Instagram Facebook X-twitter Linkedin

Sign Up

Get the latest ipsum dolor sit amet, consectetur adipiscing elit.

All , , , , Coverage

All Memoir Coverage

Science Fiction & FantasyFictionYA FictionYAMemoir

The Hold List: October 2019

Feature by the editors of BookPage

It’s the time of year when pumpkin spice suddenly flavors everything. But what if autumn were distilled into a book? The mixture of crispness and warmth, the thrill of possibility, the bittersweetness of change—these books are pure pumpkin spice.

The Art of Fielding by Chad Harbach
Lake Michigan on a cool morning, a well-worn copy of Moby-Dick, a lazily draped scarf worn to a beloved college class—this is pumpkin spice latte territory. Chad Harbach’s debut novel is a philosopher’s playhouse, a literature student’s carnival and a baseball fan’s last hurrah of the season. It’s the story of shortstop star Henry Skrimshander and the many intellectuals in his orbit at Wisconsin’s small Westish College. Cute literary jokes abound (Henry’s last name is an obvious nod to Melville and scrimshaw), and meandering passages are capably balanced by thrilling baseball scenes. There’s angst and romance as well—always best in autumn—and a cheeky sense of humor that looks so good with your fading summer tan. —Cat, Deputy Editor

I Remember Nothing by Nora Ephron
First of all, what’s more autumnal than the words of Nora Ephron? (Think “bouquets of newly sharpened pencils.”) But I love this collection in particular because it’s the last book Ephron published before she died. Every time I read I Remember Nothing, I cherish it more urgently because I know I’m approaching the end of her expansive but finite body of work. (Oh, for a thousand more charming observations about seer­sucker napkins!) I think this makes it a perfect book for fall, which is the season for lapping up every drop of beauty we can before it’s gone. Poignantly, the last essay in the book is a list called “What I Will Miss,” and it includes: fall, a walk in the park, the idea of a walk in the park and pie. —Christy, Associate Editor

Possession by A.S. Byatt
This supremely meta, deeply romantic bestseller is a lot. But its dual narratives—a doomed romance between Victorian poets and the modern-day scholars who stumble upon their story—offer some sublimely cozy pleasures for a very specific type of book nerd. If your ideal autumn involves prowling through Victorian letters while a storm rages outside, taking baths in crumbling old manor houses and sighing over love thwarted and love gained, Possession is the book for you. And for those who miss school (but not its over-caffeination and assigned reading), A.S. Byatt’s awe-inspiring creation of not only the work of two poets but also the modern scholarly commentary surrounding them will scratch that essay-writing, argument-crafting itch—sans the all-nighter. —Savanna, Assistant Editor 

Calling a Wolf a Wolf by Kaveh Akbar
Scalding, flavorful, and unapologetic, this poetry collection invites readers to scrutinize its speaker’s struggle with alcoholism, desire, and mental obstruction. The reader is welcomed into madness, ardor, misery and silence, but this is not our madness, our sadness, or our experiences. We may not have experienced alcoholism, but we are allowed to smell the same odors, hear the cacophony of a bar and call out to the speaker’s hope. This collection taught me that poetry is never about the reader, but is ultimately an act of generosity. I thank this book for the warmth it gave me, for I needed a comforting drink to withstand its multiclimatic world. Ultimately, I found myself warm enough—and secure enough—to ditch my cup. —Prince Bush, Editorial Intern

An Enchantment of Ravens by Margaret Rogerson
If your perfect walk through autumnal woods—fallen leaves in fiery hues crunching beneath your boots, the scents of mist-damp soil and October’s chill filtering through the air—comes with the sense that something is hiding behind every tree, waiting just ahead at every crook in your path, something not sinister but curious about your strange mortal ways, then may I suggest settling down with An Enchantment of Ravens once your latte has chased your chill away? Full of tricksy fairies, a delicious slow-burn romance and plenty of wit and literal Whimsy (the name of the village where Margaret Rogerson’s characters live), it reads the way autumn feels, deep down in your bones. —Stephanie, Associate Editor

It’s the time of year when pumpkin spice suddenly flavors everything. But what if autumn were distilled into a book? The mixture of crispness and warmth, the thrill of possibility, the bittersweetness of change—these books are pure pumpkin spice.

The Art of Fielding by…

NonfictionAudioPop CultureMusicMemoir

5 audiobooks to feed your pop culture diet

Feature by Anna Zeitlin

From lowbrow to highbrow TV, from comic books to rock ’n’ roll, here are five audiobooks to feed your pop culture diet. Whether your ears are tuned to licentious behind-the-scenes stories or erudite critiques, there’s something for anyone who hasn’t been hiding under a rock for the last century.

Bachelor Nation, written and read by Amy Kaufman
This is an absolute must-listen for anyone who’s ever watched “The Bachelor” and wondered what goes on behind the scenes, and for anyone curious about the tricks employed by reality TV. We learn how producers use editing to tell whatever story they want to tell, no matter what was really said. Any casual viewer knows how petty the contestants can be, but this book reveals just how ruthless the people behind the scenes can be, too. If you ever audition for the show, never reveal your fear of heights, unless you want to be the one selected for the sky-diving date. Whether you love the show or love to hate it, the juicy, tell-all nature of this audiobook makes it hard to press pause.

I Like to Watch, written and read by Emily Nussbaum
Emily Nussbaum, TV critic for The New Yorker, shares a collection of essays that treats television with respect, acknowledging it as the art form it has become. Twenty years into what many call TV’s second golden age, this is the perfect time to look back on the pivotal shows like “The Sopranos,” “Sex and the City” and even “Buffy the Vampire Slayer,” all of which set TV on the path it’s on today. She delves into the difficult question of the #MeToo era: Can we still consume art by bad men? I found myself nodding along to the whole audiobook. It’s a thoughtful, opinionated collection of essays and a masterclass in critical writing.

Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine, written by Joe Hagan, read by Dennis Boutsikaris
Rolling Stone founder Jann Wenner’s life makes for a fascinating lens through which to view the changing music- and magazine-publishing industries in the later half of the 20th century. He created legends, cementing John Lennon’s legacy as a rock god and building up the mythology behind rock ’n’ roll and the 1960s as a magically creative time. He lifted up the careers of Annie Lebowitz, Cameron Crowe and Hunter S. Thompson. He’s also a total narcissist, and this book pulls no punches. He puts profits over friendship time and again. He’s a successful business mogul, but at what cost? Joe Hagan had incredible access for this book and doesn’t hold anything back.

The Caped Crusade: Batman and the Rise of Nerd Culture, written and read by Glen Weldon
This book tracks the history of Batman from his origin as a Shadow knock-off, created to compete with Superman, and through all his permutations in comics, movies and cartoons. Author Glen Weldon posits that the most essential part of Batman is his pledge: When his parents are murdered, he vows to defend the defenseless. The adaptations that have ignored this part of his character are the ones that fail to connect with readers and viewers. Weldon draws a distinction between male and female fans: Male fans complain, make death threats and beg creators for the version of Batman they most relate to; female fans create their own versions, with stories they want to hear, using the characters they love in fan fiction. Weldon is a dynamic narrator, adopting New York and Scottish accents when quoting comic book authors. His “mad fan” voice is particularly skewering.

My Life as a Goddess, written and read by Guy Branum
Writer/comedian Guy Branum uses pop culture as a framing device for his memoir. As a kid, he watched old TV shows to learn about the world. His essay “The Man Who Watched The Man Who Shot Liberty Valance” is a beautiful portrait of his relationship with a father who didn’t quite understand him but was proud of him. He does a line-by-line breakdown of “Bohemian Rhopsody” by Queen, interpreted as a coming-out tale that shines a whole new light on the song. Branum’s repeated line “and then I remembered, I am a Goddess” is an inspiring mantra that will boost any listener’s self-confidence. He has a way of throwing out biting asides that make this audiobook that much more fun than the book.

From lowbrow to highbrow TV, from comic books to rock ’n’ roll, here are five audiobooks to feed your pop culture diet.
PhotographyMemoirLiteratureFilmArt

Gift books: For the film buff who dreams in black and white

Feature by Linda M. Castellitto

A glamorous person deserves a glamorous present.

These four books, created by cinephiles for cinephiles, are perfect picks for the film buff in your life: They usher readers behind the scenes and offer a bit of dish, a lot of insight and plenty of glam Old Hollywood fun.

The Hollywood Book Club by Steven Rea
Steven Rea’s The Hollywood Book Club: Reading with the Stars is filled with black-and-white photos of actors from Tinseltown of yore reading at home and on set, poolside and at kitchen tables. The stars’ artful poses and occasional sly grins keep things interesting, a la Gregory Peck looking up from To Kill a Mockingbird. Film critic and photo archivist Rea’s witty captions add color and context. He explains the meaning behind the featured books and offers insider details (Edward G. Robinson collected French Impressionist art; Bette Davis’ husband wanted a divorce because she read too much). This fascinating dive into Hollywood history is a splendidly starry way to add to your TBR pile.

Letters from Hollywood by Rocky Land & Barbara Hall
Rocky Lang and Barbara Hall know movies. Lang, son of a studio executive, is a producer, director and writer; Hall is a film historian and archivist. Their compendium Letters from Hollywood: Inside the Private World of Classic American Moviemaking is an excellent reference and engrossing exploration of American film from the silent era through the 1970s. Letters to and from famous actors, directors and more (Bela Lugosi, Katharine Hepburn, Claudia McNeil, Irving Berlin, Tom Hanks) are augmented by photos and other ephemera. Film buffs will revel in flipping to favorite luminaries, checking out surprising pen pals, admiring vintage stationery design and pondering the vanished art of writing letters. As Peter Bogdanovich writes in the foreword, “What a great idea!”

The Movie Musical! by Jeanine Basinger
At the beginning of The Movie Musical! Jeanine Basinger writes, “I was raised on musicals, and I love them.” That affection is evident in this 650-plus-page master class and love letter to the form and its practitioners. The author, a film historian and author of 11 other film books, takes readers on an edifying journey through the evolution of Hollywood musicals, from “the arrival of sound” in 1927’s The Jazz Singer to present-day extravaganzas like Bohemian Rhapsody (and La La Land, which she Does Not Like). She offers insight on what makes a musical, reveals the ways in which art and business collide and assesses the appeal of everyone from Gene Kelly to Diana Ross to Channing Tatum. Devotees will delight in revisiting beloved films—and making a list of musicals to watch ASAP.

Home Work by Julie Andrews
In this follow-up to 2008’s Home, Julie Andrews and her daughter Emma Walton Hamilton dive into Andrews’ movie-making era, which began in 1962 when Walt Disney offered her the lead role in Mary Poppins. In Home Work: A Memoir of My Hollywood Years, the authors bring us along on Andrews’ thrilling movie star journey with fascinating revelations about films like The Sound of Music, Hitchcock’s Torn Curtain, and Andrews’ second husband Blake Edwards’ 10 and That’s Life (the latter was their final film together; he died in 2010 after a 41-year marriage). Andrews was initially insecure in front of the cameras, but that soon gave way to using stage-honed instincts to inhabit characters from the outside in—via costumes and wigs, as well as, say, giving Ms. Poppins stiffly turned-out feet “to punctuate the impression of Mary’s character when flying.” Andrews shares diary entries, too, as she muses on the perpetual tug-of-war between family and work; the depression that plagued so many colleagues, including Edwards; and memorable trips abroad. Home Work is a multifaceted and absorbing 20-year tour of Hollywood through the eyes of one of its most beloved players.

These four books, created by cinephiles for cinephiles, are perfect picks for the film buff in your life.

AudioMysteryMemoir

Audio: December 2019

Feature by Anna Zeitlin

★ Medallion Status
In his laugh-out-loud new memoir, Medallion Status, John Hodgman navigates his new life as a former celebrity, as he discovers that he’s less famous than a pair of Instagram dogs. He explores his obsession with achieving higher levels of loyalty status to his favorite airline and shares the private spaces he’s been admitted to, including a party where a man who walked on the moon feels unworthy of attending,  a top-secret lounge at the airport and his favorite fancy Hollywood hotel. He also shares places he’s been prohibited from entering, including a Scientology center said to contain a bottomless pit and Mar-a-Lago. In this excellent memoir full of astute moments of nuanced observation, Hodgman explores his myriad interests, from extinct hockey to ska, which inform his unique perspective. This is definitely one you’ll want the audiobook for, as Hodgman’s delivery really helps his jokes land. There’s also one line in the memoir that Hodgman can’t bear to read aloud; you need to hear the A-list celeb he brings in to read it.

Make It Scream, Make It Burn
Leslie Jamison’s essays in Make It Scream, Make It Burn cover a wide range of topics. In the opening essay, “52 Blue,” she talks about a whale whose call is twice as loud as all other whales in the ocean, and about his human devotees who have ascribed their own meanings to his call, projecting loneliness or heartbreak onto the whale and creating stories about his life. In other essays, Jamison learns about people living through the video game Second Life, about a photographer who spends 20 years traveling to Mexico to photograph the same family and about her own experience of becoming a stepmother and buying the wrong Frozen doll. Jamison reads in a direct, matter-of-fact voice, underscored with a tinge of longing. Her narration emphasizes the melancholic but hopeful tone of the book.

Now You See Them
Detective Edgar Stephens and magician Max Mephisto return in Elly Griffiths’ fifth Magic Men mystery, Now You See Them, set in mid-1960s England amid battles between gangs of mods and rockers. When an American matinee idol comes to town and one of his biggest fans goes missing, Detective Stephens is on the case, but his wife, a former detective, gets ideas of her own for how to solve it. As more young women disappear, the race is on to find the kidnapper in this light mystery with a fun setting. With a background in British theater, James Langton brings his acting chops to the narration. His proper English accent is well suited to the material.

New audiobooks from John Hodgman, Leslie Jamison and Elly Griffiths make for excellent listening.
NonfictionFictionAudioMemoir

Audio: January 2020

Feature by Anna Zeitlin

Three recent stellar audio releases.

★ The Witches Are Coming
The titular feminist rallying cry of The Witches Are Coming echoes throughout Shrill writer Lindy West’s latest collection of essays, which explores personal stories and pop culture through the lens of our current political reality. West has a wonderfully dry wit, and her biting narration makes her essays even funnier. Just the way she reads the chapter title “Is Adam Sandler Funny?” had me laughing, and then she goes on to explore not only Sandler’s jokes but also their impact on a generation of men. In another essay, she describes attending a conference by Gwyneth Paltrow’s lifestyle brand, Goop, which she approaches with an open mind, allowing folks to have fun with their crystals, then points out the class disparities of the wellness industry. West brings humor and her resolutely feminist perspective to each topic.

Me
Elton John reflects on his life in Me, looking back on his youth as a poor boy in a broken home, his years as a struggling musician and eventually his life as a rock legend and humanitarian. He speaks with distance and clarity about his bulimia and addictions to cocaine and alcohol. He finds humor in those dark days, like the time Andy Warhol showed up at John Lennon’s apartment, and Lennon and John had to pretend they weren’t home so Warhol wouldn’t capture their piles of cocaine with his famous Polaroid. John’s friendly rivalry with Rod Stewart pops up throughout the book, as each takes great pride in sabotaging the other and gloating over his successes. John is ready to retire from the road and wants to spend more time with his family, but he clearly isn’t done creating. He reads the beginning and end of the audiobook, with Taron Egerton taking over the bulk of the narration. Egerton recently played John in the biopic Rocketman, and he easily jumps back into the role, providing a dynamic narration filled with earnest enthusiasm.

Nothing to See Here
In Kevin Wilson’s latest novel, Nothing to See Here, Lillian leaps at the chance to help her former best friend, Madison, despite past betrayals. Madison is married to a wealthy Tennessee senator, and when his ex-wife dies, he takes in their two children. But the thing is, these kids burst into flames. Lillian drops everything to become their governess and help Madison raise these weird fire children. This bizarre, captivating novel questions what makes a family and satirizes Southern gentility and politicians. Marin Ireland does a great job with the narration, creating unique voices for each character that reveal their personalities, even the young children’s.

Three recent stellar audio releases.
★ The Witches Are Coming The titular feminist rallying cry of The Witches Are Coming echoes throughout Shrill writer Lindy West’s latest collection of essays, which explores personal stories and pop culture through the lens of our current political reality. West…
FictionMemoir

Book Clubs: Matters of the heart

Feature by Julie Hale

Recommending four stellar book club reads that focus on the complications of love.

Lauren Groff’s electrifying, acclaimed novel Fates and Furies chronicles the vagaries of romantic passion through would-be actor Lotto and elusive Mathilde—a picture-perfect pair who meet in college and marry young. Through sections told from the perspective of each partner, the novel tracks the ups and downs of their 24-year union, and the two narratives powerfully play off each other. Mathilde’s secrets will surprise readers, and the book has a headlong momentum that suits its subject matter. From start to finish, it’s a thrilling look at the risks and rewards of love.

Mary Parsons, in debt and contending with health problems, is hired as part of actor Kurt Sky’s Girlfriend Experiment in The Answers, by novelist Catherine Lacey. Kurt aims to find a formula for the ideal romantic relationship, so he partners with women who have been prompted to display certain traits, such as Maternal Girlfriend and—in Mary’s case—Emotional Girlfriend. Mary is soon swept up in Kurt’s strange drama, and the narrative that unfolds is a disquieting and provocative exploration of the logistics of love.

Ian McEwan’s novel The Children Act tells the story of Fiona Maye, a respected judge coping with both a failing marriage and a difficult legal case. Nearly 60, Fiona finds herself at odds with her unfaithful husband while she grapples with a judgment involving a young Jehovah’s Witness, who, by forgoing medical treatment because of his religion, may die. This thorny ethical dilemma will provide fodder for book club debate. McEwan’s portrait of Fiona—an assured, confident figure who hides her vulnerability all too well—is wonderfully complex, and he presents a sensitive portrayal of a marriage that has reached its last chapter.

Poet Maggie Nelson reflects on gender, love and the nature of modern marriage in her remarkable memoir The Argonauts. Nelson, who is married to the transgender artist Harry Dodge, writes with candor about her experiences as a partner and new mother. Chronicling Dodge’s testosterone treatments and the process of her pregnancy (which involved in vitro fertilization), Nelson reflects on the changes in her understanding of partnership and the meaning of family. Rich in ideas, her book is a fascinating excavation of matters of the heart.

A BookPage reviewer since 2003, Julie Hale selects the best new paperback releases for book clubs every month.

Recommending four stellar book club reads that focus on the complications of love.

Lauren Groff’s electrifying, acclaimed novel Fates and Furies chronicles the vagaries of romantic passion through would-be actor Lotto and elusive Mathilde—a picture-perfect pair who meet in college and marry young. Through…

Science Fiction & FantasyNonfictionFictionYA FictionYAMemoir

The Hold List: A love letter written to me

Feature by the editors of BookPage

Greek to Me by Mary Norris

Mary Norris is sort of my idol. A grammar virtuoso, with a storied career editing some of the greatest writers of the last 40 years, and she studied Greek? In college I minored in Koine Greek, an ancient language so systematic that translating a sentence often feels like solving an algebra problem. In fact, my love for the precision of Greek led me to my current occupation as an editor. Greek to Me: Adventures of the Comma Queen is so suited to my interests that reading it makes me physically giddy—but I assure you that people with fewer than 18 credit hours of Greek to their name will also find plenty to love here. Norris is a sharp-witted, word-perfect narrator, and her wells of knowledge are as deep as they are lyrical. Anybody with a reverence for words will bow down to this book.

—Christy, Associate Editor

The Lies of Locke Lamora by Scott Lynch

I’m a simple woman with simple tastes, and if a book can be genuinely described as a “romp,” I’m probably going to like it. Scott Lynch’s debut novel is a romp set in a fantasy version of Venice populated by con artists, gangsters and a cranky priest/mentor named Father Chains, so I was contractually obligated to love it to pieces. Our titular hero, a snarky trickster who’s very bad with a sword but very good at swindling people out of their money, decides to continue his most ambitious con yet, even though the mysterious Gray King is killing off members of the criminal underworld. Irrepressibly funny even as it goes to some very dark places, Locke Lamora’s heart is pure gold, albeit a bit crooked.

—Savanna, Assistant Editor

Stag’s Leap by Sharon Olds

Throughout life, I have lost many things. Many of those things cannot come back, and many of those things have been people. Every time I return to this collection, I am susceptible to a sense of longing. Every loss becomes current again, even the things I’ve recovered: The one that got away is getting away, the neighborhood I left is leaving, the dead in my family are dying. In my own poetry, I am open to returning to any point in my life, even the most heartbreaking. I love longing and reading about longing. Sharon Olds’ obituary for her marriage brings about feelings I share and enjoy taking notice of. I have found an abundance in loss, and I think, more likely than not, it can unite and bring about something else, or someone else—that someone else possibly being a better me.

—Prince, Editorial Intern

The Scorpio Races by Maggie Stiefvater

I was 7 years old the first time I heard a pennywhistle. It was on a Chieftains cassette my mom played in the car. Something about that music—the plaintive whistle, the lumbering bagpipes, the sprightly fiddle, the pulsing bodhran—called to something deep in my bones. That same call sings in Maggie Stiefvater’s award-winning novel The Scorpio Races, a salt-soaked, wind-whipped ode to the way a fast horse at a flat-out gallop can feel like flight and freedom. The story is set on a small fictional island off the coast of Scotland you’ll be shocked not to find on a map. If you’ve ever experienced the bittersweet desire to visit a place that feels real but isn’t, the next boat for Thisby leaves on the first page of The Scorpio Races.

—Stephanie, Associate Editor

Virgil Wander by Leif Enger

I moved away from Minnesota when I was 11, so I can’t claim any ownership of its lakes and woods beyond my earliest memories. But almost better than those recollections is the Minnesota that lives in my imagination, and Leif Enger has contributed to that vision in no small way. Minnesota is a heavenly and forbidding landscape, this I know to be true, but I’ve never had a chance to understand the people who choose to live in such a cold place. Enger’s stories give me a little bit of that, and his third novel finds the members of a small town doing their best to cultivate some collective healing. The reader is looped in to their process through Virgil, who’s attempting to reclaim his life after a car crash. Like the kites flown over Lake Superior by an elderly character, the heart can’t help but lift.

—Cat, Deputy Editor

The Hold List features special reading lists compiled by BookPage staff—our personal favorites, old and new. 

When a book finds its ideal reader, it feels like the best kind of magic—as if the author has written a love letter straight to you. Though these books are loved by many, we accept them as the perfect gifts that they are.
NonfictionMemoirFilm

Eight memoirists share which parts of their true stories will be hardest to believe

Feature by BookPage contributors

In celebration of Memoir March, we asked the authors of eight groundbreaking memoirs what readers will love about their life stories—and which parts are even stranger than fiction.

author photo of Dolly AldertonDolly Alderton, author of Everything I Know About Love

Dolly Alderton recounts her many mishaps—including a drunken evening when she thought she was in Oxford, not London—through essays, satirical emails and recipes. Alderton isn’t afraid to share unflattering moments or to laugh at herself, and readers may find solace in realizing they aren’t alone at the party. (read the full review)

What do you love most about your book?
I am happy about how truthful it is—which makes it uncomfortable for me to read back sometimes, but it’s a really honest account of an ebullient, rocky, unpredictable period of my youth that a lot of people go through, and I wrote it truthfully.

What kind of reader do you think will most enjoy your book? 
Someone who is after riot and revelation in equal measure from an imperfect antiheroine. 

What is one thing in your book that’s true that readers may think you made up?
That I took a taxi across 100 miles at 4 a.m. Both me and my student bank account overdraft wish that was a made-up anecdote.

 

Barry Sonnenfeld, author of Barry Sonnenfeld, Call Your Mother

In this funny, wry and thoroughly entertaining memoir, the legendary cinematographer and director does more than name-drop or recall Hollywood vignettes. Barry Sonnenfeld is, above all, a storyteller, and while his own journey from a skinny, French horn-playing kid to a successful director drives the breezy narrative, he takes time to bring supporting characters irreverently to life. (read the full review)

What do you love most about your book?
That people tell me they laughed out loud reading it.

What kind of reader do you think will most enjoy your book?
Readers looking for a surprisingly good time. Or a sad time. Anyone interested in films and how they ever get made.

What is one thing in your book that’s true that readers may think you made up?
There are so many unbelievable but true things: Being paged at Madison Square Garden during a Jimi Hendrix performance; surviving a plane crash; surviving my mother’s cooking; being bar mitzvah’d in a Catholic church; selling M.C. Hammer my ’62 Lincoln Continental; becoming a successful director.

 

Erin Khar, author of Strung Out

Any book about addiction is actually a book about feelings and the lengths that people who are suffering will go to avoid feeling them. Erin Khar’s memoir is a compassionate account of her illness and will surely be the gold standard for women writing about heroin addiction. (read the full review)

What do you love most about your book?
What I love most about my book is the way readers have told me they connect with the story. For people who’ve struggled with addiction, it helps them feel seen, feel less alone. For people who have not experienced addiction, it helps them understand addiction in a way they hadn’t before.

Readers have also told me how much they found they could relate to, and that surprised them. I love that! I wanted the narrative to reflect a human experience, to present addiction not as an aberration but as a human condition, one that 2 million Americans struggle with. Reframing how we view addiction will go a long way in helping people.

What kind of reader do you think will most enjoy your book?
Definitely memoir readers and fans of addiction and recovery narratives. But beyond that, anyone who is interested in understanding what is at the heart of the opioid crisis.

What is one thing in your book that’s true that readers may think you made up?
I think it’s hard for people to believe that I was able to hide my addiction for as long as I did, but the people who were closest to me were absolutely shocked when I went to rehab. In my teenage years, I didn’t display the “warning signs” of addiction. I got straight A’s in school, participated in lots of extracurricular activities and had plenty of friends. We have ideas about what a drug addict looks like or acts like, but the truth is addiction can happen to anyone, can look like anyone.

 

Alex Halberstadt, author of Young Heroes of the Soviet Union

Beginning with childhood memories of his parents’ troubled marriage and divorce, resentment toward his absent father and embarrassment over grandparents who made no effort to conceal their foreignness, Russian American author Alex Halberstadt slowly pulls away the curtain draped over his family’s unhappiness. What he finds is startling: a grandfather who served as a bodyguard to Stalin, and who became known to Halberstadt as a fragile man who still wrestles with the truth of the atrocities he at least witnessed, if not perpetrated. (read the full review)

What do you love most about your book?
One of the themes my book deals with is the relationship between personal lives and the larger currents of history, and what I love is the way my book braids together personal stories with episodes from Russian history while telescoping back and forth in time. For me, nonfiction is always most compelling when it’s grounded in the specifics of people’s stories.

What kind of reader do you think will most enjoy your book?
I think my book would particularly appeal to readers interested in family stories, 20th-century history, Russia, the Holocaust, immigration and intergenerational trauma.

What is one thing in your book that’s true that readers may think you made up?
My grandfather was very likely Stalin’s last living bodyguard and for years operated as a double agent, splitting his loyalties between Stalin and the head of the Soviet secret police, Lavrenty Beria. Some days it seems unbelievable to me, too.

 

Evan James, author of I’ve Been Wrong Before

The ragged ways we fall in and out of relationships are at the center of these dazzling autobiographical essays, as Evan James ponders the complexities of love, lust, sexuality and longing against the backdrop of his world travels. (read the full review)

What do you love most about your book?
I love that I set out to write a lighthearted book of comedic personal essays and that, over the course of years spent tinkering with them, I upended many of my own assumptions about myself and my loved ones in the process. As I say in one essay, “We settle for so little knowledge of each other.”

What kind of reader do you think will most enjoy your book?
A reader with an open mind and a sense of curiosity about life in all its absurdity. A reader who wants to have a laugh while reading about world travel, past lives, psychic mothers, drag queens, drugs, dating, ghosts, day jobs.

What is one thing in your book that’s true that readers may think you made up?
Readers might find it incredible that I’ve had so many fascinating love affairs—or that I was, apparently, Lord Byron in a past life.

 

Philip Kennicott, author of Counterpoint

Philip Kennicott’s engrossing memoir explores his impressions of his late mother. But even more than these grief-stricken reflections, it is Kennicott’s intimate insights into the way Bach’s music speaks to all our lives as they wind their way toward our inevitable deaths that makes this book an unforgettable triumph. (read the full review)

What do you love most about your book?
I thought I was going to write a book about Johann Sebastian Bach and his magnificent keyboard work “The Goldberg Variations,” but as I started writing, it became a book about my mother and the grief I felt when she died almost 10 years earlier. I wasn’t expecting that. I’m an art critic who writes for a daily newspaper, and I try not to use the first-person voice too often. But the process of writing this memoir kept drawing me ever deeper into memory and forced me to think about what had been a complicated and difficult relationship. I kept wondering, can anyone possibly be interested in this? When I was finished and showed the manuscript to a few people, they said it was the family part they enjoyed most. That was a relief, because I struggled to weave together anecdotes about my childhood and the original idea for the book, which was a memoir about learning how to play a complex piece of music. I suppose I shouldn’t have been so surprised. If we really dig into the emotions we feel in the present, we find that they have deep roots in our past. Writing about Bach, and my struggles with his demanding music, inevitably led me back to some of my earliest memories, to a time when my mother and I used to make music together. It refreshed things that had been buried for a long time, mostly in a good way.

What kind of reader do you think will most enjoy your book?
If you took music lessons as a child or are studying an instrument as an adult, I think you will love this book. And I hope readers who are interested in memoir and have a general curiosity about music will find something of interest here. I tried to write about music in ways that are specific but not technical, and to explain why Bach’s Goldberg Variations is one of the enduring masterpieces of Western music. But this is also a book about something we all know or will know in life: the pain of losing someone close to us. As I write in the last chapter, grief brings us meaning, it makes life more intense, and it makes us impatient with silly, trivial things. It binds us to other human beings. I hope those things are of universal interest to readers.

What is one thing in your book that’s true that readers may think you made up?
There’s a chapter in my book about a month I spent alone in an old house practicing the piano and reading. Except for a few trips to the grocery store, I saw no one during that period, and the isolation was seductive. I realized after a few weeks that I was thinking more about my mother than I had at any other point in my life, thinking about her more sympathetically and working harder to piece together who she had been and why she had been so unhappy. It was an emotionally volatile few weeks. And one day, as some of the darker clouds in my head were lifting, I went on a long walk and heard a strange flapping in the grass along the roadside. It was a bird caught up in some kind of netting or plastic. I managed to free it, and it flew away. I thought, what a cliché. And then I thought, well, it happened, and it is the sort of story my mother, who was a passionate bird-watcher, would have loved. So I included it in the book.

 

Cathy Park Hong, author of Minor Feelings 

Cathy Park Hong offers a fierce excavation of her hardships as an Asian American woman living and working as a poet and artist. Historical traumas and cultural criticism are woven through this erudite collection of personal essays on family, art history, female relationships and racial awareness. (read the full review)

What do you love most about your book?
I love it because it’s my most honest, vulnerable and bravest book to date. It’s also my personal intervention against what Chimamanda Ngozi Adichie calls the “single story,” which is basically the same tired racial narratives that we hear over and over again that comfort us rather than makes us rethink how we perceive others.

What kind of reader do you think will most enjoy your book?
I’m writing directly to Asian Americans, rather than writing about Asian Americans to a white audience. But I think so many people would enjoy this book: other people of color, immigrants, women, millennials, the curious-minded, people who don’t mind being challenged.

What is one thing in your book that’s true that readers may think you made up?
That I had a brief and unfortunate foray into stand-up comedy.

 

Marcelo Hernandez Castillo, author of Children of the Land

Marcelo Hernandez Castillo’s powerful, poetically infused memoir adds a soul-searing voice to the canon of contemporary immigration narratives. Undocumented as he crossed over the desert into California as a child, temporarily blind from the stress, he grows up riddled with the shame of his family’s invisibility. (read the full review)

What do you love most about your book?
I love that I was given the freedom to cordon off sections, or chapters, or even single scenes as complete units in their own right and, more so that they are all of different sizes. Something special happens when text is placed alone in a sea of blank space like a tiny island made of language.

What kind of reader do you think will most enjoy your book?
I don’t think I could say who will enjoy my book most, but perhaps I could say who might get the most out of my book, and for different reasons. I am not afraid of critics looking from the outside in (I can shut away that noise) but rather of disappointing people who share similar experiences with me.

What is one thing in your book that’s true that readers may think you made up?
I think it might be difficult for readers to accept how little healing there is in the book, and they may think I cherry-picked only the most emotionally difficult parts of my life with the belief that it would automatically translate into empathy for the reader. I truly wish that were the case, that somewhere out there, I’m living a life where I’ve moved on and put all of this behind me. I was always keenly aware of presenting joy that is at times enmeshed with grief.

In celebration of Memoir March, we asked the authors of eight groundbreaking memoirs what readers will love about their life stories—and which parts are even stranger than fiction.

author photo of Dolly AldertonDolly Alderton, author…

NonfictionSocial ScienceReligion & SpiritualityPoliticsMemoir

Searching for meaning

Feature by Henry L. Carrigan Jr.

When our relationships falter under the pressure of political or religious demands, when ambiguity more than certainty guides our lives, we may be tempted to succumb to our malaise. However, there is another option: We can stumble through the shadows, searching for some thread of meaning that will guide us out of the darkness. The authors of these books have chosen the latter path, peeling away the detritus of life to discover meaning—personal and political—and plumbing the spiritual depths that accompany their searches.

★ Thin Places

With humor and razor-sharp insight, Jordan Kisner’s Thin Places: Essays From in Between captures the visceral, palpable feeling of loss. The ways we inhabit space occupy many of these evocative essays, such as in a piece on an art installation at New York City’s spacious Park Avenue Armory, in which Kisner encourages readers to find someplace “big and empty” when they are “stuck somewhere small . . . somewhere unhappy or afraid or paralyzed or heartbroken.” In her celebrated essay “Thin Places,” she discovers the age-old concept of the space between the spiritual and physical world. This “thin place” is porous, a space where distinctions between “you and not-you, real and unreal, worldly and otherworldly, fall away.” It’s in these thin places that we can find ourselves, absorb glimpses of new meaning from another world and live in the moment. Kisner weaves together reflections on Kierkegaard, her early Christian conversion (and later “unconversion”) and waiting for the subway to gracefully guide us through our own emptiness in search of fullness.

The Great Blue Hills of God

Kreis Beall’s The Great Blue Hills of God explores in lyrical prose what happens when her life falls apart. Beall, who helped create Blackberry Farm, one of the South’s most heavenly resorts, appears to have it all: a loving marriage, great wealth, a beautiful family and a satisfying career. But the demands of building up several properties slowly erode her marriage, and she finds that her and her husband’s financial bank is full but their “emotional bank” is being emptied. As her marriage fades away, Beall falls, and suddenly her health is compromised, and she temporarily loses her hearing. She experiences further devastation when her son, Sam, dies in a skiing accident. Despite the loss of her family, health and wealth, she discovers glimpses of grace in her reading of the Bible, discussions with her pastor and friends and meditations on the nature of home. Throughout the book, Beall sprinkles in fruitful bits of wisdom, embracing the conclusion that, “to me, home is God, family, friends, and legacy. . . . A home is a heart. It is love, people, relationships, and the life you live in it.”

Scandalous Witness

Lee C. Camp’s Scandalous Witness: A Little Political Manifesto for Christians offers a brilliant summary and exposition of the ways that Christianity is a politic, not a religion. Camp (Mere Discipleship) asks a series of questions that frames Christianity as not just a private spiritual practice but a guide for our life together: “How do we live together? Where is human history headed? What does it mean to be human? And what does it look like to live in a rightly ordered human community that engenders flourishing, justice, and the peace of God?” In the end, the Christian community embraces its mission when it “sets captives free, demolishes strongholds, and . . . [sows] the seeds of the peaceable reign of God.” Camp’s manifesto is a must-read in a world in which Christianity has become either a bedfellow of political parties or an isolated, private practice.

I Am Not Your Enemy

Michael T. McRay’s I Am Not Your Enemy takes Camp’s idea to the personal level. We create meaning in the stories we tell each other, and if we tell a good enough story, we can convince others that certain individuals are our enemies. But just as stories have the power to cultivate hate, they also have the power to reconcile and redeem. Throughout his travels across Israel and Palestine, Northern Ireland and South Africa, and through his work as a conflict and resolution counselor, McRay hears violence-filled narratives with shattered endings. Yet, as he illustrates, not every story needs to end this way. McRay shares stories of a mother who refuses to seek vengeance for her son’s death, a community theater director who helps people who are marginalized find their voices and discover beauty in their lives and a woman who forgives the man who murdered her father. With the verve of a great storyteller, McRay regales us with spellbinding narratives that illustrate the power of words to change our lives and bring meaning to the world.

When our relationships falter under the pressure of political or religious demands, when ambiguity more than certainty guides our lives, we may be tempted to succumb to our malaise. However, there is another option: We can stumble through the shadows, searching for some thread of…

RomanceNonfictionFictionChildren's & YAWorld FictionPicture BookMemoir

The Hold List: Raining cats and dogs

Feature by the editors of BookPage

The battle of cats versus dogs has raged among BookPagers for more than 30 years. This month, we’re picking sides and sharing some of our favorite literary cats and dogs.

The Duchess Deal by Tessa Dare

Taken aback by a duke’s proposal of marriage (he wants an heir to spite his annoying cousin, just go with it), Emma Gladstone insists on bringing her cat to their new home. Emma doesn’t actually have a cat, but she wants something she can love while entering into a marriage that promises to be little more than a business arrangement. But a harried Emma only has time to find Breeches, the angriest and ugliest alley cat in all the land. Breeches proceeds to stalk through the chapters of Dare’s hilarious historical romance like the xenomorph from Alien, interrupting love scenes, stealing fish from the dining table and generally being a total nuisance. The reveal of why Emma named him Breeches in the first place is both giddily funny and oddly touching, which is basically The Duchess Deal in a nutshell.

—Savanna, Associate Editor

A Small Thing . . . but Big by Tony Johnston, illustrated by Hadley Hooper

A Small Thing . . . but Big is a deceptively simple charmer. A little girl goes to the park and, gradually, overcomes her fear of dogs, thanks to a fuzzy muppet named Cecile and the dog’s owner, who is only ever referred to as “the old man.” Illustrator Hadley Hooper’s spreads are a masterclass in expression and framing, and Tony Johnston’s language is delicate and playful, as Lizzie “carefully, oh carefully” pats Cecile, then works her way up to “springingly, oh springingly” walking her around the park. “All dogs are good if you give them a chance,” Cecile’s owner tells Lizzie, and by the end of the book, it’s clear that Lizzie agrees. It’s a practically perfect picture book: a small thing . . . but big.

—Stephanie, Associate Editor

Dewey by Vicki Myron

When you are a notorious cat lady, people send you cat stuff—cat memes, cat socks, cat salt and pepper shakers and, occasionally, cat books. My grandma sent me a copy of Dewey when I was in college, and initially I thought, “Thanks, Grandma, but I’ve got a lot of Sartre to get through before I have time for a heartwarming cat memoir.” Reluctantly, I started skimming. A helpless kitten is abandoned through the book-return slot of an Iowa library. A librarian fallen on hard times discovers and raises him. A community is transformed through the affections of a bushy, orange cat. Before I knew it, I was reading this book every night before bed, and by the end, I was openly weeping. Fellow cat ladies and laddies, put your pretensions aside and give this one a chance.

—Christy, Associate Editor

Good Boy by Jennifer Finney Boylan

Jennifer Finney Boylan knows that to write about dogs is to write about the very nature of love. “Nothing is harder than loving human beings,” she writes, but loving a very good dog has the power to remind us of our best selves—and to reveal who we are in our human relationships. Boylan offers an ode to all the dogs she’s loved before in Good Boy, a memoir-via-dogs coming April 21. Dog books are sometimes just a vehicle for crying, so for me, the inevitable bittersweetness can never be maudlin. And if memoir can help us better understand our own stories, then breaking up our memories into dog treat-size bites is a special exercise for anyone who puts unreasonable expectations on their best friend. (For the record, my dog is very good. Perfect, even.)

—Cat, Deputy Editor

Kafka on the Shore by Haruki Murakami

Cats are intelligent, if not outright magical creatures. Their attitudes, their curiosity, the uncannily human pathos in their meows all let us know there is something going on beneath the surface. Japanese author Haruki Murakami is aware of this, and so he took advantage of cats’ magic in Kafka on the Shore. In the story, Mr. Nakata, one of two central characters, has the ability to speak to cats and makes a living searching for lost felines. We see Mr. Nakata use his abilities in a few hilarious scenes before he loses his ability to speak to cats, but as the story unfolds, cats become a central part in unlocking the mysteries that send Mr. Nakata on a journey across Japan. Murakami uses the whimsical magic of cats to unfold grand metaphysical mysteries.

—Eric, Editorial Intern

The battle of cats versus dogs has raged among BookPagers for more than 30 years. This month, we’re picking sides and sharing some of our favorite literary cats and dogs.
RomanceAudioYA NonfictionYAMemoir

Audio: May 2020

Feature by Anna Zeitlin

A clear-eyed examination of racism, a rollicking coming-of-age memoir and a romance that’s truly for everyone top this month’s best audiobooks.

★ Stamped

In Stamped: Racism, Antiracism, and You, Jason Reynolds uses his own voice to reinterpret Ibram X. Kendi’s Stamped From the Beginning for young readers. He traces the origins of racism in the United States back hundreds of years, to when Greek philosophy and the Bible were first used to justify enslaving Africans with dark skin. In an engaging storytelling style intended for a young audience but appealing to anyone, Reynolds delves into different periods in American history to uncover the racism hiding in plain sight and how it connects to today. He equips listeners with the tools to notice when something is racist and to be antiracist in their own lives. Reynolds’ narration has a poetic, hip vibe that keeps the book flowing and never feeling like homework. This would make a great listen for the whole family, especially when incorporating breaks for discussion.

Everything I Know About Love

Dolly Alderton’s Everything I Know About Love, a touching memoir of early adulthood’s hilarious highs and relatable lows, is a must-read for anyone who grew up learning to talk to a crush through instant messengers. Alderton breaks up the memoir’s chapters with lists of the absolute truths that she believes about love at different ages in her life; the lists charmingly contradict each other as she gains maturity and perspective. Alderton makes for a delightful narrator despite, as she mentions, hating her posh, British boarding school accent. Her wit shines through, especially when narrating an imaginary, over-the-top bachelorette party from hell.

Undercover Bromance

Undercover Bromance, written by Lyssa Kay Adams, delivers on the goofy action the title promises. The bromance book club is made up of Nashville’s movers and shakers, from the city’s top athletes to its elite businessmen, including nightclub owner Braden Mack. When Braden accidentally gets Liv fired from her dream job as a pastry chef, he helps her get revenge on her sexual harasser boss. The fun cast of characters includes a hippie farmer landlord, a Vietnam vet who’s a softy at heart and a Russian hockey player who tells it like it is. Narrator Andrew Eiden’s macho, tough-guy voice is suited to this testosterone-laden romance novel that fully embraces the form and proves that romance can be for anybody.

A clear-eyed examination of racism, a rollicking coming-of-age memoir and a romance that's truly for everyone top this month’s best audiobooks.
NonfictionMemoir

Memories of motherhood

Feature by Alice Cary

Who is your mother, and what does she remember? The answers can be a treasure chest or a Pandora’s box, and these three books explore them in very different ways.

What We Carry

After Maya Shanbhag Lang became a parent, her mom told a perplexing story about a woman trying to decide whether to save herself or her child from a deep, dangerous river, because she couldn’t do both. The tale reflected Lang’s own family’s past in ways she could never have imagined, and she slowly, artfully reveals the layers of this mystery in her engaging memoir, What We Carry. 

Lang’s mother, a psychiatrist from India, was always her rock—a contrast to Lang’s cruel, verbally abusive father, whom her mother eventually divorced. Dr. Shanbhag was also a spitfire of a woman, like when she stood watch over Lang as a child in the dentist’s chair, chiding the dentist every time he used his gloved hand to readjust the light, thus breaking the sterile field. Unafraid of what the dentist thought of her, she forced him to put on a fresh pair of gloves over and over again. Lang’s mother was “not sentimental or effusive, had never read to me as a child or baked me cookies, but she would travel great distances for me and carry astonishing weights. When I most needed her, she was there.”

And then, suddenly she wasn’t. As Lang discovers that her mother has Alzheimer’s disease, she brings Shanbhag home to live with her and her family. During this time, her mother’s dementia and close proximity give the author a unique opportunity to learn surprising truths about their family’s past. As Lang explains, “I want to get to know her while I still can. I want to separate the myth from reality, to reconcile the mom I always imagined with the more complicated person I’m just starting to know.” Lang is an immediately affable and honest narrator who offers an intriguing blend of revelatory personal history and touching insight about her mother’s illness.

Braver Than You Think

Dementia is also at the forefront of Maggie Downs’ memoir, Braver Than You Think: Around the World on the Trip of My (Mother’s) Lifetime, but in a very different way. While Lang delves into her past, Downs plunges into the future as her mom begins a sharp, final decline.

Whenever a new issue of National Geographic arrived in the mailbox of their Ohio home, Downs and her mother would huddle over the exotic photographs of faraway places, marveling at the many wonders and vowing to someday see some of these sites together. However, when her mother’s early onset Alzheimer’s robbed them of this opportunity, journalist Downs quit her job and started back-packing solo around the world, visiting 17 countries in the course of a year.

Traveling on a frugal budget and roughing it, Downs encounters not only astounding vistas (such as the stately temples and rock formations in Hampi, India) but also outright danger (as when she arrives in Cairo in the middle of the Arab Spring uprising)—and more than her fair share of dis-comfort (for example, being attacked by a monkey while volunteering at a Bolivian primate sanctuary). Her entertaining account of this year seamlessly blends exciting travelogue tales with musings about her mother, punctuated by concerns about whether Alzheimer’s disease will eventually manifest in her own body. “Part of the reason I embarked on this trip,” she explains, “was to complete my mom’s goals, but this is also a battle against the disease itself, cramming myself full of my own memories, hoarding them and holding them tight, before anything is taken.” By the end of Braver Than You Think, readers may be ready to embrace Downs’ insatiable approach to life, “chasing adventure for the sake of living deliberately and passionately.”

Mothers Before

When novelist Edan Lepucki started an Instagram account in 2017 called “Mothers Before,” she never imagined how popular it would become. Now continuing the phenomenon in book form, she’s gathered more than 60 essays addressing the question, “Who was my mother before she was a mother?” Each contributor to Mothers Before: Stories and Portraits of Our Mothers as We Never Saw Them was asked to submit a photo of their mother before she became a parent, along with a micro-essay about the image and their mother’s life.

With contributors such as Jennifer Egan, Alison Roman, Lisa See, Jia Tolentino and Laura Lippman, the results make for delightful browsing—ranging from sassy quips, like Tiffany Nguyen observing a picture of her mom in Vietnam in 1970 (“Here is my mom rocking it in a minidress”), to somber historical reminders, like writer Camille T. Dungy’s powerful comments about her mother’s childhood in Lynchburg, Virginia: “The members of the Court Street Baptist Church started a library fund to help my black mother’s black father buy the books he needed to preach the sermons his black parishioners needed to hear every Sunday in that deeply segregated, often hateful town.” As Lepucki says so well, Mothers Before is “about seeking clarity, and interrogating history, and trying to understand the myriad ways a woman might navigate a life.” Don’t miss this unique mini-museum of women’s history.

Our relationships with our mothers can be beautiful, difficult and complicated. Three books honor mothers as the complex humans they are.
Science Fiction & FantasyNonfictionFictionYA FictionYAMemoirFamily Drama

8 ways to spend a summer day

Feature by BookPage contributors

When the sun is high and a summer afternoon stretches out before you with zero expectations, a great book—read for inspiration, thrills or pure enjoyment—is all you need.

★ Happy and You Know It

For readers who want the fun of reality TV but the heart of a good drama

Laura Hankin’s Happy and You Know It is the sort of novel that can suck a reader in and hold them until a whole day has passed, but it’s also a multidimensional story with riches revealed through close attention. After Claire is fired from her band, she’s trying to pay her way through New York City life, and a gig as a playgroup musician will have to do. The mothers in the group are wealthy and wellness-obsessed, but they easily incorporate Claire into their lives, and she welcomes the inclusion. As the playgroup moms work out their insecurities—within themselves and within their friendships—the metaphorical masks they wear begin to slip. With a light hand and a touch of mystery, Hankin’s debut explores feminism, class and the expectations placed on mothers. This is a romp with substance, consumed as easily as a beach read but offering ample opportunities for self-reflection.

—Carla Jean Whitley

Safecracker

For readers who want fiery pacing

Michael Maven is a New York thief who’s very good at his job and thinks that his next gig, stealing a rare coin from a rich guy’s apartment, should be easy. Then the job is interrupted by a mysterious woman, and within a matter of days, Michael finds himself at the center of a deadly web of drug cartels, crooked cops, the FBI and the woman who very nearly killed him—twice. Tight, thrilling and charming, Safecracker is a new take on the classic “crook-in-over-his-head” crime story, unfolding through Michael’s effortlessly cool narration. In prose that calls to mind the breeziest work of crime legends like Elmore Leonard, author Ryan Wick drives his narrative forward like a freight train. It’s expertly paced, witty and surprising, while also retaining a sense of the familiar that only comes from a love of the genre.

—Matthew Jackson

Editor’s note: Safecracker was originally scheduled for publication on June 2, 2020, but it has been canceled by the publisher. We apologize for any inconvenience this may cause.

The Madwoman and the Roomba

For readers looking for the humor in housework

In The Madwoman and the Roomba, Sandra Tsing Loh finds comedy in the indignities and absurdities of contemporary life while chronicling her 55th year. In two earlier nonfiction books, Loh adjusted to motherhood and went through a rocky divorce. This time, Loh is happily divorced and happily post-menopausal but still recording her life with let-it-all-hang-out charm. She recalls her embarrassing, claustrophobic freakout at the March for Science and tries to unleash her inner midlife goddess while parenting two teenagers. She describes her efforts to improve her terrible front yard, hire a painter, understand her malfunctioning high-tech fridge and follow her new cookbook’s recipes. Loh’s tone is chatty and self-deprecating, like having a glass of wine or a long phone call with your favorite witty, goofy friend. Because the narrative is loosely structured, you can read straight through or just dip into an essay when the mood strikes. 

—Sarah McCraw Crow

★ The Obsidian Tower

For readers who believe that any season can be the season of the witch

In the kingdom of Morgrain, there is a castle. In that castle is a great black tower. And inside that tower, behind innumerable and impenetrable enchantments, is a door that should never be opened. Ryx, who has the power to kill anything she touches, is the Warden charged with keeping it safe. When a visiting mage ventures too close to the magic of the tower, Ryx finds herself at the heart of an international crisis. She must use all of her wits and talent to keep Morgrain, and the world, safe from unspeakable ruin. Like any good mystery, Melissa Caruso’s The Obsidian Tower slowly feeds the reader clue after clue, never fully revealing everything at once. But this book has moments of real pain and longing that have nothing to do with magic or towers. Not being able to have physical contact with anyone has changed Ryx, and the choices she makes to subvert or embrace this fact are beautiful and terrible—which makes her eventual confrontation with some very nasty magic all the more satisfying. 

—Chris Pickens

My Kind of People

For readers who find strength in community

Sky is only 10 years old, but she’s experienced as much pain and confusion as someone three times her age. Although she was abandoned at a fire station as a newborn, she found a home with her adoptive parents. Now she’s starting over again, and this time she’s old enough to be aware of the pain. Sky’s adoptive parents have died in a car crash, and their will designates that Leo, Sky’s father’s best friend from childhood, will become her guardian. Leo is torn up at the loss of his friend, and now he must create a loving home for Sky. Her presence sends Leo and his husband, Xavier, into a tailspin. In My Kind of People, novelist Lisa Duffy paints a portrait of a community of people trying to find out who they are—and with whom they can be themselves. As neighbors jump in to help raise Sky, or to weigh in on what Leo could do better, Sky and Leo wrestle with their understanding of their changing circumstances. Duffy’s story is sweet but never cloying, and she’s unafraid to depict uncomfortable circumstances as the tale unfolds.

—Carla Jean Whitley

★ Last Tang Standing

For readers who say they hate drama but actually love it

It is a truth universally acknowledged that mothers will meddle in their daughters’ love lives. For Andrea Tang, a successful 33-year-old lawyer in Singapore, that truism extends to her aunties, cousins and anyone else who can claim relation to her. What everyone wants to know is, when will she get married? After ending a long-term relationship, Andrea feels the pressure to find The One while also putting in as many billable hours as possible to secure a partnership in her law firm. Her friends offer support, but Andrea can’t stop thinking about Suresh, her officemate and competition for partner. He’s annoying, engaged to a beautiful but domineering Londoner and not at all Andrea’s type. Except that he’s exactly her type. Author Lauren Ho is a former legal adviser, and her debut novel is a blast. With a relatable, laugh-out-loud protagonist, Last Tang Standing is a near-perfect blend of Crazy Rich Asians and Bridget Jones’s Diary, yet it still feels wholly original.

—Amy Scribner

Look

For readers who miss their feminist film studies class

In Zan Romanoff’s YA novel Look, Lulu Shapiro has mastered Flash, a Snapchat-like app that shares her perfectly edited life with 10,000 followers. But a racy Flash, meant to be private, accidentally goes public, and now everyone has seen Lulu being intimate with another young woman. Her classmates think she just did it for attention, but Lulu is bisexual and fears what sharing this truth about herself could mean for her popularity. Then Lulu meets the beguiling Cass and her friend Ryan, a trust-fund kid refurbishing an old hotel. With no phones allowed at the hotel, Lulu experiences a social life less focused on carefully curated images. She feels like she can truly be herself—until an abuse of trust brings it all crashing down. Anyone who has engaged in content creation—even just photos on Instagram—will have a lot to chew on regarding the praise and scorn women experience based on how they depict themselves. The cast of characters is almost entirely teens, but older readers will take a lot from Look as well. Self-­commodification hardly started with Snapchat, after all.

—Jessica Wakeman

Rockaway

For readers ready to ride a wave of emotion

In 2010, following her divorce, Diane Cardwell finds herself shuffling listlessly through her life and work as a New York Times reporter. Casting about for an assignment, she heads out to Montauk, Long Island, and spies a group of surfers out in the shimmering surf. Transfixed by this group of men and women, she begins trekking out to Rockaway Beach from her Brooklyn apartment to take lessons and join her newfound troop. Cardwell dives into surfing, alternating between fear of failure and dogged determination. As she gains confidence and develops her own style, she moves to Rockaway Beach, buys a little cottage and a board and thrives in her new neighborhood. When Hurricane Sandy hits in 2012, she rides it out in Rockaway with some of her friends, and they emerge as an even more tightknit community. In Rockaway, Cardwell’s moving story washes over the reader with its emotionally rich portrayal of the ragged ways we can embrace our vulnerabilities in order to overcome them.

—Henry L. Carrigan Jr.

 

Editor’s note: An earlier version of this feature incorrectly stated that Lauren Ho is a former attorney.

When the sun is high and a summer afternoon stretches out before you with zero expectations, a great book—read for inspiration, thrills or pure enjoyment—is all you need.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Sign up now

Recent Reviews

All Reviews

Author Interviews

More Interviews

Recent Features

All Features