Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
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Sassy, Irish-Jewish PI Tess Monaghan, protagonist of Laura Lippman's popular series, returns in the suspenseful By a Spider's Thread. This time out, Tess takes on a referral from her Uncle Donald (of the Weinstein side of the family) and finds herself getting in touch with her Jewish side. Hired by Mark Rubin, a devout Orthodox Jew, to find his wife and three children, Tess spars with tradition, treachery and of course Tyner, her former employer and soon-to-be uncle-in-law. She works this case without help from any of her usual companions: boyfriend Crow, former roommate Whitney, former client-now-friend, Jackie. However, ex-nemesis Gretchen O'Brien reappears as the leader of a whole new web of support for Tess and other women PIs. Rubin's penchant for privacy and naiveté regarding his wife and the state of his marriage make for an initially unsympathetic client. His oldest son, Isaac, however, instantly wins our hearts as a scrapper an instinctive survivalist. Without his beloved books to keep him company, Isaac spends his time concocting new ways to escape, or at least contact his father. Through him, we see a softer side of Mark, that of a father who wishes "first and foremost that you would be a virtuous man" but who also uses Advanced Mission Battleship to teach his son that he need not be the smartest one to win.

Trapped with a mother not acting herself and a man posing as his father who clearly considers him a threat, Isaac reminds us of both the resilience of children and their sometimes overlooked maturity beyond their years.

With her usual bullheadedness, Tess bends rules, interferes where she's not welcome and experiences a handful of near-death experiences. In the process, she attains a new level of self-perspection, and takes what fans might hope is a first step in the right direction. Acclaimed author Lippman knows how to keep the reader guessing: the only thing we know for certain is that in this case, the butler didn't do it.

Like Tess, Sheri Swanson has a grandmother Weinstein.

Sassy, Irish-Jewish PI Tess Monaghan, protagonist of Laura Lippman's popular series, returns in the suspenseful By a Spider's Thread. This time out, Tess takes on a referral from her Uncle Donald (of the Weinstein side of the family) and finds herself getting in touch with…

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L.A. traffic can be murder, especially for Jace Damon, the determined bike courier in Tami Hoag's 10th thriller, Kill the Messenger. When a sleazy lawyer dispatches Jace to deliver a parcel, the address turns out to be a vacant lot. A mysterious car creeps toward him with obvious menace, and soon the teen messenger is on the run. When the lawyer is later found murdered, the mismatched male-female homicide team of Parker and Ruiz join the hunt. With the killer, the cops and the sinister sedan on his tail, Jace must risk all to save himself and his younger brother Tyler, who lives with him in a Chinatown hovel.

BookPage speed-dialed Hoag at her L.A. home for details on her latest thriller.

BookPage: What brought you to Los Angeles, literally and fictionally?
Tami Hoag: I moved out here three years ago because I was in love. The relationship didn't work out, but I love it here. There's an energy and enthusiasm. Everybody comes here with a big dream, and while a lot of them don't happen, there's always a chance that it will.

Did L.A. traffic inspire the plot for Kill the Messenger?
Actually, the kernel of it came eight years ago when I happened to catch a TV news program about bike messengers in Los Angeles. They talked about how bike messengers run between lawyers and the court, and right away I was thinking, here's a connection between the whole law enforcement community that no one has ever thought about. What can they be pulled into? How can these people get into trouble? That's always foremost in my mind.

You wrote about sisters in Dark Horse. What attracted you to return to siblings in Kill the Messenger?
Probably the fact that I'm the youngest in my family, by a lot the next youngest is 10 years older than me. So I didn't really have that sense of having a big brother or big sister to help guide me as a friend. That relationship interests me. Jace and Tyler are sort of two sides to the same character; they have a lot in common but they also complement each other in different ways.

One thing that sets your thrillers apart is that you tend to reward the good guys in equal measure to the punishment you dish out to the bad guys. Did you always have such a strong sense of karma about your work?
I'm big on that. That is part of what really attracted me to writing thrillers. The arc of development of the good guy is as important to me as the bad guy. They go on this journey and it's going to change them somehow. They aren't going to be the same people as they were before.

Did you don a helmet and try your hand as a bike messenger?
I didn't get that brave, no; my bike riding days are long past! They ended when I hit my dog with a bike and flipped over and ended up skidding down the road. It was, OK: I'm not meant to ride a bike.

But you've ridden horses competitively all your life! (Laughs) I know! That's what everybody says: "You won't get on a motorcycle but you will get on a horse that will throw you into space?!" Well, yeah. Somehow that's different.

The team of Parker and Ruiz is a classic odd couple. How did you cook them up?
Parker is sort of the L.A. Sam Kovac (Kovac and Nikki Liska are featured in the Minnesota-set Ashes to Ashes and Dust to Dust). When I started the book, I had Kovac so in my mind and it wasn't working for me. Then this metrosexual guy came forth. He's like Kovac's L.A. cousin: into fashion, drives a Jag. That was fun to write. Ruiz is one of those characters who just sort of walked in fully formed, and her whole purpose was to just put him into a tailspin. She kept him so off-balance, which I thought was fun instead of having the guy so cool and under control.

Could this become a new series?
I am definitely going to go back to those characters because I so enjoyed writing them. I loved them all the way to the end of the book, which is very unusual. Usually by that time, the characters have so taken over and they're going in all these directions and it's like, I'm sick of you people! Solve your problems! Wrap it up! And with these characters, I didn't feel that at all.

 

L.A. traffic can be murder, especially for Jace Damon, the determined bike courier in Tami Hoag's 10th thriller, Kill the Messenger. When a sleazy lawyer dispatches Jace to deliver a parcel, the address turns out to be a vacant lot. A mysterious car creeps…

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When Robert Ludlum died in March of 2001, millions of fans mourned the passing of a brilliant and prolific storyteller and the loss of future novels featuring his most popular character, CIA operative Jason Bourne.

But after the tremendous international success of the 2002 film adaptation of The Bourne Identity starring Matt Damon (its sequel, The Bourne Supremacy, is scheduled to hit theaters July 23) and the ever-increasing demand worldwide for a new installment in the Bourne saga, the Ludlum estate turned to Eric Van Lustbader, author of best-selling thrillers like The Ninja and Black Heart and one of Ludlum's friends. Lustbader, a longtime admirer of Ludlum's Bourne sequence, says he "jumped at the chance, because the estate promised I could do my own story and write in my own style." The result, he says, surprised even him. "In many ways it's the best novel I've ever written."

The Bourne Legacy begins with David Webb (aka Jason Bourne) retired from the CIA and teaching linguistics at Georgetown University. But when an assassin almost kills him on campus and he is framed for the murder of his two closest friends, Webb is forced to revert to his deadly Bourne persona. With the full force of the CIA and a relentless assassin closing in on him, Bourne must stay alive long enough to figure out who set him up, and why. His desperate quest, which takes him to Paris, Crete, Budapest and Iceland, also leads him to the last place he wants to go his past. Lustbader was right: The Bourne Legacy is arguably his best work to date. (And the shocking bombshells that he drops regarding the character of Jason Bourne will have fans of this series talking for months.) Powered by highly volatile, raw-edged emotion, and dozens of complex characters, each with their own intriguing history, The Bourne Legacy will leave readers furiously turning pages until its breathtaking (and heart-wrenching) conclusion.

When Robert Ludlum died in March of 2001, millions of fans mourned the passing of a brilliant and prolific storyteller and the loss of future novels featuring his most popular character, CIA operative Jason Bourne.

But after the tremendous international success of the 2002 film adaptation…

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Sometimes it’s a bad day for news. If you work for a newspaper, that means that nothing is happening. News and Features lounge about, trying to cobble something together, and the editor worries about what can be mustered up for page one, or for the editorial space.

On a particular December day, the staff at the Alpine, Washington, Advocate faces such a challenge, with House & Home (Vida), News desk (Mitch) and editor/publisher/heroine (Emma) discussing the dearth of options for tomorrow’s paper. Fortunately for page one, the sound of police sirens on the street alerts the newsroom, and word that an eccentric artist named Craig Laurentis has been shot and wounded quickly spreads throughout town.

 
At about the same time, Sheriff Milo Dodge pushes open the newsroom door, carrying three anonymous messages he’s received that claim the innocence of one local, Larry Peterson, long ago convicted of murder and serving a life sentence. Milo also brings word that said convict has just died of a heart attack in prison. The anonymous notes were written before Peterson died, but the “coincidental” news is unsettling.
 
Thus begins The Alpine Vengeance, Mary Daheim’s 22nd entry in her Alpine Alphabet series, in which the author revisits a previous book, The Alpine Fury (book six, of course!) where Peterson’s crime and punishment topped off a story that involved Emma and many others in the extended-family atmosphere of small town Alpine.
 
Emma reruns these past events in her mind, but after she pens an obituary on Peterson’s sudden death, she herself is visited by a fourth anonymous message, this one coldly menacing. If Peterson was innocent, who was he protecting? Emma and Milo pursue the case, not willing to let sleeping—or would it be dead?—dogs lie. The duo also pursue their ongoing romance, liberally spiced by the compelling character of Milo.

Alpine is a veritable Pandora’s box of characters, and by this time (letter “V”) the author might have done well to append a cast of characters or family tree to help us cope with all the Petersons and their cousins and kin. The book’s action is oiled by quick-fire and frequently witty dialogue, with an occasional wet snowstorm thrown in to evoke the Pacific Northwest atmosphere. As the story develops, seemingly disconnected threads begin to seam together alarmingly into whole cloth. The events in Vengeance quickly prove that everything’s up for grabs as far as old murders are concerned.  

 

Sometimes it’s a bad day for news. If you work for a newspaper, that means that nothing is happening. News and Features lounge about, trying to cobble something together, and the editor worries about what can be mustered up for page one, or for the…

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The Rule of Four, a debut novel by recent Ivy League grads Ian Caldwell and Dustin Thomason, is comparable to numerous recently published thrillers (Dan Brown's The Da Vinci Code, Leslie Silbert's The Intelligencer, Lev Grossman's Codex, etc.) in which protagonists are put in mortal danger while trying to unravel cryptic secrets hidden in ancient texts. It would be an injustice, however, to categorize this novel as typical bibliophilic suspense. The Rule of Four is much more than that it's a masterfully complicated mystery, a powerfully touching romance and a cultural account of the Renaissance, as well as a bittersweet coming-of-age story about college seniors coming to grips with the "adult" world.

Tom Sullivan and Paul Harris are students at Princeton University. Paul enlists Tom's help in researching his senior thesis on the Hypnerotomachia Poliphili, a real-life, renowned, shelf-bending Renaissance manuscript attributed to an enigmatic Italian nobleman. Written in seven languages with gruesome illustrations, Hypnerotomachia has mystified academics for more than five centuries. Tom, whose late father was a scholar obsessed with the text, finds that he, too, is drawn to its tantalizing secrets. What he and Paul discover is a revelation so incredible some would murder to possess it.

Readers who enjoy cipher-powered story lines will delight in Caldwell and Thomason's acrostics, anagrams, riddles and polyalphabetic cryptography. But this novel is ultimately powered by the deep relationships between the handful of protagonists, and the things they will do to sustain their friendship. The theme of responsibility increasingly prominent as the seniors near graduation (and potential incarceration) is epitomized by a professor's remark about writing the senior thesis: it's about shouldering something so big, you can't get out from under it.

Riveting, poignant and intensely intimate, The Rule of Four is a thinking person's thriller of the highest order.

 

Paul Goat Allen is a freelance editor and writer living in Syracuse, New York.

The Rule of Four, a debut novel by recent Ivy League grads Ian Caldwell and Dustin Thomason, is comparable to numerous recently published thrillers (Dan Brown's The Da Vinci Code, Leslie Silbert's The Intelligencer, Lev Grossman's Codex, etc.) in which protagonists are put in mortal…

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Thrillers often explore espionage and intrigue from the inside, but Janette Turner Hospital’s new novel Due Preparations for the Plague plunges the reader into the shadowy world of terrorism and intelligence from an outsider’s perspective. The result is a mesmerizing tale of grief, mystery and revelation.

Due Preparations
opens as Lowell, a house painter, tries to cope with the approaching anniversary of his mother’s death in a skyjacking. As the date nears, the reader sympathizes with Lowell’s grief and anxiety. Already troubled by anger and guilt, Lowell is further shaken by unwanted phone calls from Samantha, who was among a group of children released from the doomed flight. Now a member of a support group for survivors of the incident, she pesters Lowell for any information he might have. Lowell’s troubles expand when his estranged father, a former intelligence agent, is killed in a traffic accident. Information he leaves his son sets Lowell and Samantha on the path to learning more about the tragedy that marked both their lives. An intense, riveting reading experience follows that explores the overlapping worlds of national security and international terrorism.

As civilians and proxies for the reader Lowell and Samantha have a tinge of the sinister about them. But Hospital skillfully imparts in them the idealism that drives many to enter the nation’s intelligence services, as well as the isolation and loneliness that are the toll of a lifetime in clandestine activity.

Gregory Harris is a writer and editor living in Indianapolis.

 

Thrillers often explore espionage and intrigue from the inside, but Janette Turner Hospital's new novel Due Preparations for the Plague plunges the reader into the shadowy world of terrorism and intelligence from an outsider's perspective. The result is a mesmerizing tale of grief, mystery and…

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For Pyotr Alexandrovich Kokorin, Monday, the 15th of May in the year 1876 is a good day to die. The fashionably dressed young swag, inheritor of an immense fortune, strolls through the lush thoroughfares of Moscow’s Alexander Gardens, requests a kiss from a total stranger and, being rejected, pulls a small revolver from his pocket and dispatches himself before a crowd of horrified onlookers.

The event is written off by the police as an open-and-shut case: a bored young aristocrat played a game of roulette and lost. However, Xavier Grushin, detective superintendent of the Moscow Police, decides to use the event as a training exercise for his new clerk Erast Fandorin. Unwilling to dismiss the case as a mere suicide, Fandorin pursues leads ignored by his superiors and finds himself embroiled in intrigues of global proportions. The Winter Queen is the first of Russian author Boris Akunin’s novels to be translated into English. All nine Erast Fandorin books have been bestsellers in Russia, where the series’ popularity is described as Erastomania. Combining canny intuition, keen observation and dumb luck, Fandorin resembles a 19th century Russian amalgam of Sherlock Holmes, James Bond and Samurai Jack.

Akunin writes in a charming, lyrical style that moves the story along briskly. American readers will find The Winter Queen deliciously nostalgic, distinctly Russian and surprisingly cosmopolitan in its appeal. Mike Parker is a writer in Nashville.

For Pyotr Alexandrovich Kokorin, Monday, the 15th of May in the year 1876 is a good day to die. The fashionably dressed young swag, inheritor of an immense fortune, strolls through the lush thoroughfares of Moscow's Alexander Gardens, requests a kiss from a total stranger…
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If 20-something polymaths put you off, better pass on this clever, erudite murder mystery set in the literary Boston of the mid-19th century. But you'd miss an entertaining and at times illuminating read.

Matthew Pearl, 26, a recent Yale Law School grad, became fascinated with Dante's work while at Harvard, where he earned the Dante Society of America's prestigious Dante Prize in 1998. The Society is in fact an outgrowth of a translation club founded by poet Henry Wadsworth Longfellow in Cambridge in 1865, during an era when Harvard's governing board was dead-set against admitting living languages as a valid area of study, preferring to cleave to Greek and Latin. Their reluctance also echoed the community's escalating xenophobia, prompted by the recent waves of Irish immigration. Italian, Pearl explains, "particularly represented the loose political passions, bodily appetites, and absent morals of decadent Europe." Hence, in preparing the first American edition of Dante's Inferno for publication, Longfellow's little club whose evolving roster of members included poet James Russell Lowell, litterateur/physician Dr. Oliver Wendell Holmes and publisher James T. Fields was involved in a somewhat seditious undertaking.

Pearl ups the ante by introducing a fictitious series of murders, each as the four appalled literati quickly realize based on a specific punishment to be found in Dante's various levels of hell. Whereas the recreations of academic chitchat (however faithful) can be a bit tedious, the pace picks up considerably once the quartet is hot on the scent: picture middle-aged Hardy Boys in frock coats. Pearl has a gift for the grisly recounting, for instance, the disjointed dying thoughts of a too-pliable judge whose brain is being slowly dismantled by maggots, or the shock of a greedy minister experiencing his first human touch in many years: "The grasp was alive with passion, with offense." His demise is especially unpretty.

It's only in retrospect that one can appreciate the intricacy of the plot. As one red herring after another falls victim, the true villain hides in plain sight. Forehead-smacking is in order when the revelation finally arrives.

In all, the novel represents quite a feat, if not quite a tour de force. It's intriguing to imagine what might transpire if Matthew Pearl were to cast off the bonds of historicity and decide, like many a successful lawyer-novelist before him, to tackle contemporary chicanery.

Sandy MacDonald is a writer in Cambridge and Nantucket Massachusetts.

If 20-something polymaths put you off, better pass on this clever, erudite murder mystery set in the literary Boston of the mid-19th century. But you'd miss an entertaining and at times illuminating read.

Matthew Pearl, 26, a recent Yale Law School grad, became fascinated with Dante's…

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In Night Road, best-selling author and book club favorite Kristin Hannah gives us a tale of two families, closely linked though opposite in many ways, suddenly torn apart by one heartbreaking mistake.

By the time Lexi Baill is 14—her father disappeared, her mother a drug addict—she has lived in seven different foster homes and gone to six different schools. Kids like her, she knows, are “returnable, like old soda bottles and shoes that pinched your toes.” She’s finally adopted by her grandmother’s sister Eva, who lives in Port George, Washington, where Lexi starts high school.

Also starting high school are Mia and Zach Farraday, twins from a wealthy family on nearby Pine Island. Their mother Jude is the quintessential overbearing, overprotective mother—and she would do anything for them. So when Mia, who is shy and not nearly as popular as the good-looking, athletic Zach, becomes friends with Lexi, Jude opens up her home to her as if Lexi were her third child.

Even in their senior year, when Zach and Lexi realize they have fallen in love, the three remain as close as ever, Zach devoted to his sister, and Mia and Lexi the best of friends. Then college decisions loom over them—Mia wants desperately to attend USC and for Zach to come with her, but Lexi is only able to afford the local city college. Zach is torn, but his impending separation from Lexi becomes trivial following a tragic accident as the three return from a graduation party, and the lives of all are changed forever.

Hannah keeps her readers totally engaged throughout this moving novel, which shifts from a story of young love to an exploration of Jude’s grief, guilt and rage—and ultimately her ability to forgive what happened long ago on Night Road.

 

In Night Road, best-selling author and book club favorite Kristin Hannah gives us a tale of two families, closely linked though opposite in many ways, suddenly torn apart by one heartbreaking mistake.

By the time Lexi Baill is 14—her father disappeared, her mother a drug addict—she…

Lee Child's improbable odyssey from British television executive to best-selling American novelist began in London in 1989. With businesses downsizing, he found himself at a cocktail party with colleagues from work discussing what they'd all do after the ax fell. Child told his friends, I'm going to write novels, but not while I'm working full-time. It was 1995 before he was finally fired, but by then Child was more than ready to move on. Seven years later, with the publication of his latest book, Without Fail, Lee Child finds himself well into a successful career as a novelist.

Without Fail is the sixth appearance for Child's appealing lead character, Jack Reacher, a downsized military police major. Reacher, a man in early middle age who grew up as a well-traveled Army brat and subsequently spent 18 years overseas in the military police, has a parochial view of the country he served. Now a rootless and reluctant civilian, he finds himself back in America, seeing his country for the first time with an immigrant's eye, much like his creator, who moved to the U.S. in 1998.

As a very young boy in England in the late 1950s, American popular culture consisted mainly of fragmentary artifacts left over from World War II, Child explains from his home in suburban Westchester County, New York.

Child's love affair with American popular culture continued and, by the time he went to work in British television in the mid-1970s, he was deeply immersed in it. He married an American woman and began devouring American mystery/suspense fiction and noticed a paradigm shift in the genre that disillusioned him. Except for the works of authors like Robert B. Parker and John D. MacDonald, the protagonists of many novels seemed to have figurative, if not literal, bullets near their hearts, Child says. Damaged people with a lot of self-doubt and even self-loathing. He was determined that any protagonist of his would not be one of those wounded souls.

At the same time Child committed himself to becoming a novelist, he was reading MacDonald's Travis McGee novels. He found McGee, a physically imposing man of action who never hesitated to do what he thought was right, tremendously appealing. Inspired by that model, Child created Jack Reacher, very much his own man of action, albeit one who has broad-based appeal to men and women alike.

According to the fan mail Child receives, many male readers admire the fact that Reacher isn't afraid to take drastic and sometimes deadly action, always on the side of the underdog and always for the right reason, while a significant number of female readers find his combination of physical strength and fundamental decency attractive. Men want to be him, and women want to be with him, Child explains. Reacher is heroic without being a caricature. I've often been asked to categorize Reacher, Child says. And I really can't call him a private investigator, because he doesn't have any real structure to his life. Child finally decided that Knight Errant, a wandering knight seeking adventure to prove his chivalry, was the only appropriate category for his character.

Without Fail finds Knight Errant Jack Reacher enlisted by the Secret Service to help its agents protect the vice president-elect against a credible threat on his life. Reacher assists the Secret Service in tightening up its protective tradecraft while seeking the identity of the potential assassins.

While the novel's many Secret Service personal protection details have an authentic feel to them, they aren't the result of agency cooperation, Child reveals. Anyone who says they've gotten official Secret Service cooperation regarding personal protection isn't being truthful. As its name implies the Secret Service doesn't divulge trade secrets. Finding no useful secondary sources to work with, Child decided the best way to create a believable setting for his novel was to accurately portray the institutional memory of the Secret Service. The thing that haunts the Secret Service is the JFK assassination, and virtually everything they do is predicated on making sure nothing like it ever happens again, Child says. Toward this end, he fabricated details of how they might go about protecting someone. Add the able assistance of Jack Reacher, and it all makes Without Fail a convincing and compelling read. British writer Lee Child features a uniquely American man of action in his Jack Reacher series.

Michael Grollman is a freelance writer in New Jersey.

Lee Child's improbable odyssey from British television executive to best-selling American novelist began in London in 1989. With businesses downsizing, he found himself at a cocktail party with colleagues from work discussing what they'd all do after the ax fell. Child told his friends, I'm…

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Ronnie Deal, a Hollywood movie producer on the fast-track at Velocity Pictures, is young, beautiful and smart. Pizza deliveryman Ellis Langford is a 30-something ex-convict on parole. What do Ronnie and Ellis have in common? They both have checkered pasts, a steely determination to succeed in Hollywood and ruthless homicidal psychopaths who would like to see them dead. These intriguing characters are at the center of Ray Shannon’s stylish and bold new suspense novel, Man Eater. Man Eater begins one fateful evening at the Tiki Shack bar. Ronnie is having a bad day at work, and it gets worse when she crosses swords with street thug Neon Polk. Ronnie impulsively steps in to help a young women being beaten by Polk, who is the ultimate bad guy and the worst enemy she could have. Ronnie clobbers Polk with a beer bottle and makes her escape. For a man like Neon Polk, losing a physical altercation to a man is one thing, but losing to a woman is intolerable. With his fearsome street reputation to uphold, he seeks revenge.

Enter Ellis, who has some deadly enemies of his own. He has spent the last eight years in prison, putting an end to his dream of retiring young and rich. Naturally, he put his time in prison to good use by writing novels and screenplays. Now, leading the constricting life of a pizza-delivering parolee, Ellis finds that Tinseltown is not the promised land for an ex-con. Ellis and Ronnie, attempting to dodge their pasts, form a shaky alliance in an attempt to stay alive and pursue their elusive dreams.

The violent side of Hollywood makes it the perfect backdrop for the vivid and eccentric characters that populate Man Eater. These power brokers, script-sellers, gangsters and drug dealers form a combustible combination fueled by raging egos, greed, revenge and jealousy.

Ray Shannon, described by the publisher as a pseudonym for an award-winning California author, tells a fast-paced and riveting tale that will keep the reader’s pulse racing. The author’s artful depiction of Hollywood and the movie business is a treat. His talent for mixing quirky characters, bone-jarring violence and sly humor will no doubt invite comparisons to some of Hollywood’s best big-screen adventures. C.

L. Ross reads, writes and reviews in Pismo Beach, California

Ronnie Deal, a Hollywood movie producer on the fast-track at Velocity Pictures, is young, beautiful and smart. Pizza deliveryman Ellis Langford is a 30-something ex-convict on parole. What do Ronnie and Ellis have in common? They both have checkered pasts, a steely determination to succeed…
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Suzanne Chazin, a member of the International Association of Arson Investigators, has unusual access to the inner workings of the New York City Fire Department. Her husband is a high-ranking chief and a 20-year veteran of the department, and her research includes interviews with many of its members. Flashover, her second electrifying thriller, is dedicated to the 343 members of the FDNY who died in the September 11 terrorist attacks on the World Trade Center.

In this follow-up to her well-received debut effort, The Fourth Angel, Chazen continues the adventures of Fire Marshal Georgia Skeehan. This time she's investigating a series of deaths in fires that have reached flashover stage the overwhelming combustion of a room and its contents by simultaneous ignition. What she uncovers leads her into the inner politics and hazards of the fire and police departments. Georgia discovers frightening evidence of greed and deception that are the cause of these recent deaths and perhaps others to come. The trail of clues eventually leads to a blackmailer who wants to blow up an underground New York City gasoline pipeline.

Georgia's career and personal life collide when her best friend, a woman detective with the NYPD, disappears, and the man found in the woman's blood-spattered apartment is Georgia's boyfriend and fellow marshal, Mac Marenko. What keeps her going are her strong family ties to her mother and young son. Chazin's knowledge of pyrotechnics and the machinations of the agencies sworn to protect the public lend an air of authenticity to this fast-paced thriller. Deftly drawn, Flashover's believable characters drive the action to the very last page. But what really captures the reader's attention is the wealth of details about how fires wreak havoc and how they are investigated. The smallest piece of evidence spins a tale as intricately woven as any insect's web, and only the magic of science can unlock its secrets. Firefighting is one of the most frightening jobs imaginable, and the courage and talent of these brave folk are heroically outlined in the novel. Especially after September 11, this is fiction that rings true.

 

Kelly Koepke is a freelance writer and editor in Albuquerque.

Suzanne Chazin, a member of the International Association of Arson Investigators, has unusual access to the inner workings of the New York City Fire Department. Her husband is a high-ranking chief and a 20-year veteran of the department, and her research includes interviews with many…

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Yes, that Tolkien. Simon Tolkien is the grandson of the famous author, no doubt a double-edged sword for a first-time novelist, but instead of the world of elves and trolls, this Tolkien delves into the world of judges and detectives. His famous grandfather, J.R.

R. Tolkien, wrote about the things he knew legends and myths. So, too, does the grandson, an Oxford-educated barrister who takes us from the manicured grounds of a mansion in Suffolk to the gritty holding cells of London’s Old Bailey.

Final Witness involves a manor house, an influential politician, a secret room, an unlocked door and missing jewels, all of which give this mystery a distinctly British air. Lady Greta Grahame Robinson, the one-time personal assistant and current wife of Sir Peter Robinson, is on trial for the murder of Robinson’s first wife. Her accuser is Thomas Robinson, the embittered teenage son of the murdered woman, who claims he was a terrified witness to the crime from within a hidden room. As the trial progresses, Tolkien flashes back to the beginnings of the relationship between the beautiful and enigmatic Greta and the Robinson family. Working from various points of view, Tolkien shows us the events that led to the crime, even as Greta’s flamboyant attorney spars with the state’s relentless prosecutor. As so often happens in the justice system, be it American or British, the truth is hard to pin down. Between the moody and troubled Thomas, his cold and angry father, and the complicated and mysterious Greta, Tolkien keeps us guessing as to the killer’s identity.

Simon Tolkien has the potential to become a British John Grisham. Writing in the shadow of his grandfather is certainly no easy task, but with clever plot twists, capable handling of courtroom scenes and an unerring ability to build suspense, he has proven in Final Witness that he can uphold the family name.

Yes, that Tolkien. Simon Tolkien is the grandson of the famous author, no doubt a double-edged sword for a first-time novelist, but instead of the world of elves and trolls, this Tolkien delves into the world of judges and detectives. His famous grandfather, J.R.

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