Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
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The past has a way of catching up to you when you least expect it. The characters of Alex Finlay’s new thriller, What Have We Done, learn this the hard way.

A TV producer (Nico), a rock star (Donnie) and a former assassin (Jenna) all believe they left a shared secret from their childhood in the past as they forged successful lives as adults. All three of them were once residents of Saviour House, a home for abandoned teenagers, but they haven’t seen one another in 25 years.

Then each of them is suddenly targeted by a pair of ruthless twin assassins. Nico is nearly killed in a mine explosion on the set of a reality show he’s been producing, Donnie is forced overboard on a cruise ship and left to drown, and Jenna becomes the hunted when she refuses to kill an old friend. These murder attempts come on the heels of the death of another friend from Saviour House, forcing the trio to realize their past transgressions have come back to haunt them. Nico, Donnie and Jenna have a common foe set on revenge, and they’ll have to pool their talents together if they’re going to survive.

Told in short chapters from Nico’s, Donnie’s and Jenna’s alternating perspectives, the story moves at a quick-fire pace reminiscent of a James Patterson thriller (there are more than 85 chapters!), only slowing when the leads reflect on the past. Devoted more to action and plot than to personalities, the novel is a bit of a departure from Finlay’s previous, more character-driven efforts (Every Last Fear, The Night Shift). Still, he skillfully blends storylines past and present in What Have We Done, resulting in a suspense-filled romp.

Alex Finlay (Every Last Fear, The Night Shift) skillfully blends storylines past and present in this suspenseful romp.
Review by

Veronica Speedwell returns in A Sinister Revenge, the eighth mystery in a series best described as Agatha Christie in the world of Victorian science and natural history.

Natural historian and butterfly hunter Veronica has been separated from Stoker, a fellow scientist who had become her sleuthing partner and lover. But Stoker’s brother Tiberius, Lord Templeton-Vane, reunites the couple by giving them a dangerous new case to solve. 

In his youth, Tiberius ran with a group of students who called themselves the Seven Sinners, but then tragedy struck at his family’s Devon estate when one member of their party died in an accidental fall while trying to claim a fossil from a cliffside. During the following years, two other members also met an early demise, and now a threatening letter has Tiberius believing that they may all have been murdered by one of their own—and that he might be the next victim. In a Christie-esque conceit, Tiberius invites the remaining members of the Seven Sinners to an elaborate house party, where he plans to confront them and, hopefully, where Veronica and Stoker will uncover the murderer. 

As the house party unfolds, it becomes apparent that the history of the Seven Sinners is more complex than Tiberius let on, with secret affairs and bitter jealousies complicating the past. Even as Veronica untangles the web of complex relationships, she struggles to reconcile Stoker’s distance from their own romantic partnership. As usual, Veronica’s keen observations and sharp wit contrast with her own occasional lack of self-awareness (especially when it comes to romance), making for a delightful read. Longtime readers of the series will be pleased to see regulars such as intrepid reporter J.J. Butterworth and ingenious chef Julien d’Orlande return. But ultimately, Raybourn’s masterful entanglement of Veronica and Stoker’s love story with the mystery at hand makes A Sinister Revenge a standout entry in an already excellent series.

Deanna Raybourn’s masterful balance between romance and mystery makes A Sinister Revenge a standout entry in an already excellent series.

Flames flicker around the edges of Margot Douaihy’s Scorched Grace, casting light and revealing darkness, hinting at the sort of destruction that offers the possibility of a new beginning.

That’s what Sister Holiday Walsh was looking for a year ago when she joined the Sisters of the Sublime Blood after fleeing the wreckage of her life in Brooklyn, New York. Sister Holiday is not a typical nun: While she and her brother, Moose, were raised Catholic by her former-nun mom and police captain dad, being wholly reverent has never been her thing. Rather, she’s the self-described “first punk nun,” a heavily tattooed loner who hides her ink under scarf and gloves and conceals her trauma under a jauntily sarcastic demeanor.

Although she’s somewhat found her footing as a music teacher at Saint Sebastian’s, the New Orleans school the nuns oversee, Sister Holiday’s emotional armor cracks open when an arsonist strikes and Jack, a well-liked janitor and her confidante, is killed. Stunned at his loss and baffled as to why someone would commit such violent acts against the school, Sister Holiday turns to chain-smoking and recalling memories of her former lover Nina to soothe herself. 


How Margot Douaihy turned to noir’s hard-boiled past—and looked to its future—to create Sister Holiday.


But it’s not enough: She mistrusts the police, she doesn’t feel safe, and the Raymond Chandler novels she escaped into as a kid are looming large in her mind. “Sleuthing and stubbornness were my gifts from God,” she thinks, and she’s sure as hell going to use those gifts to solve the mystery on her own. 

Scorched Grace revels in its unreliable narrator and bounty of plausible suspects, from shifty authority figures to mercurial students to enigmatic women of God. Douaihy, a poet and professor who shares Sister Holiday’s punk sensibility, immerses the reader in her hyperlocal New Orleans setting and the murky depths of Sister Holiday’s tormented soul. Her prose is frequently lyrical and often lacerating, her characters layered and intriguing. 

It’s not surprising in the slightest that this series starter is the first book published by Gillian Flynn’s eponymous new imprint. Scorched Grace is both entertaining and devastating, dominated by a queer sleuth with a clever, curious mind and a fatalistic yet somehow still hopeful heart.

Scorched Grace is an entertaining and devastating mystery that introduces Sister Holiday, a queer nun with a clever, curious mind and a fatalistic yet somehow still hopeful heart.
Review by

“The Great British Baking Show” meets Knives Out in The Golden Spoon, Jessa Maxwell’s delicious, atmospheric debut.

Celebrated baker Betsy Martin has hosted her popular show “Bake Week” from the grounds of Grafton, her Vermont family estate, for the past decade. This year, change is in the air: The network has foisted a new co-host on her, and Betsy had less input than ever before when selecting which six contestants would compete for the show’s coveted Golden Spoon award. Still, “America’s Grandmother,” as Betsy’s known among her fans, chooses to push ahead with the new season. When the competition gets underway, things start to go haywire. The contestants believe someone is sabotaging their bakes—and when a dead body is discovered, everyone in the baking tent becomes a murder suspect.

The Golden Spoon is impossible to put down, especially for fans of shows like “The Great British Baking Show.” Maxwell expertly unspools her mystery, switching among the perspectives of all six contestants, plus Betsy. The bakers’ voices and observations are a high point of the novel: Each character is distinct and well drawn, with their own motivations for joining the show and secrets to hide. There’s Stella, a former journalist and the most inexperienced baker; Hannah, the youngest contestant, who hails from a small town; Gerald, a rigid teacher who compares recipes to mathematical formulas; Pradyumna, a tech millionaire with nothing to prove; Lottie, a retired nurse with a special connection to Grafton; and Peter, who specializes in the reconstruction of historic buildings.

The novel begins with an eerie prologue from Betsy’s perspective before jumping back in time to when “Bake Week” first started filming. Readers know from the prologue that a gruesome discovery awaits, but most of the book—80%!—is devoted to following the characters through “Bake Week” and getting to know their motivations for competing. It’s not until the last fifth of the book that Betsy’s initial discovery is revealed, and from there, the plot quickly unfolds. Mystery genre fans may find many of the twists easy to spot, but Maxwell’s expert characterization and lyrical prose make The Golden Spoon a delight to devour.

Jessa Maxwell’s expert characterization makes her baking show-set mystery, The Golden Spoon, practically impossible to put down.
Review by

Vera Wong’s Unsolicited Advice for Murderers by Jesse Q. Sutanto is a delightful cozy mystery that brims with humor and heart while introducing an unforgettable lead character.

The titular Vera leads a quiet life. She runs a tea shop in San Francisco’s Chinatown that rarely sees customers and spends her days cyberstalking her son, who often ignores her calls. Vera’s routine is disrupted when she discovers a corpse in her store. She springs into action—outlining the body with a Sharpie, just like she’s seen on TV; tidying up her shop and making tea to impress the police; and most notably, swiping a flash drive from the dead man, Marshall Chen. She’s not sure the police will take his death (which is clearly a murder, to her “CSI”-trained eyes) seriously. So Vera uses the information on the flash drive to identify four suspects: Oliver, Marshall’s brother; Julia, Marshall’s widow; and Sana and Riki, who claim to be journalists investigating the suspicious death. All four have something to hide, but as Vera investigates, the group comes together in unexpected and surprising ways. Is a killer truly among this newly found family of hers?

Vera is a tour-de-force creation. She’s feisty and meddlesome, with a big imagination and bigger heart. She’s riotously funny, often without trying to be. She spends a great deal of time dispensing tough love and sage advice, and is almost always correct, much to the annoyance of her new friends. Sutanto also delivers well-drawn, memorable secondary characters, particularly Julia and her daughter, Emma. As Vera worms her way into her suspects’ lives and hearts, so, too, will the characters of Vera Wong’s Unsolicited Advice for Murderers endear themselves to readers.

The mystery itself is intriguing, with well-placed clues and foreshadowing. Marshall left behind a trail of lies and enemies, but Vera proves herself up to the task of solving his murder. And along the way, she even helps many of his friends and family heal and become better versions of themselves. Sutanto hits all the right notes in this cozy mystery, perfectly blending meddling, murder and found family.

Jesse Q. Sutanto hits all the right notes in Vera Wong’s Unsolicited Advice for Murderers, a cozy mystery worth reading for its hilariously meddlesome titular character alone.

The femme fatale is beautiful, desirable and, above all, a survivor. While she was often villainized for that last trait in her film noir heyday, these modern takes on the figure celebrate the ferocious resilience at her core. 

Stone Cold Fox

The wily narrator and antiheroine of Rachel Koller Croft’s Stone Cold Fox introduces herself as Bea—but that wasn’t the name she was born with. As a child, Bea changed her name as she moved from place to place and her mother moved from husband to husband, teaching little Bea the ways to ensnare both the right men and the money and privilege that come with them. Bea’s mother may be out of the picture now, but Bea still seeks to one-up her in every way possible. Thanks to faked credentials, Bea is a high-powered advertising executive who recently became engaged to a former client, the dull but old money wealthy Collin Case. It’s a union Bea knows will set her up for life. But when Collin’s loyal best friend, Gale Wallace-Leicester, and his flirtatious old pal Dave Bradford arrive on the scene, Bea fears that her web of lies and her greedy motivations will come to light. 

Alternating between Bea’s precarious present and her checkered past as the young and vulnerable tag-along to a truly wicked woman, screenwriter Koller Croft’s stellar debut novel is a meticulously crafted thriller that will keep the reader wondering whether Bea’s actions are horrendous or aspirational. 

A Small Affair

Vera, the results-driven narrator of Flora Collins’ A Small Affair, has a similarly aspirational lifestyle. She has a lucrative position at an up-and-coming fashion label, an enviable Instagram feed full of striking photos and unique style, a fun and supportive roommate/best friend and, most recently, an exciting older lover named Tom, a tech guru with a mouthwatering Brooklyn brownstone and wild prowess in bed. But after Vera breaks off the relationship, Tom’s body is found alongside that of his pregnant wife, Odilie, and Vera is named in a note as the cause of the murder-suicide. The story goes viral, and Vera loses it all, with no choice but to slink off to the upstate abode of her controlling hippie mother. One depression-filled year later, Vera seeks to clear her reputation and regain her position as a Manhattan scene queen. Could the late Odilie’s Instagram be the key to solving the mystery of her and Tom’s deaths? 

Vera is a fascinating contemporary femme fatale who will stop at nothing to claw her way back to the top, even if it means faking a friendship with Page, Odilie’s naive younger sister who may have secret ambitions of her own, and deep diving into Tom’s sordid life, which is full of grisly secrets that only money can protect. Collins’ second novel (after 2021’s Nanny Dearest) rotates among the perspectives of Vera, Tom and Odilie, a trifecta of complicated personalities desperate to make it in the cutthroat city that never sleeps. The result is a twisted tale of multiple femmes fatales who will use everything they’ve got to get what they want.

Two thrillers celebrate the ferocious resilience of an iconic female archetype.
Feature by

The Maltese Iguana 

Buckle up for another wild ride with Florida ne’er-do-well Serge A. Storms and his stoner sidekick, Coleman, in their 26th adventure, The Maltese Iguana by Tim Dorsey. The title, a nod to Dashiell Hammett’s The Maltese Falcon, refers not to a precious statue but instead to its modern-day Florida counterpart—an iguana-shaped bong. The basic premise of the book is that Serge Storms, now fully vaccinated after a long COVID-19 lockdown, decides a celebration is in order, upon which mayhem ensues, both figuratively and literally. Meanwhile, a CIA operation goes off the rails in Honduras, and after barely escaping with his life, the agency’s local contact makes his way to Florida, putting both him and the agents the CIA sends after him directly in Hurricane Serge’s path. There are murders, explosions, drugs, mercenaries, Florida history and folklore, wild parties, an exotic dancer, an appearance by Captain Kangaroo, a boxing rabbit and enough pingpong balls to fill the trunk of an old Ford LTD. Imagine one of those newspaper articles in which the headline begins with “Florida man” and then imagine the article extending to 336 pages. That will give you a pretty good idea of what to expect in The Maltese Iguana.

Storm Watch

C.J. Box’s Joe Pickett mysteries have been excellent since the Wyoming game warden’s very first case, 2001’s Open Season. But Box’s latest novel, Storm Watch, is perhaps the most intricately plotted and fully realized of the bunch so far. Joe is on the trail of a wounded elk as an immense winter storm closes in, but he soon stumbles across something totally unexpected: a semi-decapitated body in a mysterious shed far off the beaten track. Joe only has time to take some photos before beating a hasty retreat in hopes of outrunning the snow. When he returns after the storm, the body has disappeared. What initially seems to be a lack of interest on the part of the sheriff soon morphs into a full-blown, high-level warning that Joe keep his nose out of matters that don’t concern him. (As if that could ever happen.) Conspiracies abound, reaching up to the highest levels of state government and involving uber-wealthy absentee ranchers, bitcoin miners and underground militias. There is a lot going on, but Box keeps all the balls in the air, culminating in an ending sequence that’s pure gold and extremely satisfying on multiple levels.

Murder at Haven’s Rock

Canadian author Kelley Armstrong is perhaps best known for her Rockton mysteries, a series of seven books set in the titular village, which is hidden in Canada’s Yukon wilderness and serves as a refuge for those who cannot be effectively protected by the authorities. The Rockton series’ protagonist, detective Casey Duncan, is breaking ground on a similar endeavor with her husband, Sheriff Eric Dalton. Their new village, Haven’s Rock, will differ from Rockton in only one major way: Casey and Eric plan to handpick the residents in hopes of eliminating some of the shortcomings of the Rockton project. But things do not get off to a good start. Murder at Haven’s Rock, the title of the new book, says it all. It starts when a couple of construction crew members break the cardinal rule—Do Not Venture Out Into The Forest—and never return. Casey and Eric launch a search for the missing workers but instead find the body of an unknown woman who has been stabbed to death. Just like Armstrong’s Rockton series, Murder at Haven’s Rock is an immediately intriguing mystery populated by well-drawn characters. It’s certainly accessible as a standalone read, but I wouldn’t be surprised if readers new to Armstrong immediately seek out her previous books after finishing this superb series starter.

The Cliff’s Edge

The mother-and-son writing team known in the publishing world as Charles Todd (the mother of which, Caroline Todd, died in 2021) boasts two hit series, each set in the years immediately following World War I. The first features Inspector Ian Rutledge, a cop haunted by the ghost of a wartime casualty, and Todd began the second in 2009, a spinoff series centered on Bess Crawford, a former combat nurse marked by her own war experience. As the 13th installment, The Cliff’s Edge, opens, Bess accepts a temporary nursing position to care for a wealthy woman after a surgery. While she is on duty, a tragic accident takes place nearby: Two men, Gordon Neville and Frederick Caldwell, fall from a rocky outcropping, with Frederick dying from his injuries. But things take an ominous turn when it is revealed that the two men shared a contentious past and that Frederick’s injuries seem inconsistent with his fall. It falls to Bess to care for Gordon, who has a dislocated shoulder and a badly broken arm, and she finds herself drawn into the mystery of what actually transpired at the cliff’s edge. Both men’s grieving and angry family members complicate the situation, as does a local cop bent on pinning a murder on Gordon. As is always the case with the Bess Crawford books, the writing is perfectly evocative of the period; the conversational style, relationships and manners are all very “Downton Abbey”-esque, making for an exceptionally pleasurable ride to the ultimate reveal.

Batten down the hatches—Serge Storms is back. Read our review of Tim Dorsey’s absolutely wild Florida-set caper in this month’s Whodunit column.
Behind the Book by

Gone Girl author Gillian Flynn’s eponymous new imprint gets off to a roaring start with acclaimed poet and editor Margot Douaihy’s debut mystery, Scorched Grace. Set in New Orleans, Scorched Grace follows Sister Holiday, a former punk rocker who investigates an arson spree that threatens her community. The endlessly fascinating character represents everything Douaihy loves about hard-boiled mysteries—and how they can move forward into a more complex and diverse future.


Mysteries are my enduring passions—and vital instruments of expression. As a closeted queer woman growing up in the scrappy city of Scranton, Pennsylvania, I made myself small. Searching for headstrong characters in books and on TV felt much safer than getting to know myself.

I tore through detective stories and I watched every PBS “Mystery!” program. Hercule Poirot, Miss Marple and Sherlock Holmes were my North Stars—their certainty and ratiocination soothed me. Jessica Fletcher introduced me to the American cozy mystery and the fine art of meddling! But Raymond Chandler’s private investigator Philip Marlowe was my favorite fictional sleuth. 

Chandler’s devil-may-care brio and unsentimental yet poetic barbs were my playground. The voice-driven experience and gritty tone of his hard-boiled mysteries seduced me. My favorite PI characters bent the law when needed, collapsing the binary of criminality and justice. I hated Marlowe’s misogyny and dangerous stereotyping, but I was inspired by the opportunities for subtextual engagement. This thematic richness married with the pulse-pounding thrill of a murder mystery was too delicious to ignore. I turned my lifelong interests in mysteries, queer theory and nuanced female characterization into a creative praxis. The result is Sister Holiday, the unexpected sleuth and sardonic narrator of Scorched Grace.

In a reversal of the wiseguy archetype, my hard-nosed, hard-boiled sleuth is a 33-year-old, tatted-up nun who, as she tries to smoke out an arsonist, interrogates herself and her own imbricated identities. Sister Holiday is a budding detective who will one day take permanent vows with the Sisters of the Sublime Blood. If that seems like a wild dialectic, it should. Genre is a stable yet fluid space that invites the new into the familiar.

Read our starred review of ‘Scorched Grace’ by Margot Douaihy.

In The Long Goodbye, PI Marlowe describes himself as “a lone wolf, unmarried, getting middle-aged, and not rich. . . . I like liquor and women and chess and a few other things.” Sister Holiday is also a lone wolf, of a kind; an out queer woman when she lived in Brooklyn, she has since taken a provisional vow of celibacy as a novice nun in her New Orleans convent. But she still considers herself to be “extremely gay.” Sister Holiday is devout and unapologetically punk and queer. The more diversity we can bring to genre, the better. As Chimamanda Ngozi Adichie observed, there is real danger in the illusion of a “single story.” 

In her trenchant Crime Reads essay “The Unspoken Criminality of the Female PI,” Emily Edwards observes how canonical femmes of early PI stories “were fatales or Fridays, honeytraps or helpers. Rarely the sleuth in charge.” In my contribution to the genre, I wanted to join other feminist PI writers by giving Sister Holiday both decision-making agency and magnetism, with high camp and dark humor adding contours. She leverages her alterity and viewpoint to make surprising syntheses, connect disparate clues and take unconventional approaches.

A transgressive character needs transgressive interiority and exteriority. I used the cadence of prayers and song lyrics to blur clues, observations and memories in Sister Holiday’s narration. This let me seed red herrings and (re)direct the reader’s attention, fundamental elements of sleight of hand. With Holiday’s gold tooth and concealed tattoos, I tried to present the protagonist as a mysterious text herself, a code to be deciphered. My goal was to write a character that surprises herself and the reader, keeping everyone guessing until the very end.

Picture of Margot Douaihy by Chattman Photography.

Margot Douaihy reveals how she created Sister Holiday, the queer, crime-solving nun at the center of her debut mystery, Scorched Grace.

In The Soulmate, New York Times bestselling author Sally Hepworth follows two women who each thought she’d found once-in-a-lifetime love. One relies on memories to reconcile the partner she thought she knew—who is now suspected of murder—while the other speaks from beyond the grave, bereft of her beloved. As you would expect, the women’s stories are more intertwined than is immediately apparent.

Pippa has it all: a successful career, two gorgeous little girls, an adoring husband, Gabe, and a gorgeous new waterfront house situated on a cliff. There’s just one macabre drawback: The cliff is a frequent location for suicides. Shortly after they move in, Gabe becomes something of a guardian angel and talks multiple people out of killing themselves. But one fateful night, a woman approaches the cliff and, despite Gabe’s entreaties, jumps to her death. At least, that’s what Gabe claims, though the local authorities think otherwise. As Pippa reflects on her relationship with her soulmate—a dramatic saga full of lost jobs and sudden moves—so does Amanda, the woman at the cliff. Past and present collide as the reasons for Amanda’s journey to the cliff, and the extent to which Pippa has worked to protect the man she loves, become clear.

Hepworth is a master of suspense, teasing out a complicated and deadly tale as well as she teases out the complicated and occasionally deadly individuals behind it. None of the four “soulmates”—Pippa, Gabe, Amanda and Amanda’s husband—are all good or bad. The reality is far more interesting and intense, rife with professional ambition, struggles for power in the boardroom and bedroom and, for Pippa and Amanda, a never-ending quest to understand the men to whom they’re devoted. One character deals with severe mental illness, which Hepworth reveals and analyzes in ways both sensitive and true to life, and another holds onto a family secret with disturbing consequences. From its inciting incident to its final shocking twist, The Soulmate will keep readers in its thrall, making them wonder how well someone can really know their partner.

From its inciting incident to its final shocking twist, Sally Hepworth’s The Soulmate keeps readers in its thrall.
STARRED REVIEW

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Recent Reviews

Our Top 10 books of April include the latest from Victor LaValle, Angie Thomas, Timothy Egan and more.
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You Know Her

Meagan Jennett’s You Know Her is a crackerjack debut thriller. A book about a serial killer is not necessarily notable; there are many of those on the racks at bookstores. Books about female serial killers are in somewhat shorter supply, and a book in which said female serial killer is a narrator is fairly unusual. But here’s the kicker: You kinda want her to get away with it. Our soon-to-be-murderer Sophie Braam is a bartender when You Know Her begins. She has seen it all, and most of what she has seen has not been pretty. And then one day, a minor grievance becomes the proverbial backbreaking straw. A stolen glass of wine should not be a death sentence, you might argue, but if you had that argument with Sophie, there’s a good chance she would bring you around to her way of thinking. Sophie’s new best friend (although it is a somewhat guarded friendship) is police officer Nora Martin, one of the investigators of the first of Sophie’s murders. Nora has also seen it all, or so she thinks, but nothing can really prepare her for Sophie. Which brings us to kicker number two: You also kinda want the skillful, hardworking Nora to solve the murders. She deserves a big win to help her rise to the rank of detective, which would be a reward to be savored in her toxic, good-ol’-boy, small-town police department. Only one can win—let the games begin.

The Last Heir to Blackwood Library

Hester Fox’s The Last Heir to Blackwood Library contains romance, fantasy, the occult and religious zealotry gone off the rails; in short, it’s not your standard whodunit. However, fans of supernaturally tinged mysteries from authors such as T. Jefferson Parker and John Connolly will be intrigued by this historical spin on the subgenre, and other readers will be enticed by Fox’s first-rate writing, which is engrossing from page one. In 1927 London, the fortunes of one Ivy Radcliffe have radically changed. One day, she is sharing a drafty bed-sit apartment with her best friend and living hand to mouth. The next day, she is anointed Lady Hayworth, complete with manor house, staff, motorcar, income and a couple of handsome potential suitors. However, the solicitor who informed Ivy of her windfall neglected to tell her about the previous title holders, all of whom met with a premature and mysterious death. The Last Heir to Blackwood Library hews more closely to the mystery and suspense genre than to any other, I would say. And even though it’s more of a “whatdunit” than a whodunit, mystery readers of all types will enjoy it.

So Shall You Reap

There are series that readers return to again and again for nonstop action or a “ripped from the headlines” vibe. And then there are series that readers devour because the protagonist is a person of evident strength of character. Martin Walker’s Chief of Police Benoit “Bruno” Courreges, for example, or Louise Penny’s Chief Inspector Armand Gamache. Donna Leon’s Commissario Guido Brunetti would emerge close to the top of any such list as well. As So Shall You Reap opens, Leon’s Venetian sleuth visits a lovely, albeit somewhat neglected, old palazzo to inquire for a friend as to whether the property is for sale. A Sri Lankan man answers the door and informs him that the house is not on the market. It will not be their last interaction: The following evening, Brunetti will identify the man’s body after it is pulled from a canal. The subsequent investigation unearths inflammatory political screeds both from Sri Lanka and Italy in the man’s personal effects, which seem to be at odds with his devout Buddhism and calm demeanor during his interaction with Brunetti. It tosses Brunetti’s thoughts back to his time at university, when he was somewhat more radical in his politics than he is now as a world-weary policeman approaching retirement age. Italy in Brunetti’s younger days was plagued with bombings, kidnappings and murders, some of which are still unsolved. But one of them is about to be solved, in part by the dogged persistence of Brunetti, and in part by the almost humanlike persistence of a dog. This is the 32nd book in the series, and if it is your first Commissario Brunetti mystery, you will most likely turn immediately to the other 31.

Heart of the Nile

Although many readers regard Will Thomas’ Barker & Llewelyn mysteries as an homage to those starring Sherlock Holmes and Dr. Watson, I would suggest that they more closely resemble Rex Stout’s Nero Wolfe and Archie Goodwin mysteries. In both cases, the main sleuth’s assistant is the narrator, with both Goodwin and Llewelyn taking a decidedly tongue-in-cheek tone, especially in regard to the vicissitudes of their curmudgeonly senior partners. Both teams regularly run circles around the cops, be it NYPD or Scotland Yard, engendering awe (occasionally) and annoyance (much more regularly). Thomas’ latest mystery, Heart of the Nile, is the 14th installment in the series. It deals with the discovery of a mummy in the British Museum’s collection of ancient artifacts, the treasure trove of looted antiquities fondly known as “England’s Attic.” This particular mummy, however, may be the remains of Egypt’s most famous queen, Cleopatra. Supporting that notion is an immense uncut ruby laid in the chest cavity once occupied by her heart. The ruby disappears, people start to meet untimely and violent deaths, and Cyrus Barker and Thomas Llewelyn are summoned to unravel the mystery. This is an exceptionally entertaining series, jampacked with Victorian arcana and 19th-century London history, anchored by the quick wit and pithy observations of narrator Llewelyn.

In this month’s Whodunit column, Meagan Jennett’s crackerjack debut thriller tracks that doomed friendship. Plus, read all about the latest Commissario Brunetti mystery.
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In A Tempest at Sea, a twisty and turbulent installment of Sherry Thomas’ perennially entertaining Lady Sherlock mystery series, a glamorous Christie-esque cast sails into danger on the open seas.

A Tempest at Sea is the seventh adventure of Charlotte Holmes, a brilliant detective who solves mysteries while pretending to be the assistant of her brother, Sherlock, who in Thomas’ series does not exist and is merely the front for Charlotte’s exploits. The sleuth has recently faked her death in order to hide from Moriarty, a criminal mastermind whom Charlotte has tangled with in prior books. But now British spymaster Lord Remington has offered her a chance to return to her former life with his protection if she can find a missing dossier. The documents are soon to leave the country on the RMS Provence, protected by Moriarty’s minions. Charlotte disguises herself as a wealthy dowager and boards the ship, but then things get even more complicated. Two days into the voyage, one of the most notable passengers, a volatile self-made millionaire with a shady past, is shot dead. Charlotte and her beau, Lord Ingram, must get to the bottom of what happened, in addition to finding the dossier and protecting Charlotte’s secrets.

Thomas’ confidence and ease at the helm of the series is obvious, and she’s clearly having fun playing with the tropes and stock characters of the historical mystery subgenre. A Tempest at Sea recalls treasured Agatha Christie novels like Death on the Nile and Murder on the Orient Express, which feature a divergent group of personalities assembled for a luxury voyage that soon turns deadly. The Provence is a state-of-the-art, first-class-only steamer vessel spiriting old money and new to a host of disparate destinations, and the mystery makes the most of this setting. It’s the ultimate locked-door location—days from land, in international waters—and unlike the equally popular country house setting, there’s no escape, no reprieve and few hiding places.

There are rumblings of trouble among the passengers even before their departure, with entitled, resentful old money bumping up against the nouveau riche (both literally and figuratively). Everyone seems to harbor a secret agenda, and Thomas excels at developing these characters, especially their petty biases. Charlotte’s mother shows up and proceeds to act out against those of lesser station, and an aristocratic passenger loudly embarasses the sister of the eventual murder victim. Even in these minor skirmishes, the danger is palpable.

Though it’s not all smooth sailing—there are occasional gaps in logic, even if the charm of the characters, settings and twists outweighs them—it’s a joy to see the well-oiled Holmes team spring into action and to watch Ingram and Charlotte’s romantic relationship thrive.

It’s a joy to see Charlotte Holmes spring into action (and to watch her romantic relationship thrive) in Sherry Thomas’ A Tempest at Sea.
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Tempest Raj, author Gigi Pandian’s magician/sleuth, has an intriguing new locked-room mystery to solve in The Raven Thief.

Tempest is still getting used to working for her family’s business, Secret Staircase Construction, when she’s invited to a client’s home for a mock seance. Lavinia Kingsley hired the company to redo her home and erase all traces of her cheating ex-husband, mystery writer Corbin Colt. To celebrate the work’s completion and her new life as a single woman, Lavinia has a seance to purge Corbin from her life. Tempest, her grandfather Ashok “Ash” Raj and her magician friend Sanjay Rai are among the eight guests when disaster strikes. With everyone seated around a table and holding hands, Corbin’s body literally crashes the party, seemingly falling from the ceiling onto the table below.

The police deduce that Corbin was alive only moments earlier, so the only suspects are the seance attendees. When it comes to light that Grandpa Ash had a history with Corbin, Tempest’s beloved grandfather becomes the prime suspect. She and her friends quickly get to work to clear his name and find the real killer.

The Raven Thief is a worthy sequel to Under Lock & Skeleton Key, with all the magic, misdirection and intrigue that fans are hoping for. Tempest is an exciting, engaging lead whose knowledge of stagecraft, magic and classic whodunits, combined with her devotion to her family and friends, allow her to solve a seemingly impossible crime. Genre fans will appreciate Pandian’s many nods to golden age mysteries and their writers, and there are even some delectable recipes at the book’s end.

The Raven Thief is a worthy sequel to Under Lock & Skeleton Key, with all the magic, misdirection and intrigue that fans are hoping for.

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