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Nemonte Nenquimo and her family lived within nature, with food from the river, the rainforest and their gardens. A monkey was her childhood pet. According to family lore, she knew she would become a spirit jaguar when she died. But things were changing fast: A huge metal tube had descended from the sky not too many years before she was born. The missionaries who emerged from it didn’t speak her language, but they persuaded her community’s leaders to put a mark on a paper in return for clothing and other gifts.

Within a couple of decades later, her river was black with pollution, much of her forest was cut down, her community’s men had been coerced into laboring for oil companies in exchange for pieces of paper their way of life had no use for. White people said Nenquimo and her community must worship their god. She and other children were herded into schools that forced them to put aside their traditions.

A Waorani woman from Ecuador’s Amazon region, Nenquimo co-founded the Indigenous-led Ceibo Alliance that scored a major legal victory in 2019, protecting half a million acres of rainforest from oil drilling. Nenquimo has been lauded internationally for her activism; now, with husband Mitch Anderson, an American environmentalist, she is telling her story in the inspired and rare We Will Be Jaguars: A Memoir of My People.

In this lyrically written memoir, Nenquimo takes us inside her world, with its tensions between her family’s shamanistic traditions and the initial allure of the Christian missionaries, who taught her to read and write in Spanish, allowing her to communicate more widely. But this education came at a cost that traumatized Nenquimo for years. She describes her emotional journey through a deeply spiritual perspective, including one remarkable scene in which drinking ayahuasca brings her a revelatory vision. 

Nenquimo sharply conveys the sheer confusion and terror of colonialism for the Waorani and other Indigenous peoples. Missionaries, oil executives and government officials used underhanded methods to wrest control of the region from families like Nenquimo’s. Ironically, the missionary education gave Nenquimo and others the tools they needed to fight back. Her story is one of fierce determination to claim a heritage that was nearly stolen from her. 

Climate activist Nemonte Nenquimo tells the story of her Waorani people in the inspired, beautifully written We Will Be Jaguars.
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Emily Witt sets her arresting memoir, Health and Safety: A Breakdown, in New York City from 2016 to 2021, charting her entry into the city’s techno scene with its mind-altering drugs, ecstatic music and community of people sometimes embracing, sometimes resisting a changing new world. In her book’s first section, she describes learning the “geography of nightlife,” writing gauzily about raves and parties she attends, the drugs she takes and the general euphoria that blankets her life for several months as she falls in love with a fellow raver, Andrew. 

When the Trump presidency begins, we are thrust back into the waking world with her, and the story takes on much darker hues. Still, she continues to party until she can’t: COVID-19 hits the city with ferocity. Gone are the raves and the DJs and the scene itself, “and with it the illusion of health and safety.” Witt invites us to relive a tumultuous era in the country’s history through the eyes of a keen observer.

Witt, a staff writer for the New Yorker and author of the acclaimed exploration of nontraditional sex, Future Sex, relays her experiences covering watershed moments and national tragedies: the aftermath of the massacre at Marjory Stoneman Douglas High School, protests after the death of Breonna Taylor, and the verdict in the trial of Derek Chauvin for the murder of George Floyd. She reflects on the country’s collective heartbreak and rage alongside her own personal losses, like her tumultuous romantic entanglement and breakup with Andrew, which throws her world into chaos. And she deftly analyzes her role as a journalist in a mad world where her work feels, at times, ineffectual. 

Witt looks back at this time of experimentation with wisdom, writing that she used hallucinogens to “psychically rearrange a world I understood to be so deeply corrupted . . . that I sought a chemical window to see outside.” In the end, readers who prefer a tidy memoir that culminates in a single awakening may find Health and Safety wanting; it’s more like a spider web glistening with many realizations that branch out in connecting threads. This sharp, deeply personal work is all the better for it.

Emily Witt’s sharp, deeply personal memoir, Health and Safety, invites us to relive a tumultuous era in American history through the eyes of a keen observer.
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The publishing industry tends to shine a spotlight on memoirs by transgender people who are already famous: actors, models, Jeopardy! champions. Their transition stories hit similar beats as those of other trans people, but the circumstances of their lives do not. This makes Frighten the Horses by Oliver Radclyffe stand out—the author was a typical suburban stay-at-home parent when he transitioned. Any parent can understand how researching “phantom penises’’ ended up low on Radclyffe’s to-do list when raising four young children.

Growing up upper-class in Britain, Radclyffe lived a privileged but sheltered life: boarding school, conservative parents and little exposure to queer culture. Although he was curious about sex and gender, his fear, shame and denial kept him in a gilded cage well into adulthood. We meet him in his 40s, as a female-presenting parent of four, married to a conventional cis man who works in finance. From the outside, Radclyffe’s Connecticut family looks perfect, but he’s in therapy trying to figure out why he is losing hair, has no appetite and is prone to extreme mood swings. 

Once Radclyffe realizes he is trans, and begins to transition, his physical presentation is not the only thing that changes. His experiences with sex, relationships and friendships are all impacted, and Frighten the Horses weaves together many narratives. It’s the story of a marriage falling apart when one spouse refuses to see the other clearly, of a parent who desperately fears that each new change might affect his children’s happiness, and of finding both acceptance and rejection in some surprising places.  

Accompanying Radclyffe’s journey is his self-education about queer history and gender politics. (Bluestockings, a Lower East Side bookstore located a train ride away from his Connecticut home, is integral to this.) He learns about the marginalization of trans people, which helps him understand why he lacked a compass for much of his youth. Frighten the Horses is warm, moving and most importantly, inspiring for anyone who needs a reminder that it’s never too late to be one’s authentic self. 

Oliver Radclyffe’s Frighten the Horses is a powerful standout among the burgeoning subgenre of gender transition memoirs.

Connie Chung broke the glass and bamboo ceiling when she became the first Asian American woman to co-anchor a national news broadcast program, joining Dan Rather at the desk of the CBS Evening News. Her visibility and success led generations of Chinese parents to name their daughters Connie. In her briskly paced memoir, Connie, Chung recounts her personal and professional life with candor, humor and heart. 

Growing up as the youngest of 10 daughters and the only child in the family born in the U.S., Chung spent more time watching television than doing chores, and her family stopped everything to listen to Walter Cronkite on the CBS Evening News. The legendary newsman’s coverage of politics and government lit a spark in Chung. In 1971, she landed a job as a Washington correspondent on his program. (Cronkite, she writes, “radiated gravitas and humility, never behaving like the superstar he was.”) Over the next 40 years, Chung embraced the excitement of “getting the get”—landing an exclusive story or interview—and faced the challenges of being a woman in a male-dominated profession. Connie carries readers through the ups and downs of Chung’s career as the major networks (ABC, NBC and CBS) piped her image and voice into millions of American living rooms during prime time. Readers will glimpse the relationships that have sustained Chung; she gushes about her husband, talk show host Maury Povich: “Were it not for Maury, I could never have had the career I had. . . . He helped me navigate my treacherous path up the ladder.”

Chung pulls no punches as she describes the harassment she faced from anchors who felt threatened by her work, among them Dan Rather, who sabotaged her career after the network sent her to cover the Oklahoma City bombing (Rather was on vacation and unreachable when it occurred). And she movingly recounts going public during the #MeToo movement with the story of her own sexual assault by a gynecologist when she was in college. Connie offers words of advice for future women reporters: “Remember to have a sense of humor, take your work seriously, don’t forget to have a life and—most importantly—stretch your hand to others who are trying to climb on board.” Chung’s humanity and journalistic passion reverberate through this invigorating memoir.

With candor and humor, Connie Chung shares the highs and lows of her trailblazing career as a journalist in her invigorating memoir, Connie.
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“I don’t think people realize how many librarians are being attacked,” Amanda Jones says from her home in Watson, Louisiana. “I used to think it was just a Southern thing. But I have friends in New Hampshire, New Jersey, Maine, California and New York who have experienced this.”

Jones, the author of That Librarian: The Fight Against Book Banning in America, seems an unlikely candidate to be caught in the crosshairs of a culture war. She grew up in a conservative Christian household in the deep red state of Louisiana. She lives in the same two-stoplight town where she grew up, right next door to her parents and her childhood home, and she works as a school librarian just a few miles down the road, in the middle school she once attended.

Her life changed on July 19, 2022, when she attended a board meeting at Livingston parish’s public library. Book content was on the agenda, which sent alarm bells ringing for Jones, who had been following censorship news across the country and in her parish. These conversations, she knew, “almost always targeted LGBTQIA+ stories.” Jones has taught queer kids who later took their own lives. “I’ll be damned if I’m going to stand in silence while we lose another kid because of something our community has done to make them feel less,” she writes. At the meeting, one library board member, Erin Sandefur, made objections to some young adult and children’s content, although, as Jones writes, “She never really articulated what her concern was, just that there was a concern to be had.”

“If people are going to label me an activist, I might as well act like one and show them what I’m made of.”

Jones, who was a 2021 School Library Journal National Librarian of the Year, was the first of about 30 to counter those concerns and speak up against censorship of queer stories, reciting a speech she wrote beforehand that included the words,“All members of our community deserve to be seen, have access to information, and see themselves, in our PUBLIC library collection.” Her speech was so on point, in fact, that she later received an email singing its praises from none other than Terry Szuplat, one of former President Barack Obama’s longest-serving speechwriters.

But her high didn’t last. Four days after the board meeting, Jones opened an email that said, “Amanda, you are indoctrinating our children with perversion + pedophilia grooming. Your evil agenda is getting print + national coverage. . . . We know where you work + live. . . . you have a LARGE target on your back. Click, click . . . see you soon. . .” Jones’ heart began pounding; she was completely in shock.

Book jacket image for That Librarian by Amanda Jones

Then, her phone blew up with texts from friends and family sharing two Facebook posts: The group Citizens for a New Louisiana posted a photo of her making her speech at the board meeting, the caption accusing her of fighting to include “sexually erotic and pornographic materials” in libraries. Another post by local man Ryan Thames shared a photo from her professional website and accused her of “advocating teaching anal sex to 11-year-olds.”

The posts caught on like wildfire as people from her own community shared them on multiple platforms. Then they went national. Users “embraced comments laced with hate, and grew wild with speculation”: they called her a groomer and a pedophile and threatened violence. “I had worked so hard to build up a good reputation for myself,” she recalls. “It was so surreal, to go from such a community high, where you’re kind of beloved, and then in an instant, they’re like, ‘Oh, she’s that awful person.’” The posts, comments and threats kept coming.

Jones lived in a constant state of terror; she got a taser, pepper spray and security cameras. She slept with a gun under her bed. Word of the controversy began to spread, and before long, journalists took notice. One day Jones saw her face in the NBC news app. “This is really happening,” she writes of her thinking. “I’m an actual national news headline.”

She began thinking of her tormentors in Harry Potter terms, as her dementors. Channeling her inner Nancy Drew, Jones discovered that she was far from their only target. Her investigations revealed correlations between their outlandish online posts about libraries and librarians and various far-right campaign contributions. One of the ringleaders, she explains, is a leader of a dark money nonprofit. “I think he’s paid to do that. That’s his job: to stir up nonsense for politicians.”

The slanderous accusations are ongoing, at both a local and national level, many trumpeted by the group Moms for Liberty. Jones has suffered mental and physical repercussions, including panic attacks and hair loss, and ultimately took a semester’s leave of absence from her job to recover. “Even to this day,” she says, “if I get an email and I don’t know who is sending it, my heart starts racing, and that causes my adrenaline to spike.”

She eventually channeled her favorite childhood author, asking herself, “What would Judy Blume do?” The answer, she realized, was to fight back. She took her dementors to court. The judge ultimately ruled that they could get away with their disinformation attack because she was a “public figure.” Nonetheless, as Jones writes, “These people set out to destroy me, but they woke something up inside me that I hope never dies. The court labeled me a public figure and their lawyers called me an activist when I was just a school librarian. I figure, if people are going to label me an activist, I might as well act like one and show them what I’m made of—grit and perseverance.”

Read our review of ‘That Librarian’ by Amanda Jones

Jones has long known that perseverance pays off: She had originally planned to become an elementary school teacher, like her mother, but during her third year of college, reading the first three Harry Potter books steered her in a different direction, reminding her how much she loved reading. She began taking library science graduate courses, graduating in 2001 as a certified teacher and school librarian. Coincidentally, the librarian at her hometown middle school was taking a year’s sabbatical, so Jones filled in. When the librarian returned, Jones took a job as an English language arts teacher, knowing she wanted to stay at her beloved school. Eventually (14 years later!), when the librarian retired, Jones claimed her dream position.

As traumatizing as the online attacks have been, Jones has also received a tremendous amount of support, often from former students. She’s received well wishes from legions of people she doesn’t know, including numerous authors. She had the word “moxie” tattooed on her left wrist after Newbery Award winner Erin Entrada Kelly applauded her efforts, tweeting, “This is moxie. Sending my love and support to you, Amanda. I’m so proud you’re from my home state.” A few people, however, disappointed Jones, including some colleagues and several people she thought were her friends. But her family has provided constant support, and her conservative mother has accompanied her to library board meetings. After one meeting, during which a trans woman spoke about how books had saved her life, Jones’ mother commented, “You know, I think books can save lives.” “I’m like, ‘Mom,’” Jones recalls, “‘I’ve been telling you this for years.’”

“I hope I’m always evolving and learning,” Jones says. “The biggest struggle is wanting to defend myself publicly. Like when a lady told me a couple of weeks ago at a library board meeting that I needed to read Romans, I just said, ‘Ma’am, I’ve read the Bible twice. Thank you.’ You can’t argue with them. It’s pointless.”

There have been some glimmers of joy. She gets giddy about technical stuff, like seeing the copyright in her book. Jones says, “Not even in my wildest dreams did I ever think I would have my own ISBN in my own book, you know?”

“It’s odd to me,” she muses, “how big of a voice I had. It shows me that anybody can make a wave. I heard author Kekla Magoon say at a conference last year in New Hampshire that we’re like raindrops. If it’s just one, you might not notice it. But when we all collectively start falling, people start to listen. I’m hoping that by speaking out and writing this book that other people will speak up, and then more people will start to listen, and people will wake up to what’s happening to our libraries before it’s too late, before they’re all destroyed.”

Photo of Amanda Jones © Kathryn and Traveis Photography.

 

Middle school librarian Amanda Jones spoke out against book banning. Then the trolls descended.
STARRED REVIEW
September 1, 2024

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Celebrate Hispanic Heritage Month (September 15 to October 15) by reading one of these excellent books by Hispanic and Latinx authors.
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Rosie Schaap lost her husband to cancer at 42. Her mother died a year later, followed by her ancient, beloved cat. Awash in grief, Schaap needed a place to mourn. She would find it in Northern Ireland, a country still recovering from decades of sectarian strife known as the “troubles.” The Slow Road North: How I Found Peace in an Improbable Country is a magnificent love letter to a region that brought her back to life.

Glenarm is a small village in County Antrim, along Northern Ireland’s northeastern coast. On a travel writing assignment in 2016, Schaap stayed at the Barbican, “the fairy-tale castle folly at the entrance of Glenarm Castle.” A forest and a seashore, a few small shops, two pubs and a grocery store: She fell in love. “It had a feeling, a spirit, a strong sense of place to which I succumbed. I knew I would be back. And I had a feeling that someday I would stay much longer.”

After her various griefs at age 47, the Drinking With Men author enrolled in a creative writing program at a Belfast college. Her studies soon expanded beyond the classroom as she took in the history of her village and the people there, and the stories of those still being mourned from the troubles. The Irish are excellent at death, she learned. Strangers became friends and empathetic listeners. She could pour her grief out to them and they understood everything.

As idyllic as it all seemed, Schaap was not so much entranced as curious—and cautious. To be asked “What are you?” still meant “Protestant or Catholic?” Her being Jewish confounded them, just as they sometimes did her. A “reticence” she often encountered on the subject of the troubles, was, she believed, “a reflection of the trauma those years inflicted upon the people here . . . too sensitive and painful to discuss, too unhappy to recollect at will.”

Schaap nicely balances lush descriptions of the Irish countryside with sharp observations and wit, as she sheds her old city life and finds a home to tend to her grief. The Slow Road North is a winning memoir about loss and life.

 

The Slow Road North is Rosie Schaap's magnificent love letter to Northern Ireland, the region that offered her solace and community while she was reeling from grief.
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There Amanda Jones was, living in her hometown of Watson, Louisiana, working as a middle school librarian in the school she once attended—an unremarkable and happy life. Then, everything changed. On a mid-July evening in 2022, Jones gave a short, powerful speech against censorship at her local public library’s board meeting. Four days later, she woke up to an email that included a death threat and accused her of “pedophilia grooming.” That frightening message signified the start of an ongoing social media campaign to destroy her reputation.

Jones was shaken to her core; she slept with a gun under her bed and took a semester’s sabbatical to deal with the turmoil. “What kind of world are we living in that has some of our most devoted community servants living so terrified?” Jones asks in her heartfelt memoir, That Librarian: The Fight Against Book Banning in America. Along with conveying the sudden terror of her ordeal, Jones shares the urge she felt to strike back. A few days after receiving the email, as she watched a cascade of social media posts and comments assassinate her character, she “wanted to karate chop those responsible in the throat. I don’t think words can adequately express the burning rage I felt.”

Read our interview with Amanda Jones, author of ‘That Librarian.’

Jones is a compelling narrator with a nearly unbelievable story that is a parable for our divided times. In this nightmarish tale of a small-town battle gone viral, she shows immense courage by standing up to her tormentors and refusing to be silenced. Despite her fury, she channeled her emotions into positive action, researching the politics, corruption and financing behind the attacks.

Librarians and readers will especially appreciate the story of her educational journey over the years as they’ll see firsthand how important representation and diversity are in library collections, and what lifesavers such books can provide to patrons of all ages and backgrounds. For all who value books, libraries and the freedom of information, That Librarian is an empowering, triumphant tale.

 

Librarian Amanda Jones recounts her battle to overcome book-banning extremists in her empowering memoir, That Librarian.

In the opening chapter of Jessica Hoppe’s stunning memoir, First in the Family: A Story of Survival, Recovery, and the American Dream, the debut author writes, “The most powerful weapon in the American arsenal is the story.” And what a storyteller she is. Moving between lyrical prose and straightforward narration, Hoppe weaves a multigenerational family saga with biting critiques of the oppressive systems that enable devastating pipelines of addiction. 

Hoppe begins with her own alcoholism and path to recovery. But First in the Family is not your standard recovery memoir. Hoppe, who is a daughter of Honduran and Ecuadorian immigrants, writes that “the conditions caused by the traumas of migration, assimilation, colonialism, and marginalization . . . are never properly linked to substance use disorder: instead they’re pathologized and reduced to stereotypes.” If that sounds heady, keep reading. Hoppe illustrates this argument with memorable scenes that show the fraught histories of homelands and lingering harms passed down in families. 

“I know we carry generations of pain, and because we don’t tend to this sorrow—because we don’t know how to—we continue to hurt others,” Hoppe writes after the passing of her grandfather, her mother’s “greatest tormentor” who abandoned the family when she was a child. Like Hoppe, he had substance abuse disorder. In early sobriety, Hoppe sought out more information about him to understand her own addiction. Her grandfather came of age during the “decades of dictators” in Honduras, working as a laborer for the American-owned United Fruit Company, which was known for its exploitation of workers. Like many others, the company introduced drugs and alcohol to workers, and addiction was used as a method of control. “Overworked and underpaid, alcohol dulled the pang of workers’ oppression,” she writes. Her grandfather “was no match against greedy imperial forces.” His dreams of success turned to disillusionment, and “conditions caused by the traumas” did their work. 

As Hoppe digs further into her family history, she unearths hard truths that her loved ones have hid from one another and, oftentimes, from themselves. First in the Family stitches together recollections from her family with her historical and social investigations, balancing stories of harm and violence with the voice of a tender narrator. The result is a deeply moving memoir about how understanding our histories—both present and past—allows for recovery and healing rooted in the politics of liberation. 

Jessica Hoppe’s stunning debut memoir, First in the Family, shows that understanding our histories allows for recovery, healing and liberation.
Review by

It’s clear from the jump of Jasmin Graham’s marvelous Sharks Don’t Sink: Adventures of a Rogue Shark Scientist why the author feels such a kinship with the titular fish. Sharks, who have survived five mass extinctions, are survivors. As Graham narrates her journey to becoming a marine biologist, from a childhood spent fishing with her Black family in Myrtle Beach, South Carolina; to founding Minorities in Shark Sciences, an organization that funds research opportunities for people of color; to becoming a “rogue” scientist, we see that Graham, too, is a survivor resistant to easy classification.

In conversational prose that makes marine biology both accessible and exciting to a layperson, Graham describes the slings and arrows of shark research as a Black woman who has an infectious curiosity in and reverence for the natural world and refuses to be pushed out of it by the white men who still dominate shark science. As some of these men devolve into a screaming match about affirmative action at a professional conference, Graham locks eyes with the only other person of color, thinking, “What on earth have we gotten ourselves into?” Five years later, Graham had enough. In 2022, after questioning if she should leave science entirely, Graham became a rogue scientist, without a permanent academic affiliation. Like her beloved sharks, she adapted.

Along with Graham’s abiding love of all things oceanic, the other most potent force in Sharks Don’t Sink is her persistent belief in community. Graham pays tribute to the many scientists who paved the way for her, from a professor who offered her master’s level work while she was still an undergraduate, to the field-defining work of Japanese American shark researcher Dr. Eugenie Clark. This careful tending by her community has allowed Graham to thrive as a “Black, proud, nervous, and nerdy” scientist who has become one of the most prominent voices in marine conservation.

The cartilaginous skeletons of sharks have made it nearly impossible to leave fossil records.  Likewise, the history and triumphs of too many Black women scientists have been lost. Graham’s story of charting her own course is both an important record and a delight. “You don’t need to change the world,” Graham writes, as she thinks back on the group of Black friends she made as a child at her mostly white magnet school. “You just need to change your small piece of the world.”

 

In Sharks Don’t Sink, marine biologist Jasmin Graham pushes for diversity in her field while also celebrating her deep, abiding love for the titular fish.

Artist Komail Aijazuddin creates oil paintings and installations glowing with vivid color, religious iconography and simmering sensuality. Now, he’s expressing himself in a new way: His debut memoir, Manboobs: A Memoir of Musicals, Visas, Hope, and Cake, is a smart, funny and moving account of his fascinating life thus far.

The author grew up in Lahore, Pakistan, “a repressive place where girls didn’t feel safe, you couldn’t kiss anyone in public, and there wasn’t a single Burger King.” Thanks to a cherished VCR and parents who appreciated musical theater—“in the name of The Fiddler, The Phantom, and The Wiz, amen”—he immersed himself in dance movies and Disney cartoons galore (Romy, Michele, Buffy and Oprah earn fond shoutouts, too).

Such on-screen delights provided a welcome escape from Aijazuddin’s formative years at the local all-boys school, where he felt shame over his secret gayness and the “manboobs” that infused him with a “deep sense of physical betrayal in my body.” Aijazuddin kept secrets about his heart at home, too, and dreamed about moving to the “gay promised land” of America, where he could finally embrace his true self.

Close friendships with “other girly boys at school” and his dedication to making art sustained Aijazuddin until his talent earned him spots at NYU and the Pratt Institute in New York City. Alas, post-9/11 prejudice against South Asian people made this new home not nearly as easy or welcoming as he’d hoped. But despite his disillusionment, Aijazuddin didn’t give up on his now-adjusted American dreams, which required him to become a resident of New York. After learning that accomplished artists may be granted immigration visas, he moved back to Lahore and began creating a substantial body of work.

Readers will both root for the author to carve out a life in Pakistan that’s fulfilling and safe, and cheer when he becomes a citizen of the United States at last. And they’ll revel in the powerful prose and writerly panache that makes Manboobs a winning and heartfelt debut rife with plentiful humor, sharply observed commentary on religion and politics, potent musings on identity, and an inspiring message from one man’s path to hard-won self-acceptance: “I choose happiness over hate, freedom over falsehood, and celebration over self-censorship.”

 

Komail Aijazuddin’s Manboobs is a winning and heartfelt debut memoir, rife with clever humor and an inspiring message of hard-won self-acceptance.
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In her decades as a courtroom artist, Jane Rosenberg has used her trusty pastels to sketch some of the most infamous moments in American legal history.

She was there when Susan Smith apologized to her estranged husband for drowning their two young sons in a South Carolina lake, and when Dzhokhar Tsarnaev was found guilty of the carnage at the Boston Marathon bombing. When Donald Trump appeared in a Manhattan courtroom to be arraigned on charges of falsifying business records, Rosenberg was there to capture his “Day-Glo complexion: base layers of red, purple, even green and blue, that were softened and smoothed over with lighter pinks and whites, accented with strokes of burnt sienna.”

Drawn Testimony: My Four Decades as a Courtroom Sketch Artist takes a mesmerizing look at this rarest of professions. In a time of Court TV and paparazzi, the idea of artists capturing legal drama through drawing is almost quaint. Yet Rosenberg’s images continue to be broadcast by news outlets around the world: Woody Allen and Mia Farrow sitting stone-faced during their custody battle, Harvey Weinstein crumpled in a wheelchair listening to victim impact statements, John Gotti with his shock of silver hair. Ghislaine Maxwell, Bill Cosby, Tom Brady: She has sketched them all. (And in the case of Brady, had her artwork go viral for all the wrong reasons when she struggled to capture the particular angles of his face. She calls the ensuing media attention “a storm which struck with hurricane force.”)

As talented as Rosenberg is at drawing, she is an equally gifted writer. She describes the technique she has honed over so many years and cases, how she quickly builds sketches that capture singular moments in court, even as the action continues in front of her. She writes in visceral detail about being one of the few in-person witnesses during the most vulnerable moments of so many famous and powerful people. An utterly absorbing read, Drawn Testimony captures “the rhythms of a criminal trial and the layers of humanity they could contain—stunning tales of ambition, betrayal, family, and bloodshed.”

 

For four decades, courtroom sketch artist Jane Rosenberg has portrayed the famous and infamous at high-profile trials. She tells all in Drawn Testimony.
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T.S. Eliot wrote, “There’s no vocabulary / For love within a family . . . the love within which / All other love finds speech. / This love is silent.” Not so for Nicole Treska, as she introduces her rogues’ gallery of a family in her debut memoir, Wonderland: A Tale of Hustling Hard and Breaking Even. Treska knows her family’s vocabulary by heart and speaks it with equal parts love, loyalty, chagrin and ambivalence. She paints her hometown of Boston with the same vibrant detail, offering both cityscape and cultural backdrop. Legendary attractions like the Hilltop, Kowloon and the Golden Banana strip club come alive, along with cherished and not-so-cherished memories of her family, some of them long gone but living on in their own notoriety.

Treska begins by envisioning the eponymous Wonderland, a short-lived, early-1900s amusement park on Boston’s Revere Beach. “Of course,” Treska writes, “we revered some kind of permanence—something to point to and say, ‘I came from right here.’ . . . There was yearning in what remained.” In this spirit, Treska dives into her family history. Her grandfather was a bookie for the infamous Whitey Bulger. His diner was host to the Winter Hill Gang, an Irish mob syndicate that dominated the city in the ’60s and ’70s: “They ran books and armed the IRA and engaged in your typical mob-type behavior: racketeering, robbery, drugs, murder.” When her father, Phil, worked at the diner, he took bets from “all the gamblers and wiseguys around town” and later did a stint in prison for federal drug trafficking. “My family met the devil regularly,” Treska notes dryly.

Meanwhile, Treska was the first to graduate from college, and she became an adjunct professor at City College of New York. But she notes, too, her skill at swapping price tags on artwork and stealing accessories for her Harlem apartment. She also became smart at tricking her landlord and profiting from the Airbnb rental of one of her bedrooms. “Begging, borrowing, and stealing were the only way I knew how to build a life, but I did build.”

Treska’s reckoning of her two lives—rising success in New York and her family’s heavy legacy of poverty and crime in Boston—continues. Phil gambles. “He breathed, he lied, he gambled, and then all the rest that makes up a life,” Treska writes. “I loved my father. And how do you love a thief?” For those who, like Treska, may have some skeletons in their family closet, Wonderland holds both good and bad news: We can honor them with our fonder memories, but the damage they caused may yet linger. But still, family is something to point to, to say, “I came from right here.”

Nicole Treska explores memory and legacy as she introduces her rogues’ gallery of a family in her debut memoir, Wonderland.

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