Josh Sims’ Icons of Style: In 100 Garments is like a visual encyclopedia of every piece of clothing that matters, from mini skirts and leather jackets to blazers and T-shirts. Along with a brief summary that contextualizes the garment in both history and popular culture, a slew of visual components accompany each entry. For the section called The Slip, a paparazzi photo of Kate Moss and Naomi Campbell in silver slip dresses is positioned next to a concert photo of a slip-clad Courtney Love. Together, the photos tell a story of how glamour and grunge intersected and diverged. The entry for sweatshirts is among the book’s most multifaceted: An image of a young Ronald Reagan is followed by a shot of Wu-Tang Clan’s U-God wearing a hoodie, his arm raised in a gesture of triumph that’s mirrored by Sylvester Stallone in a film still from Rocky. These three seemingly opposite figures are seen here united—in fashion, at least. Icons of Style also has wardrobe inspo for miles: photos of Soul Train dancers, Queen Elizabeth II and Jean Seberg appear alongside shots from 1983’s The Outsiders and 2011’s Drive. You’d be hard-pressed to come up with a more complete history of everyday style.
You’d be hard-pressed to come up with a more complete history of everyday fashion than Josh Sims’ Icons of Style.
Stephen Ellcock has been described as an “image alchemist,” which is a term that may sound vague or even nonsensical until you thumb through his tightly focused treasuries of esoteric imagery. Then, the term makes perfect sense. Following The Cosmic Dance and Underworlds,Elements: Chaos, Order and the Five Elemental Forces is the third title in Ellcock’s trilogy of books that explore the natural world. Using the ancient Greek categorization of the five natural elements—air, fire, earth, water and celestial aether—as a springboard, Ellcock has compiled a cabinet of curiosities out of images from across the globe, from ancient to contemporary times. It’s a vast assortment that maintains a singular vision: that elemental forces are the cornerstone of all existence. As Ellcock writes in the book’s introduction, “the five classical elements remain universal symbols, omnipresent archetypes embedded deep within the collective unconscious and the popular imagination.” A photograph of the sea by artist Wolfgang Tillmans makes a new kind of sense when viewed in proximity to Eugene Delacroix’s 1853 painting Christ Asleep During the Tempest. Illustrations from a 17th-century Japanese fireworks catalog take on a different meaning when paired with an 18th-century Indian painting of women lighting fireworks during Diwali, and offer another kind of insight when positioned next to an 1887 photograph of a building on fire. Elements truly is visual alchemy, and will be a treat for anyone who is interested in the intersection of art, science, religion and culture.
Stephen Ellcock returns with his signature visual alchemy in a compendium of images related to the elements of the natural world.
According to Maria Zizka (The Newlywed Table), the three pillars of party planning are “the desire to host, some reliably excellent go-to recipes, and a bit of party know-how.” You’ll get a hefty dose of all three in The Hostess Handbook: A Modern Guide to Entertaining. It’s filled with a wide variety of truly enticing recipes that will make you want to start cooking, including vegetarian summer rolls with peanut sauce, saffron couscous with cauliflower, chickpeas and pomegranate, and—wait for it—churro doughnuts with chocolate glaze. These are included in a variety of menus, ranging from a Sunday supper to a holiday dinner party. Zizka also advises on flower arranging, expelling lingering fishy smells and—importantly—navigating dietary restrictions of guests.
Zizka’s writing style is entertaining in itself, as well as informative. The flavor of salt-and-vinegar potato-peel chips with chive dip is as if “a regular potato chip went on vacation to a tiny British coastal village and had a fling with a fisherman.” Along with numerous elegant recipes, Zizka offers helpful basics, such as a list of 10 Simple Nearly No-Cook Appetizers, including my personal favorite: “potato chips served in a pretty bowl.” As Lewin notes, “They never disappoint.”
Big Night
Katherine Lewin is the sort of entertainment goddess everyone needs. An introvert who sometimes recharges with short naps while hosting, Lewin owns a dinner party essentials shop in New York City. She shares boatloads of tips in Big Night: Dinners, Parties & Dinner Parties, a guide to making “any night you choose . . . a little more special,” whether it’s an elegant gathering or casual weekday meal. Four chapters—one for each season—include 85 recipes along with bartending, preparation and pairing suggestions galore, presented with photos and graphics that pop.
Lewin notes, “You know it’s a party when pigs arrive in blankets,” so she includes a sweet-salty “grown-up” recipe for the eponymous appetizer. Her recipe titles alone will make readers smile, with names like A Noodle Soup to Get People Excited and A Big Chopped Salad (to Go With Takeout Pizza). Lewin’s encouraging humor shines through on every page, giving would-be hosts the confidence to plan their own big night.
Swing By!
If you really want to step up your entertaining game, dig into Swing By! Entertaining Recipes and the New Art of Gathering. Stephanie Nass has been called the “millennial Martha Stewart,” and this is by far the largest, lushest, most over-the-top of these entertaining books. Nass, who earned the nickname “Chefanie” as a child and uses it as her brand name today, caught the entertaining bug early: “All my life,” she writes, “I have been at greatest peace in the middle of a party.” The book’s winsome cover features Nass perched atop a dinner table, dressed in a drapey pantsuit that matches the place settings.
Thumbing through these colorful pages will make you feel as though you’ve been to a fun, fabulous fete. Innovative takes on standards, like her King Midas Pizza with edible gold leaf, shine. Nass is a gifted baker, and her show-stopping chocolate-meringue cake will surely inspire readers to muster their culinary courage.
★ Victorian Parlour Games
Liven up any gathering with Victorian Parlour Games: A Modern Host’s Guide to Classic Fun for Everyone. Ned Wolfe’s charming treatise is chock-full of easy-to-play games “that have stood the test of time for good reason.” Featuring competition games like Smells, Endless Story and German Whist, its compact size makes it an ideal stocking stuffer or hostess gift. Did you know, for instance, that it’s Blind Man’s Buff, not Bluff? Or that the game Hot Boiled Beans and Bacon was featured in both The Big Bang Theory and Charles Dickens’ The Mystery of Edwin Drood?
These amusements are suitable for a variety of ages and occasions, from children’s birthday parties (Musical Chairs and a variation, Musical Potatoes), long car trips (Crambo), family get-togethers (pillow fights, with rules) and romantic evenings (kissing games!). Don’t miss Wolfe’s colorful cautions—including “nothing ruins a game night quite like a visit to the hospital.”
Whether you’re an accomplished or aspiring dinner party host, these books brim with ideas that will add sizzle to your soirees.
If you’ve ever been curious about how an idea turns into a piece of art, you’ll love The Work of Art: How Something Comes From Nothing. This visionary book’s first two pages lay out its thesis in surprisingly simple terms. First, there’s a sketch that looks like little more than a physician’s signature at the bottom of a prescription pad. Turn the page and you’ll see what that doodle became: the famous Guggenheim Museum in Bilbao, Spain. But how exactly did Frank Gehry’s messy sketch become the architectural masterpiece? That’s the process writer Adam Moss is concerned with; the “work” in his book’s title is a verb. Moss has been the editor of New York magazine and the New York Times Magazine, and his love for conversational, witty storytelling is clear here. The Work of Art collects conversations with some of the most lauded, interesting artists working—from Kara Walker, who takes readers through the creation of her 2014 public sculpture “A Subtlety,” to Gay Talese, who pores over the copious notes he took to write “Frank Sinatra Has a Cold” in 1966. No minutia is too small to examine. In fact, it seems like the smaller the detail, the more information Moss is able to extract. Alongside each story, Moss includes images of the works in various stages of completion. You see Twyla Tharp’s massive choreographic sketches, and the first stages of a Will Shortz crossword. The images elevate the book to a compendium of precious ephemera. It’s possible that Moss has invented a new literary genre that merges self-help, art history and journalism. However it’s classified, you’ll read it cover to cover.
The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Edouard Manet’s Le Déjeuner Sur L’Herbe, or Luncheon on the Grass, is often called the first modern painting, and the paintings compiled in Luncheons on the Grass: Reimagining Manet’s Le Déjeuner Sur L’Herbe are like a time machine connecting modern and contemporary art. The 1863 painting, which is in the collection of Musée d’Orsay in Paris, shows a nude woman sitting with two clothed gentlemen in a wooded glade. In the foreground is an overturned picnic basket. In the background, another woman bathes in a stream. In 2021, art dealer and gallerist Jeffrey Deitch asked around 30 leading contemporary artists to respond to Manet’s masterpiece, and the resulting works—as well as several pieces that weren’t commissioned specifically for the show but refer to Le Déjeuner Sur L’Herbe—are collected in this volume. Deitch’s own essay about Manet’s painting includes insight into its history, from its nude model Victorine Meurent to the inspiration the artist drew from Leonardo da Vinci, Raphael and Diego Velázquez. The inclusion of interviews with artists about their works and Manet’s influence is particularly illuminating. In an interview with Nina Chanel Abney, for example, the artist says, “I pulled from Manet’s beautiful landscapes, scenes, and epic compositions to make a painting that centers Black queer people, creating a new narrative in which I feel seen.” Some artists did away with Manet’s references almost entirely, focusing instead on more obscure ones. It’s here that the interviews become particularly insightful, as in one with artist Ariana Papademetropoulos: She explains that by focusing on the bather in the background of Manet’s painting, she’s able to think about what it means to have a picnic and bring domesticity to the natural world. Some other pieces discussed include work made prior to the project, most famously Robert Colescott’s 1979 painting of the same name, but also a 1965 photograph of a family of nudists by Diane Arbus, which takes on new life here.
The illuminating Luncheons on the Grass asks 30 artists to create new works inspired by Manet’s eponymous masterpiece.
Ostensibly organized around the 50th anniversary of the Stonewall uprising in 2019, About Face: Stonewall, Revolt, and New Queer Art was an art exhibition before it became a book. Its curator, Jonathan D. Katz, is arguably the leading scholar on queer art history, and here he proves that he’s also an adept editor. About Face catalogs 350 artworks from a diverse array of artists from the past 50 years: portraits by Peter Hujar, largely recognized as one of the leading photographers of the 20th century, are positioned alongside work by Zanele Muholi, the South African photographer and activist whose art-world rise was comparatively recent. The essays in this volume skew academic, which provides a grandiosity to its subject matter. Katz cautions readers that to divide art along a line of queer and not-queer is to ignore not only nuance but the thousands of years of art history that existed before such classifications were foregrounded. Katz suggests we remove the binary and “return to a more expansive sense of sexuality.” The scholarship is deep and rewards multiple slow readings, while the artworks are sumptuous, thrilling and demand immediate appreciation. About Face is highly recommended for students of art history and queer studies, but also for anyone interested in how language transforms alongside identity.
Jonathan D. Katz’s About Face celebrates the 50th anniversary of the Stonewall uprising with deep scholarship and thrilling artworks.
The question of how best to set up a personal library has confounded many a book collector. When it comes time to arrange them, all those wonderful volumes can seem like the pieces of an unsolvable puzzle. The literature lover who’s searching for solutions will welcome Book Nooks: Inspired Ideas for Cozy Reading Corners and Stylish Book Displays by Vanessa Dina and Claire Gilhuly.
Packed with easy-to-execute design schemes and Antonis Achilleos’ fabulous photographs, Book Nooks offers tips on how to group books according to color and size, as well as strategies for using personal effects in an arrangement. For establishing a comfy reading area, there are options to suit every style, space and taste. The book also addresses the art of stacking (Yes, it can be a creative act!), suggests methods for bringing plants into the picture, organizing those prize cookbooks and integrating analog reading material into a teen’s room. With reading recs from noted authors and a look at Little Free Libraries, Book Nooks is a bibliophile’s best friend.
Hidden Libraries
DC Helmuth’s Hidden Libraries: The World’s Most Unusual Book Depositories is a perfectly on-point present for any reader, but especially one who loves to travel. This wide-ranging title profiles 50 remarkable libraries in locations across the globe. Staff stories, fascinating facts, spectacular imagery and a foreword from critic and librarian Nancy Pearl make it a winning tribute to the mission of libraries everywhere.
Hidden Libraries surveys a range of amazing physical spaces. The Kurkku Fields’ Underground Library in Kisarazu, Japan, is a book-lined grotto covered in grass, while the cocoon-shaped Heydar Aliyev International Airport Library near Baku, Azerbaijan, projects sheer architectural awesomeness. Examples of inspired resourcefulness regarding book circulation abound: In China, the Shenzhen library system distributes titles via vending machine. And Helmuth doesn’t dismiss even the most miniature of libraries. A handsome wooden cabinet filled with colorful books, the Little Free Library at the South Pole—startling against Antarctica’s unrelieved whiteness—seems to defy its frozen surroundings. Big or small, grand or humble, each library serves as a singular point of enrichment and connection, and Helmuth’s stirring volume honors these efforts.
The Rory Gilmore Reading Challenge
With its quick-witted heroine Rory Gilmore, a voracious reader with dreams of attending Harvard, Gilmore Girls could very well be classified as a TV show for bookworms. The series, which aired from 2000 to 2007, made numerous allusions (339, to be exact) to books of all genres—titles favored by Rory and her friends. In The Rory Gilmore Reading Challenge: The Official Guide to All the Books, Erika Berlin explores the novels, plays and poetry cited on the show, providing episode information and details on who read what.
Inspired by Buzzfeed’s 2014 list of all the books mentioned in Gilmore Girls, Berlin’s breezy volume takes a nostalgic look back at Rory’s world while sharing reading recommendations (Frankenstein, The Poems of Emily Dickinson, One Hundred Years of Solitude, the list goes on) and invaluable book-related advice, including approaches for becoming a more focused reader and easy ways to impose order on a chaotic book collection. Filled with photos from the show, this book is a sunny retrospective and a buoyant tribute to the reading life.
Buried Deep and Other Stories
For the fantasy fan, there’s no better gift than Buried Deep and Other Stories by Naomi Novik, bestselling author of the Scholomance trilogy, Uprooted and Spinning Silver. As this collection proves, Novik is a natural conjurer whose stories—rich with allusion and detail—feel effortlessly authentic. Each provides an escape into an alternative world that’s wholly realized.
“Dragons & Decorum”—a fantastical recasting of Pride and Prejudice, set in the Regency England of Novik’s Temeraire series—finds Elizabeth Bennet riding a winged dragon named Wollstonecraft. In “The Long Way Round,” Novik offers a taste of her next work (tentatively titled Folly) and introduces spirited protagonist Intessa Roh. “Vici,” another Temeraire tale, but this time set in ancient Rome, chronicles the unexpected camaraderie that arises between Marc Antony and a valiant dragon. Introductions from Novik accompany the anthology’s 13 stories, and readers will relish the context they give to her work. This is a transportive collection from an author who maps her narrative milieus with extraordinary precision.
The Man in Black and Other Stories
Crime fiction maven Elly Griffiths is known as a prolific writer, having penned the Ruth Galloway, Harbinder Kaur and Brighton mysteries series. But did anyone suspect she was writing short stories on the side? That’s right—Griffiths has long played around with short-form work, and her intriguing new volume, The Man in Black and Other Stories, spotlights this aspect of her artistry.
The atmospheric anthology brings together 19 pieces, in which, fans will be delighted to learn, Griffiths expands the backstories of some of her most popular characters. The volume’s eponymous story is a spooky sketch set just before Halloween that features Ruth Galloway. “Harbinger” tracks Harbinder Kaur’s all-too-eventful first day at Shoreham Criminal Investigation Department. And in “Ruth Galloway and the Ghost of Max Mephisto,” all three of Griffiths’ sleuths converge, as it were. Ingeniously plotted and leavened with humor, the pieces are brief but satisfying. From sinister tales to twisty whodunits, Griffith’s short stories deliver as much spellbinding suspense as a full-blown novel.
Got a serious bibliophile on your list? Tick that box with one of these titles.
Read if your Halloween plans are: A horror movie marathon, specifically A24 horror movies
Ezri Maxwell doesn’t know whether their childhood home had ghosts, exactly, but they do know that it was haunted and determined to maim, traumatize and scare them and their Black family into leaving their mostly white Dallas suburb. Desperate to distance themselves from a childhood of constant dread, Ezri and their sisters fled the former model home as soon as they were old enough. Their parents, however, stayed where they were—right until the day they died under mysterious circumstances. At its core, Rivers Solomon’s Model Home is a study of the interior landscape of someone trying to make sense of their life in the wake of extreme tragedy. Ezri’s head is cluttered with the detritus of trauma, from their mother’s ambivalence toward them as a child to the repercussions of living with mental health issues for years, (“a host of diagnoses—which change with whatever clinician I see”). A disturbing tale that explores self-doubt, family drama and childhood trauma, Model Home is a powerful and gut-wrenching addition to the haunted house pantheon.
Read if your Halloween plans are: Exploring potentially haunted places—abandoned strip malls, creaky old houses, creepy caves … you get the idea.
If you’re in the mood for some spine-tingling stories, cozy up to Djinnology: An Illuminated Compendium of Spirits and Stories From the Muslim World, a fictitious (or is it?) compendium that is both fascinating and creepy, and made all the more so by Pulitzer Prize-winner Fahmida Azim’s striking illustrations. Seema Yasmin, a journalist, professor and physician, has created a fictional narrator named Dr. N, a taxonomist and ontologist who has traveled the world to investigate the sometimes benevolent, sometimes malevolent djinn. Djinn, Dr. N writes, have been “haunting humanity since pre-Islamic times.” He submits the fruits of his research to his academic committee to explain his long and unexplained absence from class, in this volume of stories from around the world that capture the long history and great variety of djinn. Many of these stories are related to human events, such as one concerning a ghostlike horseman who allegedly appeared in Cairo’s Tahrir Square at the height of the Arab Spring. Another terrifying tale of more dubious origins takes place in London, when a woman delivering her husband’s specimen to an IVF clinic spots what she thinks is an abandoned baby in the middle of the road. She stops, of course, but things do not go as she expects. Djinnology is beautifully designed, with maps, English and Arabic inscriptions and more, gamely selling a high-octane, between-two-worlds vibe. Most of all, Azim’s haunting illustrations in smoky colors perfectly portray this menagerie of spirits. Readers will find themselves looking over their shoulders.
Read if your Halloween plans are: A bar crawl in a tiny costume, weather be damned
Quite often in fiction, the figure of the vampire has represented loneliness, but we’ve arguably never seen that sense of yearning quite the way Rachel Koller Croft portrays it in her new novel, We Love the Nightlife. Croft’s protagonist, Amber, is frozen in her party girl prime, turned in the waning days of the 1970s by her maker, the beautiful and manipulative Nicola. Decades later, Amber begins to imagine what life might be like without Nicola, and considers an escape plan. But Nicola’s influence is powerful, her ambitions are vast and her appetite for control deeper than Amber ever imagined. Despite her vampiric nature, Amber feels like one of us. This is mainly due to Croft’s skill; her conversational, warm and relatable prose depicts Amber not as a lonely monster, but as a person longing for freedom in a savage world covered in glitter and awash with pulsing music. We also get to see Nicola’s side of the story and her own brand of yearning, giving the book an antagonist who’s not just remarkably well-developed, but human in her own twisted way. These dueling perspectives, coupled with memorable side characters and a beautifully paced plot, make We Love the Nightlife an engrossing, darkly funny, twisted breakup story that’s perfect for vampire fiction lovers and fans of relationship drama alike.
Read if your Halloween plans are: Watching a brainy horror documentary, or peeking at spooky clips on YouTube
Any horror writer doing their job knows how to tap into the fears that plague us most. Jeremy Dauber’s American Scary:A History of Horror, from Salem to Stephen King and Beyond provides a robust account of how art has reflected American dread for centuries. As it turns out, our history is rife with foundational fear, making it prime territory for some scary storytelling. Dauber starts his “tour of American fear” with our country’s bloody beginnings and proclivity for blaming the devil for everything from bad weather to miscarriage (hello, Salem!). He then passes through slavery, the Industrial Revolution, the Civil War and beyond to more contemporary paranoias reflected in film: murderous technology (The Terminator), individual indifference (the Final Destination series) and surveillance (Paranormal Activity), to name a few. Dauber’s attention to the details of myriad cultural touchstones, both famous and obscure, will entice those who care to tiptoe deeper into the darkest of the dark. American Scary’s greatest success is making readers consider what art may be born of our late-night anxieties. Spooky stuff, huh?
Read if your Halloween plans are:Curling up in a chair at home, reading a lightly spooky book or one of the more gothic Agatha Christies
Librarian Sherry Pinkwhistle resides in a quiet hamlet in upstate New York. The only out of the ordinary detail about Ms. Pinkwhistle is that she loves to solve a good murder mystery—not only those in the books she protects and enjoys at work, but also the real-life, grisly deaths in the otherwise sleepy little town of Winesap. But when a string of local murders hits a little too close to home, Sherry realizes that she can no longer remain an unattached bystander. A demon, or several, might be at the heart of these ever-increasing deaths, and Sherry will need the help of her skeptical friends and her possibly-possessed cat to root out the evil in Winesap. C.M. Waggoner’s The Village Library Demon-Hunting Society is a stunning blend of genres, a dark supernatural adventure masquerading as a cozy mystery—and by the time readers realize this, they, like Sherry, are too deeply entrenched in the case to let it go. Waggoner infuses the pages with darkly humorous scenes and snappy dialogue, as well as unexpected magical touches that hearken back to the author’s previous fantasy novels, a combination that’s perfect for fans of horror tropes as well as lovers of mystery. Sherry Pinkwhistle is a sleuth to be reckoned with, and beneath her frumpy and soft exterior lies a pleasant surprise: a clever, determined heroine who will stop at nothing to protect the place she calls home and the people who live there.
Read if your Halloween plans are: Circling up with friends and family for a night of scary stories
Eerie Legends: An Illustrated Exploration of Creepy Creatures, the Paranormal, and Folklore From Around the World arrives like Halloween candy, just in time for the spookiest season of the year. Austin, Texas-based artist Ricardo Diseño’s bold, offbeat illustrations don’t simply complement these spine-tingling stories, they lead the way. Each chapter blends elements of fiction and nonfiction, and includes a corresponding full-page illustration that stands on its own as a fully realized piece of art. The horror elements here are plenty scary, but skew toward the creature-feature end of the spectrum—think Universal Studio monsters, or even Troma’s The Toxic Avenger. The chapter on Krampus details the yuletide terror’s appearance with frightening specificity: “Part man, part goat, and part devil. . . . His tongue is red, forked, creepy, and always whipping around.” Diseño’s hoofed monster, straight out of the Blumhouse cinematic universe, is shown in the midst of abducting a child. Each chapter ends with a campfire-style tale about the designated monster, written with Lovecraftian zeal by Steve Mockus. As an added incentive, the cover glows in the dark—a feature I hadn’t noticed until after I fell asleep with it on my bedside table. Talk about eerie.
Read if your Halloween plans are: A hike contemplating the macabre beauty of seasonal decay—be sure to leave the woods before dark!
Nobel laureate Olga Tokarczuk’s fabulous novel, The Empusium: A Health Resort Horror Story, opens in 1913, when Polish 24-year-old Mieczyslaw Wojnicz arrives in the village of Görbersdorf, Germany, to be treated for tuberculosis. Tokarczuk is known for her penchant for the mythical and her deft, dark satirical wit, and as the subtitle, “A Health Resort Horror Story,” would lead readers to hope, the forests above the village whisper and echo with eerie sounds. The narration seems to come from ghostly entities who at times “vacate the house via the chimney or the chinks between the slate roof tiles—and then gaze from afar, from above.” A cemetery in a nearby town discloses evidence of a ritual killing every November. It is September, and the clock is ticking. Translated from Polish by Antonia Lloyd-Jones, The Empusium is about the rigid patriarchal world of pre-WWI Europe, and the tension between rationality and emotion. It is also about a young person coming of age—like Thomas Mann’s The Magic Mountain, from which it draws inspiration. Facing a threat he does not understand, Mieczyslaw responds to the mysteries around him with curiosity and seeks his own way forward. Tokarczuk also favors a new path and, as usual, casts her enthralling spell.
—Alden Mudge
Whether you’re a homebody or a thrill-hunter, we’ve got a seasonal, spine-tingling read for you.
In her introduction to Great Women Sculptors, curator and scholar Lisa Le Feuvre doesn’t use the term “woman” until well into the essay. Even then, it is included only to highlight a historical lack of institutional support, rather than anything inherently female about a particular artwork, subject matter or medium. Instead, the sole commonality of the artists collected in Great Women Sculptors is that they made art while being marginalized by structural misogyny. “Rather than expanding the canon, this book is an index that ruptures the received account of sculpture,” Le Feuvre explains. That distinction is important, because even as Great Women Sculptors brings together more than 300 artists throughout 500 years of art history, women artists are still marginalized; the patriarchy didn’t just shrivel up, much as we’d wanted it to, after Linda Nochlin published the seminal essay “Why Have There Been No Great Women Artists?” in 1971. This encyclopedic volume includes entries on established artists like Eva Hesse and Louise Bourgeois alongside a younger generation of stars like Lauren Halsey. Even the most well-read art scholars will find something new—or old, as in Baroque-era Spanish sculptor Luisa Roldán. The breadth of the book’s coverage is tempered by its focus on a single work per artist, an image of which is printed beautifully on heavy-duty paper and fully contextualized by a slate of 46 art experts.
The beautifully printed, encyclopedic Great Women Sculptors brings together more than 300 artists who have been excluded from institutions and canons on the basis of gender.
A pet cemetery can be much more than fodder for horror stories and Ramones songs. It can also be a way to dig deep (pardon the pun) into the ways that people live and grieve. Paul Koudounaris’ thoroughly researched book, Faithful Unto Death: Pet Cemeteries, Animal Graves & Eternal Devotion, is an investigation into the bonds between pets and their owners. It begins by explaining that, although people have kept animals close since ancient times, the modern conception of a pet is fairly contemporary. As people left rural areas in the wake of 19th-century industrialization, they brought their animals with them. In these new, smaller quarters, they grew ever more intimate. Faithful Unto Death is as much about how people love their pets as it is about how they mourn them. For a book that’s ostensibly about death, it’s not overly macabre: Passages about grief and Edna Clyne’s famous “Rainbow Bridge” poem are interspersed with images of a dog named Ah Fuk and a tomb for a beagle named Tippy, “the Elvis dog,” who was sung to by The King himself in her puppyhood. With archival photos and illustrations featured alongside Koudounaris’ portraits of headstones and informal altars, Faithful Unto Death will appeal to those interested in cultural rituals and the human-animal bond; what’s more, readers who have lost their own pets will feel acknowledged in their grief.
Faithful Unto Death is a thoughtful investigation into the bonds of pets and their owners that chronicles the ways in which we grieve and remember the animals we love.
Eerie Legends: An Illustrated Exploration of Creepy Creatures, the Paranormal, and Folklore From Around the World arrives like Halloween candy, just in time for the spookiest season of the year. Austin, Texas-based artist Ricardo Diseño’s bold, offbeat illustrations don’t simply complement these spine-tingling stories, they lead the way. Each chapter blends elements of fiction and nonfiction, and includes a corresponding full-page illustration that stands on its own as a fully realized piece of art. The horror elements here are plenty scary, but skew toward the creature-feature end of the spectrum—think Universal Studio monsters, or even Troma’s The Toxic Avenger. The chapter on Krampus details the yuletide terror’s appearance with frightening specificity: “Part man, part goat, and part devil. . . . His tongue is red, forked, creepy, and always whipping around.” Diseño’s hoofed monster, straight out of the Blumhouse cinematic universe, is shown in the midst of abducting a child. Each chapter ends with a campfire-style tale about the designated monster, written with Lovecraftian zeal by Steve Mockus. As an added incentive, the cover glows in the dark—a feature I hadn’t noticed until after I fell asleep with it on my bedside table. Talk about eerie.
Bold, offbeat illustrations by Ricardo Diseño lead the way in the spooky-fun Eerie Legends.
Pastry chef and social activist Paola Velez describes herself as a nerd from the Bronx who truly felt seen for the first time while watching Steve Urkel on Family Matters. In a heartfelt introduction that practically begs for a longer memoir, she calls her debut cookbook, Bodega Bakes: Recipes for Sweets and Treats Inspired by My Corner Store, “a mix of my classical training and love of Americana filtered through the Bronx and the islands of the Caribbean.” Velez promises that you can find most of the ingredients for her recipes inside a bodega, a place she defines as “a densely inhabited mini market where Jarritos, Cap’n Crunch, shampoo, gossip, and chopped cheeses peacefully coexist.” The book’s first section is dedicated to cookies, most importantly, her popular Thick’ems. The OG Chocolate Chip Thick’em, which Velez once sold to raise money so that disadvantaged Brooklyn girls could buy period products, uses few ingredients to great effect. (“Makes 8 Thiiiiiick cookies,” she writes.) The OGs are followed by recipes for Triple Chocolate Noir Thick’ems, Tres Leches Thick’ems and more. Velez’s casual writing is as fun to read as a cookbook gets. For example, when describing the blending process for the Matcha Thick’ems, Velez instructs readers to “pulse the mixer on and off, almost like you’re trying to jump-start a car.” Bodega Bakes also features 13(!) ways to make flan, a beginner’s guide to Dominican cakes, freezer desserts (sweet plantain gelato, anyone?) and plenty more morsels that will demand second helpings.
In the personable Bodega Bakes, pastry chef Paola Velez presents just that: sweets that can be made solely from the ingredients found at a corner store.
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Maria Ressa’s book is a political history of the Philippines and an intimate memoir, but it’s also a warning to democracies everywhere: Authoritarianism is a threat to us all.
Sean Adams has dialed down the dystopian quotient from his first satirical novel, The Heap, but that element is still very much present in The Thing in the Snow.
“Family vacation” takes on a new meaning for grown children without kids of their own—like the couple trying their best to keep both sets of in-laws happy in Weike Wang’s Rental House.
