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All Middle Grade Coverage

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When circumstances force Christopher to spend time at his grandfather’s house in the middle-of-nowhere in Scotland, he expects it to be a bore—until he discovers the Archipelago. Home to creatures of myth and items of magic, Christopher’s family has protected the door to the Archipelago for generations. When a young girl named Mal breaks through the entrance and begs Christopher to help save her life and the lives of all magical creatures, his “allegiance” to “wild and living things”—and his own curiosity—leads him to follow her back into the Archipelago.

With its immortal protector missing, dangerous creatures swarming and a strange force trying to take the world’s magic for its own, the Archipelago is no place for children. But Christopher and Mal are the only people who can save it, even if that means working with pirates, peculiar scientists, odd dragons and sphinxes that could easily kill them. If they survive, it will be quite the story to tell. If they fail, everything will fall to ruin.

Bestselling author Katherine Rundell returns to middle grade with the powerful and charming Impossible Creatures, a modern fantasy with a classic feel. It’s hard not to fall in love with the Archipelago: From Mal’s unique flying coat to the myriad of magical creatures, there is much in the world-building to enjoy. Artwork from Ashley Mackenzie highlights the story’s most fantastical moments, adding to the book’s classic adventure feel and immersing readers in its magic. A fully illustrated guide to the mythological creatures in the back matter fleshes out the fictional world, expanding upon little details only hinted at in the text.

Mal and Christopher serve as alternating narrators before the book settles into Christopher’s point of view, which may leave Mal’s early fans a little in the lurch as they hope for more of her perspective. Her role in the story, however, becomes one of utmost importance, and though the book comes to a satisfying conclusion, readers will be itching to see if and how her arc continues in the rest of the series.

Impossible Creatures is an ode to children’s ability to hope and to make hard decisions. As one character puts it, “Children have been underestimated for hundreds of years.” Younger readers who don’t handle dark moments well should wait until they are older to pick this up: The battle of goodness against despair involves death and does not stray away from a harsher narrative. 

But for readers who devour adventure fantasy stories like The Ogress and the Orphans by Kelly Barnhill as well as classics like Philip Pullman’s The Golden Compass, Impossible Creatures is a must-read.

Bestselling author Katherine Rundell returns to middle grade with the powerful and charming Impossible Creatures, a modern fantasy with a classic feel.
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Godfather Death is a lively retelling of a Grimm fairy tale about a poor fisherman looking for a godfather for his newborn son. The fisherman rejects God’s offer because he doesn’t feel God treats people fairly, especially since the fisherman and his family live in such poverty. He is smart enough to also reject the devil’s offer—but when Death comes along, he believes he has finally found an honest man. After the christening, Death lets the fisherman in on a scheme that makes him a rich man, but ultimately backfires in a tragic way.

As the fisherman’s captivating quest unfolds, Sally Nicholls weaves in plenty of humor: Christening guests stare at Death—a skeleton with his silver scythe and long black cloak—as “everyone tried very hard to be polite to the baby’s godfather.” When this skeleton figure eats food, “everyone wondered where it went.” 

Julia Sarda illustrates the tale in a limited palette of orange, mustard yellow, dark green and black, imbuing the book with an intriguing, stylized vibe reminiscent of old fairy tales. Her eye-catching illustrations will help readers understand that this is a tale meant to impart wisdom. Note that, like the original, the ending is abrupt and not at all happy. Nonetheless, Godfather Death is a memorable story that’s bound to encourage interesting discussions about life, death and honesty. 

 

Based on a Grimm fairy tale, Godfather Death is a memorable story that’s bound to encourage interesting discussions about life, death and honesty.
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Twelve-year-old Charley Cuffey loves a few things: her Nana Kofi and his stories; correcting the grammar of her best friend, Cool Willie Green; and above all else, baseball. She has been obsessed since her daddy took her to see a Negro Leagues game, and is determined to be the first woman to be a professional baseball player—a big goal for anyone, but even more so for a Black girl living through segregation. When she challenges a bully to a game that takes them into the white part of town, she faces consequences that extend beyond baseball.

Newbery Medalist Kwame Alexander’s Black Star is the gripping second book of what is sure to be an impactful trilogy. The bestselling first installment, The Door of No Return, centered on Kofi, a tween living in Ghana during the 1860s, who loves swimming and his own nana’s stories. His story ended with him facing an unknown fate. This sequel jumps forward to segregated Virginia in the 1920s, where Kofi is a storytelling nana himself, slowly revealing the gaps of his life as he shares them with his granddaughter, Charley.

Alexander has found a magic formula in his verse novels featuring protagonists whose lives revolve around a sport: Their love of the game keeps the plot moving forward and offers a plethora of potential for metaphor. Charley is a vibrant and creative narrator, full of important questions for her Nana, and excellent hyperbole like “it’s so quiet / I can hear the moon.” Alexander uses every aspect of his poems to his advantage. For example, a striking chapter features poems whose titles all begin with “Fifth Sunday,” showing just how significant this big game day is to Charley.

As in The Door of No Return, a significant theme throughout Black Star is the power of storytelling. In an author’s note, Alexander explains his dedication to portraying Black history accurately. He highlights real historical events through actual poetry and information about public figures from that time, but maintains focus on the stories “about the regular families that lived, laughed, loved, danced, worked, failed, hoped, cried, and died just like everybody else.”

Readers continuing the series, as well as those starting with Black Star, will be gifted with a reading experience that is equal parts difficult and beautiful. All will be called to remember Nana Kofi’s wisdom, that “when we water our words, they grow our minds.”

 

Readers continuing Kwame Alexander’s Door of No Return trilogy, as well as those starting with Black Star, will be gifted with a reading experience that is equal parts difficult and beautiful.
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Felix Powell isn’t like most 8-year-olds. When his Nan gives him $5 to spend on anything at a thrift shop, he is drawn toward an old blanket. Additionally, he can communicate with his dog, the phenomenally named Mary Puppins. After he and Puppins try everything they can think of to discover the blanket’s secret magic, they decide to play a game: Can You Free Felix From the Blanket While He Holds On as Tight as He Can? But when the blanket comes off, it’s not Felix the Human Boy hiding underneath. Suddenly, he’s transformed into Felix Powell, Boy Dog!

Felix and Puppins proceed to have a day filled with learning all about being a dog, from bickering with the local stray cat, Gumbo, to learning how to “sweetface” and do “nice-thoughting” with Puppins. But as it gets closer to dinner time, Felix begins to worry how he is going to turn back into a boy. Can he get Gumbo to share the secret she seems to be holding in? Or will his Nan find two dogs when she goes outside to look for Felix?

Newbery Medalist Erin Entrada Kelly’s Felix Powell, Boy Dog is a heartwarming and hilarious opening to a planned series of illustrated chapter books. Felix is also friends with Marisol from Kelly’s previous Maybe Marisol series. New and returning fans will delight at how Kelly tiptoes into fantasy to answer a question many have surely pondered: What is it like to be a dog?

Black-and-white illustrations are equal parts adorable and entertaining, and sure to satisfy voracious graphic novel readers. Here Kelly leans into graphic novel elements, with entire sections of comic-style storytelling. Kelly’s books stand out because of her attention to detail and hidden Easter eggs. For example, in an illustration of a bookshelf at the thrift shop, a lot of the titles are books from Felix Powell, Boy Dog’s imprint, Greenwillow.

Sweet lessons about compassion, as well as copious animal facts, are sprinkled throughout. Reluctant and eager young readers alike will enjoy getting to know Felix and will anxiously imagine what animal he might change into next.

Reluctant and eager young readers alike will enjoy getting to know Felix Powell, Boy Dog, and will anxiously imagine what animal he might change into next.

It’s summertime, and 13-year-old Aidan Cross is looking forward to lots of fun with his closest friends: handsome athlete Kai, class clown Zephyr and studious Terrance. They’ll ride bikes, go swimming, play D&D and watch movies. And they’ll engage in the group’s favorite pastime, “yeeting crap at the Witch House,” a tumbledown Victorian mansion with “broken and shattered windows . . . like hungry mouths with glass teeth.”

Aidan has something specific in mind for the yeeting session at the beginning of Preston Norton’s The House on Yeet Street. In addition to sticks and stones, he’ll yeet his notebook into the Witch House, where it’ll be safe from prying eyes. “The inside of this notebook was the one place Aidan was allowed to be himself. It was nice to invent a version of him that did and said the things he was afraid to say and do”—like confessing his romantic feelings for Kai. 

But the thrill of a successful yeet turns appallingly sour when his friends announce an impending Witch House sleepover. Aidan is desperate to grab his notebook before someone else does, and he sort of succeeds: His friends don’t find it, but a ghost does. She’s Gabby Caldwell, a teenaged girl who was found dead in the mansion 20 years ago and has been stuck inside since. Gabby wants Aidan to find out what happened to her so she can escape the house. She also wants him to continue the story he’s been writing in his notebook (his first positive review!). 

Aidan and friends spring into action, investigating Gabby’s demise and delving into the Witch House’s disturbing past. They encounter landmines galore, including a terrifying specter stalking them around town, a mean girl stealing and posting Aidan’s notebook online and extreme parental exasperation. Can the group make sense of the supernatural goings-on before the house claims another victim?

Norton, author of Hopepunk (one of BookPage’s Best YA Books of 2022), has crafted an action-packed, compelling coming-of-age tale about coming out and becoming brave, all wrapped up in a supremely creepy horror story rife with ghosts and legend, hilarious dialogue and daring adventures. It’s scary, sometimes sweet, rollicking good fun.

Preston Norton has crafted an action-packed, compelling tale about coming out and becoming brave, wrapped up in a supremely creepy horror story rife with ghosts and legend, hilarious dialogue and daring adventures.

Middle grade readers have long reveled in stories where museums and mystery intersect. Notable and beloved examples include E. L. Konigsburg’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler, Blue Balliett’s Chasing Vermeer and Gillian McDunn’s When Sea Becomes Sky.

Bestselling author and Newbery Honor recipient Jasmine Warga joins in the artsy, sleuth-y fun with A Strange Thing Happened in Cherry Hall, a creative and compassionate tale featuring a stolen painting, a confused ghost and an inquisitive turtle.

Eleven-year-old Rami Ahmed’s mom supervises the cleaning crew at the Penelope L. Brooks Museum, and Rami spends a lot of time there after school. Lately, he’s also been very worried: A painting called “Untitled” has been stolen, and security staff consider him and his mom to be suspects. Things haven’t been good at school either, since his best friends publicly rejected and humiliated him at lunch. A smart, confident girl named Veda has invited him into her friend group, but he can’t stop reliving his feelings of hurt and shame. 

When Rami encounters the girl depicted in “Untitled” floating around the spot in Cherry Hall where the painting once hung, he has to stifle a few screams, but he also feels a glimmer of hope. The girl insists Rami help her figure out who she is, and he realizes his investigation could unearth the art thief as well. Crime podcast-aficionada Veda decides to join him, and even Agatha the turtle has information to contribute, too—if only she can get the humans to see her as more than a creature silently sunning itself on a rock.

Warga deftly layers in suspense and intrigue as the kids research the painting’s provenance, investigate the crime and try to avoid arousing suspicion in the adults around them. (After all, one of them might be the thief!) Through it all, A Strange Thing Happened in Cherry Hall exudes appreciation for the transformative nature of art—emphasized by Matt Rockefeller’s lovely grayscale illustrations at the book’s beginning and end—and exudes empathy for those who struggle with loneliness. After all, as one character notes, “It is a singular feeling to be understood. Seen. Connected. It is the best feeling in the whole world.”

Bestselling author and Newbery Honor recipient Jasmine Warga delivers artsy, sleuth-y fun in A Strange Thing Happened in Cherry Hall, a creative and compassionate tale featuring a stolen painting, a confused ghost and an inquisitive turtle.
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Newbery Medalist Erin Entrada Kelly is having a big year. Following the March publication of her eighth middle grade novel, The First State of Being, she’s releasing a new illustrated chapter book, Felix Powell, Boy Dog. Fans of Kelly’s previous chapter book series featuring Marisol Rainey will instantly recognize Marisol’s friend, Felix Powell, and both new and returning readers will delight in how Kelly leans into magical realism as she plays out a fantasy many have likely had: What is it like to be a dog?

““I really wanted to explore more of Felix’s world and I just thought it would be fun if he, and by extension readers, could experience what it’s like to be a dog,” says Kelly.Early on in Felix Powell, Boy Dog, Felix and his dog, Mary Puppins, are playing with a blanket he picked out at a thrift shop, when the blanket transforms Felix into a dog. Kelly admits, “When I was a kid, I always daydreamed about being a bird, and I still kind of do!”

Kelly calls writing for younger middle grade readers “palate cleanser” projects, explaining that there are “all kinds of complications of being a middle schooler, and Felix is only 8 years old. It was nice to live in that 8-year-old world where they’re still very full of wonder.” But sheestablishes early on that Felix isn’t like most 8-year-olds, either in words or actions. To start, he can speak to Mary Puppins even before turning into a dog himself.

Kelly loves writing about kids who aren’t like others because “I think that one of the hardest parts of childhood is when you feel like you’re different from everyone else.” She recognizes that, especially in school, “difference is not always treated with the respect, compassion and excitement that it should be. It brings me joy to be able to write about kids who do feel a little different, in whatever way they feel different, because it’s like writing a letter to my young self and . . . to all kids who feel like they don’t quite fit. It’s celebrating young people who go against the grain because those are the people who will change the world later.”

Kelly spends a lot of time imagining her readers, and she recognizes the importance of “representing all different kinds of family dynamics.” In the book, she beautifully and simply explains that “Felix’s mom couldn’t take care of him anymore, so Nan adopted him.” Kelly says, “It makes me happy to think there might be a kid reading it who lives with their grandmother or grandparents and thinks, ‘Oh, I live with my grandparents too!’ Just that moment of connection, even if it’s like one second as they’re reading the book, is so important, because the more connections we can make like that, the more impact we have on children’s lives.”

Kelly has a unique way of thinking that transfers over to her characters. In an intense emotional moment, Felix describes his rising frustration as feeling like a “human boy with a grumpy mechanic in his body, turning his gears.” Kelly says that came from her own childhood imagination: “I was so curious about how my body worked, and of course, I didn’t understand all the science behind it. So I would imagine there are these little workers in my body, and they were grinding the gears and pushing out the tears and making me laugh and making me eat.” Although cushioned with humor, the scene presents a very real example of how emotions can get the better of us, which is Kelly’s way of offering a moment for readers to know that they’re not alone in saying “things they don’t mean when they’re angry or frustrated.”

“Just that moment of connection, even if it’s like one second as they’re reading the book, is so important.”

Her love of dogs is apparent throughout Felix Powell, Boy Dog. She explains that a lot of the book “came from observing my dogs. I used to actually be on the board of the Humane Society of Southwest Louisiana,” and it was an easy choice for her when it came to picking what animal Felix should turn into in this book. “I just find them to be fascinating and, in many ways, perfect little creatures, in my mind anyway.” However, she teases, “my hope is that it continues as a series as he changes into various [other] everyday animals.”

As an author who writes a lot of varying books within the juvenile fiction classification, working on something for younger readers is what Kelly calls a “palate cleanser” to working on her upper middle grade books. She says there are “all kinds of complications of being a middle schooler, and Felix is only 8 years old. It was nice to live in that 8-year-old world where they’re still very full of wonder.”

Kelly also enjoys illustrating her own books—as she did with Felix Powell, Boy Dog—because it “activates a different part of my brain.” Kelly goes one step further by also incorporating graphic novel elements into Felix Powell, Boy Dog: For example, when Felix is telling the story of meeting Puppins, the prose narrative shifts into comic strips that add special emphasis to this “best day of his life” and highlight Puppins—amid a crowd of dogs who all had names—as an unnamed puppy with whom Felix connected right away. Right now, “young readers can’t quite get enough of graphic novels. So I wanted to be able to marry the traditional chapter book with the celebration of graphic novels that we have right now.” She hopes that both the kids who resist reading prose novels, and the parents who resist letting their kids read graphic novels, will be happy to pick this book up.

“I wanted to be able to marry the traditional chapter book with the celebration of graphic novels that we have right now.”

Of course, one wonders if Kelly will ever take the plunge and write a full graphic novel. “I used to say ‘Oh no, I couldn’t draw an entire graphic novel,’ but actually, writing Felix showed me that maybe I could, if I got the right idea.” Kelly admits. “Never say never, huh?”

The award-winning author and illustrator’s latest middle grade novel explores a common daydream: living life as a dog.

While the National Archives may be the nation’s official library, the New York Public Library is often first in the hearts of book lovers. Christopher Lincoln’s engaging, gorgeously illustrated graphic novel The Night Librarian is a shining addition to books that celebrate this iconic library.

“Magic builds in books,” declares the prologue, and we’re told the longer a book has been around, the more likely the characters get so bottled up “living the same scene over and over” that they must escape. Luckily for Turner and his twin sister, Page, there are librarians specially trained to handle these magical eruptions: night librarians.

Page and Turner are city kids who have a flaky nanny and absentee jet-setting parents. Allowed to go to the library on their own, they arrive one day with a bag containing their dad’s rare copy of Dracula, with the goal of researching the story of an ancestor who may have met author Bram Stoker at a 1901 reading. We get to see the twins using a microfilm reader, but they don’t find any mention of their relative. Instead, they discover an 1899 newspaper article with the foreboding headline, “Earthquake reported in the stacks.” On this same visit, their book bag starts making strange thumping noises—as if something is trying to get out.

The twins meet the stylish night librarian, Ms. Literati, who promises to research their copy of Dracula further. When they return the next afternoon, the book bag’s thumping intensifies, until something emerges from Dracula, and takes the book with it. Soon, there’s a whole string of literary escapees, including a dragon and the beanstalk from “Jack and the Beanstalk.” Time is of the essence to keep the entire library safe from the ensuing damage.

So the adventure begins, since clearly Ms. Literati needs dedicated volunteer help. Full of humor, friendship and just the right amount of danger and villainy, this beautifully designed novel has a clever time-travel plot twist and a satisfying emotional conclusion. As an added bonus, the many literary allusions are bound to delight adult readers as well, and may lead to further book adventures for curious readers.

 

Full of humor, friendship and just the right amount of danger and villainy, Christopher Lincoln’s beautifully designed The Night Librarian is bound to delight readers of all ages.
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Tara didn’t expect that her academic success would cause her to skip eighth grade and hurl her away unexpectedly from middle school and into the labyrinthian hallways of high school. At 13, she doesn’t feel ready for any of it: not the raucous boys, the way her interests suddenly seem juvenile, or the seemingly constant changes exploding around her.

Tara’s imagination serves her well when playing with her little brother, but it also causes her anxiety to run rampant—until she meets Libby, a girl in her English class. Libby is smart and funny and makes the classroom full of wrestling-obsessed boys tolerable. But how can Tara impress Libby enough to convince her to become her friend? It’s not enough for Tara to just be herself, right?

Eisner Award-nominated cartoonist Emma Hunsinger makes her graphic novel debut with the candid and comical How It All Ends. This book simply gets the weirdness tweens and teens can feel when shoved into a new situation; the strange and hilarious mundanity of high school; and the inner strength it takes to be who you are in the face of all that chaos.

Hunsinger’s unique illustrations truly shine: Rarely do text and images work in as perfect harmony to tell a story. Color tracks and heightens emotions: red as Tara’s imagination runs wild, a muted and friendly blue for lower intensity moments, and yellow when Tara is overwhelmed by feelings. The simple line work of Hunsinger’s facial expressions captures characters’ feelings perfectly and hilariously.

How It All Ends is a sensational debut, one to put Hunsinger on the must-read list of every kid who picks up the book. Hand this to fans of Raina Telgemeier and Alice Oseman: They will devour it and ask for more.

 

How It All Ends simply gets the weirdness tweens and teens can feel when shoved into a new situation; the strange and hilarious mundanity of high school; and the inner strength it takes to be who you are in the face of all that chaos.
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Gennifer Choldenko’s The Tenth Mistake of Hank Hooperman is a moving story about an 11-year-old abandoned by his single mom and left to care for his 3-year-old sister, Boo, inspired by Choldenko’s own childhood experiences of having undependable parents and a caring older brother who acted as a surrogate parent. Fans of the Newbery Honor author’s Tales from Alcatraz series won’t be disappointed. Hank is an engaging narrator, and his desperate plight, as well as the caring community of characters he encounters, are reminiscent of Kate DiCamilo’s Beverly, Right Here.

After about a week alone in their apartment, facing eviction with no money, food, or electricity, Hank, who has no idea who his father is, realizes that his mother isn’t coming back anytime soon. Hank loves his mom, but he knows  that sometimes she “will drive to Mexico in the middle of the night or invite strange people to our apartment or not come home at all.”

A dreamer, but also smart and responsible, Hank wonders how he and Boo will survive, musing that at least the kids in From The Mixed-Up Files of Mrs. Basil E. Frankweiler had money for tickets to the museum they found themselves living in. Instead, he lands on the doorstep of Lou Ann Adler, a friend of his late, beloved grandmother. This hard-nosed, 60-ish daycare provider welcomes Boo with open arms, but peers sharply at preteen Hank, announcing, “I’m not wild about teenagers.”

Hank does an excellent job coping with the endless uncertainties in his life, which are expertly channeled via Choldenko’s succinctly effective prose. Despite Hank’s grim situation, this is an upbeat, hopeful book that shows how supportive communities can rise up out of seemingly nowhere. Hank befriends Lou Ann’s kindhearted neighbor Ray Delgado, as well as Ray’s large, extended family. He attends a new school, where he finds an inspiring basketball coach as well as a lively, diverse group of friends. His relationship with Boo, who equally adores him, forms the heart of this novel: “Without Boo I feel like a shoe in a sock drawer,” Hank explains. Their journey features diligent social workers and a dangerous and dramatic appearance by Hank and Boo’s mother that forces Hank to make a gut-wrenching choice.

Readers will immediately be drawn into the world of The Tenth Mistake of Hank Hooperman, whose endearing and memorable characters will inspire repeated readings. This book tackles a tricky subject with grace, showing readers that even seemingly hopeless situations can offer happy endings.

Hank Hooperman does an excellent job coping with the endless uncertainties in his life, which are expertly channeled via Gennifer Choldenko’s succinctly effective prose.
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“The big ‘P’ is the worst,” according to Rex Ogle’s Pizza Face, a spot-on graphic novel featuring the talented, prolific author as a scrawny 12-year-old suffering through the onset of puberty in seventh grade puberty. It’s a welcome sequel to Four Eyes, which chronicled Rex’s sixth grade year.

Middle grade readers will readily identify with Rex, whose acne erupts like a “volcano on my forehead” on the first day of seventh grade. “I’m a mutant, but without any cool superpowers,” he laments, his angst readily transmitted through Dave Valeza’s emotion-filled illustrations, which showcase Rex’s ongoing mortification via facial expressions, body language and onomatopoeia—especially the dreaded early morning beep of Rex’s alarm clock, and Rex’s frequent foot stomping.

Ogle and Valeza effectively spotlight brief scenes from Rex’s unfolding school year, including the horrors of first-period gym, where Rex, the smallest and least sporty, is often picked last. “You’re like our wittle baby,” one girl tells him. Things get worse day after day, week after week, as friendships unravel and misunderstandings multiply, especially with his best friends Scott and Kennedy (who is also sort of his girlfriend). Rex faces several bullies, and starts hanging out with a troublemaker when his friends desert him, ratcheting up the action. Each heartfelt scene draws readers into Rex’s misery as he longs for a growth spurt and a deep voice like the other boys.

Rex’s supportive but exhausted, constantly working parents can’t afford acne cream or deodorant, adding to Rex’s frustrations. His Abuela comes to the rescue, sending Zit-Zapper cream, offering helpful advice and taking Rex to a dermatologist.

This book has broad appeal, showing a variety of characters with different challenges. A boy named Brody, for instance, has the opposite problem of Rex, confessing, “Look at me. I’m a hairy, oversized monster. I’m thirteen and look like I’m almost twenty.” Meanwhile, female characters are teased and feel self-conscious, while both a wealthy and a popular boy grapple with their own issues. As Rex concludes, “It took all year to realize most kids are going through the same things as me.” Pizza Face is a fresh take on an age-old crisis and will help adolescents feel more empathetic and less alone while navigating their own physical and emotional changes. Here’s hoping Rex’s misadventures continue in future installments.

Pizza Face is a fresh take on the age-old crisis of puberty that will help adolescents feel more empathetic and less alone while navigating their own physical and emotional changes.

Sophia Henry Winslow and her neighbor Sophie Gershowitz are best friends with a lot in common. They both go by “Sophie,” love the color mauve, aren’t big fans of quesadillas and loathe gossip.

And both Sophies, as readers learn in Lois Lowry’s lovely and moving Tree. Table. Book., embody the saying that “age is just a number.” Although Sophie W. is 11 years old, and Sophie G. is 88 years old, they are undoubtedly kindred spirits who “have a true and lasting friendship, a friendship of the heart.”

When young Sophie’s parents explain to her that the elder Sophie has been having problems with her short-term memory—so much so that her son Aaron is considering moving her from their New Hampshire town to an assisted-living facility near him in Ohio—she is devastated. 

But also determined: She’s going to help Sophie G. prepare for cognitive testing so they won’t be separated. After all, “Sophie Gershowitz has taught me many things . . . I am still learning from her. And I think that learning from each other is one of the most important parts of friendship.” 

In order to prepare her friend for acing the most important exam ever, Sophie W. knows just the thing to use as a guide: the Merck Manual medical reference, provided by her friend and classmate Ralphie, whose dad is a doctor. Their precocious 7-year-old neighbor Oliver also joins the endeavor, cheering on the Sophies as they work through a series of exercises.

Lowry, winner of two Newbery Medals for The Giver and Number the Stars, does an excellent job building tension as Aaron’s impending visit—and the prospect of the Sophies’ lives changing forever—looms ever larger. When the test prep unlocks memories of Sophie G.’s childhood in Poland during World War II, Lowry conveys with sensitivity and realism Sophie W.’s sorrow upon realizing that things she’s only learned about in school have had a painful, lifelong impact on her beloved friend. 

Tree. Table. Book. is yet another story from a cherished author that will captivate readers as they reflect on the vagaries of history and the beauty of friendship, which are so poignantly conveyed in this timeless tale.

Lois Lowry’s Tree. Table. Book. will captivate readers as they reflect on the vagaries of history and the beauty of friendship, which are so poignantly conveyed in this timeless tale.
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In 1940, Safiyyah lives in the Grand Mosque of Paris with her parents, grandmother Setti, toddler sister and several other families. Smart, curious and spunky, she loves exploring the city—especially the map room of the nearby library, as she dreams of becoming a world explorer. Her carefree ways quickly change, however, as Nazi soldiers approach and invade, plunging her orderly world into the chaos of World War II. Setti warns Safiyyah, “There will come a day when you have the choice to use what you’ve been given in one way or another. . . . There is no use in a million maps unless they lead you to light.”

Hiba Noor Khan’s debut novel, Safiyyah’s War, is a beautifully written, well-plotted work of historical fiction based on the heroic efforts of Mosque activists who forged identity documents for Jews, hid them in the mosque and led an estimated 500 to 1700 through the catacombs to safety. Khan does a particularly good job at making Safiyyah not only an eyewitness but also a bold heroine who dives into action, risking her life for others. 

As Paris becomes increasingly dangerous, Khan introduces a diverse, multigenerational cast that enriches the soul of this novel. There’s Setti, who longs for her native Algeria, which she was forced to leave as a teenager; Safiyyah’s father, who tends to Mosque business and taught Safiyyah to always help others; Monsieur Cassin, an elderly, well-known botanist who shows Safiyyah the wonders of an adventurous life; Timothée, a refugee shepherd boy from northern France; and Hana, a Jewish classmate whose parents have been captured by the Nazis and who comes to live with Safiyyah’s family. 

Khan builds an intricate drama around these characters, ramping up the tension with each chapter as Safiyyah carefully observes what is going on outside in the city as well as within the confines of the Mosque. Adept at investigating, Safiyyah soon finds herself helping the resistance out in unimaginable ways, especially during the novel’s thrilling climax. 

Safiyyah’s War brings WWII Paris clearly into focus as it shows how people of all ages—from different cultures and religions—can band together in the face of evil. Khan is a writer to watch, and Safiyyah is a heroine worth remembering.

Hiba Noor Khan’s debut novel, Safiyyah’s War, is a beautifully written, well-plotted work of historical fiction based on the heroic efforts of activists at the Grand Mosque of Paris who led Jews to safety.

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