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Five new gift-ready reads are here for the music lover in your life. From operatic rock to Americana, from classical to soul, we’ve got a pitch-perfect match no matter their genre of choice.

Queen superfans may be looking forward to the upcoming biopic Bohemian Rhapsody—starring “Mr. Robot” lead Rami Malek as iconic frontman Freddie Mercury—but the publication of Martin Popoff’s lovingly compiled Queen: Album by Album is an event in its own right. Popoff, who claims Queen is “absolutely the greatest band to ever walk this earth,” takes a deep dive into the band’s catalog and discusses each record in lively, conversational Q&A’s with musical figures like Sir Paul McCartney, Dee Snider, David Ellefson of Megadeth, Patrick Myers (lead in the Broadway musical Killer Queen) and more. Starting with Queen’s 1973 self-titled debut, the book moves chronologically, and every chapter begins with a detailed and passionate essay from Popoff on each album’s merits. Absolutely packed with photos of the band, gig posters and fun ephemera, Popoff’s freewheeling guide is definitely one to display.

TWEEDY'S TRUTH
Since 1994, the Chicago-based alternative rock-turned-Americana band Wilco have been pioneers of the indie scene, winning multiple Grammys and inspiring countless other musicians in their wake. Founder, frontman and lead songwriter Jeff Tweedy finally opens up to his devoted fans in his first memoir, Let’s Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc. Put your well-loved copy of “Yankee Hotel Foxtrot” on the turntable and settle in as Tweedy takes you through his childhood, early creative days in Chicago, the writing and recording of celebrated albums like 2004’s “A Ghost Is Born” and lays out some of his biggest struggles and triumphs.

A CLASSICAL TRADITION
Let’s be honest: Classical music has a bit of an image problem. For many, the mere mention of the genre conjures up images of the snooty bourgeoise in stuffy symphony halls. But BBC radio host Clemency Burton-Hill aims to change your perceptions and make you a bona-fide classical fan with Year of Wonder: Classical Music to Enjoy Day by Day. For each day of the year, Burton-Hill provides a piece of music by a wide range of composers—from a soaring hymn by medieval nun Hildegard of Bingen to stripped-down contemporary pieces composed by Philip Glass—along with a short rundown of the piece’s history and a description of what to listen for.

Joni Mitchell from Women Who Rock. Illustration by Anne Muntges, reproduced with permission from Black Dog & Leventhal.

LADIES LEADING THE WAY
Music journalist Evelyn McDonnell has written extensive biographies of groundbreaking artists like Joan Jett and the Runaways and Bjork, and she lends her decades of experience to editing Women Who Rock: Bessie to Beyoncé. Girl Groups to Riot Grrrl. The goal of this gorgeous coffee table book is “to tell a narrative story by focusing on key select figures who were true game changers.” And although the title suggests a focus on rock artists, the included essays offer “portraits of diversity, from Patsy Cline’s country melancholy to Joni Mitchell’s folk jazz to Missy Elliott’s avant rap.” Written by women and illustrated by women, this is a powerhouse collection that is completely, unapologetically celebratory. Revel in the greatness of Women Who Rock.

THE ONO FACTOR
Speaking of women getting some well-deserved credit in the music industry, did you know that Yoko Ono was only recently co-credited as a writer on John Lennon’s 1971 single “Imagine”? And now, her role in shaping Lennon’s late-period music and art is fully explored in Imagine John Yoko, a celebration of their partnership. Compiled by Ono and replete with photos from her personal archives, facsimiles of Lennon’s handwritten lyrics, stills from their narrative videos, excerpts from key interviews conducted during their collaborative period, concept sketches and photos of Ono’s pivotal art exhibits and more, this book will be a must-have for any fan of this world-changing pair. In a time when Ono’s activism seems as relevant as ever, she offers a rallying cry in the powerful preface: “Remember, each one of us has the power to change the world. Power works in mysterious ways. We don’t have to do much. Visualize the domino effect and just start thinking PEACE. It’s time for action. The action is PEACE.”

 

This article was originally published in the November 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Five new gift-ready reads are here for the music lover in your life. From operatic rock to Americana, from classical to soul, we’ve got a pitch-perfect match no matter their genre of choice.

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Five new picture books teach young readers about the struggles and triumphs of black people living in America.


James E. Ransome, a prolific and award-winning illustrator, proves that his words are just as powerful as his art in The Bell Rang. Ransome’s free verse follows a week in the life of a young girl who begins and ends each day with her loving family. As slaves on a plantation, the family faces difficulty and danger, but they also have joy, love and community—things we don’t often associate with the lives of the enslaved. The striking artwork captures cuddles and kisses, smiles and games, gift-giving and preaching. Natural colors, silhouettes, expressive faces and the use of the implied space beyond the page bring the enslaved community to life. The family’s routine is interrupted when the narrator’s brother runs away and a search is called; dogs are pictured and a whip is mentioned, but violence is not pictured. Overall, this is a unique and valuable story that centers on the endurance and humanity of enslaved people, and ends on a firm note of hope.

How exciting can a story about a female postal worker be? Very exciting, if it’s Tami Charles’ Fearless Mary: The True Adventures of Mary Fields, American Stagecoach Driver. Mary Fields, a former slave, rode into the segregated Wild West alone in 1895. When she saw an opening for a stagecoach driver to deliver mail and packages into the mountains, she knew she was qualified and could handle the dangers of the job. Charles’ action-packed text sets Fields’ stunning achievements against the historical backdrop in order to shape a thrilling story that shows another side of America’s western expansion. Claire Almon’s illustrations have an animationlike aesthetic that serves the story well, keeping the pace moving. Readers will watch with amazement as Fields uses her reading skills, her trained eagle and her weapon to excel at her daring job, never losing a package.

Carole Boston Weatherford’s verse and Frank Morrison’s graffiti-inspired art form a winning combination in The Roots of Rap: 16 Bars on the 4 Pillars of Hip-Hop. Reaching back past DJ Kool Herc, the book begins with “Folktales, street rhymes, spirituals” and the poetry of Langston Hughes and Paul Laurence Dunbar. Weatherford then nods to James Brown and funk before painting a portrait of New York City’s rap scene in the 1970s and beyond. The rhythmic text simply begs to be read aloud—but don’t turn the pages too quickly, as the rich, expressive art deserves to be savored. With glowing brown skin tones, warm reds and cool blues, Morrison immortalizes key figures and scenes of the musical genre’s lineage and its attendant art forms, including graffiti and break dancing. Children will delight in this book’s immersive sights and sounds, while adults will smile with recognition at how old-school names connect to the language of today’s hip-hop.

In Olugbemisola Rhuday-Perkovich’s Someday Is Now: Clara Luper and the 1958 Oklahoma City Sit-ins, young readers can learn about children between the ages of 6 and 17 who staged protests in 1958 with the help of an inspiring educator named Clara Luper. Luper taught young people about speaking up, and as a leader in the NAACP, she taught the steps of nonviolent action. With some trepidation, she supported a group of young people as they forged ahead with their demonstrations, insisting that “someday is now.” Jade Johnson’s illustrations make the protests accessible, and the meaty text addresses the difficulty of standing up, the sweet rewards that can follow and the need to keep going after a win. It’s perfect inspiration for our difficult times.

Janet Collins was the first African-American prima ballerina for New York’s Metropolitan Opera, and her success in dance was all the more satisfying because of the obstacles she overcame along the way. In lyrical verse, Brave Ballerina: The Story of Janet Collins by Michelle Meadows takes readers through Collins’ path: her supportive family, her mother who paid for her lessons by sewing costumes, a dance class that would not accept her because she was black and one ballet teacher who did. Ebony Glenn’s illustrations lend impact to each moment: sadness when Collins is accepted into a dance company and then told to lighten her skin, hope when she finds a class, and finally joy when she dances on stage in 1951—with her natural skin tone. The graceful lines of the illustrations will have young ballet fans twirling and, more importantly, believing that hard work pays off. There is an abundance of ballet-themed children’s books, but few are as delightful as this one.

 

This article was originally published in the February 2019 issue of BookPage. Download the entire issue for the Kindle or Nook.

Five new picture books teach young readers about the struggles and triumphs of black people living in America.


James E. Ransome, a prolific and award-winning illustrator, proves that his words are just as powerful as his art in The Bell Rang. Ransome’s free…

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From lowbrow to highbrow TV, from comic books to rock ’n’ roll, here are five audiobooks to feed your pop culture diet. Whether your ears are tuned to licentious behind-the-scenes stories or erudite critiques, there’s something for anyone who hasn’t been hiding under a rock for the last century.


Bachelor Nation, written and read by Amy Kaufman
This is an absolute must-listen for anyone who’s ever watched “The Bachelor” and wondered what goes on behind the scenes, and for anyone curious about the tricks employed by reality TV. We learn how producers use editing to tell whatever story they want to tell, no matter what was really said. Any casual viewer knows how petty the contestants can be, but this book reveals just how ruthless the people behind the scenes can be, too. If you ever audition for the show, never reveal your fear of heights, unless you want to be the one selected for the sky-diving date. Whether you love the show or love to hate it, the juicy, tell-all nature of this audiobook makes it hard to press pause.

I Like to Watch, written and read by Emily Nussbaum
Emily Nussbaum, TV critic for The New Yorker, shares a collection of essays that treats television with respect, acknowledging it as the art form it has become. Twenty years into what many call TV’s second golden age, this is the perfect time to look back on the pivotal shows like “The Sopranos,” “Sex and the City” and even “Buffy the Vampire Slayer,” all of which set TV on the path it’s on today. She delves into the difficult question of the #MeToo era: Can we still consume art by bad men? I found myself nodding along to the whole audiobook. It’s a thoughtful, opinionated collection of essays and a masterclass in critical writing.

Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine, written by Joe Hagan, read by Dennis Boutsikaris
Rolling Stone founder Jann Wenner’s life makes for a fascinating lens through which to view the changing music- and magazine-publishing industries in the later half of the 20th century. He created legends, cementing John Lennon’s legacy as a rock god and building up the mythology behind rock ’n’ roll and the 1960s as a magically creative time. He lifted up the careers of Annie Lebowitz, Cameron Crowe and Hunter S. Thompson. He’s also a total narcissist, and this book pulls no punches. He puts profits over friendship time and again. He’s a successful business mogul, but at what cost? Joe Hagan had incredible access for this book and doesn’t hold anything back.

The Caped Crusade: Batman and the Rise of Nerd Culture, written and read by Glen Weldon
This book tracks the history of Batman from his origin as a Shadow knock-off, created to compete with Superman, and through all his permutations in comics, movies and cartoons. Author Glen Weldon posits that the most essential part of Batman is his pledge: When his parents are murdered, he vows to defend the defenseless. The adaptations that have ignored this part of his character are the ones that fail to connect with readers and viewers. Weldon draws a distinction between male and female fans: Male fans complain, make death threats and beg creators for the version of Batman they most relate to; female fans create their own versions, with stories they want to hear, using the characters they love in fan fiction. Weldon is a dynamic narrator, adopting New York and Scottish accents when quoting comic book authors. His “mad fan” voice is particularly skewering.

My Life as a Goddess, written and read by Guy Branum
Writer/comedian Guy Branum uses pop culture as a framing device for his memoir. As a kid, he watched old TV shows to learn about the world. His essay “The Man Who Watched The Man Who Shot Liberty Valance” is a beautiful portrait of his relationship with a father who didn’t quite understand him but was proud of him. He does a line-by-line breakdown of “Bohemian Rhopsody” by Queen, interpreted as a coming-out tale that shines a whole new light on the song. Branum’s repeated line “and then I remembered, I am a Goddess” is an inspiring mantra that will boost any listener’s self-confidence. He has a way of throwing out biting asides that make this audiobook that much more fun than the book.

From lowbrow to highbrow TV, from comic books to rock ’n’ roll, here are five audiobooks to feed your pop culture diet.
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Whether you’re shopping for a burgeoning Bach or someone who can’t carry a tune in a bucket, these books will play on any music lover’s heartstrings.


What do you get for the music obsessive on your list in the age of streaming? Skip the Spotify gift subscriptions and try one of these lovingly curated coffee table books instead. Whether you’re buying for a Woodstock fan who wants to relive the good ol’ days or for someone who’s always hoping to discover their next favorite artist, these are sure to please the person at your holiday gathering who always asks, “Hey, do you mind if I change the music?”

She Can Really Lay It Down by Rachel Frankel
“The present—if long overdue—push toward a more progressive, feminist reading of our cultural history requires disabusing ourselves of known canons, and some pretty deeply entrenched ideas about the history of popular music,” writes Amanda Petrusich in the foreword to the celebratory book She Can Really Lay It Down: 50 Rebels, Rockers, and Musical Revolutionaries. Author Rachel Frankel gamely sets out to help us reconsider the history of popular music with short but thorough essays on big names like Beyoncé, Selena and Dolly Parton. However, the most exciting pages in Frankel’s book shine a light on figures like guitarist Sister Rosetta Tharpe, folk musician Violeta Parra, South African singer-songwriter Miriam Makeba and other women who have been overlooked for too long. This incisive compilation delivers more than just surface-level girl power, and it would make an excellent gift for anyone with a deep interest in music, creativity and popular culture. I’d especially recommend putting this in the hands of a teenage girl.

Supreme Glamour by Mary Wilson
From the vantage point of 2019, it’s easy to wax poetic about the essential give-and-take between fashion and music, but that relationship certainly wasn’t a given when the Supremes began performing together and crafting their iconic looks in 1961. Mary Wilson, a founding member and anchor of the legendary musical group, takes us through the group’s sartorial evolution with Supreme Glamour, a collection of more than 400 photographs of their most influential sequined, bedazzled and brightly colored outfits. Wilson’s personal musings about the group’s journey perfectly accompany the glossy full-page spreads of dazzling gowns embellished with crystals and pearls, sequined show-stoppers seen on “The Ed Sullivan Show” and marabou-trimmed couture made for their Broadway performances. Fashion lovers will especially appreciate the attention to detail, with notes that include the material, embellishments and notable appearances of the outfits along with other interesting historical tidbits.

Country Music: An Illustrated History by Dayton Duncan and Ken Burns
As PBS devotees know, a new Ken Burns documentary is cause for celebration, and “Country Music” is already being hailed as one of his best. Although a big ol’ coffee table book that ties in with a television series can be a tough sell, Country Music: An Illustrated History is definitely a worthy companion piece. Country music afficionados are often left a little high and dry, as music journalists tend to reserve their ink for rock ’n’ roll heroes. But authors Dayton Duncan and Ken Burns dive deep into the roots and rise of this genre: the African American banjo players and Scottish American fiddlers who laid the foundations of the genre, the gospel-infused songs from groups like the Carter Family that helped radio stations get on board, the surprising rise of Hank Williams, the storied Nashville Sound of the 1960s, the outlaw swagger of Waylon Jennings and Jessi Colter, the rise of modern pop-country and everything in between. This tome packs in hundreds of rare photographs, excellent historical asides and interviews with influential figures like singer-songwriter Emmylou Harris. I’d wager that this will be one of the more popular gifts for music lovers this year.

Woodstock Live: 50 Years by Julien Bitoun
It’s the 50th anniversary of Woodstock, and, like it or not, this music festival on a dairy farm in upstate New York remains one of the most influential cultural events in modern history. Long before “festival fashion” was even a part of the zeitgeist, more than 500,000 Woodstock attendees jammed out in harmony with each other, in the rain and mud, while watching performances that have reached near-mythological status. Guitarist and author Julien Bitoun revisits the weekend with Woodstock Live: 50 Years, an attractive giftbook that includes a short and reverential summary of each performance, along with every performer’s setlist, their accompanying musicians, the amount of time they spent on stage and striking photographs from each gig. Bitoun begins with Richie Havens’ improvised opening set at 5:07 on Friday and ends with Jimi Hendrix’s guitar-burning closer on Monday morning, then wraps it all up in an extensive epilogue that runs through notable absentees, the most iconic guitars played at the festival and how the weekend is remembered today. This will make a great gift for anyone hoping to relive the experience, or those who dream about traveling back in time to attend.

What do you get the music obsessive on your list in the age of streaming? Skip the Spotify gift subscriptions and try one of these lovingly curated coffee table books instead.
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This month’s column highlights three monumental audiobooks from Dolly Parton, Michael Eric Dyson and Rachel Bloom.

★ I Want to Be Where the Normal People Are

Co-creator and star of the musical comedy TV show “Crazy Ex-­Girlfriend” Rachel Bloom presents a kooky collection of essays that are every bit as hilarious, brash and humiliating as you’d expect from a woman known for singing big Broadway-style numbers dedicated to stalking and antidepressants. I Want to Be Where the Normal People Are (5 hours) is a book made to be listened to, from Bloom’s original songs that detail her experiences growing up as a musical theater kid to her sample audition monologue in which she jumps from accent to accent in an absurd demonstration guaranteed to snag the attention of any casting directors out there. With a background in comedy, Bloom knows how to deliver a joke, and her narration is funny, touching and real.

Dolly Parton, Songteller

Any fans of Dolly Parton’s music will be delighted by Dolly Parton, Songteller (5.5 hours). The country music superstar goes deep, revealing the stories behind many of her greatest songs and digging in to family history, musical feuds and the interactions with fans that have inspired her songwriting. Parton’s narration feels natural and off the cuff, like listening to stories from an old friend—and isn’t she the most beloved old friend? It’s no surprise that an artist known for writing songs that tell rich stories would make for a captivating storyteller. Only on the audiobook can you hear clips of the songs she discusses, which makes the yarns around them all the more special.

Long Time Coming

The bestselling author of Tears We Cannot Stop taps into current events and calls for a reckoning with race in Long Time Coming (5 hours). Delivering a harsh but hopeful message, Michael Eric Dyson bears witness to the recent killings of Black men and women by the police and puts their violent deaths in context, tying them to history and our present moment. He zooms in on five hugely pivotal tragedies of racism, breaking down each element to its core as a way to understand it, preserve it for the ages and move forward. In particular, his recounting of George Floyd’s killing is haunting and vital. A professor at Georgetown University and an ordained minister, Dyson delivers hard-to-swallow truths with powerful and knowledgeable authority.

This month’s column highlights three monumental audiobooks from Dolly Parton, Michael Eric Dyson and Rachel Bloom.
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As the holidays approach, bookstore shelves are already beginning to fill with gift books that are big, bold, beautiful and beguiling. If you're the type who likes to get an early start, we have a few selections to jumpstart your holiday shopping.

When prize-winning documentary maker Ken Burns "discovered" jazz, it was an eye-opening experience. Like so many others, the New Yorker thought he knew exactly what jazz was all about, only to learn, once he began his research, just how far off the mark he had been. Jazz: A History of America's Music is a companion volume to Burns' 10-part PBS series on jazz scheduled to air in January 2001. Co-written by Geoffrey C. Ward, this book offers a compact history of the jazz era, along with a splendid collection of photographs. Not meant to be a comprehensive guide, the book focuses primarily on the music and lives of Louis Armstrong, Duke Ellington, Charlie Parker and Miles Davis, though scores of other musicians are drawn into the narrative. It is through the lives of those four men that Burns and Ward are able to present the larger picture of how a peculiarly Southern art form transformed an entire nation.

If someone on your list has an interest in history, particularly the time period from 1492 to 1600, then you're in luck. Historical Atlas of Exploration, by museum curator Angus Konstam, is a fascinating guide to the golden age of world exploration. Konstam details the dates and events associated with explorers such as Ferdinand Magellan, St. Francis Xavier, Vasco Nunez de Balboa and Sir Francis Drake, to name a few. The maps, illustrations and color photographs are first rate, and the stories are often spellbinding: These explorers were, after all, among the world's first superstars.

In your search for a captivating gift, consider the butterfly. Over the centuries, these sprightly beauties have captured the imaginations of naturalists, poets and children. A World for Butterflies: Their Lives, Behavior and Futureexamines the life cycle and patterns of the insect world's most charismatic species. Written by Phillip Schappert, a charter member of the North American Butterfly Association, the book details the life cycles of butterflies, from egg to caterpillar to winged insect. More than 300 color photographs, all beautifully done, show the various stages of a butterfly's life, making the book an ultimate guide to the world of butterflies. Also noteworthy is The Family Butterfly Bookby Rick Mikula, which offers projects and activities in addition to field-guide information. At a time when we are inundated with celebrity images every day on television and in newspapers and magazines, it is important to remember that the first modern-day celebrity photographers were artists in their own right. One in particular comes to mind: Lord Snowdon, born Tony Armstrong-Jones, has been taking photographs of celebrities for nearly half a century.

Photographs By Snowdon is a retrospective collection of the British photographer's work. Included are photographs drawn from his entire career, with special emphasis placed on his images of the royal family (his photos of Princess Diana offer a haunting window into her soul) and movie stars such as Vanessa Redgrave, Uma Thurman and Emma Thompson. Snowdon's photo of Richard Harris and Peter O'Toole having tea in an ornate hotel says more about celebrity than words could ever tell. Agatha Christie, sitting at a writing hutch, dressed to the nines but wearing color-coordinated house slippers, creates an atmosphere of mystery that is both daunting and fragile at the same instant. When it comes to portraits, Snowdon is about as good as it gets.

As the holidays approach, bookstore shelves are already beginning to fill with gift books that are big, bold, beautiful and beguiling. If you're the type who likes to get an early start, we have a few selections to jumpstart your holiday shopping.

When prize-winning documentary maker…

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When the Johnson brothers, James Weldon and Rosamond, wrote the song, "Lift Every Voice And Sing, in 1900 to honor President Lincoln's birthday, they certainly had no idea how important their creation would be to future generations of African Americans. In a glowing new collection that celebrates the 100th anniversary of the anthem, 100 voices have been assembled to comment on the song's influence on their lives and on the state of race relations in the nation.

The Johnsons intended the inspirational song to serve as a musical protest against the humiliating conditions of Jim Crow and the bloody wave of racial lynchings that were sweeping the country. The book's editors, NAACP Chairman Julian Bond, a veteran civil rights activist, and Sondra Kathryn Wilson, literary executor of the James Weldon Johnson estate, work hard to keep the historical angle front and center. Following an informative introduction by the editors, the authors let each of the assembled voices speak in brief essays.

Historian John Hope Franklin reminisces about his days as a young Fisk University student when he heard James Weldon Johnson dramatically recite the song's lyrics during one of his lectures. Poet Maya Angelou tells how the residents of her impoverished hometown of Stamps, Arkansas, would cry when singing the song, thinking of what opportunities time could bring for their children. Entertainer Harry Belafonte praises the song's "dual message of the dark past of slavery and hope. Former U.S. Senator Ed Brooke remembers how the song revived the sagging spirits of the enlisted men and officers of the segregated Negro 366th Infantry Combat regiment fighting in Italy during the Second World War. The collective impact of the tribute is supported by an eye-catching collection of photographs from the fabled archives of the Schomberg Center for Black Research in Harlem, many of them never previously viewed. Lift Every Voice And Sing is highly recommended for those interested in African American history, the growing pains of democracy and America as a glorious work in progress.

When the Johnson brothers, James Weldon and Rosamond, wrote the song, "Lift Every Voice And Sing, in 1900 to honor President Lincoln's birthday, they certainly had no idea how important their creation would be to future generations of African Americans. In a glowing new collection…

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An invitation flutters out of the usual coupons, bills, and sweepstakes notices. Cousin Curtis's daughter, Sally the Scholar, is graduating this month; you can't remember if she's finishing grammar school, officer training, or clown college, but the invitation definitely reads commencement. What gift doesn't require bake sales, passing grades, or student loans? Why, books, of course!

A physics book? As a gift? If Sally or anyone else you know has a penchant for subatomic particles and chaos (theory, that is), then Physics in the 20th Century is the gift of choice. Author Curt Suplee, science writer for the Washington Post, explores the past, present, and future of physics, and readers will realize that matter . . . well, matters! Suplee's text includes practical, everyday applications, making physics accessible to all types of thinkers. Gorgeous photographs and digital illustrations, many presented as center spreads, make this a lovely display book as well. Definitely not your run-of-the-mill, ho-hum, college physics textbook.

Noel Coward was living proof that one needn't have only one profession. The sometimes-playwright, sometimes-painter, sometimes-composer was the definitive artiste of his time, and perhaps of this century. To celebrate what would have been Coward's 100th birthday, The Overlook Press has published Noel Coward: The Complete Lyrics. Editor Barry Day, who has authored several books on Coward, has compiled and annotated 500 songs, including many that remain unpublished and unknown. Plenty of photographs and illustrations, as well as background information from both Coward and Day, make this book an elegant gift for the well-rounded, sophisticated person in your life.

If your favorite graduate has chosen a less-than-traditional career path, The Virtuoso: Face to Face with 40 Extraordinary Talents will provide inspiration. Author Ken Carbone interviews folks like Henri Vaillancourt, canoe maker; Sylvia Earle, explorer; and Olympic gold medalist Nadia Comaneci, to name a few. Peppered with essays on the elements of virtuosity, The Virtuoso includes stunning photographs by Howard Schatz, who captures each virtuoso in perspectives that illustrate the marriage of occupation and soul. A gorgeous gift for those who dare to take the road less traveled.

Memorial Day and Armed Forces Day are both recognized this month, and Scholastic's Encyclopedia of the United States at War follows our country from the Revolution to the Gulf War. Tragedy and triumph are brought to life with photographs, illustrations, maps, eyewitness accounts, and other historical details of each war. Why did Anna Marie Lane receive a soldier's pension following the Revolution? And just how old was Johnny Shiloh when he fought in the Civil War? Famous battles are chronicled, and authors June English and Thomas Jones follow each war from start to finish. A wonderful gift for history buffs, military buffs, and students both young and old.

As the turn of another century draws nigh, William Morrow Books asked 25 women to recall their memories of the last turn of the century. The result is We Remember: Women Born at the Turn of the Century Tell the Stories of Their Lives. Brooke Astor, active as ever, recounts her heartaches and triumphs (between phone calls with her veterinarian); Martha Jane Faulkner, age 104 and the daughter of a slave, talks about moving north to the Promised Land of New York City, only to find it not-so-promising; Dr. Leila Denmark discusses her 70+ years of practicing medicine; and many other remarkable women reflect on what a difference a century makes. Includes a foreword by Hillary Rodham Clinton and timeline endpapers.

Is Sally someone who is destined to ask, What's behind Curtain #3? while wearing a tuxedo and/or evening gown midday? The Encyclopedia of TV Game Shows is the perfect solution. With a foreword by Merv Griffin, this reference book contains over 250 pages of entries, and dozens of appendices and photographs. It's fairly inclusive; you'll find information ranging from gameshow dynasties like The Price Is Right to gameshows that were merely blips on the screen (does anyone remember The Better Sex from the 1970s?). And did you know that Walter Cronkite, Hugh Downs, and Mike Wallace all served as gameshow hosts? A fun conversation piece, The Encyclopedia of TV Game Shows makes an ideal prize for departing graduates, departing contestants, and otherwise.

An invitation flutters out of the usual coupons, bills, and sweepstakes notices. Cousin Curtis's daughter, Sally the Scholar, is graduating this month; you can't remember if she's finishing grammar school, officer training, or clown college, but the invitation definitely reads commencement. What gift doesn't require…

Hurtling down the blind curves and treacherous twists and turns of family dysfunction and social displacement, Antonio Michael Downing searches for himself among the cultural clutter of sports, religion and music. Combining staccato prose and singsong storytelling, Downing’s Saga Boy: My Life of Blackness and Becoming navigates loneliness, uncertainty, fear, hopelessness and hunger.

Downing grew up in Trinidad with his grandmother, Miss Excelly, dreaming of mango season. She taught him two important things: how to sing and “the magic of the Queen’s English.” While his childhood was not idyllic, Downing felt safe with his grandmother and her love. When Miss Excelly died, however, he and his brother were shipped off to Canada to live with an aunt, and thus began a peripatetic lifestyle marked by a lack of security or family love.

Downing was shuttled between aunts in Canada. He never quite fit in at any particular place, though he valiantly threw himself into basketball and music in high school. He eventually recovered his love for language and writing at the University of Waterloo and put together a show with an artist friend who painted scenes from a short story Downing wrote. That experience gave birth to DJ Mic Dainjay, Downing's alter ego that he used as a performer during a time when he was also working at Blackberry as a sales representative. Today he performs music as John Orpheus.

Downing’s heart-wrenching memoir chronicles his saga of trying on and casting off many masks, learning the dimensions of the face through which he sees the world and the world sees him. As he writes, “This is a story about unbelonging, about placeness, about leaving everything behind. This is about metamorphosis: death and rebirth. . . . This is a story about family and forgiveness. About becoming what you always were.”

Combining staccato prose and singsong storytelling, Saga Boy hurtles down the treacherous twists and turns of family dysfunction and social displacement.
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“When emotional truth is the goal, and courage is part of the equation, the process is deeply therapeutic, but it’s not therapy,” writes Grammy-nominated folk singer and songwriter Mary Gauthier in her debut book. Saved by a Song: The Art and Healing Power of Songwriting is memoir, autobiography, creative process guide and journal of spiritual formation all in one. It’s a true expression of the inseparability of songwriting, spiritual practice, recovery and relationship that have been endemic to Gauthier’s 25-year career.

Saved by a Song is organized topically, with each chapter pairing a song title with an element of craft; for example, “Drag Queens in Limousines: Story/Meaning.” Starting with the song’s lyrics, Gauthier recounts her personal connection to the song through concrete, accessible personal narrative. By the end of each chapter, readers have gained a behind-the-scenes scoop on the real-life experiences that influenced the song and a wise takeaway for their own lives.

Readers also get a play-by-play of how to put art into practice. One of the biggest questions novice writers have is, “How did the artist get from this (their own experience) to that (a polished work)?” The elements of craft can seem like puzzle pieces that don’t fit together. Gauthier creates an external map of the mysterious internal songwriting process not once but 13 times throughout the book.

Alongside these gems from her lifelong study of creative practice—think Anne Lamott meets Julia Cameron meets Patti Smith—Gauthier also shares all the gory details of her recovery from addiction, plus quotations from the artists and writers who influenced her own development. In Gauthier’s words, “I believe songs that heal come from a higher place. They help us with the struggle of being human and by letting us know we are not alone. This is the greatest gift a song can give a songwriter and a songwriter can give the world.”

Anyone who can still write from the heart about writing from the heart after being in the music business as long as Gauthier has is the real deal. Her book invites seasoned artists to deeper authenticity, new artists to deeper craft and all readers to deeper self-reflection.

Mary Gauthier’s debut book invites seasoned artists to deeper authenticity, new artists to deeper craft and all readers to deeper self-reflection.

Both of Hanif Abdurraqib’s earlier books—They Can’t Kill Us Until They Kill Us and Go Ahead in the Rain: Notes to a Tribe Called Quest—skillfully weave memoir and cultural criticism. He’s known for unraveling our ideas about music, history and culture and then using threads of commentary and insight to stitch a totally original pattern.

With the same ingenuity, Abdurraqib traces the depth and diversity of Black modes of performance in his brilliant A Little Devil in America: Notes in Praise of Black Performance. Opening with an examination of Black dancers who participated in the dance marathons of the early 20th century, Abdurraqib dispenses prose in motions that shuffle forward, step sideways, leap diagonally and waltz gracefully through five sections exploring different facets of Black performance in America.

Performance can be liberating, like when dance marathons give partners “a powerful enough relationship with freedom that you understand its limitations.” It can also provide an opportunity to show off, as in the dance line on “Soul Train.” Performance can demonstrate self-awareness, too—a chance to define yourself by how your body moves when you’re throwing down in a beef, which Abdurraqib vividly illustrates as a kind of performance. He traces the rich history of performance through sketches of Black magicians, dancers and musicians, including Whitney Houston, Michael Jackson, Josephine Baker, Aretha Franklin and Merry Clayton, who’s most famous for her performance on the Rolling Stones’ track “Gimme Shelter.” Clayton’s chapter may be the best in the book, if only because it gives her the recognition she deserves for her ethereal voice.

A vibrant showcase of sharp writing, Abdurraqib’s A Little Devil in America attests that Black performance at its root is not simply an outward show of talent but also a means of survival. Read carefully. Abdurraqib’s book is a challenge not to accept the usual explanations for the performances we witness.

Hanif Abdurraqib unravels our ideas about music, history and culture and then uses threads of commentary and insight to stitch a totally original pattern.

’Tis the season to be Dolly! In Dolly Parton, Songteller: My Life in Lyrics, the lovable, candid, tell-it-like-it-is singer shares her own story through the lyrics of her songs. While fans love Parton for her crystal-clear vocals and her charming, witty stage presence, she’s always thought of herself as a songwriter first, and this book illustrates her deep devotion to music that captures a moment or tells a heart-rending tale. As she reveals, “I write a lot from my own heart. But I also just have a big imagination. When I was young, we didn’t go to the movies, so I just created my own stories. It’s kind of embedded in me to make up songs and stories.”


ALSO IN BOOKPAGE: Don't miss Sarah Smarsh's incisive investigation into Dolly Parton's influence on the women who grew up with her music, She Come by It Natural.


Chock-full of never-before-seen photographs and memorabilia from Parton’s archives, every chapter tells a portion of her biography. Using lyrics from 175 of her songs—including “Coat of Many Colors,” “I Will Always Love You” and “Jolene”—she traces the journey from her Tennessee mountain childhood to her role on “The Porter Wagoner Show,” her 9 to 5 days and her bluegrass albums. As she provides a glimpse into the origins of each song, Parton notes that she has “never shied away from any topic, whether it was suicide or prostitution or women’s rights or whatever. . . . Whatever it is, I can say it in a song, in my own way.”

Parton tells her stories with a grin and a twinkle in her eye. Her book invites us to sit a spell as she weaves her enchanting storytelling web around us, wrapping us in the warm, silky threads of her voice and comforting us with her presence.

In Dolly Parton, Songteller: My Life in Lyrics, the lovable, candid, tell-it-like- it-is singer shares her own story through the lyrics of her songs.

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Lisa Robinson offers a panoramic view of women rockers, whom she collectively refers to as “the girls,” in Nobody Ever Asked Me About the Girls: Women, Music and Fame. Chapters explore topics that are personal (relationships, family, motherhood), professional (fame, bad reviews, stage fright) and artistic (inspirations, influences, the writing process). What emerges is not a detailed profile of any one woman, though certain women are referenced several times, but rather a collective portrait of how women have navigated the music industry, which Robinson calls “one of the sleaziest and more corrupt sides of show business.”

If you, like me, have never considered the careers of women rockers, certain patterns may surprise you. Most got their start because of powerful male sponsors. Many were abused by people they trusted. Musicians as diverse as Jewel and Rhianna, Stevie Nicks and Beyonce, describe a singular obsessive focus on music. Some like Gwen Stefani and Sheryl Crow started off as background singers. Robinson has been interviewing the stars for a long time, and she offers satisfying context. For instance, in 1995 Sheryl Crow told her that if she ever made real money, she would buy her manager “a big house, because he has really stuck with me.” Robinson reports that 25 years later, “Scooter Weintraub is still Sheryl’s manager and she did buy him that house.”

As this anecdote suggests, Robinson is uniquely situated to write this book. She toured with the Rolling Stones in the 1970s. (They jokingly called her “Hot Pants” because they considered her such a prude.) She’s been with musicians as they wrote, recorded and performed. Robinson herself, like the best critics, emerges as a strong and likable figure with a clear point of view. Madonna, she opines, would have never gotten so big without MTV. Hearing Robinson’s sidebar commentary on the music industry, as well as her “war stories” with the rockers of the past, is one of the major delights of this book.

Whether you are tuned in to the history of rock or a casual fan, this book has something to offer. The quotes Robinson has gathered over the years are surprising and intimate, bringing figures like Lady Gaga, Alanis Morrisette and Bette Midler to life. Though no one may have asked Robinson about “the girls,” this reader is glad she found space to write about them anyway.

Lisa Robinson offers a panoramic view of women rockers, whom she collectively refers to as “the girls,” in Nobody Ever Asked Me About the Girls: Women, Music and Fame.

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