. Readers can (and likely will) debate whether Dershowitz proves his points, but this book stands as a testament to the diversity of opinion that can exist under one flag and that may be exactly what defines our nation best. Howard Shirley is a writer in Nashville.

On September 7, 1857, a wagon train of pioneers on their way to California was ambushed at a place called Mountain Meadows in southwestern Utah. At first, the attackers appeared to be Indians, but in the five days of siege that followed, it became evident that they were not. As the settlers slowly resigned themselves to being overwhelmed, a large party of white men bearing a white flag approached the embattled camp and offered the survivors safe passage if they would lay down their arms. After they had done so, the “rescuers” separated the men, women and children into groups and marched them along the trail. Then, in response to a pre-arranged command, the supposed protectors turned on the settlers and shot them point-blank or slit their throats. Within three minutes, 140 people lay dead. Only about 15 or 20 children, whom the attackers deemed too young to bear witness against them, were spared. The killers were Mormons.

The Mountain Meadows massacre remains one of the most nettlesome events in the Mormon Church’s bloody history. Was the slaughter ordered by the church’s leader, Brigham Young, or was it the misguided action of his overzealous adherents? Award-winning journalist Sally Denton leaves little doubt that it was the former.

Instead of treating the incident as an aberration, in her compelling new book American Massacre, she places it in the context of a religious movement that owed much of its success to cultivating an us-against-them attitude among its members. The perception that any outsider might be an enemy of the faith made an atrocity like Mountain Meadows inevitable. Particularly effective in demonstrating how the national outcry against the massacre kept building until even the intractable Young had to give in to it, Denton has written a fascinating and thorough account of the tumultuous event and its aftermath. This is a superb piece of scholarship that reads like a novel.

No battle of the American Civil War has been more studied than Gettysburg. In recent years, historians have written hefty tomes analyzing merely one day of the three-day engagement. Talented biographers have examined the lives of general officers, field officers and common soldiers in blue and gray. The question will logically be asked, “Is there a need for yet another book about Gettysburg?” As Stephen W. Sears, the award-winning author of six previous books on the war, brilliantly demonstrates, there most certainly is. His gracefully written text presents the story of Robert E. Lee’s failed Pennsylvania campaign in all its complexity. Rather than debate the actions of one commander or another, or the wisdom of this or that flanking maneuver, Sears keeps his eye on the bigger picture, namely, what was at stake for both sides when Union and Confederate forces met in battle in July 1863? With more than 2,000 land engagements in the Civil War, how did Gettysburg come to be the costliest some 51,000 men were killed or wounded battle of the four-year conflict? Over the years, Sears writes, so much effort has been devoted to assigning blame for the Confederate defeat that “it is easy to lose sight of the victors.” He seeks therefore to give the Union commander, General George Gordon Meade, his historiographical due. Although absolutely colorless and virtually unknown, Meade was greatly respected by his fellow general officers when he was given command of the Army of the Potomac a scant four days before the battle at Gettysburg. Despite his victory over Lee, Meade received stinging criticism for allowing the Confederates to retreat across the Potomac. Abraham Lincoln himself believed that the capture of Lee’s army would have ended the war. Any serious student of the Civil War will want to keep this authoritative volume close at hand. Dr. Thomas Appleton is professor of history at Eastern Kentucky University.

Possibly the most comprehensive and balanced account of the Vietnam War that has yet been written, Patriots: The Vietnam War Remembered from All Sides will not satisfy those who want a strict political history of the conflict, or a battle-by-battle narration, or even a statistical summation of the war’s human and material costs. There are elements of all these approaches in the book, but its great value lies in its multiplicity of perspectives. Appy, a former history teacher at Harvard and MIT, and the author of Working-Class War: American Combat Soldiers and Vietnam, presents the views of 138 people who were intimately involved in the war and/or the events leading up to it. Determined to show all sides, Appy interviews former generals and foot soldiers, political advisers, war protesters, battlefield entertainers, ex-prisoners of war, children who lost parents, parents who lost children, nurses, doctors, victims of the Kent State shooting and witnesses to the My Lai massacre. In addition to the dozens of interviewees whose names most readers won’t recognize, we hear from such famous folk as opposing generals Vo Nguyen Giap and William Westmoreland, Daniel Ellsberg (purveyor of the incriminating Pentagon Papers), soul singer James Brown and protest singer “Country” Joe McDonald, ex-POW John McCain, ex-GI Oliver Stone and the ubiquitous Alexander Haig. Instead of adopting a tedious question-and-answer format, Appy edits each subject’s remarks into a single speech. And he holds the disparate points-of-view together by arranging them as commentaries on the war as it evolved from the French occupation of the country directly after World War II to the defeat of the U.S. and its surrogates in 1975.

Although Appy is vigilantly impartial in his presentation, it is impossible to read these tales of duplicity, hubris, courage, cynicism, sacrifice, hope, love, desperation and horror without concluding that the war was one of the most ill-conceived and colossal wastes of lives in modern history. Edward Morris is a Nashville-based writer.

The worst event in the history of Bedford, Virginia, occurred 4,000 miles away. In the first minutes of D-Day, 19 Bedford soldiers were slaughtered by Nazi gunfire on the coast of Normandy, France. Two others died before the month was out, and two more were killed before the war ended a year later. No other community suffered a heavier proportionate share of loss than Bedford (its population was 3,200), so it was fitting that the town was selected to be home of the National D-Day Memorial, dedicated two years ago. Now, with the publication of Alex Kershaw’s <B>The Bedford Boys: One American Town’s Ultimate D-Day Sacrifice</B>, their story is told in more detail than ever before.

The adage that no military plan survives contact with the enemy was demonstrated at 6:30 a.m. on June 6, 1944, when the invasion at Omaha Beach began. Partly because Allied bombardments had failed to eliminate or effectively blunt the Nazi machine-gun and mortar crews, the Bedford boys of Company A of the 29th Infantry Division’s 116th Infantry Regiment never had a chance. The author takes us from their local National Guard duty to their intensive training in England, to the battlefield in France and then to their survivors back in Bedford. The whole world knew immediately about the invasion, of course, but no one at home had details. Mail from the slain soldiers ceased. After a month, one family received a War Department telegram ("I am saddened to inform you . . . "). Then, similar telegrams arrived, one after another, filling the small town with grief. As he recounts the families’ reactions then and their recollections today, the author makes no attempt to be melodramatic; he does not have to.

Other books by Kershaw are <I>Jack London: A Life and Blood and Champagne</I>, detailing the life of Robert Capa, the only photographer to cover the first-wave assault on Omaha Beach. Capa excelled in recording the cruelty of war with his camera; in <B>The Bedford Boys</B>, Kershaw has done the same thing with his pen.

<I>Ex-newsman Alan Prince lectures at the University of Miami.</I>