Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
Deadly Animals, Marie Tierney’s brilliantly plotted debut mystery, introduces readers to Ava Bonney: a 14-year-old English girl obsessed with decomposing bodies.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
John Straley’s nonstop, high-octane Big Breath In introduces the unforgettable Delphine, a 68-year-old cancer patient-turned-investigator.
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These masters of mystery prove they haven’t lost one ounce of their power to shock, thrill and enthrall.

Marked Man

I like Archer Mayor novels for much the same reason that I like Ed McBain novels: Both are populated by cops who are ever so slightly caricatures, with internecine feuds and barbed humor, but who come together as a unit when circumstances demand. In Vermont Bureau of Investigation agent Joe Gunther’s 32nd mystery, Marked Man, Joe and his team investigate the murder of a high-rolling restaurateur. The case comes to them in a most unusual way. Nine months back, the decedent passed away, seemingly due to natural causes, and donated his body to medical science. In the middle of a routine anatomical practice procedure, a medical student discovered that the corpse was likely a victim of a careful but very effective suffocation. One murder leads to another, and another, and the extended family of victim number one seems like the place to start looking for the killer or killers. If only it were that simple. Add a couple of bumbling, aging mobsters to the mix, and the fact that seemingly everyone has one deep dark secret worthy of extreme concealment measures, and it all gets very complicated very quickly. Marked Man is an excellent read, with a surprise ending and then one more surprise for good measure.

The Burning

I am not usually a fan of author duos, but I make exceptions for Charles Todd, Nicci French and the father/son team of Jonathan and Jesse Kellerman, all of whom have bottled the elusive genie of collaboration. This month, Kellerman père et fils return with The Burning, the latest installment in the saga of Bay Area coroner Clay Edison. In the midst of one of the worst Northern California wildfires in recent memory, Clay is summoned to the scene of a murder. The victim is a wealthy businessman, and among his many passions was caring for a garage full of automobile exotica, cars you might have heard of but have likely never seen in person. (Koenigsegg, anyone?) One rather pedestrian gherkin-green Camaro happens to catch Clay’s eye. It belongs to his ex-con brother, who, as it happens, has been AWOL for several days. Naturally, this makes Clay’s brother a person of interest (read: suspect) in the case. Major ethical dilemmas are posed for our hero, and let’s just say the dilemmas compound faster than loan shark interest. Beyond the mystery, the Kellermans touch on big themes here, from climate change and politics to the sometimes-tenuous yet surprisingly elastic bonds of family.

April in Spain

A criticism sometimes leveled at author John Banville is that his books can be a trifle on the slow side. There is some truth to this, but it is no bad thing. One does not, after all, gulp a fine Bordeaux or gorge on Godiva chocolate truffles. And so it is with April in Spain, a novel of slowly unfolding suspense. Banville rewards his readers with some of the finest prose in the mystery genre, a protagonist as cranky as Nero Wolfe and villains worthy of Agatha Christie’s poisoned pen. While on holiday in the Basque Country region of northern Spain, Dublin coroner Quirke runs into someone he recognizes, but he cannot remember where he knows her from. After some racking of the brain, Quirke arrives at an impossible conclusion: The woman is April Latimer, who was killed in Ireland several years earlier by her brother, who immediately afterward committed suicide by driving Quirke’s car over the edge of a high cliff. April’s body was never found. Complicating matters is the psychotic hit man sent to kill this woman in Spain. Whether or not she really is April is of little consequence to those who hired the hit man. And he’s not even the worst of the bad guys. . . . 

We Know You Remember

In the fall of 2020, Tove Alsterdal’s We Know You Remember was named Best Swedish Crime Novel of the Year by the Svenska Deckarakademin (the Swedish Academy of Crime Fiction). Previous winners of this award include Camilla Grebe, Henning Mankell and Stieg Larsson, and the runner-up list reads like a Who’s Who of Nordic Noir, so to say it is a big deal is something of an understatement. This month, the English translation hits stateside bookstores, and I don’t have to go very far out on a limb to predict that it will be one of the most talked-about suspense novels of the year. Twenty-some years ago, 14-year-old Olof Hagström was found guilty of raping and murdering a teenage girl; the circumstantial evidence was damning, but the body was never found. The incident forever changed the character of his small village, and when Olof returns to his familial home in the present day, there is no welcome mat awaiting him. Quite the opposite, actually: just a frantic dog and the dead body of Olof’s father, apparently a stabbing victim left to bleed out in the bathroom shower. Initially, of course, all fingers point toward Olof, but he provides what seems to be an ironclad alibi. Lead investigator Eira Sjödin was only 9 years old at the time of Olof’s consignment to a youthful offenders’ facility, but she soon begins to realize there are more connections between the cold case and the latest murder than immediately meet the eye. There are a lot of characters to keep track of, and non-Swedes will be thankful they do not have to read the place names aloud, but don’t let that put you off. This is in every respect a world-class Scandinavian mystery, one that will be mentioned in the same breath with Smilla’s Sense of Snow, The Redbreast or the Millennium trilogy.

These masters of mystery prove they haven’t lost one ounce of their power to shock, thrill and enthrall.

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Launching a first novel is an uncertain thing. Which signal the beginnings of a successful career? Which are flashes in the pan? It’s often hard to tell.

With these 25 debuts, however, there was no doubt. These authors astonished right out of the gate with strong storytelling prowess and memorable voices. Read on for our list of the best debuts from the century’s first decade: 2000-2009.


whiteteethWhite Teeth by Zadie Smith (2000)

Perhaps the defining debut of the 2000s, Smith’s multicultural portrait of London life perfectly captured The Way We Live Now. While totally specific in its jump-off-the-page characters and true-to-life setting, it manages to have a universal feel as well—this could be your family. This is the sort of ambitious, accomplished debut that it’s impossible to ignore, and Smith has gone on to prove her talent with three more very different but equally accomplished novels.


 

everythingisillumEverything Is Illuminated by Jonathan Safran Foer (2000)

“This best-selling novel is the work of a whiz-kid,” says our review—which about sums things up. Imaginative, quirky and humorous, the novel also tackles the Jewish diaspora and the effect of the past on the present, ideas that Foer continued to explore in his second bestseller, Extremely Loud and Incredibly Close.

 


yearofwondersYear of Wonders by Geraldine Brooks (2001)

Though she’s now one of the leading voices in historical fiction, back in 2001 Brooks was best known for her prize-winning work as a correspondent for the Wall Street Journal. She broke through the fiction barrier with a bang to tell this story of a small English village that goes into quarantine when the black plague is discovered within its boundaries.

 


enemywomenEnemy Women by Paulette Jiles (2002)

Prize-winning poet Jiles takes on a little-known slice of American history: the imprisonment of women during the Civil War. After being unjustly accused of spying, 18-year-old Adair is taken from her family home in the Ozarks to the St. Louis jail. With the help of a sympathetic Union soldier—who promises to find her once his duty is over—she manages to escape and embarks on a harrowing trek home. Jiles excels at depicting the horrors of a land and people ravaged by war, and her strong and spirited heroine is one readers will root for.

 


threejunesThree Junes by Julia Glass (2002)

An old-fashioned family drama, Glass’ fiction debut is told in three parts, a triptych that gives a full picture of the complicated bonds within the McLeod family—parents Paul and Maureen, their oldest son Fenno and their twin sons David and Dennis. Brilliantly rendered, full of characters who feel like people you know, this is a polished, perfect first book.

 


lovelybonesThe Lovely Bones by Alice Sebold (2002)

The brutal, violent death suffered by Sebold’s narrator in the opening chapter sets the tone for this bold and visceral first novel. Susie Salmon is just 14 when she goes missing on the way home from school. Though her own life is over, she continues to watch the struggles of her family from heaven as they attempt to discover what happened to their beloved little girl.

 


leavingatlantaLeaving Atlanta by Tayari Jones (2002)

Jones’ debut is a sensitively written coming-of-age story, set against the backdrop of Atlanta’s African-American neighborhoods in 1979, where black children were being murdered by an infamous serial killer. This historical drama serves to deepen Jones’ careful exploration of the dangers of growing up—and especially, the dangers of growing up black.

 


 

namesakeThe Namesake by Jhumpa Lahiri (2003)

In her first novel, Lahiri continued to showcase the elegant, deceptively simple writing that marked her Pulitzer Prize-winning story collection, expanding her scope to tell the story of Gogol Ganguli, the American-born son of Ashoke Ganguli, who arrives in Massachusetts from India in the late 1960s as an engineering student, and Ashima, Ashoke’s wife through an arranged marriage.

 


kiterunnerThe Kite Runner by Khaled Hosseini (2003)

Hosseini was a practicing physician in California when he wrote The Kite Runner, a surprise hit that illuminated Afghanistan’s tortured history through the powerful story of two boys. The novel sold more than 10 million copies in the U.S., and Hosseini has since published two other bestsellers.

 

 


knownworldbhc

The Known World by Edward P. Jones (2003)

This “staggeringly accomplished” first novel takes as its premise a surprising piece of history: Some free blacks did, in fact, own slaves themselves. Jones takes a clear-eyed look at this morally complicated time through his complex characters, including Henry Townsend, whose own parents worked for years to buy his freedom only to see him enslave others, and Jim Skiffington, a local sheriff who is personally against slavery but must uphold the laws of 1850s Virginia.

 


curiousincidentThe Curious Incident of the Dog in the Night-Time by Mark Haddon (2003)

Christopher Boone is 15, and something of an autistic savant. Yet his ability to name every prime number doesn’t help him parse the emotional turmoil of his home life. When he embarks on a mission to find out who stabbed his neighbor’s dog with a gardening fork, Christopher—who narrates the story in an inimitable voice—ends up stumbling on a much greater mystery.

 


jonathanstrangeJonathan Strange & Mr Norrell by Susanna Clarke (2004)

Who would have thought that an 800-page book starring two magicians could become a major bestseller? Though Clarke’s epic, Dickensian tale set in an alternate 1806 England might have come in on Harry Potter’s coattails, it had a style all its own. As magicians Strange and Norrell—the first in possession of abundant natural, effortless but undirected talent, and the second something of a scholarly pedant—attempt to bring magic back to England, Clarke brings magic back to the world of literary fiction. Fans of The Night Circus and The Golem and the Jinni—you’re welcome.

 


shadowofthewindThe Shadow of the Wind by Carlos Ruiz Zafon (2004)

We readers love our books about books, and Ruiz Zafon’s first adult novel—also a bestseller in his native Spain—is one of the best ever written. A twisty, Gothic tale that contains a story-within-a-story, it features a mythical “Cemetery of Forgotten Books,” a reclusive author and a Barcelona that is still reeling from the Spanish Civil War. Part noir, part coming-of-age story and part mystery, this is 100% page-turner.

 


 

godsinalabamagods in Alabama by Joshilyn Jackson (2005)

The somewhat staid world of Southern fiction got a jump-start when Jackson appeared on the scene. Though it targets themes of redemption, family bonds and the weight of the past, Jackson’s writing deals honestly with the South’s complicated past, possesses nary a jot of nostalgia and is anything but treacly. Her debut showcases all of the above and adds a saucy, strong heroine to boot.

 


preppbPrep by Curtis Sittenfeld (2005)

Novels set in prep school are a dime a dozen, which makes the fact that Prep stood out from the crowd an even more impressive feat. As middle-class, Midwestern girl Lee learns to swim among the sharks at her upscale boarding school, Sittenfeld perfectly captures all the pain and drama of growing up, making for a solid, perceptive debut.

 


The Thirteenth Tale by Diane Setterfield coverThe Thirteenth Tale by Diane Setterfield (2006)

Starring a bookish young heroine who gets drawn into a Gothic mystery involving a reclusive female writer, this dark horse debut took bestseller lists by storm upon publication and has been a perennial hit with book clubs ever since. Setterfield, who taught French before becoming a published writer, took her time coming out with a follow up, releasing her second novel nearly 8 years later.

 


specialtopicsSpecial Topics in Calamity Physics by Marisha Pessl (2006)

Voice is a big part of what marks a debut as special, and the hyper-literate, exuberant, creative voice of Marisha Pessl was one that readers could love or love to hate—but not ignore. This ambitious coming-of-age novel is also a suspenseful mystery, a story of adolescence and a touching portrayal of the father/daughter relationship. Pessl’s long-awaited second novel, Night Film, was released in 2013.

 


thenwecameThen We Came to the End by Joshua Ferris (2007)

Narrating a novel in the second-person plural is a risky choice—especially when it’s also your first book. But Ferris pulls it off with aplomb in Then We Came to the End, a high-wire act of a novel that takes a collection of office archetypes—the go-getters, the slackers, the petty tyrants—and brings them vividly to life. Written in just 14 weeks, this vibrant and lively story marked Ferris as a true writer to watch.

 


lostcityradioLost City Radio by Daniel Alarcón (2007)

The turbulent political history of South America is not often plumbed for fiction, but Alarcón does this complicated subject justice—and tells a moving tale besides—in his lyrical debut, set in an unnamed South American country. “This book is about telling the stories that people didn’t want to hear before, that were inconvenient to hear,” he told us in an interview. Alarcón’s second novel, At Night, was published in 2013.

 


briefwondrous4The Brief Wondrous Life of Oscar Wao by Junot Díaz (2007)

Díaz’s first novel, which had been anticipated for nearly a decade, stars an overweight nerd who couldn’t be more different from Yunior, the womanizing antihero introduced in Díaz’s celebrated story collection, Drown. Yet the two share a talent for falling in love, and as Díaz recounts Oscar’s journey in that inimitable voice, readers fall in love as well.

 


intthewoodsIn the Woods by Tana French (2007)

Occupying the narrow territory between suspense and literary fiction, French’s debut is a psychologically acute, harrowing police procedural. As Dublin detective Rob Ryan and his partner and best friend Cassie Maddox investigate a 12-year-old girl’s murder, Rob finds that the case stirs up a childhood trauma he can no longer ignore.

 


monsterstempletonThe Monsters of Templeton by Lauren Groff (2008)

Quirky and bold, Lauren Groff’s debut is both the story of an individual—Willie Upton, who has been told that her father isn’t the person she thought he was—and a town: Templeton, in upstate New York. As Willie pores over Templeton history in order to discover who her father is, readers are treated to the colorful histories of its varied residents. Told in several voices, including that of the area lake monster, this is a lively and compelling first novel.

 


girlwiththedragonThe Girl with the Dragon Tattoo by Stieg Larsson (2008)

One of the signs of a successful novel is its ability to spawn imitators—and we’re still feeling the impact of Stieg Larsson’s hard-boiled Swedish thriller starring a heroine who, to put it mildly, doesn’t take crap from anyone. Sadly, Larsson died before seeing his novels published, but his legacy lives on in the flood of Scandinavian thrillers and kick-ass heroines that swamp bookshelves worldwide.

 


cuttingforstonehcCutting for Stone by Abraham Verghese (2009)

Like Khaled Hosseini, Verghese trained as a doctor before turning to fiction, and his first novel stars twin siblings who both practice medicine. Marion becomes an excellent if unheralded surgeon, but Shiva, with no formal medical training, becomes a pioneer in fistula repair, a skill desperately needed in Ethiopia. As this epic tale unwinds across continents, the conflicts between the two very different brothers are juxtaposed with the larger crises in the outside world.

 


americanrustAmerican Rust by Philipp Meyer (2009)

Set in Pennsylvania, in the heart of the Rust Belt, this literary debut portrays a disappearing small-town, blue-collar America with clear-eyed perception. Best friends Isaac and Poe had planned to escape their dying hometown of Buell for college. But when these dreams are crushed, both must try to salvage their futures. Meyer, whose second novel, The Son, was published in 2013, writes with authority, and his work has been compared to American greats like McCarthy and Faulkner.

Launching a first novel is an uncertain thing. Which signal the beginnings of a successful career? Which are flashes in the pan? It’s often hard to tell. With these 25 debuts, however, there was no doubt. These authors astonished right out of the gate with…
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It’s been nearly a year since Defending Jacob, William Landay’s third novel, was published—but this chilling psychological thriller doesn’t show any signs of slowing down. After months on the New York Times bestseller list, it recently came in at a whopping #3 on our Readers’ Choice list of the Best Books of 2012. (There’s also a movie in the works from Warner Brothers.)

Like John Grisham and Scott Turow, Landay is a former attorney who turned to writing crime fiction. Also like those superstars, he is adept at crafting an irresistibly suspenseful tale. Defending Jacob is about an assistant D.A. in an affluent suburban Massachusetts town whose life is completely turned upside down when his 14-year-old son is accused of murder. So what does he do next? The father sets out to defend his own son in court.

If you are one of the many readers who got hooked on Defending Jacob, I hope you’ll enjoy these suggestions for what to read next.


Afterwards by Rosamund Lupton

Novels like Defending Jacob are so compelling, in part, because they make us think about how life can irrevocably change in a single moment. In Lupton’s second novel (after 2011’s Sister), that moment is the outbreak of a fire at an elementary school—where Grace’s son is enrolled as a student and her teenage daughter works as a teaching assistant. Was it arson? And how are Grace’s children involved? Like Defending Jacob, this is a family-centered thriller that focuses on the great lengths a parent will go to protect his or her child.


Far From the Tree: Parents, Children and the Search for Identity by Andrew Solomon

It may initially seem that a thriller and a massive nonfiction book have little in common—but in fact they address similar themes. How does a child grow up to commit criminal acts? How do parents react to major unforeseen life events? How do they move on after these events, if such a thing is even possible? For one chapter in his book, Solomon interviewed (and spent hundreds of hours with) the parents of Dylan Klebold, one of the perpetrators of the Columbine massacre. This chapter is incredibly thought-provoking and sobering and would make an appropriate supplement to Defending Jacob—especially in light of the tragedy in Newtown, CT. (Solomon has written thoughtfully about that event, as well.)


Midwives by Chris Bohjalian

Bohjalian’s 1997 book about a midwife accused of murder (by performing an emergency c-section) is one of my favorite courtroom novels of recent memory, pitting doctors against midwives and townspeople against one another—all the while raising plenty of ethical dilemmas. Like Defending Jacob, this novel takes place in a small community and shows what it’s like for a family after a criminal accusation.


We Need to Talk About Kevin by Lionel Shriver

Defending Jacob begs comparison to Shriver’s 2003 Orange Prize-winning novel, in which a teenager commits a grotesque act of violence against his classmates. As you read descriptions of parental anguish and the violent actions of a disturbed boy, you will want to cover your eyes. For better or worse—this book may give you nightmares—you will be unable to stop reading thanks to Shriver’s clever plotting.


The Good Father by Noah Hawley

This is another natural pick for readers who enjoyed Defending Jacob. In both novels, the narrator is a father who is unable to believe that his son committed murder—though in this case, the son is an adult, and the victim is a prominent presidential candidate. Why did the son do what he did? Could his parents have prevented the act of violence? A harrowing (and heartbreaking) story.

It’s been nearly a year since Defending Jacob, William Landay’s third novel, was published—but this chilling psychological thriller doesn’t show any signs of slowing down. After months on the New York Times bestseller list, it recently came in at a whopping…
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Is your book club ready to try something different after another round of literary fiction? Tired of reading the same titles as every other book club in town? Branch out with one of these mystery and suspense picks for your next book club meeting. The books on our list were screened with these criteria in mind:

• Issues, characters and/or moral dilemmas worthy of group discussion
• Suspense paired with great writing
• Books that stand alone and don’t require knowledge of earlier entries in a series
• Recently (or soon-to-be) available in paperback

Here are our top 10 recommendations:


SiracusaSiracusa by Delia Ephron

Book clubs will find plenty of fodder for discussion in Ephron’s psychological thriller about two American couples whose Italian vacation dissolves into a swirl of acrimony and infidelity. Told in alternating viewpoints by the participants, Ephron’s finely paced tale exposes some raw truths about betrayal and jealousy. A reading group guide is available online.

 


Before the FallBefore the Fall by Noah Hawley

Creator of the FX television series “Fargo” and “Legion,“ Hawley won the 2017 Edgar Award for Best Novel for this riveting mystery about a plane crash off the coast of Martha’s Vineyard that claims the lives of nine well-to-do passengers. Only two aboard survive: struggling painter Scott Burroughs and the 4-year-old son of a wealthy media titan. A reading group guide is included in the paperback edition.

 


Underground AirlinesUnderground Airlines by Ben H. Winters

Not your typical thriller, Winters’ book tackles a deadly serious topic: America’s legacy of slavery and the ways in which it still affects our culture. Described by the author as “an alternate history that wasn’t alternate enough,” this fast-paced novel depicts a present-day U.S.A. where slavery is legal in four states in the South. Victor, a black bounty hunter who tracks down escaped slaves, is on the trail of an escapee known as Jackdaw, and his pursuit will take many dramatic twists and turns.

 


Not a SoundNot a Sound by Heather Gudenkauf

Amelia Winn, the protagonist of this compelling novel, has two characteristics that distinguish her from run-of-the-mill mystery characters: She’s a nurse, and she’s deaf. Struck by a hit-and-run driver, Amelia loses her hearing—and her marriage—as a result of the crash. Two years later, as she attempts to rebuild her life, she finds the body of a fellow nurse in the river near her remote cabin. Gudenkauf, who is hearing-impaired, blends a straightforward and illuminating portrait of Amelia’s disability into this riveting tale.

 


All Is Not ForgottenAll Is Not Forgotten by Wendy Walker

Optioned for film by Reese Witherspoon, Walker’s novel has an intriguing concept: Jenny Kramer, the teenage victim of a brutal rape, is given a controversial drug that erases all her memories of the assault. The reaction of Jenny’s parents to the crime, the treatment by her psychiatrist and the secrets that surface in her Connecticut hometown all offer rich areas for discussion by reading groups.

 


Blood Salt WaterBlood Salt Water by Denise Mina

Though this is the fifth book in the Detective Alex Morrow series, newcomers should have no problem diving into this watery mystery by the masterful Scottish crime writer. Already under police surveillance for possible money laundering, Roxanna Fuentecilla disappears from her Glasgow home and turns up dead in the waters of Loch Lomond. Morrow’s investigation will take her to the scenic seaside town of Helensburgh, which may harbor dark secrets beneath its quaint exterior. Mina’s sharp writing and finely drawn characters have won her numerous awards and an international following.

 


A Great ReckoningA Great Reckoning by Louise Penny

Though we don’t have the space to enumerate all the qualities that make Penny’s Armand Gamache mysteries worth reading, two stand at the top of our list: the powerful writing and rich setting in the charming Quèbec village of Three Pines. In this outing, which earned a spot on several 2016 best books of the year lists (including our own), Gamache investigates the murder of a sadistic professor at the police academy. Discussions questions are included in the paperback edition.

 


The Woman in Cabin 10The Woman in Cabin 10 by Ruth Ware

Ware follows her hit debut, In a Dark, Dark Wood, with the gripping story of travel journalist Lo Blackstock, who thinks she’s lucky to snag a press pass for a luxury cruise from London to Norway. The idyllic cruise takes a frightening turn on the first night when Lo hears a scream from the next cabin and then a loud splash. There’s no sign of a crime, however, and ship security assures Lo that the cabin wasn’t occupied. Book club topic number one: Are Lo’s concerns overlooked because she’s a woman with a history of anxiety and panic attacks? More questions are available in an online reading group guide.

 


Behind Closed DoorsBehind Closed Doors by B.A. Paris

A handsome and successful English lawyer, Jack Angel shows admirable concern for domestic violence victims by representing battered women. But his personal life tells a different story: Jack’s treatment of his wife, Grace, is cruel and deeply disturbing. After a whirlwind courtship and marriage, Grace has become virtually a prisoner in their home, not allowed any unsupervised contact with the outside world. As Grace prepares for the arrival of her sister, Minnie, who has Down syndrome, she’s faced with a terrifying choice.

 


Redemption RoadRedemption Road by John Hart

Hart, a talented writer who won back-to-back Edgar Awards for Down River and The Lost Child, covers thought-provoking territory in his latest thriller, his first in five years. Two powerful stories are interwoven here, both involving police officers: Det. Elizabeth Bank is under investigation after fatally shooting two black teens who were raping a white girl. Meanwhile, former policeman Adrian Wall is released from prison after serving 13 years for a murder he didn’t commit. As you might expect from the book’s title, the nature of redemption is one of the topics that should generate group discussion.

Is your book club ready to try something different after another round of literary fiction? Branch out with one of these mystery and suspense picks for your next book club meeting.
Review by

It's November 1963, and Wayne Tedrow, Jr., a Las Vegas cop, is given $6,000 and sent to Dallas with instructions to make sure a pimp named Wendell Durfee pays the price for knifing a blackjack dealer. A relatively straight cop from a corrupt city, Tedrow is on his way to ground zero of a pivotal event in American history.

But The Cold Six Thousand isn't about Wayne Tedrow's little errand; it's about the men Tedrow meets, the men who really murdered JFK the assassins, their confidants, their paymasters, their bosses. It's about men with the hubris to think that people and events can be manipulated for their own personal ends, whether they are motivated by greed or idealism or the sheer lust for power.

Author James Ellroy has covered this ground before in his novels of the seamy underbelly of Los Angeles like White Jazz and L.A. Confidential. The Cold Six Thousand is a sequel to his critically acclaimed novel American Tabloid, and many of the characters from that book show up here. Ward Littell, late of the FBI, and Pete Bonderant, ex-cop, CIA asset and killer, wheel and deal with the likes of Howard Hughes, J. Edgar Hoover and Floyd Patterson. History moves with lightning speed in the 1960s, and in Ellroy's fictional world, those who don't like the way it's moving plot to change its course, on the beaches of Cuba, the streets of Las Vegas and even in the jungles of Vietnam. Some warnings are warranted. The Cold Six Thousand is not a pretty book. The language is foul; the sex is careless; the violence is explicit; and the racism is disturbing in short, it's a painful mirror of the era. The good guys don't win because there are no good guys, just a lot of black with a few shades of gray. Ellroy's trademark staccato prose style reaches new crescendos. At times it's almost like a tone poem or a '50s beat rap.

It would be nice to think that James Ellroy is wrong, that history isn't really made by the greedy and the ugly and the amoral. But The Cold Six Thousand provides a graphic glimpse of how things worked back in the '60s, and our nation hasn't been the same since that turbulent era.

James Neal Webb can remember where he was when John F. Kennedy died.

 

It's November 1963, and Wayne Tedrow, Jr., a Las Vegas cop, is given $6,000 and sent to Dallas with instructions to make sure a pimp named Wendell Durfee pays the price for knifing a blackjack dealer. A relatively straight cop from a corrupt city, Tedrow…

As an assistant district attorney in the homicide bureau of the Brooklyn D.A.'s office, first-time author Rob Reuland certainly has the experience to turn out an adequate crime novel. But in the new thriller Hollowpoint, he does much more, taking the reader on a ride that few other lawyer-authors could match.

While keenly aware that his fictive turf is well trod, Reuland has taken a markedly different approach to his journey through it. There is a murder investigation; this is, after all, Reuland's field of expertise. But he has much more on his mind than a police/courtroom procedural. The characters of this novel are struggling to survive against the decay of modern society and their own personal demons. In Reuland's skilled hands, the normal trappings of the criminal justice system give way to a place where we can almost see the flyspecked walls and smell the stale odors of sweat and fear.

Consider Reuland's protagonist. Assistant District Attorney Andy Giobberti, known as Gio, is an emotionally devastated loner who has lost his young daughter in a tragic car accident for which he feels responsible. As the book begins, Gio is assigned to a murder case that is by all appearances a slam dunk. The police have a suspect in custody with a prior criminal record and a connection to the young girl who was shot to death.

Burnt-out and cynical, Gio is willing to push this case through the system, until an off-hand remark by the investigating detective compels him to re-examine the evidence. Gio discovers some uncomfortable parallels between the tragedy of the victim and his own travails. That knowledge offers Gio as well as those touched by the tragic murder an opportunity for redemption.

It isn't fair to pigeonhole this remarkable book as merely a thriller. While Hollowpoint succeeds quite admirably on that level, Reuland writes with enough insight and power to insure that his novel will be appreciated by readers searching for more than mere suspense.

Michael Grollman is a freelance writer in New Jersey.

As an assistant district attorney in the homicide bureau of the Brooklyn D.A.'s office, first-time author Rob Reuland certainly has the experience to turn out an adequate crime novel. But in the new thriller Hollowpoint, he does much more, taking the reader on a ride…

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Stieg Larsson’s writing excels at every turn in The Girl With the Dragon Tattoo, the first book in his Millennium Trilogy: his distinctive characters are richly drawn, his plot is masterfully crafted and his prose effortlessly carries the reader along for the ride.

As this outstanding Swedish novel opens, Mikael Blomkvist, a financial journalist and publisher of the liberal magazine Millennium, is licking his wounds after being convicted of libel. He wants nothing more than to see the truth come out about corrupt financier Hans-Erik Wennerström—and to see his own journalistic integrity restored. So when Blomkvist is promised crippling information about Wennerström by elderly businessman Henrik Vanger, former CEO of the Vanger Corporation, Blomkvist is intrigued. There are strings attached, of course: Vanger wants Blomkvist to investigate the disappearance of his beloved niece, Harriet, who vanished from remote Hedeby Island in 1966 without a trace. As he begins his investigation, Blomkvist struggles to adapt to the Nordic cold (on his second day he makes a break for the local store to buy lined gloves and long underwear), while also getting used to life on a small island, where the great majority of residents share the Vanger name.

Intertwined with Blomkvist’s narrative is that of Lisbeth Salander, a tattooed, waif-thin, 20-something hacker known for her extreme antisocial behavior and capacity for violence. Eventually, the enigmatic Salander is also drawn into the mystery of Harriet’s disappearance, joining Blomkvist on the island and putting her professional skills as a freelance private investigator to use. Here the tightly written plot takes off, leading this unusual pair on a fast-paced, all-consuming journey deep into Harriet’s story, and into the secrets of the Vanger family.

This remarkable debut lands on American shelves after establishing itself as a publishing phenomenon in Europe, selling millions of copies across the continent since its 2005 Swedish publication. Sadly, the excitement surrounding this fresh new voice in literature is bittersweet—Larsson died suddenly at age 50 before the novel was published. At least fans can look forward to two more intelligent thrillers from this talented author who was taken too soon.

Kim Schmidt writes from Champaign, Illinois.

 
 

 

Stieg Larsson’s writing excels at every turn in The Girl With the Dragon Tattoo, the first book in his Millennium Trilogy: his distinctive characters are richly drawn, his plot is masterfully crafted and his prose effortlessly carries the reader along for the ride.

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Now and then—too seldom, really—one stumbles onto an addictive, engrossing novel. Every once in a while it’s also possible to find a fresh, engaging romance. And sometimes, as in The Crossing Places by Elly Griffiths, you’re lucky enough to find both in one book.

Archaeologist Ruth Galloway is overweight and pushing 40, not your typical fictional heroine. Detective Chief Inspector Harry Nelson is brusque, with a dangerous side and nary a poetic bone in his body. Plus, he’s married. This unlikely twosome sets the sparks flying in a story that unfolds at the edge of the Saltmarsh, a line of sand and mudflats where land meets ocean and ocean meets sky. This is Ruth’s home, in North Norfolk on the English coast. The lonely yet strangely inviting landscape of rain, tides, silent drifting swans and calling birds forms a unique backdrop for an atmospheric story about the discovery of a body in the marsh that police think may be that of a young local girl who disappeared some 10 years earlier.

Inspector Nelson seeks Ruth’s advice on the remains, which instead turn out to be the body of a young girl preserved for nearly 2,000 years in the peaty bog, near a circle of ancient standing stones. Ruth, excited by the discovery of ancient remains, is nevertheless drawn into the mysteries of the present when more recent human remains are found. She begins to unravel the clues posed in a series of anonymous letters dating back over a decade—clues that point to the location of the missing local youngster.

In this dark and witty novel, Griffiths makes each paragraph seem effortless, with just the right amount of description, pathos or humor. In addition to the book’s intriguing duo, the supporting characters in this story are carefully drawn, each believable and entertaining.

The first in a new crime series, The Crossing Places reassures readers of the continuing power of fiction to envelop and entertain. This is a book to save for a rainy dark day when you need a reward. And instead of saying, as you hit the last paragraph, “Well, that’s done,” you’ll be moved to hope, “please, let there be a next one!”

Barbara Clark writes from Yarmouth, Massachusetts.

Now and then—too seldom, really—one stumbles onto an addictive, engrossing novel. Every once in a while it’s also possible to find a fresh, engaging romance. And sometimes, as in The Crossing Places by Elly Griffiths, you’re lucky enough to find both in one book.

Archaeologist Ruth…

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Waking up with a hangover on the bathroom floor of a train station is never an enticing proposition. But doing so with absolutely no recollection of who you are or how you got there is even more unpleasant. Unfortunately, that is exactly the predicament faced by Luke, the protagonist in Ken Follett's latest thriller, Code to Zero.

Luke is a man without an identity, yet he possesses skills no homeless drunk would have. He effortlessly completes a crossword puzzle; he has no difficulty disarming and subduing an aggressive police officer; and he seems to know French. But he does not know who he is.

Set over less than 48 hours in 1958, Code to Zero takes place during the height of the American space race with the Soviet Union. The countdown for launch has begun for Explorer I, America's best hope to catch the Soviet Sputnik and regain the lead in space exploration.

As Luke tries to find out who he is and why he's important enough to have his identity erased, he uncovers long-kept secrets about four old friends from Harvard. The cast of characters is diverse: Anthony Carroll, now head of the Technical Services branch of the recently formed CIA; Billie Josephson, a brilliant researcher at Georgetown Mind Hospital; Bern Rothsten, Billie's ex-husband, now a famous author, and a longtime friend and rival of Luke's; and Luke's wife Elspeth, of whom he has no recollection.

Time is running out for Luke to reclaim his identity. He knows something that someone would like him to forget, and he realizes the key to piecing his life back together is somehow tied to the rocket that stands ready to launch at Cape Canaveral.

The author demonstrates a convincing understanding of American culture and language. Many readers may not be aware that Follett is British, and after reading Code to Zero they wouldn't suspect it.

Follett has made a name for himself by writing taut, well-researched thrillers, and Code to Zero is no exception.

 

Wes Breazeale is a freelance writer living in the Pacific Northwest.

Waking up with a hangover on the bathroom floor of a train station is never an enticing proposition. But doing so with absolutely no recollection of who you are or how you got there is even more unpleasant. Unfortunately, that is exactly the predicament faced…

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Politician-turned-author Raymond Flynn (with the help of novelist Robin Moore) has come out with a book whose cleverness and political timeliness would make even Tom Clancy jealous. In The Accidental Pope, first-time novelist Flynn has spun a smart and entertaining tale of the unlikely election and subsequent rise to fame of the Catholic Church's 265th pope. The timing of this novel about Vatican high politics could hardly be more prescient, coming at a time when Pope John Paul II's failing health has Catholics and non-Catholics alike actively speculating on his possible successor.

This admittedly highly incredible tale takes as its launching point the accidental election by the Council of Cardinals of Billy Kelly a Cape Cod fisherman, a widower and father of four, and a former priest who scandalized his Massachusetts parish by leaving the clergy in order to marry to the highest church office. Kelly accepts the cardinals' peculiar offer and ascends to the papacy as Pope Paul II (the latter day fisherman symbolically takes the papal name of history's most famous fisherman, the church's first pope). It soon becomes clear that Paul II was elected not through accident but through divine provenance, and that it will fall on his shoulders to reform the church in hopes of attracting a new generation of Catholics into the fold. Upon taking office, the new pope almost immediately sets out to resolve many of the questions facing modern Catholicism including such weighty issues as the role of women in the church, the interdict against clerical marriage, the increasingly desperate plight of the Third World and the question of contraception. The fictive American pope's role as a Vatican outsider allows him to bring a refreshing perspective to the debate on these issues.

As former mayor of Boston and U.S. ambassador to the Vatican from 1993-97, Flynn intimately understands both American Catholicism and Vatican politics, and his familiarity with his subject matter comes through in his writing. (Not unsurprisingly, both the U.S. ambassador and the state of Massachusetts receive high praise in Flynn's narrative.) Most of the novel's action takes place in Rome, but the fantastic and fast-paced plot takes the reader from Buzzard's Bay, Massachusetts, to Belfast, Ireland, to Rakai, Uganda, finally returning to the Eternal City where Flynn's amazing story ends on a note that is simultaneously tragic and hopeful.

Laura Beers is assistant literary editor of The New Republic.

 

Politician-turned-author Raymond Flynn (with the help of novelist Robin Moore) has come out with a book whose cleverness and political timeliness would make even Tom Clancy jealous. In The Accidental Pope, first-time novelist Flynn has spun a smart and entertaining tale of the unlikely election…

Readers in search of the best new writing in America need not search far. Trustworthy editors have scrutinized a year's worth of publications in nearly every field to cull the finest short stories, sports writing, mystery stories, essays, travel writing and poetry for new anthologies. Each collection may be enjoyed as a satisfying end in itself or as a convenient introduction to new or unfamiliar writers.

Grand Master Donald E. Westlake has assembled a fine collection in The Best American Mystery Stories 2000. Offerings range from Shel Silverstein's nimble "The Guilty Party" to Robert Girardi's gritty shocker "The Defenestration of Aba Sid." As in the other categories of Houghton Mifflin's Best American Writing Series, the editors provide a kind of runner-up list of distinguished stories (with sources) for interested readers to track down.

The Best American Essays 2000, edited by Alan Lightman, is another diverse grouping, characterized by struggles with "truth, memory, and experience. Writers range from notable newcomers like Cheryl Strayed, a graduate student at Syracause University, to Wendell Berry and Cynthia Ozick.

For compelling short fiction, turn to The Best American Short Stories 2000. Edited by E.L. Doctorow, it offers the finest short stories chosen from American and Canadian magazines. New works by Annie Proulx, Walter Mosley and Raymond Carver are balanced by relative unknowns like Nathan Englander, whose authority and imagination make "The Gilgul of Park Avenue" a real heartbreaker.

The Best American Science and Nature Writing 2000 is the first in what promises to be a remarkable series. Oliver Sacks, Wendell Berry (again) and Peter Matthiessen are some of the acclaimed writers represented. Paul DePalma's kvetchy "http://www.when_is_enough_ enough?.com" is a delightfully depressing plea to examine the Faustian bargain we strike with our own personal computers.

Another new addition to the Best American Series is The Best American Travel Writing 2000, edited by Bill Bryson. Readers are in safe hands with a guy whose last three travel books have been blockbuster bestsellers. Bryson's hand-picked 25 stories are predictable only by being unpredictable and engrossing. Take "The Toughest Trucker in the World" by Tom Clynes, about a man whose daily grind involves 18-foot alligators, leeches and some of Australia's harshest terrain. Or "Lard is Good for You" by Alden Jones, a coffee-starved gringa trying to go native in a small Costa Rican village.

The Best American Sports Writing 2000 has been delivering dramatic, thought-provoking pieces to fans for 10 years. Particularly interesting are the stories about lesser-known sports like machine gunning, curling, poker and cockfighting. The definition of "sport may be open to discussion, but the quality of writing is not.

In Best New American Voices 2000, an eclectic group of short stories has been sifted from the fertile ground of the most prestigious writing programs in the United States and Canada. It is the inaugural effort of a new series and ideal for lovers of cutting-edge fiction. No celebrated authors here, just those who promise to be groundbreakers.

Finally, in The Best American Poetry 2000, Rita Dove has distilled the finest work of her colleagues. Good poems are already distilliations of the complex chemistry of thought and feeling, so this book more than any other in the bunch gives us "the voice that is great within us. From the unnerving confessions of A.R. Ammons's "Shot Glass," to the radical refashioning of faith in Mark Jarman's "Epistle," to the sustained aria of discovery in Mary Oliver's "Work," this is the innermost country of America, and it is our country at its best.

Joanna Brichetto is on BookPage's list of best reviewers.

Readers in search of the best new writing in America need not search far. Trustworthy editors have scrutinized a year's worth of publications in nearly every field to cull the finest short stories, sports writing, mystery stories, essays, travel writing and poetry for new…

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Johnny Merrimon, the central figure in John Hart’s The Last Child, is a lineal descendant and spiritual soul mate of Huck Finn and Holden Caulfield. Like them, this 13-year-old survivor is resilient, endlessly resourceful and determined to do the right thing in a world that settles for moral shortcuts.

Johnny’s self-imposed mission is to find his twin sister, Alyssa, who went missing a year earlier, presumably kidnapped. Her disappearance has shredded his once idyllic family. Now his father is also gone, driven away by guilt—so Johnny’s mother supposes—for having failed to pick up Alyssa when he was supposed to. Bereft by this double loss, Johnny’s ethereally beautiful mother, Katherine, has fallen into drugs, alcohol and the brutal arms of her former suitor, Ken Holloway, one of the richest men in (mythical) Raven County, North Carolina, where the narrative unfolds.

Police detective Clyde Hunt is just as obsessed as Johnny with finding Alyssa. His single-minded pursuit of the case has already cost him his wife and is threatening to snap his already frayed ties to his son. To complicate matters, he is becoming increasingly attracted to Katherine. Reduced to a summary, the story sounds like a soap opera. But it’s not. Here, the interior struggles far outweigh the interpersonal encounters.

Constitutionally a loner, Johnny resorts to every device he can think of—from Christian prayer to Indian rituals to door-to-door canvassing—in his unrelenting search for his sister. At the same time, he’s scheming feverishly to protect his mother. He becomes a footloose avenger, a truth-seeking creature of the night, fearful only of failing those he loves. If, like Huck Finn, he risks going to hell for doing his duty, then so be it.

Hart knows how sensitive boys feel and think behind those tough, smirking masks and with what ferocity they cling to their causes. Johnny is innocence and experience in perfect balance.

 

Edward Morris reviews from Nashville, Tennessee.

Johnny Merrimon, the central figure in John Hart’s The Last Child, is a lineal descendant and spiritual soul mate of Huck Finn and Holden Caulfield. Like them, this 13-year-old survivor is resilient, endlessly resourceful and determined to do the right thing in a world that…

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Looking back on it, Tom Clancy's success seems as improbable as the fate of the protagonists in his many best-selling novels. The Bear and the Dragon to be released later this month, is the 11th novel from this prolific author. He has also created a successful fiction series (Op-Center) and written several nonfiction works on military topics. Not bad for a former insurance salesman.

Thomas L. Clancy, Jr. was born in Baltimore, Maryland, in 1947. He graduated from Loyola College with a major in English before settling into life as an insurance broker. Like so many English majors, he dreamed of writing a novel. In Clancy's case, his hobby of warfare became the inspiration for that novel; the technology of warfare, in particular, interested him. An avid gun collector, he eventually moved on to the study of more high-tech weaponry.

In the early 1980s, Clancy read about the captain of a Soviet frigate attempting to defect to Sweden, and the seed of a novel was planted. The Hunt for Red October was eventually published by an obscure military press. It was the first work of fiction for both, and only about 14,000 copies were printed. After President Ronald Reagan read it and pronounced it "the perfect yarn," the book shot up the New York Times bestseller list.

Sales climbed when the Navy and other intelligence sources expressed consternation at Clancy's technical accuracy. Despite the rumors, he isn't a retired spy he's simply a diligent researcher. He's been debriefed by Pentagon officials and is required reading in military colleges.

Success has brought personal gain as well as personal cost; he has a fine house overlooking Chesapeake Bay, but he's been swindled in a stock scam. He's been criticized for his technology-as-hero approach, but Clancy himself decries the "techno-thriller" label attached to his fiction. He's seen three of his novels become hit movies, and his Op-Center creation has become a TV mini-series.

The entertainment press is abuzz with talk of Ben Affleck taking over for Harrison Ford as the third actor to play Jack Ryan. All of this sets the stage for the forthcoming release of The Bear and the Dragon, wherein converging forces of Russia and China present President Jack Ryan with a crisis of devastating proportions. Can there be any doubt who will rule the bestseller lists in the fall?

Jim Webb writes from Nashville.

Looking back on it, Tom Clancy's success seems as improbable as the fate of the protagonists in his many best-selling novels. The Bear and the Dragon to be released later this month, is the 11th novel from this prolific author. He has also created a…

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