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Pretty, blonde Brit Catherine Sanderson clicks and blogs her way into love, heartache and self-revelation in the amusing page-turner Petite Anglaise. Yorkshire-born, Sanderson had always longed for France and, at age 18, she crossed the Channel on an invitation from her French pen pal. She returns a few years later as a teaching assistant, acquires a live-in boyfriend, has his child and lands a welcome, though ho-hum, secretarial job. Out of this landscape eventually sprout tendrils of dissatisfaction with the unvarying round of household chores, childcare and work: "my dream Paris had . . . melted away. . . . Lately I’d become a bitter, resentful shadow of the breathless, enthusiastic petite anglaise I once was, a person I was far from sure I even liked."

Under the cover of an Internet persona, "Petite Anglaise," Sanderson captivatingly recounts the giddy highs and disheartening lows of her reinvention in this narrative that reads like a chick lit novel with a rueful soupcon of hard-earned hindsight. Her witty, frank, tell-all blog quickly attracts followers, all eager to read the latest insouciant installment of Sanderson’s ups and downs with boyfriend Mr. Frog, daughter Tadpole and new beau James (an Internet find). But the virtual rubber meets the imaginary road as the boundaries of Sanderson’s addictive cyber-life begin to blur into day-to-day reality: new love gets rough, her job is in jeopardy and sobbing into cyberspace can’t replace in-the-flesh friendships. She begins to wonder: is all this cathartic blogging helping or hindering her destiny?

This entertaining story is a truly modern tale of self-discovery, embellished with the City of Light (and the strange world of the Internet) as luscious backdrop. The final curtain on Sanderson’s tale attests to the eternal allure of Paris: as the author sips espresso at a sidewalk café, she realizes, "I couldn’t imagine anywhere else on earth I’d rather be. I’d forgotten how much it was possible to love this city."

Alison Hood writes from Marin County, California.

 

Pretty, blonde Brit Catherine Sanderson clicks and blogs her way into love, heartache and self-revelation in the amusing page-turner Petite Anglaise. Yorkshire-born, Sanderson had always longed for France and, at age 18, she crossed the Channel on an invitation from her French pen pal.…

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Larry McMurtry is, of course, best known for his novels, many of which have been made into movies, including The Last Picture Show, Terms of Endearment and Lonesome Dove. But in his memoir Books he barely addresses those years spent writing. Instead, he focuses on his lifelong love of books, and his hidden life as a bookseller.

The genesis of McMurtry’s passion for books and reading was not his early family life; his family’s Texas ranch house was "totally bookless," he writes. It was a cousin, departing for war in 1942, who dropped off a box of books with Larry, then six. When the family moved to Archer City, Texas, the young McMurtry ensconced himself in the library; by his senior year he was obsessed with books. In 1970, he and a partner bought the stock of Lowdermilks, a D.C. shop that was going out of business. This became the core of his own store, Booked Up, a Georgetown fixture for 32 years before moving to its current location in Archer City.

McMurtry fills his short chapters with details of bookshops across the country, the ins and outs of major auctions, and the importance of book scouts who visit junk shops and yard sales. He also offers detailed profiles of a m∧#233;lange of booksellers and their very specific areas of expertise. He eschews online bookselling and bemoans the preponderance of computers now in public libraries saying they "drive out books" from their rightful space.

McMurtry admits that this volume, filled with the "arcane detail" of the antiquarian book trade, may not appeal to the general reader. But for book lovers who can’t pass a used bookstore without ducking inside, this memoir will make that next visit even more enticing.

 

Larry McMurtry is, of course, best known for his novels, many of which have been made into movies, including The Last Picture Show, Terms of Endearment and Lonesome Dove. But in his memoir Books he barely addresses those years spent writing. Instead, he focuses…

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Bill Patten’s family acquaintances were some of the most powerful figures of the 20th century, names like Winston Churchill, Franklin Roosevelt and John Kennedy. As the scion of a diplomat father and socialite mother, Patten grew up surrounded by people of wealth and influence. He attended some of the finest boarding schools, spent weekends at his family’s country estates, and studied at Harvard and Stanford universities. But Patten eventually discovers his real father was not the man with whom he shared a last name: his mother conceived her son during an affair with another man.

Thus forms the backstory for Patten’s memoir, My Three Fathers, a tale about a trio of influential men who shaped the author’s life. The first was William S. Patten, an East Coast aristocrat who spent much of his life as a diplomat in Europe. In 1939, Patten married debutante Susan Mary Jay, a descendent of John Jay, the first chief justice of the Supreme Court. The Pattens moved to Paris for one of his diplomatic assignments, where they met Duff Cooper, a British war hero, Churchill confidant and fellow diplomat. Susan Mary Patten carried on an affair with Cooper, became pregnant and gave birth to a son. Whether her husband ever knew his son was not his biological child is unknown; Patten took that answer to his grave when he died in 1960.

A year later, the author’s mother became Susan Mary Alsop when she married syndicated columnist Joseph Alsop, a longtime family friend. Bill Patten, then 12, was introduced to another social sphere when he moved from Europe to Washington, D.C., where Joseph Alsop rubbed elbows with presidents, senators and other Beltway luminaries. The Kennedys were regular guests, as were Henry Kissinger, newspaper publisher Katherine Graham, even Truman Capote.

It wasn’t until 1996 that a 47-year-old Bill Patten learned the identity of his real father, revealed in an offhanded comment by his mother while she was in rehab for alcohol abuse. Initially crushed by the news, Patten came to terms with the revelation by researching the lives of his mother and her paramours, and expressing his words on paper.

My Three Fathers is the result of that effort, and, despite the title, is as much about Patten’s tortured relationship with his strong-willed mother. It is also a fascinating glimpse into the gilded lives of the American aristocracy and how often glamorous appearances are a deceptive veneer that conceals the untidy truth.

John T. Slania is a journalism professor at Loyola University in Chicago.

Bill Patten's family acquaintances were some of the most powerful figures of the 20th century, names like Winston Churchill, Franklin Roosevelt and John Kennedy. As the scion of a diplomat father and socialite mother, Patten grew up surrounded by people of wealth and influence. He…

Reading Agatha Christie’s autobiography is like sitting down to tea with an especially chatty, good-natured auntie; one would never suspect her of slipping arsenic in your drink. The Queen of Crime, it turns out, was also a gifted and engaging memoirist, and readers who missed out on the 1977 publication of An Autobiography will be delighted with its reissue, timed to celebrate the 120th anniversary of Dame Christie’s birth.

As Christie’s grandson Mathew Prichard notes in his foreword, much of this autobiography focuses on her childhood, a happy and imaginative time that laid the groundwork for her future writing career. Young Agatha was a natural storyteller, creating imaginary friends known as The Kittens, and later inventing The School, a series of stories she spun about a group of schoolgirls. Learning about poisons while working in a pharmaceutical dispensary during the First World War gave Christie the idea for a detective story, which eventually became The Mysterious Affair at Styles, her first published book; witnessing the plight of Belgian refugees in England inspired Christie to make her detective Belgian—and thus Hercule Poirot was born. A marriage to handsome airman Archibald Christie was happy for a time, but Archie, it turns out, couldn’t much bear unhappiness. Agatha’s mother’s death in 1926 led to his affair and her infamous disappearance later that year. Christie doesn’t address the disappearance directly here, but says enough about her mental state to support theories that suggest she’d had a nervous breakdown of sorts.

Funny anecdotes about surfing with Archie in Hawaii and Cape Town (who knew Dame Christie could stand-up surf?), a happy second marriage to archaeologist Max Mallowan and periods spent with him on site in Iraq and Turkey are all fascinating. Christie’s enjoyment of the “indulgence” of memoir writing is apparent on every page of this lovely book, giving it a cheerful tone, as if she’s just turned to face you across the tea table to tell you a story. Packaged with a CD of newly discovered recordings of Christie dictating portions of the book, An Autobiography is essential for both mystery and memoir readers alike.

Reading Agatha Christie’s autobiography is like sitting down to tea with an especially chatty, good-natured auntie; one would never suspect her of slipping arsenic in your drink. The Queen of Crime, it turns out, was also a gifted and engaging memoirist, and readers who missed…
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Noel Coward once said that only "mad dogs and Englishmen go out in the midday sun." Journalist Jeroen van Bergeijk, whose chronicle of an "auto-misadventure across the Sahara," piloting his used 190D from Amsterdam to Ouagadougou in My Mercedes Is Not for Sale, is Dutch. You do the math.

Crazy-making is also often funny-making, and van B’s musings on subjects like the state of African commerce ("Things in Africa come in two forms: broken or almost broken.") inform the armchair traveler about the real on-the-road experience in ways Baedeker and Lonely Planet never could. In a place where border delays may be measured in days rather than minutes, our explorer has learned to pass his idle time wisely: not only do we hear digressions, related in some detail, about the history of the Paris to Dakar Rally and the disastrous expeditions to map out the desert in advance of a never-completed Trans-Sahara Railway, we also meet every previous owner of his humble Mercedes and travel to the factory in Bremen where it was built two decades ago.

Places like Mauritania, Togo, Burkina Faso and Benin will likely never rank with France, Mexico, The Bahamas or even China as a potential vacation destination. But thanks to a crazy Dutchman who boldly went where few men ever go, entertaining us every kilometer of the way, I’m dusting off the old passport and thinking . . . maybe a visit to Disneyland would be nice this summer.

 

Noel Coward once said that only "mad dogs and Englishmen go out in the midday sun." Journalist Jeroen van Bergeijk, whose chronicle of an "auto-misadventure across the Sahara," piloting his used 190D from Amsterdam to Ouagadougou in My Mercedes Is Not for Sale, is…

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Ah, the frothy fun and occasional heartbreak of a slightly snarky, narcissistic sob story. Who doesn’t like that? Especially when mixed with lulling surf, a comfy lounge chair and a long, cool drink nestled nearby. If this recipe for relaxation holds appeal, then be sure to slip Up for Renewal: What Magazines Taught Me about Love, Sex, and Starting Over into your beach tote.

Author Cathy Alter, with a neurotically humorous flair for enumerating her foibles (think Bridget Jones), sets out to improve her junky, less-than-wholesome lifestyle by turning to the pages of slick consumer magazines for guidance. Alter, a 37-year-old freelance writer churning out “painfully dry sales and marketing material” by day, is recently divorced and living life on the edge. She engages in risky “cubicle” sex with a playboy co-worker, fuels herself on pepperoni and Cherry Coke and compulsively overspends so that she’s “reduced to paying for my morning coffee with fists of pennies.” Enter O, Marie Claire, Elle, Cosmo and the rest of the SWF 20s-to-30s demographic glossies to the rescue. For 12 months, Alter vows to follow, to the letter, these magazines’ dictums on cooking, diet, exercise, entertaining, sex and the path to true love.

Her writing is witty and raunchy, and her attempts at change are often (comically) tragic. She sticks to her self-help guns, eventually realizing that “you can’t solve life’s mysteries with the right pair of shoes or the perfect shade of lipstick. . . . But at least I tried.”

Ah, the frothy fun and occasional heartbreak of a slightly snarky, narcissistic sob story. Who doesn't like that? Especially when mixed with lulling surf, a comfy lounge chair and a long, cool drink nestled nearby. If this recipe for relaxation holds appeal, then be sure…
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Blue Nights, it must be said, is almost unbearably sad. As in 2005’s The Year of Magical Thinking, for which she won the National Book Award, Joan Didion here writes starkly about the death of a loved one. She also muses on her own failing health and her fears of growing old. Yet despite the bleak subject matter, Didion’s writing is as crisp, candid and thought-provoking as ever.

Didion and her husband, the writer John Dunne, adopted daughter Quintana Roo as a newborn in 1966. She was a precocious girl who traveled the world with her parents when they went on assignment. It was this lifestyle that Didion believes made Quintana “the child trying not to appear as a child.” She recalls “the strenuousness with which she tried to present the face of a convincing adult.”

Quintana also showed early on what Didion now recognizes as warning signs of impending mental illness (she was diagnosed with borderline personality disorder as an adult). At age five, Quintana called the local psychiatric hospital to find out what she needed to do if she were going crazy. She obsessed about what would have happened to her if her parents had gotten in an accident on the way to adopt her. She assumed a mole on her scalp was cancer. She had suicidal thoughts.

Still, Quintana realized some happiness. She attended Barnard College, worked as a photographer and got married in 2003. But in 2005, just a year and a half after her father died from a massive heart attack, Quintana died at age 39 of acute pancreatitis. Thus, in her late 70s, Didion found herself not only grieving two terrible losses, but also living alone for the first time in decades. This is a precarious situation for an older woman whose doctor suggests she has made “an inadequate adjustment to aging.”

“I had lived my entire life to date without seriously believing that I would age,” Didion writes. “My skin would develop flaws, fine lines, even brown spots . . . but it would continue to look as it had always looked, basically healthy. My hair would lose its original color but color would continue to be replaced by leaving the gray around the face and twice a year letting Johanna at Bumble and Bumble highlight the rest. . . . I believed absolutely in my own power to surmount the situation.”

Blue Nights is Didion’s bravest work. It is a bittersweet look back at what she’s lost, and an unflinching assessment of what she has left.

Blue Nights, it must be said, is almost unbearably sad. As in 2005’s The Year of Magical Thinking, for which she won the National Book Award, Joan Didion here writes starkly about the death of a loved one. She also muses on her own…

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A good memoir is like a good loaf of bread. First, there’s the crispy crust, making way for the airy, chewy center. All this good loaf of bread needs is a wedge of cheese, a piece of fruit and a glass of wine.

Trail of Crumbs, a memoir by Kim Sunee, is full of the crusty tidbits and airy, chewy morsels of her life. Abandoned as a toddler by her mother in South Korea, Sunee was adopted and raised by an American couple in New Orleans. There, her Asian features announced her otherness, and distanced her from family and friends. As a college student searching for a place she could truly call home, she traveled first to France and then to Sweden. In Stockholm at the tender age of 23, she met Olivier Baussan, founder of L’Occitane, a French skin care and bath company, who would eventually form olive oil chain Oliviers & Co. She moved to France with him, beginning a decade-long relationship. During the often stormy connection, Sunee explored and deepened her love for food and cooking, became a loving stepmother to Olivier’s young daughter, and eventually discovered her need to create something of her own, for herself, by herself.

As a child of the Asian and American cultures, neither of one of which she felt comfortable in, Sunee also never felt comfortable in France, where she was identified first by others, and later by herself, as Olivier’s woman. Her attempts to find her own essence, through running a poetry bookstore, then through psychoanalysis, are at times encouraged and hindered by Olivier, whose controlling nature ultimately overpowers the relationship.

Trail of Crumbs also includes several recipes for Provencal-style dishes like cream of chestnut soup, figs in red wine and creme caramel, as well as some from her Louisiana upbringing. They are the wine and cheese of the memoir, bright spots in an otherwise crusty, chewy account of Sunee’s search for a place to call home.

Kelly Koepke is a freelance food and lifestyle writer in Albuquerque, New Mexico.

A good memoir is like a good loaf of bread. First, there's the crispy crust, making way for the airy, chewy center. All this good loaf of bread needs is a wedge of cheese, a piece of fruit and a glass of wine.

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Attention all would-be princesses: There’s a new memoir that’ll soon have you humming Disney tunes and polishing your tiaras to a high shine. Someday My Prince Will Come: True Adventures of a Wannabe Princess by Jerramy Fine is the real-life story of a Colorado commoner who single-mindedly pursues what she believes is her true destiny to meet and marry a prince.

Fine, the daughter of hippie, tipi-dwelling parents, has been inexplicably longing for England since she was six and discovered the Windsor dynasty especially the existence of Peter Phillips, the Queen’s eldest grandson in a library book. She’s always felt out of place with tie-dye and tofu and, as a toddler, was paranormally bedeviled by echoes of a regally tinged past life, which, says Fine, explains why I often confused my mother with my chambermaid. A bleak situation indeed: What’s a girl to do in the absence of a personal dresser and a fairy godmother? Nothing less than devour copies of Royalty magazine, write fervent love letters to Buckingham Palace and get the heck out of Dodge for an East Coast college, a semester abroad interning in the House of Commons and, eventually, graduate work at the London School of Economics.

Fine soon lives the London life, complete with cashmere, pearls and aristocratic friends, but Peter Phillips remains remarkably elusive (although she does meet Princess Anne, Fergie and Earl Spencer), dating English guys proves wonky and her flat-mates run the gamut from female stalkers to tyrannical misogynists. Though Fine’s methods for finding her true love, destiny and realized reincarnation are not exactly spot on, her obvious intelligence and wry, self-deprecating storytelling style make this tale of a gutsy girl with New Age roots worth a read especially to understand the power of persistence (and trance channeling). What could have been a sob story with tired chick-lit overtones is elevated by Fine’s humor and charm and an epiphany that leads to a worthy ending. There’s fodder for a sequel here or, if the author chooses to stretch her imagination and writing skills, a wacky work of paranormal fictive amour. Closet Anglophile Alison Hood owns both cashmere and pearls, but, alas, no tiara (yet).

Attention all would-be princesses: There's a new memoir that'll soon have you humming Disney tunes and polishing your tiaras to a high shine. Someday My Prince Will Come: True Adventures of a Wannabe Princess by Jerramy Fine is the real-life story of a Colorado commoner…
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These days, it seems that everyone wants to write a memoir, but let’s face it not everyone should. Kelly Corrigan is the exception, and her memoir, The Middle Place, arrives on the scene with an emphatic Hello, world! In 2004, both Corrigan and her father were diagnosed with cancer, and The Middle Place is an account of what follows. Much more than a recovery memoir or coming-of-age story, it is about being a parent and a child at the same time, a portrait of what it feels like to stand with one foot in each world as Corrigan describes it, that sliver of time when childhood and parenthood overlap. Corrigan’s beloved father, George, is a larger-than-life character who literally greets each day by throwing open the windows and exclaiming Hello, world! He’s Irish-Catholic, a lacrosse fanatic and coach, and the quintessential salesman. Corrigan’s relationship with her father not only shapes who she is, but serves as a touchstone as she makes her way through their respective battles with late-stage cancer.

In the first chapter, Corrigan describes the moment she first discovers the lump in her breast, and then the journey she embarks upon as her worst fears are realized. Descriptions of her treatment are contrasted with pitch-perfect vignettes of domestic life as the mother of two young daughters and wife of an adoring (and adorable) husband. She alternates these with stories from her Catholic upbringing in Philadelphia, seamlessly weaving together past and present.

Whether recounting a particularly funny episode from childhood involving her brother’s boa constrictor or the time when she had a friend pre-emptively shave her head during chemo, Corrigan infuses her prose with vivacity and humor. She explores that process called growing up, and how it can happen in a defining moment, like a lightning strike, but also how it is illuminated in less dramatic ones, like flickers of heat lightning in a summer sky. And if you happen to be George, otherwise known as Kelly Corrigan’s father, you embrace it all, not gingerly, but with a bear hug.

These days, it seems that everyone wants to write a memoir, but let's face it not everyone should. Kelly Corrigan is the exception, and her memoir, The Middle Place, arrives on the scene with an emphatic Hello, world! In 2004, both Corrigan and her…
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Known for her feminism and political activism, writer Marge Piercy has long had another great passion: cats. They saunter in and out of the pages of her engrossing memoir Sleeping with Cats, a book that candidly details the forces that shaped Piercy’s development as a leading poet, novelist and essayist. If you aren’t familiar with her work, there is much to discover, including 15 novels, 15 volumes of poetry and a book on the craft of writing, penned with her husband Ira Wood. Though she makes her home on rural Cape Cod, Piercy is a child of the city. Born and raised in Detroit, she had a Jewish mother and Protestant father. Both had difficulty relating to their scholarly, often rebellious daughter. Yet these hard-working blue collar parents imbued her with a love of poetry. Though Piercy’s father was unhappy at home, he did something many other fathers didn’t: he stayed. The ensuing family stability helped foster Piercy’s writing, and the family cats triggered a lifelong love and respect for felines. "My life has a spine of cats," says Piercy. And so, they become central characters in this memoir.

In fact, the author attributes her civil rights militancy to a cruel act wrought upon her beloved pet Fluffy. A boyfriend poisoned the cat in retaliation over the sale of her family’s house to an African-American doctor. "I understood hatred as I never had," Piercy relates. That same year, a close friend died of a heroin overdose, and the author’s beloved grandmother passed away. The 15-year-old Piercy, who belonged to a girl gang and was sexually active, did an about-face, becoming involved in school activities, studying Shakespeare, and reading and rereading Faulkner. As a college student during the 1960s, she became an activist via the radical Students for a Democratic Society. Her metamorphosis as a feminist and a writer also encompassed myriad relationships with women as well as men and two failed marriages. Through it all, cats provided cheer and challenges. "The love of a cat is unconditional but always subject to negotiation," Piercy says. "You are never entirely in charge."

Biographer Pat H. Broeske has four cats, including Skeeter Joe from Memphis, the mascot for her 1997 Elvis book,
Down at the End of Lonely Street.

 

Known for her feminism and political activism, writer Marge Piercy has long had another great passion: cats. They saunter in and out of the pages of her engrossing memoir Sleeping with Cats, a book that candidly details the forces that shaped Piercy's development as…

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Struggling to cope with her mother’s sudden death, Donia Bijan finds a source of solace and inspiration (fittingly) in her mother’s kitchen. Packed in drawer is a stack of recipes, mostly handwritten, which provide the catalyst. In Bijan’s skillful hands, these recipes become a storytelling medium, and Maman’s Homesick Pie is at once a compelling portrait of her remarkable Iranian parents, a chronicle of her culinary career from a stagiaire (an unpaid apprenticeship) in France to award-winning chef and restaurateur in Palo Alto, and a lavish taste of Persian culture and cuisine.

As she takes us from the early years of her parents’ marriage, when they worked at the hospital her father built “brick by brick” in the outskirts of Tehran—he as a much-in-demand obstetrician and her mother as a registered nurse and midwife—to the family’s exile under Khomeini and ultimate immigration to America, she smoothly melds savory tidbits—“Feta cheese and shelled walnuts with piles of fresh mint, tarragon, and basil”—into her prose like egg whites being gently folded into a batter. New to America, her parents “quickly set about acquiring driver’s licenses and social security cards,” but also brought the comfort of familiar foods and aromas into their home: “Slowly we had been stocking our pantry with turmeric, cumin, saffron, cinnamon, allspice, dried fruit, lentils, fava beans, and basmati rice. In Iran, I had climbed onto the kitchen counter to look at my mother’s cooking spices, opening them one by one, taking in their prickly scent. Now, it reassured me to see them lined up again like stepping stones across a vast ocean.”

Through the legacy of her recipes, her mother again helps her bridge the “ocean” between past and present. Each chapter ends with anecdotes and a couple of mouthwatering recipes like Ratatouille with Black Olives and Fried Bread or Braised Chicken with Persian Plums. “In most Iranian homes,” she tells us, “there is no better way to begin a story than with a cup of tea, served hot, in a glass to better see its amber hue, with two lumps of sugar, and a dish of sweets.” Try it for yourself by making a pot of Persian Cardamom Tea and a Persimmon Parfait before curling up with this compelling, poignant and most delectable book.

Struggling to cope with her mother’s sudden death, Donia Bijan finds a source of solace and inspiration (fittingly) in her mother’s kitchen. Packed in drawer is a stack of recipes, mostly handwritten, which provide the catalyst. In Bijan’s skillful hands, these recipes become a storytelling…

Donna Johnson’s sensitive and revelatory Holy Ghost Girl takes its readers under the big revival tent of evangelist David Terrell. Johnson’s mother played organ for Brother Terrell’s traveling circus of a ministry in the 1960s, eventually becoming one of several women to bear his children out of wedlock. On the “sawdust trail” with the last of the old-time tent preachers, Johnson witnessed miraculous healings, speaking in tongues and the casting out of demons. This was a mysterious and surreal world for the little children bundled up in quilts in the back of the tent.

For Johnson and her brother, David Terrell was both stepfather and prophet, a man who kept their mother away from them for months at a time and a preacher with a direct line to God. Johnson offers a harrowing portrait of a childhood on and off the revival road, particularly when she and her brother are left alone for months at a time with a series of unstable caretakers. Long after leaving Terrell’s ministry, Johnson now offers a clear-eyed and compassionate view of her childhood and the man now widely discredited as a cult leader (Terrell eventually served 10 years in jail for tax evasion).

An impressive achievement of perspective and maturity, Holy Ghost Girl follows Johnson out of the Pentecostal movement into the wide world of “hellavision,” books and boys without slamming the door on the mysteries of her youth. Her memoir places David Terrell’s ministry in historical context, showing for example how the tent revivals of the 1950s and ’60s were an early site of integration in the American South. Both personal and social history, Holy Ghost Girl lifts the veil on a controversial sector of American religious experience through a child’s point of view. It is a haunting and memorable book.

Donna Johnson’s sensitive and revelatory Holy Ghost Girl takes its readers under the big revival tent of evangelist David Terrell. Johnson’s mother played organ for Brother Terrell’s traveling circus of a ministry in the 1960s, eventually becoming one of several women to bear his children…

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