Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All , Coverage

All Humor Coverage

Review by

In a more whimsical vein comes Bob Mathews’ Chicks Dig Fries: A Guide for Clueless Men. This slim volume offers tips on how men can win the affectionate approval of their female friends and lovers. Drawing on some apparently hard-won experience in the lost-love department, TV executive Mathews delivers handy advice accompanied by his own cutesy color cartoons, one tidbit to a page. This stuff hardly qualifies as even pop psychology “Chicks dig . . . a guy who makes a big deal out of her birthday”; or, “Chicks dig . . . a guy who will share the at-home work load.” And yes, chicks dig chocolate and pillows and the gentlemanly touch and cotton balls and potpourri and honesty. And a whole lot of other things. One gets the feeling that this lightweight but mildly amusing primer might have been commissioned by a committee of manipulative women. At any rate, you can be sure that the book should find its way into the Christmas stocking of many a (presumably clueless) guy. Ephemeral fun.

In a more whimsical vein comes Bob Mathews’ Chicks Dig Fries: A Guide for Clueless Men. This slim volume offers tips on how men can win the affectionate approval of their female friends and lovers. Drawing on some apparently hard-won experience in the lost-love department, TV executive Mathews delivers handy advice accompanied by his own […]
Review by

Finally, for those who indulge a bit too much in holiday goodies, there is the hilarious, heartfelt The Sound of One Thigh Clapping, Meredith Clair’s meditation on the eternal fight against fat. After failing at quick-fix diets, Clair enrolled in a weight-loss class led by a woman with a Zen attitude. Inspired, Clair decided to pen her own weight-loss creed. The result is this hilarious book filled with haikus (17-syllable verses) that cut right to the heart of the matter: dieting is no fun, but it can be funny. Clair’s gems pay tribute well, sort of to some of the most beloved diet-busters: “Fond memories of Hidden Valley Ranch, where I last saw my waistline.” “Thank you, Buffalo, for the memories, the wings, and the extra pounds.” “Tasty pink grapefruit significantly less so after the eighth day.” Clair also shares down-to-earth advice on how to avoid caloric temptation, and perhaps more importantly, how to change one’s self-image. With its whimsical illustrations and refreshing point of view, The Sound of One Thigh Clapping is one self-help book that doesn’t take itself too seriously. All Amy Scribner wants from Santa is less traffic on the Washington, D.C., Beltway.

Finally, for those who indulge a bit too much in holiday goodies, there is the hilarious, heartfelt The Sound of One Thigh Clapping, Meredith Clair’s meditation on the eternal fight against fat. After failing at quick-fix diets, Clair enrolled in a weight-loss class led by a woman with a Zen attitude. Inspired, Clair decided to […]
Review by

Women who've had it with the formulaic stories flooding the fiction market will appreciate this unique book, which puts a more literal spin on the tired term "chick-lit." New York City artist Sloan Tanen's Bitter With Baggage Seeks Same: The Life and Times of Some Chickens focuses on the concerns of modern women, with offbeat and sometimes biting humor that stands in striking contrast to her artfully arranged dioramas starring fluffy pom-pom chicks. One photo shows a chick wearing a crown and fake eyelashes, her pursed beak aimed at a plastic frog. The caption: "Anastasia was through making out with Ian. He was never going to change."

Each spread is elaborately detailed, from the chicks' plastic feet and pipe-cleaner beaks to the varied miniature settings—the zoo, the beach, laboratories, bathrooms, kitchens—complete with miniature milk cartons and newspapers. Hilarious, original and a bit unsettling, Tanen's wacky creation puts everyday problems in a whole new light—and that ain't chickenfeed.

 

 

Women who've had it with the formulaic stories flooding the fiction market will appreciate this unique book, which puts a more literal spin on the tired term "chick-lit." New York City artist Sloan Tanen's Bitter With Baggage Seeks Same: The Life and Times of Some Chickens focuses on the concerns of modern women, with offbeat […]
Review by

he clock is ticking T. M. Shine is not your average working man; he eats lunch alone, he smarts off to his boss and he excels at cheating the work system. Combining a zest for anal-retentiveness and a sardonic attitude, Shine considers the insane idiosyncrasies of living in his new book, Timeline.

Shine’s book is just what the title suggests: a diary for a month of his life, which he documents by the minute and sometimes even by the second. Instead of cataloguing monumental events, Shine reaches for the most mundane moments (“the bottom of your shoe and everything that has stuck to it all day”) and gives them flare. “8:05 a.m.: Neighbor who only watches PBS and is always full of historical facts rushes over the border of my property, stops short, and yells, ” Did you know Lewis and Clark were gay?’ That explains everything, I say.” For 31 days, the reader is with Shine in his voyage through the purple haze of the 21st century, listening in on his stream-of-conscious commentary. A favorite target is the overbearing media he encounters. In one instance, Shine hears a news flash on the radio about Puff Daddy having sex on the beach. Puffy’s publicist denies the account, claiming that “Puffy hates sand.” Later that day when Shine finally gets to leave the drudgery of the workplace, a neighbor greets him with, “What’s new?” Shine replies: “Puffy hates sand.” In the hands of another writer, this compilation of the daily detritus of life might prove depressing. But Shine, a newspaper humor columnist, manages to make us laugh at the absurdity of it all.

he clock is ticking T. M. Shine is not your average working man; he eats lunch alone, he smarts off to his boss and he excels at cheating the work system. Combining a zest for anal-retentiveness and a sardonic attitude, Shine considers the insane idiosyncrasies of living in his new book, Timeline. Shine’s book is […]
Review by

For most of us, the months between high school graduation and our first days of college are filled with excitement, anticipation and, well, a lot of questions. For the soon-to-be college student (and his or her parents), syndicated columnist Harlan Cohen has all the answers in his hilarious guide, The Naked Roommate: And 107 Other Issues You Might Run Into in College. Filled with practical advice, expert opinions and first-hand accounts from collegians, The Naked Roommate guides students through situations such as handling a difficult roommate, succeeding in the classroom, and managing money while exposing the truth about dating, drinking and experimenting on campus. Fun and fact-filled, The Naked Roommate is an excellent resource for the college-bound high school graduate.

Abby Plesser will graduate from Vanderbilt University this month.

For most of us, the months between high school graduation and our first days of college are filled with excitement, anticipation and, well, a lot of questions. For the soon-to-be college student (and his or her parents), syndicated columnist Harlan Cohen has all the answers in his hilarious guide, The Naked Roommate: And 107 Other […]
Review by

Yorker wit and wisdom “Everybody talks of The New Yorker‘s art, that is its illustrations, and it has just been described as the best magazine in the world for a person who can not read,” Harold Ross, the magazine’s founder and editor, wrote in a 1925 letter. Oh, how times have changed. Although it’s now a cultural institution, the magazine made a somewhat lackluster debut in February of 1925 and would have folded a few months later had it not been for Ross. A bluff, determined Westerner sometimes at odds with the Eastern elite, the editor fought hard to find a focus for his weekly. Rallying writers in the ’20s and ’30s many of them from the renowned Algonquin Round Table he created a forum that would publish some of the most memorable journalism of the 20th century. The magazine may be named for New York, but its span exceeds the city’s limits. Its list of contributors is long and illustrious John Cheever, Eudora Welty, James Baldwin and William Trevor, to name a few and the number of books written about it or featuring the work of its writers and artists gets bigger every season. Worthy titles crop up regularly we counted eight in the past six months alone and a few of the most recent releases are highlighted here.

One of America’s greatest humorists, New Yorker cartoonist James Thurber was an artist who could, with a few shapely, articulate lines, produce quibbling siblings, bickering spouses and, of course, canines dogs of all shapes and sizes, dispositions and breeds. His big, bumbling mutts were creatures that didn’t know the difference between man and beast, that dragged their owners whither they would and did things only humans could went snow-skiing, say, or got psychoanalyzed. These and other Thurberesque absurdities are collected in The Dog Department: James Thurber on Hounds, Scotties, and Talking Poodles, an endearing anthology, edited by author Michael Rosen, of the artist’s dog-centered writings and drawings. Comprised of New Yorker shorts and unpublished archival material, along with selections from the book Thurber’s Dogs, this delightful, amply illustrated volume is filled with humor, advice and reflection Thurber-style on man’s best friend.

In the 1930s, as a reporter for The New Yorker, John McNulty frequented Costello’s Irish saloon on Third Avenue, a boisterous gin mill filled with cabbies, horseplayers and bums on the make that he immortalized in the pages of the magazine. The results are collected in This Place on Third Avenue, a group of slice-of-life stories brimming with humor and drama that feature the saloon, its habituŽs and their pungent, city-steeped dialect. This is the low life writ large, no fringe, no frills. McNulty calls ’em as he sees ’em, and the titles tell all: “Atheist hit by truck.” “Man here keeps getting arrested all the time.” Though a skyscraper now stands at the site of Costello’s, thanks to McNulty, the spirit of the place and the era lives on.

The Fun of It: Stories from The Talk of the Town brings together the best of the magazine’s trademark “Talk” essays, those succinct journalistic gems, full of crystalline reportage and plainspoken prose, about the everyday and the remarkable, the little man and the big. Spanning nine decades, The Fun of It opens with selections from the 1920s and features contributions by some of the magazine’s best writers, from E. B. White to Jamaica Kincaid to John McPhee. Edited by long-time staff member Lillian Ross, who chose from thousands of pieces, the volume is studded with standouts. Especially memorable are antic essays on the city from a young John Updike, and Jane Kramer’s visit with Samuel Beckett and Buster Keaton.

Another collection of classic profiles by Joseph Mitchell, McSorley’s Wonderful Saloon was included in his anthology Up In the Old Hotel but has not existed as a separate volume since it was first published in 1943, when it became a bestseller. Offering a gallery of unforgettable characters oystermen, barkeeps and street-walking eccentrics, a gypsy king and a true-blue bearded lady McSorley’s is vintage reporting from the man The New York Times once called “a listener of genius.”

Yorker wit and wisdom “Everybody talks of The New Yorker‘s art, that is its illustrations, and it has just been described as the best magazine in the world for a person who can not read,” Harold Ross, the magazine’s founder and editor, wrote in a 1925 letter. Oh, how times have changed. Although it’s now […]
Review by

A precocious child actress known for the late 1970s TV series “Family,” and her Oscar-nominated role as Marsha Mason’s daughter in The Goodbye Girl, Quinn Cummings is today a mother, businesswoman (creator of the Hiphugger baby carrier) and blogger. Her “QC Report” has snared national ink and is the springboard for a breezy first book. Part memoir, part mom-ish ruminations, Notes from the Underwire: Adventures from My Awkward and Lovely Life is also salted by an ample dose of wry.

Cummings, who lives in Los Angeles with her baby daddy (whom she refers to in the text as Consort) and their daughter, tackles subjects such as the family dog(s), injuries sustained during gymnastics lessons and negotiating the minefield wrought when little Alice asks how a classmate can have two mommies. Unafraid to be sarcastic or reveal her uncertainties, Cummings dips into lessons learned as a show biz survivor. Though she’ll be saddled with the “former child star” label in perpetuity, she also spent two years as a talent agent. Milking her background in self-deprecating style, she riffs on L.A.’s obsession with looks (“an eye lift at thirty-three doesn’t make you look twenty-three, it makes you look alarmed”), fashion, mansions and more. She visited one lavish house where the daughters’ bedrooms were in a separate wing. That’s one way to create a family of strangers, notes Cummings, who much prefers her family’s more modest abode—and close proximity to motherhood. Which means readers can anticipate a sequel. 

A precocious child actress known for the late 1970s TV series “Family,” and her Oscar-nominated role as Marsha Mason’s daughter in The Goodbye Girl, Quinn Cummings is today a mother, businesswoman (creator of the Hiphugger baby carrier) and blogger. Her “QC Report” has snared national ink and is the springboard for a breezy first book. […]
Review by

Teachers of composition advise their students to write about what they know. It is best not to speculate just how much this advice applies to the life and, ahem, “work” of Mary K. Witte. According to the press release accompanying her book Redneck Haiku, the author lives in Fresno, where the mayor’s name is Bubba, and she works for a garbage company. However, it is safe to say that Witte herself is not a redneck, because clever self-analysis is not the hallmark of this indigenous American species. Trust me; I know. These are my people. And Witte, it almost pains me to admit, lives up to her surname. In more than 100 haikus yes, textbook haiku, three lines, 17 syllables she wittily describes what an anthropologist might call the socioeconomic signifiers of redneckdom. Pam can’t identify the father of her child. Betty Lou’s was conceived in a church parking lot, thereby flouting one of her pet theories. One man is named for the drive-in where he was born. It’s all here food designed to persevere rather than to nourish, homes that tend to blow away in a high wind, criminally reckless fashion decisions, eat-until-you-die buffets and the deification of race car drivers. Consider this example of Witte’s cartoonish but depressingly accurate portrait of a culture: Wanda’s hip slit skirt allows her to climb into monster pickup truck. It may be that rednecks are the last group considered fair game for mocking. This isn’t necessarily a bad thing. After all, “rednecks” as Witte seems to define them are simply a widespread group linked by a chosen lifestyle. And isn’t the very definition of a free country a place where you can make fun of your neighbors?

Teachers of composition advise their students to write about what they know. It is best not to speculate just how much this advice applies to the life and, ahem, “work” of Mary K. Witte. According to the press release accompanying her book Redneck Haiku, the author lives in Fresno, where the mayor’s name is Bubba, […]
Interview by

Many of us still remember when we first heard the dry, droll voice of David Sedaris on public radio. He was the only person in the early 1990s more amusing than George Bush. Sedaris talked about his hilarious adventures doing such seemingly innocent tasks as cleaning New York apartments or working as a Christmas elf at Macy's. Gradually, collections of his essays appeared: Barrel Fever, Naked, Holidays on Ice. With these books, Sedaris fans could keep him nearby rather than waiting for a broadcast on All Things Considered.

Fans will rejoice again, because Sedaris is back with a new laugh-out-loud collection, Me Talk Pretty One Day. The book's title, after one of the essays, records Sedaris's first official stroke of genius choosing to present his own garbled English translations of the garbled French uttered by students in an introductory French class. Sedaris's version is the first time this trick has worked since Mark Twain pulled it off with one hand tied behind his back.

"Sometime me cry alone at night," Sedaris laments about his sadistic French teacher. A fellow sufferer replies, "That be common for I, also, but be more strong, you. Much work and someday you talk pretty. People stop hate you soon."

"The school read that story, and I got kicked out," Sedaris said in a recent interview. "And the only thing that saved me was that every word of it was true."

Being expelled from French class for accurately portraying his teacher is all in a day's work for David Sedaris. About half of Me Talk Pretty One Day deals with family and childhood, and half with his recent move to France and its ramifications in his life, ranging from having to defend the U.S. at cocktail parties to discovering a preference for movies over tourist traps. "I didn't care where Hemingway drank or Alice B. Toklas had her mustache trimmed," he writes. This essay, like most of Sedaris's others, grows out of everyday circumstances riding the subway, working as a furniture mover, seeing a photo of Jodie Foster carrying dog excrement in a plastic bag on the beach. Sedaris likes to make his essays out of the unremarkable strands of his own life.

Not one to propound manifestos, Sedaris is nonetheless articulate about his reasons for this attitude. "It seems like literature, or at least recent American literature," he says in his signature dry voice, "teaches you that unless you grew up living in the back of a car, or unless your folks were in prison, you really don't have a story to tell. It's funny how a lot of rich people and middle-class people think, 'Gosh, if I were poor, I'd have such a good book.' They don't see any value in their own lives," Sedaris notes. "When actually it all depends on how you write about it. Instead of being jealous of these people who had incredibly dramatic lives, who grew up in foster homes and were kept chained in the basement, the notion that if you had bunk beds that just didn't cut it—it took me awhile to realize, 'Well, I took guitar lessons from a midget.' "

Sedaris taught briefly at the Art Institute in Chicago, where he saw these attitudes every day. "To hear my students talk, they had been raised by wolves. Then graduation day would come and their parents would drive up in BMWs, and these kids were dying of embarrassment."

Sedaris doesn't describe himself as an essayist, a humorist, or even a writer. "When I fly back and forth into the country, and I'm asked for my occupation, I just say typist. I would have no problem saying I'm an accountant or a dental assistant, because that's just a job and it's on your W2 form. I mean, it seems like the world can call you something, but don't call yourself that. You know, it's like when you meet somebody and you ask, 'What do you do?' and they say, 'I'm an artist.' I just cringe."

In retrospect, Sedaris also cringes at the memory of his early years as a performance artist in, of all places, North Carolina. His descriptions of the smug posturings of these self-proclaimed artistes is one of Sedaris's most perceptive and heartfelt works not only hilarious and smart, but also candid (and darkly humorous) about his addiction to crystal methamphetamines.

While Sedaris's essays give the sense of ordinary reality, they are unquestionably reflected through the distorting mirror of his outlook. "I've been trying, especially with this book, to pull back a little bit from exaggerating, which of course is my natural inclination. But I found with this last book that what people thought I was making up were the things that were true. I did hitchhike across the country with a quadriplegic."

The stories take place at various times in Sedaris's life, so no matter how solid the bones that are being excavated, some reconstruction is required. "Of course, I can't remember every word of what someone said to me 20 years ago. So that's where I tend to exaggerate the most, in the dialogue, because I want to make it as entertaining as I can."

He mentions a story in Me Talk Pretty One Day in which an American man on the Paris Metro thinks Sedaris is a French pickpocket. Assuming that Sedaris can't speak English, the man loudly catalogues his suspicions to his wife. "Reading it aloud," Sedaris adds, "I could feel the anticlimax. But I didn't want to make up an ending." Actually, the story doesn't feel anticlimactic. It's a vignette, but an astutely observed and funny one, sort of Chekhov meets Thurber.

In Sedaris's world, nothing turns out as expected. Just as she gets off the subway, his sister turns to him and calls out, "Good luck beating that rape charge." He is left to face the hostile stares of strangers and to write up the account for those of us who enjoy seeing the world through the eyes of David Sedaris.

 

Michael Sims is the author of Darwin's Orchestra (Henry Holt).

Many of us still remember when we first heard the dry, droll voice of David Sedaris on public radio. He was the only person in the early 1990s more amusing than George Bush. Sedaris talked about his hilarious adventures doing such seemingly innocent tasks as cleaning New York apartments or working as a Christmas elf […]
Interview by

On a recent visit to friends who have a 14-month-old child, David Sedaris marveled at the attention garnered by one tiny little being. "When you go to their house, everything is about the baby," says the best-selling author with the inimitable nasal voice. "The baby eats, and you watch the baby eat, then you watch the baby knock the telephone off the table." While Sedaris says he and his five siblings were by no means neglected, their early years were hardly the 24-hour-a-day tactile experience that seems de rigueur today. "Sure we were fed," he says, "but we weren’t followed around from room to room and congratulated for existing."

These days, there’s no shortage of praise for the National Public Radio humorist who has spun his Greek-American family’s hang-ups into pure comic gold. This month, fans can rejoice in the release of Dress Your Family in Corduroy and Denim, which includes essays that originally appeared in Esquire, The New Yorker and on NPR’s "This American Life." As in his previous collections, Naked, Barrel Fever, Holidays on Ice and Me Talk Pretty One Day, Sedaris’ tales crackle with the quirkiness that has become his cachet.

Though Sedaris, 47, may be inclined to embellish, the characters featured in his stories are very real: his sister Tiffany dumpster-dives for frozen turkeys, then cooks and eats them; and his mercurial late mother once locked her children out of the house on a snowy winter day because she wanted to be alone. Also in the spotlight is sister Amy, a popular actress and brilliant mimic who has collaborated with her brother on numerous stage plays. "My family isn’t really all that different from anyone else’s," says Sedaris in a phone conversation from his London flat. Then, pausing to reconsider, he adds, "Well, maybe they’re a bit more entertaining."

Sedaris profits from his family members’ peculiarities, but he is also sensitive to their feelings. When his sister Gretchen told him she felt uncomfortable being the focus of some of his stories, he respected her wishes, and now only mentions her in passing. He backed out of a lucrative movie deal for Me Talk Pretty One Day because he didn’t like the idea of someone else handling material about his family. Yet the temptation to tap into a seemingly endless font of freakish behavior is nearly irresistible, says Sedaris, and his family knows it. "My sister Lisa now prefaces every story with: ‘You can’t repeat this to anyone,’ says Sedaris. "And I’m trying to earn her trust."

Brother Paul Sedaris, who operates a North Carolina-based floor sanding business, is one family member who clearly relishes the attention. And he gets plenty of it. "I never imagined that people would phone him at two in the morning and say, ‘Do the rooster, do the rooster,’" says Sedaris, referring to the verbal tirade his 5-foot-4-inch brother unleashes in self defense, rendered so memorably in the Me Talk Pretty One Day essay, "You Can’t Kill the Rooster." For brother Paul, the publicity makes dollars—and sense. "People who’ve heard me talk about Paul now hire him to sand their floors," says Sedaris.

The new book’s title, which publisher Little, Brown describes as "willfully enigmatic," has no significance at all, says Sedaris. In fact, he says, Dress Your Family in Corduroy and Denim sounds like something really boring you’d find in the sewing department of a store. Regardless of how they interpret the title, readers will find themselves in stitches over Sedaris’ delirious accounts, which include a humiliating strip poker game, a pet parrot with a pitch-perfect imitation of a milk steamer and an eyebrow-less nine-year-old neighbor named after an alcoholic drink.

A little more than a decade ago, David Sedaris was an unknown Chicago-based performance artist and house cleaner whose career took a life-altering turn when "This American Life" host Ira Glass attended one of his performances at an area club. "Ira introduced himself," says Sedaris, "and about a year later when I moved to New York, he called me and asked if I had anything Christmas-y." Sedaris submitted "The Santaland Diaries," the unforgettable tale of his experiences working as a Christmas elf at Macy’s. Glass produced the piece for "Morning Edition," and the rest, as they say, is history.

"If I hadn’t met Ira Glass, I’d still be cleaning houses," says Sedaris, who now delivers lectures and readings to standing room only crowds from San Francisco to St. Paul. "I sure as heck wouldn’t be writing my fifth book." Despite his success, Sedaris remains a mass of insecurities. He says introductions loaded with praise just make him nervous. "I’m standing backstage thinking, Oh, don’t say that, don’t say that," he says. "You’re being set up in a way."

Though Sedaris spends large chunks of time touring in the U.S., he lives abroad, dividing his time between London and France (the latter is the site of many of his laugh-out-loud linguistic misadventures in Me Talk Pretty One Day). Those lucky enough to see the humorist in action know that he frequently takes notes while delivering a story, marking where people laugh or don’t respond. The feedback helps in the writing and editing process, he says, adding that a story can change significantly over the course of a tour. Audience reactions—like the dismay elicited from a description of submerging an injured rodent in a bucket of water in the new collection’s "Nuit of the Living Dead"—are often surprising.

"For some reason, you can get on stage and talk about punching your sister in the stomach and nobody bats an eye, but if you talk about pulling the wings off a fly or drowning a mouse, the audience just goes, ohhhhhhhhhh." In truth, what the author covets most is not the giggle, but the gasp ("I love that sound, just an intake of air") prompted by a truly outrageous anecdote. Happily for Sedaris and his fans, life as he knows it has produced a seemingly endless supply.

 

Allison Block’s own family includes a musician who "plays" the armpits and a portly pit bull who has trained his owner to fetch.

On a recent visit to friends who have a 14-month-old child, David Sedaris marveled at the attention garnered by one tiny little being. "When you go to their house, everything is about the baby," says the best-selling author with the inimitable nasal voice. "The baby eats, and you watch the baby eat, then you watch […]
Review by

It’s hard to imagine laughing out loud while reading a book called The Cancer Monologue Project (MacAdam/Cage, $22, ISBN 1931561222). But, the fact is, I laughed many times. Of course, humor isn’t the only emotion expressed in this remarkable volume. Lust, fear, stoicism, doubt, disappointment and exaltation are all here and expressed so remarkably well, it’s hard to believe that almost all the writers are amateurs.

The project represents a compilation of writings by men and women whose sole common thread was a diagnosis of cancer. With the assistance of acting/writing coaches Tanya Taylor and Pamela Thompson, each participant developed a piece of autobiographical writing based on their experience with cancer and then read the work in a public appearance. Taylor and Thompson compiled the 30 pieces in the book, which includes passages like these:

  • The next morning I met the doctor. He was the bastard child of H. Ross Perot and George H.W. Bush. After the biopsy he looked at me and said, Becca, it’s real important that nothing penetrate your vagina for the next eight weeks. Ya hear me? (Rebecca Dixon)
  • I had cancer of the sphincter muscle. Sphincter . . . It really rolls off the tongue so delicately, doesn’t it? Sometimes I wonder what it would have been like to have a cancer that affected a part of the body that we’re more used to talking about. (Blythe Jane Richfield)
  • Cancer has also shut up my inner critic. I finally have the courage and words to talk back to it as fiercely as it talks to me: ÔShut up! So I’m not doing it your way perfectly I’m doin’ it! If it’s not perfect I’ll try again.’ (Judi Jaquez) Every piece is as different as the person who wrote it: complex, subtle, fierce, funny, alarming, silly. And that, no doubt, is part of the triumph we share with each writer a zesty individuality that shines through despite the numbing, humiliating experience of cancer treatments. Rosemary Zibart writes from Santa Fe, New Mexico.

  • It’s hard to imagine laughing out loud while reading a book called The Cancer Monologue Project (MacAdam/Cage, $22, ISBN 1931561222). But, the fact is, I laughed many times. Of course, humor isn’t the only emotion expressed in this remarkable volume. Lust, fear, stoicism, doubt, disappointment and exaltation are all here and expressed so remarkably well, […]
    Review by

    Haven’t you always wanted to form your own country? Why not take all the gold from Fort Knox or borrow” the Mona Lisa to pay for your personal sovereign nation? All these unlikely activities and more are detailed in Hunter S. Fulghum’s new book, Don’t Try This At Home: How to Win a Sumo Match, Catch a Great White Shark, Start an Independent Nation and Other Extraordinary Feats (For Ordinary People). Drawing on the success of the Worst-Case Scenario series, Fulghum goes one step further and provides instructions on how to perform the kinds of death-defying action hero stunts that look impossible even on the big screen. While readers are, of course, cautioned not to actually attempt any of these stunts, the instructions provided are surprisingly thorough. Each activity, from smuggling top secret documents to rescuing POWs, is accompanied by a detailed list of what you’ll need, approximately how long the mission will take and step-by-step instructions that guide you through the process.

    While impractical, the outlines make for fascinating reading and will most likely increase your respect for anyone who could actually pull off these stunts. For most of us, the opportunity to be a real-life action hero will never come, but at least we can rest assured that, should the day arise, we’ll be prepared.

    Haven’t you always wanted to form your own country? Why not take all the gold from Fort Knox or borrow” the Mona Lisa to pay for your personal sovereign nation? All these unlikely activities and more are detailed in Hunter S. Fulghum’s new book, Don’t Try This At Home: How to Win a Sumo Match, […]
    Review by

    <B>A cowboy’s wry poke at the West</B> Many are familiar with Baxter Black’s homespun humor from his frequent commentary on National Public Radio, where he’s billed as a cowboy poet and former large animal veterinarian." Now Black’s funny, folksy anecdotes can be enjoyed in his new book, <B>Horseshoes, Cowsocks ∧ Duckfeet.</B> This collection of columns from NPR and print sources lampoons and celebrates rural life with dry, understated humor. Among the many yarns Black spins are comical accounts of rodeo mishaps, amusing efforts to wake a tranquilized bull before an auction and the bemused reaction of cowboys to Western catalogs aimed at urban dwellers. In fact, the culture clash between urban folk and rugged range riders is a subject Black visits more than once. He also celebrates good dogs, good dances and good doctors, and wonders if the West is vanishing.

    In the tradition of great American humorists like Mark Twain and Will Rogers, Black writes with great intelligence and warm wit, choosing his words tenderly, yet efficiently. He may poke fun at economists and impulsive cowhands, but his satire is gentle, not at all harsh. Still, all is not laughter like many essayists, Black turns sober attention to the aftermath of the September 11 terrorist attacks, finding comfort in the fact that American farmers were feeding Afghanistan even as our troops were missing Christmas due to the fighting.

    If some of the stories ring a bell, the reader can consult a handy reference of NPR air dates in the back. Black also thoughtfully includes a glossary of cowhand terms. The text is sprinkled with illustrations that complement his descriptions of unruly horses and dignified farmers.

    <B>Horseshoes, Cowsocks ∧ Duckfeet</B> is a book that all readers will enjoy, whether city dweller or ranch hand. Black’s collection of wry anecdotes, essays and verse is thought-provoking, heartwarming and thoroughly entertaining. <I>Gregory Harris is a writer, editor and technology consultant in Indianapolis.</I>

    <B>A cowboy’s wry poke at the West</B> Many are familiar with Baxter Black’s homespun humor from his frequent commentary on National Public Radio, where he’s billed as a cowboy poet and former large animal veterinarian." Now Black’s funny, folksy anecdotes can be enjoyed in his new book, <B>Horseshoes, Cowsocks ∧ Duckfeet.</B> This collection of columns […]

    Sign Up

    Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

    Recent Reviews

    Author Interviews

    Recent Features