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Hurtling down the blind curves and treacherous twists and turns of family dysfunction and social displacement, Antonio Michael Downing searches for himself among the cultural clutter of sports, religion and music. Combining staccato prose and singsong storytelling, Downing’s Saga Boy: My Life of Blackness and Becoming navigates loneliness, uncertainty, fear, hopelessness and hunger.

Downing grew up in Trinidad with his grandmother, Miss Excelly, dreaming of mango season. She taught him two important things: how to sing and “the magic of the Queen’s English.” While his childhood was not idyllic, Downing felt safe with his grandmother and her love. When Miss Excelly died, however, he and his brother were shipped off to Canada to live with an aunt, and thus began a peripatetic lifestyle marked by a lack of security or family love.

Downing was shuttled between aunts in Canada. He never quite fit in at any particular place, though he valiantly threw himself into basketball and music in high school. He eventually recovered his love for language and writing at the University of Waterloo and put together a show with an artist friend who painted scenes from a short story Downing wrote. That experience gave birth to DJ Mic Dainjay, Downing's alter ego that he used as a performer during a time when he was also working at Blackberry as a sales representative. Today he performs music as John Orpheus.

Downing’s heart-wrenching memoir chronicles his saga of trying on and casting off many masks, learning the dimensions of the face through which he sees the world and the world sees him. As he writes, “This is a story about unbelonging, about placeness, about leaving everything behind. This is about metamorphosis: death and rebirth. . . . This is a story about family and forgiveness. About becoming what you always were.”

Combining staccato prose and singsong storytelling, Saga Boy hurtles down the treacherous twists and turns of family dysfunction and social displacement.

Art can redeem suffering, but it can also reveal brutalities that degrade the human spirit. Art can capture the hopelessness of individuals hemmed in by fences not of their own making, even as it portrays the hopefulness of scaling those barriers and strolling in the expansive paths beyond. In Chasing Me to My Grave: An Artist’s Memoir of the Jim Crow South, Winfred Rembert recounts to co-author Erin I. Kelly his own gripping, often harrowing stories of growing up in Cuthbert, Georgia, and of turning to painting to represent the atrocities and celebrations of his life.

Rembert opens his memoir by recalling the journey to find his birth mother, who gave him away as a baby. He stole away from Cuthbert and walked up the railroad tracks 40 miles to Leslie, Georgia, where he found his mother but discovered she was none too happy to see him. Back in Cuthbert, Rembert celebrates the bustling juke joints and stores on Hamilton Avenue, depicting flourishing scenes of Black men and women going about their daily lives.

Life turned bleak when Rembert was arrested while fleeing a civil rights demonstration in 1965. He was brutalized and nearly lynched by law enforcement officers and a gang of white men. Eventually Rembert was sent to a chain gang, which he describes as being “like slavery. You have to meet all those demands and keep a sense of yourself as well.” In a stroke of good fortune, Rembert met a young woman named Patsy, whom he eventually married when he was released from prison.

While imprisoned, Rembert developed his artistic skills, and he continued to carve and paint on leather until his death in 2021. His art, which is reproduced throughout the book, depicts the people of Cuthbert, his family and his time on the chain gang. “With my paintings I tried to make a bad situation look good,” Rembert writes. “You can’t make the chain gang look good in any way besides by painting it in art.”

Chasing Me to My Grave is a testament to the ways one man used his art to educate, delight and depict the trauma that arises out of memory.

Winfred Rembert recounts gripping, often harrowing stories of growing up in Georgia, surviving a lynching and discovering art while imprisoned in a chain gang.
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From ages 7 to 12, Qian Julie Wang lived as an undocumented immigrant in Brooklyn, New York. Her hunger was regularly so intense that she broke into cold sweats—which, according to her Ma Ma, meant Wang was growing and getting stronger. One classmate referred to Wang’s family not as “low-income” but “no-income.” Her world was simultaneously frightening and normal as she sat listening to scuttling cockroaches with her parents nearby. She describes childhood trenchantly in Beautiful Country, allowing readers to feel her anger, longing, loneliness and fear—and to observe her parents’ desperation.

In Beijing, Wang’s mother was a published professor who spoke Mandarin, the language of intellectuals. But in Brooklyn, her mother lamented, “All these Cantonese assume that if you speak Mandarin you’re a farmer from Fuzhou.” Wang’s mother got a job sewing in a sweatshop, where “there was no day or night; there was only work.”

Wang’s parents regarded her as their best hope for a future, optimistic that she would be suited to this Mei Guo, “beautiful country.” They were right to believe in her. By fourth grade, Wang wrote so well that her teachers suspected plagiarism, and now Wang has written a memoir precise enough to chill her readers. The narrative is full of sharply rendered scenes, such as one in which Wang’s mother suffers in a cold sushi factory before coming home to warm herself in front of a pot of boiling water.

Wang dedicates her memoir to “those who remain in the shadows.” Indeed, Beautiful Country shines light on the childhood that continued to haunt Wang into adulthood, even as her professional accomplishments mounted. She is vulnerable in revealing her uniquely American trauma: a bruised wrist that never quite healed; a hunger that was never quite sated; a feeling that everything, at any moment, could suddenly be taken away. Wang, who is now a civil rights lawyer, is a voice we need. Readers will be grateful for the courage she has displayed in persevering and speaking up.

Qian Julie Wang courageously reveals her uniquely American trauma: a hunger that was never quite sated; a feeling that everything could be taken away.

When you consider all the time, effort and hope that goes into writing a book, it only makes a truly great debut that much more impressive. Here are the debuts we’ll never forget.


The Poppy War

The first installment in R.F. Kuang’s epic military fantasy trilogy is essentially one book that transforms into another. It begins as an iteration of the well-loved “story set in a magical school,” as the orphaned Rin escapes her abusive, impoverished life in southern Nikan by winning a scholarship to the famous military academy of Sinegard. Sure, it’s a bit more blunt and brutal than you’d expect—Rin burns herself with candle wax to stay awake while studying, and schoolyard brawls between students with martial arts training turn bloody fast—but Kuang’s earthy sense of humor lightens the mood. And then Nikan is invaded, and The Poppy War morphs into a grimdark meditation on whether it’s possible to retain your humanity if you can wield the powers of a god. Neither half would work without the other, and Kuang’s mastery of both proves that her career will be endlessly fascinating.

—Savanna, Associate Editor


The Story of Owen

Canadian author E.K. Johnston’s debut asks an irresistible though not previously unasked question—what if dragons were real?—and its answer is the best I’ve ever read. When Canada’s highest paid dragon slayer retires to Siobhan’s small town of Trondheim, Ontario, to train her teenage nephew, Owen, Siobhan never expects to become part of their story, let alone be invited to become the bard who will tell it. Johnston takes world building to new heights, offering explanations of everything from the rise of corporate-contracted dragon slayers to why postmodernists incorrectly blame “the decline of the dracono-bardic tradition on the sudden and soaring popularity of the Beatles.” The dragons are attracted to carbon emissions, so teens take driver’s education to learn “the more banal aspects of safe driving: four-way stops, three-point turns, small dragon evasion, and the like,” and Michigan’s factories attracted so many of the beasts that humans abandoned the state completely. To read this book is to understand why Johnston has become one of the most consistently surprising YA writers working today. 

Stephanie, Associate Editor


White Teeth

This book came out when I was 10 days old, right at the start of the new millennium. Zadie Smith herself was 25 when her debut landed—young enough to be the voice of a new generation but still old enough to know how silly such a title is. Soon after its release she would become one of the most important authors around. Though I didn’t read it until 20 years after its release, this book still feels as impactful and fresh as it must have felt in 2000. Family dramas were big in literary fiction at the time (e.g., The Corrections, Infinite Jest), but White Teeth, with its ethnic, ideological and thematic diversity, stands out among the pack. From the iconic opening line through each intertwined storyline, Smith tells a story that captures the anxiety and hope of both an older generation entering a new world and young people conquering an old one. 

—Eric, Editorial Intern


The People in the Trees

Sometimes it feels like a debut novelist purges all their best ideas for that first book, using up every resource for their big entrance. After coming out of the gate so hot, they can’t be blamed for not writing another, or for experiencing what we in the book reviewing biz call the “sophomore slump.” I’ll admit that when I read Hanya Yanagihara’s debut back in 2013, I believed that this was the kind of writer she had to be. A novel this complex, profound and imaginative, with writing so visceral and poised—surely this was everything she had, dumped out in the exuberant, chaotic flurry of the new artist. But as proven by her virtuosic follow-up, A Little Life, that was hardly the case. In writing this column, I wondered how well my memory of her first book would hold up, and a return to The People in the Trees has once again left me in awe at her overwhelming descriptions of the Micronesian jungle, her nuanced portrayal of a predatory genius and the fact that this book still, after all these years, has no equal.

 —Cat, Deputy Editor


Don’t Let’s Go to the Dogs Tonight

Serial memoirist (and occasional novelist) Alexandra Fuller has lived quite a life—expansive enough to fill five books, and counting. But her first memoir, Don’t Let’s Go to the Dogs Tonight, is the one that has haunted me the most. Growing up with her white family in Rhodesia (now Zimbabwe) during the Rhodesian Bush War, Fuller experienced things that were thrilling, beautiful and dangerous. In the bush of southern Africa, she and her sister learned to shoot guns, kill snakes and avoid landmines and guerrilla fighters. She survived hazards closer to home, as well, such as her mother’s alcoholism and the loss of their family farm to land redistribution after the war. Danger is barely kept at bay throughout this book, and not everyone survives. But the telling is so moving, and the writing so beautiful, you’ll savor even the bitterest parts of this chronicle of a remarkable childhood.

—Christy, Associate Editor

It was love at first sight for the BookPage editors and these five debuts.

It’s an age-old dilemma. Each generation bears the weight of passing society’s burdens on to the next one, and climate change is no exception. But can the continuing escalation of this issue be prevented, or at least slowed, so that our children and grandchildren aren’t saddled with a disastrous future?

Climate activist Daniel Sherrell ponders the preciousness and fragility of life from the perspective of someone whose life is mostly still ahead of him in his debut book, Warmth: Coming of Age at the End of Our World. Although he’s still in his early 30s, Sherrell’s tone is that of an old soul as he reflects on the changing climate in a letter to his unborn child. Referring to climate change as the Problem (with a capital P), he outlines the weather- and natural disaster-related events he has already witnessed in his short lifetime, such as Superstorm Sandy, Hurricane Maria and raging wildfires.

Sherrell is a passionate advocate for the climate movement, which he conveys with urgency and honest, raw emotion, expressing an anxiety he feels has infiltrated the essence of his being. He writes with a frightening sense of gravity that will give Generation X and the baby boom generation reason to take a close, hard look at what’s happening and do something.

This is exactly Sherrell’s message. We need to do something—about fossil fuels, corrupt politicians, global food and water security. The list goes on. Warmth is a pleading, informative call to action. As Sherrell writes, “Increasingly, the only viable future seems to be in shoring up the future itself.”

Climate activist Daniel Sherrell ponders the fragility of life from the perspective of someone whose life is still ahead of him in his raw, passionate debut book.
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Meg Lowman, known as “Canopy Meg,” has a big public presence, and her latest memoir demonstrates why: She excels at bringing the natural world to life in language. The Arbornaut: A Life Discovering the Eighth Continent in the Trees Above Us takes readers around the world, from the forests of New England to the hills of Scotland, from the jungles of Australia to the riverbanks of the Amazon. It also tells the story of a passionate young naturalist whose childhood collections of wildflowers and bird eggs were supplanted by mosses during adolescence until, during college, she discovered the enduring love of her life: trees. Specifically, the tops of trees, which have been historically understudied even though they compose a vibrant ecosystem that Lowman refers to as the “eighth continent” of the world.

Lowman’s driving curiosity finds a productive outlet in the scientific process, which she ably describes for lay readers. Her research is full of life, energy, intelligence and determination. It’s impossible to read about it without wanting to examine the natural world more closely! While reading The Arbornaut, I found myself staring out of my second-story windows, trying to discern whether the leaves of the “upper canopy” of my Midwestern trees differed from those visible at ground level. This is exactly the kind of response Lowman hopes for. She is dedicated to getting everyday folks into the canopies, which she argues can advance scientific discovery (more eyes collecting more data) and benefit the planet (more people dedicated to ecological preservation).

Across multiple projects, Lowman’s reputation has grown within and beyond her discipline, and in this memoir, she also attends to the impact of gender on her professional experience. After detailing multiple instances of unwanted attention, ranging from innuendos to attempted assault, Lowman describes herself as a “tall poppy,” a flower that others try to cut down because it stands out. And yet, she persists, leading expeditions to the Amazon, collaborating with scientists and citizens alike and sharing her results in both technical journals and delightful memoirs. She deserves her celebrity.

The Arbornaut is a book to reach for if you, like Lowman, love the natural world and want to live in it fully.

Meg Lowman’s research is full of life, energy and determination. It’s impossible to read about it without wanting to examine the natural world more closely.

Growing up in the 1970s, Julie Klam heard stories about her grandmother’s first cousins, the Morris sisters. Selma, Malvina, Marcella and Ruth Morris emigrated from Eastern Europe with their parents around 1900, were soon orphaned in St. Louis and eventually made their way to New York City, where they made a fortune. “I was told they were completely crazy, obscenely wealthy, never married, had no children, and all lived together in a house in New York City,” Klam writes in The Almost Legendary Morris Sisters: A True Story of Family Fiction, her sixth book.

In her conversational, often funny style, Klam takes us along on her intrepid search for the truth, near-truth and outright lies embedded in her family’s colorful lore about the Morris sisters. Klam visits older family members to record their conflicting stories and learns a surprising secret about the girls’ mother. She also visits sites important to the sisters’ lives, most affectingly the Jewish orphanage in St. Louis where three of the sisters were sent as children, as well as two small towns in Romania. There, Klam takes in the towns’ abandoned Jewish cemeteries and near-abandoned synagogues. 

Along the way, as Klam weaves anecdotes with uncovered records, the sisters emerge as distinct individuals and, yes, almost legendary women. But in the end, The Almost Legendary Morris Sisters isn’t about the sisters so much as it’s about Klam’s search, her wrong turns and dead ends, and the sadder truths that family members papered over. “It turns out that finding the truth in a family can be tricky,” Klam notes, an understatement.

The Almost Legendary Morris Sisters is an entertaining read that offers a substantial meditation on the meaning of family and what our ancestors mean to us, even when we can’t get as close as we’d like to their stories.

In her funny, conversational style, Julie Klam takes us along on her search for the truth, near-truth and outright lies embedded in her family’s colorful lore.
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How many of us married people really thought about what we promised in our wedding vows? We probably said that we would be united with our beloved “for richer, for poorer, in sickness and in health,” but we recited the words as a matter of tradition. Eleanor Henderson made those promises, too, but she’s made good on them. In her incredible memoir, Everything I Have Is Yours: A Marriage, she describes life with her husband, Aaron, and his perplexing array of physical and mental illnesses.

Everything I Have Is Yours goes back and forth in time from when the young couple met as artsy kids in Florida to their present-day marriage with two kids and a mortgage. Along the way, Henderson rises in her career as an author and professor while taking on caregiving duties for aging parents, young children and, increasingly, her chronically ill spouse. Aaron struggles to find his footing career-wise and faces a number of mental health challenges, including addiction and suicidality. It’s clear, however, that Henderson and their children are enamored with Aaron. This family has as much love as it does pain.

Readers should be aware that passages about incest are recurrent throughout the book, as well as discussions of suicide attempts. The descriptions of Aaron’s strange illnesses are vivid and unambiguous (including lesions, rashes and bleeding), and parasites, real or imagined, make many appearances. In many ways, this memoir is a compelling medical mystery, and anyone who is interested in the disputed existence of Morgellons disease will have lots to chew on here.

Ultimately, this memoir is about the depth of the marital bond. Readers may wonder, why is Henderson still enduring all this? But of course, we know the answer: She deeply loves her husband. Everything I Have Is Yours is not a traditional love story, but it is a love story—one as heart-wrenching as it is heart-filling. Reading it will prompt you to give the meaning of “in sickness and in health” a good, long thought.

Eleanor Henderson describes life with her husband and his perplexing array of physical and mental illnesses in this heart-wrenching and heart-filling memoir.

When he was 16, James Tate Hill’s eyesight changed forever. A diagnosis of Leber’s hereditary optic neuropathy put a name to what he was experiencing as his vision faded: “Picture a kaleidoscope . . . a time-lapsed photograph of a distant galaxy. . . . Imagine a movie filmed with only extras, a meal cooked using nothing but herbs and a dash of salt, a sentence constructed of only metaphors.”

In his disarmingly honest and funny memoir, Blind Man’s Bluff, Hill—a writing instructor, audiobooks columnist, editor and author of academic-satire-murder-mystery Academy Gothic (2015)—shares his journey from denial to acceptance, from pretending to be fully sighted to acknowledging the truth he worked so hard to hide.


ALSO IN BOOKPAGE: James Tate Hill shares how his literary career helped him take big emotional leaps toward self-acceptance.


Hill writes movingly of the internalized shame and stigma that had such a strong hold on him for some 15 years, sharing both the pain of loneliness and isolation (much of it self-imposed) and the clever strategies he employed in his efforts to pass for sighted. Misdirects included feigning eye contact, asking restaurant waitstaff for recommendations rather than attempting to read a menu and, when he began teaching college classes, telling students to go ahead and speak without first raising their hands.

The author is adept at humor in Blind Man’s Bluff—such as when he writes, “In New York City, most people didn’t drive. I wasn’t blind; I was a New Yorker.”—and he also deploys finely tuned, often deliciously slow-building suspense. (Can he cross a busy street unharmed? Is it possible to walk at graduation without revealing the truth? Will he find love again after his divorce?)

Readers will root for Hill as he travels the long, rocky road from self-flagellation to self-confidence, developing an affection for 1980s pop culture along the way. They’ll also likely find themselves wishing he’d be kinder to himself—and feeling relieved and optimistic when, at last, he is.

Blind Man’s Bluff is an inspiring, often incredible story that reminds us of the strength that can come from vulnerability, from opening ourselves to warts-and-all human connection. As Hill writes, “Wisdom, it turns out, is acknowledging where I cannot go without help.”

In his disarmingly honest and funny memoir, James Tate Hill shares his journey from pretending to be fully sighted to acknowledging and embracing his blindness.
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Marine scientist Edith Widder has spent a lifetime studying bioluminescence, often alone in a small submersible deep in the ocean. On some of these excursions, she felt like a “tea bag on a string,” although during descents and ascents, the experience was more akin to being “inside a martini shaker.” During one dive, seawater began leaking into her vehicle, but thankfully, she reached the surface safely. As I began reading Below the Edge of Darkness: A Memoir of Exploring Light and Life in the Deep Sea, my initial thought was, “Boy, I would never do that.”

However, Widder’s passion is so contagious that by the end of the book, I was yearning to explore these deep, dark waters with her. (Dr. Widder, I’m available!) The wonders she has witnessed are completely compelling. After her initial dive, she expressed her sense of awe by blurting out, “It’s like the Fourth of July down there!” Recalling that formative experience, she adds, “It was a mixture of the most brilliant blues ever to grace an artist’s palette—azure, cobalt, cerulean, lapis, neon—supernatural hues, emitting rather than refracting light.”

Widder’s pioneering career got off to a rocky start. During her freshman year at Tufts University, she was hospitalized for months after suffering horrific complications from a spinal fusion needed to heal her broken back. She nearly died and even experienced temporary blindness, but ever since, she’s spent her life looking—investigating “the visual ecology of the largest living space on Earth.”

Widder notes that as a scientist, she was trained never to write in the first person, which means that penning a memoir did not come naturally. However, she’s a clear, informative writer with exciting adventures to share, including an intriguing encounter with Fidel Castro while exploring ocean waters near Cuba and developing a special camera that led to the first video documentation of the elusive giant squid, earning her the nickname “the Squid Whisperer.” Her enthusiasm is matched by her sense of humor, which is frequently on full display in footnotes. As founder of the Ocean Research & Conservation Association (ORCA), Widder also conveys the vital importance of preserving our ocean habitats.

With Widder as their guide, readers of Below the Edge of Darkness will become staunch champions of the spectacular bioluminescent world that thrives in the ocean’s depths. It’s a display they’ll long to see, and an education they’ll never forget.

Readers of Below the Edge of Darkness will become staunch champions of our spectacular bioluminescent ocean. It’s an education they’ll never forget.
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Rodrigo García is a film and television director, writer, cinematographer and son of the late Nobel winner Gabriel García Márquez, affectionately known as Gabo, author of One Hundred Years of Solitude and Love in the Time of Cholera. When García’s world-famous father began his long slide toward dementia, García began taking notes. “Writing about the death of loved ones must be about as old as writing itself, and yet the inclination to do it instantly ties me up in knots,” he writes. “I am appalled that I am thinking of taking notes, ashamed as I take notes, disappointed in myself as I revise notes.”

All who have loved García Márquez’s works will rejoice that his son overcame that angst, dutifully waiting until after his father’s death in 2014 and his mother’s death in 2020 to publish his intimate, endearing tribute, A Farewell to Gabo and Mercedes: A Son’s Memoir of Gabriel García Márquez and Mercedes Barcha. García’s notes, acutely observational, are simultaneously infused with love, respect and the pain of loss. He admits that his relationships with his parents were complicated. Their lives had public, private and even secret components, and García frets about crossing lines that might leave his parents helplessly exposed. Still, from his dying father’s bedside in Mexico City to his last moment with his mother (shared digitally, as COVID-19 prevented him from traveling), García is a guardian of their dignity. 

Yet this memoir’s details are indeed intimate. We're ushered into García Márquez's study as he works, until the renowned author slowly realizes he no longer can. García’s mother rises above her grief, insisting that she is a woman, not a widow, as she entertains the flow of mourning guests from around the globe—even the complete stranger who manages to con her out of quite a bit of cash. We follow García into the crematorium as he gazes upon his father for the last time, tempering that blow with the thought that García Márquez might have enjoyed flirting with the funeral worker who gave his body a little makeup, a final flourish on his way out.

Fittingly, García begins each chapter with an excerpt from one of his father’s works, and it’s this connection between life and art that holds this intense memoir together. As one epigraph from Love in the Time of Cholera puts it, “he was overwhelmed by the belated suspicion that it is life, more than death, that has no limits.”

When Gabriel García Márquez began his long slide toward dementia, his son began taking notes for this intimate, endearing tribute to his late parents.
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Emmy Award winner Leslie Jordan is making the most of his sudden internet superstardom with his new book, How Y’all Doing? Misadventures and Mischief From a Life Well Lived (4 hours). After decades as an underappreciated character actor on a long list of sitcoms, Jordan is coming to terms with his newfound celebrity status and the opportunities it has presented, including achieving his lifelong dream of recording a duet with Dolly Parton.

In the early days of the COVID-19 quarantine, Jordan began posting very funny videos to his Instagram account, gossiping into the camera, coining memorable catchphrases, telling stories about his Mama and gaining millions of new fans. His knack for storytelling transfers beautifully to this new audiobook. He discusses growing up as a gay child on a Southern horse farm and shares juicy Hollywood gossip, from his experience of working with Lady Gaga to how actor Debbie Reynolds convinced his Mama not to worry so much about what he gets up to in California. 

Jordan’s twangy Tennessee drawl adds so much personality to the audiobook; you can really hear the laughter and joy in his voice as he reads some of his funnier stories.

You can hear the laughter and joy in Leslie Jordan’s voice as he reads the funniest stories in his new audiobook.

Debut author Chloe Shaw traces her own emotional development through the roles dogs have played in her life. There was Easy, whom Shaw’s parents had before they had children. Then there was Agatha 1, the Christmas puppy who, days later, went to the veterinarian and never came home. Her replacement was Agatha 2, whose name hinted at the family’s tendency to plow forward through difficult times. As an only child, Shaw turned to her dogs for entertainment and companionship. She wanted to “be the dog,” to lose herself so deeply in connection with an animal that human problems and obligations fell away.

Shaw was exploring these tendencies in therapy by the time she met Booker, the dog who came along with Matt, the psychoanalyst whom Shaw would marry. Together the couple adopted Safari, who seemed the canine embodiment of Shaw’s anxieties. Booker taught Safari how to be a good dog, and both dogs bonded with the couple’s children.

After Booker’s death, Shaw insisted on adopting Otter. Shaw was the family member who clung to the idea of another dog, so she tried to assume all responsibility for Otter’s care. But raising Otter shows Shaw that she can’t be completely self-sufficient. Otter reminds her that she is human, not canine—and that her humanity is good. “When we open ourselves to the possibility of love,” she writes, “we open ourselves to the possibility of breaking; when we open ourselves to the possibility of breaking, we open ourselves to the possibility of being made whole again.” 

What Is a Dog? is a tender memoir that showcases the vulnerable self we often risk revealing only to our pets. The dogs in Shaw’s life show her how to love another being, yes—but that love also leads her deeper into the human experience, flaws, risks and all. Shaw’s sensitive recollection of a lifetime of anxiety and curiosity will invite readers to examine their own insecurities and to find acceptance in the process.

Chloe Shaw’s tender recollections of anxiety and curiosity will invite readers to accept their most vulnerable selves, which we often only reveal to our pets.

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