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MusicMemoir

Tuneful bios strike the right note

Feature by W.S. Lyon

This year brings thoughtful looks back at the careers of legendary musicians, whose public lives and stirring songs have moved listeners from the 1940s to the instantaneous now.

ALTERNATIVE VIEW
Pearl Jam Twenty is a book to get lost in, the kind to open slowly, a book that draws you in by its feel, its heft, its outward austerity. Like liner notes, it at once celebrates the band’s cool and invites you to find in them some piece of yourself—the conversations scrawled on concert tickets, the set lists smoothed out after having been balled up and cast aside, the image of 50,000 arms raised in the air. The message is clear: We can’t believe we created all this, and we couldn’t have done it without you.

Twenty is a fan book, both a companion piece for and a thing apart from the Cameron Crowe documentary of the same name. Crowe sets the tone with an adoring and personal introduction to the book: Defying the stereotypes of self-destructive American rock bands, Pearl Jam has managed to stay true to their own creative process with a “clear-eyed spirit that comes from believing in people and music and its power to change.” Through snippets of interviews and conversations that span more than two decades, Twenty is a nearly week-by-week account of the band’s triumphs, failures and history-making success.

STILL MY GUITAR
As a boy, George Harrison was bad in school and curious about guitars. In Hamburg, Harrison transformed from a boy into a man and, with his mates, into the most beloved musical act of all time. As a Beatle, he marveled at the mania circling his life, often turning a skilled and curious lens back at those swirling hordes. Eventually, his curiosity would again transform him, this time sending him Eastward and inward toward the mysticism of LSD and Hindu spirituality. Later, out of pure interest, he would go on to bankroll Monty Python’s Life of Brian and sponsor a young Formula One champion.

An ode to “the quiet Beatle,” George Harrison: Living in the Material World is linear and chronological. Its author, Harrison’s widow Olivia Harrison, shies away from direct personal commentary. Despite the near lack of point of view, the images themselves tell a story of two Georges: the public and the spiritual, the wry and the despondent. It’s a striking companion piece to the recent Martin Scorsese documentary of the same name that aired on HBO.

The two most powerful images in the book were taken by Harrison himself. One is of a cadre of faceless photographers shooting away at him from beneath the giant, menacing blade of an airplane propeller, an unbroken ring of onlookers gawking from the sidelines of the landing strip. The other is a self-portrait in the mirror, years later, of a hollow, bearded face holding a ball of pure light and ringed, Christ-like, by the reflected aura of the flash.

With 260 images and hundreds more diary clippings, quotes and reminiscences from his famous friends, Living in the Material World exposes Harrison in a manner true to his legacy: richly, with quiet steps, into an open-ended finish.

DAYLIGHT COME
Harry Belafonte’s My Song: A Memoir is a surprising, captivating portrait of the plucky singer and actor. From an impoverished boyhood with his stern Jamaican mother, to the showbiz break given him by jazz legends Charlie Parker and Max Roach, to his integral role in the nonviolent civil rights movement, and on to his continued passions as an entertainer and activist in Africa and around the world, this is an American life sustained by humanity and well worth its weight in words.

Co-author Michael Shnayerson writes deftly and with great power in a highly readable style. The story never flies too high, grounding itself in the humble past each time it nears soaring. This plays well for Belafonte, who comes across as entirely genuine. He’s equally frank when sharing the stories of his counsel with civil rights leaders, his friendship with Sidney Poitier and his mischievous pursuits of the women in his life. But the book focuses on Belafonte’s lifelong fight against injustice, a fight he continues today. After all, “Banana Boat Song” might sound like a romp, but day-o! is the cry of an abused working class.

BIRD ON THE WIRE
Part memoir of a lifelong struggle with alcohol, part litany of names, places and events associated with the folk movement of the 1960s, Judy Collins’ Sweet Judy Blue Eyes is on all counts a ballad in a familiar key. Collins is famous for her crystal-clear voice and weepy eyes, and for transfiguring the songs of others. Here, she sings in her own words, telling her own tale. But her deep connection to her father, who passed on to her the gift of music and the curse of booze, is sweetly recounted, and the struggles behind the music are told with a light touch. Collins has a remarkable set of memories to share, a view from the inside of America’s most legendary musical moment—Baez, Dylan, Stills, Cohen—and she paints it vividly with a sharp if occasionally odd sense of detail.

This year brings thoughtful looks back at the careers of legendary musicians, whose public lives and stirring songs have moved listeners from the 1940s to the instantaneous now. ALTERNATIVE VIEWPearl Jam Twenty is a book to get lost in, the kind to open slowly, a book that draws you in by its feel, its heft, […]
NonfictionMusicMemoirBiography

Their stars still shine

Feature by Henry L. Carrigan Jr.

As Pete Seeger reminds us in his now-iconic ballad, “Turn, Turn, Turn,” there’s a season for everything. This fall is the season for a cavalcade of music memoirs and biographies, books that will make music lovers weep, laugh and sing.

IT'S ONLY ROCK AND ROLL
This year the Rolling Stones will gather no moss but rake in the coin, as no fewer than four new books celebrate the band’s 50th anniversary. In music critic Philip Norman’s admiring and adoring biography of rock’s legendary bad boy, Mick Jagger, we meet the entire cast of characters who’ve feasted at the Stones’ banquet over the years—from Marianne Faithfull and Brian Jones to Jagger’s first girlfriend, Chrissie Shrimpton, Ronnie Wood and many others. At the center of it all is the canny middle-class Jagger, who carefully controlled and orchestrated his rebellious image to distinguish himself and the band from the well-scrubbed lads from Liverpool. Gathering interviews from everyone in Jagger’s life except Jagger himself, Norman takes us for a revealing walk down the moonlight mile of Jagger’s life, from his youthful embrace of the blues through the controversies surrounding the Altamont Music Festival, the arguments with band mate Keith Richards, and Jagger’s own constant need to reinvent himself as performer. Wild horses can’t drag Stones fans away from this riveting tale of a rock legend who’s still trying to find satisfaction.

MY MAN'S GOT IT MADE
In the early 1970s, one of the frequent guests at the Stones’ banquet was a star-crossed lad from Waycross, Georgia. Gram Parsons’ story is well known to many: Charming, handsome and talented young man with a trust fund grows up in a dysfunctional family, leaves home to carry his crystal voice and brilliant songwriting to music circles, rises quickly to radiant stardom, dies young in 1973 and is immortalized as the founder of cosmic American music and country rock. Journalist Bob Kealing rehearses this familiar story in his mesmerizing Calling Me Home: Gram Parsons and the Roots of Country Rock, but he also draws upon dozens of new interviews with Parsons’ family, friends and fellow musicians. Kealing offers a compulsively readable and intimate portrait of a young man who introduced the pure strains of country stars such as the Louvin Brothers and Merle Haggard to rock.

LIKE A BIRD ON A WIRE
When Leonard Cohen returned to the stage to much acclaim in 2007 after an extended absence, his fans embraced him as a long-lost pilgrim, and indeed he had been holed up in a Buddhist retreat center, looking for tranquility and order in his life. In I’m Your Man: The Life of Leonard Cohen, music critic Sylvie Simmons vividly chronicles the life of a musician whose song “Hallelujah,” affirming his faith in life and love, has become one of the most-recorded songs in pop history. Simmons draws extensively on Cohen’s private archives, unpublished writings and his vast store of published writings, as well as interviews with close friends, rabbis and Buddhist monks as she traces Cohen’s path from his early life in Montreal through his rise to fame as a raspy-voiced singer-songwriter in the 1960s and ’70s, his retreat from the public eye and his return. In this elegantly crafted biography, Simmons captures the artist who, in spite of all his highs and lows, is still sharp at the edges, a wise old monk, a trouper offering up himself and his songs.

AIN'T I A WOMAN
While Cohen has recently returned to the music scene, soul singer Bettye LaVette never left it, and she’s finally getting some long-overdue recognition for her powerful, heart-wrenching singing. Unflinchingly honest, LaVette, with writer David Ritz, shares the searing story of her struggle to gain recognition for her tremendous talent—praised by her friends Aretha Franklin, Otis Redding and others—and the many obstacles along the way that kept her from stardom in A Woman Like Me. As a teenager, she hit the charts with “My Man—He’s a Lovin’ Man,” and though life continued to push her down, LaVette never lost hope. Her stunning rendition of the Who’s “Love Reign o’er Me” at the Kennedy Center Honors catapulted her back into the spotlight in 2008. Energetic and frank, LaVette’s unforgettable memoir spotlights a star that still shines.

THE GAMBLER
On a train bound for nowhere, country legend Kenny Rogers met up with success. In his aw-shucks, sit-down-and-listen-for-a-spell memoir, Luck or Something Like It, the singer-songwriter who has sold tens of millions of records asks us onto his front porch as he reminisces in never-before-told stories about his upbringing in a poor part of Houston, his love for his parents and family, his love of music at an early age, his five marriages and his artistic partnerships with Dolly Parton and Barry Gibb, among others. With a twinkle in his eye and a song in his heart, Rogers gracefully recalls the ups and downs on his wild ride to fame, grateful to have had the good fortune to remain in the spotlight as an entertainer for more than 50 years.

ALSO IN BOOKPAGE
Read a review of Neil Young’s Waging Heavy Peace.

As Pete Seeger reminds us in his now-iconic ballad, “Turn, Turn, Turn,” there’s a season for everything. This fall is the season for a cavalcade of music memoirs and biographies, books that will make music lovers weep, laugh and sing. IT'S ONLY ROCK AND ROLLThis year the Rolling Stones will gather no moss but rake […]
NonfictionPhotographyMusic

Memories of musical greats

Feature by Henry L. Carrigan Jr.

Whether through letters, lyrics or rare photos, a number of this season’s books capture the magic of the music we love so much.

Acclaimed Beatles biographer Hunter Davies has gathered, for the first time, all of John Lennon’s correspondence in a groundbreaking collection. The John Lennon Letters, published on what would have been Lennon’s 72nd birthday, includes almost 300 letters, notes, doodles, handwritten Beatles set lists, grocery lists and lyrics to never-recorded songs. Ranging from 1951 to Lennon’s reclusive years with Yoko Ono in the late 1970s, this fascinating volume contains thank-you notes to family and friends; love notes to Cynthia, his first wife (including a homemade card that celebrates their first Christmas together); a page from a homemade book, A Treasury of Art and Poetry, that he wrote when he was 11; and letters to record executives and other Beatles. With affection and insight, Davies provides elegant introductions to each of the book’s sections, setting each of the items into the fuller context of Lennon’s life and times.

SHINE A LIGHT

Fifty years after they kicked off their rollicking and raucous career at The Marquee Club in London, the Rolling Stones continue to prance across stages with their hard-driving anthems celebrating sex, drugs and rock ’n’ roll. The band marks the anniversary with The Rolling Stones 50, by Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood. More than 1,000 illustrations from the archives of the Daily Mirror chronicle now-legendary events in the Stones’ career—from the band’s first appearance on the Ed Sullivan Show to the 1969 concert at the Altamont Speedway. Captions from band members accompany the photographs; in a concert photo of the Stones in the Brighton Ballroom in 1964, packed with fans screaming, fainting and fist-fighting, Jagger remarks that “it was getting to be the same old thing, night after night. There was every chance that someone would get seriously hurt if this kept up.” Because it contains many rare and never-before-seen photos, this essential collection is a perfect gift from the Stones to their fans.

ARE YOU EXPERIENCED?

An entire generation of guitarists grew up imitating Jimi Hendrix’s blazing guitar solos. Yet, as Hendrix’s sister, Janie, illustrates so forcefully in her lovingly crafted collection, Jimi Hendrix: The Ultimate Lyric Book, Hendrix excelled as much at lyrics as he did at licks. Published in time for what would have been Hendrix’s 70th birthday, this collection of handwritten lyrics, some scribbled on hotel stationery, offers powerful insights into Hendrix’s passionate imagination and lyrical genius. Photos accompany each song, bringing to life Hendrix’s enduring legacy and his ability, in his sister’s words, to build a “bridge from past to present to future.”

Whether through letters, lyrics or rare photos, a number of this season’s books capture the magic of the music we love so much. Acclaimed Beatles biographer Hunter Davies has gathered, for the first time, all of John Lennon’s correspondence in a groundbreaking collection. The John Lennon Letters, published on what would have been Lennon’s 72nd […]
PhotographyMusicMemoirBiography

The song remains the same

Feature by Henry L. Carrigan Jr.

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph.

In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year later, Neil Young joined the band, and the quartet rocketed to superstardom on the strength of Graham Nash’s song “Teach Your Children.” Behind the scenes, though, life wasn’t so harmonious. In his honest and well-crafted memoir, Wild Tales: A Rock & Roll Life, Nash reveals the fierce struggles between Stills’ and Young’s titanic egos that eventually destroyed the group (although they have never officially broken up). With the lyrical flights of his best songs (“Carrie Anne,” “Our House,” “Chicago”), Nash carries readers on a journey from his often difficult childhood in the industrial north of England and the formation with Allan Clarke of the band that eventually became the Hollies, to his encounters with Mama Cass Elliot (who introduced him to David Crosby), Joni Mitchell, the Everly Brothers and Bob Dylan. While Nash holds back little, unveiling his disappointments with his own work and that of others, his love of songwriting and harmony remains: “I am a complete slave to the muse of music.”

STAIRWAY TO HEAVEN

While Nash tells his own story in his own words, Led Zeppelin front man Robert Plant told journalist Paul Rees that he had no intention of writing a memoir because it was “too early in his career to do so.” Instead, Plant allowed Rees to have unparalleled access to his closest friends and associates to tell the story in Robert Plant: A Life. Rees chronicles Plant’s childhood as the son of an engineer in England’s industrial Midlands, where he would often hide behind the sofa and pretend to be Elvis. Deeply influenced by the blues (in particular the music of Robert Johnson), Plant began singing with local bands around Birmingham and left home at 17 to pursue a music career. But it was not until he teamed with Yardbirds guitarist Jimmy Page in 1968 that his ascension to rock-god status truly began. A few months later, after the band’s name was changed to Led Zeppelin, their rapid rise to fame exceeded even Plant’s wildest expectations. Rees traces the successes and excesses of Led Zeppelin, from limos, groupies and sudden wealth to plagiarism charges and “poisonous” reviews. He also explores Plant’s recent work, including his acclaimed collaboration with bluegrass fiddler Alison Krauss. Plant comes across as a confident but agreeable superstar, a “preening peacock” whose long locks and powerful voice secured his place in the rock pantheon.

HELLO, I’M JOHNNY CASH

Although Johnny Cash told his own story on at least two occasions—in Man in Black (1975) and, with Patrick Carr, Cash: The Autobiography (1997)—he nevertheless remains an enigmatic figure whose life story is surrounded by as much legend as truth. Until now. Drawing on previously unpublished interviews with Cash as well as previously unseen materials from the singer’s inner circle, former L.A. Times music critic Robert Hilburn gives us the definitive biography of the Man in Black in Johnny Cash: The Life. In intimate detail, Hilburn—the only music journalist at Cash’s legendary Folsom Prison concert in 1968—elegantly traces the contours of Cash’s life and career. After a hardscrabble childhood in Dyess, Arkansas, Cash built on his early love of music and made insistent attempts to get Sam Phillips’ attention at Sun Records. Hilburn chronicles Cash’s early hits such as “Folsom Prison Blues,” his foray into television in the late 1960s with “The Johnny Cash Show,” his failed first marriage and his deep love for June Carter, as well as his drug addictions. Most importantly, Hilburn compiles an exhaustive record of Cash’s enduring contributions as a songwriter and singer to both rock and country music.

TAKE THE “A” TRAIN

In the almost 40 years since his death, Duke Ellington has remained an enigmatic figure, even as his reputation as one our greatest and most culturally prominent orchestra leaders and jazz composers continues to grow. Following his acclaimed biography of Louis Armstrong, Pops, culture critic Terry Teachout draws on candid unpublished interviews with Ellington, oral histories of the orchestra leader and his times, and other little-known primary sources to tell a mesmerizing story in Duke: A Life of Duke Ellington. Teachout follows Ellington from his childhood in Washington—where he gained his name “Duke” because of his stylish dress—and the first band he formed at 20, to his move to Harlem at the beginning of the Harlem Renaissance and his emotional distance from family and friends for the sake of composing his music. Teachout traces Ellington’s deep influence on various cultural movements, from the Harlem Renaissance to the Duke’s own renaissance at the 1956 Newport Jazz Festival. Teachout brings Ellington to life in this richly detailed and engrossing biography.

OLD FRIENDS

We often remember our favorite album covers and photos of our favorite musicians as much as their music. For more than four decades, Columbia Records staff photographer Don Hunstein snapped memorable shots of figures as diverse as Aretha Franklin, Sly Stone, Miles Davis, Leonard Bernstein, Mitch Miller, Tony Bennett and Bob Dylan, catching rare private moments of public lives. A collection of gorgeous, never-before-seen photos from the Columbia Records archive, Keeping Time: The Photographs of Don Hunstein illustrates Hunstein’s ability to capture artists relaxing and being themselves. Photos of Johnny Cash on his family’s farm in 1959, a weary Duke Ellington talking to Langston Hughes at the 1956 Newport Jazz Festival, and Cassius Clay and Sam Cooke teaming up in the recording studio in 1964 are just a few of the gems included here. In the words of New York Times music writer Jon Pareles, who contributes the book’s brief text, Keeping Time is “a quietly revealing close-up of artists who graced and transfigured the twentieth century.”

Hitting the shelves this fall are several new biographies and autobiographies of rock, country and jazz stars that reveal never-before-heard refrains of personal anguish, as well as triumph. In 1969, Crosby, Stills & Nash emerged as a supergroup, showcasing sweet harmonies and tight arrangements. One year later, Neil Young joined the band, and the quartet […]
NonfictionMusicBlack HistoryBiographyAmerican History

Turning points on the road to equality

Feature by John T. Slania

African Americans have been struggling for independence, equality and respect from the moment they were brought to the New World in chains. As that struggle continues today, it’s instructive to look back on our turbulent history to learn from the past and hopefully improve on the future. The five books featured here can help us to do just that, examining historical themes that serve as milestones on the journey of progress.

DESPERATION & DECEPTION

It’s ironic that Captain Amasa Delano was on the high seas in pursuit of seals when he came upon what appeared to be a slave ship. Hunting for seals and slaves were equally predatory professions. And while seal hunting was a lucrative industry, the slave trade would prove to be even more profitable. Not that Delano would grasp the irony; he was an idealistic, anti-slavery New Englander. And when he boarded the battered vessel, his idealism would leave him vulnerable to a deception that had deadly consequences.

This page-turning history lesson is found in The Empire of Necessity by Greg Grandin, author of the acclaimed Fordlandia. Delano’s ship happened upon a distressed Spanish vessel one day in 1805. It appeared to be merely a lost slave ship. In reality, the 70 West Africans on board, seeking their freedom from slavery, had commandeered the ship. The clever slaves forced the Spanish captain to go along with the ruse. Delano believed the charade for nine hours, but when he discovered he’d been tricked, he ordered his men to attack the West Africans.

While Grandin’s narrative is a gripping read on its own, the underlying theme is profound: The deception in this incident is symbolic of America’s willingness to ignore the hypocisy of slavery in a supposedly free society. Unfortunately, it would take the United States another 60 years before it would acknowledge the falsehood.

FAILED EXPERIMENT

When the Civil War ended slavery in 1865, the U.S. embarked on an effort to provide reparations to Southern landowners and expanded rights to newly freed slaves, including suffrage and education. That policy, called Reconstruction, was a noble idea that failed.

In The Wars of Reconstruction, Le Moyne College history professor Douglas R. Egerton details the myriad factors that led to the collapse of Reconstruction: the replacement of Abraham Lincoln with an inept Andrew Johnson; Southern resistance to the granting of equal rights to blacks; and the premature withdrawal of federal troops. But Egerton contends that an ongoing pattern of violence in the South doomed Reconstruction from the beginning. “Reconstruction . . . was violently overthrown by men who had fought slavery during the Civil War and continued that battle as guerrilla partisans,” Egerton writes.

The Wars of Reconstruction offers a fresh perspective on why the grand experiment of Reconstruction failed and how it took nearly a century afterward for African Americans to gain any semblance of equal rights in the South.

SIREN SONG

In the early 1900s, many African Americans—shackled by an inability to earn a living or cast a vote—began a Great Migration from the rural South to the industrialized cities of the North. Jobs in the car factories of Detroit and steel mills of Chicago beckoned, while also fostering a black middle class. For the first time, African Americans earned enough money to own homes, buy cars and spend money on entertainment. One of the people they went to see was trumpeter Louis Armstrong.

In Louis Armstrong: Master of Modernism, Duke University music professor Thomas Brothers chronicles Armstrong’s own Great Migration. After gaining notoriety as a musician in New Orleans, Armstrong heard a siren song in 1922 calling him north to Chicago, where there was a thriving black nightclub scene on the city’s South Side. There, Armstrong honed his crafts playing alongside jazz greats such as King Oliver, Earl “Fatha” Hines and Cab Calloway.

While this biography highlights the maturation of a great entertainer during the Jazz Age, it parallels the evolution of many African Americans in the early 20th century as they earned respectable livelihoods and carved out their own cultural enclaves in the North.

BARRIER TO PROGRESS

Unfortunately, the prosperity of the Jazz Age gave way to the Great Depression, and over the next several decades, many African Americans suffered from poverty and segregation in Northern cities. Some returned to the South, only to encounter further discrimination. The hatred experienced by a race was crystallized in the life of James Meredith, a trailblazer best known as the first African-American student to attend the University of Mississippi. Meredith is the central figure in Down to the Crossroads, an intriguing new book about the civil rights movement by historian Aram Goudsouzian.

Down to the Crossroads focuses on the so-called Meredith March, which the civil rights leader began on June 5, 1966, to register black voters in Mississippi. He started the march in Memphis with the goal of reaching Jackson, Mississippi, but he was soon wounded by a mysterious gunman. While Meredith recovered from his wounds, other black leaders, including Martin Luther King Jr. and Stokely Carmichael, traveled to Mississippi to continue the Meredith March.

Goudsouzian uses the march to capture the divergent leadership styles of the era’s civil rights leaders. There was the defiant Carmichael, who led marchers in “black power” chants, while King preached nonviolence. This single march, captured in detail in Down to the Crossroads, gives readers a clearer understanding of the tensions that often dominated the civil rights movement. 

CONTINUING THE DREAM

When King was assassinated in Memphis on April 4, 1968, some thought it was the end of the dream of equality for African Americans. In his new book, Waking from the Dream, David L. Chappell turns the spotlight onto those who stepped in to continue the cause in King’s wake, albeit in a less unified fashion.

Waking from the Dream describes the attempts by black leaders such as Ralph Abernathy and Jesse Jackson to further the movement, only to see the struggle slowed by politics and in-fighting. Despite the splintered movement, Chappell details how this new generation of leaders helped gain the passage of the Fair Housing Act and launched the presidential campaign of Jackson.

While it would take another 40 years before Americans would vote in their first black president, Waking from the Dream makes a strong case that Barack Obama would never have been elected were it not for the efforts of the leaders who followed in King’s wake.

African Americans have been struggling for independence, equality and respect from the moment they were brought to the New World in chains. As that struggle continues today, it’s instructive to look back on our turbulent history to learn from the past and hopefully improve on the future. The five books featured here can help us to do just that, examining historical themes that serve as milestones on the journey of progress.

NonfictionMusicMemoirBiography

That’s what makes the jukebox spin

Feature by Henry L. Carrigan Jr.

This fall, music keeps playing around in our heads thanks to a crop of books by and about some of rock's most elusive artists, as well as its most treasured songs. 

WHOLE LOTTA SHAKIN’
Over a two-year period, maverick Southern author Rick Bragg (All Over but the Shoutin’) sat down with Jerry Lee Lewis and let the Killer walk “day after day through the past and come back, sometimes bloody, with the stories in this book.” Not simply an “as-told-to” memoir, Jerry Lee Lewis: His Own Story is a harmonious blend, with Lewis providing the details of his life and Bragg weaving a narrative around them to add historical and cultural context. “He did not want to do a first-person book,” Bragg writes, “and I had no interest in trying to pretend to be him. Instead, this is one man talking of a remarkable life and another man writing it down and shaping it into a life story so rich that, if I had not been there, I would have wondered if it was real.”

And Lewis’ story is definitely remarkable: Full of life from birth—“I come out jumpin’, an’ I been jumpin’ ever since”—Lewis discovered his “reason for being born” when he saw a piano in his aunt’s house as a child. He knew he wanted to be a star, so he pursued his dream relentlessly, appearing in clubs when he was 14 and lying about his age. Lewis burned down many roadhouses with his raucous style, rising to fame with songs such as “Whole Lotta Shakin’ Goin’ On” and “Great Balls of Fire,” and leaving in his wake broken marriages and mangled friendships. The book candidly catalogs his problems with drugs, alcohol, taxes and women (his seven marriages included a union with his 13-year-old second cousin that caused an international scandal). Lewis also acknowledges his fear that he may have led people astray with his music, but confesses that music was the purest part of his life. Lewis tells his story here for the first time, and it’s every bit as frantic, ugly, joyful and searing as you’d expect from the Killer.

A NATURAL WOMAN
While Lewis hypnotized audiences with manic energy, Aretha Franklin grew up in the Detroit church where her father preached, playing soulful gospel piano and developing her unmistakable voice. Franklin collaborated with music writer David Ritz in 1999 on a less-than-revealing memoir, Aretha: From These Roots. As Ritz explains in his new book, Respect: The Life of Aretha Franklin, Franklin asked him to work with her on a second volume, but he declined, citing her insistence on steering clear of certain topics. Instead, Ritz chose to write an independent biography, drawing on his earlier conversations with the singer, her friends and family to provide a full and frank account of the Queen of Soul’s career. Moving album by album, the book recounts her rise to the top of the soul charts in the late 1960s and her fall from the throne in the early 1970s. She struggled to find her style in the disco era, and reinvented herself in 1985 with the hit “Freeway of Love.” Franklin isolated herself for almost 20 years after the deaths of her father, sisters and brother, only to come out of the shadows once again in 2008 to sing at President Obama’s first inauguration. Franklin’s life is rarely pretty, however, and Respect is ultimately a poignant and disappointing tale of a singer who never reached the pinnacle for which she aimed.

SOUL SACRIFICE
In 1966, a young guitar player named Carlos Santana filled in one night at Bill Graham’s famous Fillmore West with an impromptu group of musicians; the rest, as they say, is history. Three years later, Santana and his band mesmerized the crowd at Woodstock, and soon after, the band’s first album climbed to #4 on the Billboard charts. Reaching this level of success wasn’t easy, as Santana reveals in his new memoir, The Universal Tone: Bringing My Story to Light, which he co-wrote with Ashley Kahn and Hal Miller. Although the book’s prose is sometimes flat and repetitive, the details of Santana’s story are nevertheless compelling. He traces his path from his childhood in the Mexican town of Autlán to his earliest gigs at El Convoy in Tijuana. Santana recounts his sometimes ragged family life and reveals for the first time the sexual abuse he suffered at age 11 at the hands of a man who took him to San Diego and molested him, leaving the boy with “an intense feeling of pleasure mixed with confusion, shame, and guilt for letting it happen.” Above all, however, Santana’s memoir recounts his spiritual quest to find the “story behind the stories, the music behind the music. . . . I call it the Universal Tone, and with it you realize you are not alone; you are connected to everyone.”

 

Paul McCartney added psychedelic illustrations to his handwritten lyrics for “The Word,” a song on 1965’s Rubber Soul album. 
From The Beatles Lyrics, reprinted with permission. Lyrics © Sony/ATV Music Publishing.

 

ALL YOU NEED IS LOVE
Although the life stories of musicians continue to fascinate us, we’re just as intrigued and perplexed by the lyrics of popular songs. Few songs have been as scrutinized as those by the Beatles, and in his new book, The Beatles Lyrics, Beatles biographer Hunter Davies not only probes the meanings of the Fab Four’s songs but also gives readers a behind-the-scenes look at their writing process. For John Lennon and Paul McCartney, songwriting could happen anywhere—songs might begin as a scribble on the back of an envelope or on hotel stationery. “Strawberry Fields,” for example, was written by Lennon when he was in Spain, far from home and thinking back on his childhood in Liverpool. This stunning collection explores the stories behind all the Beatles’ classics and includes more than 100 original handwritten manuscripts.

CRYING, WAITING, HOPING
The hallways of rock ’n’ roll history are littered with volumes that move mechanically through a year-by-year chronicle of important events. Noted cultural critic Greil Marcus wasn’t interested in writing a typical history of the genre, however. His provocative The History of Rock ’n’ Roll in Ten Songs chronicles the music through an exploration of 10 songs recorded between 1956 and 2008. In his typical gnostic style, Marcus examines the ways in which each song transcends its era, gathering meaning as it is recorded by artists in completely new times and places. For example, he observes that the Teddy Bears’ 1958 hit, “To Know Him Is to Love Him,” took 48 years to find its voice. “When Amy Winehouse sang it in 2006, her music curled around Phil Spector’s [who wrote the song], his curled around her, until she found her way back to the beginning of his career, and redeemed it.”

Marcus’ unconventional history captures the unruly, unpredictable nature of rock ’n’ roll.

 

This article was originally published in the November 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

This fall, music keeps playing around in our heads thanks to a crop of books by and about some of rock's most elusive artists, as well as its most treasured songs.
NonfictionMusicMemoirBiography

Following the beat of their own drummers

Feature by Henry L. Carrigan Jr.

The lives of musical greats continue to fascinate us, and this fall once again features biographies and memoirs of key players, from the producer credited with inventing rock ’n’ roll to a woman at the forefront of feminist rock.

On December 4, 1956, Elvis Presley, Carl Perkins, Jerry Lee Lewis, Roy Orbison and Johnny Cash got together in Memphis’ Sun Studio for an impromptu jam session. Behind the console was Sam Phillips, the man who not only discovered Presley, Cash and Lewis, but who also dreamed of bringing together black and white voices in the studio in a deeply divided South. Peter Guralnick, the dean of rock historians, draws on extensive interviews from his 25-year friendship with Phillips in the epic, elegant and crisply told Sam Phillips: The Man Who Invented Rock ’n’ Roll. Guralnick charts Phillips’ path from his birth near Florence, Alabama, to the founding of Sun Records—and chronicles his enduring contributions to rock ’n’ roll. When he produced Rufus Thomas’ version of “Hound Dog,” for example, Phillips thought it didn’t live up to Big Mama Thornton’s original, but “Rufus carried off his performance with genuine conviction—the one unwavering test Sam applied to any material he let out of the studio.” In the end, as Guralnick points out, what drove Phillips was his dream of allowing the voices he had heard singing chants in the cotton fields to express themselves in their own way. “[M]usic was not confined to the drawing room . . . there was great art to be discovered in the experience of those who had been marginalized and written off because of their race, their class, or their lack of formal education.” 

LONG AS I CAN SEE THE LIGHT
John Fogerty of Creedence Clearwater Revival serves as a cracking good storyteller in Fortunate Son: My Life, My Music. Born in El Cerrito, California, in 1945, Fogerty sought music as both escape and solace after his parents’ divorce. He traces the early incarnations of Creedence and the band’s rise to the top of the charts in 1969 with “Proud Mary” and “Born on the Bayou.” He also offers backstory on his lyrics: “Bad Moon Rising,” for instance, grew out of hearing people talk in astrological lingo such as “I’m a Virgo with Libra rising.” Although Creedence was flying high in the late 1960s and early ’70s, the group soon descended into an inferno of contentious legal battles. Fogerty expresses his anger and disappointment with bandmates Stu Cook and Doug Clifford, and for the first time shares what he believes were the outlandish courtroom tactics of lawyers who knew nothing about music. After a period away from the public eye, he has immersed himself in songwriting once again—“all good songs engage you because they get you to feel something”—and emerged thankful for the journey, even the hard parts.

THE LOVE YOU SAVE
Rolling Stone writer Steve Knopper chronicles the King of Pop’s rise to fame in the compulsively readable MJ: The Genius of Michael Jackson. Drawing on 400 interviews with friends, family and others, Knopper traces Jackson’s musical genius from his early days with the Jackson 5 through his out-of-this-world solo success with “Beat It” and “Thriller.” When Jackson met Quincy Jones in the mid-1970s, he saw Jones as a father figure who could take the place of the abusive Joe Jackson, and by the end of the ’70s, Jackson was working with Jones, moving toward a solo career and developing his signature dance moves. With the release of videos for “Billie Jean” and “Thriller,” he successfully “integrated radio and MTV,” Knopper writes. Through much of the 1990s and early 2000s, Jackson lived under the shadow of child sexual abuse charges, and he sank into oblivion from prescription drug use before his death in 2009. Still, for nearly three decades, he was “supernaturally graceful, the rare show-business Renaissance man who could sing, dance, and write songs.” 

PAINTED FROM MEMORY
Unlike most traditional memoirs, Elvis Costello’s Unfaithful Music & Disappearing Ink eschews any narrative structure, moving freely out from his childhood in Liverpool and London, where he accompanied his father to dance halls, soaking up the chords and vibes. In school, he managed to talk a couple of friends out of an “unhealthy fascination with the music of Emerson, Lake & Palmer” and turn them on to the acoustic music then flowing out of Laurel Canyon. Costello mulls over his associations with musicians from Emmylou Harris to Kris Kristofferson, discussing the influence each has had on him. A prolific songwriter, he also shares insights into the composition of his songs. For “Allison,” which is based on the imagined life of a grocery checkout cashier, he writes, “I have no explanation for why I was able to stand outside reality and imagine such a scene as described in the song and to look so far into the future.” Costello’s aim is true in these peripatetic musings about his life and music.

MODERN GIRL
Guitarist Carrie Brownstein co-founded the group Sleater-Kinney, pushing the boundaries of punk and indie rock and emerging as a central figure of the riot grrrl movement. In Hunger Makes Me a Modern Girl, she probes her life with an honesty that is at once painful and spirited. Growing up in a suburb of Seattle, Brownstein attended her first concert—Madonna—in fifth grade, a “moment I’ll never forget, a total elation that momentarily erased any outline of darkness.” By the time she was in high school, she was alienated from her parents and immersed in Bikini Kill, whose music provided a haven from the turmoil of her teenage life. She and Corin Tucker eventually formed Sleater-Kinney and made a name for themselves in the Seattle scene and around the world. Brownstein bubbles over with fiercely blunt insights about the male-dominated music business: “[P]ersona for a man is equated with power; persona for a woman makes her less of a woman.” When Sleater-Kinney broke up in 2006, Brownstein went on to co-write, produce and star in the television show “Portlandia.” She declares that, for her, performing and playing and living the life of a working artist constitutes her search for a home: “the unlit firecracker I carried around inside me in my youth . . . found a home in music.”

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

The lives of musical greats continue to fascinate us, and this fall once again features biographies and memoirs of key players, from the producer credited with inventing rock ’n’ roll to a woman at the forefront of feminist rock.
NonfictionMusicMemoir

The defining sounds of a generation

Feature by Hilli Levin

The nostalgia wave rippling through today’s culture may seem troublesome to some, but music has always been an art form that builds upon and pays homage to what has come before. Five new books chronicle some of the most earth-shaking, history-making artists who changed our cultural landscape. From the story behind the sweet and soulful sounds of Motown to Bruce Springsteen’s long-awaited memoir, each is worthy of a spot alongside any record collection.

THE LEGEND OF MOTOWN
On my first trip to Detroit this year, the only site on my list was the original Motown headquarters. There are many remarkable things to see in that venerable building, but for me, the most astonishing was the size of the garage recording studio where some of the biggest songs in the American musical canon were put to tape: It’s tiny! But that studio is a powerful testament to the magic of Berry Gordy’s larger-than-life empire, and Adam White’s Motown does an incredible job of examining just what happened in the building that housed America’s most influential record label. This beautifully packaged book holds a staggering amount of interviews with the label’s influencers and recording artists along with absolutely stunning photographs from all of the eras and iterations of Motown, from Tamla in 1959 to the opening of Motown: The Musical in 2013. Go behind the scenes with Motown artists like Smokey Robinson and The Miracles, Marvin Gaye, The Supremes, Stevie Wonder and The Jackson 5, starting with their discoveries, first records and those early days on tour. While this is an all-out celebration of African-American music, glitz, glamour and Motown’s cultural impact, White also highlights the abysmal state of the political landscape during the label’s rise in chapters like “We Don’t Serve Coloured People,” which makes the incredible success, resilience and power of the Motown sound shine that much brighter. 


The Temptations perform their signature hit, "My Girl," in 1965. From L to R: Melvin Franklin, Eddie Kendricks, Otis Williams, Paul Williams and David Ruffin. Motown Records Archives. Courtesy of the EMI Archive Trust and Universal Music Group.

SATISFACTION SONG BY SONG
Philippe Margotin and Jean-Michel Guesdon sum up the reason why the Rolling Stones are still one of the biggest bands in the world in their introduction to The Rolling Stones All the Songs: “The music of the Stones comes across as authentic because it is the music of a never-ending party, of a categorical refusal to grow old.” Their ambitious tome delivers on the title’s claim, opening with a brief history of the band’s formation in London in 1962 and wading through their entire catalog in a whopping 704 pages. Of course, there’s no pressure to read from cover to cover—fans are sure to go straight for their favorite songs and hop around from there. With fun facts “For Stones Addicts,” standalone “Portraits” of important Stones collaborators like Ian Stewart (the oft-forgotten “Sixth Stone”), along with full details on the writing and recording process as well as the reception of each track, Margotin and Guesdon make what could be a bit of a slog into a rip-roaring journey through the discography of the kings of cool. 

THE FREEWHEELIN' BARD
Is there any songwriter worthier of a sumptuous lyrics collection than the inimitable Bob Dylan? The Lyrics: 1961-2012 is an updated edition of the stunning 2014 volume with new edits supplied by Dylan himself on dozens of his classic songs. Running chronologically from his early Greenwich Village days to 2012’s “Tempest,” this collection is comprised of the lyrics from 31 Dylan albums. Full-page photos and a few facsimiles of his handwritten drafts—there were quite a few interesting changes to “Blowin’ in the Wind”—put his poetic mastery on full display. 

With more than 100 million records sold, Dylan is not only one of our most artful songwriters, but one of the bestselling of all time. A great coffee-table book, this could easily provide hours of study, or you could just grab your favorite Dylan record, put the needle down and read along.

YOU WANT A REVOLUTION?
There have likely been more books written about the Beatles than any other figures in music history, and when the field is this crowded, it’s hard to find a read that stands out. But Steve Turner’s Beatles ’66: The Revolutionary Year is a wonderfully compelling look into the year that changed everything for the band. By 1966, the hysteria of Beatlemania and the strain of public life had taken quite a toll. After their joyless show at San Francisco’s Candlestick Park, George suggested, and the rest of the band readily agreed, that it was time to quit the touring life for good. From there, John, Paul, George and Ringo took control—pushing boundaries in the studio and grappling with more adult issues in their lyrics in order to “stretch the limits of pop.” Turner immerses readers in their lives: the art and media they were consuming, the drugs they were taking, the creative breakthrough they were seeking—all of which resulted in “Revolver,” which Turner argues is the most innovative and compelling album the Beatles ever recorded. A chronology of the year’s historical events and a selection of each member’s favorite songs from the period round out this entertaining study.

A TRAMP LIKE US
Readers, I’ll admit: I am late to the Bruce Springsteen fandom. Maybe it was the macho stage histrionics or his cheesy nickname (“The Boss”) that kept me away. But after my first three-hour Springsteen show, it made sense. His anticipated memoir, Born to Run, is similar to his live shows, inviting you along on an emotional marathon. Herein lies the Springsteen I’ve been hoping to find: raw and poignant with plenty of punk attitude. Some will undoubtedly be surprised by the amount of casually crass and sexed-up passages, but the cheeky Springsteen makes no apologies. Superfans will love the details of his musical beginnings, the fledgling days of the E Street Band and his recording process for each of his records, but he doesn’t leave out the less glamorous details of sleeping rough and scraping by for decades. In passages like his account of seeing Elvis for the first time—“THE BARRICADES HAVE BEEN STORMED!! A HERO HAS COME.”—hearing the Beatles on “The Ed Sullivan Show” and the life-altering birth of his first child, his writing mirrors his rock ’n’ roll preacher stage-speak. But his true gifts as a writer come through in the quieter passages that lay bare his struggles with deep depression, the scars of his Catholic upbringing and his tumultuous relationship with his mentally ill father.

With high praise for each movement and artist chronicled in the other four books featured here, it’s clear that The Boss may be one of biggest music geeks of us all. Born to Run may not be as lyrical as his friend Patti Smith’s Just Kids, but it’s a haunting and hopeful triumph.

 

This article was originally published in the November 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

The nostalgia wave rippling through today’s culture may seem troublesome to some, but music has always been an art form that builds upon and pays homage to what has come before. Five new books chronicle some of the most earth-shaking, history-making artists who changed our cultural landscape. From the story behind the sweet and soulful sounds of Motown to Bruce Springsteen’s long-awaited memoir, each is worthy of a spot alongside any record collection.
MusicGraphic Novels & ComicsBiography

Visual biographies of two iconic artists

Feature by Hilli Levin

Peer into the lives of two world-changing artists with these inventive new graphic biographies. Each artist made history in their chosen fields, but also transcended their medium to achieve international stardom. Their larger-than-life legacies are now a part of our everyday lives.

FROM WARHOLA TO WARHOL
Nick Bertozzi (The Salon) chronicles the early years of the-one-and-only pop art icon in Becoming Andy Warhol. This blend of historical fiction and biography begins in 1962 with the opening of his Campbell Soup Can show in LA, where Warhol was still a commercial illustrator. Bertozzi’s graphic biography is illustrated in simple black, white and purple pencil by the up-and-coming Pierce Hargan. We peer inside Warhol’s life before he broke through: quiet scenes of family life, nights out at galleries where he experiences painful snubs, glimpses of his romantic relationships and his intense, ever-present drive to create are all laid out in these panels. Fans will appreciate Bertozzi’s scenes of Warhol’s creative process for his anti-film Sleep, his controversial Brillo Box exhibit and the early days of hanging around in his iconic studio, The Factory. Bertozzi does a lovely job of humanizing Warhol by highlighting his mischievous antics and off-the-wall sense of humor, his devotion to his family, his belief in the power of pop culture and his pure devotion to the fine art he was making.


From Becoming Andy Warhol, by Nick Bertozzi and illustrated by Pierce Hargan © Abrams ComicArts, 2016

LONG LIVE THE KING
Philippe Chanoinat’s Elvis is a straightforward chronicle of Elvis’ journey to superstardom that begins with his birth in Tupelo, Mississippi. The text is conversational and fairly minimal, following Elvis through his first recording sessions, landmark concerts, TV appearances, acting career and more–right up to his death in 1975. Fabrice Le Hénaff’s painted illustrations are the true focal point here. His sensational watercolors lend a dreamy, cinematic quality to the book. Mostly painted from existing photographs, Elvis is vivid and full of energy on these pages. The book ends with 15 pages of Le Hénaff’s storyboards, sketches and renderings of Elvis from different periods in his life, and they are a welcomed addition. This graphic biography may not break any new ground on the King’s life like Peter Guralnick’s Last Train to Memphis or Careless Love did, but it is a lovingly rendered book that fans will enjoy all the same.

Peer into the lives of two world-changing artists with two inventive new graphic biographies. Each made history in their chosen fields, but also transcended the medium to achieve international stardom. Their larger-than-life legacies are now a part of our everyday lives.
NonfictionMusicBiography

Paging through the lives of musical icons

Feature by Hilli Levin

Literature and music have always made a perfect pair. For those on your holiday shopping list who are equal parts bookworm and audiophile, look no further than our picks for the five biggest music books of the season.

Stevie Nicks has enjoyed quite the renaissance in recent years as a wave of millennials has embraced her witchy aesthetic in a big way. So it’s the perfect time for Stephen Davis to publish Gold Dust Woman: The Biography of Stevie Nicks, his detailed, albeit unauthorized, account of the songstress and her very public highs and lows. Beginning with her earliest performance with Fleetwood Mac in 1975—a wild, haunting rendition of “Rhiannon” that’s definitely worth a watch on YouTube—Davis paints a vivid and easily accessible portrait of Nicks’ life that’s bolstered by quotes from previously published interviews. From singing in Southwestern saloons with her grandfather at the age of 5 to her meteoric rise after joining Fleetwood Mac and, later, her quest to claim her artistic independence, Davis fills in some lesser-known details in the life of a staggeringly talented musician. Long live the age of Nicks!

(Roy Orbison in his Ford Thunderbird, May 1961, by Joe Horton.
Reprinted with permission from Hachette.)

A LEGEND REVEALED
“Remarkably, the story of our dad’s life has never been told. Not the real story, that is.” And so three of legendary songwriter Roy Orbison’s sons—Wesley, Roy Jr. and Alex Orbison—set out to write The Authorized Roy Orbison. Beginning with the rockabilly crooner’s unexpected comeback, which resulted in the star-studded concert film Roy Orbison and Friends: A Black and White Night, the authors then shift back to his humble beginnings in West Texas and follow him through a career that resulted in 22 chart-topping hits. A more authoritative look at Roy Orbison’s life isn’t likely to be found, as this volume contains a trove of hundreds of photos, personal documents and charming behind-the-scenes stories from those closest to him. This is a vital look at a unique trailblazer whose ripple effect is yet to be fully understood.

MAKING A CASE FOR JONI
Bob Dylan may have won the Nobel Prize for literature in 2016, but a compelling argument could have been made for folk icon Joni Mitchell to take the prize. Reckless Daughter: A Portrait of Joni Mitchell is journalist David Yaffe’s exuberant biography of the talented Canadian singer-songwriter and painter. Yaffe’s straightforward chronicle of Mitchell’s prolific career is a superfan’s account of a woman he greatly admires, but it also illustrates how Mitchell became “the hero of her own life.” Although Yaffe was only able to interview Mitchell a few times, they clocked 12 hours of conversation each time, and plenty of Mitchell’s own asides and commentary are interspersed throughout. Although Reckless Daughter can sometimes feel a bit hurried and sticks to the surface level more than a dedicated fan might like (I could have read far more than two short chapters on her 1971 album and enduring masterpiece “Blue”), Yaffe illustrates just how influential and essential to the fabric of modern songwriting her work truly is. Mitchell’s lovers and male contemporaries—especially the aforementioned Dylan—are all too often at the forefront of musical histories. Mitchell explains that, before she came along, “songs for women were always doormat songs.” But thankfully, the Mitchell in Yaffe’s work is an imposing, resilient yet good-natured genius, treated with the reverence she deserves.

(W)RAP IT UP
When it comes to hip-hop pioneers, Chuck D—a founding member of the politically charged group Public Enemy—should be one of the first names mentioned. Public Enemy exploded onto the scene in the mid-1980s and completely changed the cultural perception of the genre. In Chuck D Presents This Day in Rap and Hip-Hop History, he’s serious about providing a comprehensive account of the genre’s most important moments. He salutes the early “DJs who carried, transported, and played thick record crates full of wax,” kicking off his catalog with August 11, 1973, when DJ Kool Herc played the first hip-hop set in the Bronx. And from there, all of the biggest milestones in hip-hop are rolled out—from De La Soul’s debut release all the way to A Tribe Called Quest’s incredible comeback in 2016. Eclectic artwork from 10 visual artists makes this a perfect book to keep on display.

WALK WITH LOU
Lou Reed will be remembered as one of the most enigmatic figures in rock history. After joining Andy Warhol’s Velvet Underground in 1964, he captivated and challenged audiences with his genre-defying sound. Rolling Stone contributor and Grammy award-winning writer Anthony DeCurtis made the complicated decision to pen Lou Reed: A Life after Reed’s death in 2013, citing their unique working relationship as the catalyst behind this compelling look at Reed’s struggles and triumphs. This is quite a tome, and DeCurtis dives deep, providing details about every recording session and project Reed took on. DeCurtis admits that personal aspects Reed “would have loved to erase, are discussed here in detail,” and even though DeCurtis counted Reed as a friend, “this book does not present him the way he wanted to see himself . . . it presents him as he was. And, I believe, as he knew himself to be.” This will surely come to be the definitive biography of this larger-than-life artist.

 

This article was originally published in the November 2017 issue of BookPage. Download the entire issue for the Kindle or Nook.

Literature and music have always made a perfect pair. For those on your holiday shopping list who are equal parts bookworm and audiophile, look no further than our picks for the five biggest music books of the season.

NonfictionMusicMemoirArt

Where words leave off, music begins

Feature by Hilli Levin

Five new gift-ready reads are here for the music lover in your life. From operatic rock to Americana, from classical to soul, we’ve got a pitch-perfect match no matter their genre of choice.

Queen superfans may be looking forward to the upcoming biopic Bohemian Rhapsody—starring “Mr. Robot” lead Rami Malek as iconic frontman Freddie Mercury—but the publication of Martin Popoff’s lovingly compiled Queen: Album by Album is an event in its own right. Popoff, who claims Queen is “absolutely the greatest band to ever walk this earth,” takes a deep dive into the band’s catalog and discusses each record in lively, conversational Q&A’s with musical figures like Sir Paul McCartney, Dee Snider, David Ellefson of Megadeth, Patrick Myers (lead in the Broadway musical Killer Queen) and more. Starting with Queen’s 1973 self-titled debut, the book moves chronologically, and every chapter begins with a detailed and passionate essay from Popoff on each album’s merits. Absolutely packed with photos of the band, gig posters and fun ephemera, Popoff’s freewheeling guide is definitely one to display.

TWEEDY'S TRUTH
Since 1994, the Chicago-based alternative rock-turned-Americana band Wilco have been pioneers of the indie scene, winning multiple Grammys and inspiring countless other musicians in their wake. Founder, frontman and lead songwriter Jeff Tweedy finally opens up to his devoted fans in his first memoir, Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc. Put your well-loved copy of “Yankee Hotel Foxtrot” on the turntable and settle in as Tweedy takes you through his childhood, early creative days in Chicago, the writing and recording of celebrated albums like 2004’s “A Ghost Is Born” and lays out some of his biggest struggles and triumphs.

A CLASSICAL TRADITION
Let’s be honest: Classical music has a bit of an image problem. For many, the mere mention of the genre conjures up images of the snooty bourgeoise in stuffy symphony halls. But BBC radio host Clemency Burton-Hill aims to change your perceptions and make you a bona-fide classical fan with Year of Wonder: Classical Music to Enjoy Day by Day. For each day of the year, Burton-Hill provides a piece of music by a wide range of composers—from a soaring hymn by medieval nun Hildegard of Bingen to stripped-down contemporary pieces composed by Philip Glass—along with a short rundown of the piece’s history and a description of what to listen for.

Joni Mitchell from Women Who Rock. Illustration by Anne Muntges, reproduced with permission from Black Dog & Leventhal.

LADIES LEADING THE WAY
Music journalist Evelyn McDonnell has written extensive biographies of groundbreaking artists like Joan Jett and the Runaways and Bjork, and she lends her decades of experience to editing Women Who Rock: Bessie to Beyoncé. Girl Groups to Riot Grrrl. The goal of this gorgeous coffee table book is “to tell a narrative story by focusing on key select figures who were true game changers.” And although the title suggests a focus on rock artists, the included essays offer “portraits of diversity, from Patsy Cline’s country melancholy to Joni Mitchell’s folk jazz to Missy Elliott’s avant rap.” Written by women and illustrated by women, this is a powerhouse collection that is completely, unapologetically celebratory. Revel in the greatness of Women Who Rock.

THE ONO FACTOR
Speaking of women getting some well-deserved credit in the music industry, did you know that Yoko Ono was only recently co-credited as a writer on John Lennon’s 1971 single “Imagine”? And now, her role in shaping Lennon’s late-period music and art is fully explored in Imagine John Yoko, a celebration of their partnership. Compiled by Ono and replete with photos from her personal archives, facsimiles of Lennon’s handwritten lyrics, stills from their narrative videos, excerpts from key interviews conducted during their collaborative period, concept sketches and photos of Ono’s pivotal art exhibits and more, this book will be a must-have for any fan of this world-changing pair. In a time when Ono’s activism seems as relevant as ever, she offers a rallying cry in the powerful preface: “Remember, each one of us has the power to change the world. Power works in mysterious ways. We don’t have to do much. Visualize the domino effect and just start thinking PEACE. It’s time for action. The action is PEACE.”

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Five new gift-ready reads are here for the music lover in your life. From operatic rock to Americana, from classical to soul, we’ve got a pitch-perfect match no matter their genre of choice.

Children's & YAPicture BookMusicBlack HistoryBiography

Immersive stories to open conversations

Feature by Autumn Allen

Five new picture books teach young readers about the struggles and triumphs of black people living in America.

James E. Ransome, a prolific and award-winning illustrator, proves that his words are just as powerful as his art in The Bell Rang. Ransome’s free verse follows a week in the life of a young girl who begins and ends each day with her loving family. As slaves on a plantation, the family faces difficulty and danger, but they also have joy, love and community—things we don’t often associate with the lives of the enslaved. The striking artwork captures cuddles and kisses, smiles and games, gift-giving and preaching. Natural colors, silhouettes, expressive faces and the use of the implied space beyond the page bring the enslaved community to life. The family’s routine is interrupted when the narrator’s brother runs away and a search is called; dogs are pictured and a whip is mentioned, but violence is not pictured. Overall, this is a unique and valuable story that centers on the endurance and humanity of enslaved people, and ends on a firm note of hope.

How exciting can a story about a female postal worker be? Very exciting, if it’s Tami Charles’ Fearless Mary: The True Adventures of Mary Fields, American Stagecoach Driver. Mary Fields, a former slave, rode into the segregated Wild West alone in 1895. When she saw an opening for a stagecoach driver to deliver mail and packages into the mountains, she knew she was qualified and could handle the dangers of the job. Charles’ action-packed text sets Fields’ stunning achievements against the historical backdrop in order to shape a thrilling story that shows another side of America’s western expansion. Claire Almon’s illustrations have an animationlike aesthetic that serves the story well, keeping the pace moving. Readers will watch with amazement as Fields uses her reading skills, her trained eagle and her weapon to excel at her daring job, never losing a package.

Carole Boston Weatherford’s verse and Frank Morrison’s graffiti-inspired art form a winning combination in The Roots of Rap: 16 Bars on the 4 Pillars of Hip-Hop. Reaching back past DJ Kool Herc, the book begins with “Folktales, street rhymes, spirituals” and the poetry of Langston Hughes and Paul Laurence Dunbar. Weatherford then nods to James Brown and funk before painting a portrait of New York City’s rap scene in the 1970s and beyond. The rhythmic text simply begs to be read aloud—but don’t turn the pages too quickly, as the rich, expressive art deserves to be savored. With glowing brown skin tones, warm reds and cool blues, Morrison immortalizes key figures and scenes of the musical genre’s lineage and its attendant art forms, including graffiti and break dancing. Children will delight in this book’s immersive sights and sounds, while adults will smile with recognition at how old-school names connect to the language of today’s hip-hop.

In Olugbemisola Rhuday-Perkovich’s Someday Is Now: Clara Luper and the 1958 Oklahoma City Sit-ins, young readers can learn about children between the ages of 6 and 17 who staged protests in 1958 with the help of an inspiring educator named Clara Luper. Luper taught young people about speaking up, and as a leader in the NAACP, she taught the steps of nonviolent action. With some trepidation, she supported a group of young people as they forged ahead with their demonstrations, insisting that “someday is now.” Jade Johnson’s illustrations make the protests accessible, and the meaty text addresses the difficulty of standing up, the sweet rewards that can follow and the need to keep going after a win. It’s perfect inspiration for our difficult times.

Janet Collins was the first African-American prima ballerina for New York’s Metropolitan Opera, and her success in dance was all the more satisfying because of the obstacles she overcame along the way. In lyrical verse, Brave Ballerina: The Story of Janet Collins by Michelle Meadows takes readers through Collins’ path: her supportive family, her mother who paid for her lessons by sewing costumes, a dance class that would not accept her because she was black and one ballet teacher who did. Ebony Glenn’s illustrations lend impact to each moment: sadness when Collins is accepted into a dance company and then told to lighten her skin, hope when she finds a class, and finally joy when she dances on stage in 1951—with her natural skin tone. The graceful lines of the illustrations will have young ballet fans twirling and, more importantly, believing that hard work pays off. There is an abundance of ballet-themed children’s books, but few are as delightful as this one.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Five new picture books teach young readers about the struggles and triumphs of black people living in America. James E. Ransome, a prolific and award-winning illustrator, proves that his words are just as powerful as his art in The Bell Rang. Ransome’s free verse follows a week in the life of a young girl who […]
NonfictionAudioPop CultureMusicMemoir

5 audiobooks to feed your pop culture diet

Feature by Anna Zeitlin

From lowbrow to highbrow TV, from comic books to rock ’n’ roll, here are five audiobooks to feed your pop culture diet. Whether your ears are tuned to licentious behind-the-scenes stories or erudite critiques, there’s something for anyone who hasn’t been hiding under a rock for the last century.

Bachelor Nation, written and read by Amy Kaufman
This is an absolute must-listen for anyone who’s ever watched “The Bachelor” and wondered what goes on behind the scenes, and for anyone curious about the tricks employed by reality TV. We learn how producers use editing to tell whatever story they want to tell, no matter what was really said. Any casual viewer knows how petty the contestants can be, but this book reveals just how ruthless the people behind the scenes can be, too. If you ever audition for the show, never reveal your fear of heights, unless you want to be the one selected for the sky-diving date. Whether you love the show or love to hate it, the juicy, tell-all nature of this audiobook makes it hard to press pause.

I Like to Watch, written and read by Emily Nussbaum
Emily Nussbaum, TV critic for The New Yorker, shares a collection of essays that treats television with respect, acknowledging it as the art form it has become. Twenty years into what many call TV’s second golden age, this is the perfect time to look back on the pivotal shows like “The Sopranos,” “Sex and the City” and even “Buffy the Vampire Slayer,” all of which set TV on the path it’s on today. She delves into the difficult question of the #MeToo era: Can we still consume art by bad men? I found myself nodding along to the whole audiobook. It’s a thoughtful, opinionated collection of essays and a masterclass in critical writing.

Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine, written by Joe Hagan, read by Dennis Boutsikaris
Rolling Stone founder Jann Wenner’s life makes for a fascinating lens through which to view the changing music- and magazine-publishing industries in the later half of the 20th century. He created legends, cementing John Lennon’s legacy as a rock god and building up the mythology behind rock ’n’ roll and the 1960s as a magically creative time. He lifted up the careers of Annie Lebowitz, Cameron Crowe and Hunter S. Thompson. He’s also a total narcissist, and this book pulls no punches. He puts profits over friendship time and again. He’s a successful business mogul, but at what cost? Joe Hagan had incredible access for this book and doesn’t hold anything back.

The Caped Crusade: Batman and the Rise of Nerd Culture, written and read by Glen Weldon
This book tracks the history of Batman from his origin as a Shadow knock-off, created to compete with Superman, and through all his permutations in comics, movies and cartoons. Author Glen Weldon posits that the most essential part of Batman is his pledge: When his parents are murdered, he vows to defend the defenseless. The adaptations that have ignored this part of his character are the ones that fail to connect with readers and viewers. Weldon draws a distinction between male and female fans: Male fans complain, make death threats and beg creators for the version of Batman they most relate to; female fans create their own versions, with stories they want to hear, using the characters they love in fan fiction. Weldon is a dynamic narrator, adopting New York and Scottish accents when quoting comic book authors. His “mad fan” voice is particularly skewering.

My Life as a Goddess, written and read by Guy Branum
Writer/comedian Guy Branum uses pop culture as a framing device for his memoir. As a kid, he watched old TV shows to learn about the world. His essay “The Man Who Watched The Man Who Shot Liberty Valance” is a beautiful portrait of his relationship with a father who didn’t quite understand him but was proud of him. He does a line-by-line breakdown of “Bohemian Rhopsody” by Queen, interpreted as a coming-out tale that shines a whole new light on the song. Branum’s repeated line “and then I remembered, I am a Goddess” is an inspiring mantra that will boost any listener’s self-confidence. He has a way of throwing out biting asides that make this audiobook that much more fun than the book.

From lowbrow to highbrow TV, from comic books to rock ’n’ roll, here are five audiobooks to feed your pop culture diet.

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