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At what point in a relationship does love become obsession? Or are all relationships degrees of obsession? Alice Loudon finds out in Nicci French’s new book Killing Me Softly. A research scientist for a major British pharmaceutical corporation, Alice leads a quiet life with a considerate, loving boyfriend, Jake. She has an interesting and entertaining circle of friends and a challenging, satisfying job.

Then one day her eyes meet those of a handsome stranger on the street, and when he is still there waiting for her later that day, she goes with him back to his place, where they make love first and exchange names later. She discovers that she has fallen (an apt expression) for Adam Tallis, a famous mountain climber and guide, and she finds herself giving up her lover, her friends, and the life that she knew in exchange for this tall, handsome stranger.

Yet when she marries him, doubt begins to creep in: just who is it that she has married? Adam Tallis has gained fame for saving several lives in the course of an expedition, but perhaps things aren’t as they seem. There are mysterious notes, and questions about dead women in Adam’s past. For her own sanity, Alice must learn the shattering truth about the man she married. If you’re a fan of romantic suspense, you’ll love this book.

At what point in a relationship does love become obsession? Or are all relationships degrees of obsession? Alice Loudon finds out in Nicci French’s new book Killing Me Softly. A research scientist for a major British pharmaceutical corporation, Alice leads a quiet life with a considerate, loving boyfriend, Jake. She has an interesting and entertaining […]
Review by

In Donor, the latest paperback from wizard plotter Charles Wilson, the author delivers another voyage inside the world of medicine that reads more like today’s headlines than fiction.

Wilson returns again to Biloxi on the Mississippi Gulf Coast in this spine-tingling book. Donor is a mixture of thriller, action-adventure, and mystery, which is only one of the many reasons why Wilson’s readership is growing rapidly across genre lines.

Too many patients are dying inside the huge public hospital where the idealistic young doctor Michael Sims works as an emergency room doctor. When Sims watches a little girl’s life ebb away despite the best that modern medicine can deliver, he becomes depressed about his choice of careers.

Across town, a popular and prominent Congressman dies, his skull shattered, but police investigators determine the death to be a suicide. Despite what they say, the Congressman’s beautiful young daughter, Shannon Donnelly, stubbornly refuses to believe that her father took his own life.

With the stage set, Wilson skillfully plots to bring Donnelly and Dr. Sims together to uncover the truth about a medical experiment that utilizes nerve regeneration and organ transplants.

Along the way, Dr. Sims becomes the top contender for the dead Congressman’s seat, thanks to a computer billionaire who wants to organize a group of national politicians to back his dream of a nationwide chain of medical research centers. And Shannon Donnelly finds herself on a path not only to find her father’s killer but to save Dr. Sims as well. That path takes them into the deepest and darkest secrets of government and medicine where there are no volunteers, no donors, and where the pair discovers that death isn’t the worst thing they have to fear. Being chosen is.

Wilson’s next hardback book, Game Plan, will be released in January. ¦ Alice Jackson Baughn is a freelance writer in Ocean Springs, Mississippi.

In Donor, the latest paperback from wizard plotter Charles Wilson, the author delivers another voyage inside the world of medicine that reads more like today’s headlines than fiction. Wilson returns again to Biloxi on the Mississippi Gulf Coast in this spine-tingling book. Donor is a mixture of thriller, action-adventure, and mystery, which is only one […]
Review by

Archy McNally, Lawrence Sanders’s sleuth in McNally’s Dilemma, takes the call one minute before he turns off his machine at midnight. It is his old friend Melva, with some bad news. Geoff Williams, erstwhile tennis pro, four-flusher cad, and husband to Melva, has met an untimely end a bullet through his chest. Melva has called Archy to report the murder and to confess that she did it. Of course, Archy and we have been around murder mysteries long enough to know that the murderer is never, never, the one who claims she did it at the beginning of the book. But unraveling the plot takes us through Sanders’s special domain, the Palm Beach cafe society set, and the parasites who live off of it.

Archy’s first job is to find Melva’s daughter and fetch her back to the murder scene. She turns out, of course, to be the requisite gorgeous twentysomething. And, of course, she finds Archy irresistible, even though he is older. In the end Archy finds the real murderer, returns to his long-term girlfriend, and enjoys his gibson at the Pelican Club, ready for the next adventure.

It may be a formula, but this book is packed with charm. There is, for one thing, Archy himself: sardonic, sartorially challenged, the son of the best society lawyer in Palm Beach, booted out of Yale Law, and now a private eye. Think Travis McGee in an ascot. He is fond enough of unusual hats that he has berets custom made in Connecticut in puce, among other colors. He also has enough quirky wise cracks to rival a Groucho Marx movie: The music was pure disco, the beat of which has always reminded me of how the ogre’s heart must have sounded when he chased Jack around the beanstalk. Even the minor characters especially the minor characters are loaded with the eccentricity and texture that make you think Sanders just can’t be making this up.

Americans, I’m told, love to read about rich people. If that is true, then Sanders has hit his market, but with a delightful band of villains and friends in this picaresque, charming whodunit. ¦ John Foster is an attorney in Columbia, South Carolina.

Archy McNally, Lawrence Sanders’s sleuth in McNally’s Dilemma, takes the call one minute before he turns off his machine at midnight. It is his old friend Melva, with some bad news. Geoff Williams, erstwhile tennis pro, four-flusher cad, and husband to Melva, has met an untimely end a bullet through his chest. Melva has called […]
Review by

One hallmark of a good writer is the ability to follow a very successful first work with one that surpasses it. April Smith has done just that with her latest suspense thriller, Be The One. This new book reflects the same originality and thorough research as her North of Montana, which was widely praised by critics and readers. This time, Smith reveals her life-long fascination with baseball when she takes the reader behind the front office of the Los Angeles Dodgers to meet the club’s fiercely competitive scouts, who are charged with finding and signing the league’s future all-stars.

Cassidy Sanderson is the daughter of legendary pitcher Smokey Sanderson and the only female scout in major league baseball. Like her male counterparts, Cassidy is a hard-living, hard-drinking, passionate follower of the game; her life revolves around the young men who struggle to make it to the minors in the hope of a shot at the big time. She is constantly on the lookout for that rarest of diamonds, The One, a player who will carry the day and lead his team to victory.

A well tended network of friends and coaches alerts Cassidy to promising prospects. Although nominally assigned an area in the United States, she is drawn to a call from Pedro Padrillo, her father’s teammate and a close family friend, who reports observing Alberto Cruz, a young player in the Dominican Republic. While in Santo Domingo observing Cruz’s play, Cassidy begins a torrid affair with Joe Galinis, a flamboyant Greek developer from Los Angeles, who owns one of the city’s plushest casinos.

Cassidy confirms Pedro’s instinct that Cruz has the talent to reach the majors and convinces her bosses to fly him to L.

A. for a closer look. Soon after he arrives at the Dodgers’s training camp, Alberto begins receiving blackmail letters, voodoo warnings, and a gruesome video all threatening to reveal the details of a fatal hit and run accident in Santo Domingo that might have involved him, Cassidy, and Joe Galinis. The blackmail threats evolve into violence when Cassidy advises Alberto not to pay; she is attacked in a nightclub parking lot and survives only because of the timely arrival of other customers.

Cassidy turns to Joe Galinis in an effort to sort out the pressures that seem to be crashing in on her usually hectic life pressures that jeopardize Alberto’s chances. The police suspect an underlying drug connection behind the violent intimidation.

Cassidy herself becomes a suspect and feels her declining influence with the club as she pushes to elevate Alberto in the upcoming player draft.

Only a true insider could include the details that flesh out Smith’s absorbing yarn as she brings all these strands to a stunning ending certain not only to make readers ask for more, but also help them appreciate the rocky climb from barrio sandlots to the majors.

John Messer is a writer in Michigan.

One hallmark of a good writer is the ability to follow a very successful first work with one that surpasses it. April Smith has done just that with her latest suspense thriller, Be The One. This new book reflects the same originality and thorough research as her North of Montana, which was widely praised by […]
Review by

Battle Born may be fiction, but it is not beyond the realm of fact which makes it all the more chilling to read. The story involves the two Koreas, China, and the United States in a political scenario that will leave readers on the edge of their seats.

Dale Brown’s favorite hero is Patrick McLanahan, a Brigadier-General in the Air Force who is now facing a formidable challenge. McLanahan is back in the air again, with a squadron of B-1 bombers belonging to Nevada’s National Guard. From this motley crew he must put together a team of combat pilots who are aggressive, young, and thoroughly skilled at pushing airplanes through the skies at supersonic speeds.

Nevada’s squadron of the B-1B Lancers is commanded by Lt. Col. Nancy Cheshire. Her major problem is keeping the pilots from battling each other. She is relatively content with her job until General McLanahan enters her life.

Meanwhile, there is a joint U.

S.-Japanese-South Korean mock bombing exercise underway. To the astonishment of the other participants, the South Korean pilots fly across the border into the North to support a revolt of the starving people of North Korea. Much to the dismay of U.

S. President Kevin Martindale, South Korean leaders declare that a United Korea exists. With that declaration the world’s newest nuclear power emerges. (The South has captured Chinese nukes which China wants back to the extent that it invades the now-unified Korea.) At this point, General McLanahan enters the conflict to try to avert World War III, bringing with him top-secret technology and his band of brazen fly-boys.

If there is a drawback to this techno-thriller, it is that Brown is so concerned with realism that he writes almost too many detailed descriptions of flying, from bomber avionics to targeting by radar. Even so, Battle Born is a gripping and entertaining novel that is hard to put down. ¦ Lloyd Armour is a retired newspaper editor in Nashville, Tennessee.

Battle Born may be fiction, but it is not beyond the realm of fact which makes it all the more chilling to read. The story involves the two Koreas, China, and the United States in a political scenario that will leave readers on the edge of their seats. Dale Brown’s favorite hero is Patrick McLanahan, […]
Review by

It is not unusual for a political thriller to possess a far-fetched plot, with America’s military and diplomatic power laid low through some foreign threat against the President or the Congress. What is different with Vince Flynn’s latest effort, Transfer of Power, emerges in its sense of authenticity, depth of research, and almost seamless dramatic scenario. In this post-Cold War environment, every nation with an intelligence operation poses a menace to the more powerful military nations. A group of Middle Eastern terrorists put together a sinister plan to seize the White House and the President, and demand the return of the vast amounts of money confiscated from Iran during the Shah’s overthrow.

While President Robert Hayes, a former U.

S. Senator and political bridgebuilder between the warring parties, is alerted to the possibility of an armed terrorist act against the Executive Mansion, there is almost nothing that can be done to stop it. At the same time that this plan is underway, a covert mission by an elite counter-terrorist team pushes ahead to snare a major Iranian figure involved in terrorism throughout the region. The snatch of the terrorist is accomplished without a hitch but the clock is ticking at the White House as the siege is about to commence.

One of Flynn’s finest skills as an up-and-coming young master in the genre of political thrillers is his ability to create a cast of compelling characters, from President Hayes to super operative Mitch Rapp to the resourceful Rafique Aziz. Each one is drawn in a few eloquent strokes, giving readers just enough substance to make them full-bodied.

The battle to capture the White House gets a top rating for its intensity and realism. The combat, like the plan to infiltrate the White House, reveals the wealth of research used in constructing the novel. None of the events leading to the entrapment of the President rings false. As the President waits nervously for the resolution of the crisis, the true nature of Beltway politics rears its ugly head, with both his allies and enemies suddenly jockeying for positions of power and advantage. Alternating views of the action from both captors and captives raise the heat. And through its unforgiving depiction of lawmakers, cabinet personnel, and government agencies, Transfer of Power says much about the take-no-prisoners attitude of American politics.

It is not unusual for a political thriller to possess a far-fetched plot, with America’s military and diplomatic power laid low through some foreign threat against the President or the Congress. What is different with Vince Flynn’s latest effort, Transfer of Power, emerges in its sense of authenticity, depth of research, and almost seamless dramatic […]
Review by

Battle Born may be fiction, but it is not beyond the realm of fact which makes it all the more chilling to read. The story involves the two Koreas, China, and the United States in a political scenario that will leave readers on the edge of their seats.

Dale Brown’s favorite hero is Patrick McLanahan, a Brigadier-General in the Air Force who is now facing a formidable challenge. McLanahan is back in the air again, with a squadron of B-1 bombers belonging to Nevada’s National Guard. From this motley crew he must put together a team of combat pilots who are aggressive, young, and thoroughly skilled at pushing airplanes through the skies at supersonic speeds.

Nevada’s squadron of the B-1B Lancers is commanded by Lt. Col. Nancy Cheshire. Her major problem is keeping the pilots from battling each other. She is relatively content with her job until General McLanahan enters her life.

Meanwhile, there is a joint U.

S.-Japanese-South Korean mock bombing exercise underway. To the astonishment of the other participants, the South Korean pilots fly across the border into the North to support a revolt of the starving people of North Korea. Much to the dismay of U.

S. President Kevin Martindale, South Korean leaders declare that a United Korea exists. With that declaration the world’s newest nuclear power emerges. (The South has captured Chinese nukes which China wants back to the extent that it invades the now-unified Korea.) At this point, General McLanahan enters the conflict to try to avert World War III, bringing with him top-secret technology and his band of brazen fly-boys.

If there is a drawback to this techno-thriller, it is that Brown is so concerned with realism that he writes almost too many detailed descriptions of flying, from bomber avionics to targeting by radar. Even so, Battle Born is a gripping and entertaining novel that is hard to put down. ¦ Lloyd Armour is a retired newspaper editor in Nashville, Tennessee.

Battle Born may be fiction, but it is not beyond the realm of fact which makes it all the more chilling to read. The story involves the two Koreas, China, and the United States in a political scenario that will leave readers on the edge of their seats. Dale Brown’s favorite hero is Patrick McLanahan, […]
Review by

It’s still a dangerous world out there. Despite the breakup of the Soviet Union, or perhaps because of it, there are plenty of powder kegs across the globe, waiting to be lit. Some of them are due to the dispersal of the weapons of a cash-poor U.S.

S.

R.; some, like the Middle East, the horn of Africa, and Northern Ireland, will be with us always. Without doubt, the biggest threat to freedom worldwide is Communist China, a country seemingly capable of doing anything to further its aims, from stealing secrets to brutally repressing dissent within its borders.

It is into this mix that writer Patrick Robinson sends his latest protagonists over 100 of them the crew of the nuclear submarine U.S.

S. Seawolf. Assigned to a covert reconnaissance mission in the South China Sea, routine quickly becomes deadly, and following a tragic mishap, the Seawolf and its crew fall into the hands of the Chinese. It quickly becomes apparent that their captors have no intention of letting them go ever. What’s worse, a member of their crew harbors a secret that, if discovered, would make the sub’s capture pale in comparison.

The Seawolf’s command crew knows they must hold their crew together until help arrives if it ever does but with personnel dying at the hands of the Chinese, they don’t know how long they can hold out. It’s up to a no-nonsense admiral, a disgraced colonel, and a crack team of Navy Seals to get the crew of the Seawolf out of their isolated prison before they are tortured into giving up the Seawolf’s secrets. And what about the sub herself? Full of detail, U.S.

S. Seawolf will please the Tom Clancy/Technothriller crowd; its rousing climax coupled with a shocking ending will leave Robinson’s fans hungry for his next book.

It’s still a dangerous world out there. Despite the breakup of the Soviet Union, or perhaps because of it, there are plenty of powder kegs across the globe, waiting to be lit. Some of them are due to the dispersal of the weapons of a cash-poor U.S. S. R.; some, like the Middle East, the […]
Behind the Book by

With her 2010 debut novel, Still Missing, Canadian author Chevy Stevens established herself as a writer who can tranform small fears into ultimate nightmares. Her new novel, That Night, evolves a tale of high school bullying into a story of revenge and twisted girl-world secrets.

In 1998, due to false testimony from classmate Shauna and her posse, high school sweethearts Toni and Ryan went to prison for killing Toni’s younger sister, Nicole—a haunted girl with well-hidden secrets. Seventeen years later, Toni and Ryan are out on parole and determined to clear their names—but Shauna's bent on sending them back behind bars. Writes our reviewer, "Chevy Stevens’ account of what it’s like to be powerless—whether as a grounded 12th-grader or a prison inmate—is pitch perfect (and relatable to anyone who’s ever been a teen)."

Stevens shares a look behind the curtain into the changing tides of her writing life:


Chevy StevensSome people say that certain songs remind them of a time in their life. For me, it’s each of my books. When I started Still Missing I was in a transitional stage, not happy in my career, my relationship or my house. I started writing the book on my old computer in the upstairs bedroom of the character home I owned. The temperature was inconsistent, and I was either too cold or sweltering in the summer. Six months later, I sold that house, and continued writing in the office at my townhouse. I can still close my eyes and see Post-it notes stuck all over the wall from when I was mapping out the sessions.

When I rewrote all the session openings, I was now single. I rented a cabin on Thetis Island, taking long walks with my dog, Annie, then writing some more. I know exactly which paragraphs I wrote when I was there. If I read them again, I’m transported back to that island, to those days when it was just us.

Not long after I signed with my agent, I met my husband, who was living down in Victoria, about an hour and a half away from me. At the time I’d gone back to work in sales, having used up almost all my savings, and I’d stay with him or a hotel when I was working in the south end of the island. I’d get up early to write on my laptop in his office, trying to be quiet so I didn’t wake him, or I’d come home to my hotel room at lunch, sneaking in a few lines before my next appointment. I was also planning our wedding during this time, excited about the beginning of my married life and my writing career.

Never Knowing was written while I lived at our townhouse, now sharing an office with my husband, our chairs back to back. It was a chaotic time in my life, trying to balance the marketing leading up the publishing of Still Missing, and then my beloved dog, Annie, became very sick. I’d write while she slept on the couch in the office. I’d glance over often, agonizing whether her breathing was okay, how she was feeling that day, if she needed medication. A lot of the stress I was feeling went into that book.

When I was writing Always Watching, I worked through my grief over having lost Annie and my own questions about the universe and whether there was a Heaven, and if I would see her again. We sold our house, and I wrote with boxes stacked around me, then at my friend’s kitchen table while we stayed there for a few days, then finally on my computer in my new office. Toward the end of the book, I found out I was pregnant. For the final three months of that book I had to take long naps on the floor in my office, constantly nauseous. Finally the book was finished—and I was out of the first trimester!

I have my best memories of the time when I was working on That Night. I loved being pregnant, the energy, the clarity of thought. Initially I wrote in my office every day, but the more pregnant I became, the more uncomfortable my seat. Finally I had to work downstairs at our table—for some reason that chair felt better. I remember that fall, looking out at the leaves coming down in our backyard, feeling the baby move in my belly. I also got a cold and spent the last trimester sneezing all over my keyboard.

In December of 2012, I was close to finishing the last draft—and close my due date. If the baby held off for another week, I’d be done, but she thwarted my plan and I went into labor on her due date. I didn’t start work on the book again until late January. I remember all the breaks for nursing, the exhaustion. I had to start the day late, and then take afternoon naps, and still work in the evening some days. I was beyond tired, but head over heels in love with my daughter. Thankfully my husband was also home during that time, and he was with Piper whenever I was writing. A few months into the start of my fifth book, Piper finally started sleeping through the night, and my days gradually returned to normal.

Now it’s spring, and I’m working out in our travel trailer, my dog Oona sleeping quietly beside me. I will finish this book in the next couple of months, probably part of it while on tour, then I’ll start my next book, and the next stage of my life. I don’t know how either will unfold yet, but I’m excited to find out. 


Thank you, Chevy!

Author photo credit Suzanne Teresa.

With her 2010 debut novel, Still Missing, Canadian author Chevy Stevens established herself as a writer who can tranform small fears into ultimate nightmares. Her new novel, That Night, evolves a tale of high school bullying into a story of revenge and twisted girl-world secrets. Stevens shares a look behind the curtain into the changing tides of her writing life.

Behind the Book by

With her 2012 novel Dare Me, Megan Abbott transformed high school bullying into a startling tale of reckless teenage chaos. In her new novel, The Fever, another group of young women find themselves at the center of pandemonium, as one by one girls fall to a mysterious infection that causes terrifying, gruesome seizures. The author shares how this haunting tale was inspired by a real-life “mass hysteria” outbreak in Le Roy, New York, in 2012.


She’s pretty, fresh-faced. A cheerleader in a hoodie, her nervous smile lurking. But something’s wrong. “I was always so active,” she says, her words broken up by a sharp vocal outburst, her head jerking. “Everyone was always so happy to be around me. I just don’t feel like myself anymore.” Her name is Thera Sanchez, and I first saw her on the “Today” show in January 2012, a time when she and several other female teens in Le Roy, New York—all with similar vocal tics and twitches—were appearing everywhere: the morning shows; CNN; every major newspaper and magazine. All these lovely, panicked girls begging for answers to the strange affliction that seemed to be spreading through their school like a plague. Watching them and their terrified parents, I couldn’t look away.

Within days of first hearing about the young women—18 in all—of Le Roy, I began writing The Fever, which chronicles a mysterious outbreak in a small town. In the novel, we see everything through the eyes of the Nash family: Tom, a high school teacher, and his two teenage children, Eli and Deenie. One by one, Deenie’s friends are struck by terrifying, unexplained seizures, and fear and hysteria spread through the town.

For several months in early 2012, it seemed like the Le Roy story was amplifying in size, with concerned parents, the media and various activists pointing the finger at environmental toxins, the HPV vaccine, rare autoimmune disorders and other potential threats. Ultimately, the medical diagnosis—accepted by most—was that the girls were suffering from “conversion disorder,” a condition in which the body “converts” emotional distress into physical symptoms. Though psychological in origin, the symptoms are involuntary and completely real. When it occurs in groups, spreading from one to the next, it is called “mass psychogenic illness,” or “mass hysteria.”

While The Fever’s plot diverges dramatically from what happened in Le Roy, I was continually reminded of the stakes for these afflicted girls, for their parents, for the community. And that fear in the girls’ eyes, which was so complicated, so haunting and real: What’s happening to me? When will I be myself again? And, perhaps most hauntingly of all, What if no one believes me?

Comparisons to the Salem witch trials appeared (and remain) everywhere, except in this case it was the afflicted girls themselves who were put on trial, accused of faking their symptoms, of being dramatic look-at-me teenagers, of making it all up, as if it were a game. One needs only to survey a few Internet comments on the articles written about the case to get a sense of what the girls faced: “This is how the herd mentality works. These little heifers are enjoying the show they’ve produced for themselves.”

The young women of Le Roy had undergone significant emotional upheavals (a sick parent, domestic abuse) that triggered the symptoms we all saw on TV, but they were being treated as unruly drama queens. Perhaps in some way, their tics made us deeply uncomfortable. And it was easier to minimize them, dismiss them. Place blame.

Last month, The Fever long finished, I began to wonder how it might be for the girls now, reportedly recovered and no longer under the media glare. I contacted Dr. Jennifer McVige, the neurologist who treated 10 of them. We talked for a long time about the experience and the aftermath, but one thing she said has hummed in my brain ever since: “I’d tell the girls, what you’re going through now is so challenging, but you’re going to come out stronger, smarter. You’re going to look back to this time in your life and say, I got through that, I can get through this. I can do anything now.”

It felt like such a parable of female adolescence, writ large. I think back to Thera Sanchez on the “Today” show, to the words she said—which, on one level, could be the words of any teenage girl, any young woman ever. There’s part of her that wants to please (“Everyone was always so happy to be around me.”), part of her that wants to do (“I was always so active.”) and part that feels lost (“I just don’t feel like myself anymore.”). She knows she’s changing, and it’s so hard because it feels like everyone’s watching, judging. And she’s just asking to be heard and understood.

Megan Abbott is the Edgar Award-winning author of seven novels. She lives in Queens, New York.

This article was originally published in the July 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

With her 2012 novel Dare Me, Megan Abbott transformed high school bullying into a startling tale of reckless teenage chaos. In her new novel, The Fever, another group of young women find themselves at the center of pandemonium, as one by one girls fall to a mysterious infection that causes terrifying, gruesome seizures. The author shares how this haunting tale was inspired by a real-life “mass hysteria” outbreak in Le Roy, New York, in 2012.
Review by

The best of damn near everything Sometimes it’s nice to have someone else do the work for you. You can’t read everything. Various yearly anthologies try to save readers the trouble of filtering out the lesser nominees for our disposable income and spare time. Prominent among them are Houghton Mifflin’s Best Of series.

The Best American Essays 1998, edited this time by acclaimed practitioner Cynthia Ozick, is the feast of fine writing we’ve come to expect from this series. The 25 contributors range from the venerable William Maxwell on Nearing Ninety to John Updike’s lovely meditation on the art of cartooning. The Best American Short Stories 1998 ($27.50, 0395875153), guest-edited by Garrison Keillor, includes 20 stories by authors such as Meg Wolitzer, Carol Anshaw, and, inevitably, John Updike. Each of these stories surprised and delighted me, Keillor writes. He isn’t alone.

A newer series, The Best American Mystery Stories 1998 ($27.50, 0395835860), edited by the alphabetical Sue Grafton, offers 20 forays into crime and punishment. The authors range from old standbys like Edward D. Hoch, John Lutz, and Donald Westlake, to surprising additions, such as Jay McInerney.

The best of damn near everything Sometimes it’s nice to have someone else do the work for you. You can’t read everything. Various yearly anthologies try to save readers the trouble of filtering out the lesser nominees for our disposable income and spare time. Prominent among them are Houghton Mifflin’s Best Of series. The Best […]
Behind the Book by

Julia Keller's debut mystery, A Killing in the Hills, introduced prosecuting attorney Belfa “Bell” Elkins and the small Appalachian town of Acker's Gap, West Virginia. In Summer of the Dead, Keller's third mystery set in Acker's Gap, Bell faces a new murderer, as well as family challenges and the burdens of the coal mining community.

The opening acknowledgements in Summer of the Dead hint at a heartbreaking story: "Some years ago I met the wise and stalwart wife of a coal miner in McDowell County, West Virginia. She had created a place for her husband under the big kitchen table; because of his many years spent working underground, and injuries to his spine, he was only comfortable in a crouching position. The story has haunted me ever since, and it inspired a key element of this novel."

Keller shed some light on this inspiration and the questions and challenges of caretaking.


A sick old man who lives in the perpetual twilight of an ancient cellar. A wayward sister trying to find herself after three decades in prison. A woman with a serious mental illness who hates being a burden to her husband.

Those people live in and around Acker’s Gap, West Virginia, the setting for my new novel, Summer of the Dead. They happen to be fictional, but in their incompleteness, their neediness, they embody a real-life dilemma of our times: caretaking. How much should we do for others? What do we owe our aging parents, our troubled siblings or spouses or friends, our children in crisis? At what point do our efforts on behalf of others actually do more harm than good—as we rob those we assist of the opportunity to develop their own strengths and inner resources? As a nation, we wonder if a surfeit of government aid might be creating a culture of dependency.

So many people I know are wrestling with these questions in their own lives. They have parents who can no longer live on their own. Or children in their 20s who can’t find jobs, hence return home. And thus when I sat down to write the third book in my mystery series set in a tattered town in the Appalachian foothills, I decided to explore the question that haunts so many of us: When it comes to loved ones in need, how can we strike a balance between helping and also preserving an individual’s dignity?

Make no mistake: Summer of the Dead is a murder mystery, and there are the requisite unsolved homicides and desperate searches for the bad guys (or gals). But as a reader, I’ve always been drawn to stories that are told obliquely, that require us to do more than merely follow the surface maneuverings of a plot. I admire Dennis Lehane’s Mystic River (2001) for its superbly drawn characters and headlong narrative—but also for its nuanced analysis of the crushing weight of class differences in a big city like Boston. Tana French’s Broken Harbor (2012) is a marvelous piece of crime fiction—and a heartbreaking depiction of the psychological impact of the housing crisis that accompanied the recent global recession, when homes in which people had poured their life savings suddenly were almost worthless. “Broke can lead people to places they would never have imagined,” muses French’s narrator. “It can scour away a lifetime of mild, peaceful decency until all that’s left is teeth and claws and terror.”

A novel always has two stories to tell: What happens—and why it’s happening. That second story is often the more interesting one. In Summer of the Dead, the characters must make agonizing decisions about how much to help those whom they love. If they do too little, they feel selfish; if they do too much, they risk feeling put-upon, filled with bitterness and resentment. And a long-simmering resentment can lead the human soul into some dark and lethal places.

Julia Keller's debut mystery, A Killing in the Hills, introduced prosecuting attorney Belfa “Bell” Elkins and the small Appalachian town of Acker's Gap, West Virginia. In Summer of the Dead, Keller's third mystery set in Acker's Gap, Bell faces a new murderer, as well as family challenges and the burdens of the coal mining community.

The opening acknowledgements in Summer of the Dead hint at a heartbreaking story: "Some years ago I met the wise and stalwart wife of a coal miner in McDowell County, West Virginia. She had created a place for her husband under the big kitchen table; because of his many years spent working underground, and injuries to his spine, he was only comfortable in a crouching position. The story has haunted me ever since, and it inspired a key element of this novel."

Keller shed some light on this inspiration and the questions and challenges of caretaking.

Behind the Book by

In his latest novel, Bradford Morrow exposes the dark side of the rare-book world, where literary forgers create fake letters, signatures and manuscripts by famous authors. His richly detailed mystery opens with a grisly scene: A reclusive book collector is found in his studio with his head bashed in and his hands severed. Morrow, a professor of literature at Bard College, explains why he was drawn to this shadowy subject.

The Forgers is a novel I have been unintentionally researching my entire adult life. How so? In my 20s I worked in both used and rare bookshops, even opened my own shop for a time, and have been a book collector ever since I sold off most of my inventory to launch the literary journal Conjunctions. My life has been thoroughly steeped in books. Over the years I’ve done almost everything one can do with a book, having spent time as a tradesman, binder, editor, translator, bibliographer, teacher, writer and voracious reader of books. The world in which The Forgers is set, then—a world of both secondhand bookshops and high-end antiquarian booksellers who deal in valuable first editions—is one I know well. Indeed, writing The Forgers propelled me back to every book fair I’ve ever attended over the years, whether it was in rural New Jersey, at a fairgrounds in California or the annual Antiquarian Booksellers Association fair at the Armory on Park Avenue.

This is not to suggest, however, that I have ever been a literary forger. Far from it. To be honest, I don’t have the strangely impressive array of skills necessary to the task. A master forger must, after all, excel as a calligrapher, a chemist and a con-man connoisseur. Forgers must have a deep, even scholarly, understanding of the author whose handwriting is to be mimicked if they are going to achieve the kind of perfection needed to get their handiwork past eagle-eyed experts. While I spent many months inside the head of my narrator—himself a master forger with a particular taste for manufacturing inscriptions, letters and manuscripts by Arthur Conan Doyle, Henry James and W.B. Yeats, and for all his faults a protagonist for whom I have a lot of affection—I don’t find his passion for messing with history to be an altogether admirable one.

And yet literary forgers from past eras have always fascinated me, such as master deceivers William Ireland, Thomas Chatterton and Thomas J. Wise, each of whom has an interesting personal backstory. All were wildly talented, imaginative and flawed. Ireland’s father, for instance, was a Shakespeare scholar and collector, and given there are precious few verified Shakespeare autographs extant, young Will decided to create some others that would enhance his father’s collection. Emboldened, he even penned some “undiscovered” Shakespeare manuscripts and letters to Anne Hathaway and Queen Elizabeth, among others. His high-wire ruse worked nicely for quite a while, although those who venerated authenticity eventually, as they are wont to do, raised concerns. It is his and others’ gnarly paths that my narrator, also named Will, has chosen to follow.

Why forgery? And why a murder mystery in which forgery is the prime focus? At lunch last year in New York, my editor, Otto Penzler, wondered if I would write a short story for a series he publishes at his wonderful Mysterious Bookshop, called Bibliomysteries. I asked him precisely how he defined bibliomystery and he said, simply, it’s a work of fiction in which books are central and a murder takes place. Although I have long been considered a so-called “literary writer,” in recent years I’ve become deeply interested in genre fiction, a neighborhood in the city of literature that is inspiring, rigorous in its architectures and terribly inviting. In part because I consider the best genre fiction, from crime to sci-fi, horror to fantasy, to be every bit as literary as literary fiction, I said yes. I settled on forgery as my theme because I felt the travesties of other misfits—like book thieves, let’s say—offered me a bit less to explore, certainly in terms of technical sophistication.

As I began sketching ideas, writing some pages in search of the right voice, I realized that my forgers would be functioning in the netherlands of the community I knew so well. With that realization, I felt immediately at home.

The next question to address was, what is the most serious deprivation a forger could suffer? Of course he needs his vintage pens and papers, his custom-mixed inks, first editions in which to create inscriptions from long-dead authors, perhaps to other long-dead authors or hitherto unsuspected lovers. Take those away, you interfere with his illicit, to him beautiful, art. But to take away his hands? You terminate it forever. So when I settled on my first line—“They never found his hands”—I was fully underway.

The thing about writing The Forgers is that the further I got into it, the more I understood I needed a larger canvas than that of a short story to explore the lives of these dark, compelling people. That short story commission turned within a matter of months into a novel, and the novel eventually explored far more than murder and rare books. Indeed, much of The Forgers is a love story complicated by death and deception, but also suffused with bibliophilia, a shared love of books. It’s a novel about secrecy, about faith and the fragile nature of redemption. It is also about the very nature of truth, the curious plasticity of reality and how history itself may be radically altered with the stroke of a pen.

 

This article was originally published in the November 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

In his latest novel, Bradford Morrow exposes the dark side of the rare-book world, where literary forgers create fake letters, signatures and manuscripts by famous authors. His richly detailed mystery opens with a grisly scene: A reclusive book collector is found in his studio with his head bashed in and his hands severed. Morrow, a professor of literature at Bard College, explains why he was drawn to this shadowy subject.

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