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All Middle Grade Coverage

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These six sparkling poetry books speak to young readers of all ages, addressing a symphony of subjects with creativity, humor and style.

STARTING SMALL

In the introduction to Wee Rhymes: Baby’s First Poetry Book, longtime collaborators Jane Yolen and artist Jane Dyer explain how vital poetry is: “Children who are given poetry early will have a fullness inside. Mother Goose rhymes, baby verse—that kind of singsong, sing-along rhythm—is as important as a heartbeat.”

In this charming collection, Yolen includes a few Mother Goose rhymes alongside her own poems for babies (such as “Five Little Fingers” and “Baby Snores”) and toddlers (“My Slide” and “Soap Dragons”). All are filled with warmth and sometimes a dose of well-placed humor, such as these lines from “Sitting in the Quiet Chair”:

When you’re bad
And make a riot
You must go
And be real quiet.

Dyer’s pencil-and-watercolor illustrations are lovingly sweet and a perfect blend of classic nostalgia and modernism.

THE NATURAL WORLD

Older children and even adults will be charmed by the short, thought-provoking poems in Pug: And Other Animal Poems. These short verses were crafted by the late poetic virtuoso Valerie Worth, whose talents are apparent in each selection. Take, for example, the last lines of “Fox”:

Streaking the
Dark like
A fabulous
Comet—
Famous, but
Seldom seen.

Illustrator Steve Jenkins’ bold illustrations are a vibrant match for each poem, filled with color, texture and depth. Never cutesy, Jenkins creates animals whose fur can practically be touched, such as an opossum “Staring with serious/Eyes at nothing.” The eyes of Jenkins’ creatures will grab your attention, including those of a soulful pug, a fierce fish and a singing wood thrush.

Although no one has ever seen the imaginary critters in Stardines Swim High Across the Sky, they are indeed intriguingly beautiful. This creative venture by the king of children’s poetry, Jack Prelutsky, and fine artist Carin Berger is presented as though it were a naturalist’s field guide.

As the cover flap cheerfully explains: “While many creatures (two dozen species in all) were discovered and recorded and their precise qualities examined, we are presenting sixteen here for the first time and for the enjoyment and education of the general public.” Berger’s illustrations continue the ruse, consisting of dioramas, shadow boxes and a variety of other materials, giving this book unique visual appeal.

“Chormorants,” for example, are birds who never stop doing chores, and you can easily guess the characteristics of “slobsters,” “jollyfish” and “sobcats.” Prelutsky brings humor and verbal acrobatics to his poems, as would be expected, while Berger has created perfect pairings of artistic wit and cleverness.

Very much back on terra firma, Forest Has a Song is a lovely compendium of woods-related poems by Amy Ludwig VanDerwater. A girl and her dog wander through the forest in a variety of seasons, inviting readers to share their discoveries.

Poems such as “Bone Pile,” “Colorful Actor” (about a cardinal) and “First Flight” (chronicling an owl) nicely convey the discoveries that an observant hiker might make. Gentle watercolors by Robbin Gourley add just the right suggestion of realism, while bringing the poems together into a narrative whole.

FOR OLDER READERS

The zany poems found in If You Were a Chocolate Mustache remind me of Prelutsky’s beloved antics. Instead, they are written by J. Patrick Lewis, the current children’s poet laureate. He is certainly deserving of the title, judging from the smiles you’ll see if you put this volume into the hands of any elementary student.

Fun is the operative word here, with plenty of poems, some very short, such as “Rules for Tightrope Walking Between Tall Buildings”:

1. Whatever you do, don’t laugh.
2. Avoid looking down at the traf—

Matthew Cordell’s simple line drawings add plenty of whimsy—in this case showing a terrified tightrope walker making his way over honking traffic.

There are riddle poems, too, to keep readers engaged, and slightly snarky humor throughout, such as the short and sweet “A Special Bond”:

Each time a child folds her hands,
She may be saying prayers for you,
Or else she just misunderstands
How to use the Elmer’s glue.

Young readers will also relish the abundant humor in Tamera Will Wissinger’s Gone Fishing: A Novel in Verse, also illustrated by Cordell. The poems here tell the story of a memorable summer day of lake fishing.

Young Sam is excited to spend the day with his dad, and righteously dismayed when his younger sister decides to tag along. What’s worse, she quickly catches eight bluegills while Sam still has none.

Happily, Sam soon lands a big one, and the trio ends up having an unforgettable day. Using varied poetic forms, Wissinger captures the fun and family dynamics of this fisherman’s tale.

These six sparkling poetry books speak to young readers of all ages, addressing a symphony of subjects with creativity, humor and style.

STARTING SMALL

In the introduction to Wee Rhymes: Baby’s First Poetry Book, longtime collaborators Jane Yolen and artist Jane Dyer explain how vital poetry is:…

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Over the years, several of my middle school students have gotten turned on to reading and writing poetry through reading novels in verse. The spare lines of a good verse novel offer “pure energy horizontally contained between the mind of the poet and the ear of the reader,” as poet Nikki Giovanni says in her poem “Poetry,” and young readers respond to that energy. Such popular verse novels as Sonya Sones’ What My Mother Doesn’t Know, Kelly Bingham’s Shark Girl and Paul Janeczko’s Worlds Afire have that kind of power, and I have used Karen Hesse’s Witness and Angela Johnson’s The Other Side to teach poetry writing in a way that connects well with middle school students.

A RIBBON OF VOICES

Helen Frost is a master of the novel in verse, and her new novel Salt is a fine example of how one writer in the genre goes about her work. Set in the Indiana Territory on the eve of the War of 1812, the novel features a friendship between two 12-year-old boys—Anikwa, of the Miami nation, and James Gray, who lives in a fort called Fort Wayne. Their friendship is tested by events beyond their control: British forces are moving in from the north, Americans from the east, and the impending war over land threatens to change the Miami culture—and the boys’ friendship—forever. 

All three novels demonstrate how the lines of a well-crafted poem can be a direct line into the minds and hearts of readers.

Frost lets the boys tell the story, each in a first-person narrative. Since how poems look on the page is a concern in Frost’s books, she chooses here to represent Anikwa’s voice in hourglass shapes like Miami ribbon work, a traditional art form she explains in the notes at the end of the volume. James’s voice on each page is in seven sets of double lines, like the stripes on the American flag. A third voice is interspersed, the voice of salt, a commodity important to both the Miami people and the American settlers and a player in the unfolding story. As with any excellent novel in verse, the voices and themes of individual poems accumulate and weave into each other like the ribbon work of Anikwa’s poems, and it is one of the pleasures of the reading experience to settle into the quiet, reflective state of mind where we can hear those voices speaking quietly to us.

BATTLING THE PAST

Margarita Engle’s Mountain Dog, like Salt, has alternating voices—11-year-old Tony, from Los Angeles, and Gabe, a search-and-rescue dog. Tony’s mother is in prison for “turning meanness into money” by raising pit bulls for fighting, so Tony has come to live in a cabin in the Sierra Nevadas with his great-uncle, a forest ranger. Engle’s simple and poetic lines effectively delineate the two characters—Tony, who says, “My only battle / is against / my own past,” and Gabe, who lives only in the present: “I can’t imagine ever needing / to do anything but play, right here / right now, together.” Rescue is a theme here, as is healing and finding a future. Engle’s writing demonstrates the power and elegance of simple words finely crafted: “With a silvery bell on his collar / and Halloween light sticks / fitted into tabs on his bright / orange vest, Gabe sounds / like Christmas and looks / like a shooting star / as he streaks / through the darkness / of night / making light / seem like something alive / and growing.” Like many of the best novels in verse, Mountain Dog would be a great read-aloud novel in the classroom or perfect for readers’ theater, when students bring to life the voices of the characters.

HOPE AND HAPPINESS

Finally, Sarah Crossan’s The Weight of Water humanizes the immigrant experience by creating in 12-year-old Kasienka an earnest and memorable immigrant from Poland. She’s now in England with her mother, searching for the father who walked out on them. Kasienka is the narrator in these free verse poems, reflecting on the difficulties of surviving in a school where she’s different, a victim of mean girls’ constant torments. But a neighbor from Kenya, once a doctor and now a janitor, helps her to have a perspective on her life: “Happiness should be your revenge, Kasienka. / Happiness.” Hope and happiness arrive in William, a first love and a first kiss, a boy who likes her, who corrects her English and finds her mispronunciations cute. Kasienka says, “And for the first time / Ever / I can be wrong / And it’s okay. / Better than that— / It’s cute.”

All three novels in verse demonstrate how poetry has energy and how the lines of a well-crafted poem can be a direct line into the minds and hearts of readers, their voices speaking with power and a spare elegance.

Dean Schneider teaches seventh- and eighth-grade English at the Ensworth School in Nashville.

Over the years, several of my middle school students have gotten turned on to reading and writing poetry through reading novels in verse. The spare lines of a good verse novel offer “pure energy horizontally contained between the mind of the poet and the ear…

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Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the Artist and His Work—and one introduced by the legendary Eric Carle, Don’t Pigeonhole Me!, a Mo Willems collection. Anyone who follows children’s book illustration with interest could spend many happy hours exploring these entertaining books, each one appealingly designed and providing fresh insight into the celebrated illustrators featured therein.

THE LIFE OF A PICTURE-BOOK LEGEND

Both the late Maurice Sendak and author-illustrator Mo Willems have been recognized multiple times by the American Library Association with either Caldecott Honors or the big award itself, the Caldecott Medal. That award wouldn’t be possible without British illustrator Randolph Caldecott, the subject of Leonard Marcus’ new biography for young readers, Randolph Caldecott: The Man Who Could Not Stop Drawing.

As a young man in England, where he was born in 1846, Caldecott made a living as a bank clerk, doodling while on the job; Marcus even treats readers to several of those sketches in this art-filled biography, as well as previously unpublished drawings from the illustrator’s last sketchbook. After he landed his first editorial illustration assignment for a London monthly in 1872, his career accelerated and he became known for his lively illustrations, eventually finding success with picture books in England and the United States. It was in the States that he died while traveling, one month shy of his 40th birthday, and was buried in Florida.

Caldecott is remembered today for his innovative work in merging text and art to tell one seamless story. It’s for this reason that the American Library Association named the award in his honor in 1938. Prior to his time, children’s books included illustrations that made no effort to extend the story told by the words. Caldecott put page-turns to work to add drama, increase tension and establish unique rhythms, and he introduced story elements in his illustrations that were not mentioned in the text, further expanding a book’s storytelling possibilities. This, at the time of Walter Crane and John Tenniel, was revolutionary.

Marcus’ exploration of Caldecott’s pivotal contributions to picture books make this juvenile biography an essential read for picture book lovers of all ages. He tells the story of Caldecott’s life with great reverence (and thorough research), and those who appreciate good design may linger over such things as the thick, cream-colored pages and the endpapers filled with Caldecott’s picture book illustrations.

THE WORK OF A WILD THING

One of numerous illustrators inspired by Caldecott was Maurice Sendak. He often spoke during his lifetime about his deep respect for Caldecott’s work, even naming his 1989 anthology of essays on writing and illustrating for children Caldecott & Co. Recently, Abrams published Maurice Sendak: A Celebration of the Artist and His Work, a lavish volume edited by Leonard Marcus and released in conjunction with a June 2013 Society of Illustrators exhibition of Sendak’s work.

This one is a must-have for Sendak fans, a compelling tribute to the famed illustrator. It includes 12 essays from art collectors, librarians, editors, fellow illustrators and more. Featuring the private collection of art curators Justin G. Schiller and Dennis M.V. David, the book treats fans to rare drawings, posters, lithographs, sketches, commercial art and design work of all types. Some previously unpublished photos are also on display; Sendak mimicking a Wild Thing doll, circa 1970, captures an impish joy.

The essays in this in-depth volume, many giving us compelling peeks into Sendak’s personality, are not to be outdone by all the rare artwork on display. Author-illustrator Paul O. Zelinsky, whom Sendak taught at Yale, contributes an outstanding essay, writing about Sendak’s energy and conviction as a lecturer and teacher, as well as his disdain for those who condescended to children’s books: “He believed that art can be for children,” Zelinsky writes, “that it mustn’t be treacly or pandering, and that it should be as rich and good as the art that adults want for themselves.”

SKETCHES FROM ONE OF TODAY'S BIGGEST STARS

Like this Sendak tribute, Don’t Pigeonhole Me!—a look at two decades of Mo Willems’ sketches—is aimed squarely at adults. “Mo Willems is a master of the doodle, sketch, cartoon, and scribble,” writes Eric Carle in the book’s foreword. In the introduction, Mo explains that the book—which even shows the birth of the Pigeon, his most famous protagonist—is a culmination of decades of making art that is “purely mine, free from any restrictions, without regard for those who will eventually see it.”

Well, his fans can see it now, and it’s worth their time. It opens with sketches from the early ‘90s and takes readers all the way up to recent sketches made on the butcher paper laid out on the kitchen table in his home, where visitors are encouraged to sketch. Readers see Mo’s personality from just about every angle in this collection of his minimalist cartoon sketches. Some are particularly clever and funny; others, obscure and mildly to moderately amusing. “I was so tired,” Willems writes about the sketches in the “Wise Things” chapter, the most refreshing of them all, “of rendering jolly round-headed scamps that my subconscious just wanted to kill them.” This was the phase, he explains, where an Edward Gorey influence snuck up. The youngest of Pigeon fans need not apply, but for adults, it’s a trip.

The holiday season draws nigh. Consider any—or all, if your pocketbook allows—of these books great gift choices for the picture book fans in your life.

Julie Danielson conducts interviews and features of authors and illustrators at Seven Impossible Things Before Breakfast, a children's literature blog primarily focused on illustration and picture books.

Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the…

Remembering the sacrifices and successes of African Americans—from unexpected champions of civil rights to talented performers who dreamed big—is one of the most inspiring ways to celebrate Black History Month. If we keep teaching our children well, racism just may someday be a thing of the past.


AN OAK'S GREAT GIFT

“Hearts drumming, / eyes darting, / knees trembling.” Susan VanHecke’s reverent free verse describes the trepidation felt by Frank, James and Shepard, three slaves working in a Confederate camp in Virginia, as they risk their lives. The men secretly slip out and sail across the harbor to a Union fort on May 23, 1861. If they had attempted this just a few days earlier, they would have been returned according to the Fugitive Slave Act of 1850. But Virginia has recently seceded from the United States, and the Union general declares the men “contraband” and “keeps” them as “enemy property.”

Soon the three former slaves are joined by hundreds more. Based on actual events and accompanied by dramatic illustrations, this poetic picture book follows the runaways as they build a community, which they call Slabtown, in the ruined city of Hampton, once torched by Confederates. At the heart of this community grows a mighty oak, where missionaries illegally teach slave children to read, and a boy recites President Lincoln’s recent Emancipation Proclamation, a promise of freedom to come.

A concluding author’s note provides more information on the Emancipation Oak, now designated one of the 10 Great Trees of the World by the National Geographic Society, and the daring escape of the three slaves. With appeal for younger and older readers alike, Under the Freedom Tree is both a beautiful tribute to a lasting symbol of freedom and a powerful reminder that one brave action can change the course of history.

—Angela Leeper


A TRIBUTE TO A MEMORABLE VOICE

In Josephine, Patricia Hruby Powell writes with great reverence and a vigor fitting to the life of the illustrious performer Josephine Baker. This handsomely designed tribute to Josephine’s life is refreshingly uncluttered in every way: Powell’s free-verse text doesn’t waste any words, and Christian Robinson’s minimalist acrylic illustrations communicate the very essence of Josephine’s vivacious spirit. 

Powell takes readers from Josephine’s poor childhood to her death, and in between she chronicles the major events of her life—her struggles with racial discrimination, her rise to the top, her legendary performances and her efforts to spy for the Allies against the Nazis during WWII. Powell repeatedly uses the powerful metaphor of Josephine as a volcano, often using all caps to emphasize Josephine’s larger-than-life talent. “Deep-trapped steam FLASHED and WHISTLED,” she writes about her signature dance moves. “Josephine was on fire. CALL THE FIRE DEPARTMENT.” Other sparkling metaphors nail Josephine’s stamina and describe her body as “a prizefighter, like a kangaroo, with rhythm in her hips, like a cat ready to strike, a volcano about to burst.” 

The book plays effectively with font size and type to accentuate the major themes of her life. After Josephine gets yet another rejection early in her career, based on her skin color, Powell asks in large, cursive type, “Wasn’t there any place in the world where color didn’t matter?” Quotes from Josephine are also dramatically placed, and Powell chooses those that communicate Josephine’s inner fire: “I improvised, crazy with music. Even my teeth and eyes burned with fever.” 

With grace, simple shapes and lots of style and movement, this book perfectly captures Josephine, with a varied and vibrant color palette that complements her dynamic personality. Josephine is an extraordinary tribute to an American legend. 

—Julie Danielson


LOST LIVES

In The Port Chicago 50, Steve Sheinkin, author of the Newbery Honor book Bomb, tells the harrowing story of the fight for the lives and rights of 50 black sailors. 

On July 17, 1944, more than 300 sailors were killed and almost 400 were injured when several thousand tons of explosives aboard two ships detonated at the Port Chicago naval base in California. When the surviving sailors went back to work, they refused to obey orders to load munitions again. They were too scared to do such a dangerous job without the proper training. It was also worrisome that no white sailors were ordered to load munitions at Port Chicago. Charged with mutiny and facing the death penalty after their continued refusal, the sailors became unsung heroes in the heated battle for racial equality.

Painstakingly researched through recorded interviews, The Port Chicago 50 vividly recounts the fear and anxiety surrounding the explosion. From 17-year-old sailors to respected, 23-year-old informal leader Joseph Smalls, Sheinkin provides powerful first-hand accounts of these events. Long, complicated court transcripts and documents are presented as edge-of-your-seat drama. 

Sheinkin does an admirable job describing for young readers the profound impact these sailors had on civil rights and the integration of the Navy. This is a fascinating read on an important event in U.S. history. 

—Sada Stipe


FINDING HER FREEDOM

In 1848, 15-year-old Willow lives on a plantation so far north in Maryland that the Mason-Dixon Line lies just beyond her mother’s grave. Although she barely remembers her mother, Willow desperately needs her advice. Papa is planning to marry Willow off to a man on the neighboring plantation, a very different place from the “gentle” plantation life she has known. The owner of Willow’s plantation has even taught her to read—but no one knows that Willow has gone on to teach herself to write. One morning, Willow catches sight of two black men riding horses into free Pennsylvania. If they are fugitive slaves, then just seeing them is dangerous. As it turns out, one of the men is 17-year-old Cato, a free man, who changes everything Willow has grown to believe about her future. 

In a highly credible fashion, Willow grapples with her choices—she is as afraid of the path of freedom as she is of the certain horrors of continued enslavement. Perhaps most important to Willow, however, are the secrets she learns about the fate of her own mother, a beautiful and educated African woman.

Author Tonya Cherie Hegamin slides period details into Willow’s simple, insightful narrative, creating a fluid reading experience only slightly interrupted by the occasional shift to Cato’s third-person narration. Willow is a well-researched historical novel that features a unique aspect of American slavery.

—Diane Colson

Remembering the sacrifices and successes of African Americans—from unexpected champions of civil rights to talented performers who dreamed big—is one of the most inspiring ways to celebrate Black History Month. If we keep teaching our children well, racism just may someday be a thing of the past.

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National Poetry Month begins with April Fools’ Day. Coincidence? Perhaps not. These three books for young readers goof, spoof and are rarely, if ever, aloof. They make poetry and reading as easy as breathing, and also a lot of fun.

“My sister likes to sing a lot, / but some, like me, prefer she not.” Outside the Box (ages 7 to 10) dots comical couplets like this one among longer works, covering such topics as school, holidays, superstitions and how great salad would taste if you could just leave out all the vegetables (so true!). Author Karma Wilson’s verses are illustrated with black-and-white art from Diane Goode, and the pictures grace the words with additional humor. (In one illustration, a Good Samaritan certificate is drawn to indicate it was a free Internet download.) Outside the Box is dedicated to Shel Silverstein, and a streak of gentle subversion—much like in his poems—runs through it. Thoughtful, funny and sometimes gross, these poems have solid kid appeal.

A PANDA’S YEAR
Jon J Muth’s Hi, Koo!: A Year of Seasons (ages 4 to 8) is a beautiful introduction to haiku, following a panda and two human friends through the four seasons. From outdoor play to spending the winter watching too much TV (“my eyes are square”), each poem is accompanied by a watercolor illustration of Koo or his friends. The images are largely joyful, but there are pensive moments as well (“killing a bug / afterward / feeling alone and Sad”), which allow for discussion of difficult emotions. Muth capitalizes one letter in each poem, so there’s an A-to-Z sequence readers can follow. The calming sounds, short poems and paintings set in nature make this an ideal bedtime book.

VROOM VROOM
“You thought the dinosaurs were dead?! / The cars behind our school / Are big Tyrannosaurus wrecks / That run on fossil fuel.” The wild rides in Poem-mobiles: Crazy Car Poems (ages 4 to 8) include a rubber band car, an egg car and a hot dog car with the value-added feature that it runs on sauerkraut and “when you’re done / You simply eat it.” That sure saves on parking. J. Patrick Lewis and Douglas Florian wrote the lively and humorous poems, and artist Jeremy Holmes brings them to vibrant life with paintings full of visual puns, lush colors and retro styling. Read the poems aloud—they’re snappy as bubblegum—then spend 10 minutes spotting all the visual treats that accompany them. Poem-mobiles will win over any reluctant reader who lights up at the sound of an engine, after which they’ll delight in dreaming up new cars from the stuff of daily life. It’s a clever way to jump-start young imaginations.

National Poetry Month begins with April Fools’ Day. Coincidence? Perhaps not. These three books for young readers goof, spoof and are rarely, if ever, aloof. They make poetry and reading as easy as breathing, and also a lot of fun.

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Take a fresh look at some age-old classics, or stash away some ideas for family fun. It’s a bumper year for children’s gift books, and the stars of this year’s crop include something new for Harry Potter fans, a Star Wars extravaganza and an ingenious offering from David Macaulay for budding engineers.

There’s something extra special about passing along your favorite books to a new generation of young readers. Classic children’s tales really are gifts that keep on giving.

Whether you’re a longtime Harry Potter fan or are introducing a new reader to the series, check out the superbly illustrated edition of J.K. Rowling’s Harry Potter and the Sorcerer’s Stone. Award-winning British illustrator Jim Kay has created more than 100 illustrations for this gorgeous book, full of colorful visualizations of Harry’s first adventure. Kay didn’t have an easy task, as so many fans already have fully formed images of these beloved characters and scenes. Never fear: His art glimmers with all the excitement, joy, mystery and thrills of this magical tale. Rowling has given her approval, saying she loves “his interpretation of Harry Potter’s world,” which “moved me profoundly.” This special edition features an attractive layout with text that’s easy on the eyes, a bonus for young and old alike, making it perfect for reading aloud. Avid Potter fans will want—no, need—to add this book to their collections.

Another classic tale gets a redo with Gillian Cross’ retelling of Homer’s The Iliad, with striking illustrations by Neil Packer. The duo previously collaborated on The Odyssey, and both books make an excellent introduction for middle schoolers discovering these ancient tales for the first time. Cross’ text is riveting, elegant and accessible, bringing epic battle scenes to life: “The Greeks threw huge rocks down onto them, but the Trojans replied by hurling bigger stones at the wall. They flew like snow in blizzard, clanging against helmets and shields and covering the ground.” Packer’s artwork is contemporary, colorful, dramatic and just right for luring in a preteen audience. A helpful introduction, an informative afterword and a reference spread showing the names and faces of major characters and their allegiances are also included.

Tales from the Brothers Grimm features the artwork of famed Swiss poster designer Herbert Leupin. After taking the advertising world by storm in the 1940s, the late graphic artist began illustrating fairy tales. Leupin’s legacy is given new life here, and his illustrations are indeed poster-worthy. These nine fairy tales include classics like “Hansel and Gretel” and “Snow White,” along with less familiar choices such as “Hans in Luck” and “The Wolf and the Seven Little Kids.” As noted in the book’s epilogue, Leupin infused his illustrations with humor and a magical glow, and most importantly, he made sure that when “danger threatens . . . children are not just afraid but also have something to laugh at.” Leupin’s creations burst with personality and color, and children as well as adults will delight in these offerings.

MOVIE NIGHT MADNESS
Star Wars fans eagerly awaiting the release of The Force Awakens will want to get their hands on Star Wars: Absolutely Everything You Need to Know. This is a book made for perusing and quizzing fellow enthusiasts, with graphics galore and numerous statistics, quotes, questions and trivia. Do you know what a nerf herder is, or the name of Hondo’s favorite ship? My favorites are the “Peek behind the scenes” tidbits, such as the fact that Han Solo was a big green alien in the original rough draft. Who knew that a termite infestation in George Lucas’ house inspired the buzzing swarm of Geonosians, and that he brought in specimens for his art designers? An index helps readers keep track of all of these facts and figures.

Planning a family movie night can be challenging, but things just got easier with 101 Movies to See Before You Grow Up: Be Your Own Movie Critic—The Must-See Movie List for Kids. Instead of trying to strong-arm your kids into watching an old favorite of yours, just hand them this book and let them decide. Suzette Valle’s interactive guide is aimed at third- to seventh-graders, but there’s something for everyone in a wide range of categories that includes everything from classics like It’s a Wonderful Life and Toy Story  to discussion-provoking choices like Life Is Beautiful and Super Size Me. Each page-long entry contains a synopsis, rating and run time, a variety of fun facts and space for viewers to make notes about their own reactions to the film. (A few classics, like The Wizard of Oz and The Sound of Music, get two-page spreads.) Natasha Hellegouarch’s illustrations and graphics add just the right touch of color and fun.

LESSONS THEY’LL LOVE
David Macaulay, celebrated for his best-selling The Way Things Work, has created a unique exploratory adventure in How Machines Work: Zoo Break!. First, it’s a story about two animals, Sloth and Sengi (a little elephant shrew), trying to break out of the zoo. More than that, however, it’s an interactive pop-up book that brings six simple machines to life in a wonderful way: wedge, wheel and axle, lever, inclined plane, screw and pulley. Sloth and Sengi try to put these simple machines to work, and the book succeeds grandly as both a fun story and an educational experience just right for the STEM (Science, Technology, Engineering and Math) curriculum. Macaulay is a Caldecott Medal winner and a MacArthur Fellow, and his trademark humorous illustrations hold everything together with spreads that are equally intriguing and enlightening. A glossary at the end helps solidify the scientific concepts, while the madcap ending is perfectly pulled off.

Kids of all ages will enjoy SENSEational Illusions, an engaging book filled with quick and quirky activities to test your senses, as well as simple scientific explanations for each. Readers will find a variety of optical illusions, including a large pop-up sculpture with three hidden animals waiting to be found. There are scratch-and-sniff quizzes and directions for easy taste tests that require only simple ingredients. Experiments involving touch and balance include two mazes to be completed with one finger at the ready and both eyes closed, as well as a maze full of booby traps to be navigated by three small ball bearings (included). Chock-full of fun, it can be enjoyed solo or with buddies. Either way, it’s sure to be a hit.

ON-THE-GO FUN
Planning a road trip? Bring along The 50 States, a large book of fact-filled maps that allows young geographers to get lost in the many details. A two-page spread for each state includes the map, an introductory overview, a chart of key facts (capital, largest city, etc.) and a timetable of memorable moments in history. Also included are brief mentions of famous people from each state, from familiar faces to contemporary notables. Alabama’s pages spotlight Rosa Parks and Helen Keller, as well as track-and-field athlete Carl Lewis and actress Octavia Spencer. Author Gabrielle Balkan’s research and writing draws readers in with a fun mash-up of history, geography and pop culture, while Sol Linero’s illustrations make every spread a delight. I even learned a few new tidbits about my beloved West Virginia.

If you need to occupy a preschooler or an early-elementary student, grab a copy of Making Faces!: Star in Your Own Works of Art by Jacky Bahbout and illustrated by Momoko Kudo. This large, placemat-sized drawing pad has a simple, silly concept: Each page has a hole in the middle and contains drawings and a theme (party time, clown, soccer player, dragon, etc.) to which young artists can add their own details. The page titled “Moose on the loose!!!” encourages youngsters to draw their own antlers and add extra trees to the forest. Once complete, kids can tear out the page, put their face in the hole and pose for a photo. This is a great choice when waiting for restaurant meals and appointments, a creative alternative to video and phone distractions. Send the photo to Grandma and everybody’s happy!

 

This article was originally published in the December 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Take a fresh look at some age-old classics, or stash away some ideas for family fun. It’s a bumper year for children’s gift books, and the stars of this year’s crop include something new for Harry Potter fans, a Star Wars extravaganza and an ingenious offering from David Macaulay for budding engineers.
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Spring into April with a new batch of children’s poetry books, just in time for the 20th anniversary of National Poetry Month. From a “wow”-worthy batch of concrete poems that dance across the page to a poetic guessing game and a touching trip through the seasons, three new collections make for accessible and thoroughly modern introductions to an enduring art.

POEMS THAT POP
Bob Raczka’s newest book, Wet Cement: A Mix of Concrete Poems, “uses words like colors to paint pictures.” This playful collection of 21 poems takes inspiration from single words, similar to 2013’s Lemonade, and in the visually arresting style of classic concrete poets like E.E. Cummings or Carl Andre, brings his simple verse to life. Words slash the page in the shape of an electric bolt in “Lightning”; letters seem to thaw and drip into readers’ hands in “Icicles”; and the letters of “Hopscotch” skip across the page in the game’s instantly recognizable layout. But Raczka’s poems aren’t all whimsy. There are plenty of quiet moments where a sense of childlike awe shines through, as in wonderful “Dipper”: “Up here in the sky, / I’m a vessel of stars / my brim overflowing with night.” In today’s highly visual world, Raczka’s poems are a fantastic gateway into the genre.

WHO IN THE HAIKU?
The art of Japanese haiku and silly riddles collide in Deanna Caswell’s Guess Who, Haiku. Readers will love piecing together the clever clues for each animal and insect as each page asks, “Can you guess who from this haiku?” From a dairy cow—“new day on the farm / muffled mooing announces / a fresh pail of milk”—to a loyal dog— "Sitting for a treat / an eager tail smacks the ground / over and over"— Caswell runs through a cast of common critters, and her engaging bite-sized poems are just right for the preschool crowd. Bob Shea provides illustrations in his bold and lively graphic style, which make the big reveal of each mystery animal a pure delight. Caswell ends the book with a helpful note that breaks down exactly what haiku is, how it’s structured and how readers can recognize syllables, encouraging a deeper understanding of each line. Guess Who, Haiku makes a traditional form of poetry into a guessing game that almost feels like a poetic version of Fisher Price’s classic See ‘N Say toy, which is a sure sign that this could become a read-aloud favorite.

CELEBRATE THE SEASONS
The natural world’s seasonal transformations have been inspiring poets for centuries, and Julie Fogliano adds her own inspired collection to the mix with When Green Becomes Tomatoes: Poems for All Seasons. Beginning on the first day of spring with a cheerful bird’s song “poking / a tiny hole / through the edge of winter,” readers meet a diverse cast of children that explore, climb, swim and frolic their way through the days of all four seasons, and Fogliano devotes about a dozen reflective poems to each, all titled with a specific month and date. Pencil-and-gouache illustrations from Julie Morstad bring a delightfully vintage feel to scenes where wildflowers seem to blossom endlessly, piles of crisp fall leaves beckon and snow gently drifts outside of a window. From lazy summer days that are “hot and thick like honey” to the messy fun of pumpkin carving and the stillness of winter, this collection is sure to be one that little readers will love to pull off the shelf and flip through again and again.

Spring into April with a new batch of children’s poetry books, just in time for the 20th anniversary of National Poetry Month. From a “wow”-worthy batch of concrete poems that dance across the page to a poetic guessing game and a touching trip through the seasons, three new collections make for accessible and thoroughly modern introductions to an enduring art.

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Why should adults be the only ones with beach books to entertain them when they aren't cavorting in the surf? This summer the kids, too, have plenty of books to choose from. Four examples demonstrate the feast available, beginning with books for toddlers and preschoolers and working our way up to preteen readers.

Younger children will appreciate the sand and surf more if they are prepared for it with a charming picture book by Alice Schertle, illustrated by Barbara Lavallee, All You Need for a Beach. What do you need for a beach? Lively illustrations portray young children acting out the process of adding one element at a time to the beach experience sand, sunlight, umbrella, seagulls and the ocean itself. The story builds well to prove that the book's reader is also an essential part of the perfect beach.

Preschoolers and early graders will enjoy a gorgeous book, My Life with the Wave, based on a story by the Mexican Nobelist Octavio Paz. The lively translation and adaptation for children is by Catherine Cowan, and the luscious illustrations are by Mark Buehner. This is a lyrical, highly imaginative story. One day a boy is playing in the surf. As he departs, one of the waves escapes the ocean and accompanies him. On the train ride home he hides her in the water cooler. At his house she creates as much delight and trouble as the Cat in the Hat. Pulled by moon and sun, the wave is moody. The boy brings her fish, but he becomes jealous of how long she plays with them. As winter approaches, the wave begins to have nightmares. A double-page panoply of these demons will give children a delicious shiver, but a closer look will reveal that the funnel cloud wears spectacles and the sea serpent has a red bow on its tentacle. The story takes a sad turn, but the ending is clever and upbeat.

Another new book reminds us that at any age nonfiction can be as compelling as fiction. Young readers will enjoy One Small Place by the Sea, by Barbara Brenner and illustrated by Tom Leonard. This is the story of the teeming life of a tidepool, "no bigger than a bathtub," among weedy rocks at the sea's edge. "Tides make it and unmake it twice a day." The book begins with a child standing beside the pool and looking at what is visible to the naked eye. Slowly the text and illustrations help us sort out the various plants and animals. Gradually we go beneath the surface and see the multitude of turban snails, blue mussels, hermit crabs, anemones and other wonders. The text is crisp and vivid, the illustrations bright and detailed. The child scoops water into a jar and the illustrations zoom in and magnify its denizens. Then we look more closely at each creature, at the cycles of life and death repeating daily in this miniature ecosystem, this exquisite microcosm.

Friends beneath the waves

Proving that there is a smart beach book for children of every age, Candlewick Press has published the lively and suspenseful The Tail of Emily Windsnap, by Liz Kessler. This first novel, by an English journalist, is already becoming something of an international sensation, and is being published in at least 10 countries. The book begins with Emily Windsnap, our narrator and heroine, asking an irresistible question: "Can you keep a secret?" We aren't revealing plot twists by telling you, because the book jacket does so: Emily is a mermaid. She doesn't know this tidbit about her family legacy when the book opens, but she finds out soon in a compelling scene that draws the reader into the story.

Emily has a convincingly tangled life even without her fishy tendencies. Her father abandoned the family and her mother has long hidden away traumatic memories that will prove crucial to her family's future. Soon Emily is sneaking away in the night to cavort far beneath the waves with newfound marine friends. Naturally the two stories come together in a satisfying ending.

Why should adults be the only ones with beach books to entertain them when they aren't cavorting in the surf? This summer the kids, too, have plenty of books to choose from. Four examples demonstrate the feast available, beginning with books for toddlers and preschoolers and working our way up to preteen readers.

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All I want for Christmas this year is a box full of kids’ gift books. That’s exactly how I feel after perusing these inspiring selections, which include visual, musical and artistic treasures, plus boatloads of fun and games.

ALL ABOARD THIS BOOK
Preschoolers will eagerly hop aboard Train: A Journey Through the Pages Book, Mike Vago and Matt Rockefeller’s sure-to-be-a-hit creation. Young engineers can steer a small plastic steam engine across “tracks” built into the book’s pages, starting early in the morning in a train yard and traveling through a city full of skyscrapers, hillside towns, snow-capped mountains, wide-open prairies, a parched desert and a cheerful seaside bay. Colorful illustrations in this changing American landscape offer the feel of a cross-country journey as the train travels over rivers and navigates mountainous curves.

Clever construction allows the train to stay on its “tracks,” moving seamlessly from page to page. Finally, at the end, a tunnel built into the book allows train lovers to start their journey all over again. 

A YEAR OF LEGO FUN
Does your LEGO lover need inspiration? From the creative team that developed the bestselling The LEGO Ideas Book and LEGO Awesome Ideas comes 365 Things to Do with LEGO Bricks. It’s packed with a variety of activities, games, challenges and pranks that will appeal to everyone from elementary students to young-at-heart grown-ups. A small timer allows builders to race against the clock during select challenges, or use its random number generator to decide which project to pursue.

This is not a book for beginners, nor does it offer step-by-step instructions, but the projects are incredibly varied, colorful and appealing. Build an animated bear’s head or a model of your bedroom. Put on a magic show, or film your own LEGO movie. Construct a small pinball machine, a shark that bites or a carnival shooting gallery. This is creativity at its best, and it’ll keep your builder busy all year long.

MUSIC TO YOUR EARS
Kids tend to love “sound books,” but endless pushing of those buttons can quickly drive parents over the brink. Not so with Katie Cotton’s The Story Orchestra: Four Seasons in One Day, the story of a girl and her dog set to the sounds of Vivaldi’s “Four Seasons,” the first in a series of books to bring classical music to life for kids. 

As readers follow young Isabelle and her dog, Pickle, through the year, beginning with a Spring Festival and ending on a snowy winter’s eve, buttons on each spread play snippets of movements from Vivaldi’s opus. Artwork by Jessica Courtney-Tickle is a gorgeous riot of color and detail, guaranteed to hold readers’ interest as they listen to the music. 

An informative spread at the end contains a capsule biography of the composer, a short glossary and brief explanations of the music featured on each spread. The Story Orchestra is an innovative little master class for young listeners.

BRINGING ART TO LIFE
What might Vincent van Gogh have been thinking about when he was about to paint one of his most famous masterpieces? Elementary school students will be in the know after reading Vincent’s Starry Night and Other Stories: A Children’s History of Art, a creative and comprehensive look at masterworks from cave paintings to Chinese artist and activist Ai Weiwei.

Art historian Michael Bird brings 68 stories to life using fact-filled creative nonfiction. For instance, Bird describes Jackson Pollock’s creative process through the eyes of the artist’s wife: “He dips a wooden stick into another pot, and flicks and drips the paint—here, there, too quick for thinking. All the time, he strides and kind of dances around the canvas, bent over it, a magician casting a spell.”

Each chapter offers an intriguing and informative tale and is accompanied by a photograph of the artwork being discussed, as well as Kate Evans’ evocative illustrations of the artist at work. This lovely book is rounded out by a map, timeline, glossary and list of artworks.

ABRACADABRA
There is no end of children’s magic kits and books, but The Magic Show Book has everything young illusionists need, including props, pop-up tricks and materials to make your own special “shrinking” magic wand—a trick in itself. (Parents will particularly appreciate this self-contained aspect.)

Each colorful page includes a flap with hidden instructions showing how to practice and perfect tricks such as “Tricky Chicken,” “The Astonishing Slicer” and “Eyes on the Ace.” Additional pages explain a variety of rope (shoelace), coin and card sleights of hand. There’s even a pop-up magic hat. 

The Magic Show Book is bound to appeal to a broad spectrum of elementary students; just prepare to watch and be amazed.

TRULY MAGICAL NATURE
Kids and adults alike may fight over Illuminature: Discover Hidden Animals with Your Magic Three Color Lens. The Italian artistic duo known as Carnovsky (Silvia Quintanilla and Francesco Rugi) bring their RGB Project (red, green and blue) to the world of children’s books, providing a unique journey through 10 of the world’s habitats, from the Andes Mountains to the Ganges River Basin.

Something amazing happens when you view Carnovsky’s artwork through the provided viewing lens. See daytime animals through the red lens, plant life abounds with the green lens, and nocturnal and crepuscular animals appear through the blue lens. A total of 180 are hidden within, waiting to be discovered.

While observers are busy staring at the wonderful transformations on these oversize pages, they’ll be soaking in plenty of data as well. Rachel Williams’ well-organized text provides facts about each destination as well as the varieties of species seen on each page. Leaping lizards, don’t miss this book!

 

This article was originally published in the December 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

All I want for Christmas this year is a box full of kids’ gift books. That’s exactly how I feel after perusing these inspiring selections, which include visual, musical and artistic treasures, plus boatloads of fun and games.
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February is a special time for celebrating seminal figures and events from African-American history. Six new books pay tribute to the black pioneers of the past—trailblazers who made progress on the road to equality.

FINDING THE RIGHT PATH
Sandra Neil Wallace’s engaging biography Between the Lines: How Ernie Barnes Went from the Football Field to the Art Gallery (ages 4 to 8) is a powerful story about the importance of dreams. Young Ernest loves to draw. When it rains, he scribbles figures in the mud with a stick. In his sketchbooks, he captures scenes from his Durham, North Carolina, neighborhood. He wants nothing more than to become an artist, but in the 1940s South, his chances are slim. When a coach recruits him for the high school football team, Ernest begins a successful career in sports. He’s offered 26 scholarships and plays with the pros. But through it all, he holds onto his desire to express himself—and in the end his dreams pay off. The story of his transition from athlete to artist is brought to vivid life through Bryan Collier’s rich illustrations. Featuring breathtaking examples of Barnes’ work, this is a top-notch introduction to an important artist.

CELEBRATING FEARLESS WOMEN
Vashti Harrison’s mini-encyclopedia of African-American heroines, Little Leaders: Bold Women in Black History (ages 8 to 12), is accessible, informative and appealing. Featuring 40 brave and brilliant women who made significant contributions in the areas of politics, art, sports, education and entertainment, the book includes capsule biographies and magical portraits that capture each woman’s unique vocation. Readers will find a wide range of notables in this delightful anthology. Sojourner Truth, Harriet Tubman, Ella Fitzgerald, Zora Neale Hurston and Raven Wilkinson are among those who receive tribute. Harrison also spotlights contemporary figures such as Maya Angelou, Oprah Winfrey and Julie Dash, and she provides a thoughtful reading list and information on additional resources. Her inviting illustrations—certain to capture the imaginations of little readers—make the book extra special. This outstanding volume is a great way to connect kids with role models and a title that’s sure to spark further study.

BEFORE HE PLAYED BALL
In The United States v. Jackie Robinson (ages 4 to 8), Sudipta Bardhan-Quallen delivers a fascinating chronicle of the early life of baseball legend Jackie Robinson. Young Jack grows up under segregation in Pasadena, California. His family is shunned by the neighbors, but Jack’s mother encourages her children to believe in themselves. A star athlete in college, Jack enlists in the army after Pearl Harbor is attacked, and there he continues to experience discrimination. One day, he sits down in the middle of the army bus, and the driver orders him to move to the back. When Jack refuses, he’s court-martialed and finds himself facing the threat of jail time. During the agonizing trial that follows, he holds tight to his beliefs—and comes out on top. R. Gregory Christie’s textured, impressionistic illustrations add a wonderful sense of history to the story. Youngsters will find a hero in this compelling tale.

MAKING HER OWN KIND OF MUSIC
Libba: The Magnificent Musical Life of Elizabeth Cotten (ages 5 to 8) by Laura Veirs is a spirited homage to a folk icon. Libba finds music in everything, from the sound of the river to the movement of the train. She tries out her brother’s guitar, but because he’s right-handed, Libba—a leftie—has to flip the instrument over and play it backwards: “Nobody else played that way, but it was the way that felt right to Libba.” Libba practices and writes her own tunes, but as the years go by, her music falls by the wayside. When she goes to work for composer Ruth Crawford Seeger, Libba finds the inspiration to play again. With the Seegers’ help, she launches a successful musical career with engagements around the world. In her delicate, expressive illustrations, Tatyana Fazlalizadeh does a masterful job of tracing the arc of Libba’s life from eager girl to dignified grande dame. Readers will love learning about this innovative performer.

POEMS OF PRIDE
Sharing history through verse, Andrea Davis Pinkney tells the story of the final days of Martin Luther King Jr. in Martin Rising: Requiem for a King (ages 9 to 12). Featuring lyrical, impressionistic pieces as well as more concrete compositions, the book looks at the key events of 1968 via a diverse group of 39 poems. “Roar” chronicles a march in Memphis by striking sanitation workers, whose cause precipitates Martin’s fateful April visit: “They cling / to the peace-dream / of Dr. Martin Luther King, Jr.” The bold, exclamatory “Shattered” captures the spirit of the March 28 protest Martin leads in Memphis: “Four words / shout simple affirmations / of their humanity: I AM A MAN.” From the sense of portentousness that grows on April 3 to the dramatic events of the following day, Pinkney portrays the passing of a remarkable man, using language in innovative ways. Brian Pinkney’s swirling, cascading, colorful illustrations provide an exhilarating backdrop for an outstanding collection of poems that’s destined to become a classic.

YOUNG LEADERS UNITE
Monica Clark-Robinson’s Let the Children March (ages 6 to 9) is a stirring account of the 1963 rally in Birmingham, Alabama, known as the Children’s Crusade. Clark-Robinson presents the story from the perspective of an African-American girl who goes to church with her family to hear Martin Luther King Jr. speak. When she learns that her mother and father will lose their jobs if they take part in the upcoming demonstration, the girl joins other young people who protest on behalf of their parents: “Hand in hand we marched—so frightened, yet certain of what was right for our freedom.” Beautifully realistic illustrations by Frank Morrison communicate the upheaval of the day—the girl is arrested with other youngsters—but there’s also a sense of hope in the story’s final scene of a desegregated playground filled with children. This is an impressive tribute to a group of courageous leaders.

February is a special time for celebrating seminal figures and events from African-American history. Six new books pay tribute to the black pioneers of the past—trailblazers who made progress on the road to equality.

Sweeping fantasies are this year’s biggest trend in children’s and teen literature—think breathtaking action, complex world building, magical abilities and bands of young heroes who must save the day.

Like any great high fantasy should, Jaleigh Johnson’s The Door to the Lost opens with a series of maps depicting the land of Talhaven and the grand city of Regara, where “magic is dying,” only to be found in the abilities of 327 seemingly orphaned children who have been mysteriously jettisoned from their magic-filled homeland known as Vora.

A young girl known as Rook happens to be one of these magical refugees, and she and her friend Drift survive in Regara by offering their magical skills on a sort of black market. Rook’s particular talent is creating doors—she simply draws a rectangle with a piece of chalk and channels thoughts of her destination in order to open a portal. But one client’s door goes horribly wrong, and Rook lets in a giant Fox, whom she discovers is actually a shape-shifting boy from a snow-filled world. Can Rook and Drift get Fox back home again when they’re not even sure how to get there?

Johnson’s spell-casting cast of young heroes will entertain and endear, and their sweet adventure will help young readers grasp some key details of the refugee crisis in a way that never feels ham-fisted.

MAGIC OF FRIENDSHIP
The latest middle grade novel from Printz Honor-winning author Garret Weyr, The Language of Spells, is an extraordinary tale that meshes real historical events with a winning cast of magical creatures.

As this magic-filled journey begins in 1803, we meet a young dragon known as Grisha in the Black Forest. He’s young and carefree and enjoys eating acorns and playing by the stream—until one day, a heartless sorcerer imprisons him in a teapot. Grisha’s teapot is sold to the highest bidder, and for hundreds of years, he silently observes the world as it changes around him. When his enchantment is finally broken, he’s reunited with a group of dragons in Vienna during World War II. But the lives of the once mighty dragons are now controlled by the Department of Extinct Exotics, an organization that refuses to allow them to return to the forest and instead assigns them strict jobs and curfews. On a night off in a hotel bar, Grisha meets a human girl named Maggie, and the two forge a sweet and powerful friendship built on empathy and honesty. Soon, the two join forces to face their fears and investigate what happened to the city’s missing dragons.

Katie Harnett’s black-and-white illustrations kick off each chapter and add to the classic European fairy-tale atmosphere, and Weyr’s allegorical tale never glosses over a heart-rending detail or passes up a chance for a gorgeous turn of phrase, making this an ideal read-aloud that fantasy lovers of all ages can enjoy.

EPIC TRAGEDY
Puccini’s opera Turandot is based on a Persian fairy tale about a princess who challenges her suitors to solve three riddles in order to win her hand. If they fail, they will be executed. As one would expect from an opera written in 1924 set in the “mystical East,” there isn’t much historical accuracy to be found—but the original fairy tale was inspired by a Mongol warrior woman named Khutulun, who declared she would only marry a man who could beat her in a wrestling match. It is within this Mongol Empire that author Megan Bannen sets her retelling of Turandot, The Bird and the Blade (Balzer + Bray, $17.99, 432 pages, ISBN 9780062674159, ages 13 and up).

Slave girl Jinghua is on the run with deposed Mongol Khan Timur and his kindhearted son Khalaf. Timur wants to raise an army to take back his lands. Khalaf wants to marry the princess Turandokht by solving her riddles and, as her husband, restore his father to power. Jinghua, who thinks both plans are idiotic, is hilariously blunt about her chances of surviving either of them, but less open about her growing feelings for Khalaf.

Bannen plays with time in her YA debut, beginning with the trio’s arrival at Turandokht’s palace and then flashing back to their dangerous journey there. The awkward attraction between Jinghua and Khalaf, plus Timur’s caustic sarcasm, makes this novel surprisingly funny. But after Bannen reveals the utter devastation behind one character’s self-deprecating facade, it’s a relentless rush to the finale as Jinghua tries to save Khalaf.

Bannen’s prose grows ever more lyrical, soaring to match her ambition as The Bird and the Blade arrives at an unforgettable climax.

LOST GIRLS
For some reason, there are an awful lot of new YA novels in which women are endangered or oppressed. Grace and Fury by Tracy Banghart is one of the most compelling of the bunch.

Serina Tessaro and her sister, Nomi, travel to the capital city of Bellaqua where Serina will compete for a chance to become one of the Heir’s Graces. Banghart doesn’t spell it out all at once, but Graces are essentially glorified concubines who represent the ideal subservient woman. The sisters are shocked when rebellious Nomi is chosen, and soon Serina takes the fall for one of Nomi’s crimes and is sent to Mount Ruin, a prison island.

Nomi’s storyline has the romantic entanglements and sparkling settings common to YA fantasy, but Banghart presents both with queasy suspicion. The beautiful rooms and pretty gowns of the Graces are mere decoration for another type of prison, and it is impossible to fall in love with a man who might see you as a possession or a tool.

Meanwhile, the all-female prisoners of Mount Ruin are forced to fight for rations, and Serina’s lifelong training to become a Grace surprisingly helps her excel in her new environment. As she begins to enjoy the camaraderie and mentorship of other women for the first time in her life, Serina’s feminine ideal quickly transforms from elegant consort to ferocious warrior. After all, in a society that constrains women at every turn, both roles offer a way to survive.

 

This article was originally published in the July 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Sweeping fantasies are this year’s biggest trend in children’s and teen literature—think breathtaking action, complex world building, magical abilities and bands of young heroes who must save the day.

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“For most immigrants, moving to the new country is an act of faith. Even if you've heard stories of safety, opportunity, and prosperity, it's still a leap to remove yourself from your own language, people, and country. Your own history. What if the stories weren't true? What if you couldn't adapt? What if you weren't wanted in the new country?”—Nicola Yoon

Amidst the recent news headlines surrounding immigration and border laws, it’s easy to forget that many of these immigrants are children. As migrant children adjust to a new home, a new language and a new set of customs, they need books that authentically reflect and affirm their experiences and feelings. Equally important is the need for children born in the United States to gain small insights into life as an immigrant. These five stories of struggle and triumph, loneliness and connection, and isolation and belonging will spark classroom conversation, affirm migrant children’s feelings, and build empathy for those who are making a home in a new world.

Mustafa by Marie-Louise Gay

“Mustafa and his family traveled a very, very long way to get to their new county.” He dreams of his old country “full of smoke and fire and loud noises” and wakes up to find himself in a new country but, as him mom reminds him, “under the very same moon.” Mustafa ventures down into a neighborhood park and takes great joy in the green trees, bugs that remind him of jewels, and flowers that look like his grandmother’s teacups. He crosses paths with a girl and her cat but is intimidated when he can’t understand her words. As the weeks pass, Mustafa continues to visit the park taking delight in the changing seasons. One day he waves to a group of playing children, but they don’t notice prompting him to ask his mother, “am I invisible?” At last, the young girl with the cat succeeds in communicating with Mustafa and a new friendship is born. A gentle and honest story, Mustafa is accessible for children of all ages and a valuable read aloud for all classrooms.

Creative Writing—Invite students to examine the title and dedication pages. They show Mustafa’s family with their belongings on their heads and backs as they board a ship that carries them to their new country. Ask to children to imagine moving to a new country and only being able to take a few possessions. After a brief class discussion let them journal about the items they would bring if they had to flee to a new country.

• Nature Walk—Mustafa loves to explore the park next to this apartment building. He takes great delight in things Americans take for granted—green grass and red birds hiding in trees. With their journals in hand, take your students outside for a nature walk and encourage them to look anew at the world around them. After 5-10 minutes of walking, stop and let children draw or write about the things they noticed “with their new eyes”. Mustafa sees flowers shaped like his grandmother’s pink teacups and others that look like dragon tongues. Encourage children to create metaphors for the things they find on the nature walk.

Saffron Ice Cream by Rashin Kheiriyeh

Rashin can’t wait for her first trip to an American beach. As she and her family make the trip from Brooklyn to Coney Island, Rashin reminisces about her trips to the Caspian Sea beach in Iran. Through her memories, readers will the understand that the differences between the two beaches are significant. In Iran, after a breakfast of halim, the family drives five hours to the beach where “big, long curtains divided the sea into two sections—one side for men to swim in and the other side for women.” On the subway headed to Coney Island, Rahsin misses her friend Azadeh and wonders if the sea in America will be as endless, blue, and beautiful as it is in Iran. When they arrive, Rashin’s homesickness reaches its peak and when she discovers the ice cream truck doesn’t carry saffron flavored ice cream, she begins to cry. A young girl behind her in line encourages Rashin to try chocolate crunch ice cream. The two girls become fast friends and Rashin has no problem following the Coney Island beach rule: To have fun, fun, fun. By focusing on a single experience, Saffron Ice Cream shows how very different daily experiences can be in a new country. The colorful illustrations and lighthearted prose make for an upbeat and relatable immigrant story.

Venn Diagram—Saffron Ice Cream begs for a venn diagram. As a class, create a venn diagram comparing the Coney Island and Caspian Sea beaches. Be sure to leave enough room in the overlapping portion to list the ways the beaches are similar. Use this diagram to spark a conversation about similarities and differences between cultures. If you have migrant children in your class, let them talk about experiences and traditions they remember from their home country and how they are similar and different to those in the United States.

Geography—Using a world map and Google Earth, locate Coney Island and the Caspian Sea. Let the children make observations comparing the two beaches. Show them Coney Island’s Stillwell train station as well. For many students in rural and suburban classrooms, riding a subway is a foreign experience.

Different, but essentially the same—Young Rashin is homesick for Iran and her Caspian beach, but at the end of the book she understands that though the two beaches are different, the most important aspects (family, friendship) transcend cultures. In the past few years, I have discovered several strong picture books highlighting the differences and (more importantly) the similarities between cultures. Make these pictures books a part of your classroom for the entire year. Culture awareness and acceptance is a gift that will stay with children for the rest of their lives. My favorites include This Is How We Do It (Lamothe) Same, Same, But Different (Kostecki-Shaw), This is the Way We Go to School (Bauer), The Sandwich Swap (Al-Abdullah), Everybody Cooks Rice (Dooley), Mirror (Baker) and Around the World in a Bathtub: Bathing All Over the Globe (Bradford).

The Dress and the Girl by Camille Andros, illustrated by Julie Morstad

Beginning in Greece, “back when time seemed slower and life simpler, there was a dress. A dress much like many others, made for a girl by her mother.” The girl and the dress enjoy their life in Greece, but long for something “singular, stunning, or sensational.” They don’t wait long because one day their story changes and they board a ship headed for a new life in America. The dress is put in a trunk—a trunk that gets lost during the journey. The dress is separated from the girl for many years and travels the world searching for the girl. At long last, it comes to rest in a thrift store where the girl, now a mother herself, finds it and passes it along to her daughter. Showing the importance of family history, The Dress and the Girl is a simple story with magnificent illustrations recounting the journey to Ellis Island that was common for so many immigrants at the turn of the century.

Ellis Island and the Statue of Liberty—Peek under the book’s jacket at the cover. You will be greeted by a magnificent illustration of the Statue of Liberty as seen by immigrants as they disembark the ship. Take a virtual field trip to the Statue of Liberty National Park and let students view the statue from across the water. Zoom in closer and read the inscription at the base of the statue. Write it on the board or a piece of chart paper. After a class discussion, keep it hanging in your classroom to remind students that the United States is open to all people. My students also loved the live cam view located in the torch of the statue.

Oral family history—The dress holds significance for the girl because it is a family heirloom and traveled with her from her home country of Greece. Use the story to launch an oral family history project. With the help and input of students, develop a short family history questionnaire for them to use with their parents, grandparents, or other relatives. One of the questions can be about treasured family heirlooms. Use this opportunity to teach and develop students’ interviewing and conversational skills. Let them practice interviewing each other before conducting a family interview.

Book pairing—Read aloud one of my all-time favorite picture books, My Grandfather’s Coat by James Alyesworth and compare the two stories.

Ella and Monkey at Sea by Emilie Boon

Told through the eyes of a young girl and her stuffed monkey, Ella and Monkey at Sea is perfectly pitched for young children. The story opens with Ella hugging her grandmother, Oma, before boarding a ship bound for America. During the long journey across the ocean, Ella’s emotions are transferred to monkey. Monkey “wants his own bed at home,” he “misses Oma and dinners at home,” and “says no” when the other children ask him to play. Eventually, Ella moves through feelings of homesickness to feelings of hope and excitement for their new country. I read this simple yet effective story aloud to a group of kindergarten students and the empathy stirred by Ella’s honesty was evident on their young faces.

Creative Writing—Ella’s emotions are transferred to her beloved stuffed monkey. Allow children time to share a special recent experience. Afterward, tell them to retell/write the story from the perspective of their most beloved stuffed friend.

Art Therapy—When Ella is sad she colors a picture with “angry black,” “scared gray” and “cold blue.” At the end of the book, she colors a picture of a cheerful yellow sun. Discuss how colors reflect emotions. Put some soft music on and let children create their own feelings pictures. For more color and emotion books, be sure to read Niko Draws a Feeling (Chris Rackza) and My Blue Is Happy (Jessica Young).

Front Desk by Kelly Yang

Ten-year-old Mia Tang works the front desk at her parents' Calivista Motel. Life isn’t easy for Mia’s family, Chinese immigrants who have been in the United States for two years. Living in a room behind the motel’s office, they work around the clock serving the customers of the motel and ensuring that the customers are happy. The American dream seems anything but dreamy as the family battles several unfortunate events including an abusive robber, a broken washing machine and a stolen car. Equally hard are the cultural challenges and racism Mia faces at school. Raw and believable, Mia’s voice is strong making her struggles relatable for students who share her migrant experience and opens a window for students who have never felt the isolation and confusion that accompanies navigating a life in a new country.

Struggles and Triumphs—Reflecting the story of most immigrants, Mia experiences many challenges as she adjusts to life in America. Because of her hard work and grit and the kindness of others she also experiences several triumphs. Before reading Front Desk, make a “Struggles & Triumphs” chart. Keep it easily accessible so that it can be updated at the conclusion of each read-aloud time.

If I owned a motel—Mia dreams of being a writer, and toward the end of the story she enters an essay contest with an essay titled, “If I Owned a Motel.” Encourage children to design and plan their own motel or restaurant. Visit the websites of several family-owned businesses and discuss components of a small business including marketing, theme and customer service. Invite children to write their own essays and share their small business plans with the rest of the class.

These five stories of struggle and triumph, loneliness and connection, and isolation and belonging will spark classroom conversation, affirm migrant children’s feelings, and build empathy for those who are making a home in a new world.
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Fans of Lincoln Peirce’s Big Nate series will adore the author and cartoonist’s Max & the Midknights, a superb hybrid of chapter book and graphic novel that’s packed with nonstop adventure, dragons, wizards and flying rats. The daring, wise-cracking Max (who discovers she’s actually a girl) is stuck in the Middle Ages, longing to become a knight but acting as an apprentice to bumbling Uncle Budrick, a troubadour who’s anything but tuneful. This down-on-their luck pair courts catastrophe when they enter the Kingdom of Byjovia, where the evil King Gastley carts Uncle Budrick off to be his jester. While Max and her merry band of misfits bear a noticeable resemblance to Charlie Brown and his buddies (Charles Schulz is one of Peirce’s inspirations), these characters have a modern Wimpy Kid vibe.

In the second adventure of his Mac B., Kid Spy series, Caldecott Medal-winning author Mac Barnett recounts his supposed youthful adventures in 1989 as an espionage agent in Mac B., Kid Spy: The Impossible Crime. One moment, young Mac B. is playing mini golf in Castro Valley, California, and the next the queen of England is summoning him via pay phone to help her protect the crown jewels. Three hundred years ago, Colonel Thomas Blood stole them, and the queen believes one of his heirs will try to steal them again on the anniversary of this real-life 17th-century crime. The action never stops in this light-hearted adventure that’s fueled by Barnett’s jaunty narration, jokes galore and Mike Lowery’s entertaining, full-color cartoon illustrations. The plot may be preposterous, but it’s hard not to enjoy the ride.

Family dynamics are decidedly tricky for Happy Conklin Jr., a 10-year-old who has to shave three times a day after being experimented on by his inventor father. In 2018’s How to Sell Your Family to Aliens, Hap battled his authoritarian grandma, and in How to Properly Dispose of Planet Earth, he longs to be lab partners with Nevada Everly, the new girl in his science class. Hap manages to befriend her, but he also opens up a black hole that threatens to swallow his school—and the solar system. In this rollicking sci-fi adventure by New Yorker cartoonist Paul Noth, Hap and his superpowered sisters endure extraordinary exploits reminiscent of Netflix’s “Stranger Things,” with appearances by Genghis Khan, magical lizards and a gigantic robot. There’s never a dull moment in this outlandish romp. 

 

This article was originally published in the January 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Playful illustrations make super stories even better, and these three action-packed novels for young readers are chock full of them.

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